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Anyway You Love, We Know How You FeelThe Chris Robinson Brotherhood have announced the release of their fourth studio album, Anyway You Love, We Know How You Feel, via Robinson's own Silver Arrow Records. The band relocated to northern California for the sessions, recording on the side of a mountain overlooking the foggy Pacific Ocean and channeling the natural majesty of their surroundings into the album's eight sprawling tracks. Having spent the prior two years touring relentlessly, the CRB were road-tested and in peak form to capture their kinetic chemistry and immersive sound, which Uncut Magazine called, " a celebration of how American musical traditions can be at once honored and psychedelically expanded."
"It was an opportunity to see where our expression could take us. For us, when it comes to making records, the looser it gets the better," says Robinson. "It's all about taking our intuition and following it to where our ideas can really manifest themselves. This turned out to be the most spontaneous record I've ever been a part of."
Indeed, when the Chris Robinson Brotherhood entered the studio to begin recording the album, no one knew just what to expect. These would be the band's first recordings with new drummer Tony Leone (Ollabelle, Levon Helm) and their first time producing themselves. Robinson purposely left as much open-ended as possible. Rather than coming into the studio with a collection of finished songs as he had in the past, he would present the group with sketches-a verse and melody here, a chorus and chord progression there-and let the band follow its collective muse to bring the music to life. They'd lean into the improvisational nature that makes their live shows such enthralling spectacles and thrive on the unexpected.
"All it takes is one good, small idea, and then if everyone's focused and in the moment, a few hours later, you can have something that you realize you'll be playing for as long as you're making music," Robinson continues. "I think when everyone's aware that that's the sort of magic that we're looking for. More than any other session that I've ever been a part of, that's how all of these songs were done."
The album kicks off with "Narcissus Soaking Wet," a psychedelic toe-tapper that marks Robinson's first co-write with keyboardist Adam MacDougall. It touches on everything from Dylan and Parliament Funkadelic to psych rock and Chicago rhythm and blues. "Ain't It Hard But Fair" calls to mind the soulful Americana of The Band, while "Oak Apple Day" is a mediation on life in the CRB, and "Forever As The Moon" came together in a stream of consciousness between The CRB's lead guitarist Neal Casal and Robinson. "Leave My Guitar Alone" was a song Robinson had been sitting on for nearly 15 years, but only once he presented it to the rest of the band did it roar to life in a way that had eluded him for more than a decade. Some of Robinson's finest writing to date arrives in the album's final minutes, with the country-soul, gospel-tinged closer "California Hymn," which finds him singing "Glory glory hallelujah / It's time to spread the news / Though my good words may sound profane to some."
The Chris Robinson Brotherhood emerged in 2011 by playing close to 50 shows over nine weeks in California before ever leaving the Golden State or officially releasing music. Their introduction on the national stage came in 2012 when they'd release not one, but two acclaimed full-length albums within a few months of each other. Critics hailed their sprawling debut, Big Moon Ritual, as a revelation, with The Independent raving that Robinson had "finally found the ideal vehicle to indulge his taste for 'Cosmic California Music.'" The reviews were similarly ecstatic for its immediate follow-up, The Magic Door, which was praised by Relix as "classic rock in the finest sense." The band's epic tour schedule brought their shimmering acid-Americana around the world for a staggering 118-date tour, firmly establishing the CRB as the new standard-bearers of the psychedelic roots torch. In 2014, they returned to the studio for Phosphorescent Harvest, a masterful collection that showcased the blossoming songwriting partnership between Robinson and Neal Casal. Rolling Stone raved that the album was "electrifying boast[ing] a vintage rock vibe that's at once quirky, trippy, soulful and downright magnetic," and Guitar World called it "a treasure trove of soul that advances the band's bluesy, kaleidoscopic sound."1. Narcissus Soaking Wet
2. Forever As the Moon
3. Ain't It Hard But Fair
4. Give Us Back Our Eleven Days
5. Some Gardens Green
6. Leave My Guitar Alone
7. Oak Apple Day
8. California Hymn$21.99Vinyl LP - Sealed Buy Now
Wind On The WaterImport
Invisible Hands Music is proud to release Wind On The Water, the classic album from Crosby & Nash, on vinyl for the first time since it's original 1975 release. Wind On The Water was the second album by David Crosby & Graham Nash. It reached number six on the Billboard album chart and includes three hit singles, Take The Money And Run, Love Work Out and Carry Me. It includes guest appearances by Carole King, Levon Helm, James Taylor and some of the top session men of the age, such as Russ Kunkell, Craig Doerge, Danny Kortchmar, David Lindley. Tim Drummond and Leland Sklar.1. Carry Me
2. Mama Lion
4. Take The Money And Run
5. Naked In The Rain
6. Love Work Out
7. Low Down Payment
8. Cowboy Of Dreams
9. Homeward Through The Haze
11. To The Last Whale...
12. (i. Critical Mass ii. Wind On The Water)$37.99Vinyl LP - Sealed Buy Now
The Midnight Ramble Sessions, Vol. 3The Midnight Ramble Sessions, Vol. 3 collects some of the most memorable and indelible performances from the late Levon Helm's legendary concert
series. Special guests include Chris Robinson, Donald Fagen, Jimmy Vivino, and more.1. The Same Thing
2. Ain't That Good News
3. God Don't Never Change
4. Driving Wheel
5. Jealous Man
6. Stagger Lee
7. Simple Twist Of Fate
8. One More Shot
9. Turn Around
10. The Beautiful Lie
11. A Certain Girl
12. Shake Your Money Maker
13. Take Me To The River$23.99Vinyl LP - Sealed Buy Now
Stage Fright180 Gram Numbered, Limited Edition
1970 Set an Organic, Iconic Rock Landmark - In Special Textured Finish Gatefold Jacket
Record Shivers With Raw Emotions, Dark Confessionals, and Intense Singing
Half-Speed Mastered from the Original Analog Tapes: Transcendent Sound
A sharp stylistic and thematic detour away from its first two albums, the Band's Stage Fright is a compelling snapshot of a group coping with massive success and internal changes. Recorded in 1970 at the Woodstock Playhouse, the set shivers with raw emotions, dark confessionals, and intense singing. Largely devoid of the quintet's trademark all-for-one harmony vocals, Stage Fright is an utterly distinctive piece of the Band's catalog-and a historic landmark that's a necessary part of any music collection.
"When Stage Fright came about, all I was doing was feeling my way along. But, where everybody was in a huddle on both Big Pink and The Band, with Stage Fright it didn't feel like we were all connected in the same kind of way. In this period of experimentation in life, in music, in drugs, people kept wanting to stretch and reach and go somewhere and try things and, in the course of that, some real alienation can take place as well. When these things are chemically induced, you can feel an incredible shutdown of communication." -guitarist Robbie Robertson, as told to Rob Bowman
Such splintered camaraderie and personal demons appear in now-famous songs such as the title track, "The Shape I'm In," and "The W.S. Walcott Medicine Show." The music is rife with palpable tension, and as a credit to the Band's unique sound, absolutely singular. It's impossible to think of any other group playing these tunes. Robertson's balladic ode to his daughter, "All La Glory," featuring a gorgeous vocal turn from Levon Helm, provides a sunny contrast to the darker compositions.
Circumstances behind the recording sessions also reflected the mood. While the Band had intended to capture the album in one take in front of a small crowd at the theater, the town residents vetoed the idea due to concerns over being inundated by too many visitors. Consequently, the Band played to an audience of no one, sometimes with the curtains closed and other times, with them open. Todd Rundgren, who engineered the album, couldn't even see what was going on-he was sitting in a canvas prop tent that became the control room, behind the theater.
As always, Mobile Fidelity half-speed mastered this numbered limited-edition 180g LP from the original master tapes for a superior sonic experience. This analog edition of Stage Fright bursts with supreme tonal clarity and an airiness that brings the genius of Rundgren's preservation of high frequencies to complete realization. Even the fine textures of the hand drums on the stunning "Daniel and the Sacred Harp" come to light with microscopic detail. Perfectly blended, MoFi's Stage Fright takes its place as the most balanced and punchy record in the Band's oeuvre.
Stage Fright is part of Mobile Fidelity's effort to present the Band's timeless music in the highest fidelity possible.
This title is not eligible for discount.1. Strawberry Wine
3. Time to Kill
4. Just Another Whistle Stop
5. All La Glory
6. The Shape I'm In
7. The W.S. Walcott Medicine Show
8. Daniel and the Sacred Harp
9. Stage Fright
10. The Rumor$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Before The FloodBefore the Flood on Numbered Limited Edition 180 Gram 2LP from Mobile Fidelity
Live 1974 Set Documents Acclaimed Reunion of Bob Dylan and The Band
Mobile Fidelity's Reissue Gives You a Prime Seat for the Historic Performances
Record Features Solo Dylan, Solo The Band, and Plenty of Collaboration
Dylan's Radical Rearrangements of Classics Give Songs Renewed Meaning and Relevance
The live reunion of Bob Dylan and The Band during 1973-74 yielded one of the decade's most celebrated, dynamic, and astonishing tours. Captured on Before the Flood, the results portray the two artists' shared chemistry as well as Dylan's instinctive ability to challenge audiences, his group, and himself via inventive rearrangements of classics that simultaneously ward off nostalgia and renew with meaning. Said by noted critic Robert Christgau to be at its best, [the] craziest and strongest rock and roll ever recorded, Before the Flood crackles with intensity, relevance, and unhinged performances.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored analog version cracks wide open the ceiling previously obscuring many of the tonal details, revealing microdynamics, and vocal nuances on the recording. Distinguished with an immediately recognizable sound, The Band comes across in three-dimensional form, while Dylan takes center stage, feet from your listening chair. The two artists play like two souls in communion, a facet displayed here courtesy of the increased airiness, enhanced soundstage depth, and lifelike imaging.
There's so much new information here, this already-iconic album only gains in stature. As experienced on Mobile Fidelity, Before the Flood unquestionably takes its place as one of the ten-best concert releases ever made. Notes are rounded, Garth Hudson's organ claims a tube-like glow, Levon Helm's drumming possesses its own space, voices are perceptible all the way down the singers' throats, and Dylan's awe-inspiring phrasing resonates with palpable urgency. Audiophiles and Dylan fans, prepare to be astonished.
Arriving at a crucial time for both Dylan and The Band, Before the Flood is the furthest thing possible from a nostalgia trip. It's where Dylan begins his now-trademark feat of turning songs upside-down, taking risks, surprising and challenging expectations, leaving audiences riveted to the edge of their seats in anticipation of what might come next. He sings with unabated passion, the moods spanning bitterness to jubilation, his willingness to play fast and loose with the music giving way to compelling shifts, under-the-surface textures, complementary intricacies, and a sense of newness and discovery on par with that of an adventurer embracing total freedom.
Before the Flood buries any notion of limits, safeguards, or borders. It is an open map, each song a route begging for exploration without need or concern for exactness or an appointed leader. Collaborative in every sense, it's a portrait of six inimitable musicians feeding off one another, trusting in their past history as they hurdle towards uncharted territory, using soulfulness as a compass and opportunity as their vehicle.
Wholly different than the live episodes heard on Bob Dylan Live 1966, The "Royal Albert Hall" Concert, Before the Flood is equally seminal and, from the perspective of witnessing an artist dare not only his audience but himself to break through to a new plane, even better. Utterly astounding.
This title is not eligible for discount.1. Most Likely You'll Go Your Way (And I'll Go Mine)
2. Lay Lady Lay
3. Rainy Day Women #12 & #35
4. Knockin' on Heaven's Door
5. It Ain't Me Babe
6. Ballad of a Thin Man
7. Up on Cripple Creek
8. I Shall Be Released
9. Endless Highway
10. The Night They Drove Old Dixie Down
11. Stage Fright
12. Don't Think Twice, It's All Right
13. Just Like a Woman
14. It's Alright, Ma (I'm Only Bleeding)
15. The Shape I'm In
16. When You Awake
17. The Weight
18. All Along the Watchtower
19. Highway 61 Revisited
20. Like a Rolling Stone
21. Blowin' in the Wind$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Basement Tapes Raw: The Bootleg Series Vol. 11
Special Deluxe LP-Set On 180-gram Vinyl
Featuring 3 LPs Of 38 Highlights From Dylan's Legendary 1967 Sessions With The Band
Compiled From Meticulously Restored Original Tapes
Includes Exclusive 12x12'' Booklet With Extensive Liner Notes And Rare Photographs
Also Includes All The Tracks On 2 CDs
Compiled from meticulously restored original tapes - many found only recently - this three-LP set includes 38 highlights of Dylan's legendary 1967 recording sessions with members of his touring ensemble who would later achieve their own fame as The Band.
Among Bob Dylan's many cultural milestones, the legendary Basement Tapes have long fascinated and enticed successive generations of musicians, fans and cultural critics alike. Having transformed music and culture during the early 1960s, Dylan reached unparalleled heights across 1965 and 1966 through the release of three historic albums, the groundbreaking watershed single ''Like A Rolling Stone,'' a controversial and legendary 'electric' performance at the 1965 Newport Folk Festival and wildly polarizing tours of the United States, Europe and the United Kingdom. Dylan's mercurial rise and prodigious outpouring of work during that decade came to an abrupt halt in July 1966 when he was reported to have been in a serious motorcycle accident in upstate New York.
Recovering from his injuries and away from the public eye for the first time in years, Dylan ensconced himself, along with Robbie Robertson, Rick Danko, Richard Manuel, Garth Hudson and, later, Levon Helm, in the basement of a small house, dubbed ''Big Pink'' by the group, in West Saugerties, New York. This collective, which would come to be known as Bob Dylan and The Band, recorded more than a hundred songs over the next several months including traditional covers, wry and humorous ditties, off-the cuff performances and, most important, dozens of newly-written Bob Dylan songs, including future classics ''I Shall Be Released,'' ''The Mighty Quinn,'' ''This Wheel's On Fire'' and ''You Ain't Going Nowhere.''
When rumors and rare acetates of some of these recordings began surfacing, it created a curiosity strong enough to fuel an entirely new segment of the music business: the bootleg record. In 1969, an album mysteriously titled Great White Wonder began showing up in record shops around the country, and Dylan's music from the summer of 1967 began seeping into the fabric of popular culture, penetrating the souls of music lovers everywhere. With each passing year, more and more fans sought out this rare contraband, desperate to hear this new music from the legendary Bob Dylan.
The actual recordings, however, remained commercially unavailable until 1975, when Columbia Records released a scant 16 of them on The Basement Tapes album (that album also included eight new songs by The Band, without Dylan).
A critical and popular success, The Basement Tapes went Top 10 in the US and UK, with John Rockwell, of The New York Times, calling it ''one of the greatest albums in the history of American popular music,'' Paul Nelson, in Rolling Stone, praising the tracks as ''the hardest, toughest, sweetest, saddest, funniest, wisest songs I know'' and the Washington Post noting that ''...Dylan has to rank as the single greatest artist modern American pop music has produced.'' Robert Christgau gave the album an A+ rating in the Village Voice, where it topped the annual Pazz & Jop Critics Poll.
(Lead vocals are sung by Bob Dylan. Harmony and instrumentation are unknown because all involved were multi-instrumentalists and vocalists, and no records remain.)LP 1
1. Open the Door, Homer (Restored version)
2. Odds and Ends (Alternate version)
3. Million Dollar Bash (Alternate version)
4. One Too Many Mornings (Unreleased)
5. I Don't Hurt Anymore (Unreleased) (written by Donald I Robertson and Walter E Rollins)
6. Ain't No More Cane (Alternate version) (Traditional, arranged by Bob Dylan)
7. Crash on the Levee (Restored version)
8. Tears of Rage (Without overdubs) (written by Bob Dylan and Richard Manuel)
9. Dress it up, Better Have it All (Unreleased)
10. I'm Not There (Previously released)
11. Johnny Todd (Unreleased) (Traditional, arranged by Bob Dylan)
12. Too Much of Nothing (Alternate version)
1. Quinn the Eskimo (Restored version)
2. Get Your Rocks Off (Unreleased)
3. Santa-Fe (Previously released)
4. Silent Weekend (Unreleased)
5. Clothes Line Saga (Restored version)
6. Please, Mrs. Henry (Restored version)
7. I Shall be Released (Restored version)
8. You Ain't Goin' Nowhere (Alternate version)
9. Lo and Behold! (Alternate version)
10. Minstrel Boy (Previously released)
11. Tiny Montgomery (Without overdubs)
12. All You Have to do is Dream (Unreleased)
13. Goin' to Acapulco (Without overdubs)
14. 900 Miles from My Home (Unreleased) (Traditional, arranged by Bob Dylan)
1. One for the Road (Unreleased)
2. I'm Alright (Unreleased)
3. Blowin' in the Wind (Unreleased)
4. Apple Suckling Tree (Restored version)
5. Nothing Was Delivered (Restored version)
6. Folsom Prison Blues (Unreleased) (written by Johnny Cash)
7. This Wheel's on Fire (Without overdubs) (written by Bob Dylan and Rick Danko)
8. Yea! Heavy and a Bottle of Bread (Restored version)
9. Don't Ya Tell Henry (Alternate version)
10. Baby, Won't You be My Baby (Unreleased)
11. Sign on the Cross (Unreleased)
12. You Ain't Goin' Nowhere (Without overdubs)$99.99180 Gram Audiophile Virgin Vinyl LP + 2 CD - 3 LPs Sealed Buy Now
The Last WaltzMastered By Chris Bellman At Bernie Grundman Studios From The Original Analog Tapes And Pressed At RTI
On Thanksgiving Day 1976, The Band took the stage for the very last time at the Winterland Theatre in San Francisco for THE LAST WALTZ, which has gone on to become one of the most heralded performances of all time. Joining The Band on stage throughout the evening was an unprecedented group of pioneers in music including Eric Clapton, Neil Diamond, Bob Dylan, Dr. John, Joni Mitchell, Van Morrison, Muddy Waters, and Neil Young, among others.
The Band, more than any other group, put rock and roll back in touch with its roots. With their ageless songs and solid grasp of musical idioms, the Band reached across the decades, making connections for a generation that was, as an era of violent cultural schisms wound down, in desperate search of them. They projected a sense of community in the turbulent late Sixties and early Seventies - a time when the fabric of community in the United States was fraying.
Guitarist Robbie Robertson drew from history in his evocative, cinematic story-songs, and the vocal triumvirate of bassist Rick Danko, drummer Levon Helm and keyboardist Richard Manuel joined in rustic harmony and traded lines in rich, conversational exchanges. Multi-instrumentalist Garth Hudson provided musical coloration in period styles that evoked everything from rural carnivals of the early 20th century to rock and roll revues of the Fifties. (via RockHall.com)LP1
1. Theme From The Last Waltz
2. Up On Cripple Creek
3. Who Do You Love
7. Dry Your Eyes
8. It Makes No Difference
9. Such A Night
1. The Night They Drove Old Dixie Down
2. Mystery Train
3. Mannish Boy
4. Further On Up The Road
5. Shape I'm In
6. Down South In New Orleans
8. Tura Tura Lural (That's An Irish Lullaby)
1. Life Is A Carnival
2. Baby Let Me Follow You Down
3. I Don't Believe You (She Acts Like We Never Have Met)
4. Forever Young
5. Baby Let Me Follow You Down (Reprise)
6. I Shall Be Released
The Last Waltz Suite:
7. The Well
9. Out Of The Blue
10. The Weight
11. The Last Waltz Refrain
12. Theme From The Last Waltz (with Orchestra)$36.99Vinyl LP - 3 LPs Sealed Buy Now
Rock 'n Roll BluesLuther Dickinson enters a new phase of his storied musical
career with his rollicking and raw new solo album, Rock 'n
Roll Blues. From the propulsive beat and unbridled sound of
opener Vandalize, to the insanely catchy Bar Band, it's clear this
is a unique chapter in the acclaimed Southern musician's
songbook. More informed by a youth spent listening to punk rock
than the blues and boogie rock of his revered band North Mississippi
Allstars, the record consists mostly of acoustic guitar, stand up
bass and drums and although not punk in sound, it is in spirit and
the DIY ethos. In essence, an autobiography set to music, the
10-track LP traces Luther's journey from excitable teen to
tour-van vet and offers a side of himself seldom seen before.
The son of the late great producer and musician Jim Dickinson,
Luther made his recording debut at age 14 and has recorded
with a who's who of musicians including The Replacements,
Beck, Jon Spencer, John Hiatt, Levon Helm, Mavis Staples,
Ry Cooder and Patty Grifffin. He is the lead guitarist and vocalist
for the North Mississippi Allstars and widely known as both a
talented musician and producer with four Grammy® nominations
to prove it - three in the contemporary blues category and one in
traditional folk.1. Vandalize
2. Blood 'n Guts
3. Yard Man
4. Goin' Country
5. Mojo, Mojo
6. Rock 'n Roll Blues
7. Bar Band
8. Stone's Throw
9. Some Ol' Day
10. Karmic Debt$18.99Vinyl LP - Sealed Buy Now
My Fair, My DarkThis seven song mini album features guest appearances by Levon Helm, Michael Hurley, and Tara Jane O'Neil, and includes covers of songs by John Martyn, Dolly Parton, and Annie Briggs. The 12-inch includes a bonus track, is pressed on 180-gram vinyl, and includes a free digital download card.1.My Fair, My Dark
2.Don't Wreck It
3.Road To Ruin
4.Pain Of Loving You, The
5.Late Blues - (live)
7.Time Has Come$15.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Stone Beads And SilverMarc Carroll weaves together folk and country influences on Stone Beads and Silver, an album that evokes the space and distance of the deserts and coasts of California. To record the album Marc put together a band boasting some of the best musicians working in American music today, including Bo Koster (My Morning Jacket), Nelson Bragg & Probyn Gregory (Brian Wilson), McKenzie Smith (Midlake) and Larry Campbell (Bob Dylan, Levon Helm).1. Muskingum River
2. The Fool Disguised In Beggars Clothes
3. Nobody, No Nothin'
4. They'll Never Find Us Here
5. If Only To Remind Her
6. (It Was) Lust Not Love
7. The Silence I Command
8. Sat Neath Her Window
9. You Can Never Go Home
10. Delicate Grace$15.99Vinyl LP - Sealed Buy Now
Pressed On 150g Wax, The Vinyl Release Features A Color Insert With Lyrics
"Dylan and Leonard Cohen are brought to mind, such is the depth of emotion wrought by Felice's careful approach." - BBC
"The most unique person i know in the world, incredible charisma. He sees things in a way that nobody else sees them, which is why his music is beautiful." - Ben Lovett of Mumford & Sons
"There is a boldness to Simone's writing, the fierceness and fearlessness of complete honesty that pushes into places that simply take the breath away some of his songs are so perfectly formed they sound like they might have been around forever..." - The Telegraph
Simone Felice is a founding member (lyricist, vocalist, drummer and guitarist) of internationally acclaimed Catskill Mountain-based
artists The Felice Brothers and The Duke & The King. He has toured and worked with the likes of The Band's Levon Helm, Conor
Oberst & Bright Eyes, Gillian Welch & David Rawlings, The Lumineers, Mumford & Sons, Rick Rubin, The Avett Brothers and
Old Crow Medicine Show.
His new full-length album, Strangers, is a ten song collection recorded in the Catskills with co-producer David Baron and includes
guest artists The Felice Brothers, Leah Siegel and Wesley Schultz & Jeremiah Fraites of The Lumineers. Here is a body of work that
truly captures Simone's rare gift as a poet, song-crafter and unique visionary1. Molly-O!
2. If You Go To LA
3. Running Through My Head
4. Our Lady of the Gun
5. Bye Bye Palenville
7. The Best That Money Can Buy
9. Bastille Day
10. The Galows$16.99Vinyl LP - Sealed Buy Now
Another LifeJames Maddock affirms his status as a fixture in downtown Manhattan's folk and Americana scene with his album 'Another Life.' As NPR says of the British transplant, "his timeless songwriting style, which seems to draw from great songwriters of every era, conveys quiet confidence and lovely intimacy."
Nodding to '70s rock with shimmering acoustic guitars, an understated rhythm section and flourishes of fiddle, mandolin, piano and dobro, 'Another Life' bridges the mainstream appeal of songwriters like Jesse Harris and Norah Jones and the quirkier sensibility of Loudon Wainwright. With funding entirely from fan contributions through PledgeMusic, Maddock worked with producer Matt Pierson, multi-instrumentalist Larry Campbell (who's played with Bob Dylan and Levon Helm) and bassist Tony Scherr (who plays with Norah Jones).
The 13 songs on 'Another Life' paint a portrait of a man reaching the midpoint of his life, a natural progression from themes in Maddock's earlier releases. He's looking back on roads not taken, and isn't always sure he chose the right one. On the title track, Maddock wants an extra 50 years to try "acting, white-water rafting," "some illegal substances," even having a kid or three. "I've Been There Too," built around an indelible guitar riff, shows Maddock's knack for instrumental hooks as well as lyrical ones. "Don't Go Lonely," in a well-timed moment of levity, hints at reggae with dub bass, bubbling organ and the chorus's entreaty to "go get high, go get found, go crazy on this town / don't go lonely."
After fronting the Columbia Records band Wood, whose debut 'Songs From Stamford Hill' was featured prominently on TV shows such as "Dawson's Creek," Maddock moved from England to New York City in 2003. His 2009 album 'Sunrise On Avenue C' won a New York Music Award for Best Americana Album, while follow-up 'Wake Up And Dream' ranked among the top albums of 2011 in WFUV's (NYC) Listener Poll. He's performed with Bruce Springsteen, Willie Nile, Aaron Comess (Spin Doctors) and David Immergluck (Counting Crows), sang on an album with Susan McKeown, and is a resident artist at Rockwood Music Hall. According to radio legend Vin Scelsa, Maddock's heartbreakingly beautiful and exquisitely crafted music touches the soul.1. Another Life
2. Arizona Girl
3. Timing's Everything
4. Ive Been There Too
5. That's Heavy
6. What I Miss
7. Easy To Give
8. Don't Go Lonely
9. What Have I Done?
10. Strategies For Life
11. Better On My Own
12. If I Had A Son
13. Making Memories$16.99Vinyl LP - Sealed Buy Now
Where I've Been"I think this is the best work we've ever done," explains JD & The Straight Shot founder and frontman Jim Dolan of the band's latest release, Where I've Been. "I'm so proud of the music that my band and I have put together. I believe in this album."
Produced by Joe Walsh, Where I've Been features several breakthrough singles including "Governor's Song," which challenges some of today's most well-known political figures; "Under That Hood," a transformative single that tells the tragic story of Trayvon Martin; and "Hard to Find," which will be featured in the highly-anticipated film, St. Vincent, starring Bill Murray and Melissa McCarthy.
Dolan's day gig is Cablevision Systems CEO and Executive Chairman of Madison Square Garden, where he also oversees New York sports teams such as the Knicks and the Rangers. Music is his passion.
"I needed something in my life where I felt like I was actually creating," says Dolan. "Most of what I do as an executive is orchestrate. I don't actually set up cable and I don't really shoot hoops," he says, laughing. "Music is something I've played since I was a kid. It's me purely expressing myself."
JD & The Straight Shot's creative nucleus is Dolan and guitarist Marc Copely (B.B. King), who pen all the band's music and lyrics. Instrumentally indispensable is guitarist Aidan Dolan; keyboardist Brian Mitchell (Bob Dylan, Levon Helm); and drummer Joe Magistro (The Black Crowes). Also part of the band are some of pop music's finest session players, bassist Zev Katz (Aretha Franklin, Elton John), and violinist Erin Slaver (Rod Stewart, Trace Adkins, Martina McBride).
Dolan started JD & The Straight Shot in 2000. The band has recorded four previous albums: Midnight Run (2012), Can't Make Tears (2011), Right On Time (2008), and Nothing To Hide (2005) - as well as an EP, Daily News Blues (2010).
The band's style is steeped in the quiet fire of Americana, with distinctive elements of the blues and mystical, rustic, New Orleans-flavored roots music - topped off with a dash of the classic rock of Dolan's youth.
"I grew up on bands like the Allman Brothers," says Dolan. "We played those records until the grooves wore right off of them."
JD & The Straight Shot has been covered by The New York Times, Billboard, and New York Magazine, among other publications, and performed on "Good Day New York." Their song "Can't Make Tears" is the theme song for AMC's TV show Hell on Wheels, and their music has been featured in many films, including the critically acclaimed August: Osage County.
The group has opened for the Eagles on several tours, including the current "History of the Eagles" tour, the "Summer 2010" tour, and the band's stadium tour with the Dixie Chicks and Keith Urban. JD & The Straight Shot has also opened up for both Joe Walsh and Don Henley's solo tours, the James Gang reunion tour, and performed at the New Orleans Jazz & Heritage Festival and Austin City Limits.1. Palm Reader
2. Where I've Been
3. Hard To Find
4. Under That Hood
5. The Drift- PT 1
6. Violet's Song
7. Going Nowhere Good
8. White Bird
9. Girls Night Out
10. Governor's Song
12. Fall From Grace
13. The Drift- PT 2$21.99Vinyl LP - Sealed Buy Now