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  • Justified Justified Quick View

    $29.99
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    Justified

    1. Senorita

    2. Like I Love You

    3. What You Got, (Oh No)

    4. Take It From Here
    5. Cry Me A River
    6. Rock Your Body
    7. Nothin' Else
    8. Last Night
    9. Still on My Brain

    10. Take Me Now, (And She Said) - (featuring Janet Jackson)
    11. Right For Me

    12. Let's Take A Ride

    13. Never Again
    Justin Timberlake
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Fire And Water Fire And Water Quick View

    $37.99
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    Fire And Water

    Import


    Free was one of the British bands that pioneered Hard Rock. Despite a short life span, they were a huge influence bands such as Bad Company and Foreigner, thanks to their style of stripped-down British Blues.


    Their follow up to Free, Fire And Water, peaked at #17 in the album charts, carried by the classic Rock anthem All Right Now - which peaked at #4 in Billboard's Hot 100 in 1970. Paul Kossoff's guitar playing and Paul Rodger's incredible voice made Free one of the best bands around. Their revered legacy is justified with Music On Vinyl's 180 gram audiophile treatment.

    1. Fire And Water
    2. Oh I Wept
    3. Remember
    4. Heavy Load
    5. Mr. Big
    6. Don't Say You Love
    7. All Right Now (Long Version)
    Free
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Eleven Eleven Eleven Eleven Quick View

    $23.99
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    Eleven Eleven

    On Dave Alvin's new album Eleven Eleven, the man who many credit with pioneering what has come to be known as 'roots rock,' revisits the burning, guitar-centered blues-rock that initially defined his career along with his band The Blasters in the late 1970s.


    After The Blasters, Alvin explored the path of American folk music, a road that led to classic albums and Grammy wins (for his album Public Domain: Songs from the Wild Land), establishing him as one of America's most distinguished songwriters and California's de facto roots music ambassador.


    Fast forward to Eleven Eleven and Dave is ready to raise the stakes again, calling on some Blasters including his brother Phil, with whom he duets for the first time ever on record. The inaugurals continue with Dave writing all the songs while on the road touring, a first for the seasoned performer.


    The new method clearly sparked new ideas for Alvin, with the blistering guitar runs and Bo Diddley beat of Run Conejo Run sidling up alongside the gentle finger-picking of the tremolo-soaked No Worries Mija.


    Eleven Eleven also features Harlan County Line, the song featured, along with an Alvin cameo as himself, in FX original series Justified and his highest and fastest-selling digital single ever.

    1. Harlan County Line

    2. Johnny Ace Is Dead
    3. Black Rose Of Texas
    4. Gary, Indiana 1959
    5. Run Conejo Run
    6. No Worries Mija
    7. What's Up With Your Brother?
    8. Murrietta's Head
    9. Manzanita
    10. Dirty Nightgown
    11. Two Lucky Bums
    Dave Alvin
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Super Session (Speakers Corner) Super Session (Speakers Corner) Quick View

    $44.99
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    Super Session (Speakers Corner)

    The musicians are aiming high with their desire for a "Super Session", for it's not something that can be planned. Only when the time, place, and audience play along, when one's lucky star is shining brightly, and the musicians have a good day, then one of music's great moments might be captured on tape. Not forgetting the recording technicians who also have to be in the mood!



    In 1968 this all happened to be the case with the majority of the nine numbers on the Columbia LP: Season Of The Witch (written by Donovan) in its present version is one of them, as well as You Don't Love Me and the Dylan classic It Takes A Lot To Laugh, It Takes A Train To Cry. All in all, one must consider the numbers with Steve Stills as most successful in the sense of a session because here each musician inspires the others. In the super session with Kooper and Bloomfield, the guitarist stands in the limelight while the other musicians back him up.



    Very often the three soloists even surpass the greatest moments of their own groups (Al Kooper's Blood, Sweat & Tears; Mike Bloomfield's Electric Flag; Steven Stills's Buffalo Springfield). In 1968 the magazine Rolling Stone judged this album to be one of the best releases of the year: an accolade which is completely justified and is still valid to this day. What better reason to get your copy of this "highly recommended" album without delay.



    Musicians:



    • Mike Bloomfield

    • Steven Stills (electric guitar)

    • Al Kooper (piano, organ, vocals, guitar, electric guitar)

    • Barry Goldberg (electric piano)

    • Harvey Brooks (bass)

    • Eddie Hoh (drums)




    Production: Al Kooper




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Albert's Shuffle
    Stop
    Man's Temptation
    His Holy Modal Majesty
    Really
    It Takes A Lot To Laugh, It Takes A Train To Cry
    Season Of The Witch
    You Don't Love Me
    Harvey's Tune
    Mike Bloomfield, Al Kooper, Steven Stills
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dragonslayer Dragonslayer Quick View

    $16.99
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    Dragonslayer

    Sunset Rubdown was once the moniker under which Spencer Krug released lo-fi solo recordings. The project has long since evolved into a full band, and "Dragonslayer" is the third full-length. The musicianship is unassisted by studio magic, and the songs are left to justify for themselves their own screwy pop-rock existence.

    1. Silver Moons

    2. Idiot Heart

    3. Apollo and the Buffalo and Anna Anna Anaa Oh!

    4. Black Swan

    5. Paper Lace

    6. You Go On Ahead (Trumpet Trumpet Ii)

    7. Nightingale / December Song

    8. Dragon's Lair

    Sunset Rubdown
    $16.99
    Vinyl LP - Sealed Buy Now
  • iFi Audio micro iPhono2 iFi Audio micro iPhono2 Quick View

    $549.00
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    iFi Audio micro iPhono2


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Since its launch, the original iPhono became the 'benchmark' phonostage under US $1,000.


    In order to improve upon the sector-defining original iPhono, whilst keeping in essence the same design philosophy, our design team went back to the beginning and designed a ground-up, new iPhono2. The design, circuitry, the parts, the specifications and most important of all, the sonic performance meant the end justified the means.


    Ultra-wide gain from 36dB up to 72dB


    The iPhono2 allows any cartridge at any price to be accommodated optimally. The maximum gain is now an astonishing 72dB to handle the lowest of low output MC cartridges. Even the legendary Ortofon MC-5000 does not require sound-degrading step-up transformers.


    The original iPHONO already had a wonderful dynamic range of 90dB that had super-expensive phono stages looking nervously over their shoulder. Well, the iPHONO2 with its 106dB dynamic range has just pulled right out in front with something close to a 15dB bigger dynamic range than the best of the best phono stages.


    With infamous test tracks like Tchaikovsky's 1812 overture, the dynamism and wide-open sonic range is jaw-droppingly good and will take any audio system to a whole new level of enjoyment.



    Most accurate range of EQ curves


    The newly designed RIAA Equalisation circuit guarantees a +/- 0.2dB accuracy of the RIAA EQ from 20Hz - 20kHz, a reference class performance, period.


    The iPhono2 is also a perfect match for older non-RIAA LPs too. The iPhono2 retains the very popular 6 different Stereo EQ curves found in the original iPhono. So one will never have to put up with sub-optimal sound quality because of being unable to select the correct EQ curve ever again.



    Latest AMR trickle-down; Class A, TubeState®


    In the iPhono2, the Class A TubeState® has been further refined. There is an all-new Burr-Brown Soundplus® J-FET type amplifier at the heart of the new Class A, J-FET/BJT output buffer.


    This new circuit significantly reduces the loading seen by the main amplification circuit; which improves the circuit inherent linearity while allowing it to drive even punishing 600 ohm studio inputs with impunity.


    The power supply filtering has been increased 5X in value. The iPhono2 noise performance was further optimised to achieve a noise levels that approach what is feasible at room temperature. To achieve lower noise, cooling the circuit in liquid nitrogen would be needed.


    Drawing from admired AMR PH-77, the super-silent noise floor of the iPHONO2 is quite remarkable. It defies its price class to challenge money-no-object phono stages.


    The litmus test of any good phono stage design is that it is able to amplify the signal but not the noise. Hence, we advise customers to take the iPHONO2 home and to not listen to it. Why? They should lower the cartridge and turn the listening level as loud as possible. Then lift the needle again and listen for the lack of noise that just about every phono stage is affected with.


    The Signal-to-Noise ratio of the iPhono2 is 3dB quieter on MC and 10 dB quieter on MM than the original iPhono.


    More than ever, listening to vinyl, one can hear 'into' the recording itself with the blackest of backgrounds and every nuance, inflection is picked up by the system.



    DC-Infinity circuit is light-years ahead


    To guarantee an output free from DC, a 'textbook' high-end Phono Preamplifier# usual has up to 5 coupling capacitors from MC cartridge to output in addition to DC servos, all of which cause signal quality degradation.


    The original iPhono had only 2 coupling capacitors and no DC servo. In the iPhono2, with the all-new Direct-Drive Servoless 'DC Infinity' circuit, it has no capacitor AND no DC-Servo; so it adds zero noise nor distortion into the audio signal path.


    The example cited is literally from a textbook on audio circuit design - "Small Signal Audio Design" by Douglas Self.



    Reference class parts quality


    The iPhono2 employed even more Japan TDK C0G type capacitors. These are complimented by Japan Panasonic ECPU Film Capacitors explicitly designed for audio use with extremely low distortion (<0.00001% @ 1V/10kHz).


    iPhono2 also uses many more Vishay MELF type thin film resistors compared to the original. The proof is in the listening. The best just got better.


    iFi Audio
    $549.00
    Phono Amplifier Buy Now
  • Jackie's Pal (Mono) Jackie's Pal (Mono) Quick View

    $34.99
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    Jackie's Pal (Mono)

    In the case of this 1956 Prestige release, Jackie's Pal is none other than trumpeter Bill Hardman who McLean champions justifiably here after the pair left the Charles Mingus workshop and before they both joined Art Blakey's Jazz Messengers. The excellent date finds the jazz greats in a quintet rounded out by Mal Walldron (piano), Paul Chambers (bass) and Philly Joe Jones (drums).


    This title is not eligible for discount.

    1. Sweet Doll
    2. Just For Marty
    3. Dee's Dilemma
    4. Sublues
    5. Steeplechase
    6. It Could Happen To You
    Jackie McLean
    $34.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Person To Person Person To Person Quick View

    $14.99
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    Person To Person

    An album of dense pop that justifies the band's place among top songsmithing contemporaries like Cass McCombs and James Mercer, as well as Bowie. But the band is able to bypass the songwriter label by delivering a much more collective sound. African high-life guitars are countered with new wave wash; the sound of a band daring to keep its palette open to most any influence, from U2 to The Feelies. Foreign Born deliver the soundtrack for the backyard BBQ of the ages. Extensive touring with Rogue Wave and Grizzly Bear.
    1.Blood Oranges
    2.That Old Sun
    3.Vacationing People
    4.Winter Games
    5.Early Warnings
    6.Can't Keep Time
    7.Lion's Share
    8.It Grew On You
    9.See Us Home
    10.Wait In This Chair
    Foreign Born
    $14.99
    Vinyl LP - Sealed Buy Now
  • April In Paris April In Paris Quick View

    $19.99
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    April In Paris

    Count Basie's band endured because of its leader's uncanny ability to put together fresh arrangements and strong soloists while maintaining the band's unique devotion to swing; this CD is among the most enduring of the big band recordings of the 1950s. The title tune is present in a justifiably famous rendition, a performance of swaggering swing and passion that was arranged by organist Wild Bill Davis. Frank Foster's Shiny Stockings, now a jazz standard, made its debut here, while Joe Newman's Midgets recasts the band as a bop combo. Throughout the recording are terrific solos by trumpeters Thad Jones and Newman and tenor saxophonists Foster and Frank Wess, all basking in the band's glorious swing. --Stuart Broomer


    Basie scored a smash in '56 with April in Paris , and this mid-'50s LP (featuring the original Basie band) became an instant big-band classic. A slew of alternate takes join that hit!

    1. April In Paris
    2. Corner Pocket
    3. Didn't You?
    4. Sweetie Cakes
    5. Magic


    6. Shiny Stockings
    7. What Am I Here For?
    8. Midgets
    9. Dinner With Friends
    10. Big Red

    Count Basie
    $19.99
    Vinyl LP - Sealed Buy Now
  • Blind Joe Death Volume 1 Blind Joe Death Volume 1 Quick View

    $21.99
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    Blind Joe Death Volume 1

    For several years major labels had been issuing records in both mono and stereo formats. By 1967 Takoma was doing well enough financially to justify the recording of Fahey's first and second albums for the burgeoning stereo market. Thus Vol.1: Blind Joe Death, as the record would be titled henceforth, was recorded for the third time and it is probably this release that most people are familiar with today. For the new version Fahey recorded all but one song on the album. He recorded one new track for the reissue: I'm Gonna Do All I Can for My Lord. His new take of the Episcopal hymn In Christ There Is No East or West would become the most well-known and oft-played song on the album.
    1. On Doing An Evil Deed Blues
    2. St. Louis Blues
    3. Poor Boy Long Ways From Home
    4. Uncloudy Day
    5. John Henry
    6. In Christ There Is No East Or West
    7. The Transcendental Waterfall
    8. Desperate Man Blues
    9. Sun Gonna Shine In My Backdoor Someday Blues
    10. Sligo River Blues
    11. I'm Gonna Do All I Can For My Lord
    John Fahey
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • A Night At The Opera (Awaiting Repress) A Night At The Opera (Awaiting Repress) Quick View

    $19.99
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    A Night At The Opera (Awaiting Repress)

    Ranked 230/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Nothing succeeds like excess, at least that's the case with Queen's breakthrough classic, A Night At The Opera. On one level, the title is a reference to the band's operatic pretensions as evidenced here on the classic Bohemian Rhapsody. It also happens to be the title of a Marx Brothers movie, and the reference isn't lost on Queen, who seldom scaled the heights of pomprock without a knowing wink. The album is remembered for its meticulously produced bombast, but the truth is that there's a wide variety of material here, from the gorgeous piano-based You're My Best Friend and the McCartneyesque 39, to the music-hall-style Lazing on a Sunday Afternoon and the pedal-to-the-metal rockers Death on Two Legs and I'm in Love with My Car. A Night at the Opera is widely considered to be the quintessential Queen album and justifiably so.


    This fall marks Queens return to studio recording for the first time in 13 years, to commemorate that occasion, Universal has created the Queen on Vinyl Collectors Edition re-issue program in which every Queen studio album is to be released on vinyl LPs over the next two years. The original albums are being re-issued correct in every detail to the original releases, including inner sleeves, packaging and bonuses.

    1. Death On Two Legs (Dedicated To...)
    2. Lazing On A Sunday Afternoon
    3. I'm In Love With My Car
    4. You're My Best Friend
    5. '39
    6. Sweet Lady
    7. Seaside Rendezvous
    8. The Prophet's Song
    9. Love Of My Life
    10. Good Company
    11. Bohemian Rhapsody
    12. God Save The Queen
    13. I'm In Love With My Car
    Queen
    $19.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Iterations Iterations Quick View

    $13.99
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    Iterations

    With the release of his 'Preparations' EP on Tri
    Angle in late 2013, Fis and his inimitable and
    wholly original sound was introduced to the wider
    world. Since he'd first emerged with a series of
    ultra rare 12" releases in 2012 on various drum
    and bass oriented labels the Wellington, New
    Zealand based producer had quietly been tipped
    on the underground as one to watch. The praise
    heaped upon 'Preparations' definitely seemed to
    justify the hype that had quietly been building
    behind the man otherwise known as Oliver
    Peryman. Pitchfork referred to Fis as an artist who
    'was in the process of uncovering an altogether
    new rhythmic grammar' and on 'Iterations', his
    latest EP on Tri Angle, he continues to do just that.
    It's still a pretty daunting task trying to explain
    exactly what Fis sounds like. He's been referred to
    as a drum and bass producer, but as XLR8R have
    rightly stated, 'even in the context of the drum &
    bass resurgence there's little question that Fis is
    exploring some exciting, uncharted territory.' The
    disorientating and confounding rhythms are still
    present, but in comparison to 'Preparations',
    'Iterations' feels more expansive and oceanic, less
    claustrophobic and ever so slightly more
    approachable. What these 4 tracks confirm is that
    Fis is a producer who has something important
    and special to add to the electronic genre.
    1. Iterations
    2. Womb Dream
    3. Fever Sweats
    4. Her Third Eye (Drum Rain)
    Fis
    $13.99
    Vinyl LP - Sealed Buy Now
  • Chord Company C-line RCA Cable 2 LENGTHS AVAILABLE Chord Company C-line RCA Cable Quick View

    $60.00
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    Chord Company C-line RCA Cable

    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    An original Chord Company design, built specially for us. We wanted a high performance cable at an affordable price that still adheres to our exacting standards. What Hi-Fi? Award-winner 2015, 2016 and 2017, so it looks like we succeeded!


    The ARAY conductor geometry was developed from the Tuned ARAY conductor configuration first used on our then flagship Chord Sarum cable range. The over-moulded RCA plug uses the same signal enhancing direct gold-plating process that we use on our Chord VEE3 RCA plugs.


    The most important reason for developing this cable comes down to just how affordable good quality digital players and turntables have got. We needed a cable to match that performance. Producing genuinely high-performance cables that carry a musical signal with a real sense of coherence is a big challenge and we are justifiably proud of our award winning C-line interconnects.


    ARAY conductor geometry, multi-strand oxygen free copper signal and return conductors. High density overwrapped foil shielding, reduces signal loss caused by high frequency interference. Unique RCA plug gold-plating process improves signal transfer across audio frequencies. Over moulded plug surround provides high reliability connection.


    The Chord C-line is designed to work with all line level components, CD players, streaming devices, DVD players, home theatre amplifiers, tuners, phono stages and pre to power amplifier connections. This cable can also be used with RCA equipped turntables.


    Available in 0.5m and 1m lengths.


    Chord Company
    $60.00
    Analogue RCA Cable (Pair)
    Buy Now
  • Sign 'O' The Times Sign 'O' The Times Quick View

    $24.99
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    Sign 'O' The Times

    It begins with the insistent drip-drop of a sequencer and ends with some old school R&B. In between, the artist who was still calling himself Prince unfurls an encyclopedia of moods, genres, and grooves. Widely heralded as a groundbreaker in 1987, this two-LP set is clearly the sound of a performer at the height of his power. On songs like the title track, If I Was Your Girlfriend, and the thunderous The Cross, Prince proves why the hype was justified. --Amy Linden
    LP 1
    1. Sign O' The Times
    2. Play In the Sunshine
    3. Housequake
    4. The Ballad of Dorothy Parker
    5. It
    6. Starfish and Coffee
    7. Slow Love
    8. Hot Thing
    9. Forever In My Life


    LP 2
    1. U Got the Look
    2. If I Was Your Girlfriend
    3. Strange Relationship
    4. I Could Never Take the Place of Your Man
    5. The Cross
    6. It's Gonna Be A Beautiful Night (live)
    7. Adore

    Prince
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Souvenir Part 1 Souvenir Part 1 Quick View

    $38.99
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    Souvenir Part 1

    The ensemble TrondheimSolistene was founded in 1988 by Bjarne Fiskum, and was for many years an arena for professional concert training for string-players at the Conservatory in Trondheim. As a result of many concerts throughout Europe as well as concert tours to the United States, Japan and Brazil, the TrondheimSolistene has grown to be an ensemble of international renown, receiving much critical acclaim and attracting attention with its combination of high standards, youthful vigor and lively enthusiasm for the music.


    New collaborations have pleased both performers and audiences alike, and the orchestra has been noted for its considerable musical versatility, performing music from the baroque and romantic repertoires as well as tango, jazz, rock and contemporary music. The ensemble is an important advocate of Norwegian music, has commissioned and given premiers of several works and invariably includes Norwegian works in its concert tour programs. TrondheimSolistenes discography includes over twenty recordings. Øyvind Gimse was appointed artistic director of TrondheimSolistene in 2002, continuing the ensembles broad programming profile and musical versatility. TrondheimSolistene collaborates regularly with soloists such as Leif Ove Andsnes, Martin Fröst, Joshua Bell, Ole Edvard Antonsen, Arve Tellefsen and Anne-Sophie Mutter.


    Through its dynamic co-operation TrondheimSolistene (the Trondheim Soloists) and 2L has always stretched the boundaries of what is possible to convey to the listener, aiming for the ultimate recorded listening experience. With the Serenade the team has taken things one step further with the TrondheimSolistene truly justifying their name. By placing each individual next to someone from a different voice rather than sitting in conventional sections we are working at the very outer limits of what is possible and creating chamber music at the highest level - Øyvind Gimse, 2012.


    2L allocated two weeks in 2011 to record this new album. Artistic director Øyvind Gimse and his associate Geir Inge Lotsberg initially chose two pieces that represent, in their estimation, the most beautiful music ever composed for the string orchestra: Tchaikovsky's Souvenir de Florence and his Serenade for Strings. Aiming for a 90 minute program left 30 more minutes to record. So the orchestra and 2L logged on to Facebook and asked the listeners worldwide what they'd like to hear. And the audience responded: Nielsen's Suite Opus 1. A little gem that would exploit the Trondheim Soloists' singular way with Nordic repertoire.


    Inspired by Morten Lindberg's extensive work with choral music, the Tchaikovsky's Serenade was recorded with the ensemble placed in mixed voices, meaning no one is sitting beside anyone playing the same part, creating a totally new soundscape to the music. Carl Nielsen's Suite opus 1 is recorded in a more traditional way in these sessions.

    1. Tchaikovsky - Souvenir de Florence
    2. Tchaikovsky - Serenade for Strings, opus 48
    3. Nielsen - Suite, opus 1
    TrondheimSolistene
    $38.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Bulldozer Bulldozer Quick View

    $15.99
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    Bulldozer


    Includes Liner Notes By Matt Pinfield & Kevin Devine


    Brooklyn-based singer-songwriter Kevin Devine (Bad Books, Kevin Devine and the Goddamn Band), announces the date for the highly anticipated dual release of Bulldozer and Bubblegum.


    Earlier this year, Devine launched the Kickstarter campaign to fund the two releases with the goal of creating a solo album with Rob Schnapf (Elliott Smith, Beck, Guided by Voices) and a full band album with the Goddamn Band produced by rock group Brand New's Jesse Lacey. The result was an overwhelming amount of support from fans, raising more than $114,000 to support the albums and subsequent tours - the 12th largest music project funded through Kickstarter to date.


    I've made six records. In America they've been released on five different labels. It's a pretty unstable industry. What's made it a sustainable and a justifiable career for me has been the audience and their close, passionate connection to the music, said Devine on his choice to use Kickstarter.


    The ten songs that comprise Bulldozer, Devine's solo album laced with electric folk-rock and pop ballads, were recorded in L.A. from March to April 2013 and produced by frequent collaborator Schnapf. With Devine on guitar, Schnapf gathered a stellar group of musicians to back him-Russell Pollard and Elijah Thomson (Everest) on drums and bass, respectively; Isobel Campbell (Belle & Sebastian) on backup vocals; and Schnapf himself on guitar, mellotron, and percussion.


    The commanding big sound of 'Now: Navigate!' with its chiming guitars and tongue-in-cheek wordplay, is a stampede of power pop, as is the quintessential rock/pop sound of 'Little Bulldozer.' Songs like 'She Can See Me' bring out Devine's punk rock roots.


    'From Here' was written in the days after Hurricane Sandy when Devine put things on hold to volunteer around Staten Island, where he partially grew up, and Brooklyn, where he now lives. Primarily, he came to the aid of two close friends who had lost their homes in the hurricane. Devine aided in food and material drives and played in benefit concerts. On 'For Eugene', centered around the death of Eugene Contrubis, one of the many who drowned on Staten Island, Campbell lends her voice to add a moving layer to a song that swells to high emotional peaks.

    1. Now Navigate
    2. Little Bulldozer
    3. From Here
    4. Couldn't Be Happier
    5. You Brushed
    6. The Worm In Every
    7. Matter Of Time
    8. She Can See ME
    9. For Eugene
    10. Safe
    Kevin Devine
    $15.99
    Vinyl LP - Sealed Buy Now
  • Fire From The Evening Sun Fire From The Evening Sun Quick View

    $24.99
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    Fire From The Evening Sun

    PHILM, the temperamental, highly gifted brainchild of Dave Lombardo certainly did not come to fruition
    overnight. Years of life lessons and rhythmical adventures slowly molded and manipulated his latest creation for
    the musical misfits of the world.


    As a multi-genre labyrinth, PHILM resonates not only the individual symphonic personalities of its members, but
    their uniquely agile bond in instrumentation as a whole.


    Front-man Gerry Nestler, noted for his undeniable skill and rapport with his guitar, is best known for his work
    with progmetallists, Civil Defiance. An impassioned vocalist, his musical journey has also found him gaining
    much respect for his lyrical prowess. Nestler describes PHILMs music as, "Heavy but sensitive, powerful and
    atmospheric." He further elaborated, saying ". The music of PHILM is channeled through the many different
    influences of drum and bass, expressionism, and underground that is indigenous to the street, Nestler states.
    There are many different things that Dave and I have been into that have contributed to the vision of PHILM.
    Pancho's highly skilled bass playing, chordal color and shape have helped expand the overall sound
    instrumentation and groove. Dave Lombardo's drumming goes without comparison.


    Bassist, Pancho Tomaselli, a long-time member of funk rockers, War and most recently, Tower of Power is
    sought after for his aggressively malleable, yet smooth way around his bass guitar. Drummer, Dave Lombardo,
    is most widely known for his legendary work with a band he co-developed at the young age of 17, SLAYER. His
    work with Mike Patton (Fantomas), John Zorn (Bladerunner), Grip Inc., and many others, leaves no room for
    questioning his legendary status as one of the most skilled and innovative drummers in the world. Justifiably
    typecast to the genre he helped trail-blaze, it is certainly a shock to Lombardo enthusiasts to see his infamous
    drum set now scaled down to a four piece kit. But, the depth of his musical aptitude is much more than what
    has come to be known as his signature sound. His prodigious skill and affinity for heavy, penetrating grooves is
    oddly taken to another level in his work with this riveting trio. To quote Tomaselli, "It's like playing with the
    seven, not four, horses of the Apocalypse behind you."


    PHILMs music is a dense, unholy convergence of tones and discords." Lombardo states, " We tend to live on the
    heavy side, but we also touch on haunting, desolate, ambient sounds.


    These three innovative musicians have masterfully revived the concept of the Power Trio. Often improvised,
    their live set can find their audience entranced by a raw, tonal journey that is both awe-inspiring and thrilling

    1. Train
    2. Fire From The Evening Sun
    3. Lady Of The Lake
    4. Lion's Pit
    5. Silver Queen
    6. We Sail At Dawn
    7. Omniscience
    8. Fanboy
    9. Luxhaven
    10. Blue Dragon
    11. Turn In The Sky
    12. Corner Girl
    Philm
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Chord Mojo DAC Chord Mojo DAC Quick View

    $529.00
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    Chord Mojo DAC


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    The new Chord Mojo is entirely designed and manufactured in England. Mojo stands for 'Mobile Joy' and Chord is justifiably proud to say that Mojo is a true reference-quality mobile DAC and high-level headphone amplifier; its performance can truly rival DACs at twenty times its price.


    YOU WERE BORN FOR THIS


    Its ultra-compact design is based on the Hugo platform, but Mojo uses the new Xilinx Artix-7 FPGA, making the Chord Mojo the most advanced DAC of its type on the planet! It has been designed to be easily operated: there are no confusing or superfluous switches - it is devoid of the bewildering number of switch options common to similar devices.


    The Chord Mojo is capable of driving any headphone between 4 ohms and 800 ohms and can drive two pairs of headphones simultaneously. It can work with any music file from 44.1kHz up to 768kHz and DoP DSD files: DSD 64; DSD 128 and DSD 256. Mojo can decode a wide range of formats, too: PCM; WAV; AAC; AIFF; MP3 and FLAC files and is designed to work with all smartphones and music players. It has a full recall-memory for both input selection and previous volume set level.


    FULLY AUTOMATIC


    Input selection is fully automatic: if more than one input is active they are prioritized as USB first, coax second, optical third. The file frequency is shown clearly by an indicator color option on the power switch, from 44.1kHz (red), 48kHz (orange) and so on, up through a rainbow of colours to bright white for DSD. The highly accurate low-distortion digital volume is controlled via two color-illuminated buttons.


    Many low-cost apps now make high-resolution music files playable from all smart phones. Mojo has three different high-resolution digital inputs: optical to 192kHz, plus USB and RCA (mini-jack) which operate up to 768kHz.


    ADVANCED BATTERY TECHNOLOGY


    The Chord Mojo utilizes new advanced high-temperature battery technology that allows for faster charging (four hours) which is up to twenty hours faster than competitor units. Charging is via a standard USB port; Mojo Charging is via a standard USB port; Mojo may be played at the same time. Mojo's charging Micro USB port has a battery status and charging indicator light.


    Mojo's casework is machined from solid aircraft-grade aluminum and has a hard Matt black fine finish that does not finger-mark. All inputs are denoted with a fine laser ablated permanent white lettering.


    Chord Electronics
    $529.00
    DAC Buy Now
  • Gathering Mercury Gathering Mercury Quick View

    $19.99
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    Gathering Mercury

    Colin Hay may be best known as the lead singer for Men At Work, the platinum selling Australian band that topped worldwide charts in the 80s with anthems like "Down Under," "Overkill," and "Who Can It Be Now?" Hay's justifiably proud of his place in pop history, but since moving to Los Angeles in 1989, he's made 11 solo albums and is confident that Gathering Mercury is the best of the lot.


    "These are some of the strongest songs I've ever written," Hay says from his home studio in the hills of Topanga Canyon. "The loss of my father last year brought an unavoidable emotional contingent to writing and recording. I don't have a definitive belief in an afterlife, but I do feel like I had his help when I was working on this album, especially alone late at night, in the studio."


    Hay recorded and produced the ten songs on Gathering Mercury in his home studio, with the help of drummer Randy Cooke, bassist Joe Karnes, and guitarist Sean Woostenhulme, from his touring band and friends like bass player Jimmy Earl and pianist Jeff Babko from Jimmy Kimmel's band, drummer Charlie Paxson, Cuban percussionist Luis Conte (Madonna, Ray Charles) and his wife Cecilia Noel on backing vocals. The arrangements feature Hay's quizzical, instantly recognizable tenor supported by acoustic instruments and melodic electric guitar accents. The album was beautifully mixed by long time friend and composer/producer Chad Fischer.


    "Send Somebody," the album's first single, was co-written with guitarist/songwriter Michael Georgiades, who provides not only the main chord structure, but the understated solo that sets up the song's touching bridge. The hypnotic pop melody is augmented by Fisher's work on piano, xylophone and drums. The tune was inspired by a late night phone conversation. "You call tech support one night around midnight and actually get a human being on the line," Hay explains. "The unexpected connection with a stranger is often easier to make than one with people you know. It brings up the longing for connection we all feel.


    "Dear Father" is a poignant celtic folk-like tune with Hay's 12-string guitar and melancholy vocal taking center stage. Cellist Oliver Kraus overdubbed the burnished string section. "This song was written and recorded almost instantaneously, a gift from beyond, if you will. The night my father died, I was in Glasgow on the river Clyde, about 20 streets away from where he was born. There's some kind of bleak poetry in that, very bleak."


    "Far From Home" has the reggae lilt of a contemporary Men At Work tune. Jeff Babko's Hammond B3, Cook's inspired drum part, and Hay's rhythm guitar add to the melody's hypnotic feel. "I don't know if it's reggae as such," Hay says. "But when I play electric guitar, the rhythm I feel is on the offbeat. It's my natural default."


    Other standouts include Michael Georgiades' "Half a Million Angels," with sublime performances by all; the darkly humorous "A Simple Song," which deals with the complexities of long term relationships with Hay on mandola and the buoyant vaudeville tune "Where the Sky Is Blue," a song Hay imagined his father singing to his mother before they married.


    The tunes on Gathering Mercury are deeply affecting, but never maudlin. Despite the often serious subject matter, they're full of optimism. "It's not a conscious thing and may have to do with the Scottish mentality. We deal with darkness by shining a light on it. It doesn't diminish the charge of the feeling, it just makes it easier to deal with."

    1. Send Somebody
    2. Family Man
    3. Invisible
    4. Dear Father
    5. Gathering Mercury
    6. Half A Million
    7. Far From Home
    8. Where The Sky Is Blue
    9. A Simple Song
    10. Goodnight Rom
    Colin Hay
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • At Carnegie Hall (Speakers Corner) (Awaiting Repress) At Carnegie Hall (Speakers Corner) (Awaiting Repress) Quick View

    $69.99
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    At Carnegie Hall (Speakers Corner) (Awaiting Repress)

    Many critics regard Dave Brubeck's Carnegie Hall concert from February 1963 as his greatest ever live appearance. But who can really determine that? For no one - apart from Brubeck himself - would have seen and heard his conservatively estimated 12,000 concerts.



    Although the twelve titles had already been released on LPs that had been recorded in the studio, these records were certainly not known to all those in the audience. In between the numbers on each LP, Brubeck made little 'advertising spots' in short comments, but with such charm and wit that one really cannot be angry with him.



    The concert programme begins with St. Louis Blues and ends with Take Five. Luckily, the solos are distributed among all the musicians, so that Paul Desmond and Joe Morello - whose prowess on this evening can only be called 'amazingly good' - justifiably received enthusiastic applause from both the audience and us alike. Castilian Drums demonstrates Morello's wealth of ideas and his grandiose feeling for rhythm; though short, Paul Desmond's solos (Southern Scene is a good example!) are compelling, highly melodic, lyrical and possess a unique tone - as such they are immediately recognisable.



    How fortunate that the twelve brilliantly improvised numbers are now available once again on vinyl, having been recorded live at the legendary Carnegie Hall 60 years ago.



    Musicians:



    • Dave Brubeck (piano)

    • Paul Desmond (alto saxophone)

    • Eugene Wright (bass)

    • Joe Morello (drums)


    Recording: February 1963 Carnegie Hall, New York

    Production: Teo Macero



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    St. Louis Blues
    Bossa Nova U.S.A.
    For All We Know
    Pennies From Heaven
    Southern Scene
    Three To Get Ready
    Eleven Four
    King For A Day
    Castillian Drums
    It's A Raggy Waltz
    Blue Rondo A La Turk
    Take Five
    Dave Brubeck
    $69.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Cast The First Stone Cast The First Stone Quick View

    $21.99
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    Cast The First Stone

    Pressed On Camo Green Vinyl


    Death metal is more than just music. It transcends such a limited mortal state of mind. Death metal is the aural expression of humanity's darkest side, of devastation, sorrow and the harbingers of mankind's own inhumanity and ultimate destruction. Death metal is not a trend, a fashion parade or a means to an end. It is much more than that. It is a way of life. A life in death.


    This is the doctrine Italy's HOUR OF PENANCE, spewn forth with unrelenting musical ferocity through their sickening, mind-obliterating auditory assault on the senses.


    Forged in the dark shadows of "The Holy Capital," this most unholy of quartets have steadily been making a name for themselves as one of the most intense, talented and impressive modern death metal bands both in-studio and onstage.


    Like clockworks Hour of Penance is ready to release "Cast the First Stone" as the follow-up of his last successful album Regicide. Releasing an album every 2 years, the band has been described by the fans and worldwide press as one of the most "productive" band in the genre, "Cast the First Stone" will mark album number 7 in the band's career .


    Singer Paolo Pieri describes the concept of the new album : "Cast the First stone" revolves around the idea that the injustices suffered during the Crusades and Colonialism cannot justify indefinitely a chain of hate that propagandize the destruction of the West. I believe that the political situation in recent years has brought to light again a millennial conflict between West and East, and events like the terrorist attack at the Bataclan, where we only played a few months before the massacre, have influenced the lyrics on this record very much.


    It does not matter who has thrown the first stone, but who first evolved his ideology to seek peace and coexistence instead of war to the bitter end. In Europe, people have massacred each other for millennia but in the last 60 years, we were able to overcome differences and secular hatred that divided us, while the blind hatred of Islamic extremism is bringing entire geographic areas back to the darkest middle ages.


    We find ourselves once again in front of a war between reason and religion, and unless we take a strong stand in defense of our Western values, we risk falling into chaos because of a weak and coward enemy stubbornly convinced of his senseless laws."


    Lead guitarist and songwriter, Giulio Moschini, adds : "Sonically speaking , this is the best sounding album we've ever recorded , we really worked hard on this, listening to the album countless times before finally delivering the masters to Prosthetic Records.. it was definitely worth the wait and we're 100% satisfied by the great work our bass player Marco Mastrobuono has done behind the mixing desk. We've literally spent weeks trying different micing techniques, hardware, preamps- trying to avoid plugins technologies as much as we could. We wanted our album to sound more dynamic and I think that we've achieved that 100%. "


    Since releasing 2012's acclaimed "Sedition", which Decibel lauded as a "hyper-blasting, inhuman, machine-like attack," HOUR OF PENANCE has annihilated fans worldwide with its fiery exuberance, playing well over 200 gigs alongside such acts as BEHEMOTH, SKELETONWITCH, CANNIBAL CORPSE, THE BLACK DAHLIA MURDER, DEVILDRIVER, PSYCROPTIC, MISERY INDEX, DEICIDE, BELPHEGOR, NILE and KRISIUN.

    1. XXI Century Imperial Crusade
    2. Cast the First Stone
    3. Burning Bright
    4. Iron Fist
    5. The Chains of Misdeed
    6. Horn of Flies
    7. Shroud of Ashes
    8. Wall of Cohorts
    9. Damnatio Memoriae
    Hour Of Penance
    $21.99
    Colored Vinyl LP - Sealed Buy Now
  • Terrestrials (Awaiting Repress) Terrestrials (Awaiting Repress) Quick View

    $16.99
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    Terrestrials (Awaiting Repress)


    Thick Stock Cardboard Stoughton Style Tip On Jacket


    180 Gram Vinyl


    Limited To 3,000


    Four figures stand atop a summit, staring east out over a vast, frostbitten wasteland, the black sun dwindling in the west, casting their shadows across the plain. They await another clan, legendary for their slow approach. Eyes on the horizon, searching, patiently, for some signal of the arrival, some plume of smoke that would announce that the time had come. At last, at the edge of the plane, they note a black banner, and soon two hooded figures appear in the dusk. A horn sounds, and drumbeats echo through the valley.


    It's only the threshold of the distant horizon that limits the scope of Terrestrials, but like much of Earth, its landscape is arid, only disclosing its secrets upon active contemplation of its component dust. From the opening strains, hidden at the foot of a vertiginous crescendo from zero decibels, the album recalls a technique of Andrei Tarkovsky's, later developed in the films of BÉla Tarr. The eight-and-a-half-minute opening shot in Tarr's epic Sátántangó laterally tracks cattle carefully plodding through a dilapidated commune in search of food from muddy pasture. As the audience investigates the frame for clues to Tarr's purpose, he slowly reveals to them a symbolic vision of the film as a whole, inviting contemplation of the rich surfaces of the decayed buildings and the labyrinthine entrapment of the commune's inhabitant kine, some playing at leadership and some dragging their feet, cow and human alike awaiting deliverance by a dark messiah. Terrestrials proceeds in a remarkably similar fashion. As each track unfurls, its glacial pace arrests the listener's search for novelty, forcing attention to the profundities of the mix and the texture that the interlaced sounds create; and yet it also deepens the desire for what each step forward promises, the crisis that the procession patiently unveils.


    Terrestrials features more complex instrumentation than most of the works of either party. Sunn O)))'s deep bass and endlessly sustained guitar feature heavily on each track of Terrestrials, but so do Ulver's electronics and a myriad of additions, including trumpets, didgeridoo, and strings. Although the tracks apparently began as a set of improvisations recorded at Ulver's Oslo studio, the vast scope of the release clearly evolved out of the various mixing and arrangement sessions helmed by Ulver's Kristoffer Rygg and Sunn O)))'s Stephen O'Malley between 2008 and 2012. Here they achieved a synthesis that stylistically transcends the mere combination of the two groups and their traditional pathways, with Ulver sealing up the cracks of Sunn O)))'s immense backdrop and heightening the atmosphere with tense strings, sculpted textures, and insistent rhythm. It's this attention to the subtleties that renders Terrestrials monolithic; they ensure that each tick of the clock yields an array of sonic qualities, each progressing slowly in themselves but together moving the whole mass of sound forth at a constant click.


    From the trumpets on "Let There Be Light" to the drum-like pound of the bass and didgeridoo in "Western Horn," Terrestrials relentlessly heralds its own arrival, an endless parade slouching towards Bethlehem. By the time Rygg's vocals enter at the middle of "Eternal Return," the crawling pace of the album has ensured their sublimity. Taken on its own, this short section would scarcely justify a song unto itself; it emerges out of the sudden but carefully orchestrated resolution of the murky depths of the track's recesses, manifesting as a piercing clarity and a distillation of the album's theme of annunciation. Its lyrics, rich in spite of their brevity, conceal a messianic yearning in the fallow desert, a hope for deliverance from the stasis of the Egyptian yoke and the confusion of exile, and a dark prophecy of a "liminal animal" with "golden nature" of the sinful calf. Rygg urges us to "listen silent."


    Gongs or guitars ring out. This final stage of Terrestrials heralds a return of an immense mystery. What approaches, its lumbering gait constantly pressing onward, can't divulge its nature until it finally arrives. The quintessential figure of doom is an immense behemoth, a force of nature whose sublime shadow conceals it from view even as its thundering steps reveal its impending advent. But here we lie in wait. Terrestrials delivers on its persistent promise by offering another transcendental promise of a future culmination. But the restraint they exert in their advance to the beautiful oasis at the center of "Eternal Return" suggests that, here, Sunn O))) and Ulver are more interested in the process as it happens through time, tracking the march of the sun across the heavens, marking each moment as it slips back into eternity.


    - Matthew Philips (Tiny Mix Tapes)

    1. Let There Be Light
    2. Western Horn
    3. Eternal Return
    Sunn O))) & Ulver
    $16.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • If You Wait If You Wait Quick View

    $24.99
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    If You Wait


    "Longing, loving, leaving: Those are the boundaries of the impeccable
    pop universe that London Grammar has built for itself."
    - The New York Times


    "A stylish debut that demonstrates both their immense
    talent and impressive instincts."
    - Pitchfork


    THE NEXT BIG THING. Such a label serves at once as a curse and a blessing, for messianic crowns come studded with thorns, and chalices emblazoned with this inscription are often tainted with poison. Custodians of the title can implode under the weight of expectation, or fail to bottle further the magic of that first hit single.


    Not so for English art-rock trio London Grammar. Hannah Reid, Dot Major and Dan Rothman have been careful to avoid the dangers of over-exposure in the nine months since first single "Hey Now" seared itself into the collective consciousness of the blogosphere, instead releasing work after work of gradually escalating beauty from the safety of the shadows.


    That was until Disclosure dropped their album Settle, at which point London Grammar vocalist Hannah Reid came to wider attention on sweeping album closer "Help Me Lose My Mind," where her spine-tingling soulful singing combined with the wash of swooning synths and downbeat 80's percussion. It will come as no surprise to fans of this track to learn that Reid's magnificent vocals are integral to London Grammar's sound, serving as the perfect accompaniment to the band's discreet production and minimalist instrumentation.


    The same words will be used ceaselessly to describe Reid's vocals in coming weeks - "haunting", "brooding", "ethereal". Yet none of these terms adequately conveys the way her voice melts and evolves to suit the temperament and melody of each song on If You Wait, flowing like molten gold on "Interlude", or acquiring the varied textures of a vast swathe of satin and silk on "Nightcall". Her vocal is always underscored by an enduring brittle beauty and an underlying otherworldliness, as if she honed her craft singing amidst the forests of Lothlórien, or some far-flung corner of Westeros.


    Though her voice may be otherworldly, the thematic concerns of the album are very much rooted in this world - youth's timeless preoccupation with finding not only love but the nature of ourselves. These soundscapes and the lyrics that populate them are characterised by broken hearts, fractured dreams and people falling in and out of love. Perhaps the most telling lyric of all is on "Wasting My Young Years", with the heart-breaking concession of "I've heard it takes some time to get it right".


    The album's first single and opening track "Hey Now" has lost none of its grandeur and remains as devastatingly beautiful as it did when released at the tail-end of 2012. It's the main track on If You Wait that justifies the comparisons with The XX - especially in terms of how the band forges the space and atmosphere from reverb-tinged percussion and Rothman's discreet, almost-spectral guitars. "Wasting My Young Years" further showcases how perfectly the band balance the interplay between Reid's vocal and the twinkling keys and subtle instrumentation that floats around it, allowing it to drive the song and dictate proceedings but never once to feel overbearing.


    Latest single "Strong" mirrors the intricately weaved threadwork of sounds and elaborately crafted sense of space showcased on the opening track, but utilises a more hypnotic vocal from Reid that manages to sound simultaneously heart-rending and inspiring. Elsewhere "Interlude" is as refined a paean to love and devotion as you will hear all year, matching dual melancholic piano lines and subtly building percussion to Reid's sublime wistful singing.


    There is not a single weak track, but amongst the many highlights is a spellbinding cover of French house artist Kavinsky's "Nightcall". There's a particularly gorgeous moment around the two-minute-thirty-second mark when the instrumentation is peeled away and, for a few seconds, you think the song will end - before Reid's dazzling vocal is re-introduced amidst a haze of swirling keys. It's nothing short of transcendent. Also, the flawless sequencing leads to an album that begs you to drink in its beauty by listening to it from beginning to end.


    This is an enthralling, stunning, deeply emotive album that perfectly marries understated electronica to sublime vocals and melodies. In a year dominated by titanic LPs, London Grammar have not only made the most perfectly formed debut album of the year - they've made one of the best LPs, period. [A-]


    - Benji Taylor (Pretty Much Amazing)

    1. Hey Now
    2. Stay Awake
    3. Shyer
    4.Wasting My Young Years
    5. Sights
    6. Strong
    7. Nightcall
    8. Metal & Dust
    9. Interlude (Live)
    10. Flickers
    11. If You Wait
    12. Maybe*
    13. High Life*
    14. Strong (US Radio Edit)*


    *US Bonus Track

    London Grammar
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Man Of The Woods Man Of The Woods Quick View

    $19.99
    Buy Now
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    Man Of The Woods

    Ten-time Grammy® winner and four-time Emmy® winner Justin Timberlake is set to release his fourth studio album, Man of the Woods via RCA Records.


    Man of the Woods marks Timberlake's most ambitious album to date, both sonically and lyrically. Combining the sounds of traditional American rock with the modern influences of collaborators The Neptunes, Timbaland, Chris Stapleton, and Alicia Keys, this new material explores storytelling inspired by his son, his wife, and his personal journey from Memphis to where he is today.


    Multi-talented actor and musician Justin Timberlake has sold over 32 million albums worldwide, sold out arenas all across the globe, received numerous awards and nominations and has wildly become one of the most highly respected entertainers in the business.


    All three of Timberlake's solo albums (Justified, FutureSex/LoveSounds and The 20/20 Experience) have received various platinum or multi-platinum certifications worldwide. In the US, Timberlake has received five #1 songs on the Billboard Hot 100 with seventeen being in the top ten as well as garnered the most Mainstream Top40 Top 10's among solo males in the chart's 25-year history (18 total).


    Most recently, Timberlake released the 4X platinum-selling song "CAN'T STOP THE FEELING!" from the film TROLLS which debuted #1 on the Billboard Hot 100, became the singer's first #1 debut on the chart and ultimately the best-selling US single for 2016. Additionally, it marked Timberlake's tenth Grammy Award® and garnered a nomination for an Academy Award® and Golden Globe Award®.


    A gifted actor, Timberlake has appeared in diverse films including ALPHA DOG, BLACK SNAKE MOAN and SHREK THE THIRD. He won strong reviews for his performance in Oscar®-nominated THE SOCIAL NETWORK. His other credits include BAD TEACHER, FRIENDS WITH BENEFITS, IN TIME, INSIDE LLEWYN DAVIS, RUNNER RUNNER, TROLLS and WONDER WHEEL. Timberlake has also won four Emmys for his appearances on "Saturday Night Live."

    1. Filthy
    2. Midnight Summer Jam

    3. Sauce
    4. Man of the Woods
    5. Higher, Higher

    6. Wave

    7. Supplies

    8. Morning Light (feat. Alicia Keys)
    9. Say Something (feat. Chris Stapleton)

    10. Hers (Interlude)

    11. Flannel

    12. Montana

    13. Breeze Off the Pond
    14. Livin' Off the Land

    15. The Hard Stuff

    16. Young Man
    Justin Timberlake
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
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