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Juan De Marcos González'
Felix Beloy: Baila Mi Son (Pure Pleasure)Rich and rhythmic, sparkling and seductive, Felix Baloy's voice marks him as one of Cuba's very finest soneros. This magnificent performance showcases a true artist at the peak of his profession, backed by the thrilling arrangements of Juan de Marcos and the peerless Afro Cuban All Stars.
Felix Baloy has been singing for more than 40 years which means he has waited a long time to make his first solo album. One of Cuba's outstanding soneros with a unique timbre, the opportunity came about after he met Tumi Music founder Mo Fini in Havana in 1995 when Baloy sang on the label's splendid four CD set Las Leyendas de la Musica Cubana as part of the Cuban All Stars with Orquesta Amèrica.
There's an absolute joy about this record, and Baloy proves himself worthy of all the praise that's been heaped on him in Cuba, as capable of gliding through the cha cha of Van a Bailar el Cha Cha Cha, with its prim strings, as the rawer bolero of El Mal de la Hipocresia. The arrangements frame his voice wonderfully, too, as on the rich bolero cha of Los Es Todo Tu Amor, with its glistening flute solo. Baloy does himself proud, and Gonzalez gives him a band to remember behind him, some crystal clear production, and songs any singer would love to sing. Nigh on perfect.
- Juan de Marcos Gonzalez (director)
- Felix Baloy (vocal)
- Teresa Garcia Caturla (vocal)
- Javier Zalba (bassoon)
- Yanko Pizaco (trumpet)
- Daniel "El Gordo" Ramos (trumpet)
- Alberto "Molote" Munoz (trombone)
- Antonio Sesma (trombone)
- David Alfaro (piano)
- Ricardo Munoz (bass)
- Rolando "El Nino" Salgado (percussion)
Recording: 2000 in ICAIC Studios and DM Ahora Studios, Havana, Cuba, by Alain Martinez de la Torre
Production: Juan de Marcos Gonzalez
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Baila mi son
2. Mami te Gusto
3. Yo Soy el del sentimiento
4. DespuÉs de esta noche
5. El mal de la hipocresía
6. Ven a bailer cha cha cha
7. Cada vez que te veo
8. Lo es todo to amor
9. El son de Baloy
10. Misericordia, no aguanto$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now