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American Epic: The Best of Lead BellyLouisiana delta native Huddie "Lead Belly" Ledbetter is the master of twelve-string blues guitar. His story is one of high-highs and low-lows, from serving stints in prison after killing a man in a fight for a woman's heart, but then eventually earning early release by entertaining his fellow prison-mates and penning a song for the governor, thus cementing his reputation of singing his way out of prison. Folklorists John and Alan Lomax were early supporters that brought Lead Belly to the attention of Ivy Leaguers as well as a European audience. His songs have been widely covered by artists such as Elvis, Nirvana, Johnny Cash, and the Grateful Dead.
Single LP with single pocket tip-on jacket with soft touch finish.1. Mr. Tom Hughes' Town
2. C. C. Rider
3. You Can't Lose Me, Charlie
4. Kansas City Papa
5. Death Letter Blues, Part 1
6. Death Letter Blues, Part 2
7. Fort Worth and Dallas Blues
8. Bull Cow
9. Ox Drivin' Blues
10. Shorty George
11. You Don't Know My Mind
12. Matchbox Blues
13. My Baby Quit Me
14. Baby Don't You Love Me No More$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Shine A Light: Field Recordings From The Great American RailroadIn March 2016, singers Billy Bragg and Joe Henry, guitars in hand, boarded a Los Angeles bound train at Chicago's Union Station with the hope of reconnecting with the culture of American railroad travel and the songs it inspired. Winding along 2,728 miles of track, the pair recorded songs while the train paused to pick up passengers. In waiting rooms and at the track side in St. Louis, Fort Worth, San Antonio, Alpine, El Paso and Tucson, they set up their recording equipment, performing classic railroad songs while keeping one eye on the train, bounding back aboard just before pulling out for the next town. After four days crossing the country, they pulled into Los Angeles at 4:30am, recording their final song in Union Station at dawn, just as the first birds began to sing.
The resulting album Shine A Light: Field Recordings From The Great American Railroad takes listeners along on that journey and will be released September 23 on Cooking Vinyl Records. The album features the perfectly matched voices of Bragg & Henry and captures the varied atmospheres and environments in which they recorded-from the close proximity of soft furnished sleeping cars to cathedral-like ambience of waiting halls built to hold thousands of passengers. Containing thirteen songs originally recorded by legendary singers such as Lead Belly, Hank Williams, Jimmie Rodgers and more, the album reveals an often forgotten but integral part of America's musical heritage.1. Rock Island Line - Traditional (Recorded by Lead Belly, Lonnie Donegan)
2. The L&N Don't Stop Here Anymore - Jean Ritchie
3. The Midnight Special - Traditional (Lead Belly)
4. Railroad Bill - Traditional (Riley Puckett)
5. Lonesome Whistle - Hank Williams
6. KC Moan - Traditional (The Memphis Jug Band)
7. Waiting For A Train - Jimmie Rodgers
8. In The Pines - Traditional (Lead Belly, The Louvin Brothers)
9. Gentle On My Mind - John Hartford (Glenn Campbell, Aretha Franklin)
10. Hobo's Lullaby - Goebel Reeves (Woody Guthrie)
11. Railroading On The Great Divide - Sara Carter (The Carter Family)
12. John Henry - Traditional (Doc Watson)
13. Early Morning Rain - Gordon Lightfoot$20.99Vinyl LP - Sealed Buy Now
Live in San FranciscoIncludes The Complete Album On Two 140-Gram LPs With A CD In The Sleeve
Nonesuch / Perro Verde Records release Ry Cooder's first live record in more than 35 years, Live in San Francisco. Recorded in 2011 during a special two-night engagement at San Francisco's Great American Music Hall, the album includes 12 songs and was produced by Cooder.
The Corridos Famosos band includes Joachim Cooder on drums; Robert Francis on bass; vocalists Terry Evans, Arnold McCuller, and Juliette Commagere; Flaco Jimenez on accordion; and the ten-piece Mexican brass band La Banda Juvenil.
Live in San Francisco includes original songs and interpretations of other material ranging across Cooder's entire career, from classics like "Boomer's Story" and "Dark End of the Street" to more recent originals such as "Lord Tell Me Why" and "El Corrido de Jesse James," with a detour for Sam the Sham and the Pharaohs' "Wooly Bully" and Lead Belly's "Goodnight Irene. Cooder's only previous live album was the 1977 release Show Time, on which Evans and Jimenez were also featured. Show Time was also recorded at San Francisco's Great American Music Hall.
- Produced by Ry Cooder
- Recorded August 31 & September 1, 2011 at The Great American Music Hall, San Francisco
- Recorded by Martin Pradler
- Mixed and mastered by Martin Pradler at Wireland Studios, Chatsworth, CA1. Crazy 'Bout an Automobile (Every Woman I Know) (Billy "The Kid" Emerson)
2. Why Don't You Try Me (Billy Young)
3. Boomer's Story (Traditional / Carson Robison)
4. Lord Tell Me Why (Ry Cooder)
5. Do Re Mi (Woody Guthrie)
6. School Is Out (Gene Barge & Gary Anderson)
7. The Dark End of the Street (Chips Moman & Dan Penn)
8. El Corrido de Jesse James (Ry Cooder)
9. Wooly Bully (Domingo Samudio)
10. Volver Volver (Fernando Maldonado)
11. Vigilante Man (Woody Guthrie)
12. Goodnight Irene (Huddie Ledbetter & John Lomax)$34.99140 Gram Audiophile Virgin Vinyl LP + CD - 2 LPs Sealed Buy Now
Lost Time"Lost time is not found again." This ancient idiom is at the heart of brothers Dave Alvin and Phil Alvin's long, tumultuous relationship. However, in Dave's own words, "Some-times Fate, or God or the Universe, gives you a rare chance to prove an old saying is wrong."
The brothers' new album, appropriately titled Lost Time, does just that. Over Lost Time's twelve tracks, Dave and Phil pay homage to a number of artists and songs that had an early, formative influence, in Dave's words "the masters of the Blues, the most transcendental form of American music." Everyone from Lead Belly to James Brown is represented, but the figure who looms largest on the album, and in the brothers' own musical journey, is Big Joe Turner.1. Mister Kicks
2. World's In a Bad Condition
3. Cherry Red Blues
4. Rattlesnakin' Daddy
5. Hide and Seek
6. Papas On The House Top
7. In New Orleans (Rising Sun Blues)
8. Please Please Please
9. Sit Down Baby
10. Wee Baby Blues
11. Feeling Happy
12. If You See My Savior$19.99Vinyl LP - Sealed Buy Now
ALIVE In AmsterdamOn November 28th 2015, Walter Trout took the stage at Amsterdam's Opulent Royal Theater Carre for a captivating live performance that showcased the blues-rock legend at full-throttle. With songs pulled from every era of his five-decade career, the 'ALIVE In Amsterdam' set is potent, From the stinging Luther Allison cover "I'm Back," to the plaintive B.B. King tribute "Say Goodbye To The Blues," which builds from neck-tingling guitar swells to a stunning virtuoso climax. 'Battle Scars' is well-represented by the harmony-bolstered rocker "Almost Gone" and the raucous "Tomorrow Seems So Far Away," while Trout is joined by his son Jon for "Rock Me Baby," and even finds time for a fistful of fan favorites, including "The Love That We Once Knew" and "Marie's Mood."
'ALIVE In Amsterdam' is the sound of a man announcing his resurrection after a period on the ropes. As Trout's army of international fans are painfully aware, recent times have taken the bandleader to the brink, hollowing a bleak diagnosis of life-threatening liver failure and hepatitis C in 2013. Trout's rebirth began with a successful transplant in may 2014, and gathered speed with 2015's 'Battle Scars': the acclaimed studio album that channeled his near-death experience into raw autobiographical songs.
Urgent, impassioned, and electrifying, ALIVE In Amsterdam is a live album to treasure. Walter Trout is on tour all this year, stopping off at some of the most prestigious venues such as Royal Albert Hall, Carnegie Hall, and Ryman Auditorium, as well as festivals in the US and Europe including Lead Belly and New Orleans Jazz & Heritage festivals. Trout always shows you magic in the studio, but it's on stage where he truly comes alive!LP 1
1. Marie's Introduction
2. Play The Guitar
3. Help Me
4. I'm Back
5. Say Goodbye To The Blues
6. Almost Gone
2. Tomorrow Seems So Far Away
3. Playin' Hideaway
4. Haunted By The Night
5. Fly Away
6. Please Take Me Home
1. Rock Me Baby
2. Marie's Mood
3. Serve Me Right To Suffer
4. Love That We Once Knew$27.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
Black Sheep Boy (10th Anniversary Edition)In celebration of the ten-year anniversary of this iconic album, Jagjaguwar is proud to present the Black Sheep Boy 10th Anniversary Edition, a three-LP set combining the classic Black Sheep Boy album and its counterpart the Black Sheep Boy Appendix with an all new unreleased album entitled There Swims a Swan: full-band recordings made six months prior to the release of Black Sheep Boy which illuminate the album's roots in the traditional American songbook.
Featuring beautiful, emotional readings of songs popularized by such artists as Washington Phillips, Lead Belly, the Louvin Brothers, and Roscoe Holcomb, There Swims a Swan takes the listener on a trip through the songs that inspired Sheff while composing Black Sheep Boy and reads like a run-through of that album's themes. Black Sheep Boy is celebrated for its album artwork as well as its music, and the Anniversary Edition collects that artwork in a meticulously reworked package, combining every previous element of William Schaff's imagery with a large new piece by Schaff depicting an updated Black Sheep Boy. The release also includes lengthy liner notes by Will Sheff walking the listener through the circumstances surrounding the album.
For Okkervil River fans (the most high-profile of whom was recently revealed to be President Barack Obama, who included Down Down the Deep River on his 2015 summer playlist), the Anniversary Edition is a loving, comprehensive, richly expanded presentation of a record many consider to be one of the band's best. For those new to the band, this might be the best place to start, the first step on a long road, the opening to a forest you can get lost in.LP1 - Volume I
1. Black Sheep Boy
2. For Real
3. In A Radio Song
5. Get Big
6. A King And A Queen
7. A Stone
8. The Latest Toughs
9. Song Of Our So-Called Friend
10. So Come Back, I Am Waiting
11. A Glow
LP2 - Volume II
1. Missing Children
2. No Key, No Plan
3. A Garden
4. Black Sheep Boy #4
5. The Next Four Months
6. Another Radio Song
7. A Forest
8. Last Love Song For Now
LP3 - Volume III
1. Goodnight Irene
2. I'm In Love With Susan Smith
3. See See Rider
4. Knoxville Girl
5. Satan Is Real
6. Good Liquor Gonna Carry Me Down
7. Willow Tree
9. Oh, The Wind And Rain
10. What are They Doing in Heaven Today
11. Trouble in Mind$37.99Vinyl LP - 3 LPs Sealed Buy Now
The Last Days of OaklandFantastic Negrito is the incarnation of a musician who is reborn after going through a lot of awful shit. In fact, the name Fantastic Negrito represents his third rebirth, literally coming back from death this time. The narrative on this man is as important as the sound, because the narrative is the sound. Songs born from a long hard life channeled through black roots music. Slide guitar, drums, piano. Urgent, desperate, edgy. Fantastic Negrito is the story of a man who struggled to make it, who got it, and who lost it all. For anyone who ever felt like it was over yet hoped it wasn't, this is your music; blues harnessed, forged in realness. For anyone who ever considered getting their old high-school band back together, this is your inspiration. These are singular songs by a true musician who writes and produces. They are his fuel as he embarks on the third comeback of his life.
The first life ('who am I and where am I going?'). Fantastic Negrito was raised in an orthodox Muslim household. His father was a Somali-Caribbean immigrant who mostly played traditional African music. When, at the age of 12, Negrito's family moved from Massachusetts to Oakland, he was hit with an intense culture shock. Oakland in 1980s was a million miles from Negrito's conservative childhood. He went from Arab chants to Funkadelic in one day, living in the heart of one of the wildest, most infamous, most vibrant black communities in the nation. Shit was extra real in Oakland.
By the time he was 20, Negrito had taught himself to play every instrument he could get his hands on. He was recording music, but he was also caught up in street shit. This went on for several years until a near death encounter with masked gunmen. After that Negrito packed his bags and headed to LA, armed with a demo on cassette.
The second life ('I want to be a star I think'). It didn't take long for Negrito to find himself entrenched in the 'Hollywood' lifestyle; clubs and bitches and bullshit politics that have nothing to do with great music. Negrito signed with a big time manager and soon after that, a million dollar deal at Interscope and soon after that, creative death.
The record deal was a disaster. Gangsta rap was ruling the airwaves and Negrito was in the wrong place at the wrong era. Negrito came out of the deal with a failed album and his confidence gutted. He was infected by the constant emphasis on 'what would sell'; which looks, hooks and gimmicks would attract an audience. He lost all sense of himself. The songs stopped coming to him, so he quit. He sold all of his shit and he quit.
In 2000, Negrito was in a near fatal car accident that put him in a coma. For four weeks it was touch and go. Because his muscles atrophied while bedridden, he had to go through months of frustrating physical therapy to regain use of his legs. Rods were placed throughout his body. And worst of all, his playing hand was mutilated. Though he rehabbed intensely for several years, the damage was permanent. In 2008, he returned home to Oakland.
The third life (the birth of Negrito). Back in Oakland, Negrito forgot about life as a musician. He settled down, planted vegetables, raised his own chickens, and made money growing weed. He also settled into being a man, on his own, clear of the distractions of wanting to be a star. This is when his specific POV of the world came into focus. His conservative Muslim values melded with the liberal, multi-cultural world of Oakland. The cynicism that comes from struggle made room for the hope that comes from cheating death. He truly knew who he was. He was confident about his place in the world because he understood it as much as any man can. And then his son was born.
With his son's entrance into the world, all the creative energy Negrito bottled for years came rushing out. His musical choices were sharp and without doubt. He began recording without the hindrances that come with chasing trends. Fuck what's hot now, what moves me? Negrito turned to the original DNA of all American music, the Blues. The beating life had given him primed him to channel his literal and musical forefathers: the Blues musicians of the Delta.
For Fantastic Negrito, derivative is the devil so to ensure his sound is his own, every chord comes from a place of immediacy. Immediacy opens the door for instinct. Instinct is God's tool that makes an artist into an individual. Negrito leaves the original sounds of Lead Belly and Skip Woods intact and builds bridges to modernity by looping and sampling his own live instruments.
When you listen to Negrito, you're invited to hear the story of life after destruction. Your dream can die. You probably will give up. But from there, you can start everything over.1. Intro - The Last Days of Oakland
2. Working Poor
3. About A Bird
4. Scary Woman
5. Interlude - What Would You Do?
6. The Nigga Song
7. In the Pines (Oakland)
8. Hump Thru the Winter
9. Lost In A Crowd
10. Interlude 2 - El Chileno
11. The Worst
12. Rant Rushmore
13. Nothing Without You
14. Push Back
15. The Shadows$23.99Vinyl LP - Sealed Buy Now
Persistence Of TimeIn 1990, while making Persistence of Time, the members of Anthrax looked up from their comic books, quit joking around, and realized they were going to die someday. But unlike its Big Four brethren (Slayer, Metallica, Megadeth), the Fourth Horseband of the Thrashpocalypse didn't celebrate the coming of the grim reaper. The aptly named Persistence of Time opens with the ticking of a clock and unleashes heart-pounding waves of existential dread, stylistic evolution, and white-hot anger at death itself.
Cut at Mobile Fidelity by engineer Krieg Wunderlich and afforded requisite groove space for the first time ever on a proper 2LP pressing that accommodates the band's longer songs, Anthrax's 1990 magnum opus sounds as genuine, forceful, and uncompromising as the songs' urgent lyrics and thematic struggles. Serious and complex, this definitive analog pressing of Persistence of Time-known by fans as POT-presents the vital music as a furious blend of dynamic speed and three-dimensional heaviness.
Seething anthems like Keep it in the Family and In My World give way to straight-ahead headbangers like H8 Red and a rapid-paced cover of Joe Jackson's Got the Time. Guitarists Scott Ian and Dan Spitz converse with mosquito whines and monster-truck thunder. Intro to Reality forms a prog-inspired cocoon with harmonizing twin guitars and contemplative resonance until Frank Bello's thundering bass hacks its way out and leads straight into the bare-knuckle Belly of the Beast." Throughout, Charlie Benante's virtuosic drumming accelerates and slows the crashing pulse of Anthrax's last album until 2011 to feature Joey Belladonna's riotous vocals.
The band's darkest affair, Persistence of Time shakes its fist at mortality, snarls at wasted life, and pits burgeoning maturity against livid, riff-driven metal. Tackling more grown-up motifs, extended arrangements, and slower time signatures than on albums past, the group manages to preserve its youthful energy while expanding beyond the borders of thrash.
Persistence of Time is timeless.1. Time
3. Keep It in the Family
4. In My World
6. Intro to Reality
7. Belly of the Beast
8. Got the Time
9. H8 Red
10. One Man Stands
11. Discharge$33.99Vinyl LP - 2 LPs Sealed Buy Now
Hardly CriminalCrash's story unfolds with that particularly Southern swagger and with a tale of a Louisiana boy bred on Waffle House breakfasts and monster truck rallies, local Rodeos and the flicker of family bonfires. There was college for a hot minute, there was a move to the Irish Channel, there was the soaking in of all that is New Orleans, wet heat and Sazeracs, the wailing horns of jazz funerals, the teetering handmade floats of Mardi Gras, crawfish and etouffee and howling at the moon. There was work where he could get it, toiling as a PA on the studio sets, Hollywood coming south for the tax credits. It was on these film productions where crash earned his nickname, something to do with a questionable work ethic and repetitive tardiness (he admits you d have to ask one Ms. Rita Wilson for the real deal details). And yet despite his reputation (or perhaps because of it), he was anointed "assistant" to Johnny Knoxville during The!Dukes!of!Hazzard s run. (One can only imagine ) crash later joined the critically adored local act The Deadly Syndrome as lead singer and frontman, bringing his gris gris into the beautiful belly of the L.A. beast. Since then, crash has been barreling ahead, recording prolifically with The Deadly Syndrome, working with famed producer Daniel Lanios, composing a live stage score, acting in a few national commercials, and finally, after Deadly disbanded in 2013, heading out on the road with his pals, Edward Sharpe and The Magnetic Zeros, as percussionist and angelic vocal accompaniment. And somewhere in that heady mix in that combination of the rolling road, of California eucalyptus sway and dark NOLA mysteries, he discovered his true self - the wildaeyed, slyatongued, strutting, winking and wonderful crash of this here solo debut. Produced and engineered by the multitalented Ed Sharpe lead guitarist, Mark Noseworthy, (and featuring friends from the Zeros, Dawes, The Mystic Valley Band and more ) Hardly Criminal is the culmination of all that is strange and sad, hilarious and harmonious, about crash s own true tale. It is story a moving, funny, weird, and stunningly beautiful. You can hear the South, yes, Neville swing and Dr. John juaju, but you can also hear smooth soul, booty funk, and ragged folk, a mix of sounds taken from his past and pushed into the future, all accompanied by a deadpan storytelling prowess and a voice like a Cajun Prince (as in "The Artist Formerly Known As"). Hardly!Criminal! is the sum of crash s best parts - the sonic celebration of his story so far. So, set down a spell, cool yer bones, cher... and listen1. Hardly Criminal
2. Motion Animal
3. All My Friends
4. High Wall
5. Mine Always, Lioness
6. Britches Catch Fire
7. Song For The Birds
9. Mad At The Clouds
10. If God Was A Cajun
11. Almighty Equal$21.99Vinyl LP - Sealed Buy Now
Live!Original Artwork & Poster
As the title implies, this is indeed Bob Marley & the Wailers captured in performance at the Lyceum Ballroom in London during the final U.K. leg of the Natty Dread tour. Passionate and symbiotic energies constantly cycle between the band and audience, the net result of which is one of the most memorable concert recordings of the pop music era.
With the addition of lead guitarist Al Anderson during the recording sessions for their previous long-player, Natty Dread, the Wailers took increasing strides toward a seamless transition into the consciousness of the rock music audience. Anderson's bluesy guitar runs liberate Burnin' and Lootin' as well as Trench Town Rock, the only new composition on Live! Anderson bobs and weaves his supple-toned fretwork among the somewhat staid rhythms common to reggae.
The mutual affinity that binds Marley with his audience is evident in the roars of approval that greet the opening notes of Them Belly Full (But We Hungry), I Shot the Sheriff, and Kinky Reggae. Likewise, No Woman, No Cry elicits a group singalong as the sheer volume of the audience challenges that of the amplified musicians. With this evidence, there is no denying that Bob Marley & the Wailers were becoming the unlikeliest of pop music icons.1. Trenchtown Rock
2. Burnin' And Lootin'
3. Them Belly Full (But We Hungry)
4. Lively Up Yourself
5. No Woman, No Cry
6. I Shot The Sheriff
7. Get Up, Stand Up$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Tank Girl: Original Soundtrack from the United Artists Film (Pre-Order)Aqua Blue Vinyl - Limited To 1000 Copies
It's a tough call which is the bigger
cult classic, the Tank Girl movie
or its accompanying soundtrack,
but on balance, we'd have to go
for the soundtrack. Yeah, the film
had a cast composed of some of
the most colorful characters (Iggy
Pop, Ann Magnuson) and character
actors (Malcolm McDowell, Ice-T,
and of course the almighty Lori
Petty!) in show biz. And, its
dystopic, resource-starved desert setting, intense action sequences,
and lead female character mark it as a feminist (albeit funnier)
precursor to Mad Max: Fury Road.
But check out the soundtrack's
bona-fides: assembled by Courtney Love herself, it features a Who's
Who of '90s female rock including Hole, Björk, L7, Veruca Salt, and
Belly among others. Plus, it even has tracks that were exclusive to its
release, like a unique version of Devo's "Girl U Want," "Mockingbird
Girl" by The Magnificent Bastards (a side project of the late Scott
Weiland of Stone Temple Pilots), and a duet of "Let's Do It, Let's Fall
in Love" between Joan Jett and The Replacements' Paul Westerberg.
There's one more thing, though, that elevates this particular release
from the mere cultish curio to gotta-have-it collectible: because it
came out in 1995, the Tank Girl soundtrack NEVER came out on LP!
Yup this marks the
of Tank Girl on
vinyl, and if there
ever was a score
that needs to be
on wax, this would
be it. We've done
it right, too, with
a gatefold jacket
book art and stills
from the film, and
an aqua blue vinyl
pressing limited to
1000 copies!1. Ripper Sole-Stomp
2. Army of Me-Björk
3. Girl U Want-Devo
4. Mockingbird Girl-The Magnificent Bastards
6. Drown Soda-Hole
9. Let's Do It-Joan Jett & Paul Westerberg
11. Aurora-Veruca Salt
12. Big Gun-Ice T$34.99Colored Vinyl LP - Sealed PRE-ORDER Buy Now