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Time On My HandsRemastered and Reissued As Part of the Blue Note 75th Anniversary Vinyl Reissue Campaign
A Blue Note essential, Time On My Hands by jazz guitarist, John Scofield, is part of the Blue Note 75 anniversary
vinyl reissue campaign.1. Wabash III
2. Since You Asked
3. So Sue Me
4. Let's Say We Did
5. Flower Power
6. Stranger To The Light
7. Nocturnal Mission
8. Farmacology$19.99Vinyl LP Reissue - Sealed Buy Now
Gerry Mulligan & Chet Baker: Carnegie Hall Concert (Speakers Corner)
The third encounter of the cool, swinging art of Gerry Mulligan and Chet Baker took place in New York's Carnegie Hall on a cold November day in 1974. So-called Cool Jazz had long since arrived and become popular on the East Coast with the result that the concert hall must have been filled to the last seat. The two hadn't performed together on stage for ten years, rivalry and who knows what else had put an end to the highly successful pianoless quartet.
In spite of the enormously high expectations - the Carnegie Hall fills all musicians with awe due to the echoes of concerts given by such classical and jazz great as Artur Rubinstein, George Gershwin and their successors over many generations - every melody is wonderfully relaxed from the very first note on. This is surely due to the excellent rhythm group (with piano!). This is made up of musicians from the 'new generation' - musicians who were sucking on dummies in their prams when the two veterans came together for the first time in 1952.
Oldies such as Bernie's Tune, My Funny Valentine and Line For Lyons, and new compositions like Song For Strayhorn and Song For An Unfinished Woman constitute a successful blend both for the two performers on stage and the audience alike. And there is no experimenting - no one wants to play or hear that - however the high level of communication is tangible everywhere.
It makes sense to release the two individual LPs as a double album. What's more: the cover photo is exactly the same for both releases and you get almost 80 minutes of West Coast cool-hot jazz at its very best!
- Gerry Mulligan (bassoon)
- Chet Baker (trumpet)
- Ed Byrne (trombone)
- Bob James (piano, electric piano)
- John Scofield (guitar)
- Dave Samuels (vibraphone)
- Ron Carter (bass)
- Harvey Mason (drums)
Recording: November 1974 at Carnegie Hall, New York, by Dave Hewitt and John Venable
Production: Creed Taylor
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Line for Lyons
2. For an Unfinished Woman
3. My Funny Valentine
4. Song for Strayhorn
5. It's Sandy at the Beach
6. K-4 Pacific
7. There Will Never Be Another You
8. Bernie's Tune$69.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Sco-MuleIn late September of 1999, John Scofield teamed with Gov't Mule, then featuring original bass player the late Allen Woody, in Georgia for two legendary shows. These shows were recorded with the intention of it being a live release after the studio album Life before Insanity. After the passing of Woody, and the start of The Deep End project, those plans had been set aside. There are no audience recordings from these shows, so this will be the first time that anyone will be able to hear or relive what took place that night.1. Hottentot
2. Tom Thumb
3. Doing It To Death
4. Birth of the Mule
6. Kind of Bird
7. Pass the Peas (Bonus Track)
8. Devil Likes It Slow (Bonus Track)
9. Hottentot (Alternate Version) (Bonus Track)
10. Kind of Bird (Alternate Version) (Bonus Track)
11. Afro Blue (Bonus Track)$32.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Everything's BeautifulEverything's Beautiful brings Miles Davis' sound into the 21st century, blending a diverse group of master takes and outtakes from across Miles' incredible tenure with Columbia Records (1955-1985) with original reinterpretations. Robert Glasper produced the collaboration. I didn't want to do just a remix record, Glasper noted when discussing the 11-song set. My idea was to show how Miles inspired people to make new art.
Knowing that Miles didn't have one audience, Glasper recruited a legion of diverse guest artists to add to the magic of the project including familiar collaborators like R&B musicians Erykah Badu, Ledisi, Bilal and KING. They are joined by British soul singer-songwriter Laura Mvula; hip-hop producer Rashad Smith; Grammy-nominated Australian neo-soul quartet Hiatus Kaiyote, rapper/producer Illa J; jazz guitarist John Scofield, who collaborated with Davis; and the legendary Stevie Wonder.1. Talking Shit
2. Ghetto Walkin - featuring Bilal
3. They Can't Hold Me Down - featuring Illa J
4. Maiysha (So Long) - featuring Erykah Badu
5. Violets - featuring Phonte
6. Little Church - featuring Hiatus Kaiyote
7. Silence Is The Way - featuring Laura Mvula
8. Song For Selim - featuring KING
9. Milestones - featuring Georgia Ann Muldrow
10. I'm Leaving You - featuring John Scofield and Ledisi
11. Right On Brotha - featuring Stevie Wonder$18.99Vinyl LP - Sealed Buy Now
Boarding House Reach (Pre-Order)BOARDING HOUSE REACH is the new solo album from Jack White, and is a testament to the breadth of the artist's creative power and his bold artistic ambition. This new material finds Jack White expanding his musical palate with perhaps his most ambitious work thus far, a collection of songs that are simultaneously timeless and modern. Written and conceived while holed up in a spartan apartment with literally no outside world distractions, White exclusively used the same kind of gear he had when he was 15 years old (a quarter-inch four-track tape recorder, a simple mixer, and the most basic of instrumentation). The album explores a remarkable range of sonic terrain -- crunching rock 'n' roll, electro and hard funk, proto punk, hip hop, gospel blues, and even country -- all remapped and born anew to fit White's matchless vision and sense of restless experimentation.
BOARDING HOUSE REACH was produced by Jack White III and recorded at Third Man Studio in Nashville, TN, Sear Sound in New York, NY, and Capitol Studios in Los Angeles, CA. The album was mixed by Bill Skibbe, Joshua V. Smith, and White at Third Man Studio in Nashville, TN. The album features White on vocals, acoustic and electric guitars and drums, organ, and synthesizers. He's backed by a remarkable new lineup of musicians that includes: drummer Louis Cato (BeyoncÉ, Q-Tip, John Legend, Mariah Carey), bassists Charlotte Kemp Muhl (The Ghost of a Saber Tooth Tiger) and NeonPhoenix (Kanye West, Lil Wayne, Jay-Z), synthesizer players DJ Harrison and Anthony Brew Brewster (Fishbone, The Untouchables), keyboardists Neal Evans (Soulive, Talib Kweli, John Scofield) and Quincy McCrary (Unknown Mortal Orchestra, Pitbull), percussionists Bobby Allende (David Byrne, Marc Anthony) and Justin PorÉe (Ozomatli), and backing vocalists Esther Rose and Ann & Regina McCrary of Nashville's beloved gospel trio, The McCrary Sisters, as well as longtime collaborators like drummers Daru Jones (Nas, Talib Kweli) and Carla Azar (Autolux, Depeche Mode, Doyle Bramhall II). Singer-songwriter C.W. Stoneking also appears, contributing a stirring spoken word performance to the album's Abulia and Akrasia.
Jack White is a 12-time GRAMMY® Award-winner and 35-time nominee. His most recent full-length release, 2016's JACK WHITE ACOUSTIC RECORDINGS: 1998-2016 (Third Man Records/Columbia), collected 26 acoustic-based songs from throughout White's wide-ranging musical career, spanning album tracks, B-sides, remixes, alternate versions, and previously unreleased material from The White Stripes, The Raconteurs, and White's groundbreaking solo career. The collection debuted at #1 on Billboard's Vinyl Albums chart upon its September 2016 release - a position also achieved by 2012's RIAA gold certified solo debut, BLUNDERBUSS, and 2014's chart-topping LAZARETTO, both of which debuted at #1 on the Billboard Top 200 as well.1. Connected By Love
2. Why Walk A Dog?
4. Abulia and Akrasia
6. Ice Station Zebra
7. Over and Over and Over
8. Everything You've Ever Learned
9. Respect Commander
10. Ezmerelda Steals The Show
11. Get In The Mind Shaft
12. What's Done Is Done
13. Humoresque$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
Echoes of Indiana AvenueWith a lot of sleuthing and a team of experts on the case, long lost tapes of Wes Montgomery have been discovered and restored. Resonance Records will release Echoes of Indiana Avenue, the first full album of previously unheard Montgomery music in over 25 years on March 6, 2012, which would have been Montgomery's 88th birthday. Over a year and a half in the making, the release will provide a rare, revealing glimpse of a bona fide guitar legend. The tapes are the earliest known recordings of Montgomery as a leader, pre-dating his auspicious 1959 debut on Riverside Records. The album showcases Montgomery in performance from 1957-1958 at nightclubs in his hometown of Indianapolis, Indiana, as well as rare studio recordings. The release is also beautifully packaged, containing previously unseen photographs and insightful essays by noted music writers and musicians alike, including guitarist Pat Martino and Montgomery's brothers Buddy and Monk.
On this scintillating discovery, Montgomery plays it strictly straight ahead, swinging with a momentum and ferocity that is positively visceral, a clear display of Montgomery's bebop side. Listening to these recordings only reaffirms how Montgomery exerted such a profound influence over generations of guitarists from George Benson, Pat Martino and Joe Pass to John Scofield, Pat Metheny, Kevin Eubanks, and Russell Malone to Kurt Rosenwinkel.
Joined by such Naptown colleagues as drummer Paul Parker and keyboardist Melvin Rhyne (who would later appear on Montgomery's first Riverside release), pianist Earl Van Riper, bassist Mingo Jones and drummer Sonny Johnson, as well as brothers Monk on acoustic bass and Buddy on piano (the brothers featured on one track), Montgomery swings with blistering abandon on a program of burners and ballads. Included here are renditions of Shorty Rogers' Diablo's Dance, Erroll Garner's Misty and Billy Strayhorn's Take The A Train as well as jazz standards Darn That Dream and Body and Soul. Montgomery also reveals some bluesy roots with an earthy improvised After Hours Blues, which has him playing with Guitar Slim-like nastiness. Elsewhere on Echoes of Indiana Avenue there's a stirring duet between Wes and organist Rhyne on a moody rendition of Thelonious Monk's 'Round Midnight and a faithful rendition of Horace Silver's Latin-tinged Nica's Dream. Montgomery and his brothers also tackle Thelonious Monk's Straight, No Chaser with bop-ish authority.
Echoes of Indiana Avenue consists of three different sessions, one studio and two live. Four of the tracks were recorded at The Hub Bub, a long-forgotten jazz club in Indianapolis. The title of the collection refers to a longstanding popular commercial strip in Indianapolis, with historical roots. As Dr. Baker remarks, In Indianapolis during the 1940s and 1950s twenty or more clubs and other performance venues were operating at any given time. Generally speaking, the important clubs lay on or near main thoroughfares in predominantly black areas. The busiest and most notable area was known as 'The Avenue,' which was the portion of Indiana Avenue.
How these long lost tapes from the early stage of Montgomery's solo career finally emerged after being on the shelf for more than 50 years is a tale of intrigue that will enthrall collectors and aficionados. Although the identity of the person who made the original recordings remains unknown, the tapes may have passed through several hands before they were eventually acquired in 1990 by a guitarist and Montgomery fan Jim Greeninger. Due to their fragile condition, he immediately made digital transfers of the original tapes and set out to make a deal with a record company. It wasn't until 2008 that Greeninger, who had tried selling the tapes on eBay, contacted Michael Cuscuna, the respected veteran producer who has had a long track record with Blue Note Records and is also the co-founder of Mosaic Records.
In the summer of 2010, Cuscuna contacted Zev Feldman of Resonance Records, who served as a producer on the project. We had no idea when we got the tapes what they were exactly, Feldman recalls. All we knew was that Wes was on them. So between 2010 and 2011, I made three trips to Indianapolis where I interviewed and discussed the recordings with scholars, musicians and friends of Wes. It was a big mystery and we had to act like gumshoes in piecing it all together. It was actually in part because of label founder and president George Klabin's support that we were able to make this project possible.
Resonance has created a hand-numbered, hand-assembled LP edition pressed by audiophile embraced Record Technology, Inc. (RTI) and with a deluxe gatefold LP jacket by Stoughton Press. The two 12 LP's were mastered by the legendary Bernie Grundman at 180g 45 RPM for the best sound.1. Diablo's Dance
2. Round Midnight
3. Straight No Chaser
4. Nica's Dream
5. Darn That Dream
6. Take the A Train
8. Body and Soul
9. After Hours Blues (Improvisation)$44.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
A Go Go (Out Of Stock)
180-Gram LP With Deluxe Packaging!
Never Before On Vinyl!
Gatefold Jacket With Original Artwork
Lacquer Cut At SST (Schallplatten Schneid Technik) In Germany And Pressed By Pallas
Scofield Is Joined By Medeski, Martin & Wood For This Collaborative Album Of Avant-Jazz-funk Music.
John Scofield owes a great deal to Medeski, Martin & Wood for the success of A Go Go. The piano/organ, bass, and drum playing trio adds a world of bouncing vibes to Scofield's inquisitive, happy guitar work here. A Go Go is an album of mostly breezy, sometimes tense, jam-based grooves. The album's charm is in its city meets the tropics feel. The four players create such a warm, vibrant sound that resisting the urge to tap one's feet along with the beat becomes a near impossibility. - All Music Guide1. A Go Go
4. Southern Pacific
5. Jeep On 35
7. Green Tea
9. Chicken Dog
10. Deadzy$49.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
I Can See Your House From Here (Out Of Stock)Pressed By Pallas In Germany
Released For The First Time On Vinyl
Some collaborations between jazz giants seem to have been disappointing for whatever reason. John Scofield and Pat Metheny have such distinct approaches to jazz guitar, who could have foreseen what such a project would end up like?
It's no surprise that their collaboration sounds so relaxed, fluid, and musically serene, writes AllMusic.com Listeners shouldn't necessarily expect a series of slashing duels, but it's certainly not vapid new age or retrograde fusion. Scofield and Metheny divide compositional duties and play masterful, expressive solos. Guitar fans will be especially impressed with the mastering, which makes Scofield and Metheny's guitars sound right in the room. Even those who don't like sessions without horns, brass, or keyboards shouldn't spurn this one; it still has plenty of muscle.1. Acidhead
3. Jungle Fiction
4. I Brake 4 Monster Booty
5. Animal Farm
7. Tomorrow Land
9. Polo Towers
10. Snap Crackle Pop
11. Lucky For Her$59.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock