Pro-ject Authorized & Certified VPI Dealer

VINYL. OUR WAY OF LIFE SINCE 2004

(877) 929-8729
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
20% Off Vinyl - LP20
Home > Products for: '

Joan Baez

'
  • 1
Results per page:
  • Recently Recently Quick View

    $34.99
    Buy Now
    x

    Recently


    Mastered By Kevin Gray At Cohearent Audio From The Original Analog Tapes


    200-Gram Vinyl Pressing By Quality Record Pressings!


    Deluxe Tip-On Gatefold Jacket


    In 1987, the Madonna of Folk returned to U.S. record shops with a vengeance, delivering here interpretations of songs by Dire Straits, Johnny Clegg, U2 and Peter Gabriel - performers, writes AllMusic, whose political consciousness had been formed by listening to old Joan Baez albums.


    We've taken a classic and kicked it up a notch. Several notches, in fact. This 200-gram stunner, pressed at Quality Record Pressings, was expertly remastered by Kevin Gray at Cohearent Audio. Lacquer plating was by
    QRP's master technician Gary Salstrom, topped off by a heavy cardboard gatefold jacket from Stoughton Printing with vibrantly reproduced original artwork. How does it get any better?


    The title track from Recently is a stunning Joan Baez original, where she boldly answers ex-husband David Harris' downbeat memoir of the '60s, Dreams Die Hard, as well as other '80s revisionists.


    The track Asimbognagna was nominated for a Grammy Award for Best Contemporary Folk Recording.


    This title is not eligible for discount.

    1. Brothers In Arms
    2. Recently
    3. Asimbonanga
    4. The Moon Is A Harsh Mistress
    5. James & The Gang
    6. Let Us Break Bread Together/Freedom
    7. MLK
    8. Do Right Woman, Do Right Man
    9. Biko
    Joan Baez
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Whistle Down the Wind Whistle Down the Wind Quick View

    $29.99
    Buy Now
    x

    Whistle Down the Wind

    Joan Baez remains one of the most celebrated and influential artists of her generation. Her impact on successive
    generations of singer/songwriters and female artists in particular is wide-reaching and crosses all genres and
    boundaries.


    Fellow artists from Emmylou Harris and Bonnie Raitt to Jackson Browne, Mary Chapin Carpenter and
    Indigo Girls cite her as a primary influence on their own careers. A new studio album from Baez is an event that will
    be celebrated by the media.

    Joan Baez
    $29.99
    Vinyl LP - Sealed Buy Now
  • Diamonds and Rust in the Bullring Diamonds and Rust in the Bullring Quick View

    $34.99
    Buy Now
    x

    Diamonds and Rust in the Bullring


    Mastered From The Original Analog Tape By Kevin Gray At Cohearent Audio


    200-gram Vinyl Plated And Pressed At Quality Record Pressings!


    Tip-on Jacket By Stoughton Printing


    The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection (side two of the LP) consists of songs sung in Spanish.


    This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people pf Bilbao, who came out between thunderstorms to see me perform. The song in Catalan TXORIA TXORI is about a sweet little bird...I want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully. - Joan Baez. Illustrations by Joan Baez; additional vocals Mercedes Sosa.


    This title is not eligible for discount.

    1. Diamonds and Rust
    2. Ain't Gonna Let Nobody Turn Me Around
    3. No Woman No Cry
    4. Famous Blue Raincoat
    5. Swing Low Sweet Chariot
    6. Let It Be
    7. El Preso Numero Nueve
    8. Llego Con Tres Heridas
    9. Txoria Txori
    10. Ellas Danzan Solas (Cueca Sola)
    11. Gracias A La Vida
    12. No Nos Moveran
    Joan Baez
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Joan Baez (Pure Pleasure) Joan Baez (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Joan Baez (Pure Pleasure)

    At the time of its release, Joan Baez's debut album was something of a revelation. The folk music revival was beginning to gather steam, stoked on the popular side by artists such as the Kingston Trio and the Easy Riders, as well as up-and-coming ensembles such as the Highwaymen, and on the more intense and serious side by the Weavers. The female singers on the scene were mostly old-time, veteran activist types like Ronnie Gilbert and Malvina Reynolds, who was in her sixties. And then along comes this album, by a 19-year-old who looked more like the kind of co-ed every mother dreamt her son would come home with, displaying a voice from heaven, a soprano so pure and beguiling that the mere act of listening to her - forget what she was singing - was a pleasure. Baez's first album, made up primarily of traditional songs (including a startling version of House of the Rising Sun), was beguiling enough to woo even conservative-leaning listeners. Accompanied by the Weavers' Fred Hellerman and a pair of session singers, Baez gives a fine account of the most reserved and least confrontational aspects of the folk revival, presenting a brace of traditional songs (most notably East Virginia and Mary Hamilton) with an urgency and sincerity that makes the listener feel as though they were being sung for the first time, and opening with a song that was to become her signature piece for many years, Silver Dagger. The recording was notable at the time for its purity of sound, and Baez's voice soars with an awesome purity of Fare Thee Well, House of the Rising Sun, and All My Trials, and the guitar accompaniment on Wildwood Flower, among other tracks, comes through with richness and clarity.




    Musicians:



    • Joan Baez (vocal, guitar)

    • Fred Hellerman (guitar)




    Production: Maynard Solomon



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    Silver Dagger
    East Virginia

    Fare Thee Well
    House Of The Rising Sun

    All My Trials
    Wildwood Flower
    Donna Donna
    John Riley
    Rake And Rambling Boy

    Little Moses
    Mary Hamilton
    Henry Martin
    El Preso Numero Nueve
    Joan Baez
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Any Day Now (Pure Pleasure) Any Day Now (Pure Pleasure) Quick View

    $49.99
    Buy Now
    x

    Any Day Now (Pure Pleasure)

    The material - many of the Dylan classics - is unsurpassable. Her voice is at its zenith, young, supple - neither undisciplined (as in her 1st records) nor the later, low vibrato warble. There is none of the self-conscious and silly Dylan vocal imitation found in Baez's later recording. Where Dylan's own singing is wonderfully raw and rough, Baez is clear and pure. Both are great for me, but very, very different from each other. These lovely renditions are like no one else's. Just pure Joan in her finest voice.



    She is backed here by several of the very best of '70s Nashville session musicians (pickers). Some folks think of Nashville sidemen as inevitably bound up with Country Music. While this is not counter-country, it fits much more into folk - as the names Dylan and Baez rightly connote.



    One Too Many Mornings is too often overlooked among Dylan's compositions, and this is among the best renditions I've heard. The full-length, unhurried treatment Sad Eyed Lady of the Lowland is spell-binding and satisfying. Perhaps my favorite, though, is the subtle and poignant Spanish Boots of Spanish Leather. Dylan's lyrical genius is fully manifest, in his gorgeous melody and Joan Baez's a wonderful performance.
    For many of us who listened both then and recently, this pristine work inevitably reminds us how much has aged in the decades since this earlier era - also recaptured so vividly in Dylan's own Chronicles. These are timely works, both for reminiscence and to introduce newbies to the non-acid experiences that stirred an earlier generation. But regardless of any social import, this is simply beautiful poetry and music.



    Musicians:



    • Joan Baez (guitar, vocal)

    • Fred Carter (mandolin)

    • Hargus 'Pig' Robbins (keyboards)

    • Stephen Stills, Pete Drake, Harold Rugg (guitar)

    • Tommy Jackson, Johnny Gimble (violin)




    Recording: 1968 by Selby Cofeen

    Production: Maynard Solomon



    Format: 2LPs 33rpm / gatefold sleeve



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    1. Love Minus Zero/No Limit
    2. North Country Blues
    3. You Ain't Going Nowhere
    4. Drifter's Escape
    5. I Pity the Poor Immigrant

    6. Tears of Rage
    7. Sad-Eyed Lady of the Lowlands
    8. Love Is Just a Four-Letter Word
    9. I Dreamed I Saw St. Augustine

    10. The Walls of Redwing
    11. Dear Landlord
    12. One Too Many Mornings
    13. I Shall Be Released
    14. Boots of Spanish Leather
    15. Walkin' Down the Line

    16. Restless Farewell
    Joan Baez
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Bob Dylan Bob Dylan Quick View

    $49.99
    Buy Now
    x

    Bob Dylan

    Bob Dylan on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity


    Understated 1962 Debut Launched Immeasurably Influential Career


    Album Stands as Clearest Connection to Dylan's Purist Folk Roots


    Ghosts of Woody Guthrie and Blues Legends Appear Throughout Recording of Originals and Covers


    Transparent to the Source: Hyper-Detailed 45RPM Pressing Brings the Simple Sounds of Dylan's Voice, Acoustic Guitar, and Harmonica into Lifelike Perspective


    Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored 180 gram 45RPM 2LP analog version brings the contents of this seminal release as closest as they've ever come to master tape-quality. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and dimensions-the "husk and bark" to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background noise. Wider grooves mean more information reaches your ears.


    Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.


    By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's "See That My Grave Is Kept Clean," Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.


    As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, "Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin." It all starts here.


    This title is not eligible for discount.

    1. You're No Good
    2. Talkin' New York
    3. In My Time of Dyin'
    4. Man of Constant Sorrow
    5. Fixin' to Die
    6. Pretty Peggy-O
    7. Highway 51
    8. Gospel Plow
    9. Baby, Let Me Follow You Down
    10. House of the Risin' Sun
    11. Freight Train Blues
    12. Song to Woody
    13. See That My Grave Is Kept Clean
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Live At The Isle Of Wight 1970 Live At The Isle Of Wight 1970 Quick View

    $39.99
    Buy Now
    x

    Live At The Isle Of Wight 1970

    Import


    Over 40 summers ago on August 31, 1970, 35-year-old Leonard Cohen was awakened at 2 a.m. from a nap in his trailer and brought onstage to perform with his band at the 3rd annual Isle Of Wight music festival.


    The audience of 600,000 was in a fiery and frenzied mood, after turning the festival into a political arena, trampling the fences, setting fire to structures and equipment and stoked by the most incendiary performance of Jimi Hendrix's career, less than three weeks before his death.


    As Cohen followed Hendrix's set, onlookers (and fellow festival headliners) Joan Baez, Kris Kristofferson, Judy Collins and others stood sidestage in awe as the Canadian folksinger-songwriter-poet-novelist quietly tamed the crowd. Take a listen and be amazed by this live recording.

    LP1
    1. Introduction
    2. Bird On A Wire
    3. Intro To So Long, Marianne
    4. So Long, Marianne
    5. Intro: let's Renew Ourselves Now...
    6. You Know Who I Am

    7. Intro To Poems
    8. Lady Midnight
    9. They Locked Up A Man (poem) / A Person Who Eats Meat / Intro
    10. One Of Us Cannot Be Wrong
    11. The Stranger Song


    LP2
    1. Tonight Will Be Fine
    2. Hey, That's No Way To Say Goodbye
    3. Diamonds In The Mine
    4. Suzanne
    5. Sing Another Song, Boys
    6. The Partisan
    7. Famous Blue Raincoat
    8. Seems So Long Ago, Nancy

    Leonard Cohen
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Three Billboards Outside Ebbing Missouri Soundtrack Three Billboards Outside Ebbing Missouri Soundtrack Quick View

    $21.99
    Buy Now
    x

    Three Billboards Outside Ebbing Missouri Soundtrack

    Three Billboards Outside Ebbing, Missouri received the top audience prize at the Toronto Film Festival following
    wins at the Venice Festival, and now seems poised for Oscar glory. This dark comedy starring Frances McDormand
    is scored by Carter Burwell, (Carol, Coen Brothers catalog), and the soundtrack also features tracks from Joan
    Baez, Monsters of Folk, Townes Van Zandt and The Four Tops.
    1. Mildred Goes to War
    2. The Deer
    3. Buckskin Stallion Blues (Performed by Townes Van Zandt)
    4. A Cough of Blood, A Dark Drive
    5. I've Been Arrested
    6. Fruit Loops
    7. Walk Away Renee (Performed by The Four Tops)
    8. Billboards On Fire
    9. Slippers
    10. The Last Rose of Summer (Performed by RenÉe Fleming, Jeffrey Tate & The English Chamber Orchestra)
    11. My Dear Anne
    12. His Master's Voice (Performed by Monsters Of Folk)
    13. Billboards Are Back
    14. Collecting Samples
    15. Sorry Welby
    16. The Night They Drove Old Dixie Down (Performed by Joan Baez)
    17. Countermove
    18. Can't Give Up Hope
    19. Buckskin Stallion Blues (Performed by Amy Annelle)
    Carter Burwell
    $21.99
    Vinyl LP - Sealed Buy Now
  • Silent Running Soundtrack Silent Running Soundtrack Quick View

    $25.99
    Buy Now
    x

    Silent Running Soundtrack

    Pressed On Green Colored Vinyl

    The 1972 classic Silent Running is lauded as one of the most influential science fiction films of all time. The soundtrack features a memorable score by Peter Schickele and songs by Joan Baez. After the end of all botanical life on Earth, an ecologist and his robots maintain a greenhouse on a space station in order to preserve key plants from extinction. They are later ordered to destroy the greenhouse, a decision that forces them to do anything necessary to keep their invaluable greenery alive.

    1. Rejoice In The Sun (Vocal: Joan Baez)
    2. The Space Fleet
    3. Rejoice In The Sun (Instrumental)
    4. No Turning Back
    5. Driving Crazy
    6. Drifting
    7. Silent Running (Vocal: Joan Baez)

    8. The Dying Forest

    9. Tending To Huey

    10. Saturn

    11. Getting Ready
    12. Rejoice In The Sun (Reprise) [Vocal: Joan Baez]
    Peter Schickele
    $25.99
    Colored Vinyl LP - Sealed Buy Now
  • I'll Never Get Out Of This World Alive I'll Never Get Out Of This World Alive Quick View

    $23.99
    Buy Now
    x

    I'll Never Get Out Of This World Alive

    Steve Earle is set to release Ill Never Get Out Of This World Alive via New West Records. The album is the anticipated follow up to the Grammy Award winning 2009 release Townes. The 11- track set was produced by T Bone Burnett and is Earles first collection of original material since his 2007 Grammy Award winning, Washington Square Serenade.


    Writing for Ill Never Get Out Of This World Alive began three years ago, the longest span of any song cycle in Steve Earles career. The first two compositions were God Is God and I Am A Wanderer, two songs written by Earle for Joan Baez 2008 album, Day After Tomorrow (which Earle also produced). The album also includes the celebrated song This City, written for the HBO Original Series, Treme, which Earle also appeared in as an actor. This year, Earle will be reprising his role of Harley during many episodes of Tremes second season.


    This City features horn arrangements by Allen Toussaint and has garnered a Grammy Award Nomination in the Best Song Written for Motion Picture, Television or Other Visual Media Category. Additionally, the song also garnered Earles first Emmy Award nomination in the Outstanding Original Music and Lyrics Category. Ill Never Get Out Of This World Alive also features Heaven or Hell, a duet with Earles wife, the critically acclaimed singer-songwriter Allison Moorer.


    1. Waitin On The Sky

    2. Little Emperor
    3. The Gulf of Mexico
    4. Molly - O
    5. God is God
    6. Meet Me In The Alleyway
    7. Every Part of Me
    8. Lonely Are The Free
    9. Heaven or Hell (with Allison Moorer)
    10. I Am A Wanderer
    11. This City

    Steve Earle
    $23.99
    Vinyl LP - Sealed Buy Now
  • In Spite Of Ourselves In Spite Of Ourselves Quick View

    $19.99
    Buy Now
    x

    In Spite Of Ourselves

    Pressed On 180 Gram Vinyl


    Gatefold Matte Inner Sleeve


    Two time Grammy-award winner, John Prine, is a singer songwriter who, from his eponymously titled first LP release in 1971, has continued to write and perform songs that have become central to our American musical heritage. Classics like, 'Angel from Montgomery', 'Sam Stone,' 'Paradise,' and 'Hello in There' speak to the everyday experience of ordinary people with a simple honesty, and an extraordinary ability to get right through to the heart of the listener.


    Long considered a "songwriter's songwriter," John Prine is a rare talent whose writing is greatly admired by his peers. Performers who have recorded from his extensive catalog, include Johnny Cash, Bonnie Raitt, the Everly Brothers, John Denver, Kris Kristofferson, Carly Simon, Ben Harper, Joan Baez, George Strait, Old Crow Medicine Show, Norah Jones, Bette Midler, Miranda Lambert and many others.


    With his career spanning more than 40 years Prine continues to perform at sold out shows all over the US, Canada, and Europe. Among the many awards and accolades John has received in recent times include is his 2003 induction into the Nashville Songwriters Hall of Fame, an Americana Lifetime Achievement Award for songwriting and was honored at the Library of Congress by US Poet Laureate Ted Kooser. Prine has become for many, not just a well loved and appreciated songwriter, but a bonafide American treasure.

    1. (We're Not) The Jet Set - (ft. Iris DeMent)
    2. So Sad (To Watch Good Love Go Bad) - (ft. Connie Smith)
    3. Wedding Bells / Let's Turn Back The Years - (ft. Lucinda Williams)
    4. When Two Worlds Collide - (ft. Trisha Yearwood)
    5. Milwaukee Here I Come - (ft. Melba Montgomery)
    6. I Know One - (ft. Emmylou Harris)
    7. It's A Cheating Situation - (ft. Dolores Keane)
    8. Back Street Affair - (ft. Patty Loveless)
    9. Loose Talk - (ft. Connie Smith)
    10. Let's Invite Them Over - (ft. Iris DeMent)
    11. 'Til A Tear Becomes A Rose - (ft. Fiona Prine)
    12. In A Town This Size - (ft. Dolores Keane)
    13. We Could - (ft. Iris DeMent)
    14. We Must Have Been Out of Our Minds - (ft. Melba Montgomery)
    15. In Spite of Ourselves - (ft. Iris DeMent)
    16. Dear John (I Sent Your Saddle Home)
    John Prine
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Odyssey Odyssey Quick View

    $19.99
    Buy Now
    x

    Odyssey

    Sony Music Masterworks has announced the release of ODYSSEY, the extraordinary label debut album from The Accidentals.

    Named among Yahoo Music's Top 10 Bands to Watch in 2017, ODYSSEY affirms The Accidentals place among contemporary music's most original and adventurous new bands. Multi-instrumentalists Sav Buist and Katie Larson - joined onstage and in the studio by drummer Michael Dause - have crafted a genre all their own, fueled by their uniquely limitless approach to musicality and songcraft. Lyrically powerful songs like Earthbound and the potent title track see the band embracing their choice to lead an unconventional life with all its many surprising twists and turns.

    Co-produced by Buist, Larson, and Dause with engineer Jason Lehning (Mat Kearney, Guster, George Jones, Alison Krauss) at Asheville, NC's Echo Mountain Recording, ODYSSEY sees The Accidentals joined by such friends and fans as acoustic guitar maestra Kaki King, bassist - and fellow Michigander - Dominic John Davis (Jack White, Beck), Carbon Leaf guitarist Carter Gravatt, Keller Williams and The Decemberists' Jenny Conlee, who spent three days in the studio alongside the band, lending her distinctive organ to a number of the album's key tracks. The Accidentals' inviting spirit of shared creativity is perhaps best represented by the album's audacious first single, KW, showcasing the inimitable guitar work of Keller Williams, whose own virtuosic genre-agnostic approach towards music making inspired the song in the first place.

    The Accidentals' adventure began in their hometown of Traverse City, MI, when Larson, a sophomore cellist, and Buist, a junior violinist, were paired for a high school orchestra event. The gifted young musicians became fast friends and before long, bandmates. Having both grown up in musical families with professional pianists for fathers and vocalists for mothers, their shared influences bounced between classical, jazz, bluegrass, country, alt-rock, and the obscure.

    The past five years have seen The Accidentals perform over a thousand live shows, including headline dates, festival sets, and shared stages along such like-minded acts as Martin Sexton, Brandi Carlile, Andrew Bird, The Wailers, Joan Baez and others. 2015's SXSW debut saw them hailed by Billboard for displaying a genre-hopping range of influences and some smart songwriting skills to go with their abundant musical chops.

    1. KW (feat. Keller Williams)
    2. Arizona Stars
    3. The Sound a Watch Makes When Enveloped in Cotton
    4. Earthbound
    5. Crow's Feet
    6. In the Morning
    7. Ballad Tendered Gun (feat. Kaki King)
    8. Memorial Day
    9. Odyssey
    10. Cut Me Down
    11. Nightlife
    12. Stitches and Seams
    13. Chekhov's Gun
    The Accidentals
    $19.99
    Vinyl LP - Sealed Buy Now
  • Bob Dylan (Mono) Bob Dylan (Mono) Quick View

    $49.99
    Buy Now
    x

    Bob Dylan (Mono)

    Bob Dylan On Numbered Limited Edition 180 Gram Mono 45RPM 2LP From Mobile Fidelity


    Understated 1962 Debut Launched Immeasurably Influential Career


    Album Stands as Clearest Connection to Dylan's Purist Folk Roots


    Ghosts of Woody Guthrie and Blues Legends Appear Throughout Recording of Originals and Covers


    Mastered From The Original Master Tapes And Strictly Limited To 3,000 Copies


    Mobile Fidelity Mono 45RPM 2LP Features Unparalleled Directness And Sound Dylan, Producers Originally Intended


    Made when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's restored 180g mono 45RPM 2LP analog version brings the contents of this seminal release as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness-the husk and bark to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter. Wider grooves mean more information reaches your ears.


    As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album-making the mono mix all the more historically valuable and truthful.


    Much has been made of the commercial indifference that greeted the album upon its low-key release. Yet focusing on sales figures and the reaction of a public not yet hip to Dylan's name or music is to miss the forest for the trees. Distinguished from the era's other folk efforts by way of the determination, brazenness, and lived-through-this worldliness Dylan approaches the material and sings the songs, Dylan lays the groundwork for the path he'd soon trailblaze and everyone else would follow.


    By nodding to Woody Guthrie at the same time he completely re-imagines a sobering tune such as Blind Lemon Jefferson's See That My Grave Is Kept Clean, Dylan straddles the past and future. He also displays, with challenging authority and savant-like expertise, the ability to handle weighty topics such as death, sorrow, and lamentation with the vaudeville flair, bluesy mannerisms, and poignant command of an artist three times his age.


    As Dylan scholar and pop-culture critic Greil Marcus observed in 2010, Everybody knew Joan Baez and the Kingston Trio; if you knew Bob Dylan, you knew something other people didn't, something that soon enough everybody had to know. Within a year, an album could put an adjective in front of the singer's name as if it were already common coin. It all starts here.


    This title is not eligible for discount.

    1. You're No Good
    2. Talkin' New York
    3. In My Time of Dyin'
    4. Man of Constant Sorrow
    5. Fixin' to Die
    6. Pretty Peggy-O
    7. Highway 51
    8. Gospel Plow
    9. Baby, Let Me Follow You Down
    10. House of the Risin' Sun
    11. Freight Train Blues
    12. Song to Woody
    13. See That My Grave Is Kept Clean
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
  • Before The Dead (Box Set) (Out Of Stock) Before The Dead (Box Set) (Out Of Stock) Quick View

    $124.99
    x

    Before The Dead (Box Set) (Out Of Stock)

    Limited Edition Of 2500 Sets


    Five 180-Gram LPs Containing Over 3.5 Hours Of Studio & Live Performances Culled From Previously Uncirculated Masters And Newly Discovered Recordings


    Audio Restoration And Mastering By Fred Kevorkian


    Lacquers Cut By Ron Mcmaster At Capitol Studios And Pressed To Vinyl By Quality Record Pressings.


    Produced By Grateful Dead Publicist And Biographer Dennis Mcnally And Brian Miksis.


    Includes A 32-Page Book With Rare Photos, Memorabilia And In-depth Liner Note Essays By Mcnally, Miksis, Acclaimed Bluegrass Scholar Neil V. Rosenberg, Sara Ruppenthal Katz, And Stu Goldstein.


    Round Records will release its most ambitious project to date with the long-awaited Jerry Garcia boxed set Before The Dead. The project features a meticulously researched and curated compilation of recordings the iconic Grateful Dead founder made prior to forming the legendary band. Before The Dead includes never before heard performances, recordings that have never been commercially released and a small selection that have. From intimate live recordings to live studio recordings to field recordings, Before The Dead serves as a historical document in the spirit of renowned releases by Smithsonian Folkways and influential field recordings by Alan Lomax. The music on Before The Dead was selected and co-produced by longtime Grateful Dead publicist/author Dennis McNally and documentarian Brian Miksis. The audio was restored and mastered by Fred Kevorkian.


    The first release from Before The Dead features the Black Mountain Boys (Garcia, Robert Hunter, David Nelson and Eric Thompson) in a rare 1964 live recording of "Rosa Lee McFall". Written by Charlie Monroe, the song would remain with Garcia throughout his career, reinterpreted later on with The Grateful Dead, Jerry Garcia Acoustic Band and Garcia/Grisman. This is the first time this track has ever been released.


    The 5-LP boxed set is pressed to 180-gram vinyl in a limited edition of 2,500 pieces and includes a special in-depth 32-page book featuring essays by McNally and Miksis, rare photos and memorabilia along with detailed listening notes and commentary on each track by Dr. Neil V. Rosenberg. Aside from being a renowned musicologist, Rosenberg was part of the Redwood Canyon Ramblers, an influential Bay Area bluegrass ensemble that would inspire a younger generation of players, including Garcia. Each section features a "Tales of the Tape" essay that includes details on how, when and where the music was recorded, how it was found and, in most instances, anecdotes about the particular date, including early interactions with many area musicians before they went on to greater things. Sara Ruppenthal Katz (formerly Sara Garcia, Jerry's first wife) contributes an enlightening essay around the 1963 recording of her duo performance with Garcia at the intimate Pala Alto, CA club Top Of The Tangent (aka The Tangent). Tangent co-founder Stu Goldstein also adds a piece discussing the club's origins and how it became a hot spot for the new folk scene that was developing in the Bay Area.


    Before The Dead sheds light on the earliest period in Jerry Garcia's odyssey going from the young, charismatic, developing multi-instrumentalist coming of age during the early 1960's folk-revival (often sarcastically referred to as The Great Folk Scare) to one of the most influential and groundbreaking artists of the rock 'n roll era. Like many during that time, Garcia's influences were coming from the deep-rooted folk tradition of artists such as Doc Watson, Earl Scruggs, The Carter Family, The New Lost City Ramblers, The Stanley Brothers, The Weavers, a young Joan Baez and the Harry Smith Folkways collections to name a few. These influences would resurface prominently in some of Garcia's most important work with the Dead on the 1970 albums Workingman's Dead and American Beauty - regularly cited as foundational in the creation of what is now referred to as Americana.


    From beginning to end, the listener will journey through the musical evolution of Jerry Garcia and how the impact of the folk forbearers gradually permeates his playing and technique. You can hear the earliest origins of Garcia's signature style budding as he had become a student of the music constantly absorbing and endlessly challenging himself. His instrument rarely left his side from dawn to dust. What shines brightly throughout the set is Garcia's outgoing personality and sense of humor, often described as "magnetic", a clear early indicator.


    Throughout this period from 1961 to 1964 were pivotal first-time meetings, (documented in the book) between Garcia and people who would become life-long collaborators and friends. From his revered writing partner and early bandmate Robert Hunter, to mandolin master David Grisman, to each member of the Grateful Dead, to the many artists who would go on to take their own place in music history, including acclaimed instrumentalist Sandy Rothman, David Nelson (co-founder of New Riders of the Purple Sage) and Clarence White, guitarist of the Byrds.


    Before The Dead showcases Garcia in various ensembles and configurations starting with the rarest piece in the entire collection, the earliest known recording of Garcia captured at his girlfriend's 16th birthday party in 1961 alongside future Grateful Dead lyricist Robert Hunter. Outside of a short clip used in the Grateful Dead documentary Long Strange Trip, this recording has never been released, circulated or heard. Other highlights include the Sleepy Hollow Hog Stompers' 1962 gig in San Carlos, CA, and the Hart Valley Drifters' 1962 recording at Stanford's KZSU Radio Studio A (Garcia's first-known studio recording, released in 2017 for the first time). Arguably Garcia's best and most beloved bluegrass band of that early period, The Black Mountain Boys are prominently featured via three separate occasions in 1963 and 1964, while a 1964 performance by Garcia's Asphalt Jungle Mountain Boys rounds out Before The Dead. See a full list of dates, performances and players below.


    Despite Jerry Garcia's deep love for folk and bluegrass traditions, his time fully immersed in it was coming to a close. Encounters with one of his heroes, Bill Monroe, whose band he almost auditioned for (and Rothman went on to join), might have sent him deeper in that direction, but it was not to be. (Note: Garcia even used to tape Monroe's shows, a possible foreshadowing of allowing fans to tape Grateful Dead shows later). By the end of 1964, The Beatles had become a household name, The Rolling Stones hit hard with their version of the blues and civil rights had become an important part of the social and political landscape. New influences and inspirations would impact Garcia's direction as he went on to form The Warlocks, who would go on to become The Grateful Dead. However, the foundation in tradition was solidified during those early years and would resurface regularly throughout the remainder of his life in a multitude of ways, including the Dead, The Jerry Garcia Acoustic Band, Old and In The Way, Garcia/Grisman and so much more.

    LP 1
    Bob and Jerry
    May 26, 1961
    Brigid Meier's Sixteenth Birthday Party
    Menlo Park, California

    1. Santy Anno
    2. I Got A Home In That Rock
    3. Oh, Mary Don't You Weep
    4. All My Trials
    5. I Was Born Ten Thousand Years Ago
    6. Blow The Candles Out
    7. Rake And A Rambling Boy
    8. Trouble In Mind
    Jerry Garcia, Marshall Leicester, and Robert Hunter
    July 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    1. Brown's Ferry Blues
    2. Jesse James
    Jerry Garcia and Unknown Musician
    Summer or Fall 1961
    Boar's Head Coffeehouse, Carlos Book Stall
    San Carlos, California

    3. Down In The Willow Garden
    4. Long Lonesome Road
    5. Railroad Bill
    6. The Wagoner's Lad
    7. Katie Cruel


    LP 2
    Sleepy Hollow Hog Stompers
    June 11, 1962
    Boar's Head Coffeehouse, Peninsula Jewish Community Center
    San Carlos, California

    1. Cannonball Blues
    2. Little Birdie
    3. Sally Goodin
    4. Hold That Woodpile Down
    5. Legend Of The Johnson Boys
    6. Shady Grove
    7. Sweet Sunny South
    8. Man Of Constant Sorrow
    Hart Valley Drifters
    Fall 1962
    KZSU Radio Studio A, Stanford University
    Stanford, California

    1. Band Introductions
    2. Roving Gambler
    3. Ground Speed
    4. Pig In A Pen
    5. Standing In The Need Of Prayer
    6. Flint Hill Special
    7. Nine Pound Hammer
    8. Handsome Molly
    9. Clinch Mountain Backstep


    LP 3
    1. Think Of What You've Done
    2. Cripple Creek
    3. All The Good Times Have Past And Gone
    4. Billy Grimes, The Rover
    5. Paddy On The Turnpike (Boys, My Money's All Gone)
    6. Run Mountain
    7. Sugar Baby
    8. Sitting On Top Of The World
    The Wildwood Boys
    February 23, 1963
    Top of the Tangent
    Palo Alto, California

    1. Roll In My Sweet Baby's Arms
    2. Jerry's Breakdown
    3. Standing In The Need Of Prayer
    4. Mule Skinner Blues
    5. Saturday Night Shuffle
    6. Pike County Breakdown
    7. The Little Sparrow
    8. We Shall Not Be Moved


    LP 4
    Jerry and Sara
    May 4, 1963
    Top of the Tangent
    Palo Alto, California

    1. Deep Elem Blues
    2. Will The Weaver
    3. I Truly Understand
    4. Long Black Veil
    5. The Man Who Wrote Home Sweet Home Never Was A Married Man
    6. Foggy Mountain Top
    Black Mountain Boys
    Fall 1963
    Top of the Tangent
    Palo Alto, California

    1. Barefoot Nellie
    2. She's More To Be Pitied
    3. Noah's Breakdown
    4. Who Will Sing For Me?
    Black Mountain Boys
    January 10, 1964
    Top of the Tangent
    Palo Alto, California

    5. Salt Creek
    6. Monroe's Hornpipe (Jody's Hornpipe)
    7. Rosa Lee Mcfall
    8. John Hardy/closing Theme
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California
    9. Katie Kline
    10. Walkin' The Dog


    LP 5
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. Paddy On The Turnpike (Boys, My Money's All Gone)
    2. Love And Wealth
    3. Sourwood Mountain
    4. If I Lose
    5. Homestead On The Farm (I Wonder How The Old Folks Are At Home)
    6. Stoney Creek
    7. Salty Dog Blues
    8. Love Please Come Home
    9. Make Me A Pallet On The Floor
    10. Darlin' Allalee
    Black Mountain Boys
    March 6, 1964
    Top of the Tangent
    Palo Alto, California

    1. In The Pines
    2. Raw Hide
    3. Black Mountain Rag
    4. True Life Blues
    5. Medley: Devil's Dream-Sailor's Hornpipe
    Black Mountain Boys
    Spring 1964
    Top of the Tangent
    Palo Alto, California

    6. Drink Up And Go Home
    Asphalt Jungle Mountain Boys
    Summer 1964
    Top of the Tangent
    Palo Alto, California

    7. These Men Of God
    8. Roll On Buddy
    9. Goodbye Old Pal
    10. Back Up And Push

    Jerry Garcia
    $124.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 5 LPs Sealed Temporarily out of stock
  • Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock) Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock) Quick View

    $44.99
    x

    Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock)

    A one-night-only concert was held at New York City's Town Hall last fall, to celebrate the music of the Coen brothers film Inside Llewyn Davis. The evening was filmed for a documentary that was broadcast by Showtime last winter, and now Nonesuch Records releases a live recording of the concert, Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis,"on January 13, 2015. The concert, documentary, and live album were produced by Inside Llewyn Davis writer/director/producers Joel and Ethan Coen and soundtrack producer T Bone Burnett. (Nonesuch also released the film's soundtrack.)


    As Burnett explains, "Inside Llewyn Davis was filled with live performances of some of the folk songs that had survived the McCarthy hearings. Some of the songs were a hundred years old; some had just been written but sounded a hundred years old. In order to get attention for a film that was not exactly on the beat we decided to throw a concert featuring the actors and musicians who had performed in the movie and on the soundtrack. We also invited members of the extraordinary community of musicians who have coalesced around this old music-and have kept it alive in the wake of the most recent technological revolution-to join us that night. We asked them to perform an old song and one of their new songs.


    He continues, "Several new stars emerged from their performances that evening-The Secret Sisters, Lake Street Dive, The Milk Carton Kids, Rhiannon Giddens, and Punch Brothers all proved themselves as good as the best as they took the stage next to Hall of Famers Joan Baez and Elvis Costello, and established younger artists like The Avett Brothers, Colin Meloy, Marcus Mumford, Conor Oberst, Willie Watson, Gillian Welch, and Jack White." In fact, T Bone Burnett has since produced albums by both Punch Brothers and Rhiannon Giddens, which will be released shortly after Another Day, Another Time.


    Huffington Post called Another Day, Another Time "one of those only-in-New-York events," while Rolling Stone said it was "a bustling salute to the sounds and the idea of Sixties folk music," and continued, "For all the formality of the night, which was exceedingly well-paced and organized, the concert recalled a time when one or two people, bearing one or two unplugged instruments, could be as enthralling as the greatest rock or EDM track."

    1. Tumbling Tumbleweeds - Punch Brothers
    2. Rye Whiskey - Punch Brothers
    3. Will the Circle Be Unbroken - Punch Brothers, Gillian Welch, Dave Rawlings
    4. The Way It Goes - Gillian Welch & Dave Rawlings
    5. The Midnight Special - Gillian Welch, Dave Rawlings, Willie Watson
    6. I Hear Them All/This Land Is Your Land - Gillian Welch, Dave Rawlings, Willie Watson
    7. New York - The Milk Carton Kids
    8. Tomorrow Will Be Kinder - Secret Sisters & Punch Brothers
    9. You Go Down Smooth - Lake Street Dive
    10. Please Mr. Kennedy - Elvis Costello, Oscar Isaac, Adam Driver
    11. Four Strong Winds - Conor Oberst, Gillian Welch, Dave Rawlings
    12. Man Named Truth - Conor Oberst, Gillian Welch, Dave Rawlings
    13. Blues Run the Game - Colin Meloy
    14. Joe Hill - Colin Meloy, Gillian Welch, Joan Baez
    15. All My Mistakes - The Avett Brothers
    16. That's How I Got to Memphis - The Avett Brothers
    17. Head Full of Doubt/Road Full of Promise - The Avett Brothers
    18. Mama's Angel Child - Jack White
    19. Did You Hear John Hurt? - Jack White
    20. We're Going to Be Friends - Jack White
    21. Waterboy - Rhiannon Giddens
    22. 'S iomadh rud tha dhìth orm / Ciamar a nì mi 'n dannsa dìreach - Rhiannon Giddens
    23. Hang Me, Oh Hang Me - Oscar Isaac, Punch Brothers, Secret Sisters
    24. Green, Green Rocky Road - Oscar Isaac
    25. Tomorrow Is a Long Time - Keb Mo
    26. Rock Salt & Nails - Bob Neuwirth
    27. The Auld Trianole - Punch Brothers & Marcus Mumford
    28. Didn't Leave Nobody but the Baby - Carey Mulligan, Gillian Welch, Rhiannon Giddens
    29. Which Side Are You On? - Elvis Costello, Joan Baez, Chris Thile
    30. House of the Rising Sun - Joan Baez, Dirk Powell, Marcus Mumford
    31. I Was Young When I Left Home - Marcus Mumford
    32. Fare Thee Well (Dink's Song) - Marcus Mumford, Oscar Isaac, Punch Brothers
    33. Farewell - Marcus Mumford & Punch Brothers
    Various Artists
    $44.99
    Vinyl LP - 3 LPs Sealed Temporarily out of stock
  • 1
Go to top