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  • Mode For Joe Mode For Joe Quick View

    $19.99
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    Mode For Joe


    Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Mode For Joe is the fifth studio album by jazz saxophonist Joe Henderson. Released in 1966, this is Henderson's last Blue Note studio album as a leader.
    Mode For Joe will be reissued as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records
    President, Don Was.

    1. A Shade Of Jade
    2. Mode For Joe
    3. Black
    4. Caribbean Fire Dance
    5. Granted
    6. Free Wheelin'
    Joe Henderson
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • The State Of The Tenor, Live At The Village Vanguard, Volume 1 The State Of The Tenor, Live At The Village Vanguard, Volume 1 Quick View

    $19.99
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    The State Of The Tenor, Live At The Village Vanguard, Volume 1


    Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    It is not only a fine trio outing, but a series of performances in which Henderson strips songs to their essence, turning them into his own vision.

    - Steve Huey (All Music)

    1. Beatrice
    2. Friday The Thirteenth
    3. Happy Reunion
    4. Loose Change
    5. Ask Me Now
    6. Isotope
    Joe Henderson
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Page One Page One Quick View

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    Page One

    A Blue Note essential, Page One, jazz tenor saxophonist Joe Henderson's debut release, is part of the Blue Note 75 anniversary vinyl reissue campaign, featuring 100 titles . Includes the jazz favorite and standard 'Recorda Me.' Key to the initiative is high quality audio at affordable prices. Also available this month on LP: Andrew Hill's Point of Departure, Jackie McLean's Capuchin Swing, Miles Davis' Volume 1 and Tina Brooks' True Blue.
    1. Blue Bossa
    2. La Mesha
    3. Homestretch
    4. Recorda-Me
    5. Jinrikisha
    6. Out Of The Night
    Joe Henderson
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Page One Page One Quick View

    $49.99
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    Page One

    Blue Note Reissue




    As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their handsBack home a month later, I unpack some test pressings Chad Kassem has sent meI hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud. Jason Victor Serinus, Stereophile, April 2008


    Page One introduced the jazz world to the unusually mature and original young tenor saxophonist, Joe Henderson. Recorda Me and Blue Bossa have become jazz classics for their mix of Brazilian rhythms with Hard Bop muscle.


    This title is not eligible for discount.

    Blue Bossa
    La Mesha
    Homestretch
    Recorda Me
    Jinrikisha
    Out of the Night
    Joe Henderson
    $49.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Infinite Search (Pure Pleasure) Infinite Search (Pure Pleasure) Quick View

    $34.99
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    Infinite Search (Pure Pleasure)

    With John McLaughlin, Herbie Hancock, Joe Henderson, and Jack DeJohnette, this group rivaled the best fusion bands of the day. It must have been an intimidating challenge for a young Czech bassist to lead such a group on his debut album as a frontman, especially since he composed five of the six tracks. Recorded in late 1969, roughly the same time as the historic Bitches Brew, and the year before Vitous began a stint with the innovative Weather Report, this was trend-setting fusion. It's produced by Herbie Mann, for whom Vitous played on such albums as Memphis Underground and Stone Flute.


    -Mark Allan/AMG



    Miroslav's first album; superb even in the 21st century. If you are interested in finding out about the beginnings of 'jazz-rock fusion' this record is absolutely crucial. DeJohnette and Mclaughlin both had something to prove at the time and it shows. Vitous had won a scholarship to Boston's Berklee school of music but on this evidence, he didn't need it at all and probably scared the heck out of the teaching staff before he left to go with Herbie Mann, the occasional Miles gig, and the album sessions with Shorter and Zawinul that led to Weather Report. A brilliant and influential debut from a prodigious talent; buy this one!


    -J. Miller



    Musicians:



    • Miroslav Vitous (bass)

    • Joe Henderson (tenor saxophone)

    • John McLaughlin (guitar)

    • Herbie Hancock (piano)

    • Jack DeJohnette, Joe Chambers (drums)



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Freedom Jazz Dance
    2. Mountain In The Clouds
    3. When Face Gets Pale
    4. Infinite Search
    4. I Will Tell Him On You
    6. Epilogue
    Miroslav Vitous
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Elements (Awaiting Repress) The Elements (Awaiting Repress) Quick View

    $24.99
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    The Elements (Awaiting Repress)

    The Elements is an album by American saxophonist Joe Henderson, originally released in 1973 on Milestone.

    1970 began a decade of discovery for Joe Henderson; a time to set aside the post-bop instrumentation and repertoire he was identified with and branch out into other realms. One of the most successful and challenging of these efforts that the Milestone label documented was the present four-part improvisation on the basic themes of Fire, Air, Water and Earth.

    Assisting the tenor saxophonist was a group of sympathetic explorers--Alice Coltrane on piano and harp, violin original Michael White, bass giant Charlie Haden, and the multifaceted percussionist Kenneth Nash.

    Latin American, Indian, and Native American strains enter the mix as Henderson applies the heat and mercurial invention of his more conventional work to these open-ended settings. While the music is enhanced with overdubbing in spots, the true magic of The Elements emanates from the musicians' collective genius at listening and responding to each other.

    1. Fire
    2. Air
    3. Water
    4. Earth
    Joe Henderson & Alice Coltrane
    $24.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Don't Smoke In Bed Don't Smoke In Bed Quick View

    $34.99
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    Don't Smoke In Bed

    Multiple Styles Displayed On Holly Cole's 1993 Sophomore Album


    Mastered By Bernie Grundman From The Original Master Tapes


    Plating And 200-Gram Vinyl Pressing By Quality Record Pressings!


    Old-Style Gatefold Tip-On Jacket By Stoughton Printing


    Holly Cole brings her own dimension to the tradition of cabaret, a strong voice that's still capable of nuance, an ear for quirky repertoire, and a light touch that keeps some of these performances floating just at the edge of irony.


    On her second album, 1993's Don't Smoke in Bed, Cole explores varied musical styles, adding pop, blues, country and a French ballad to her standard, low-key jazz. It's a favorite of ours, which is why for this Analogue Productions reissue we've given it the reissue treatment it deserves. Bernie Grundman did the mastering, from the original analog tapes, at his Los Angeles studio, giving this release a spectacular foundation. Plating and pressing on 200-gram heavyweight vinyl was done by Gary Salstrom and crew at Quality Record Pressings, makers of the world's finest-sounding LPs. Lastly, we wrapped up the whole package in a premium gatefold tip-on jacket from Stoughton Printing. There's nothing but aces in this smokin' hot reissue and the quality shines through.


    Holly's delivery of more traditional fare shines on Cole Porter's witty Get Out of Town and Kurt Weill's torchy Je Ne T'aime Pas, while she brings clarity, power, and anthemic passion to the surprising treatment of Johnny Nash's I Can See Clearly Now. She's generally well supported in this intimate set by pianist Aaron Davis and bassist David Piltch, while there's sparing and effective use of strings. There are fine guest spots by tenor saxophonist Joe Henderson, on Everyday Will Be Like a Holiday, and David Lindley, whose steel guitar contributes to the strange country music of Don't Let the Teardrops Rust Your Shining Heart.


    This title is not eligible for discount.

    1. I Can See Clearly Now
    2. Don't Let the Teardrops Rust Your Shining Heart
    3. Get Out Of Town
    4. So and So
    5. The Tennessee Waltz
    6. Everyday Will Be Like A Holiday
    7. Blame It On My Youth
    8. Ev'rything I've Got
    9. Je Ne T'Aime Pas
    10. Cry (If you Want To)
    11. Que Sera Sera
    12. Don't Smoke In Bed
    Holly Cole Trio
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Best Of Spinners (Awaiting Repress) Best Of Spinners (Awaiting Repress) Quick View

    $29.99
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    Best Of Spinners (Awaiting Repress)


    Celebrate 4 Decades Of The Spinners With Their Greatest Hits LP From 1978!


    First Time 180 Gram Vinyl Presentation


    Featuring The Legendary Turntable Cover Artwork


    Mastered From The Original Atlantic Records Tapes By Joe Reagoso


    In 1979, superstar R&B veterans The Spinners were rewarded by their label Atlantic Records with their first
    greatest hits album simply titled The Best of Spinners. Featuring the classic line-up of the Phillipe Soul Wynn,
    Henry Fambrough, Pervis Jackson, Bobbie Smith and Billy Henderson, these Detroit superstars ruled the charts
    for many soulful years. Featuring a ton of smash hits produced and written by the likes of Philly favorites Thom
    Bell and Linda Creed, and featuring The Sound Of Philadelphia and Motown players like MFSB, and the Funk
    Brothers' Bob Babbit, The Best of Spinners album has become one of their most loved works in their stunning
    gold and platinum career.


    With superlative chart topping pop and R&B classics like Could It Be I'm Falling In Love, I'll Be Around and
    Mighty Love, plus brilliant dance smashes like The Rubberband Man, The Best of Spinners album would go on
    to become one of the best-selling albums in their extensive catalog. The long out of print original version of this
    greatest hits masterpiece also includes the history making duet with Dionne Warwick and their chart topper
    Then Came You.


    Dig deeper into the Philly and Detroit grooves and there you find even more platinum plus treasures like
    the masterful One of a Kind (Love Affair), the powerful They Just Can't Stop It the (Games People Play) plus the
    tender ballads Sadie and How Could I Let You Get Away, making The Best of Spinners one of the finest overviews
    ever of this stellar supergroup.


    Therefore it is with much excitement to announce the first time 180 Gram Audiophile Vinyl release of the
    legendary Spinners greatest hits masterpiece The Best of Spinners. Mastered impeccably by Joe "Philly Soul"
    Reagoso at Friday Music Studios and Capitol Mastering, this stunning LP was long overdue for an audiophile
    vinyl release.


    In addition to all the great hits within, this limited edition anniversary collection also includes the very trendy
    turntable cover artwork, not seen in years in the LP cover format, truly enhancing this album's re-release and
    forever honoring the act and their five star masterwork achievement. We believe this wonderful new audiophile
    release of The Best of Spinners will become one of the most anticipated classic soul releases of the summer!


    One Of A Kind Love Affair Is

    1. I'll Be Around
    2. How Could I Let You Get Away
    3. One of a Kind (Love Affair)
    4. Mighty Love
    5. Ghetto Child
    6. Then Came You (Featuring Dionne Warwick)
    7. Sadie
    8. Could It Be I'm Falling In Love
    9. They Just Can't Stop It the (Games People Play)
    10. The Rubberband Man
    The Spinners
    $29.99
    180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
  • Red Clay Red Clay Quick View

    $49.99
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    Red Clay


    Hubbard's First Affair WithCreed Taylor's CTI Label


    Group Includes Joe Henderson, Herbie
    Hancock, Ron Carter, And Lenny White
    Recorded At Van Gelder Studios, Engineered
    By Rudy Van Gelder


    Mastered From The Original Master Tapes At 45RPM
    By Bernie Grundman


    Pressed On 180 Gram Audiophile-Grade Vinyl At Pallas In Germany


    "This may be Freddie Hubbard's finest moment as
    a leader, in that it embodies and utilizes all of his
    strengths as a composer, soloist, and frontman. on
    red Clay, Hubbard combines hard bop's glorious
    blues-out past with the soulful innovations of
    mainstream jazz in the 1960s, and reads them through
    the chunky groove innovations of 1970s jazz fusion.
    This session places the trumpeter in the company
    of giants such as tenor saxophonist Joe Henderson,
    pianist Herbie Hancock, bassist ron Carter, and
    drummer lenny White. Hubbard's five compositions all
    come from deep inside blues territory; these shaded
    notions are grafted onto funky hard bop melodies
    worthy of Horace silver's finest tunes, and are layered
    inside the smoothed-over cadences of shimmering,
    steaming soul. This is a classic, hands down."


    - Thom Jurek (All Music Guide)

    1. Red Clay
    2. Delphia
    3. Suite Sioux
    4. The Intrepid Fox
    Freddie Hubbard
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Point Of Departure Point Of Departure Quick View

    $19.99
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    Point Of Departure

    Point Of Departure is not only one of the greatest jazz recordings of 1964, but of all time. The stellar lineup (Eric Dolphy, Kenny Dorham, Joe Henderson, Richard Davis and a teen aged Tony Williams) was given a set of challenging compositions by the brilliant pianist and composer Andrew Hill. This group created the album known as Point of Departure, an acknowledged modern day classic and one of Blue Notes most extraordinary recordings. Andrew Hill was a quiet revolutionary, but he was every bit as original in his conception as Thelonious Monk. Hill extended, twisted and turned hard bop into his own very fresh and personal music. Like Eric Dolphy, Hill spawned few imitators. His conception was so pure, and so unique, both as a player and as an arranger-composer that nearly a half century later, Point Of Departure remains a brilliant touchstone of modern jazz.
    1.Refuge
    2.New Monastery

    3.Spectrum

    4.Flight 19

    5.Dedication
    Andrew Hill
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Open Book Open Book Quick View

    $18.99
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    Open Book

    Fred Hersch has long been acclaimed as an exploratory artist, an outspoken activist, an influential educator and a uniquely revelatory and lyrical pianist. As one of the most expressive voices in modern jazz, Hersch has never been shy about letting listeners glimpse his most intimate thoughts and emotions. In September, however, Hersch's fans will be treated to even deeper, more revealing insights into the story of the renowned pianist when he publishes his much-anticipated memoir, Good Things Happen Slowly: A Life In and Out of Jazz. As a companion piece, Hersch decided to present an equally direct and vulnerable glimpse into his private musical thoughts with his 11th solo release, Open Book.

    The seven pieces on Open Book (set for release via Palmetto Records) offer some of the finest, most unguardedly emotional solo music that Hersch has created in a career unique for its profound poignancy and passion. Recorded in a South Korean concert hall on a superb Hamburg Steinway concert grand piano, the album captures the vital essence of the revelatory adventurousness and intense beauty that have made Hersch one of the most important solo artists in jazz. With more than 40 albums to his credit as a leader or co-leader, Hersch remarkably continues to discover new areas of inspiration and depths of feeling.

    For the last two and a half decades I've been pretty open about who I am, what I like and what I'm dealing with at times, Hersch says. But I've always got to dig deeper, and I thought this might be a chance to make an album that's a window into the kinds of things that I play at home or don't play in public all that much.

    The album arrives during a momentous month for Hersch. On September 12, the esteemed publishers Crown Archetype (Penguin Random House) will release Good Things Happen Slowly, Hersch's bravely confessional memoir. The book covers the pianist's meteoric rise in jazz from his sideman days alongside masters like Art Farmer and Joe Henderson to his gradual recognition as one of the most individualistic and innovative artists of his generation, a ten-time Grammy Award nominee and winner of countless accolades including being named a 2016 Doris Duke Artist as well as the same year's Jazz Journalists Association Pianist of the Year. But it also frankly reveals his story as the first openly gay, HIV-positive jazz musician, tracing his path through hedonistic post-Stonewall New York City to the dramatic two-month medically induced coma in 2007 from which he emerged to make some of the most stunning and captivating music of his career.

    Later that month Hersch will reprise his ambitious Leaves of Grass full-evening piece at Jazz at Lincoln Center's Appel Room, the first time the song cycle has been performed in New York City since 2005. Vocalists Kurt Elling and Kate McGarry will reprise their roles from the original project, which sets the verse of American bard Walt Whitman. The legendary poet's timeless ode to the miracle of nature and openhearted love of all beings seems especially vital in our present socio-political moment.

    The centerpiece of Open Book, and the spark that ignited the album, is the nearly 20-minute improvisation Through the Forest. Unique in Hersch's extensive discography, the stream-of-consciousness gem is a miniature masterpiece of narrative development, a compelling journey through an abstract, glimmering landscape, revealing that in his early 60s Hersch continues to take creative risks and daunting inventive leaps.

    The creation of Through the Forest was as unplanned and spontaneous as the music itself. In Seoul for a pair of solo concerts during a break in a tour of Asia with his esteemed trio, Hersch overslept during an after-breakfast nap and rushed to take the stage at JCC Art Center Concert Hall for his afternoon performance. The titular forest is, in part, a jetlag and coffee-fueled dreamscape through which Hersch wanders, applying his vivid powers of observation to unusual terrain. I was a little groggy, my defenses were down, and rather than fight it I just gave in to it, Hersch recalls. I'd never really done anything of that length in public where I had no agenda and was able to stay in that zone for such an extended period of time. I realized it was something special, something different that might be the core of an album.

    Through the Forest became the leaping-off point for an album intended to be singularly divulgent and reflective. A few months later, Hersch returned to the same hall and recorded the remainder of Open Book alone in the empty venue (with the exception of Benny Golson's classic Whisper Not, taken from a concert during that return engagement).

    The album opens with the stark musings of The Orb, taken from Hersch's autobiographical music-theater piece My Coma Dreams. A love letter to Hersch's longtime partner, AIDS activist Scott Morgan, The Orb is the final dream depicted in the show, and in this solo rendition becomes a nakedly heartfelt outpouring of raw but tender emotion. The mood then takes a turn for the playful and swinging on Whisper Not, a longtime staple of Hersch's repertoire that here becomes a vibrant, virtuoso marathon of thematic exploration.

    The piece also serves as an ideal mirror to the album's other composition from the pen of a jazz icon, Thelonious Monk's Eronel. Hersch has long been recognized as one of the premier interpreters of the Monk songbook, but despite including one of the iconic composer's pieces in every one of his sets for most of his career, Hersch had never tackled this particular tune, co-written by pianist Sadik Hakim. Monk's original stride-inflected lines come in for a dizzying array of variations in Hersch's endlessly imaginative take.

    The music of Brazil has also been a constant in Hersch's career, in particular the music of Antonio Carlos Jobim, the subject of one of the pianist's earlier solo efforts, 2009's Fred Hersch Plays Jobim. Picture in Black and White is a new addition to that repertoire, majestically transformed from a bossa nova feel to a crystalline hybrid with Chopin's last nocturne. On the other side of Through the Forest in the album's symmetrical structure comes Hersch's own classical-flavored Plainsong, a spare, lyrical piece composed in the bucolic setting of the MacDowell Colony, the inspirational artists' retreat in rural New Hampshire.

    Open Book ends on a meaningful ellipsis, Billy Joel's moving And So It Goes. In title alone it's an apt conclusion, suggesting an embrace of life as lived and hinting at its open-ended continuation. The full lyrics, which Hersch has performed in duo settings with singers including frequent collaborator Kate McGarry, remain unspoken here but obviously deeply felt in every note. I connect with the sentiment of the words, Hersch says, and it felt like a good benediction to the whole album.

    1. The Orb
    2. Whisper Not
    3. Zingaro
    4. Through The Forest
    5. Plainsong
    6. Eronel
    7. And So It Goes
    Fred Hersch
    $18.99
    Vinyl LP - Sealed Buy Now
  • Idle Moments Idle Moments Quick View

    $19.99
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    Idle Moments


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Celebrating its 50th year, Idle Moments by jazz guitarist Grant Green features jazz greats Joe Henderson on tenor sax, Bobby Hutcherson on vibes, Duke
    Pearson on piano, Bob Cranshaw on bass and Al Harewood on drums. Written by Pearson, this album is best known for its title piece. Remastered by
    Bernie Grundman, Idle Moments will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current
    Blue Note Records President, Don Was.

    1. Idle Moments
    2. Jean De Fleur
    3. Django
    4. Nomad
    Grant Green
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Straight Life Straight Life Quick View

    $29.99
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    Straight Life

    Limited Edition of 1,000 Copies


    Pressed on 180 Gram Audiophile-Grade Vinyl at Pallas Group in Germany


    Mastered from Original Analog Tapes By Grammy Award Winner Bernie Grundman


    Features Joe Henderson, Herbie Hancock, George Benson, Ron Carter, and Jack DeJohnette


    Straight Life, arguably trumpeter Freddie Hubbard's greatest recording, features an all-star group that includes tenor saxophonist Joe Henderson, keyboardist Herbie Hancock, guitarist George Benson, bassist Ron Carter, and drummer Jack DeJohnette. Recorded in 1970 between Hubbard's better-known CTI releases, Red Clay and First Light, the album was also engineered by Rudy Van Gelder and produced by Creed Taylor. This 180gram audiophile-grade vinyl reissue, which was mastered from original tapes by Bernie Grundman and pressed at Pallas in Germany, shines new light on this amazing, underrated recording.

    1. Straight Life
    2. Mr. Clean
    3. Here's That Rainy Day
    Freddie Hubbard
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Song For My Father Song For My Father Quick View

    $19.99
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    Song For My Father


    Remastered And Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    Released in 1965, Song For My Father by jazz pianist, Horace Silver, features Carmell Jones on trumpet, Joe Henderson on tenor sax, Teddy Smith on
    bass and Roger Humphries on drums on the tracks "Song For My Father," "The Natives Are Restless Tonight," "Que Pasa" and "The Kicker." "Calcutta
    Cutie" and "Lonely Woman" feature Blue Mitchell on trumpet, Junior Cook on tenor sax, Gene Taylor on bass and Roy Brooks on drums. A hard-bop
    masterpiece, Song For My Father will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by
    current Blue Note Records President, Don Was.

    1. Song For My Father
    2. The Natives Are Restless Tonight
    3. Calcutta Cutie
    4. Que Pasa
    5. The Kicker
    6. Lonely Woman
    Horace Silver Quintet
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • The Sidewinder The Sidewinder Quick View

    $19.99
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    The Sidewinder


    Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    The Sidewinder is a jazz classic if there ever was one and it also happens to be Lee Morgan's best-selling album! Sure, you've probably heard The Sidewinder enough that you think you know the album already, but the rest of the cuts really open up past the title track groover, into a realm of lyrical, soulful playing that's simply tremendous! In fine support of Morgan on The Sidewinder is Joe Henderson on tenor, Barry Harris on piano, Bob Crenshaw on bass and Billy Higgins on drums. The album rolls along with a sense of perfect focus and power that is Blue Note at its best!

    1. The Sidewinder
    2. Totem Pole
    3. Gary's Notebook
    4. Boy, What a Night
    5. Hocus Pocus
    Lee Morgan
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Prisoner The Prisoner Quick View

    $19.99
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    The Prisoner


    Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    As one of the first albums Herbie Hancock recorded after departing Miles Davis' quintet in 1968, as well as his final album for Blue Note, The Prisoner is one of Hancock's most ambitious efforts. Assembling a nonet that features Joe Henderson (tenor sax, alto flute), Johnny Coles (flugelhorn), Garnett Brown (trombone), Buster Williams (bass), and Albert Tootie Heath (drums), he has created his grandest work since My Point of View. Unlike that effort, The Prisoner has a specific concept -- it's a tribute to Dr. Martin Luther King, evoking his spirit and dreams through spacious, exploratory post-bop. Often, the music doesn't follow conventional patterns, but that doesn't mean that it's alienating or inaccessible. It is certainly challenging, but Hancock's compositions (and his arrangement of Charles Williams' Firewater) have enough melody and space to allow listeners into the album. Throughout the record, Hancock, Coles, and Henderson exchange provocative, unpredictable solos that build upon the stark melodies and sober mood of the music. The tone is not of sorrow or celebration, but of reflection and contemplation, and on that level, The Prisoner succeeds handsomely...

    - Stephen Thomas Erlewine (All Music)

    1. I Have a Dream
    2. The Prisoner
    3. Firewater
    4. He Who Lives in Fear
    5. Promise of the Sun
    6. The Prisoner
    7. Firewater
    Herbie Hancock
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Blow-Up Soundtrack Blow-Up Soundtrack Quick View

    $34.99
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    Blow-Up Soundtrack

    Import

    Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks.


    The album features performances by Hancock on keys, Freddie Hubbard and Joe Newman on trumpet, Phil Woods and Joe Henderson on sax, Ron Carter on bass and Jack DeJohnette on drums. Rumours go that either the fabled Jimmy Smith or Paul Griffin played the Hammond organ on this record.


    Rock fans remember the film and the soundtrack for the inclusion of a rare Yardbirds number, Stroll On (actually, an adaptation of Tiny Bradshaw's The Train Kept A-Rollin'), one of only three songs they recorded with both Jeff Beck and Jimmy Page on guitars. The bassline to Bring Down The Birds was sampled by Deee-Lite for their 1990 hit single Groove Is In The Heart featuring Bootsy Collins.

    1. Main Title - "Blow Up"
    2. Verushka Part I
    3. Verushka Part II
    4. The Naked Camera
    5. Bring Down The Birds
    6. Jane's Theme
    7. Stroll On
    8. The Thief
    9. The Kiss
    10. Curiosity
    11. Thomas Studies Photos
    12. The Bed
    13. End Title - "Blow Up"
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Whirl (Awaiting Repress) Whirl (Awaiting Repress) Quick View

    $16.99
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    Whirl (Awaiting Repress)

    Hersch's music: luxurious, free-flowing, unashamedly gorgeous jazz is idiosyncratically, unmistakably a creation of his own, David Hajdu wrote in a recent, riveting New York Times profile on Hersch's music and life. The piece detailed Hersch's recovery from a harrowing, near-death health battle and placed him in the forefront of contemporary, innovative jazz artists and chronicles his influence on many of today's brightest young musicians. Whirl is Hersch's first recording since undergoing intense physical therapy and achieving full recuperation.


    Hersch is widely considered a genius on the piano. He moved to New York from Cincinnati in the 1970s, earning his credibility as a piano prodigy at Bradley's. His list of credits as a band leader, co-leader, sideman and soloist are astounding. He has worked extensively with jazz masters Stan Getz, Joe Henderson, and Jane Ira Bloom, Art Farmer, Toots Thielemans, Gary Burton, Bill Frisell, Sam Jones and Charlie Haden and has appeared on over 100 recordings. He is also a three-time Grammy nominee

    1. You're My Everything
    2. Snow Is Falling
    3. Blue Midnight
    4. Skipping
    5. Mandevilla
    6. When Your Lover Has Gone
    7. Whirl
    8. Sad Poet
    9. Mrs. Parker of K.C.
    10. Still Here
    Fred Hersh Trio
    $16.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Spectrum Road Spectrum Road Quick View

    $16.99
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    Spectrum Road

    Spectrum Road is a groundbreaking collaboration between four giants of modern music: Jack Bruce, Vernon Reid, John Medeski and Cindy Blackman Santana. Named after one of the incendiary tracks on the original Tony Williams Lifetime album, Spectrum Road demonstrates on their self-titled debut, however, that they are in no way a tribute band.


    After making rock history with Eric Clapton and Ginger Baker in Cream, legendary British bassist Jack Bruce joined the Lifetime for two records thus serving as Spectrum Road's direct connection to their muse. The group is artfully rounded out by famed guitarist Vernon Reid, of Living Colour, and multi-keyboardist John Medeski, one-third of the juggernaut Medeski, Martin & Wood.


    Made famous by her ten plus years backing Lenny Kravitz, Cindy Blackman Santana has distinguished herself as an impressively versatile player who's as comfortable on post-bop sessions with Joe Henderson and Wallace Roney as she is touring with pop stars like Kravitz and husband Carlos Santana. The formidable line-up of Spectrum Road assures the legacy of Tony Williams lives on, and clearly qualifies as a major 2012 music event.

    1. Vuelta Abajo
    2. There Comes A Time
    3. Coming Back Home
    4. Where
    5. An t-Eilean Muileach
    6. Vashkar
    7. One Word
    8. Blues for Tillmon
    9. Allah Be Praised
    10. Wild Life
    Spectrum Road
    $16.99
    Vinyl LP - Sealed Buy Now
  • Straight Life (Pure Pleasure) Straight Life (Pure Pleasure) Quick View

    $34.99
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    Straight Life (Pure Pleasure)

    Recorded between trumpeter Freddie Hubbard's better-known classics Red Clay and First Light, Straight Life is actually arguably Hubbard's greatest recording. Hubbard, joined by an all-star group that includes tenor saxophonist Joe Henderson, keyboardist Herbie Hancock, guitarist George Benson, bassist Ron Carter, and drummer Jack DeJohnette, is frequently astounding on Straight Life (check out that introduction) and Mr. Clean, constructing classic solos. The very memorable set is rounded off by the trumpeter's duet with Benson on a lyrical version of the ballad Here's That Rainy Day. This exciting album is essential for all serious jazz collections.



    Musicians:



    • Freddie Hubbard (trumpet, fluegel horn)

    • Joe Henderson (tenor saxophone)

    • Herbie Hancock (piano)

    • George Benson (guitar)

    • Ron Carter (bass)

    • Jack DeJohnette (drums)

    • Richard Pablo Landrum (percussion)

    • Weldon Irvine (tambourine)



    Recording: November 1970 at Van Gelder Studios, Englewood Cliffs, NJ (USA), by Rudy Van Gelder

    Production: Creed Taylor



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Straight Life
    2. Mr. Clean
    3. Here's That Rainy Day
    Freddie Hubbard
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Columbia Years 1968-1969 The Columbia Years 1968-1969 Quick View

    $25.99
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    The Columbia Years 1968-1969

    All Tracks Previously Unreleased (Except Track B5/8)


    Production By Miles Davis & Teo Macero


    Featuring Performances From Hugh Masekela, Mitch Mitchell (Jimi Hendrix Experience), John Mclaughlin, Herbie Hancock, Harvey Brooks, Wayne Shorter, Billy Cox (Band Of Gypsys), Larry Young, And Members Of The Jazz Crusaders


    Remastered From The Original Analog Master Tapes


    New Interviews, Rare Photos, And Unseen Historical Documents From The Teo Macero Archive


    One can hardly imagine Prince, Erykah Badu, or Outkast without the influence of Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can't be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli have rhymed over her intensely strong but sensual music. Betty penned the song ''Uptown'' for The Chambers Brothers and wrote the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty's career would be her unbending DIY ethic, which made her quickly turn down anyone who didn't fit with the vision. She would eventually say no to Eric Clapton as her album producer, seeing him as too banal. In 1968, she married Miles Davis and quickly influenced him on the magic of psychedelic rock along with introducing him to Jimi Hendrix-personally inspiring the classic album, Bitches Brew.


    Miles and Betty fans have long debated the truth of a near mythological session recorded in Studios B and E at Columbia's 52nd Street Studios on May 14th and 20th, 1969. The landmark session was produced by Miles and Teo Macero and featured Betty on vocals, accompanied by Jimi Hendrix Experience drummer Mitch Mitchell, guitarist John McLaughlin, Herbie Hancock on keys, and Dylan/Miles session bassist Harvey Brooks. Other players included bassist Billy Cox (Band of Gypsys), saxophonist Wayne Shorter, and organist Larry Young. Now, Light In The Attic, with full support from Betty herself, presents these recordings to the public for the very first time. These historic sessions-never heard, never bootlegged-predate Miles' revolutionary album, Bitches Brew, and are the true birth of Miles' jazz-rock explorations, along with the roots for Betty's groundbreaking funk that came years later, starting with her self-titled debut in 1973. While, ultimately, these recordings would go unreleased for nearly half a century, they would greatly shape each of their careers.


    The vibe is intrinsically unique, fresh, and futuristic-jazz heavyweights playing psychedelia, rock, and jazz-fusion long before the term became commonplace. The songs include Betty originals and covers of classics by Creedence and Cream. The concepts explored on these previously unheard sessions fueled concepts that wouldn't be fully realized until years later with Miles' seminal On The Corner.


    Additionally, included here is the first time rerelease of a 1968 Columbia single, recorded in October 1968 at Columbia Studios in Los Angeles. The session was produced by Jerry Fuller and featured South African maverick Hugh Masekela on trumpet and arrangements, plus members of jazz-funk pioneers The Crusaders-including trombonist Wayne Henderson and pianist Joe Sample. Two of the three tracks included here from this session are previously unreleased.


    This deluxe package is a treasure trove for both Betty and Miles fans, including rare documents from the pen of co-producer Teo Macero, rarely seen photos from legendary photographer Baron Wolman, and new interviews with Mrs. Davis herself, Harvey Brooks, and Hugh Masekela-the entire project overseen with Betty's full blessing.

    1. Hangin' Out
    2. Politician Man

    3. Down Home Girl

    4. Born On The Bayou

    5. I'm Ready, Willing & Able (Take 1)

    6. I'm Ready, Willing & Able (Take 9)

    7. It's My Life (Alternate Take)

    8. Live, Love, Learn

    9. My Soul Is Tired
    Betty Davis
    $25.99
    Vinyl LP - Sealed Buy Now
  • Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress) Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress) Quick View

    $469.99
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    Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress)


    Six LPs, 800 Digital Tracks, Two Definitive Large-Format Books. All Housed In A Polished Aluminum Case Evoking The Era's High Art Deco Stylings And America's Own Machine Age Modernism.


    800 Newly-remastered Digital Tracks, Representing 175 Artists


    90+ Fully-restored Original 1920s-30s Paramount Ads From Chicago Defender


    6 X 180g LPs Pressed On Alabaster-white Label-less Vinyl, Each Side With Its Own Hand-Etched Numeral And Holographic Image


    250 Pg. Large-Format Clothbound Hardcover Book Featuring Original Paramount Art And The Label's Curious Tale


    400 Pg. Encyclopedia-Style Softcover Field Guide Containing Artist Bios & Portraits And Full Paramount Discography


    Polished Aluminum And Stainless Steel Cabinet, Evoking 1930s High Art Deco Stylings And America's Own Machine Age Modernism


    First-Of-Its-Kind Music And Image Player App Containing All Tracks And Ads, Housed On Sculpted Metal USB Drive


    Last November, Jack White's Third Man and John Fahey's Revenant issued The Rise & Fall of Paramount Records, Volume One (1917-27), the first installment of the curious tale of America's most important record label. It was called spectacular (New York Times), unprecedented (Rolling Stone), breathtaking (Boing Boing), a cabinet of wonder, indeed (Pitchfork), and the most perfectly realized attempt to combine music and documentation (Fretboard Journal) and damnedest musical objet d'art (Nashville Scene) folks had ever seen.


    Third Man-Revenant now presents the final volume in the Paramount story - The Rise & Fall of Paramount Records, Volume Two (1928-32).


    As Volume Two begins, Paramount is entitled to a breather - in the previous 5 years it's been home to giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Eubie Blake, Fletcher Henderson, Big Bill Broonzy, Roosevelt Sykes, James P. Johnson, Jaybird Coleman, Clarence Williams, and Fats Waller.


    But just as it seems the label might be losing steam, it begins a second act that threatens to dwarf its first. In its final 5 year push from 1928-32, Paramount embarks on a furious run for the ages, birthing the entire genre of Mississippi Delta blues and issuing some of the most coveted recordings in the history of wax - a staggering playlist including Skip James, Charley Patton, Son House, Tommy Johnson, Blind Roosevelt Graves, Willie Brown, King Solomon Hill, Tampa Red, Georgia Tom Dorsey, Little Brother Montgomery, Lottie Kimbrough, Rube Lacy, Meade Lux Lewis, Buddy Boy Hawkins, Ramblin' Thomas, Jaydee Short, George Bullet Williams, Cow Cow Davenport, Clifford Gibson, Ishman Bracey, Charlie Spand, Jabo Williams, Louise Johnson, Blind Joe Taggart, Geeshie Wiley & Elvie Thomas, and The Mississippi Sheiks.


    Paramount simply killed. But more than that, it changed how this country thought of itself. It was the first and most comprehensive chronicler of what America really sounded like in the 1920s and '30s - on its street corners, at its fish fries and country suppers, in its nightclubs and dance halls and showtents. In the process, Paramount - not some preservationist-minded enterprise like the Library of Congress - inadvertently created the most significant repository of this young nation's greatest art form.

    6 LPs feature tracks from the collection.


    USB Drive contains 800 digital tracks by 175 artists across the Paramount family of labels.

    Various Artists
    $469.99
    180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed AWAITING REPRESS Buy Now
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