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Josh At Midnight60th Anniversary Deluxe 180 Gram Reissue of Josh White's Seminal LP, Josh At Midnight. Remastered by original producer Jac Holzman, legendary engineer Bruce Botnick and fabled mastering engineer Bernie Grundman.1. St. James Infirmary
2. Raise A Rukus
3. Scandalize My Name
4. Jesus Gonna Make Up My Dyin' Bed
6. Jelly, Jelly
7. One Meat Ball
8. Joshua Fit The Battle Of Jericho
9. Don't Lie Buddy
10. Number Twelve Train
12. Takin' Names$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ADAD-MER-4514xArchers Of Loaf
White Trash HeroeColored Vinyl
Merge is proud to reissue All the Nations Airports and White Trash Heroes, the final two albums from Archers of Loaf. Both albums have been remastered by Bob Weston and feature re-imagined cover art, new liner notes and copious bonus material. Each album is presented on colored vinyl!
Archers of Loaf almost called it quits after All the Nations Airports due to the strain of touring and the rut of the album cycle (i.e., make record, make video, do interviews, tour, tour, tour; repeat) but decided they would make one more album and see how they felt after that process. They again enlisted the help of Brian Paulson to record the album that became White Trash Heroes.
On this album the band added keyboards to several songs as well as vocoder, and debuted the lead vocals of Matt Gentling on the track I.N.S. Banging on a Dead Drum found all the members swapping instruments and some of the worst cowbell ever attempted. The band pulled out all the stops to keep its members engaged, but unfortunately, it wasn't enough and the band decided to make the fall tour of 1998 its final outing.
In the liner notes for Merge's reissue of the Archers' final album, Josh Modell says, "In hindsight, it's easy to read White Trash Heroes as both the stormy end to a legendary band and as the beginning of something else: Bachmann's next project, Crooked Fingers. Hints of what came two years later abound here, particularly on the keyboard undercarriage and restrained energy of 'Dead Red Eyes' and the epic, sequencer-assisted title track. That eight-minute song feels like a transitional sigh, and an acknowledgement that a certain period, let's call it "indie-rock's golden age," because that might drive the Archers nuts, had passed. To paraphrase: They were out of luck, because nobody gave a fuck."
LPs are limited edition and pressed on colored vinyl housed in gatefold jacket with printed Euro sleeve.
Liner notes by Josh Modell, art by Casey Burns.1. Fashion Bleeds
2. Dead Red Eyes
4. Perfect Time
5. Slick Tricks and Bright Lights
6. One Slight Wrong Move
7. Banging on a Dead Drum
8. Smokers in Love
9. After the Last Laugh
10. White Trash Heroes$19.99Vinyl LP - Sealed Buy Now
Coming Home (Awaiting Repress)
"This kind of perfection is always relevant." - NPR Music
"His as-yet-untitled debut album, due this summer, is suddenly one of the year's most anticipated." - Billboard
Highly anticipated debut album from Fort Worth, TX native Leon Bridges. Produced by Austin Jenkins and Josh Block of White Denim.1. Coming Home
2. Better Man
3. Brown Skin Girl
4. Smooth Sailin'
6. Lisa Sawyer
8. Pull Away
9. Twistin' & Groovin'
10. River$19.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Fantastic Four Soundtrack (Colored Vinyl)Black & White Marbled Colored Vinyl
Directed by Josh Trank, and screenwriters Jeremy Slater and Simon Kinberg (X-Men: First Class, X-Men; Days of Future Past, Sherlock Holmes), The Fantastic Four is a contemporary reimagining of Marvel's first, and longest-running superhero team.
The Fantastic Four score developed from the inquisitiveness of the film's young protagonists. Working together with living legend Philip Glass, composer Marco Beltrami (Wolverine, Hellboy) explains, ''What we were trying to achieve musically was the spirit of curiosity and innocence. We were inspired by the film's scientific exploration from the point of view of these young characters, and how their curiosity develops into a position of power.''LP 1
1. Fantastic Four Prelude
2. The Garage
3. The Unveiling
5. ''All My Faith''
6. The Lab
7. Meeting Of The Minds
8. It Begins
9. Building The Future
10. Launch One
11. Neil Armstrong
12. Maiden Voyage
15. Ben's Drop
16. Real World Applications
17. Under Pressure
1. The Search
2. ''You're Going To Like This One''
3. Father And Son
5. He's Awake
7. Strength In Numbers
8. End Titles$36.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Boomer's StoryRy Cooder Is A Master Sonic Archeologist And Cultural Historian On Boomer's Story: Guitarist Pays Tribute To The Past And Updates Music For Future On Rustic Record Steeped In Folk, Blues, And Soul
Mastered From The Original Master Tapes, Pressed At RTI, And Strictly Limited To 3000 Numbered Copies: Mobile Fidelity 180g LP Of Boomer's Story Sounds Fantastic With Vibrant Textures
Ry Cooder's development as a peerless musician capable of grasping virtually any style began with his time spent with Taj Mahal and Captain Beefheart, but for all intents and purposes reaches epic proportions on Boomer's Story. With two ambitious albeit uneven studio albums behind him, the California native plunged into roles that still define him today - that of sonic archaeologist and cultural historian, shaping his 1972 Reprise effort with enlightened selections carved into the bedrock of America's folk, blues, and soul landscapes. Inspired, virtuosic, and poignant, Boomer's Story endures as a ravishing portrait of inspired translation and inventive craftsmanship that after years of neglect finally boasts sonics deserving of the performances.
Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, Mobile Fidelity's 180g LP of Cooder's breakout teems with natural tones, front-to-back imaging, and vintage tube warmth. Boomer's Story benefits from vibrant textures and organic openness, two prized traits that come to fore with breathtaking realism on this analog reissue. Details ranging from the audible resonance of the drum skins, drifting reverb on the guitar, and the inner cavity of the piano take up residence on deep-black soundstages. Individual notes appear and recede with lifelike decay. Cooder and company sound as if they're in the room, playing in real time with one another. This record has never been more dynamic or involving.
Having initiated his self-taught learning of customs established by the likes of Josh White, Woody Guthrie, Charlie Johnson, and Robert Johnson as early as age four, and grown up a son of parents obsessed with Folkways Records, Cooder never suffers from the retro rehash fakery plaguing countless contemporary revivalists. A true original, the guitarist simultaneously pays tribute to the past and updates it for the future. Boomer's Story brims with traditional tunes (the title track, Good Morning Mr. Railroad Man), classic blues (Ax Sweet Mama, Cherry Ball Blues), and World War II standards (Comin' in on a Wing and a Prayer).
A spellbinding blend of personality, respect, and innovation grace every song. Evoking the timeless rusticism and weird, old America vibe of Bob Dylan and the Band's Basement Tapes, Boomer's Story unfolds with a relaxed ease and back-porch chemistry underlined by the musicians' unpretentious demeanors and potent abilities. Drummer Jim Keltner, percussionist Milt Holland, and bassist Jim Dickinson (also a producer) are among the cast fleshing out Cooder's visions. The headliner also welcomes country-blues legend Sleepy John Estes to sing on his own President Kennedy and leans on pianist Randy Newman to help him transform the normally bellicose Rally 'Round the Flag into a patient, mournful protest.
Cooder attains equally meaningful, emotional results on a definitive wordless interpretation of the staple soul ballad The Dark End of the Street, expressing unfathomable depths of regret and longing via slide-guitar work that draws a line back to Blind Willie McTell's immortal spiritual Dark Was the Night - a song Cooder called the most transcendent piece in all American music. Indeed, the degree of interplay attained by twinkling keys, rambling beats, brass accents, and dazzling guitar lines - also finger-picked and strummed - on Boomer's Story breathes with a rare air increasingly endangered in an era of on-demand immediacy and auto-tuned imitation. This, as it's said, is the real deal.
This title is not eligible for discount.1. Boomer's Story
2. Cherry Ball Blues
3. Crow Black Chicken
4. Ax Sweet Mama
5. Maria Elena
6. The Dark End of the Street
7. Rally 'Round the Flag
8. Comin' in on a Wing and a Prayer
9. President Kennedy
10. Good Morning Mr. Railroad Man$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Signs & SignifiersNamed as an artist you should know in 2011 by NPR, singer/songwriter JD McPherson makes his Rounder Records debut with the release of Signs & Signifiers which All Music calls a rockin', bluesy, forward-thinking album that subtly breaks the conventions of most vintage rock projects. McPherson is an artist with an unaffected take on vital American music and a voice that channels the spirit of Little Richard and James Brown.
The seductively kickass 12-song set finds this renaissance man/hepcat seamlessly meshing the old and the new, the primal and the sophisticated, on a work that will satisfy traditional American rock 'n' roll and R&B purists while also exhibiting McPherson's rarified gift for mixing and matching disparate stylistic shapes and textures. Recorded on analog equipment through vintage microphones and a 1960s Berlant 1/4 inch tape machine, Signs & Signifiers marks the arrival of an authentic, gutsy American artist.
Featuring JD McPherson (lead and backing vocals, guitar), Jimmy Sutton (bass), and Alex Hall (drums, piano, organ), the album also hosts an array of guest musicians, including Scott Ligon on piano (NRBQ's Terry Adams Rock & Roll Quartet); Jonathan Doyle (Nick Curran & the Lowlifes, White Ghost Shivers); Chicago's Josh Bell (The Del Moroccos) on tenor and baritone saxophones; Susan Voelz (Alejandro Escovedo, Poi Dog Pondering) on violin; Allison Chesley (Helen Money) on cello; and Joel Paterson (The Modern Sounds) lends choice guitar work to the Joey Simone classic Your Love (All That I'm Missing).1. North Side Gal
2. Country Boy
3. Fire Bug
4. Signs & Signifiers
5. Wolf Teeth
6. Scratching Circles
7. A Gentle Awakening
8. Dimes for Nickles
10. I Can't Complain
11. Your Love (All That I'm Missing)
12. Scandalous$24.99Vinyl LP - Sealed Buy Now
We're Not Going AnywhereAustin-based songwriter David Ramirez will release We're Not Going Anywhere, the follow up to his 2015 breakthrough record Fables and second in partnership with Thirty Tigers.
Most times, when a relationship ends, there is a season of mourning but then the clouds part, the sun rises, and we move on. What happens if and when the sun doesn't rise? What happens if, no matter how hard we try, we can't move on? Ramirez explained about the song.
On the 10 vividly imagined and passionately performed songs on We're Not Going Anywhere David Ramirez takes in the world from his unique perspective: Being half white and half Mexican has made this current political climate especially interesting. So many cultures in this country are being viewed as un-American and it breaks my heart. My family have raised children here, created successful businesses here, and are proud to be a part of this country. Most of what I've seen as of late is misplaced fear. I wanted to write about that fear and how, instead of benefiting us, it sends us spiraling out control.
For We're Not Going Anywhere, Ramirez partnered with producer Sam Kassirer, who has helmed albums by Josh Ritter, Lake Street Dive, Bhi Bhiman, and many other artists. In January 2017 Ramirez and his band decamped to the Great North Sound Society, an eighteenth-century farmhouse in rural Maine that serves as Kassirer's studio.
It's very secluded, which was part of the appeal. We were able to get out of our touring headspace and stay completely involved with the record and what we were doing, explains Ramirez.
We're Not Going Anywhere turns that distance into a big-picture perspective- engaged and informed, compassionately political but not necessarily partisan. We'd take breaks during the day and watch the news and see all the rallies and marches and the disruption and the out-of-control feeling that was everywhere then-and, frankly, still is now. We were looking around and no one was around us. The closest house was a mile away, so it was just us. We were grateful just to retreat from that social tornado for a while and create something that we hoped would be very beautiful.1. Twins
2. Watching From A Distance
3. People Call Who They Wanna Talk To
5. Good Heart
6. Stone Age
7. Telephone Lovers
9. Eliza Jane
10. I'm Not Going Anywhere$18.99Vinyl LP - Sealed Buy Now
Contains CD Of Full Album
The desert is a place of hardship and subtle beauty, a stark world that reveals its secrets slowly and carefully. For the renowned Saharan band TINARIWEN, the desert is their home, their hypnotic and electrifying guitar rock reflecting the complex realities of their homebase in North West Africa. The band releases their new album Emmaar in 2014.
Emmaar is the follow up to the group's 2011 album Tassili, recorded in the Algerian desert with an esteemed cadre of musicians including Wilco's Nels Cline and TV on the Radio's Tunde Adebimpe and Kyp Malone - the album won a Grammy for Best World Music.
But due to political instability in their homeland, TINARIWEN recorded the new record in another desert: Joshua Tree, California. Created over three weeks in the region known for spaced-out rock 'n' roll and psychedelic cowboy folk, Emmaar showcases an organic feel from the rolling hand drums and meandering guitars of album opener "Toumast Tincha" chants to the galloping beats of the forward-marching "Chaghaybou." "We were not in a proper studio or outside in the desert like Tassili," Ag Leche says, "we built a studio in a big house in Joshua Tree. Everybody in the same room, with no separation. We wanted something which sounded natural and live."
Along with the original members who founded the group in the 1980s (vocalists and guitarists Ibrahim Ag Alhabib, Abdallah Ag Alhousseyni, and Alhassane Ag Touhami) and the younger generation who grew up listening to the band and joined in the 1990s (multi-instrumentalist Eyadou Ag Leche, guitarist Elaga Ag Hamid, and percussionist Said Ag Ayad), a group of American musicians appear on the album. Accompanied by Red Hot Chili Peppers guitarist Josh Klinghoffer, Matt Sweeney from Chavez, Nashville fiddler Fats Kaplin, and poet Saul Williams, Emmaar (mixed by Vance Powell (Jack White, The Dead Weather ) is a richly layered listen solidified by atmospheric textures and gritty guitar-work.1. Toumast Tincha
3. Arhegh Danagh
4. Timadrit In Sahara
5. Imidiwan Ahi Sigdim
7. Sendad Eghlalan
8. Imdiwanin ahi Tifhamam
9. Koud Edhaz Emin
11. Aghregh Medin$22.99Vinyl LP + CD - 2 LPs Sealed Buy Now
Dan Dyer (Out Of Stock)It may be generalizing. Hopefully it isn't offensive. But let's face it: Dan Dyer has one hell of a soulful voice for a white guy. It's a soulful voice for anybody. But for a white guy?! Close your eyes and you're likely to picture something more along the lines of Al Green or Stevie Wonder or Sly Stone than some east Texan around 40 years old. But this is Dan Dyer's gift - a voice oozing soul along with deeply introspective, serious songwriting.
Dyer was born and raised in the small east Texas town of Tool. He was given a guitar at age 5 but didn't learn to play until he was 18 and had moved to Austin, Texas. It was there that he began to study music seriously, attacking the guitar, and exploring his until-then untapped singing and songwriting powers.
While attending Texas State in San Marcos, Texas, Dyer formed a band, Breedlove, with guitarist Tyrone Vaughan (son of Jimmie Vaughan), drummer Jason White, keyboardist Ezra Reynolds and bassist Josh Dawkins. The group developed a dedicated following and released Reach Out in 1996 before disbanding in 1998.
From there, Dyer moved to New York City and began writing commercial music jingles, having songs placed in marketing campaigns for Budweiser, Chevrolet, Dr. Pepper and Campbell's Soup. While there, Lenny Kravitz, who had just begun a Warner Bros. imprint called Roxie Records, signed Dyer and produced his What Lies Beneath record in 2004, the first release on the label. Kravitz co-wrote four of the songs with Dyer and also played guitar on the record.
After touring for a year behind What Lies Beneath, Dyer moved to St. Louis and started a family. In 2007, he returned to Austin where he'd reunited with friend David Boyle, who recorded and produced Dyer in his converted-church studio for the self-titled Dan Dyer. The record was released in 2008 on Fat Caddy Records. From the chain gang-inspired sound of Love Chain to the gospel-tinged I Walk On Gilded Splinters and Stewart Copeland-esque syncopations of Play On Little Children, Dyer and Boyle weave a diverse fabric that extends beyond conventional musical boundaries.1. Prisoner Of Fear
2. Howling Wind
3. Come Home
4. Come Home Pt. 2
5. Reach Out$24.99180 Gram Audiophile Virgin Vinyl LP D2D -Sealed Direct to Disc (D2D) Temporarily out of stock