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  • Anthology: Movie Themes 1974-1998 Anthology: Movie Themes 1974-1998 Quick View

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    Anthology: Movie Themes 1974-1998

    John Carpenter is a legend. As the director and composer behind dozens of classic movies, Carpenter has established a reputation as one of the greatest filmmakers in the history of modern cinema, as well as one of its most influential musicians. The minimal, synthesizer-driven themes to films like Halloween, Escape From New York, and Assault on Precinct 13 are as indelible as their images, and their timelessness was evident as Carpenter performed them live in a string of internationally sold-out concert dates in 2016. Anthology: Movie Themes 1974-1998 collects 13 classic themes from Carpenter's illustrious career together on one volume for the first time. Each theme has been newly recorded with the same collaborators that Carpenter worked with on his hit Lost Themes studio albums: his son, Cody Carpenter, and godson, Daniel Davies.
    1. In the Mouth of Madness
    2. Assault on Precinct 13
    3. The Fog
    4. Prince of Darkness
    5. Santiago (Vampires)
    6. Escape From New York
    7. Halloween
    8. Porkchop Express (Big Trouble in Little China)
    9. They Live
    10. The Thing
    11. Starman
    12. Dark Star
    13. Christine
    John Carpenter
    $21.99
    Vinyl LP - Sealed Buy Now
  • Lost Themes Remixed Lost Themes Remixed Quick View

    $18.99
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    Lost Themes Remixed

    John Carpenter has inspired countless musicians since his earliest minimal, synth-based film scores. The themes to his features like Assault on Precinct 13, Halloween, and Escape from New York have remained instantly recognizable since he penned them nearly four decades ago. In February 2015, Sacred Bones released his first solo record of non-soundtrack music, Lost Themes, to overwhelming critical success. The Horror Master proved that not only could he perfectly score his own films - he could also score the movies in your mind. Eight pivotal contemporary electronic artists were moved to reshape the original songs on Lost Themes in tribute to one the genre's great pioneers. Several of the remixes were released as part of the digital deluxe edition of the album, but Lost Themes Remixed marks the first time any of the tracks have been on vinyl.
    1. Purgatory (Prurient Remix)
    2. Night (Zola Jesus & Dean Hurley Remix)
    3. Wraith (ohGr Remix)
    4. Vortex (Silent Servant Remix)
    5. Vortex (Uniform Remix)
    6. Fallen (Blanck Mass Remix)
    7. Abyss (JG Thirlwell Remix)
    8. Fallen (Bill Kouligas Remix)
    John Carpenter
    $18.99
    Vinyl LP - Sealed Buy Now
  • Beyond The Black Rainbow (Original Soundtrack) Beyond The Black Rainbow (Original Soundtrack) Quick View

    $18.99
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    Beyond The Black Rainbow (Original Soundtrack)

    JAGJAGUWAR & Death Waltz Recording Company are proud and excited to release a true
    masterpiece into the world with the soundtrack to Panos Cosmatos' BEYOND THE BLACK
    RAINBOW. Posited as a lost film of the 1980s, the picture is inspired by classic dystopian
    fiction and the obscure SF movies one used to see lining the shelves of the local video store. As
    such, the brilliant soundtrack blends seamlessly amongst its influences; Tangerine Dream,
    Wendy Carlos, and of course John Carpenter, with the latter's mark heard on the oppressive
    synth percussion of the main titles and the evocative melodies heard throughout. Created by
    Sinoia Caves, the ongoing project of Jeremy Schmidt, a disciple of the long-form cosmic
    synthesizer soundscape, and member of Canadian psych-and-prog-spiritual pioneers Black
    Mountain, this recording also features guest appearances by Joshua Wells, drummer of Black
    Mountain.


    Schmidt's score is many things - haunting, uncompromising, intense - but is always a
    fascinating listen. Incorporating touchstone elements such as mellotron choirs, glacial
    analogue synthesizer pads and arpeggiators, Schmidt artfully navigates the various sonic
    sensibilities of the 70s-80s genre aesthetic. What emerges from this schematic realm of the
    'almost familiar' evolves and manifests as a work of striking originality, an ominously
    beautiful, otherworldly and terrifying score. Simply put, BEYOND THE BLACK RAINBOW is
    an astounding piece of work and must not be missed. Do you read me?

    Forever Dilating Eye
    Elena's Sound-World
    Run Program: Sentionauts
    Arboria Tapes - Award Winning
    Gardens
    1983 - Main Titles
    1966 - Let The New Age Of Enlightenment Begin
    Sentionauts II
    Sinoia Caves
    $18.99
    Vinyl LP - Sealed Buy Now
  • Christine Soundtrack Christine Soundtrack Quick View

    $24.99
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    Christine Soundtrack

    Pressed On Blue Vinyl


    This classic John Carpenter soundtrack returns fully remastered with an all-new fantastic original art design and on
    blue vinyl. There has been a tremendous upsurge in interest for John Carpenter's signature score compositions
    following the success of Carpenter's Lost Themes and Lost Themes II albums and subsequent tours.

    LP 1
    1. Arnie's Love Theme
    2. Obsessed With The Car
    3. Football Run / Kill Your Kids
    4. The Rape
    5. The Discovery
    6. Show Me
    7. Moochie's Death
    8. Junkins
    9. Buddie's Death


    LP 2
    1. Nobody's Home / Restored
    2. Car Obssession Reprise
    3. Christine Attacks (Plymouth Fury)
    4. Talk On The Couch
    5. Regeneration
    6. Darnell's Tonight
    7. Arnie
    8. Undented
    9. Moochie Mix Four

    John Carpenter
    $24.99
    Colored Vinyl LP - Sealed Buy Now
  • Lost Themes Lost Themes Quick View

    $21.99
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    Lost Themes

    John Carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes can instantly flood his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kung fu fighters, or a mirror holding the gateway to hell. The all-new music on Lost Themes asks Carpenter's acolytes to visualize their own nightmares.


    "Lost Themes was all about having fun," Carpenter says. "It can be both great and bad to score over images, which is what I'm used to. Here there were no pressures. No actors asking me what they're supposed to do. No crew waiting. No cutting room to go to. No release pending. It's just fun. And I couldn't have a better set-up at my house, where I depended on (collaborators) Cody (Carpenter, of the band Ludrium) and Daniel (davies, who wrote the songs for I, Frankenstein) to bring me ideas as we began improvising. The plan was to make my music more complete and fuller, because we had unlimited tracks. I wasn't dealing with just analogue anymore. It's a brand new world. And there was nothing in any of our heads when we started other than to make it moody."


    As is Carpenter's style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion. Horror fans will be reminded of Carpenter's past works, as well as ancestors like Mike Oldfield's Tubular Bells and Goblin's Suspiria.


    "They're little moments of score from movies made in our imaginations," Carpenter says. "Now I hope it inspires people to create films that could be scored with this music."

    1. Vortex
    2. Obsidian
    3. Fallen
    4. Domain
    5. Mystery
    6. Abyss
    7. Wraith
    8. Purgatory
    9. Night
    John Carpenter
    $21.99
    Vinyl LP - Sealed Buy Now
  • NOW That's What I Call Halloween NOW That's What I Call Halloween Quick View

    $24.99
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    NOW That's What I Call Halloween

    Pressed On 2x 180-Gram Orange & Purple Vinyl


    NOW That's What I Call Music!, the world's best-selling multi-artist album series, is pleased to announce the upcoming release of NOW Halloween!, the NOW brand's spooktacular first foray into the tricks and treats of Halloween-themed rock and pop music, ranging from TV (True Blood) and movie themes (Halloween, The Exorcist, Beetlejuice) to novelty smashes (Monster Mash, Werewolves of London) to radio perennials (Season of the Witch, Don't Fear the Reaper, I Put a Spell on You).


    NOW Halloween! showcases 18 Halloween-themed classic hits from a variety of artists including director John Carpenter's Theme from Halloween, Rob Zombie's Dragula, Saint Louis Symphony Orchestra & Chorus' O Fortuna, Mike Oldfield's Tubular Bells/Theme from The Exorcist, Blue Oyster Cult's (Don't Fear) The Reaper, INXS's Devil Inside, Jace Everett's Bad Things/Theme from True Blood, Warren Zevon's Werewolves of London, The Specials' Ghost Town, Oingo Boingo's Dead Man's Party, Bobby Boris Pickett and the Crypt-Keepers' Monster Mash, The Citizens of Halloween's This is Halloween, Donovan's Season of the Witch, Nina Simone's I Put A Spell On You, Danny Elfman's Beetlejuice: Main Title/End Title, Run-D.M.C.'s Ghostbusters, DJ Jazzy Jeff & The Fresh Prince's A Nightmare On My Street and Rockwell's Somebody's Watching Me.


    The premium content--by the original artists--selected for NOW Halloween! has never been available on one collection until the release of this special anthology.


    NOW That's What I Call Music! debuted in the U.S. in 1998, following 15 years of multi-platinum international success. The series has generated sales exceeding 250 million albums worldwide, including more than 96 million in the U.S. alone. All 55 previous releases in NOW's numeric U.S. series have reached Billboard's Top 10, and 19 volumes have reached No. 1.

    LP 1
    1. John Carpenter - Halloween Theme
    2. Rob Zombie - Dragula
    3. Saint Louis Symphony Orchestra & Chorus - O Fortuna
    4. Mike Oldfield - Tubular Bells (Theme From The Exorcist)
    5. Blue Oyster Cult - (Don't Fear) The Reaper
    6. INXS - Devil Inside
    7. Jace Everett - Bad Things (Theme from True Blood)
    8. Warren Zevon - Werewolves of London
    9. The Specials - Ghost Town
    10. Oingo Boingo - Dead Man's Party


    LP 2
    1. Bobby Boris Pickett and the Crypt-Kickers - Monster Mash
    2. The Citizens of Halloween - This is Halloween
    3. Donovan - Season Of The Witch
    4. Nina Simone - I Put A Spell On You
    5. Danny Elfman - Beetlejuice: Main Title/End Title
    6. RUN-D.M.C. - Ghostbusters
    7. DJ Jazzy Jeff & The Fresh Prince - A Nightmare On My Street
    8. Rockwell - Somebody's Watching Me

    Various Artists
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • It Follows Soundtrack It Follows Soundtrack Quick View

    $22.99
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    It Follows Soundtrack

    "Rich Vreeland's score deserves a mention all by itself-heavily John Carpenter-influenced, the blaring atonal drones of ascending volume are so omnipresent and willfully overblown that it's where the film's two-sided ambition is most fully realized." -THEPLAYLIST


    The acclaimed score to It Follows by Disasterpeace is receiving the vinyl treatment. This release is pressed on 180 gram vinyl and features original artwork by Midnight Marauder.


    Written and directed by David Robert Mitchell, It Follows has been a highly praised film on the festival circuit. The horror/thriller tells the story of 19-year old Jay who, after a seemingly innocent sexual encounter, finds herself plagued by strange visions and the inescapable sense that someone, or something, is following her. Faced with this burden, Jay and her teenage friends must find a way to escape the horrors that seem to be only a few steps behind.


    Video game composer, Disasterpeace, composed the synth heavy and pulsating score. The electro, 80's influenced score is a character itself in the film and has been praised wherever the film has been screening.

    1. Heels
    2. Title
    3. Jay
    4. Anyone
    5. Old Maid
    6. Company
    7. Detroit
    8. Detritus
    9. Playpen
    10. Inquiry
    11. Lakeward
    12. Doppel
    13. Relay
    14. Greg
    15. Snare
    16. Pool
    17. Father
    18. Linger
    Disasterpeace
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • TRILOGY TRILOGY Quick View

    $59.99
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    TRILOGY

    Carpenter Brut draws its influences from 80s TV shows & B-movies loaded with synthesizers and evokes an encounter between Justice beats & the universe of John Carpenter. ''TRILOGY'' to be released on 30th June, stands as a compilation of his first three EPs ''I'', ''II'' and ''III'', which include standout tracks such as ''Turbo Killer.''
    LP 1: Carpenter Brut I
    1. Escape from Midwich Valley
    2. Disco Zombi Italia
    3. L.A. Venice Bitch 80s
    4. Wake Up the President
    5. 347 Midnight Demons
    6. Le Perv


    LP 2: Carpenter Brut II
    1. Roller Mobster
    2. Meet Matt Stryker
    3. Obituary
    4. Looking for Tracy Tzu
    5. Sexkiller on the Loose
    6. Hang'em All


    LP 3: Carpenter Brut III
    1. Division Ruine
    2. Paradise Warfare
    3. Run, Sally, Run!
    4. Turbo Killer
    5. Anarchy Road
    6. Invasion A.D.

    Carpenter Brut
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • Cosmos Cosmos Quick View

    $24.99
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    Cosmos

    Pittsburgh, PA's Zombi create boundless, leering soundscapes inspired by filmmakers such as Dario Argento and Lucio Fulci and the musical scores of John Carpenter and Goblin.


    Zombi's Relapse Records/Release Entertainment debut Cosmos is a powerful work of eerie, relentless rhythms and futuristic score that shares as much headspace with the late-night sci-fi explorer as the space rock adventurer. For fans of Goblin, Acid Mothers Temple, Hawkwind, Halloween and vidnaObmana.

    1. Orion
    2. Cetus
    3. Cassiopeia
    4. Serpens
    5. Gemini
    6. Andromeda
    7. Taurus
    Zombi
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Escape from L.A.- Music from the Motion Picture Score Escape from L.A.- Music from the Motion Picture Score Quick View

    $41.99
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    Escape from L.A.- Music from the Motion Picture Score

    Limited To 1500


    Clear With Green Splatter Colored Vinyl


    John Carpenter wasn't just a sci-fi and horror master, one of the best and most innovative directors of his generation-he was also a highly accomplished soundtrack composer whose pioneering use of synthesizers to create suspense and dread in his film scores influenced musicians both within the film world and without. And the score he composed-along with Shirley Walker-for his 1996 dystopic sequel Escape from L.A. offered the creeping, atmospheric tension that Carpenter fans crave; although, as this film was set in L.A. and featured plenty of dark humor, Carpenter and Walker threw in a bit of rock 'n' roll as well.


    The original soundtrack release included a mere 16 tracks and came out on CD exclusively; now, Real Gone Music not only has added another 16 tracks to the release, but is also bringing it to vinyl for the very first time! And not just any vinyl; do you remember how in the film Snake Plisskin is infected with the plutoxin virus that will prove fatal within ten hours unless he retrieves the "Sword of Damocles" super weapon and receives the antidote? Well, our limited edition (of 1500) double-LP is being pressed on test tube clear with plutoxin virus green splatter vinyl just make sure you don't let the vinyl scratch your skin! Brand new gatefold artwork featuring stills from the film production completes the package.

    LP 1
    1. Escape from New York
    2. History of Los Angeles
    3. Fire Base Seven
    4. Snake Arrives/Deportees
    5. Snake Gets Scratched
    6. Defense Lab
    7. Snake's Flashback
    8. Weapons/Snake's Uniform
    9. Snake's Escort
    10. Submarine Launch
    11. Sub Sinks
    12. Mulholland Drive-By
    13. Acid Rain/Tour Guide Sting/Snake Gets Directions
    14. Sunset Boulevard Bazaar
    15. Motorcycle Chase
    16. Showdown
    17. Push On Through/Snake Takes a Breather
    18. Beverly Hills Surgeon
    19. I Think We're Lost/Taslima


    LP 2
    1. The Future Is Right Now/Fun Gun
    2. The Black Box/Target L.A.
    3. The Broadcast/The Coliseum
    4. Decapitation/Game Time/The Game
    5. Escape from Coliseum
    6. Queen Mary/Hang Glider Attack
    7. Helicopter Arrival
    8. Texas Switch/Fire Fight
    9. Escape from Happy Kingdom
    10. Crash Landing
    11. Out of Time
    12. Presidential Decree
    13. J.C.'s Blues

    Shirley Walker & John Carpenter
    $41.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Dark Star Soundtrack Dark Star Soundtrack Quick View

    $37.99
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    Dark Star Soundtrack


    Limited Edition Vinyl + 7 EP Pressed On ALIEN RED Wax


    Limited To 500


    Dark Star (Original Motion Picture Soundtrack - Extended & Remastered). Music composed by John Carpenter


    WRWTFWW Records is ecstatic to bring back the original motion picture soundtrack for John Carpenter's Dark Star (1974) with added bonuses that are sure to satisfy all cult sci-fi soundtrack completists of the galaxy (and further).


    This limited edition double vinyl combo comes with a 12 and a 7. The former is a remastered version of the original motion picture soundtrack consisting of incidental music, sound effects, John Carpenter's synth experimentations, dialogue excerpts, and vintage interferences extracted directly from the film roll.


    The 7 is red with a yellow label circled in black (in pure beachball alien fashion) and contains "Ode to a Bell Jar" remade by loyal Carpenter collaborator Alan Howarth (Escape from New York, Christine, Big Trouble in Little China, They Live ), the fan favorite "Benson Arizona" remade by Dominik Hauser, the very sought-after "When Twilight Falls on NGC 891" by Martin Segundo & the Scintilla Strings (in the real world *James Clarke's Spring Bossa), as well as endless loops of sound effects from the movie to turn your house into your very own scout ship. Oh and there is a very secret hidden bonus track too!


    It all comes in slick thermostellar triggering packaging with a brand new artwork and invisible hyperdrive electronics - the best way to relive the Dark Star adventure and celebrate John Carpenter's first directorial feature film released in 1974 and co-written by (and starring!) all around legend Dan O'Bannon (Alien, Lifeforce, The Return of the Living Dead). Let there be light!


    - The most comprehensive vinyl edition of the original motion picture soundtrack for John Carpenter's first feature film, Dark Star (1974). - For the fans of John Carpenter, sci-fi movie soundtracks, electronic experimentations, and strange vinyl releases. Also, for surfers. - Includes the sought-after "When Twilight Falls on NGC 891" by Martin Segundo & the Scintilla Strings, for the first time ever on a John Carpenter-related release.

    LP:
    1. Music, Sound Effects and Dialogue Excerpts Part 1 (Remastered)
    2. Music, Sound Effects and Dialogue Excerpts Part 2 (Remastered)


    7'':
    1. Martin Segundo and the Scintilla Strings - When Twilight Falls on NGC 891
    2. Alan Howarth - Doolittle's Solo (Remake)
    3. Loop #1
    4. Loop #2
    5. Dominik Hauser - Benson Arizona (Remake)
    6. Very secret hidden bonus track
    7. Loop #3
    8. Loop #4

    John Carpenter
    $37.99
    Vinyl LP + 7 - Sealed Buy Now
  • Lost Themes II Lost Themes II Quick View

    $20.99
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    Lost Themes II

    The musical world of Lost Themes II is also a wider one than that of its predecessor. More electric and acoustic guitar help flesh out the songs, still driven by Carpenter's trademark minimal synth. This manifests itself brilliantly in songs like lead single Distant Dream, which hitches a familiar Carpenterian beat to an expressive drum performance and rides it to a thrilling conclusion. The eerie Angel's Asylum lets an ethereal synth line command the first three-quarters of the song, before turning over the melody to an acoustic guitar, and Virtual Survivor delivers a blast of the sci-fi menace that characterized his great scores for films like Assault on Precinct 13 and They Live. Lost Themes II delivers eleven compelling new tracks for which fans can continue to score the movies in their minds.
    1. Distant Dream
    2. White Pulse
    3. Persia Rising
    4. Angel's Asylum
    5. Hofner Dawn
    6. Windy Death
    7. Dark Blues
    8. Virtual Survivor
    9. Bela Lugosi
    10. Last Sunrise
    11. Utopian Facade
    John Carpenter
    $20.99
    Vinyl LP - Sealed Buy Now
  • First Contact First Contact Quick View

    $19.99
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    First Contact


    Limited Edition Of 1,000 Copies


    Contact is the new duo of A.E. Paterra (aka Majeure) of
    famed sci-fi synth-rock group Zombi, and acclaimed
    British film composer, Paul Lawler. Exploring a similar
    orbit as Majeure and Zombi, multi-instrumentalist Lawler
    infuses heavy doses of melody and drama to give First
    Contact a sound and feel that blends late 70s Pink Floyd
    sprawl, the nostalgic wonder of early 80s science
    documentaries, and John Carpenter's 80s sci-fi action
    films. Equal parts fascinating and euphoric, Contact is
    two masters of their respective crafts finding common
    ground in zero gravity.

    1. First Contact
    2. Terminal Point
    3. Distant Voices
    4. Icefall
    Contact
    $19.99
    Vinyl LP - Sealed Buy Now
  • Timespan Remixes Timespan Remixes Quick View

    $16.99
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    Timespan Remixes

    Timespan Remixes is exactly what the title implies: The entire debut album by Majeure, remixed by three of his friends and favorite producers. Zombi co-conspirator Steve Moore expands on the opening minutes of Timespan to give it an ominous John Carpenter dread. Jesu mastermind Justin K Broadrick transforms Teleforce into a 10-minute vertigo-inducing shoegaze epic. Renowned French producer Black Strobe closes out the album with a staggering 20-minute reinvention of The Dresden Codex, a white- hot house banger.
    1.Timespan [Steve Moore Remix] - (remix)
    2.Teleforce [Justin K Broadrick Remix] - (remix)
    3.Dresden Codex [Black Strobe Remix], The - (remix)
    Majeure
    $16.99
    Vinyl LP - Sealed Buy Now
  • Shaun Of The Dead Soundtrack Shaun Of The Dead Soundtrack Quick View

    $37.99
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    Shaun Of The Dead Soundtrack


    180 Gram Clear Red Vinyl Re-Press


    While aware that they were working on a comedy, composers Daniel Mudford & Pete Woodhead wanted to make a score that was deadly serious and let the comedy do its own thing. "We wanted to "play a straight bat," as the English say, and treat the film as though it was a sincere and genuinely terrifying scenario." says Mudford. In doing so, they crafted a score that fits in perfectly along side the great horror scores that inspired it.


    Pete & Dan's band, 'The Sons Of Silence,' was previously featured in Edgar Wright's television show Spaced before it became part of the behind the scenes soundtrack to the writing, and casting portions of production of the film. "Indeed, many of the doomier, dubbier tracks of from The Sons of Silence would blend in perfectly with my playlist, made up of John Carpenter scores, Goblin rock outs and library tracks from Dawn of The Dead. So even before Dan and Pete were definitely scoring the movie, they were already scoring the movie." Says Edgar.

    1. (I love your) Pub Action
    2. Unreality
    3. Snakehips
    4. Cornetto Quest
    5. Susie's Bus Ride to Hell
    6. The Z Word / There's a Girl in the Garden
    7. Combat Studs
    8. The Shower & The Coming Apocalypse
    9. Fizzy Legs
    10. Garden Running
    11. Walking With The Dead
    12. Blood in Three Flavours
    13. BeZieged
    14. Burn Down The Sun
    15. Envy the Dead
    16. Pint Of No Return
    17. Ready...
    18. ...steady...
    19. Heads Together
    20. Final Act
    21. Normality
    Daniel Mudford & Pete Woodhead
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Underside Of Power The Underside Of Power Quick View

    $22.99
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    The Underside Of Power

    Includes 12-Page Booklet Insert


    "This is revolutionary music in the truest sense of
    the word. It demands action. It requires penance. It
    destroys expectations." - Stereogum


    "The Death Grips of gospel torching the South's
    dark underbelly." - Rolling Stone


    This is the musical response that dark times demand, one
    that not only shakes its fist but deploys it. Locally-informed
    global citizens, Algiers refuse to sit idly by while most
    contemporary artists appear perfectly content to sit out the
    revolution. Not only do Algiers harbor a purposeful sense of
    obligation in what they do on their latest resistance record
    The Underside Of Power, but they recognize the roots and
    thorns of precedent in said resistance.


    Beyond the technical necessities living their respective lives
    both in and outside of music, Algiers' continued deviation
    from a more traditional band approach created a more
    versatile sound, one that better incorporates a collective
    and respective panoply of influences and styles.


    Some of this is informed by their choice of collaborators in
    this process, a crew that includes Adrian Utley [Portishead],
    Ben Greenberg [Uniform, The Men], Randall Dunn [Sunn
    0)))], among others. Pick any track off The Underside of
    Power and the reference points expand exponentially, a
    dizzying and thrilling Recommended-If-You-Like list that
    would consume a series of afternoons.


    Poke at the seasoned members' bruised flesh, and out
    come wafting touchpoints as disparate and intriguing as
    Big Black, Wendy Carlos, John Carpenter, Cybotron, The
    Four Tops, Portishead, Public Image Limited, Steve Reich,
    and Nina Simone, to name but a few. Deep echoes of Black
    Lives Matter and its 20th-century forebears gather, surge,
    and subside in their often soulful work, a form of principled,
    acute dissent more interested in learning from the past
    than in evoking nostalgia.

    1. Walk Like A Panther
    2. Cry Of The Martyrs
    3. The Underside Of Power
    4. Death March
    5. A Murmur. A Sign.
    6. Mme Rieux
    7. Cleveland
    8. Animals
    9. Plague Years
    10. A Hymn For An Average Man
    11. Bury Me Standing
    12. The Cycle/The Spiral: Time To Go Down Slowly
    Algiers
    $22.99
    Vinyl LP - Sealed Buy Now
  • Time To Go Home Time To Go Home Quick View

    $15.99
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    Time To Go Home

    Chastity belt is a rock band consisting of four friends - guitarists Julia Shapiro and Lydia Lund, bassist Annie Truscott, and drummer Gretchen Grimm. They met in a tiny college town in eastern Washington, but their story begins for real in Seattle, that celebrated home of Macklemore and the twelfth man. Following a post-grad summer apart, a handful of shows and enthusiastic responses from the city's diy community led them, as it has countless others, into a cramped practice space. They emerged with a debut album, No Regerts, sold it out faster than anyone involved thought possible, and toured America, a country that embraced them with open-ish arms. Now they're back and the tab is settled, the lights are out, the birds are making noise even though the sun isn't really up yet: it's time to go home, their second long-player and first for hardly art. In the outside world, they realized something crucial: they didn't have to play party songs now that their audience didn't consist exclusively of inebriated 18-22 year olds, as it did in that college town. Though still built on a foundation of post-post-punk energy, jagged rhythms, and instrumental moves that couldn't be anyone else's, the songs they grew into in the months that followed are equal parts street-level takedown and gray-skied melancholy. They embody the sensation of being caught in the center of a moment while floating directly above it; shapiro's world spins around her on on the floor, grounded by Grimm and Truscott's most commanding playing committed to tape. They pay tribute to writer Sheila Heti on drone and John Carpenter with the thing, and deliver a parallel-universe stoner anthem influenced by electrelane with joke. recorded by JosÉ Díaz Rohena at the unknown, a desecrated church and former sail factory in anacortes, and mixed with a cathedral's worth of reverb by Matthew Simms (guitarist for legendary british post-punks and one-time tourmates Wire), time to go home sees Chastity Belt take the nights out and bad parties of their past to their stretching points, watch the world around them break apart in anticipatory haze, and rebuild it in their own image with stunning clarity before anyone gets hungover.
    1. Drone

    2. Trapped

    3. Why Try

    4. Cool Slut

    5. On the Floor

    6. The Thing

    7. Joke
    8. Lydia

    9. IDC

    10. Time To Go Home
    Chastity Belt
    $15.99
    Vinyl LP - Sealed Buy Now
  • Fantasy Fantasy Quick View

    $17.99
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    Fantasy

    Lightning Dust - the duo comprised of Amber Webber and Josh Wells - tends to thrive in the spirit of
    change.2007'sself-titled debutwas a hushed,intricate folk affair,while 2009'sInfinite Lightfound a middle
    ground between Suicide and Fleetwood Mac era pop. So when they geared up to make the music that
    would become Fantasy, the pair waslooking for a new sonic stamp.
    Lightning Dust'sthird properfull length findsitsinspiration in skeletalsynth pop,modernR&B beats,the
    films of John Carpenter and - in accordance with Lightning Dust's only longstanding rule - absolute
    minimalism.


    The core of Fantasy lies as much in the songwriting as in its sonics, and begins with tools
    familiar to Webber and Wells: her acoustic guitar and his Wurlitzer piano. They worked to distill the
    arrangementsto justthe fewkey elementsthatwere necessary to make the feelright, and through countless
    hours of labor in The Balloon Factory - their Vancouver studio - the songs found their way to a sonic
    palette more squarely electronic than either expected.
    The first product of this experimentwasNeverAgainwhichwas previously featured on a 7in 2011 and
    now closes the new album. It is a menacing, almost gothic electro-pop churner, marching from an
    oscillating beat to an anthemic thunderstorm of synth textures. Like many of its cohorts, the song came
    together slowly: beginning with a barebones acoustic demo and honed through their new sonic prism,
    NeverAgain became not only a bouncing synth opus but a thesisstatement of sortsfor Fantasy.
    Knowing now where they were going, the path began to take shape. The duo was keen to use a purely
    synthetic palette for Fantasy, but instead of toiling away in front of a computer,Wells armed himself with
    an MPC 2000 - a cumbersome, outdated machine, but one that proved to be the perfect tool to keep the
    spirit of absolute minimalism alive in their new musical terrain.

    The time-honored producer's weapon of
    choice became Wells' entrance to the world of programming, one that empowered him to work by feel
    alone. Webber, meanwhile, mined the freedom she felt singing along to records as a child, and strove to
    write vocal melodies and singwith a more extroverted pop sensibility.The hooks are apparent, andWebber
    sings with a self-assurance that beliesthe extent to which Fantasy marks a new, uncharted sonic space for
    the band.


    By beginning at the end, Lightning Dust has delivered an album that informs their sound in remarkable
    new ways. Fantasy is a hypnotic, exciting record,recklessly new without sacrificing the rich atmosphere
    that makes Lightning Dust who they are. Loaded Gun is a robotic riot grrrl anthem, while Agatha
    standstall as an ominouslullaby.Fire, Flesh and Bonerecallsthe best cinematic newwave ballads,while
    acoustic heartbreaker Moon makes the rest of the world disappear. And so while Lightning Dust's
    destination was never an exact place, Fantasy is as vivid a place as you've everimagined.

    1 Diamond
    2 Reckless And Wild
    3 Mirror
    4 Moon
    5 Fire Me Up
    6 Loaded Gun
    7 In The City Tonight
    8 Fire, Flesh And Bone
    9 Agatha
    10 Never Again
    Lightning Dust
    $17.99
    Vinyl LP - Sealed Buy Now
  • Not Real Not Real Quick View

    $22.99
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    Not Real

    Not Real' is the second album by Stealing Sheep which has been written, recorded and produced by band members Becky Hawley, Emily Lansley and Lucy Mercer at their studio in Liverpool. The band met in 2010 and work together creating music and visual art.


    The unifying theme of the new album 'Not Real' is an interplay of fact and fiction; the edge of dreams and limits of reality. These visions are grounded by bright melodies and insistent beats and unified by vocal harmonies; sometimes metronomic and chant-like, sometimes choral and pop.


    It follows their debut, 'Into the Diamond Sun', released in 2012 by Heavenly Recordings. The first album morphed their individual styles to create a 'medieval-kraut-folk' inspired sound. They were described as an unanticipated 'pagan pop revival' and since its release have toured as guests of Postal Service and Alt-J, opened for St.Vincent in Paris, performed the songs of David Lynch at the Barbican and collaborated with the Radiophonic Workshop on an original soundtrack to the cult 70's science fiction film 'Le Planete Sauvage'.


    For the second album they have concentrated on developing the sonic aesthetic of their new music. "We are more focussed about what we are trying to do. Everything has a reason for being there." They have been experimenting with tuned percussion, programmed beats, trigger samples and worked with effected synths, utilising the guitar and lap steel more sparingly and introducing more processed sounds. They've drawn inspiration from 50's exotica, electronic music and 80's pop and have been greatly influenced by the likes of Grace Jones, Can, Delia Derbyshire, Eden Ahbez, Moon Dog and John Carpenter. Grayson Perry's pop-folk art and the band's self-created mythologies were also a source of inspiration for song writing.


    This is an alternative pop record that has been 'self-manufactured' by the band. Having learned new skills in the studio over the last years, the band (assisted by Sam Crombie and Joe Wills) have self-produced the album. They have used the studio not only as a writing tool but also as an instrument; experimenting with post production and varying instrumentation and layered textures. "We started off in pre-production doing all the demos ourselves" say's Becky "the demos captured an atmosphere that we wanted to carry forward to the album. The result was a hypbrid of casual takes and more considered recordings


    Individual songs on the album have different environments and creatures that go with them, often inspired by the galactic rather than earth-bound imagery. Becky: "I imagine dehumanised worlds, planets with creatures that have evolved in a completely different way


    The visual side is highly important to the band, all of whom have art backgrounds. "We like to be involved in all the aspects of the presentation because it's symbiotic to the music." They collaborate with artists and with 'the costumologists', coming up with ideas like "outfits that texturally reflect rhythms" and "frequency triggered, light-up costumes". The colourful and organic album cover, a collaboration between photographer Charlotte Rutherford and collage artist Louise Mason, shows their confident image for this record: as they tread the lines of surreal pop.


    There is no stopping the imaginations of Stealing Sheep - but like lucid dreams, these are controlled fantasies and skilfully created worlds. Follow them on a hypnagogic journey as they sing: "listen to yourself and look within".

    1. Sequence
    2. Apparition
    3. Not Real
    4. This Time
    5. Greed
    6. Deadlock
    7. Evolve
    8. Sunk
    9. Love
    10. She
    Stealing Sheep
    $22.99
    Vinyl LP - Sealed Buy Now
  • The Apocalypse Blues Revue The Apocalypse Blues Revue Quick View

    $21.99
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    The Apocalypse Blues Revue

    In February 2016, Apocalypse Blues Revue entered the Vibe Recording Studio and cut their self-titled debut in just nine days. Co-founded by Godsmack drummer Shannon Larkin and guitarist Tony Rombola, and featuring vocalist Ray "Rafer John" Cerbone and bassist Brian Carpenter, the quartet honors blues traditions while etching their stamp on the genre.


    Mixed by Dave Fortman, the debut album conjures up swampy soul colored by rock 'n' roll and rockabilly over the course of 11 tracks.


    "As far as blues goes, The Apocalypse Blues Revue is a little heavier, a little darker, and has some punk rock attitude in the lyrics," says Shannon. "We wanted to make something deep that will provoke thought. It had to be evil though. We're not trying to make It happy. It's called blues for a reason."


    Tony and Shannon's creative union traces back to 2001, when Shannon joined Godsmack. Selling 20 million records worldwide and garnering four Grammy® Award nominations, the juggernaut remains a hard rock institution.


    "I want people to walk away with our songs stuck in their heads," Shannon leaves off. "The music speaks for itself on this record." "It's back to basics," concludes Tony.

    1. Evil Is As Evil Does
    2. Blues Are Fallin' From The Sky
    3. Devil Plays A Strat
    4. I Think Not
    5. Whiskey In My Coffee
    6. The Tower
    7. Crossed Over
    8. Junkie Hell
    9. Work In Progress
    10. The Devil In Me
    11. Blue Cross
    Apocalypse Blues Revue
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Divine Miss M The Divine Miss M Quick View

    $24.99
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    The Divine Miss M

    Numbered Limited Edition



    Midler's Grammy-Winning 1972 Debut Announces the Birth of a Superstar



    Record Overflows With Energy and Personality: Torch Songs, Girl-Group Classics, Campy Remakes, Theatrical Pieces Delivered With Supreme Emotion

    Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (Best Plant in North America): Midler's Voice Upfront and Centered, Every Nuance of Her Phrasing Laid Bare



    Oh, behave! Bette Midler's sparkling, energy-pulsing 1972 debut features the singer honing her trademark brassy personality as well as showing off an intimate, raw edge that fell by the wayside later in her career. Witness her forlorn, melancholic, and heartbroken moods, all conveyed with supreme emotion on several riveting ballads. But this LP is no downer. Midler offsets any bleakness with playfully campy songs laced with unadulterated enthusiasm and joyous defiance. This is a diva lover's delight. The music is astonishingly alive. A superstar is born!



    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents The Divine Miss M with the warmly cozy and front-row perspective that the music demands. Midler's voice is transparent and full, the timbrel shadings colorfully outlined, the vocal images appearing as if she's singing just a few feet away. Similarly, her cast of back-up vocalists (the Harlettes) receives ample face time on songs that come across as if performed by a girl-group revue. Midler has cut many records in her career but none are this entertaining, diversified, and, now, sonically spectacular.



    There's always risk associated with interpreting other artists' classics and hits, but Midler makes every song here her own. She injects Chapel of Love with extra swagger and feminine gusto. In her hands, the Carpenters' Superstar becomes more heartbreaking, filled with desolate sentiment and lonesome ache. John Prine's ballad Hello In There echoes, as if sung to an empty room, with forlorn emotion. The 50s smash Leader of the Pack positively stomps and declares, her band in tow, that she's not going to be stopped. Indeed, Midler's interpretations of these staples surpass the previous versions, mostly due to her impeccable strong vocals and contagious passion. She doesn't quit. And don't you dare decline her offer on Do You Want to Dance!



    What else can be said of her trademark Boogie Woogie Bugle Boy, her update of the Andrews Sisters' jazzy hit landing in the Top 10, featuring a scat vocal (!), and smartly walking the line between campy fun and serious reverence. Similarly, Midler's two takes of Friends--the first off-the-cuff, wild, snappy, and humorous; the second slightly cooler and infused with gorgeous harmonies--remain modern marvels. There's not a bad note on this incredible record.



    The Divine Miss M has always been prized for its clear, clean production. Mobile Fidelity's Silver Series LP further improves the sound, which, in combination with Midler's performances, make this collectible reissue an absolute no-brainer!


    This title is not eligible for discount.

    1. Do You Want to Dance? (Bobby Freeman)
    2. Chapel of Love (Jeff Barry, Ellie Greenwich, Phil Spector)
    3. Superstar (Bonnie Bramlett, Leon Russell)
    4. Daytime Hustler (Jeff Kent)
    5. Am I Blue (Jarry Akst, Grant Clark)
    6. Friends (Mark Klingman, Buzzy Linhart)
    7. Hello In There (John Prine)
    8. Leader of the Pack (Jeff Barry, Ellie Greenwich, George Morton)
    9. Delta Dawn (Larry Collins, Alex Harvey)
    10. Boogie Woogie Bugle Boy (Don Raye, Hughie Prince)
    11. Friends (Reprise) (Mark Klingman, Buzzy Linhart)
    Bette Midler
    $24.99
    Vinyl LP - Sealed Buy Now
  • Broken People Broken People Quick View

    $18.99
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    Broken People

    American music is a mile-wide river that beckons black and white, urban and rural, dreamer and doer alike to launch their vessels. All the streams of style and genre flow into it; its tributaries are blues and jazz, mountain and folk, rock, soul and R&B.


    The release of the debut album by Muddy Magnolias, Broken People, marks the launch of a great new vessel onto that waterway. The album showcases a confluence of style and sound as colorful as it is unlikely, steeped in that river of influence, yet bracingly fresh.


    With Broken People, Jessy Wilson and Kallie North take us on an 11-song journey with its origins in two widely divergent backgrounds that came together in a friendship and creative partnership with world-changing resonance.


    North was raised in southeast Texas and began singing with her family and studying piano at an early age. She grew to love rich vocal harmonies singing in church choirs and listening to artists like the Carpenters, Alison Krauss, James Taylor and the Eagles. By her early teens, she was singing lead parts in church and in musical theater productions at her high school. Her palette grew when a friend turned her on to the Grateful Dead, and after high school she spent every spare moment in the clubs of Austin, absorbing everything from alt-country and jam bands to New Orleans funk. She met her husband at a concert and moved with him to his native Mississippi. There, on their isolated farm, she had her awakening, starting a career as a photographer, capturing the spirited, deep history of the Mississippi Delta.


    "To me, the Delta is the most overlooked and mysterious place," she says. "It was the birthplace of America's music, and all the legends were influenced by everything that came out of it. I went on this personal exploration to learn about the Delta blues and the region's history. I picked up a camera and started taking pictures, blogging about what I was experiencing, and I tapped into all the creative energy lying dormant inside me." When her husband gave her a guitar, she began spending her days on the porch of their farm learning how to connect her first chords. From there, the songs began pouring out and she knew she had to find a way to get to Nashville and write songs professionally.


    Wilson, raised in Brooklyn, was in love with music from her earliest days. She was singing before she could talk, and was 5 when her mother recognized her passion for music. "I would cry because I couldn't hit the high notes in Whitney Houston and Mariah Carey songs," she says. Influenced by greats from Aretha and Smokey Robinson to Lauryn Hill, Mary J. Blige and The Notorious B.I.G., she began auditioning in the highly competitive New York entertainment scene and was working professionally in musical theater by the age of 10. Her mother took her to nightclubs where she experienced a variety of live performances. She attended New York's top performing arts schools, including La Guardia High School, the "Fame" school, where she discovered her love for gospel music and took part in the gospel chorus for four years. She worked at Cafe Wha? in Greenwich Village, making $500 a weekend while still in high school.


    She sang backup for Alicia Keys in her teens, then worked four years with John Legend, and through him with legends like will.i.am, Kanye West, Raphael Saadiq and Babyface. Legend mentored her in songwriting and recording before she began writing songs on her own for American Idol winner Fantasia Barrino and others. Inspired by her evolving love of songwriting, she too moved to Nashville, looking for a wider creative palette. There, while meeting with then-BMI executive Clay Bradley, her eye settled on a photograph of "a rundown juke joint piano" in his office.


    "I want to meet whoever took that photo," she said. The photographer was North-it had been taken during her creative awakening in Mississippi-and the subsequent meeting led quickly to collaboration and an epic friendship.


    "The first day we wrote together," says North, "there wasn't much thought that we were blending genres and worlds. That never came up. It was just natural. She had never written a country song and I was writing them every day. We sat down to write one but when we listened back it was a country R&B song. And we decided to become songwriting partners." Before long, they had their first cut as collaborators, and they were off and running.


    "The spirit of the Muddy Magnolias existed from the moment we met," says Wilson, "but we didn't know we were the Muddy Magnolias yet." North was toying with the idea of a solo career; Wilson had aspirations of making history as an African-American female songwriter in Nashville. Their new friendship was a game-changer.


    "We spent a whole year writing, trying to understand what our message was when we combined our stories," says Wilson. Then one day over afternoon wine at Burger Up, their favorite hangout in the 12 South section of Nashville, both admitted to be being at a crossroads. "The next thing you know," says North, "Jessy said, 'What if we made a record together?' It was like all of our dreams in one."


    "We went back to that same office on Music Row where I saw the photograph," says Wilson, "and sat down side by side in Clay's office and said, 'We've got something to tell you. We're going to make an album together.'" Bradley believed enough to sign on as their manager. They held three days of band auditions and found four best friends who had been playing together since college, primarily doing jazz. The fit was perfect, providing just the right sonic backdrop for their soulful approach and high-energy delivery.


    As they continued to write and perform, opening for the likes of The Zac Brown Band and Gary Clark, Jr., they put together a project that crosses genres effortlessly, showcasing two voices that soar together in a blending of cultures as electrifying as if Janis Joplin and Tina Turner, or Whitney Houston and Lee Ann Womack had joined forces.


    Broken People combines poetic imagery and vocal passion, with the musicianship and production of Motown or Muscle Shoals by way of the raw honesty of Sun Records. Of course it deals with love, longed for and unleashed, in songs like "I Need A Man," "Why Don't You Stay" and "Devil's Teeth," but the album soars as it reaches for bigger themes, dealing with the need for hope in "Take Me Home," for love on a societal scale in "Shine On" and "Brother What Happened," and hope for the future in "Got It Goin' On." With "Leave It To The Sky," the two, joined by John Legend on vocals and piano, make a powerful case for spiritual solutions, and few songs in the modern lexicon are as steeped in present-day reality as the gospel- and R&B-tinged title track.


    "Ultimately," says North, "this album is a result of an unlikely friendship and is a testament to what can happen when you diversify your relationships."


    "It's about getting out of your comfort zone and being rewarded with a great friendship," adds Wilson. "We've both felt the power of that."


    "Our path is so much better and our lives are so much richer because of it," says North, "and we want to bring people along on this journey."


    "We want to see what society would be like if we all reached out in ways we normally wouldn't," adds Wilson.


    And that is the magic and the message. The music of Muddy Magnolias, live and on record, comes from a place where the Mississippi meets the A-Train by way of Nashville. Whether yours is the back porch or the front stoop, Spanish moss or window box garden, dusty country lane or crowded subway car, rural honky-tonk or uptown club, this is music that beckons. Muddy Magnolias are collaboration without boundaries, musical healing in a landscape of the heart, and all of us who treasure creative energy, honest art and the possibilities of love and unity, are better for their arrival.

    1. Broken People
    2. Brother, What Happened?
    3. Got It Goin' On
    4. Why Don't You Stay
    5. Take Me Home
    6. Shine On!
    7. It Ain't Easy
    8. I Need A Man
    9. Devil's Teeth
    10. Train
    11. Leave It To The Sky (feat. John Legend)
    Muddy Magnolias
    $18.99
    Vinyl LP - Sealed Buy Now
  • The Thing (1982 Original Soundtrack) (Out Of Stock) The Thing (1982 Original Soundtrack) (Out Of Stock) Quick View

    $43.99
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    The Thing (1982 Original Soundtrack) (Out Of Stock)

    Standard "Snow" Edition


    180 Gram "Snow" Vinyl (True White)


    Satin Coated Old-Style Gatefold Jacket with UV Spot-Gloss


    11" x 22" Poster


    New Artwork By Justin Erickson of Phantom City Creative


    Waxwork Records is thrilled to present the deluxe soundtrack re-issue to 1982's sci-fi horror classic, JOHN CARPENTER'S THE THING. Composed by the legendary Ennio Morricone, the soundtrack to THE THING is a landmark musical composition that is cold, dark, minimal, and effective.


    Considered to be John Carpenter's directorial masterpiece, THE THING is praised as one of the greatest films of its genre by both fans and critics. Starring Kurt Russell and A. Wilford Brimley, THE THING follows a team of researchers in Antarctica as they are infiltrated by a parasitic extraterrestrial life form that assimilates other organisms and then imitates them. The classic soundtrack composed by Ennio Morricone effectively captures the cold, isolated tone of the story and film, and marks one of the few John Carpenter directed films that Carpenter did not score himself.


    Waxwork Records worked for two years to ensure that such a highly anticipated and sought after vinyl soundtrack re-issue would meet and exceed expectations of the biggest fan of John Carpenter and his sci-fi / horror tour de force that is THE THING.


    Features include the complete Ennio Morricone soundtrack re-mastered from the original master tapes, 180-gram White Snow colored vinyl, all new artwork by Justin Erickson of Phantom City Creative, deluxe heavyweight packaging including satin coated old-style gatefold jackets with UV spot-gloss varnish, and an 11" x 22" poster.

    1. Humanity (Part 1)
    2. Shape
    3. Contamination
    4. Bestiality
    5. Solitude
    6. Eternity
    7. Wait
    8. Humanity (Part 2)
    9. Sterilization
    10. Despair
    Ennio Morricone
    $43.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Wet Leather (Out Of Stock) Wet Leather (Out Of Stock) Quick View

    $17.99
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    Wet Leather (Out Of Stock)

    Originally issued as a limited cassette on Mirror Universe Tapes, Wet Leather is fully realized with 6 bonus tracks and expanded artwork. The Slasher Film Festival Strategy has recorded countless releases over the last 17 years. Think of Wet Leather as the score to an unrealized film that channels b-movies, slasher films, horror, and of course John Carpenter. Aquarius Records speaks highly of SFFS. This guy does it way better than most. The synth sounds are thick and gristly, the melodies sinister and ominous, the tracks laced with skeletal drum machines, and sweeping epic backdrops, as far as Carpenter / Goblin worship goes, it doesn't get much better than this. For fans of Brad Fidel, John Carpenter, Death Waltz Recording Company, Boards of Canada, Sinking Body.
    1. Lost Time
    2. Forced Entry
    3. The Other Self
    4. The Stalker
    5. Shadow Lurker
    6. Reflection of the Blade
    7. Master/Prisoner
    8. Call of the Night
    9. Wet Leather
    10. The Hunt
    11. Blackest Black
    12. The Chase
    13. Lovelust
    14. Plastic Bags
    15. Heart of Darkness
    16. No One Will Ever Love You
    The Slasher Film Festival Strategy
    $17.99
    Vinyl LP - Sealed Temporarily out of stock
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