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Live At Luther'
Live At Luther CollegeLive at Luther College is a live album by Dave Matthews and Tim Reynolds recorded at Luther College in Decorah, Iowa,
On February 6, 1996, Dave Matthews and guitarist Tim Reynolds played an intimate set at Iowa's Luther College, wowing fans with acoustic arrangements of Dave Matthews Band songs. The two hour-plus set included songs that would appear on that year's Crash, along with fan favorites "Granny" and "Deed Is Done" otherwise unreleased at the time of the 1999 debut of the Live At Luther College CD.LP 1
1. One Sweet World
3. Tripping Billies
4. Jimi Thing
6. Crash Into Me
1. Deed Is Done
2. Lover Lay Down
3. What Would You Say
5. Cry Freedom
6. Dancing Nancies
1. Typical Situation
4. Christmas Song
1. Seek Up
2. Say Goodbye
3. Ants Marching
4. Little Thing
7. Two Step$75.99Vinyl LP Box Set - 4 LPs Sealed Buy Now
Live At Town Hall Party 1958
FIRST TIME ON VINYL
The birth of country cool! The Johnny Cash you hear on these two remarkable live per formances is not the venerable legend of today. This was the young, feral Cash, full of piss, vinegar and sly orneriness. Even to those who know every note, joke and guitar lick on Johnny Cash At Folsom Prison or San Quentin, hearing Cash in his prime, aided and abetted by the Tennessee Two, guitarist Luther Perkins and bassist Marshall Grant, is a revelation. These historic documents, sourced directly from the 1958 and 1959 kinescope reels, capture Cash in his most revolutionary days, laying the bedrock of all that was to come anddespite age and infirmitiescontinues today.1. Town Hall Party Intro
2. Johnny Cash Intro
3. Get Rhythm
4. Johnny Introduces The Band
5. You're The Nearest Thing To Heaven
6. I Was There When It Happened
7. Don't Take Your Guns To Town
8. Frankie's Man Johnny
9. I Walk The Line
10. The Ways Of A Woman In Love
11. Give My Love To Rose
12. It Was Jesus
13. All Over Again
14. Suppertime$24.99Vinyl LP - Sealed Buy Now
Live At Town Hall Party 1959
FIRST TIME ON VINYL
The birth of country cool! The Johnny Cash you hear on these two remarkable live performances is not the venerable legend of today. This was the young, feral Cash, full of piss, vinegar and sly orneriness. Even to those who know every note, joke and guitar lick on Johnny Cash At Folsom Prison or San Quentin, hearing Cash in his prime, aided and abetted by the Tennessee Two, guitarist Luther Perkins and bassist Marshall Grant, is a revelation. These historic documents, sourced directly from the 1958 and 1959 kinescope reels, capture Cash in his most revolutionary days, laying the bedrock of all that was to come and -despite age and infirmities- continues today.1. Town Hall Party Intro
2. Guess Things Happen That Way
3. Five Feet High And Rising
4. Johnny Introduces The Band
5. I Got Stripes
6. The Ways Of A Woman In Love
7. Big River
8. Frankie's Man Johnny
9. I Walk The Line
10. Pickin' Time
11. Folsom Prison Blues
12. Don't Take Your Guns To Town
13. I Was There When It Happened
14. Heartbreak Hotel
15. I Got Stripes$24.99Vinyl LP - Sealed Buy Now
Freedom Highway Complete
Newly Remixed And Remastered
Expanded To Include 30+ Additional
Minutes Of The Original Church Service
Includes 7 Previously Unreleased Tracks
Liner Notes By Renowned Author And
Documentarian Robert Gordon
Freedom Highway Complete: Recorded Live at Chicago's New Nazareth
Church is a newly remixed, remastered and expanded edition of the live
concert masterpiece recorded by the Staple Singers in April 1965 in support
and celebration of that year's historic civil rights marches from Montgomery
to Selma, Alabama. In this stirring collection you will find the fervent
emotions and depth of feeling that only the most inspired gospel, folk and
handclapping music can provide.
First released on Epic Records as an LP in 1965 the original Freedom
Highway album was constrained by the time limits of 12" vinyl and the full
service was edited down to only include key performance tracks. Freedom
Highway Complete: Recorded Live at Chicago's New Nazareth Church
is newly expanded to include 30+ additional minutes of the original
performance and church service.
The exultant title song, "Freedom Highway", was written in March, 1965, at
the time Rev. Martin Luther King led the momentous freedom march from
Selma to Montgomery, Alabama. "When the Saints Go Marching In," "He's
All Right" and "We Shall Overcome" are other songs of a jubilant nature. In
the last selection, The Staple Singers are joined by the great choir of the
New Nazareth Church under the direction of Miss Ora Lee Hopkins.1. Intro by Pops Staples*
2. When The Saints Go Marching In
3. The Funeral
4. Build On That Shore
5. We Shall Overcome
6. Freedom Highway
7. What You Gonna Do?
8. Precious Lord, Take My Hand
9. When I'm Gone
10. Help Me Jesus
11. Rev. Hopkins/Offering*
12. Jesus Is All*
13. Samson and Delilah*
14. View The Holy City*
15. Tell Heaven
16. He's All Right
17. Pops Outro*
18. Benediction Save the Last Dance for Me*
*Previously unreleased$29.99Vinyl LP - 2 LPs Sealed Buy Now
ALIVE In AmsterdamOn November 28th 2015, Walter Trout took the stage at Amsterdam's Opulent Royal Theater Carre for a captivating live performance that showcased the blues-rock legend at full-throttle. With songs pulled from every era of his five-decade career, the 'ALIVE In Amsterdam' set is potent, From the stinging Luther Allison cover "I'm Back," to the plaintive B.B. King tribute "Say Goodbye To The Blues," which builds from neck-tingling guitar swells to a stunning virtuoso climax. 'Battle Scars' is well-represented by the harmony-bolstered rocker "Almost Gone" and the raucous "Tomorrow Seems So Far Away," while Trout is joined by his son Jon for "Rock Me Baby," and even finds time for a fistful of fan favorites, including "The Love That We Once Knew" and "Marie's Mood."
'ALIVE In Amsterdam' is the sound of a man announcing his resurrection after a period on the ropes. As Trout's army of international fans are painfully aware, recent times have taken the bandleader to the brink, hollowing a bleak diagnosis of life-threatening liver failure and hepatitis C in 2013. Trout's rebirth began with a successful transplant in may 2014, and gathered speed with 2015's 'Battle Scars': the acclaimed studio album that channeled his near-death experience into raw autobiographical songs.
Urgent, impassioned, and electrifying, ALIVE In Amsterdam is a live album to treasure. Walter Trout is on tour all this year, stopping off at some of the most prestigious venues such as Royal Albert Hall, Carnegie Hall, and Ryman Auditorium, as well as festivals in the US and Europe including Lead Belly and New Orleans Jazz & Heritage festivals. Trout always shows you magic in the studio, but it's on stage where he truly comes alive!LP 1
1. Marie's Introduction
2. Play The Guitar
3. Help Me
4. I'm Back
5. Say Goodbye To The Blues
6. Almost Gone
2. Tomorrow Seems So Far Away
3. Playin' Hideaway
4. Haunted By The Night
5. Fly Away
6. Please Take Me Home
1. Rock Me Baby
2. Marie's Mood
3. Serve Me Right To Suffer
4. Love That We Once Knew$27.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
Dark Night Of The SoulThis musical DNA has been in Jimbo Mathus since birth. His father and relatives
were all skilled musicians who filled the house with old folk, country and blues
tunes. By the age of eight, Mathus was joining them on mandolin and by his
teenage years had learned guitar and piano. High school led to playing in punk
and new wave bands, the most notable being Johnny Vomit and the Dry Heaves
and The End, with future Oblivian Jack Yarber. Post high school, Mathus studied
Philosophy at Mississippi State University before leaving to travel around
America. In doing so he worked various jobs, including an influential stint as
a barge tankerman on the mighty Mississippi River. Settling in Chapel Hill,
N.C., he drummed in the cult rock band Metal Flake Mother prior to starting
the Squirrel Nut Zippers. This ahead-of-its-time retro roots band scored a hit
with "Hot" and performed at President Clinton's second Inauguration and the
1996 Summer Olympics. Following the Zippers' split, Mathus worked with such
noted artists such as Buddy Guy and Elvis Costello, and collaborated with North
Mississippi Allstars guitarist Luther Dickinson and Alvin Youngblood Hart in the
South Memphis String Band. He also recorded his own albums (including one
dedicated to his childhood nanny Rosetta Patton, the daughter of Delta blues
icon Charley Patton).
On most of 'Dark Night's' tracks, Mathus' acoustic guitar is surrounded by
the electric guitar played by his longtime sideman Matt Pierce and pal Eric
"Roscoe" Ambel. (Ambel produced 'White Buffalo' but on 'Dark Night' he focuses
exclusively on his righteous guitar playing.) The album's raw, rock sound arose
from the fact that most of the tracks were recorded live in the studio with
Mathus' band, the Tri-State Coalition, which he found "very liberating way of
doing it." Mathus feels very in synch with his bandmates (keyboardist Eric
Carlton, drummer Ryan Rogers, guitarist Pierce and guest bassist and Drive By
Trucker Matt Patton) since they have played together now for several years.
"The intensity you're hearing on this album," he proclaims, "is the spirit of a
band that is put ting it's shit on the line ."1. Dark Night Of The Soul
2. White Angel
3. Rock & Roll Trash
4. Shine Like A Diamond
5. Writing Spider
7. Burn The Ships
8. Fire In The Canebrake
9. Hawkeye Jordan
10. Casey Caught The Cannonball
12. Butcher Bird$16.99Vinyl LP - Sealed Buy Now
Four Foot Shack (Awaiting Repress)How "deconstructed" can a group get? How about just one vocal, one bass, one guitar, and a basic beat supplied by stomping on a mini-tambourine-doohickey? That's exactly what everyone's favorite storyteller/narrator, Les Claypool, is incorporating in his new band, Duo de Twang. While Les is still pulling double duty with the Primus lads, he has also found the time to unite with his old buddy, Bryan Kehoe, who fans will recognize from several past Claypool projects, and also as one of the main actors from Les' hilarious jam band mockumentary, 'Electric Apricot: Quest for Festeroo.' But unlike Primus, DDT focuses more on the Americana/rootsy side of things - as heard throughout the band's debut recording Four Foot Shack, to be released via ATO Records.
And as evidenced by DDT's live shows and debut, Les and Bryan mostly mix traditional tunes, popular covers, and readings of Primus classics (all of which are usually barely recognizable when compared to the original versions). Case in point, the inclusion of "Battle of New Orleans," "Stayin' Alive," "Man in the Box," "Wynona's Big Brown Beaver," and "Jerry Was A Race Car Driver" on DDT's debut disc. "A lot of it is just stumbling across it," explains Les about how a tune is selected to be twang-ified. "You're twanging away, and then all of a sudden, something just comes out. And then you laugh about it or you don't. And then you move on. There are tons of songs that we've stumbled across, and these ones just happened to be the ones that stuck."
Upon hearing Four Foot Shack you'll quickly discover that Les and Bryan made it a point to keep things as live-sounding as humanly possible. "It was very live," admits Les. "In fact, it was a little difficult, with all the bleed of the stomping and the bass and the vocals. Every now and again you can hear the studio refrigerator come on or the dog barking at something outside in the background. Once it was there, you had to kind of leave it."
Les added, "The Twang project is me exploring a lot of stuff that I personally listen to; Johnny Horton, Vernon Dalhart, Jerry Reed, Bob Wills, Eddy Cochran stuff like that - it's another door for me to open. I'm doing this sort of Luther Perkins, Johnny Cash guitar-ish type part on my bass, by doing the old ding-dinka-ding, dinka-ding-dinka-ding on a lot of the stuff. It took me a little bit to get that. Now that I've gotten it, I can pull songs out of the air and it's surprising how many songs easily succumb to the twang, and can be complimented by the twang. When all is said and done, it's just a hell of a fun project for me right now. I'll do it 'til it's not fun anymore."1. Four Foot Shack" (Les Claypool's Duo de Twang)
2. Wynona's Big Brown Beaver" (Primus)
3. Amos Moses" (Jerry Reed)
4. Red State Girl" (Les Claypool)
5. The Bridge Came Tumblin' Down" (Stompin' Tom Connors)
6. Boonville Stomp" (Les Claypool)
7. Stayin' Alive" (Bee Gees)
8. Rumble of the Diesel" (Les Claypool)
9. Pipe Line" (The Chantays)
10. Buzzards of Green Hill" (Les Claypool's Fearless Flying Frog Brigade)
11. Hendershot" (Les Claypool's Fearless Flying Frog Brigade)
12. Man in the Box" (Alice in Chains)
13. D's Diner" (Les Claypool's Fearless Flying Frog Brigade)
14. Battle of New Orleans" (Johnny Horton)
15. Jerry Was a Race Car Driver" (Primus)$21.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Southern AvenueSouthern Avenue is a Memphis street that runs from the easternmost part of the city limits all the way to Soulsville, the original home of Stax Records. Southern Avenue is also the name of a fiery young Memphis quintet that embodies its home city's soul, blues and gospel traditions, while adding a youthful spirit and dynamic energy all their own. "If Memphis is a genre, this is it!" proclaims American Blues Scene and Rock 103FM calls Southern Avenue "The most talked about band in Memphis."
Their self-titled debut album is a breath of fresh air with its own unique blend of gospel- tinged R&B vocals, roots/blues-based guitar work and soul-inspired songwriting. And Southern Avenue's upcoming release on the fabled Stax label is a testament to the young combo's talent and vision.
Southern Avenue features five young but seasoned musicians who came from diverse musical and personal backgrounds to create music that spans their wide-ranging musical interests, while showcasing the powerful chemistry that the group has honed through stage and studio experience.
Southern Avenue encompasses Memphis-born, church-bred sisters Tierinii and Tikyra Jackson, respectively a soulful, charismatic singer and a subtle powerful drummer; guitarist Ori Naftaly, an Israeli-born blues disciple who first came to America as an acclaimed solo artist; versatile jazz-inspired bassist Daniel McKee; and the band's newest addition, keyboardist Jeremy Powell, an early alumnus of Stax's legendary music academy.
The band members' diverse skills come together organically on Southern Avenue, scheduled for release on February 24, 2017 via Stax Records, a division of Concord Music Group. Produced by Kevin Houston (North Mississippi Allstars, Lucero, Patty Griffin), the 10-song album features guest appearances from Luther Dickinson of the North Mississippi Allstars and trumpeter Marc Franklin of the Bo-Keys. But it's Southern Avenue's own potent musical chemistry that drives such sublimely soulful originals as Don't Give Up, What Did I Do, It's Gonna Be Alright, Love Me Right and Wildflower. The band also pays tribute to its roots with an incandescent reading of Ann Peebles' Memphis soul classic Slipped, Tripped and Fell in Love.
The seeds for Southern Avenue's birth were planted when Ori Naftaly, who'd grown up in Israel with a deep-rooted passion for American blues and funk, came to Memphis in 2013 to compete in the prestigious International Blues Challenge. That experience led to Naftaly moving permanently to Memphis and successfully touring the United States with his own band. Although his talents were embraced by American audiences, Naftaly felt constrained in his own band, feeling the need to include a more expansive, collaborative musical vision. That opportunity arrived when he met Memphis native Tierinii Jackson, who'd gotten her start singing in church, before performing in a series of cover bands and theatrical projects.
According to Ori, When I saw Tierinii perform, I thought, 'This is why I came to America.' I met her and we clicked. At our first rehearsal, she told me that her sister was a drummer, and she thought it would be great to have her in the band. We had such a good vibe, and suddenly I didn't care so much about my solo thing.
I initially clicked with Ori really well, but it was his project, Tierinii remembers. Then he came to me and said 'I want this band to be a collaboration, I want this to be our vision and our music.' So we started writing together, and that's when I realized that we were really the same musically.
We started over, Naftaly continues. We threw out most of the songs I'd been playing in my solo band, and Tierinii and I wrote a whole new set, and we became Southern Avenue. The more we played together, the closer we got, and the more we became a family. We started getting a different kind of crowd, and from there things escalated quickly.
Ori said, 'My band is done, this is y'all's band,' Tierinii recalls. We all quit our other gigs and started focusing on this, working and writing and living together in a way that you don't experience when you're playing somebody else's music. Now we're playing songs that we wrote ourselves and we're playing them from our hearts. That is when I realized that we had something special. Despite not having a record deal, Southern Avenue quickly found success touring in America and Europe. They won additional attention playing some prestigious festivals and competing in the International Blues Challenge, in which they represented Memphis. Less than a year after the band's formation, they were signed to the resurgent Stax label.
I feel like being on Stax is a responsibility, says Tierinii. I grew up in Memphis, seeing the name Stax everywhere. It was a constant presence, and now it's up to us to live up that. I feel like this band can be a platform to do a lot of positive things for the city of Memphis. I want to change the world, but Memphis is home. Tierinii views Southern Avenue as a perfect soundtrack to our first year together. We wrote these songs in our first nine months of being a band. We'd all done so many things and come from so many different places, but the music represents all of us. It's been a real crash course, she continues. We've haven't been a band for very long, but what we have feels very special, and it's made us a strong unit. I think that we represent something that people need to see right now.
This band has already made our dreams come true, Ori concludes. I've waited all my life to be in a band like this, and it's amazing to me that I get to play with these people every night. Our goal is to keep doing this for a long time and leave our mark. We're trying to build a legacy.1. Don't Give Up
2. What Did I Do
3. It's Gonna Be Alright
4. Slipped, Tripped And Fell In Love
5. Love Me Right
6. 80 Miles From Memphis
8. No Time To Lose
10. Peace Will Come$21.99Vinyl LP - Sealed Buy Now
Porcupine MeatNaming one's album after a song titled "Porcupine Meat" may seem a little unusual - unless, of course, you're Bobby Rush, who earned his first gold record in 1971 with a hit entitled "Chicken Heads." He elaborates on his recent composition: "If a lady won't treat me right, but she doesn't want anyone else to have me, that is hard to digest." Hence the lyric, "too fat to eat, too lean to throw away."
Porcupine Meat is Rush's debut release for Rounder Records, and one of the best recordings of his astonishing 60-plus year career. The album is due out September 16, 2016.
Rush estimates that he has cut over 300 songs since he first began making music. He has been honored with three Grammy nominations, as well as ten Blues Music Awards and 41 nominations. He was inducted into the Blues Hall of Fame in 2006.
Make no mistake: Rush is not your typical octogenarian. At age 82, he exudes the energy of a 20-year-old, on the road for more than 200 dates a year. His hectic tour schedule has earned him the affectionate title King of the Chitlin' Circuit. Rush has traveled the globe including Japan and Beirut. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and the ribald humor that he has cultivated during the course of his storied career.
Born Emmet Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. According to Rush, his parents never talked about the blues being the devil's music. "My daddy never told me to sing the blues, but he also didn't tell me to not sing the blues. I took that as a green light."
Rush built his first guitar when he was a youngster. "I didn't know where to buy one, even if I had the money. I was a country boy," he says. After seeing a picture of a guitar in a magazine, he decided to make one by attaching the top wire of a broom to a wall and fretting it with a bottle. He also got some harmonica lessons from his father He eventually acquired a real guitar, and started playing in juke joints as a teenager, when his family briefly relocated to Little Rock, Arkansas. The fake moustache Rush wore made club owners believe he was old enough to gain entry into their establishments. While he was living in Little Rock, Rush's band, which featured Elmore James, had a residency at a nightspot called Jackrabbit.
During the mid-1950s, Rush relocated to Chicago to pursue his musical career and make a better life for himself. It was there that he started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed, Willie Dixon, and Little Walter. Rush eventually began leading his own band in the 1960s. He also started to craft his own distinct style of funky blues, and recorded a succession of singles for a various small labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album for Kenny Gamble and Leon Huff's Philadelphia International Label.
Rush relocated one final time, to Jackson, Miss. in the early 1980s. He was tired of the cold up north, and he realized that setting up his base of operations directly in the center of the South would make it easier to perform in nearby cities on weekends. More indie label recordings followed. Songs like "Sue, A Man Can Give (But He Sure Can't Take It)," "What's Good For The Goose Is Good For The Gander Too," and" I Ain't Studdin' You" became regional jukebox favorites in juke joints throughout the region, and many of those songs are still fan favorites that are an integral part of his live repertoire.
Since 2003, Rush has self-released the majority of his work (including the critically acclaimed Folk Funk album) on his Deep Rush label, but recently, he came to the realization that having a bigger record company behind him would be beneficial. "I outgrew myself," he says. "I need someone to help in doing the things I can't do. When you are wearing all the hats, you can't be everywhere at once."
Enter esteemed producer and two-time Grammy winner Scott Billington, Rounder Records' longtime VP of A&R. Billington first met Rush at a Recording Academy meeting 25 years ago, and they became fast friends. He has wanted to work with Rush ever since. "He is the most vital bluesman of his generation," says Billington. He continues, "There are many people who still don't know Bobby Rush, even though he is a hero in the parallel universe of the Chitlin' Circuit - fans stop him on the street in Memphis and Helena and Little Rock."
Porcupine Meat will not only please Rush's older fans, but is likely to win over many new ones. Billington reflects, "We wanted to come up with something fresh, while staying 100% true to Bobby."
The album was recorded in New Orleans, and Rush was pleased and proud to be given the opportunity to make an album in his home state for the very first time. His impassioned vocals and in-the-pocket harmonica playing are among the best performances of his career. Unlike most of his recent releases, these sessions only feature real instruments and no synthesizers. All of the rhythm tracks were cut live in the studio, often edited down from jams that on several occasions ran close to ten minutes.
For the project, Billington assembled some of the best Louisiana musicians, including Shane Theriot, David Torkanowsky, Jeffrey "Jellybean" Alexander, Kirk Joseph, Cornell Williams, and others. Rush brought along his old friend and longtime collaborator, guitarist Vasti Jackson, who worked with Bobby and Scott on getting the songs ready for the studio. Guitar greats Dave Alvin, Keb' Mo', and Joe Bonamassa all make guest appearances on the album.
Rush has always been a prolific and clever songwriter. The songs he penned for Porcupine Meat such as "Dress Too Short," "I Don't Want Nobody Hanging Around," "Me, Myself And I," "Nighttime Gardener," "It's Your Move," and the title selection, all equal or rival his best material. "Funk O' De Funk" delivers exactly what the title suggests and what Rush has always done the best, which is putting the funk into the blues. While "Got Me Accused" is inspired by events from Rush's own life, the lyrics tell an all-too-familiar tale about the rampant racial injustice that afflicts our society. Producer Billington and his wife Johnette Downing (the well known New Orleans songwriter and children's musician) co-wrote a couple of fine selections, "Catfish Stew" and "Snake In The Grass."
Bobby Rush is the greatest bluesman currently performing. Porcupine Meat is a testament to his brilliance, which presents him at his very best, and doesn't try to be anything that he is not. "I just try to record good music and stories," he humbly states. With this recording, he has more than accomplished his goal, and has produced one of the finest contemporary blues albums in recent times.1. I Don't Want Nobody Hanging Around
2. Porcupine Meat
3. Got Me Accused
4. Snake in the Grass
5. Funk O' De Funk
6. Me, Myself and I (feat. Joe Bonamassa)
7. Catfish Stew
8. It's Your Move (feat. Dave Alvin)
9. Nighttime Gardener (feat. Keb Mo)
10. I Think Your Dress Is Too Short
11. Standing on Shaky Ground
12. I'm Tired (Tangle Eye Mix)$25.99Vinyl LP - 2 LPs Sealed Buy Now