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Our YearIf Austin's happily egalitarian music scene suddenly switched to a monarchy, Bruce Robison
and Kelly Willis might have to learn to perform while balancing hefty crowns. The two
already reign as one of Americana music's coolest couples, and their latest release, Our Year,
elevates them closer to the lofty territory once occupied by beloved royals Johnny 'n' June
and George 'n' Tammy.
Working again in Nashville with producer Brad Jones (Cheater's Game), they delivered their
musical thoughts in 10 outstanding tracks, from formidable originals to well-honed covers
including a knockout version of the Tom T. Hall-penned "Harper Valley PTA." Jeannie C. Riley's 1968 hit sounds like a classic all over again in the hands of this pair - and the
chicken-pickin', mandolin-plucking, shaker-grooving players who back them on this tart tale.
The desire to capture that live dynamic - their "swampier, grittier side" - drove the
creation of Our Year, Willis says. Robison calls their style "a modern take on classic country
music, without being retro."1. Departing Louisiana
2. Motor City Man
4. Lonely for You
5. A Hangin' On
6. Shake Yourself Loose
7. Harper Valley PTA
8. Anywhere But Here
9. I'll Go To My Grave Loving You
10. This Will Be Our Year$19.99Vinyl LP + CD - Sealed Buy Now
Johnny Cash: Forever WordsJohnny Cash: Forever Words is a collaborative album consisting of 16 songs created from Johnny Cash's unknown poetry, lyrics, and letters set to music by an astounding array of contemporary artists including Chris Cornell, Ruston Kelly & Kacey Musgraves, Rosanne Cash, Alison Krauss & Union Station, Brad Paisley, Kris Kristofferson & Willie Nelson, John Mellencamp, Elvis Costello, and more.
For nearly 60 years, the words of Johnny Cash have reached across cultural, spiritual and ideological borders. He was not only a singer of great songs, but a teller of universal truths about justice, faith, love, and independence. It was in this spirit that Johnny Cash: Forever Words, was created.
Recorded primarily at The Cash Cabin Studio in Hendersonville, Tennessee and co-produced by John Carter Cash and Steve Berkowitz, Johnny Cash: Forever Words is also the musical companion to the best-selling Forever Words: The Unknown Poems, a volume of Cash's unpublished writing edited by Pulitzer Prize-winning poet Paul Muldoon.1. Forever / I Still Miss Someone - Kris Kristofferson & Willie Nelson
2. To June This Morning - Ruston Kelly and Kacey Musgraves
3. Gold All Over the Ground - Brad Paisley
4. You Never Knew My Mind - Chris Cornell
5. The Captain's Daughter - Alison Krauss and Union Station
6. Jellico Coal Man - T Bone Burnett
7. The Walking Wounded - Rosanne Cash
8. Them Double Blues - John Mellencamp
9. Body On Body - Jewel
10. I'll Still Love You - Elvis Costello
11. June's Sundown - Carlene Carter
12. He Bore It All - Dailey & Vincent
13. Chinky Pin Hill - I'm With Her
14. Goin', Goin', Gone - Robert Glasper feat. Ro James, and Anu Sun
15. What Would I Dreamer Do? - The Jayhawks
16. Spirit Rider - Jamey Johnson$24.99Vinyl LP - Sealed Buy Now
Alive At Brushy Mountain State PenitentiaryUntil it closed in 2009, Tennessee's Brushy Mountain State Penitentiary was one of the most notorious penal institutions in America. Located in mountainous Petros, it was a forbidding rockpile hewn out of the rough countryside by its own inmates in 1896.
On Oct. 17, 2001, Mark Collie came to Brushy Mountain with a sheaf of newly written songs about crime and punishment and an all-star band for a pair of performances that were recorded for a live album release. Mostly, though, Collie showed up at Brushy Mountain with a mission.
God gave me the opportunity to get in there and share something that might make a difference, he says. I believed the songs could matter. I wanted to make something that people could find hope in, or redemption, or restoration, or forgiveness.
His close friendship with country icon Johnny Cash supplied the principal inspiration for his own prison recording. Collie was well aware of Cash's celebrated 1968-69 live albums recorded at California's Folsom and San Quentin penitentiaries. He also knew the impact that a 1959 performance at the latter facility had on Inmate #A-45200, better known as the legendary country star Merle Haggard. Without Johnny going to San Quentin, Collie says, there might not have been a Merle Haggard. A lot of lives were changed or made better as a result of that music. Collie began writing his own cycle of prison songs.
A top-flight crew of musicians was assembled, including guitarist Dave Grissom (John Mellencamp, Joe Ely), keyboardist Mike Utley (Jimmy Buffett, the Dixie Flyers), guitarist-mandolinist Tommy Burroughs (Memphis Riverbluff Clan), Collie's longtime accordionist Hassel Tekkle, bassist Willie Weeks (the Rolling Stones, Eric Clapton, B.B. King), drummer Chad Cromwell (Neil Young, Mark Knopfler), and guitarist-fiddler-vocalist and solo star Shawn Camp. Austin-based critics darling Kelly Willis, who takes lead vocals on two tracks, also supplied backup vocals on several numbers; the late Texas blues giant Clarence Gatemouth Brown is the album's other special guest.
Alive at Brushy Mountain embraces a breadth of American styles - country, blues, gospel, bluegrass, and rock n roll. It largely comprises striking original material, which contemplates the convict's lot with compassion, keen detail, and sometimes boisterous humor.LP 1
1. One More Second Chance
2. I Could've Gone Right
3. Maybe Mexico
4. Heaven Bound (feat. Kelly Willis)
5. Got A Felling for Ya (feat. Kelly Willis)
6. On The Day I Die
7. Dead Man Runs Before He Walks (feat. Shawn Camp)
8. Rose Covered Garden
1. Why Me Lord (feat. Kelly Willis)
2. Do As I Say
3. Someday My Luck Will Change (feat. Clarence "Gatemouth" Brown)
4. Folsom Prison Blues
5. Reckless Companions
6. Gospel Train (feat. Brushy Mountain Prison Choir)$19.99Vinyl LP - 2 LPs Sealed Buy Now
The Wildest (Pure Pleasure)A tireless showman and an underrated musical talent, Louis Prima swung his way to icon status thanks to an irresistible, infectious sound whose appeal translated across generations. Nominally a swing artist, Prima's distinctive sound also encompassed New Orleans-style jazz, boogie-woogie, jump blues, R&B, early rock & roll, and even the occasional Italian tarantella. Regardless of what form his music took, it swung hard and fast, with a rolling, up-tempo shuffle beat. His greatest period of popularity coincided with his marriage to singer Keely Smith, whose coolly sophisticated vocals and detached stage manner made a perfect counterpoint to Prima's boisterous presence: mugging, clowning, and cavorting around the stage with the boundless enthusiasm of a hyperactive boy. Prima's band during this time was anchored by tenor saxophonist Sam Butera, whose grounding in jump blues and New Orleans R&B was a perfect match.
- Louis Prima (trumpet, vocal)
- Keely Smith (vocal)
- Sam Butera (tenor saxophone)
- James "Little Red" Blount (trombone)
- Willie McCumber (piano)
- Jack Marshall (guitar)
- Amado Rodrigues (bass)
- Bobby Morris (drums)
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Medley: Just A Gigolo/I Aint Got Nobody
2. (Nothings Too Good) For My Baby
3. The Lip
4. Body And Soul
5. Oh Marie
6. Medley: Basin Street Blues/ When Its Sleepy Time Down South
7. Jump, Jive And Wail
8. Buona Sera
9. Night Train
10. (Ill Be Glad When Youre Dead) You Rascal You$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
So You Wannabe An OutlawSo You Wannabe an Outlaw, Earle's first album for Warner Bros. Records since 1997's El Corazón, explores his country songwriting roots and features collaborations with Willie Nelson, Johnny Bush, and Miranda Lambert.
"There's nothing 'retro' about this record," Earle says. "I'm just acknowledging where I'm coming from." So You Wannabe an Outlaw is the first recording he has made in Austin, TX. Earle has lived in New York City for the past decade. "Look, I'm always gonna be a Texan, no matter what I do," he says. "And I'm always going to be somebody who learned their craft in Nashville. It's who I am."
So You Wannabe an Outlaw is an homage to outlaw music and is dedicated to the late Waylon Jennings. "I was out to unapologetically 'channel' Waylon as best as I could," Earle says. "This record was all about me playing' on the back pick-up of a '66 Fender Telecaster on an entire record for the first time in my life. The vocal part of it is a little different. I certainly don't sound like Waylon Jennings. I moved to Nashville in November of 1974, and right after that Willie Nelson's Red Headed Stranger came out. I was around when Waylon was recording Dreaming My Dreams. Guitar Town (Earle's 1986 chart-topping, Grammy Award-winning debut album) wound up being kind of my version of those types of songs," Earle recalls.
Earle is backed on So You Wannabe an Outlaw by his long-time band The Dukes - guitarist Chris Masterson, fiddle player Eleanor Whitmore, bassist Kelly Looney, and new members drummer Brad Pemberton and pedal steel player Ricky Ray Jackson. The album was produced by Richard Bennett and recorded at Arlyn Studios in Austin.LP 1
1. So You Wannabe an Outlaw
2. Lookin' for a Woman
3. The Firebreak Line
4. News from Colorado
5. If Mama Coulda Seen Me
6. Fixin' to Die
7. This Is How It Ends
8. The Girl on the Mountain
1. You Broke My Heart
2. Walkin' in LA
3. Sunset Highway
4. Goodbye Michelangelo
5. Ain't No God in Mexico
6. Sister's Coming Home / Down at the Corner Beer Joint
7. Local Memory
8. Are You Sure Hank Done It This Way$26.99Vinyl LP - 2 LPs Sealed Buy Now