- Lowest Price
- Highest Price
Rhythm And StealthImport
After Leftfield's debut album Leftism, which was released in 1995, it took 4 years for the London-based producers duo to release the sequel.
Sounding completely different than the first album, Rhythm and Stealth was worth waiting for. It sounds more diverse and solid than its predecessor and contains exciting collaborations with Roots Manuva on the track Dusted and Hip Hop pioneer Afrika Bambaataa on the dance floor killer Afrika Shox, which was accompanied by a state-of-the-art and shocking video. Rhythm and Stealth is a great excursion into many different styles; it moves from funk to hip hop to techno to electro, to ambient and dub, but still sounds cohesive.
You might even recognize some of the tracks from the movies. Swords was featured in the 1999 movie Go and Afrika Shox can be heard in the box office success movie Vanilla Sky, starring Tom Cruise and Penelope Cruz.1. Dusted
2. Phat Planet
3. Chant of a Poor Man
4. Double Flash
5. El Cid
6. Afrika Shox
7. Dub Gussett
9. 6/8 War
10. Rino's Prayer$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
ReflekzionzEkoplekz delivers his third long-player for Planet Mu, and whilst the murky four-track cassette sound and dirty analogue textures are still very much in place, keen ears might spot a subtle change in emphasis. There are less of the radiophonic sci-fi sounds, ancient drum machines and none of the post-punk bass or guitar. Instead, Nick Edwards mainly focuses on invoking a blurry, saturated false-memory of the leftfield electronica that was the soundtrack to his life in the early to mid-1990s.LP1
1. A Caustic Romance
2. Quakers Road Skank
4. Repeater (How Did It Feel?)
6. Midnight Cliffs
2. Dubnium 268
3. Canon's Marsh
4. Black Calkz
5. Saturation (Full Rinse)
6. Day In May$18.99Vinyl LP - 2 LPs Sealed Buy Now
Transparent Orange Colored Vinyl
Third studio album from Canadian electro rock sensation Lights.
When electro-rock sensation Lights first hit the music scene in 2008, she was just a songwriter with a synth and a dream.. Her name may have been pluralized but Lights Poxleitner was a one-woman show who played and programmed her own instruments and sang her own lyrics. This admirable self-reliance is rare in pop-in fact, Lights, signed a publishing deal at 16 and began writing songs for other artists-but after her 2008 selftitled debut EP (precocious enough to earn her a best new artist Juno) and gold-selling full-length follow-up THE LISTENING, Lights was ready to open herself up to collaborations on her unexpectedly experimental album SIBERIA. And by choosing such leftfield collaborators as live electronic outfit Holy Fuck and rising rapper Shad, she also opened up her sound.1. Portal
2. Running With The Boys
3. Up We Go
4. Same Sea
6. Muscle Memory
7. Oil And Water
8. Slow Down
10. How We Do It
11. Don't Go Home Without Me$20.99Colored Vinyl LP - Sealed Buy Now
UnspellRevered Belgian DJ and producer Mugwump proudly presents his long awaited debut album on his Subfield imprint. An impeccable nine track LP, informed by two decades as a globe-trotting DJ, producing tracks that have inspired everyone from Andrew Weatherall to Mr. Scruff. A mainstay from the Belgian club scene, on the ground in Ibiza in the early 90's, behind the cult Food Club in the late 90's, now running his own Leftorium club night in Brussels, with releases on the highly influential Kompakt label but also on R&S, Gigolo, Cocoon, Gigolo, Eskimo, Permanent Vacation or Throne of Blood Mugwump has the CV to deliver one of the year's most eclectic and inventive studio albums, a timeless excursion into modern-day, leftfield dance-pop and mutant disco with heavy New-Beat influences. Produced with his partner Olivier GrÉgoire, it also gathers a solid list of collaborators Circlesquare's Jeremy Shaw (!K7/Output), Brussels guitar wizard Raphael Lee (aka Spookhuisje), Luke Jenner (ex-The Rapture), Norway 's cosmic disco lords PÄl Nyhus of Mungolian Jet Set and Tore Gjedrem from Ost & Kjex, Belgian multi-instrumentalist Stephan Fedele, Philip Janzen (frontman of Cologne's Krautrock-Disco band Von Spar) and Sami « Morpheus » Birnbach from 80's cult punk funk/new-wave band Minimal Compact.1. After They Fall (feat. Circlesquare)
2. Doobie Shine Troube (feat. Raphael Lee)
3. Halo (feat. Luke Jenner)
5. Memento Lies
6. Until You're Worth It (feat. Mungolian Jet Set and Ost & Kjex)
7. Breakdown (feat. Sami Morpheus Birnbach)
8. A Quarter Heart Left
9. School's Out (feat. Von Spar)$19.99Vinyl LP - Sealed Buy Now
In The Hollows
there's a thrilling feeling of freedom to it all.
Nat Baldwin is a musical maverick one of the
best leftfield pop albums of the year.
-DROWNED IN SOUND
terrifically earnest, terrifyingly intimate, and
-THE BOSTON PHOENIX
In The Hollows is Nat Baldwin's followup to 2008's People Changes. Despite his busy scheule recording and touring as the bass player for Dirty Projectors, Nat found time to write
and record his most soulful and ambitious collection of songs to date. After recording the
initial tracks at Machines With Magnets in Pawtucket, RI, Nat recruited Otto Hauser for
drums and percussion, and Rob Moose and Clarice Jensen to write string arrangements.
Discussing the album's production, Nat says I wanted to achieve a consistency throughout
that my past albums have lacked. I wanted the strings to add to the mournful quality of the
songs, weaving their way through the sonic terrain, providing emotional emphasis, but also
leaving necessary amounts of space. Albums by Nick Drake, Judee Sill, Joanna Newsom,
Antony & the Johnsons, and Bill Callahan, to name a few, provided inspiration in balancing
that intimacy with minimal, but powerful, adornments.
Much of the album was written while Nat was training for a marathon at his home in Maine.
According to Nat, I had a pretty rigorous and consistent routine of running/working out
early in the morning, and working on music all afternoon/evening. I also started reading
obsessively during this time, as I wasn't moving around much after the morning marathon
training. Some of the songs were inspired by books I was reading, and some were inspired
by my lifestyle. Blending autobiographical details with fiction, the songs cover a wide
range of topics including boxing, drowning, bodybuilding, target practice, will power, Steve
Prefontaine, competition, separation, isolation, devastation, manipulation, conflagration,
intoxication, and suicide.
Immersive, athletic, and often profound, In the Hollows represents his clearest and most
consistent album-length statement, melodically, structurally, and lyrically. Nat explains
that I hope it is as unsettling as it is beautiful. I want it to make people feel things they
can't describe.1. Wasted
3. Half My Life
4. In The Hollows
5. The End Of The Night
6. Cosmos Pose
8. Bored To Death
9. A Good Day To Die$16.99Vinyl LP - Sealed Buy Now
Pattern of ExcelWhat moves faster than the internet? OK, maybe light. But besides that, it's hard to find something more fleeting, rapidly changing and dynamic as the voice of the online community, which ultimately shapes the contemporary creative landscape both on and off the screen. As it happens, sometimes the artists who are most celebrated by the collective interweb are the same ones who later are in the throes of its fickleness. In the case of Lee Bannon, he's managed to slip into the elite of so many disparate (yet all discerning) scenes that even the speediest of hype surfers can't seem to keep up with his sonic shapeshifting. After an initial rise in the world of hip-hop (self-releasing beat tapes, collaborating with rap royalty like Souls of Mischief and Hieroglyphics and producing and DJing for Joey Bada$$ and the Pro Era crew), Lee Bannon turned his attention to a more ambitious, unconventional and decidedly anti-fad cause: taking influence from Goldie, Aphex Twin and the legacy of drum & bass and jungle to craft his debut LP Alternate/Endings. The album, released in January 2014 on Ninja Tune, was percussively dense, somehow both raw and razor-sharp, and featured enough peaks and plummets to blow the snapback right off the expectant hip-hop head's skull. Despite (or perhaps because of) the bold shift from previous work, the album was released to critical acclaim with words of praise coming from Rolling Stone, Resident Advisor, FACT, Pitchfork, The Guardian and more. Never one to stagnate, Lee Bannon has spent the subsequent months further honing his skills as a hotly-tipped collaborator (working more with Joey Bada$$, Wiki and producing Mick Jenkins' newest single, as well as more credits to come later this year), touring extensively (including a run with Trash Talk and Ratking in North America) and turning his attention once more to the studio for solo work. His sophomore LP on Ninja Tune, Pattern of Excel, again signals a movement away from the ground he's already covered and toward his own vision of the leftfield future. Gone are the rapidfire breaks and growling b-lines of his debut, replaced instead by a considered exploration of ambient soundscapes and drone influences. Though less immediately demanding of the listener's attention, Pattern of Excel shines in its quietude: the bokeh which filters through Artificial Stasis, the distant but steady build of Memory 6, the strings sadly quavering into a melody on Disneµ Girls. Rather than a departure, Pattern of Excel can only be considered a continuation of Lee Bannon's proven flexibility and commitment to innovation and progression.1. Good / Swimmer
2. Artificial Stasis
4. Suffer Gene
6. Shallowness is the root of all evil
11. AW in the Sky for Pigs
12. Disneµ Girls
14. Memory 6
15. Towels$24.99Vinyl LP - Sealed Buy Now
ChromaticsWhen songwriter and producer Sam Genders last donned his Diagrams hat, captive listeners found themselves truly stunned by the Streatham Hill artist's imaginative and inventive arrangements that made up 2012s debut album Black Light. Having now upped sticks from his London lodgings and settled in Sheffield with a new lease of life and wife, fresh pastures and friendships are what form the heart of Diagrams' brand new album Chromatics.
"Relationships are a constant thread. In all their frustrating, exciting, mundane, beautiful, wonderful, sexy, scary glory," reveals Genders of the album's themes. "And there's lots of hope in the songs. They shouldn't be taken too literally mind you in my head Chromatics is life in Technicolor; with all its ups and downs."
Equally drawing inspiration from the writing on relationships by David Schnarch, Ester Perel and the book Division Street by Sheffield poet Helen Mort, whilst spending time in his own home studio for the first time, it's without doubt that the Steel city provided the ideal backdrop for Genders to write whenever the inspiration came and, essentially, whittle down the fifty or so tracks he had recorded as part of the album's creation. "There are woods over the road and a little garden out the back with a greenhouse, shed, and flower beds. Being in a new place has brought something special to the process. Sheffield is a very open and direct place and I'd say the songs are more that way too."
Whilst Black Light fizzed with electronic effects, synth-bass, programmed beats and low-key funk grooves that brought about comparisons to the leftfield pop of Arthur Russell, Metronomy, Steve Mason and Hot Chip, it's without doubt that Genders' next offering falls closer to home comforts and marks the next step in Genders' renaissance. Take lead track 'Phantom Power'; it's the track which truly sums up what it's like to find yourself forever reassessing. "It's about feeling like you're losing a grip on your sanity at one moment, then feeling inspired and up for anything the next. Or frustration with yourself yet believing that it's possible to sort yourself out," explains Genders. Elsewhere 'You Can Talk To Me's delicate rolling melody and 'Serpent' once again showcase the playful, eclectic slant to Genders' songwriting prowess alongside an innate sense of crisp production and programming techniques.
Never one to shirk away from those around him, Genders would be the first to call Diagrams, and particularly Chromatics, a collaborative process. Once again featuring a rolling cast of inspirational musicians the album includes vocals from, amongst friends and family members, The Smoke Fairies whilst the skilled brass and string arrangements come courtesy of Danyal Dhondy and Sam Ewens. 'London's greatest' drummers Karl Penney, and Cacophony drummer Fletcher Adams provide the beats whilst live band members Emma Black and Ben Malitskie lend their expertise of Baritone Saxophone and Viola. 'Brain' meanwhile, was co-written with long-time friend and collaborator Matt McKenzie and features an in utero recording of his son James' heartbeat.
Yet it's the partnership with producer Leo Abrahams (Wild Beasts, David Byrne, Brian Eno, Jon Hopkins, Ed Harcourt, Marianne Faithful et al) that has truly brought Diagrams to life. After a long search, Abrahams was picked to piece all parts together and as a result Genders found himself writing songs that worked across a variety of production styles. "Leo's incredibly good at what he does and virtually all the impressive production and soundscaping is down to him. He's also an amazing guitarist and played some of my favourite guitar moments on the album."
Who knows exactly what kind of relationships will inspire Genders next? Currently finding himself midst China's south central city of Changsha in Hunan as a Musician in Residence on behalf of the British Council and PRS foundation, life for Genders right now is all about new experiences, meeting new faces and learning from new friendships. "It feels like anything could happen from one day to the next. I'd like to record a Chinese version of 'Phantom Power' so that once I'm back in the UK I can reconnect with the music lovers I've met. I've heard lots of very poppy pop songs that incorporate both Chinese and English lyrics so I'd like to try my own twist on that."1. Phantom Power
2. Gentle Morning Song
5. You Can Talk To Me
7. Dirty Broken Bliss
9. The Light & The Noise
11. Just A Hair's Breadth$18.99Vinyl LP - 2 LPs Sealed Buy Now
The SunBefore Four Tet was remixing Radiohead and Coldplay and before Adem was performing with David Byrne and Fairport Convention, they were breaking new ground as Fridge, a trio formed in 1996 with fellow schoolmate Sam Jeffers. After three critically acclaimed albums, they're back with The Sun, their most celebrated album yet. It's a dense, aggressive record that casually blends post-punk, left-field funk, free jazz, folk, noise, and Krautrock into one sound that, despite the years and each individual's development, is unmistakably trademark Fridge.1.Sun, The
3.Our Place in This
4.Drums of Life
10.Years and Years and Years....$19.99Vinyl LP - 2 LPs Sealed Buy Now
REDI-SUN-5455xManfred Mann's Earth Band
Pretty FlamingoThe final LP by Manfred Mann's legendary original lineup, Pretty Flamingo is one of their most accomplished and adventurous efforts. Featuring the beguiling title hit plus covers of Ray Charles' Let's Go Get Stoned and Screamin' Jay Hawkins' I Put A Spell On You, it embodies the mix of catchy pop songcraft, bluesy R&B punch and left-field experimentation that's made Manfred Mann one of their era's most beloved bands.1. Pretty Flamingo
2. Let's Go Get Stoned
3. Tired Of Trying, Bored With Living, Scared Of Dying
4. I Put A Spell On You
5. It's Getting Late
6. You're Standing By
8. Stay Around
9. Tennessee Waltz
10. Driva Man
11. Do You Have To Do That$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Obaa SimaAta Kak's cassette Obaa Sima fell on deaf ears when it was self-released in Ghana and Canada in 1994. The music on the recording-an amalgam of highlife, Twi-language rap, funk and disco-is presented with the passion of a Prince record and the DIY-bedroom-recording lo-fi charm of early Chicago house music. The astute self-taught song craft and visionary blend of sounds and rhythms has made the album a left-field cult favorite among adventurous listeners worldwide.1. Obaa Sima
2. Moma Yendodo
5. Daa Nyinaa
6. Yemmpa Aba
7. Bome Nnwom$19.99Vinyl LP - Sealed Buy Now
They Shall InheritMenagerie is the new spiritual jazz project from the prolific Australian producer/songwriter Lance Ferguson, best known for his eclectic and highly acclaimed work under the Lanu and the Bamboos monikers. They Shall Inherit features a guest appearance from the legendary US jazz/funk vibraphonist Roy Ayers, and the album has had early support from the authority on all things leftfield, Gilles Peterson.
Two musicions featured heavily on They Shall Inherit are Philip Noy and Mark Fitzgibbon. Phil is one of Melbourne's top saxophone technicians and for this album, he reconfigured his horns to match Coltrane's settings. Mark Fitzgibbon's background includes time soaking up London's jazz dance scene in the 80s, playing keys at the legendary Dingwalls sessions hosted by Gilles Peterson and Patrick Forge. Also featured is special guest Roy Ayers on vibes.1. They Shall Inherit
2. The Chosen
4. Leroy and the Lion
5. The Quitening
6. There Will Come Soft Rains$19.99Vinyl LP - Sealed Buy Now
WARB-NON-6482xBrad Mehldau Trio
Blues and BalladsNonesuch Records releases the Brad Mehldau Trio's Blues and Ballads, the trio's first new release since 2012's Where Do You Start. The previous release received critical acclaim, with the Financial Times saying, "Mehldau never lets his peerless technique and meticulous timing interrupt the narrative flow of a well-told tale. Here, the pianist and his trio burrow deep into left-field pop and the American songbook, and give an adventurous sheen to modern jazz." Blues and Ballads similarly comprises interpretations of songs by other composers, this time with the focus on blues and ballads implied by the album's title. The Brad Mehldau Trio is Mehldau on piano, Larry Grenadier on bass, and Jeff Ballard on drums.1. Since I Fell for You
2. I Concentrate On You
4. And I Love Her
5. Little Person
6. My Valentine$24.99Vinyl LP - Sealed Buy Now
Sweatbox DynastyIt's been almost two decades since baby TOBACCO first plugged in a tape deck, popped the top, and found the dark magic that's fueled so many sonic forays into his genreless bog of beat-blasted hypnagogia and otherworldly-yet-earthen pop. The Pennsylvanian experimentalist has since helmed countless Black Moth Super Rainbow releases, remixed outsiders as offbeat as HEALTH and unexpected as White Zombie, and produced MCs ranging from Aesop Rock to Beck.
But it's on his fourth solo album that TOBACCO winds up coining an apt name for his vast empire of moldering electro-fied dirt: Sweatbox Dynasty. The new LP - his second for Ghostly International - finds the rural recluse resurrecting an old approach to hack a new path through the muck. This may be his most unintentionally psychedelic and left-field creation yet, full of rhythms that start and stop like a tractor on its last piston, resonating melodies made to fuel transcendental meltdowns, and vocals that hiss, gurgle, and growl.1. Human Om
3. Wipeth Out
4. Gods In Heat
5. Home Invasionaries
6. Dimensional Hum
7. Warlock Mary
8. Suck Viper
9. The Madonna
10. Fantasy Trash Wave
11. Memory Girl
12. Let's Get Worn Away$18.99Vinyl LP - Sealed Buy Now
Rod For Your LoveOn his newest record, Rod For Your Love, he gets back to basics. Produced by Black Keys frontman Dan Auerbach and recorded in Nashville, Rod For Your Love roots itself in old-school, guitar-fueled rock & roll. These are love songs built for the garage and the dance floor, with big-hearted melodies and thick harmonies. It's the stuff you might've heard in the 1960s, back when groups like the Kinks and the Velvet Underground were making left-field pop songs that celebrated the form while still bending the rules. With stacked vocal harmonies that sweep their way throughout the track list, Rod For Your Love nods to the past while still moving forward. It's a classic-sounding album that still belongs to the 21st century.1. Pictures of You
5. Live, Love and Be Free
6. Rod for Your Love
7. Burnin' Up
9. More Bad Times
10. Bores Me to Tears$19.99Vinyl LP - Sealed Buy Now
The Caliph's Tea PartyFor The Caliph's Tea Party, Gonjasufi assembled a collection of artists in his musical world and invited them to exchange ideas. In this spirit, the symbolic and musical centerpiece of the album, as well as its namesake, is the result of the mutual admiration formed between Gonjasufi and Broadcast and The Focus Group. A bewitching, drastic re-working of DedNd it takes the form of a suite of layered compositions and radiophonic transmissions.
Elsewhere, reinterpretations from new talents shine while established artists continue to surprise. Mark Pritchard (Harmonic313, Africa Hitech) channels Ennio Morricone with epic orchestral dystopia on his remix of Ancestors while retaining the inherent gravity of Flying Lotus' original production. Young guns Shlomo and Jeremiah Jae eschew their labeling as beatmakers and tap into a fractured emotional core within Change and Holidays, respectively, giving them new leases on life as subtly mechanized melancholia. Bibio smooths out the rough edges of Candylane for a remix indebted to the 1980's R&B leftfield, while Brooklyn's Bear In Heaven and Oneohtrix Point Never deal in heavy motorik meditations and ethereal musique concrete.1. Ancestors ((Dreamtime) Mark Pritchard Rmx)
2. Candylane (Bibio Remix)
3. Ageing (Dam Mantle Remix)
4. The Caliph's Tea Party (Broadcast & The Focus Group
5. Kobwebz (Jeremiah Jae Remix)
6. Love Of Reign (Bear In Heaven Remix)
7. She's Gone (Oneohtrix Point Never Remix)
8. Holidays (MRR Remix)
9. Change (Shlohmo Remix)
10. My Only Friend (Hezus Remix)
11. DedNd (agdm Remix)
12. SuzieQ (Dem Hunger Bowel Blood Remix)$19.99Vinyl LP - Sealed Buy Now
Zip-A-Dee Doo DahOne of the most talented acts in Phil Spector's stellar recording stable, Bob B. Soxx and the Blue Jeans featured the great Darlene Love, one of Spector's favorite vocal muses; Fanita James, who also sang alongside Love in the ubiquitous studio vocal group the Blossoms; and Bob B. Soxx himself, aka renowned singer Bobby Sheen, a legend in West Coast R&B circles. The trio's uncanny abilities provided Spector with an ideal vehicle to perfect his musical formula, making the trio's 1963 album Zip-A-Dee-Doo-Dah one of the most enchanting items in the Philles label catalog.
Recorded in the hallowed environs of L.A.'s Gold Star Studios with backup from the legendary Wrecking Crew, Zip-A-Dee-Doo-Dah finds the trio cutting loose on a high-energy set that includes the Disney-inspired title hit and the infectious Why Do Lovers Break Each Other's Heart? Love's powerful vocals are also featured on "My Heart Beat a Little Faster and the Jackie DeShannon-penned Jimmy Baby, while the ever-soulful Sheen is showcased on such tunes as Dear (Here Comes My Baby) and Everything's Gonna Be All Right. Meanwhile, a left-field reading of Woody Guthrie's This Land Is Your Land and the album-closing instrumental Dr. Kaplan's Office demonstrate Spector's quirkier side.1. Zip-A-Dee-Doo-Dah
2. Why Do Lovers Break Each Other's Heart?
3. Let The Good Times Roll
4. My Heart Beats A Little Faster
5. Jimmy Baby
6. Baby (I Love You)
7. White Cliffs Of Dover
8. This Land Is Your Land
9. Dear (Here Comes My Baby)
10. I Shook The World
11. Everything's Gonna Be All Right
12. Dr. Kaplan's Office$28.99Vinyl LP Mono - Sealed Buy Now
VictusSeething left-field hardcore delivered from the heart with maximum passion and power. This band fucking kills!"- Hammer
Awed by experiencing FALL CITY FALL's wildly chaotic live show firsthand, VICTORY RECORDS quickly welcomed the Calgary sextet to their ever-growing family. Despite being the freshest faces on the label, FALL CITY FALL have been driven relentlessly over the past three years to continue building the underground hardcore scene from which they came. FALL CITY FALL are the next wave of disenfranchised and innately talented youth to emerge with a delightfully belligerent fusion of metal and hardcore. Victus is a 28 minute concentrated ambush of churning, dizzyingly ballistic songs. Their VICTORY RECORDS debut sinks its teeth in deep and doesn't let go until the very end.
FALL CITY FALL look to disrupt the monotonous landscape in their genre and do things differently. Far from generic, overdone, or stereotypical, FALL CITY FALL rise above the one note chugging breakdowns to command an unforgiving and intimate taste of something new. With the unveiling of Victus in January 2013 and backed by their jaw dropping performances, FALL CITY FALL will push boundaries, expand horizons, and leave fans with a lasting impression to be felt for years to come.1. St. James
3. Anxiety Attack
4. Bitter To End
6. Many Masters
7. Shallow Believer
8. Dead Saints
10, Victus$15.99Vinyl LP - Sealed Buy Now
180 Gram Audiophile Vinyl
Nailbomb was a side project by Sepultura's Max Cavalera and producer/engineer Alex Newport in the mid-1990s. Point Blank is their only studio album, originally released in 1994 by Roadrunner Records. The album combines the thrash-metal fury of Sepultura with the robotic industrial clangor of Fudge Tunnel.
Nearly the entire Sepultura lineup is present on the guest list - both Andreas Kisser and Igor Cavalera are credited. Also Dino Cazares of Fear Factory and Ritchie Bujnowski from Wicked Death are featured on the album. The first track Wasting Away, appears in the 1995 film To Die For. Exploitation is a cover originally by the English crust punk band Doom.
Relentless grinding riffs, and an industrial-strength percussive roar, the lyrics are uniformly nihilistic and the album is riddled with left-field samples that add a disorienting, dehumanizing texture. This is an ass-kicking album, that is full-on malevolent from the get-go. Point Blank is abrasive, in your face, and loud as hell with the lid off.1. Wasting Away
2. Vai Toma No Cú
3. 24 Hour Bullshit
5. Blind And Lost
6. Sum Of Your Achievements
8. For Fuck's Sake
9. World Of Shit
11. Religious Cancer
12. Shit Piñata
13. Sick Life$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Wildcat ShakeoutWorshipped by rock gods such as Little Richard and Gene Vincent, flamboyant gospel pianist S Q Reeder Jr was tempted into the recording studio several times in 1958 to demonstrate his secular capabilities.
However, the resulting Wildcat Shakeouts, by the renamed Esquerita, were deemed far too extreme even for black radio... Judge for yourself!
At the very dawn of the UK's rock 'n' roll revival in the late 1960s, Jeffrey Kruger's Ember Records launched its Speciality subsidiary to concentrate on back catalogue rhythm & blues and rock 'n' roll. Unlike the vast majority of reissue labels from that time, however, Speciality made its name with left-field reissues from a variety of US labels, including compilations of Ella Mae Morse & Freddie Slack, The Johnny Otis Show, The Jodimars and, most startlingly, an LP collection of wild rock 'n' roll by the uniquely-named Esquerita titled Wildcat Shakeout.
Although enjoying a slew of singles, EPs and even an LP in the US, Esquerita had just one single release in the UK in the 1950s, which was so rare that most rock 'n' roll fans were unaware of him. From the Ember sleeve photo, collectors assumed he was a disciple of Little Richard and even a cursory sampling of the enclosed tracks seemed to bear this out, but the truth may have been the complete opposite; S Q Reeder Jr always insisted that it was he who had influenced both the music and fashion-sense of the then musically-directionless Little Richard when they met in the early 1950s, and even Richard has had to admit that our man taught him how to hammer the piano into submission!
Fantastic Voyage now resurrects the Wildcat Shakeout LP in all its glory, bolstered by a handful of additional tracks, thus gathering together all of his original 1958-1959 releases.
As his 1950s promo material declared, His sensational music, just like everything about him, is truly the farthest out that man has ever gone. Arguably, it still is...1. Rockin' The Joint
2. Hole In My Heart
3. Hey Miss Lucy
4. Get Back Baby
5. Baby You Can Depend On Me
6. I'm Battie Over Hattie
7. Crazy Crazy Feelin'
8. Gettin' Plenty Lovin'
9. Esquerita And The Voola
10. Laid Off
11. Believe Me When I Say Rock And Roll Is Here To Stay
12. Oh Baby
13. I Need You
14. Why Did It Take You So Long
15. Please Come On Home
16. Just Another Lie
17. She Left Me Crying
18. Maybe Baby$33.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Safe As MilkCaptain Beefheart's 1967 debut album Safe As Milk introduced the world to a one-of-a-kind visionary whose unique output had no precedent in contemporary music. Beefheart, aka Don Van Vliet, filtered the raw influence of the blues and R&B through his own singular musical sensibility and left-field lyrical wordplay, and surrounded himself with some of the most talented and inventive young musicians around. The result was an album that, even in the heady year in which it was released, sounded like nothing else, and the stage for one of rock's most iconoclastic and idiosyncratic careers.
With backup from the first, and perhaps finest, incarnation of Beefheart's legendary Magic Band (including future solo star Ry Cooder on guitar and teenage drum prodigy John "Drumbo" French), and production from future studio superstar Richard Perry, Beefheart unveils his fully-formed sound and vision on such landmark tracks as "Zig Zag Wanderer," "Abba Zaba," "Dropout Boogie," "I'm Glad" and "Electricity" (covered two decades later by Sonic Youth).
Now released by Sundazed Music, this landmark album now sounds the way it was meant to sound, thanks to the restoration of Perry's rare original-and, to most fans, superior-mono mix, which was later altered by Beefheart's label without the artist's involvement. This definitive edition features authoritative new liner notes by Rolling Stone editor and longtime Beefheart enthusiast David Fricke.
"In mono, Safe As Milk is a powerful, concentrated revelation," Fricke writes, further noting, "Safe As Milk promised comfort, exotic nourishment and rude health-and delivered. Created in a year rich in historic debuts and transformative statements about rock's dynamic and expressive possibilities, Safe As Milk was so far in it was out."1. Sure 'Nuff 'N Yes I Do
2. Zig Zag Wanderer
3. Call On Me
4. Dropout Boogie
5. I'm Glad
7. Yellow Brick Road
8. Abba Zaba
9. Plastic Factory
10. Where There's Woman
11. Grown So Ugly
12. Autumn's Child$28.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
O ShudderSix years into Dutch Uncles' flourishing career, the idiosyncratic art-popologists return with new album O Shudder which sees them further distilling and refining their signature sound, marrying rock bombast with classical arrangements, acoustic instrumentation with smart synthetic pop.O Shudder is Dutch Uncles' most direct record to date, the sound of a wildly witty band well and truly finding their stride, whilst lyrically tackling the growing pains of being twentysomething in a generic Northern suburbia; according to hip swivelling front man Duncan Wallis, the album covers themes including "pregnancy, social media, terrorism, divorce, sexual dysfunction, job seeking, health scares, doubt, love".With O Shudder, Dutch Uncles continue their fascinating, wonky ascent which has seen them play enormodomes with emo punk rock behemoths and self confessed Dutch Uncles acolytes Paramore, supporting and being supported by like minded left-field pop adventurers Wild Beasts, Outfit, Field Music, and Everything Everything, have a burger named after them by one of Manchester's premiere eateries and prefigure Future Islands' dance moves meme in their video for 2013 single Flexxin.The album was recorded with long term collaborator Brendan Williams in three locations; at a studio in the heart of the Welsh valleys, above a Salford pub, 'The Kings Arms', (incidentally where C4 comedy Fresh Meat is filmed) and, for the acoustic instruments, in the natural reverb of Salford's Peel Hall. The band were meticulous in tweaking their synth sounds so they'd fit seamlessly with the harp, xylophone, marimba, string and woodwind sounds that populate the record. Sources of inspiration for the record included The Blue Nile, Kate Bush's third album, Never For Ever, Igor Stravinsky, Japan and lyrically John Cooper Clarke, Sparks, Ian Dury and Prefab Sprouts' album From Langley Park to Memphis. All set to o shudder and stun, and induce plenty of hip swivelling, Dutch Uncles have delivered on their youthful potential and, with O Shudder, solved their own particular Rubix's cube, bringing their unclassifiable pop music into clear and precise focus.1. Babymaking
4. Decided Knowledge
5. I Should Have Read
6. In N Out
7. Given Thing
8. Don't Sit Back (Frankie Said)
10. Tidal Weight
11. Be Right Back$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Divine One (Pure Pleasure)
Recorded just after Sarah Vaughan joined the Roulette label in 1960, The Divine One found her in exactly the right circumstances to suit her excellent talents. Arranged by Jimmy Jones, who also sits in on piano, the setting was a small group that included one strong voice to accentuate hers -- and no less a strong and clear voice than trumpeter Harry Sweets Edison (the perfect accompaniment for Vaughan). The Divine One is mostly a ballads collection, and it includes a few songs that were new to her repertoire -- good choices like Have You Met Miss Jones? (aka Old Jones), When Your Lover Has Gone, Wrap Your Troubles In Dreams, and Jump for Joy. One great left-field choice is Ain't No Use, the R&B song taken as a slow torch song that Big Maybelle had first recorded (Nina Simone didn't record it until several years later). Roulette would soon push Vaughan in many different directions -- releasing over a dozen LPs in just a few short years -- but this small-group date is a gem.
Recording: October 1960
Production: Jimmy Jones
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Have You Met Miss Jones?
2. Ain't No Use
3. Everytime I See You
4. You Stepped Out Of A Dream
5. Gloomy Sunday
6. What Do You See In Her
7. Jump For Joy
8. When Your Lover Has Gone
9. I'm Gonna Laugh You Out Of My Life
10. Wrap Your Troubles In Dreams
11. Somebody Else's Dream
12. Trouble Is A Man$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Blur (Special Edition) (Out Of Stock)To celebrate the 21st Anniversary of their debut release, Blur's eponymous fifth album has now been remastered from the original tapes by Frank Arkwright (The Smiths, Arcade Fire, New Order, Joy Division), with the remastering overseen by legendary producer, Stephen Street. Expanded across two discs, the LP format of the Blur remaster is cut on heavyweight180g audiophile vinyl and is housed in a replica of the original sleeve artwork.
1997 saw Blur abandon English character song and look towards left-field American rock for inspiration. Recorded partly in Iceland, Britpop is shunned in favor of abstract experimentalism, abrasive guitars, held together with Damon Albarn'sinstinctive knack for writing memorable tunes. The album features the band's second UK #1 single, "Beetlebum" and the casually anthemic "Song 2, the latter finally acquiring Blur transatlantic success.LP1
2. Song 2
3. Country Sad Ballad Man
5. On Your Own
6. Theme from Retro
7. You're So Great
8. Death of a Party
1. Chinese Bombs
2. I'm Just a Killer for Your Love
3. Look Inside America
4. Strange News from Another Star
5. Movin' On
6. Essex Dogs$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock