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  • Accentuate The Positive Accentuate The Positive Quick View

    $24.99
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    Accentuate The Positive

    Accentuate The Positive is an album by the legendary Tin Pan Alley singer/songwriter/lyricist, Johnny Mercer, originally released on Capitol Records in 1957.
    1. Accentuate The Positive
    2. One For My Baby

    3. On The Atchison, Topeka And The Santa Fe
    4. My Sugar Is So Refined
    5. G.I. Jive

    6. The Glow Worm
    7. Personality
    8. Alexander's Ragtime Band
    9. Sugar Blues
    10. I Lost My Sugar In Salt Lake City
    11. Candy
    12. Strip Polka
    Johnny Mercer
    $24.99
    Vinyl LP - Sealed Buy Now
  • Duke Ellington's 70th Birthday Concert (Pure Pleasure) Duke Ellington's 70th Birthday Concert (Pure Pleasure) Quick View

    $49.99
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    Duke Ellington's 70th Birthday Concert (Pure Pleasure)

    This double LP ranks as one of Duke Ellington's finest recordings of his final decade. The live performance gives listeners a good idea as to just how Duke's ensemble sounded in concert, and it serves as both a retrospective and a display of the strengths of Ellington's mighty band. Among the many highlights are definitive renditions of Rockin' in Rhythm and Take the 'A' Train (the latter has some wonderful Cootie Williams trumpet), a few features for altoist Johnny Hodges, a tenor battle on In Triplicate, a few guest spots for organist Wild Bill Davis, and a 16-and-a-half-minute, nine-song medley that really works well. The most memorable chorus of all is an incredible high-note display by Cat Anderson on Satin Doll that is arguably his most miraculous solo ever; each note he hits is virtually impossible to play on the trumpet, and is in tune, too. This gem is essential for all serious jazz collections.



    Musicians:



    • Duke Ellington (piano)

    • Johnny Hodges, Russell Procope (saxophone)

    • Cat Anderson, Mercer Ellington (trumpet)

    • Lawrence Brown (trombone)

    • Wild Bill Davis (organ)

    • Victor Gaskin (bass)

    • Rufus "Speedy" Jones (drums)




    Recording: November 1969 live by Bob Auger

    Production: Noel Walker



    Format: 2LPs 33rpm / gatefold sleeve



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.


    Side one:


    Rockin In Rhythm
    B.P.
    Take The A Train

    Tootie For Cootie


    Side Two:


    4:30 Blues
    El Gato
    Black Butterfly

    Things Aint What They Used To Be

    Laying On Mellow


    Side Three:


    Satin Doll
    Azure
    In Triplicate

    Perdido
    Fifi



    Side Four:


    Medley:
    Prelude To A Kiss

    Im Just A Lucky So And So

    I Let A Song Go Out Of My Heart
    Do Nothin Til You Hear From Me
    Just Squeeze Me
    Dont Get Around Much Anymore

    Mood Indigo
    Sophisticated Lady

    Caravan
    Black Swan
    Final Ellington Speech

    Duke Ellington
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Fallen Angels Fallen Angels Quick View

    $20.99
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    Fallen Angels

    Bob Dylan's 37th studio album, Fallen Angels, released in 2016 via Columbia Records.


    Fallen Angels will feature twelve classic American tunes written by some of music's most acclaimed and influential songwriters such as Johnny Mercer, Harold Arlen, Sammy Cahn and Carolyn Leigh and showcases Dylan's unique talents as a vocalist, arranger and bandleader.


    The album was recorded with Dylan's touring band in Hollywood last year, and was produced by Jack Frost.

    1. Young At Heart
    2. Maybe You'll Be There
    3. Polka Dots And Moonbeams
    4. All The Way
    5. Skylark
    6. Nevertheless
    7. All Or Nothing At All
    8. On A Little Street In Singapore
    9. It Had To Be You
    10. Melancholy Mood
    11. That Old Black Magic
    12. Come Rain Or Come Shine
    Bob Dylan
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Nobody But Me Nobody But Me Quick View

    $19.99
    Buy Now
    x

    Nobody But Me

    Michael Buble's new album Nobody But Me is scheduled to be released via Warner Bros / Reprise Records. Nobody But Me is the multi-Grammy, multi-platinum award winning singer's first album in three years and is his 9th studio album. It follows the critically acclaimed To Be Loved album, which was his fourth album to reach No. 1 on Billboard's Top 200 Charts.


    The exciting new collection of original pop tunes and beautiful standards highlight Buble's talent as a profound interpreter of the American songbook as well as his gifted songwriting and producing style.


    Nobody But Me was recorded in Los Angeles and Vancouver and includes three new Buble' penned originals along with breathtaking reinventions of classics including "My Baby Just Cares For Me," "The Very Thought of You," Brian Wilson's "God Only Knows" and the Johnny Mercer classic "I Wanna Be Around". Guest artists on the album are Meghan Trainor and Black Thought (of The Roots). The new album is co-produced by Buble along with Johan Carlsson for MXM Productions, Alan Chang, Jason "Spicy G" Goldman, The Monsters and Strangerz.


    "I don't know that I've ever had this much fun working on an album. It was especially thrilling to collaborate with my band who understand that I want to sound better than I've ever sounded. I'm also very proud of the new songs. Having the opportunity to co-produce was a joy for me personally," commented Buble.

    1. I Believe In You

    2. My Kind Of Girl

    3. Nobody But Me (feat. Black Thought)
    4. On An Evening In Roma (Sotter Celo de Roma)
    5. Today Is Yesterday's Tomorrow
    6. The Very Thought Of You
    7. I Wanna Be Around
    8. Someday (feat. Meghan Trainor)
    9. My Baby Just Cares For Me
    10. God Only Knows
    Michael Buble
    $19.99
    Vinyl LP - Sealed Buy Now
  • Charade Soundtrack Charade Soundtrack Quick View

    $34.99
    Buy Now
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    Charade Soundtrack

    Import

    180 Gram Audiophile Vinyl


    PVC Protective Sleeve


    Music Composed By Henry Mancini


    Charade is a 1963 Technicolor American romantic comedy/mystery film directed by Stanley Donen, written by Peter Stone and Marc Behm, and starring Cary Grant and Audrey Hepburn. It spans three genres: suspense thriller, romance, and comedy.


    The film is notable for its screenplay, for having been filmed on location in Paris and for Henry Mancini's score and theme song. Charade has received generally positive reviews from critics and was additionally noted to contain influences of genres such as whodunit, screwball and spy thriller.


    Film director Stanley Donen had been charmed by Henry Mancini's song Baby Elephant Walk from the film Hatari!, so he contacted Mancini from London to tell him about his current picture. Donen had directed several famous musical films throughout the 1950s and he now intended to put his own slant on a Hitchcock-like thriller and he wanted a strong melody in the background score.


    Johnny Mercer wrote the lyrics.


    The title track Charade is a sad, lonely Parisian waltz. It was nominated that year for the Academy Award for Best Original Song.

    1. Charade (Main Title)
    2. Bistro

    3. Bateau Mouche

    4. MÉgève
    5. Bye Bye Charlie

    6. The Happy Carousel

    7. Charade (Vocal)

    8. Orange TamourÉ
    9. Latin Snowfall

    10. The Drip-dry Waltz

    11. Mambo Parisienne

    12. Punch And Judy

    13. Charade (Carousel)
    Henry Mancini
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Black Hours Black Hours Quick View

    $19.99
    Buy Now
    x

    Black Hours

    Hamilton Leithauser announces his debut solo album Black Hours via Ribbon Music -
    inaugurating a new chapter in an already remarkable career from The Walkmen front man. The album
    brings Leithauser full circle and then some, from lonely midwinter piano-and-vocals sessions, to a
    loud, live Rock n Roll group and back again. Featuring Leithauser with a slew of talented collaborators
    including Rostam Batmanglij (Vampire Weekend), Paul Maroon (The Walkmen), Morgan Henderson
    (Fleet Foxes) and Richard Swift (The Shins/solo), the album showcases Leithauser at his most
    passionate, personal and free.


    The video for the first single "Alexandra," which was directed by SXSW Film Festival Grand Jury award
    winning director Tristan Patterson. The track was co-written by Hamilton Leithauser and Rostam
    Batmanglij, the latter producing and mixing the track.


    In its orchestrated rhythms, dynamic vocals, and generous production, Black Hours speaks from one
    booming voice. The instrumentation provides muscle and texture: Maroon covering a wide range of
    acoustic and electric guitars as well as grand piano; Batmanglij switching between guitar, harpsichord,
    piano, bass and harmonica; Morgan Henderson from Fleet Foxes takes the marimba and upright bass,
    and Richard Swift lays down impressive drums on seven tracks (Henderson & Swift will be accompanying
    Leithauser on a full U.S. tour). Amber Coffman from the Dirty Projectors provides backing vocals on
    several numbers and even Hugh McIntosh of Leithauser's first band, the Recoys, returns to the drum
    stool for a pair of songs.


    Principal recording was done in August 2013 at Vox Studios in Los Angeles, "the oldest private studio in
    the world", where Nat King Cole, Bing Crosby, Johnny Mercer, and countless others cut demos before
    appearing on air at NBC studios, just across Melrose Ave.

    1. 5 AM
    2. The Silent Orchestra
    3. Alexandra
    4. 11 O'Clock Friday Night
    5. St Mary's County
    6. Self Pity
    7. I Retired
    8. I Don't Need Anyone
    9. Bless Your Heart
    10. The Smallest Splinter
    Hamilton Leithauser
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Black Hours (Deluxe Edition) Black Hours (Deluxe Edition) Quick View

    $24.99
    Buy Now
    x

    Black Hours (Deluxe Edition)


    Includes Bonus 4 Track EP


    Hamilton Leithauser announces his debut solo album Black Hours via Ribbon Music -
    inaugurating a new chapter in an already remarkable career from The Walkmen front man. The album
    brings Leithauser full circle and then some, from lonely midwinter piano-and-vocals sessions, to a
    loud, live Rock n Roll group and back again. Featuring Leithauser with a slew of talented collaborators
    including Rostam Batmanglij (Vampire Weekend), Paul Maroon (The Walkmen), Morgan Henderson
    (Fleet Foxes) and Richard Swift (The Shins/solo), the album showcases Leithauser at his most
    passionate, personal and free.


    The video for the first single "Alexandra," which was directed by SXSW Film Festival Grand Jury award
    winning director Tristan Patterson. The track was co-written by Hamilton Leithauser and Rostam
    Batmanglij, the latter producing and mixing the track.


    In its orchestrated rhythms, dynamic vocals, and generous production, Black Hours speaks from one
    booming voice. The instrumentation provides muscle and texture: Maroon covering a wide range of
    acoustic and electric guitars as well as grand piano; Batmanglij switching between guitar, harpsichord,
    piano, bass and harmonica; Morgan Henderson from Fleet Foxes takes the marimba and upright bass,
    and Richard Swift lays down impressive drums on seven tracks (Henderson & Swift will be accompanying
    Leithauser on a full U.S. tour). Amber Coffman from the Dirty Projectors provides backing vocals on
    several numbers and even Hugh McIntosh of Leithauser's first band, the Recoys, returns to the drum
    stool for a pair of songs.


    Principal recording was done in August 2013 at Vox Studios in Los Angeles, "the oldest private studio in
    the world", where Nat King Cole, Bing Crosby, Johnny Mercer, and countless others cut demos before
    appearing on air at NBC studios, just across Melrose Ave.

    LP 1
    1. 5 AM
    2. The Silent Orchestra
    3. Alexandra
    4. 11 O'Clock Friday Night
    5. St Mary's County
    6. Self Pity
    7. I Retired
    8. I Don't Need Anyone
    9. Bless Your Heart
    10. The Smallest Splinter


    Bonus EP
    1. Waltz [Deluxe Edition]
    2. In Our Time (I'll Always Love You) [Deluxe Edition]
    3. Utrecht [Deluxe Edition]
    4. I'll Never Love Again [Deluxe Edition]

    Hamilton Leithauser
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Masterpieces (Pure Pleasure) Masterpieces (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Masterpieces (Pure Pleasure)

    When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between its late-1940's configuration (the 5-man trumpet section) and its mid-1950's personnel. The sax section had settled into the form it would have for most of the ensuing two decades (old-timers Hodges and Carney and newcomers Procope, Hamilton and Gonsalves); the trombone section had long-timer Lawrence Brown as well as Tyree Glenn and newcomer Quentin Jackson; and the drummer was still Sonny Greer, who had anchored the rhythm section since the beginning.


    The arrangements and orchestrations all bear the hallmarks of Ellington's collaboration with Billy Strayhorn in the late 1940's: they are lush, symphonic, impressionistic, and densely (and adventurously) harmonic. Mood Indigo, in particular, is a 15-minute tone-poem with shifting colors and key relationships as Ellington and Strayhorn bring the melody through a wide variety of guises, from Glenn's wah-wah trombone solo to Shorty Baker's lyrical waltz to orchestral and piano passages which do homage to the influence which Ravel and Stravinsky had on both of them.


    The Tattooed Bride is the only new piece from the original Masterpieces by Ellington LP, and it is a beauty. The others of the original tracks -- Sophistocated Lady and Solitude -- are not laid out as inventively in their harmonics or structure. Of the group, Solitude is perhaps the weakest, but this is a relative term. Ellington would go on to pen many more extended, symphonic works, but none would have quite the multicolored, impressionistic tone-pallate that these do. And Strayhorn's presence would not be as pronounced in those future works as it is here: the orchestration and harmonies in particular bear his mark. These are masterpieces indeed: great works of art by two of our greatest composers/orchestrators, and played by one of the greatest orchestras in Afro-American music. - Andrew R. Weiss

    Musicians:



    • Duke Ellington, Billy Strayhorn (piano)
    • Cat Anderson, Clark Terry, Ray Nance (trumpet)
    • Quentin Jackson (trombone)
    • Johnny Hodges (reeds)
    • Mercer Ellington (french horn)
    • Russell Procope (clarinet, reeds)
    • Wendell Marshall (bass)
    • Louie Bellson (drums)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Mood Indigo
    2. Sophisticated Lady
    3. The Tattooed Bride
    4. Solitude
    Duke Ellington
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • And His Mother Called Him Bill (Speakers Corner) And His Mother Called Him Bill (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    And His Mother Called Him Bill (Speakers Corner)

    When Billy Strayhorn died of cancer in 1967, Duke Ellington was devastated. His closest friend and arranger had left his life full of music and memories. As a tribute, Ellington and his orchestra almost immediately began recording a tribute to Strayhorn, using the late arranger's own compositions.



    The album features well-known and previously unrecorded Strayhorn tunes that showcase his range, versatility, and, above all, the quality that Ellington admired him most for: his sensitivity to all of the timbral, tonal, and color possibilities an orchestra could bring to a piece of music.



    Full of informality and soulful verve, these recordings feel like they are an afterthought, an unwillingness to completely let go, a eulogy whose final words are questions, elegantly stated and met with only the echo of their last vibrations ringing in an empty room, full of wondering, longing, and helplessness, but above all the point of the questions themselves: "Is this enough?" or "Can there ever be enough to pay an adequate tribute to this man?"
    They are interesting questions, because only five years later we would all be saying the same thing about Ellington. For a man who issued well over 300 albums, this set is among his most profoundly felt and very finest recorded moments.






    Musicians:



    • Duke Ellington (piano)

    • Cat Anderson, Mercer Ellington (trumpet)

    • Clark Terry (fluegel horn)

    • Lawrence Brown, Chuck Connors (trombone)

    • Johnny Hodges (alto saxophone)

    • Russell Procope (alto saxophone, clarinet)

    • Jimmy Hamilton (tenor saxophone, clarinet)

    • Paul Gonsalves (tenor saxophone)

    • Aaron Bell (bass)

    • Steve Little (drums)




    Recording: August and September 1967 in RCA Victor's Studio A, New York City, by Ed Begley

    Production: Brad McCuen





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.


    1. Boo-Dah
    2. U.M.M.G. (Upper Manhattan Medical Group)
    3. Blood Count 9

    4. Smada
    5. Rock Skippin' at the Blue Note

    6. Rain Check
    7. Midriff
    8. My Little Brown Book
    9. Lotus Blossom
    10. Snibor
    11. After All
    12. All Day Long
    13. Lotus Blossom
    14. Day Dream
    15. The Intimacy of the Blues
    16. Charpoy
    Duke Ellington
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Breakfast At Tiffany's Soundtrack (Picture Disc) (Out Of Stock) Breakfast At Tiffany's Soundtrack (Picture Disc) (Out Of Stock) Quick View

    $32.99
    x

    Breakfast At Tiffany's Soundtrack (Picture Disc) (Out Of Stock)

    Import


    Limited Edition Of 500 Copies


    Doxy present a picture disc reissue of Henry Mancini's soundtrack for Breakfast at Tiffany's, originally released in 1961. In a career spanning over four decades, composer, conductor and arranger Enrico Henry Mancini (1924-1994) won numerous Academy and Grammy awards for his scores to well-known films and television series, including The Pink Panther, Hatari! (1962), Two For The Road (1967), Wait Until Dark (1967), Peter Gunn (1967), and of course, 1961's Breakfast at Tiffany's (which alone won five Grammys and two Oscars). The Breakfast at Tiffany's soundtrack is probably best remembered for Audrey Hepburn's legendary performance of Mancini's Moon River (lyrics by Johnny Mercer), which won an Academy Award for Best Song that year. Moon River went on to become one of the best loved songs of all time, but it first made its appearance here, in Breakfast at Tiffany's. Edition of 500.

    1. Moon River
    2. Something For Cat
    3. Sally's Tomato
    4. Mr. Yunioshi
    5. The Big Blow Out
    6. Hub Caps And Tail Lights
    7. Breakfast At Tiffany's
    8. Latin Golightly
    9. Holly
    10. Loose Caboose
    11. The Big Heist
    12. Moon River Cha Cha
    Henry Mancini
    $32.99
    Vinyl LP Picture Disc - Sealed Temporarily out of stock
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