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Free Yourself UpLake Street Dive's Free Yourself Up is, in many ways, the band's most intimate and collaborative record. The band worked as a tightly knit unit to craft the ten songs on Free Yourself Up and self-produced the album in Nashville with engineer Dan Knobler. Free Yourself Up is about empowering yourself, emboldening yourself, says the band, no matter what's going wrong.1. Baby Don't Leave Me Alone With My Thoughts
2. Good Kisser
3. Shame, Shame, Shame
4. I Can Change
6. Red Light Kisses
7. Doesn't Even Matter Now
8. You Are Free
9. Musta Been Something
10. Hang On$20.99Vinyl LP - Sealed Buy Now
Side PonyLake Street Dive announce their Nonesuch Records debut album, Side Pony. The four band members-drummer Michael Calabrese, bassist Bridget Kearney, singer Rachael Price, and guitarist/trumpeter Michael McDuck Olson-worked with Nashville-based producer Dave Cobb (Sturgill Simpson, Chris Stapleton, Secret Sisters) on the record.
Side Pony takes its name from a song on the record that refers to a whimsical hairstyle, but it also serves as a metaphor for Lake Street Dive's philosophy and personality as a band. As Kearney puts it, When we were settling on the album title, that one just stuck out to us as embodying the band's spirit. We've always been this somewhat uncategorizable, weird, outlying, genre-less band. That's the statement we wanted to make with this record: be yourself.
Olson echoes her sentiment: It has also come to mean anything you're doing for the sheer joy of it. We have always 'rocked our side pony.' Now we have a convenient phrase for it.
Cobb's working method was to keep the recording fast and loose, as live-in-the-studio as possible, and to embrace the unorthodox. This provided Lake Street Dive with a welcome challenge: an opportunity to experiment with sound and arrangements and to collaborate on songwriting in a way the band had never attempted before.
Calabrese says of the recording process, Dave's process was mercurial, changing direction quickly, going from 'we don't have anything' to 'we've got it!' He continues, We weren't always so sure. But then we'd listen to a comp and we'd agree that he'd heard something we hadn't.
Price adds, It was great to see, through this particular recording process, how beautifully our individual strengths complement each other.1. Godawful Things
2. Close to Me
3. Call Off Your Dogs
4. Spectacular Failure
5. I Don't Care About You
6. So Long
7. How Good It Feels
8. Side Pony
9. Hell Yeah
11. Can't Stop
12. Saving All My Sinning$20.99Vinyl LP - Sealed Buy Now
The Shipwreck From The ShoreAnthony D'Amato releases his forthcoming album, 'The Shipwreck From The Shore," a riveting 10-track collection. The NYC-based songwriter is growing from his early homespun self-recorded solo acoustic work to a more ambitious, full-band sound. The album was recorded at The Great North Sound Society, an 18th Century farmhouse-turned-studio deep in the woods of Maine, and features Matt McCaughan of Bon Iver on drums, Brad Cook of Megafun on bass, and producer/keyboardist Sam Kassirer's (Josh Ritter, Lake Street Dive, Langhorne Slim) rich production. D'Amato's songs are self-mined, wailing tales of moving past life's dramas bolstered by waves of drums and guitars.1. Was A Time
2. Back Back Back
3. Good and Ready
5. Hard To Say
6. If It Don't Work Out
7. Middle Ground
8. No Not Tonight
9. Cold Comfort
10. Calico, Alone$18.99Vinyl LP - Sealed Buy Now
Holidays Rule Vol. 2Holidays Rule Volume 2, a joyful and diverse collection of seasonal music featuring an array of convivial contributions from across the musical spectrum, is set for release via Capitol Records.
The set is a sequel to the popular 2012 collection, and features 16 new recordings by beloved artists including Norah Jones, Grace Potter, Rosanne Cash, The Decemberists, and Lake Street Dive, alongside up and coming artists such as Barns Courtney, Albin Lee Meldau, Calum Scott, Kandace Springs, and Vera Blue. The album delves into an unusually rich assemblage of Pop, R&B, Rock, Americana, Jazz, Mariachi, and more.
Holidays Rule Volume 2 lets today's artists put their own mark on tradition by offering wonderfully fresh takes on holiday chestnuts old and new (Barns Courtney and Lennon Stella remake 'Baby, It's Cold Outside'; Judah & The Lion reinvents 'The Christmas Song'; Albin Lee Meldau delivers a soulful version of Mariah Carey's 'All I Want For Christmas Is You'), reframing songs for the holiday season (The Decemberists cover Big Star's 'Jesus Christ'; Norah Jones covers Horace Silver's 'Peace'; MUNA covers McCartney's 'Pipes of Peace'), unearthing rarities (Kandace Springs delivers a glistening new version of '(Everybody's Waitin' For) The Man With The Bag'; Rosanne Cash dusts off Louis Jordan's 'May Ev'ry Day Be Christmas'; Lake Street Dive offers up the cheeky novelty song 'I Want A Hippopotamus For Christmas'), and contributing new songs to the seasonal repertoire (Grace Potter's original song 'Christmas Moon').1. Paul McCartney, Jimmy Fallon and The Roots - Wonderful Christmastime
2. Barns Courtney Feat. Lennon Stella - Baby, It's Cold Outside
3. Albin Lee Meldau - All I Want For Christmas Is You
4. Calum Scott - It's Beginning To Look Like Christmas
5. Kandace Springs - (Everybody's Waitin For) The Man With The Bag
6. Norah Jones - Peace (Live at the Sheen Center)
7. Grace Potter - Christmas Moon
8. Rosanne Cash - May Ev'ry Day Be Christmas
9. Judah & The Lion - The Christmas Song (Chestnuts Roasting On An Open Fire)
10. The Decemberists - Jesus Christ
11. Lake Street Dive - I Want A Hippopotamus For Christmas
12. Flor De Toloache - That's What I Want For Christmas
13. Vera Blue - A Winter Romance
14. MUNA - Pipes of Peace
15. US Girls - Blue Christmas
16. Andrew McMahon - What Are You Doing New Year's Eve$19.99Vinyl LP - Sealed Buy Now
Won't Let You DownIn the 12 years she has toured the world as a member of the soul-pop sensation Lake Street Dive, Bridget Kearney has fine-tuned many things -- voracious collaborating, acclaimed bass playing, and harmonizing to name a few. But the skill she has honed most obsessively is songwriting. While still a student at The New England Conservatory of Music, Kearney won the grand prize in the John Lennon Songwriting Contest, a harbinger of things to come. Now, Kearney steps into the spotlight with her first solo effort, a wry, bighearted pop album entitled Won't Let You Down. The record, like its title, promises not to disappoint. Shades of The Beatles, Wilco, Fleetwood Mac and even Nick Cave can be detected, as the album swerves from '60s pop to modern indie-rock.1. Won't Let You Down
2. What Happened Today
4. Wash Up
5. Who Are We Kidding
6. Living in a Cave
7. Love Doctor
8. Nothing Does It
10. So Long$17.99Vinyl LP - Sealed Buy Now
We're Not Going AnywhereAustin-based songwriter David Ramirez will release We're Not Going Anywhere, the follow up to his 2015 breakthrough record Fables and second in partnership with Thirty Tigers.
Most times, when a relationship ends, there is a season of mourning but then the clouds part, the sun rises, and we move on. What happens if and when the sun doesn't rise? What happens if, no matter how hard we try, we can't move on? Ramirez explained about the song.
On the 10 vividly imagined and passionately performed songs on We're Not Going Anywhere David Ramirez takes in the world from his unique perspective: Being half white and half Mexican has made this current political climate especially interesting. So many cultures in this country are being viewed as un-American and it breaks my heart. My family have raised children here, created successful businesses here, and are proud to be a part of this country. Most of what I've seen as of late is misplaced fear. I wanted to write about that fear and how, instead of benefiting us, it sends us spiraling out control.
For We're Not Going Anywhere, Ramirez partnered with producer Sam Kassirer, who has helmed albums by Josh Ritter, Lake Street Dive, Bhi Bhiman, and many other artists. In January 2017 Ramirez and his band decamped to the Great North Sound Society, an eighteenth-century farmhouse in rural Maine that serves as Kassirer's studio.
It's very secluded, which was part of the appeal. We were able to get out of our touring headspace and stay completely involved with the record and what we were doing, explains Ramirez.
We're Not Going Anywhere turns that distance into a big-picture perspective- engaged and informed, compassionately political but not necessarily partisan. We'd take breaks during the day and watch the news and see all the rallies and marches and the disruption and the out-of-control feeling that was everywhere then-and, frankly, still is now. We were looking around and no one was around us. The closest house was a mile away, so it was just us. We were grateful just to retreat from that social tornado for a while and create something that we hoped would be very beautiful.1. Twins
2. Watching From A Distance
3. People Call Who They Wanna Talk To
5. Good Heart
6. Stone Age
7. Telephone Lovers
9. Eliza Jane
10. I'm Not Going Anywhere$18.99Vinyl LP - Sealed Buy Now
Throw Me In The RiverThrow Me in the River, the soon to be released third LP from
Melbourne, Australia's The Smith Street Band is multidimensional. Full
of their trademark earnest storytelling, the album is a virtual passport
to their global rise, with songs written while on tour in Winnipeg, Salt
Lake City, Calgary, London, New York, and North Melbourne. Less
than a year earlier, the band released a career defying 5-track EP
entitled Don't Fuck With Our Dreams. The single was added to radio
and launched with a 10-date Australian headline tour supported by
US acts Joyce Manor and Cheap Girls. The band graced magazine
covers, sold-out venues across Australia, signed international recording
deals and toured the UK, Europe, and the USA, including a
40-date tour with Frank Turner.1. Something I Can Hold In My Hands
3. Surrey Dive
4. Calgary Girls
5. East London Summer
6. The Arrogance of the Drunk Pedestrian
7. Get High, See No One
8. I Don't Wanna Die Anymore
9. It's Alright, I Understand
10. Throw Me in the River
11. I Love Life$17.99Colored Vinyl LP - Sealed Buy Now
Hug Of Thunder"I don't want to go out there being presumptuous," Kevin Drew says, "because, I've worn those presumptuous shoes before, and you don't want it to feel like, 'Oh, what a let-down.'" That's the fear when you bring back one of music's most beloved names seven years after their last album. But with Hug of Thunder, the fifth Broken Social Scene album, Drew and his bandmates have a right to feel presumptuous.
They have that right because they have created one of 2017's most sparkling, multi-faceted albums. On Hug of Thunder the 15 members of Broken Social Scene - well, the 15 who play on the record, including returnees Leslie Feist and Emily Haines - refract their varying emotions, methods, and techniques into something that doesn't just equal their other albums, but surpasses them. It is righteous but warm, angry but loving, melodic but uncompromising. The title track on its own might just be the best thing you will hear all year - a song that will become as beloved as "Anthems For a Seventeen-Year-Old Girl" from their breakthrough album, You Forgot It In People.
Its title, Drew says, captured what he wanted people to feel about the group's comeback, and how they sound playing together again: "It's just such a wonderful sentiment about us, coming in like a hug of thunder."
Broken Social Scene had reconvened, in varying forms, several times over the past four years - the odd festival show here and there, preferably ones that involved the least possible traveling. But the idea that they might turn their hand to something more than greatest-hits sets had been stirring since November 2014, when producer Joe Chiccarelli told Drew the group needed to make a new album.
"He started showing up at our label, asking if we were going to make an album," Drew recalls. "He just didn't give up; he just kept saying, 'You've got to strike, you've got to do this, the time is now,' and so finally we agreed."
As might be expected to be the case with a many-headed hydra of a group, getting all the principals to agree wasn't easy. Drew's co-founder Brendan Canning was keen, but Drew and fellow BSS lifer Charles Spearin took more persuading. A turning point for Drew came with the Paris terror attacks of November 2015, which made him feel the world needed an injection of positivity: "It just sort of made us want to go out there and play. Because I think we've always been a band that's been a celebration."
Canning picks up the story: "By autumn of 2015 we had started getting together and trying some ideas out, just getting back in that jam space, in Charles' garage. Then we set up shop in my living room and we were starting to come together in a very familiar kind of way, jamming in the living room, eating meals in the kitchen together, because that's what the band is about: 'Hey, let's all get on the same page and get the energies flowing in the same direction.'"
Recording finally began in April 2016 at The Bathouse studio on the shores of Lake Ontario, with later sessions in Toronto and Montreal, before the group went right back to basics. "It was very beautiful the way that it ended in Charlie's little rehearsal garage space," Drew says, "after going to all these studios. We just worked there, doing backup vocals and handclaps and all the shit we used to do when we were younger." And then it was to Los Angeles, where the album was mixed.
The result is a panoramic, expansive album, 53 minutes that manages to be both epic and intimate. In troubled times it offers a serotonin rush of positivity: "Stay Happy" lives up to its title, with huge surges of brass that sound like sunshine bursting through clouds. "Gonna Get Better" makes a promise that the album is determined to deliver. That's not to say it's an escapist record: Broken Social Scene is completely engaged, wholly focussed, and not ignoring the darkness that lurks outside. But there is no hectoring, no lecturing, but a recognition of the confusion and ambiguity of the world. As the title track closes with Leslie Feist murmuring "There was a military base across the street," the listener is caught in the division between the national security provided by national defense, and the menace of the same thing.
The gestation of Hug of Thunder was no idyll. When You Forgot It in People made their name, Broken Social Scene were young men and women. Fifteen years on, they were adults in or on the cusp of middle age, and - as Drew puts it - "all the adult problems in the world were happening around us individually, whether it was divorce or cancer". Three members of the band lost their fathers while the album was being recorded, "and it seemed like the days of going in the studio, getting stoned, drinking five beers and saying, 'Who gives a fuck?' were over".
Then there's the fact of the size of the ensemble, and the number of competing voices. "You don't always get the final say with Broken Social Scene," Canning says, with a certain degree of understatement. He compares the process of getting everyone to agree on a song to party politics: "It's like you're trying to get a bill passed through the House - you have to be really committed to wanting to win."
But, still, if they were to return, it had to be with everybody, no matter if that meant things might get unwieldy. "I'd like to believe that Broken Social Scene can be whatever it can be," Canning says, "but I think the fact we'd gone away for so long meant we really, we really couldn't have done the same thing without everyone involved, you know?" The story of Broken Social Scene, he insists, was built on the involvement of everyone, and so if the story was to be continued, those same people had to return.
"The thing that has changed is that the relationships between us are established," Drew suggests. "And in a family, you ebb and flow and you come and you go and you're in love and then you're annoyed - but it's established now, the relationships aren't going anywhere, you know? And I think through time, because we've been through so much together, personally and professionally, when we're all on stage, everybody knows what they're doing, everybody has a melody to back up someone else, you feel supported, you're a crew, there's nothing but protection all around you."
Canning picks up the theme: "Before we were making this record, I said to everyone: 'We all basically want the same thing, we might just have slightly different roadmaps on how to get there. So how do we stray off on certain country roads but get back onto the main thoroughfare?'"
That Broken Social Scene was a family again, driving along the same main road, became apparent to UK fans in September 2016, when the group - with Ariel Engle the latest woman to assume the role of co-lead vocalist - came over for less than a handful of festival shows, to test the waters. Their Sunday teatime appearance at End Of The Road - an ecstatic hour of maximalist music, physically and emotionally overwhelming - ended up being one of the biggest hits of the festival. It achieved what Drew has always felt music needed to do: it created transcendence, a pocket of time where everyone present was living only in the moment.
"My 11-year-old nephew asked me, 'Uncle Kev, why do adults get drunk?' and I looked at him and thought, 'OK, brilliant question, I'm going to give a brilliant answer,'" Drew recalls. "And I looked at him for about 10 seconds and I said, 'Because they want to feel like you. Because they want to feel like a kid again, they want to forget everything, they want to be innocent.' We are built in a way now where you can't do that because you're walking around with the anti-transcendence box in your pocket, and in your hand, and in your home, and on your bedside table: it's the anti-transcendence. It's called your phone! And we're getting killed, we're getting killed!"
So what do Broken Social Scene want listeners to take from Hug of Thunder? Canning wants it to make them "pause for the cause and maybe just leave things in your life alone for 53 minutes". For Drew, it's about what it's always been about: making the connection. "I just hope they understand that there's others out there, that they're not alone," he says. "I know that's silly! But you'd be surprised how many times I've had to tell people, 'Hey, you're not alone on this, you're not alone thinking these things.' I mean, with the title Hug of Thunder, I want to hold people. I want to fucking hold them. And when we do shows, I'm not: 'Look at me, I'm elevated up on the stage,' It's: 'We're here with you, this is us together.' Broken Social Scene is about the people, and it's always been about the people."1. Sol Luna
2. Halfway Home
3. Protest Song
5. Stay Happy
6. Vanity Pail Kids
7. Hug of Thunder
8. Towers and Masons
9. Victim Lover
10. Please Take Me With You
11. Gonna Get Better
12. Mouth Guards of the Apocalypse$25.99Vinyl LP - Sealed Buy Now
Bad Self Portraits (Out Of Stock)Bad Self Portraits, taking its cues from the social media "selfie" phenomena, is a startling record, one that shows the group tightening up its songwriting chops and presenting a much more unified statement, front to back. Lead singer Rachael Price sounds as disaffected a woman scorned as ever, and, though she throws some of the vocal leads to her male counterparts, particularly on the song "Seventeen", she's still as commanding (and, as someone else in Review Land has noted, LOUD) a presence as ever. But Bad Self Portraits is notable for dialing down some of the jazziness of their previous full length - you have to get a few tracks in before you hear the group's distinctive horns and Bridget Kearney's thick thunk-a-thunka stand-up bass lines don't really get a chance to shine until third track "Better Than". Bad Self Portraits, then, is a much more streamlined and rockist affair. Even though it doesn't reach the same heights, in terms of bowling you off your feet and knocking you over with infectiousness, as Lake Street Dive did, it is still an excellent record, and one that sees the group emerging as much more mature and self-confident. Bad Self Portraits shucks the adage that anything released in the depths of winter is dross.
What makes Bad Self Portraits particularly astonishing is that it naturally follows from previous releases in a logical progression. While the Fun Machine EP seemed at the time to be merely a stop-gap release meant to tide fans over to this slightly more than three year wait between proper albums (Lake Street Dive was released at the end of 2010), it now makes a great deal more sense in terms of providing a direction for the group. When the band covered Hall & Oates' "Rich Girl" on that affair, it was merely a means of setting up the grandiose statement of the infectious piano led "Rabid Animal", which is probably my favourite thing on the record although it is, alas, the briefest at two minutes and change. Still, that shouldn't sell the rest of the album short. The gorgeous rock number "Stop Your Crying" (no, not a cover of the Pretenders' "Stop Your Sobbing" or a certain Bob Mould song from Black Sheets of Rain) is insanely propulsive and invites you to clap along. The countrified "You Go Down Smooth", the song the band performed on Colbert, rambles and careens in equal measure. It is, to quote the lyrics sheet, a "special treat". "Better Than", with its seeming time signature shifts in certain measures, shows the band's willingness to experiment with off-kilter sounds. And when Price sings "I have lived a privileged life, but I have seen my share of strife", on "What About Me", you feel it; right in the gut.
What makes Lake Street Dive so special is that, even though the band members are talented individuals in their own right, they are able to interplay and lock together to form a solid backbone to their music. Price, in particular, isn't even 30 years old yet and has the razor sharp wit and wisdom of a woman a decade ahead of her. It's impressive that the band can sound as tight as they do, as Kearney moonlights in other outfits (Joy Kills Sorrow, Cuddle Magic). If anything, Bad Self Portraits is another outstanding release from a really crucial and important group who is on the cusp of shedding its relative anonymity for bigger and better stages. While I doubt Lake Street Dive is ever going to headline stadium tours, their years of playing scuzzy bars (which impacted their selection of name) is clearly well, well behind them. Bad Self Portraits is an awesome addition to the band's catalogue, and I cannot be effusive enough in my love for this group, self-deprecation be damned, that can make you feel so wonderful to be alive and breathing. Lake Street Dive has that kind of effect on listeners, and it's blistering.
- Zachary Houle (Pop Matters)1. Bad Self Portraits
2. Stop Your Crying
3. Better Than
4. Rabid Animal
5. You Go Down Smooth
6. Use Me Up
7. Bobby Tanqueray
8. Just Ask
10. What About Me
11. Rental Love$17.99Vinyl LP - Sealed Temporarily out of stock
Lake Street Dive/Fun Machine (Out Of Stock)How is it that something so unlikely can also be so infectious, so naturally exhilarating? Pulling in familiar elements and irreverently scrambling and recombining them, Lake Street Dive are at once
jazz-schooled, DIY-motivated, and classically pop obsessed. Beginning with catchy songs that are by turns openhearted and wryly inquisitive, this northeastern quartet proceeds to inject them
with an irresistible blend of abandon and precision. Composed of drummer Mike Calabrese, bassist Bridget Kearney, vocalist Rachael Price, and trumpet-wielding guitarist Mike "McDuck" Olson, Lake Street Dive encompasses a myriad of possibilities within its members' collective experiences, and the resultant music is a vivid, largely acoustic, groove-driven strain of indie-pop. "It seems the
only limitation we have," Kearney explains, " is that we try to make music that we would like listening to."
Here is a special double-LP set which brings both Lake Street Dive releases to the world of vinyl. This specially priced package includes the album Lake Street Dive, the EP Fun Machine and a bonus track. It also includes the band's YouTube smash rendition of "I Want You Back".1. Hello? Goodbye!
2. Don't Make Me Hold Your Hand
4. My Heart's In The Right Place
5. I Don't Really See You Anymore
6. Miss Disregard
8. Funny Not To Care
9. Neighbor Song
10. Got Me Fooled
11. We All Love The Same Songs
12. Don't Make Me Hold Your Hand (Reprise)
13. My Speed
14. Neighbor Song (Reprise)
16. Clear A Space
17. I Want You Back
18. Rich Girl
19. This Magic Moment
20. Let Me Roll It$19.99Vinyl LP - 2 LPs Sealed Temporarily out of stock
Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock)A one-night-only concert was held at New York City's Town Hall last fall, to celebrate the music of the Coen brothers film Inside Llewyn Davis. The evening was filmed for a documentary that was broadcast by Showtime last winter, and now Nonesuch Records releases a live recording of the concert, Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis,"on January 13, 2015. The concert, documentary, and live album were produced by Inside Llewyn Davis writer/director/producers Joel and Ethan Coen and soundtrack producer T Bone Burnett. (Nonesuch also released the film's soundtrack.)
As Burnett explains, "Inside Llewyn Davis was filled with live performances of some of the folk songs that had survived the McCarthy hearings. Some of the songs were a hundred years old; some had just been written but sounded a hundred years old. In order to get attention for a film that was not exactly on the beat we decided to throw a concert featuring the actors and musicians who had performed in the movie and on the soundtrack. We also invited members of the extraordinary community of musicians who have coalesced around this old music-and have kept it alive in the wake of the most recent technological revolution-to join us that night. We asked them to perform an old song and one of their new songs.
He continues, "Several new stars emerged from their performances that evening-The Secret Sisters, Lake Street Dive, The Milk Carton Kids, Rhiannon Giddens, and Punch Brothers all proved themselves as good as the best as they took the stage next to Hall of Famers Joan Baez and Elvis Costello, and established younger artists like The Avett Brothers, Colin Meloy, Marcus Mumford, Conor Oberst, Willie Watson, Gillian Welch, and Jack White." In fact, T Bone Burnett has since produced albums by both Punch Brothers and Rhiannon Giddens, which will be released shortly after Another Day, Another Time.
Huffington Post called Another Day, Another Time "one of those only-in-New-York events," while Rolling Stone said it was "a bustling salute to the sounds and the idea of Sixties folk music," and continued, "For all the formality of the night, which was exceedingly well-paced and organized, the concert recalled a time when one or two people, bearing one or two unplugged instruments, could be as enthralling as the greatest rock or EDM track."1. Tumbling Tumbleweeds - Punch Brothers
2. Rye Whiskey - Punch Brothers
3. Will the Circle Be Unbroken - Punch Brothers, Gillian Welch, Dave Rawlings
4. The Way It Goes - Gillian Welch & Dave Rawlings
5. The Midnight Special - Gillian Welch, Dave Rawlings, Willie Watson
6. I Hear Them All/This Land Is Your Land - Gillian Welch, Dave Rawlings, Willie Watson
7. New York - The Milk Carton Kids
8. Tomorrow Will Be Kinder - Secret Sisters & Punch Brothers
9. You Go Down Smooth - Lake Street Dive
10. Please Mr. Kennedy - Elvis Costello, Oscar Isaac, Adam Driver
11. Four Strong Winds - Conor Oberst, Gillian Welch, Dave Rawlings
12. Man Named Truth - Conor Oberst, Gillian Welch, Dave Rawlings
13. Blues Run the Game - Colin Meloy
14. Joe Hill - Colin Meloy, Gillian Welch, Joan Baez
15. All My Mistakes - The Avett Brothers
16. That's How I Got to Memphis - The Avett Brothers
17. Head Full of Doubt/Road Full of Promise - The Avett Brothers
18. Mama's Angel Child - Jack White
19. Did You Hear John Hurt? - Jack White
20. We're Going to Be Friends - Jack White
21. Waterboy - Rhiannon Giddens
22. 'S iomadh rud tha dhìth orm / Ciamar a nì mi 'n dannsa dìreach - Rhiannon Giddens
23. Hang Me, Oh Hang Me - Oscar Isaac, Punch Brothers, Secret Sisters
24. Green, Green Rocky Road - Oscar Isaac
25. Tomorrow Is a Long Time - Keb Mo
26. Rock Salt & Nails - Bob Neuwirth
27. The Auld Trianole - Punch Brothers & Marcus Mumford
28. Didn't Leave Nobody but the Baby - Carey Mulligan, Gillian Welch, Rhiannon Giddens
29. Which Side Are You On? - Elvis Costello, Joan Baez, Chris Thile
30. House of the Rising Sun - Joan Baez, Dirk Powell, Marcus Mumford
31. I Was Young When I Left Home - Marcus Mumford
32. Fare Thee Well (Dink's Song) - Marcus Mumford, Oscar Isaac, Punch Brothers
33. Farewell - Marcus Mumford & Punch Brothers$44.99Vinyl LP - 3 LPs Sealed Temporarily out of stock