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Live At Massey Hall'
Live at Massey Hall 1971 (Awaiting Repress)In hindsight, Neil Young now admits that Live At Massey Hall should have come out between After the Gold Rush and Harvest. The legendary 1971 concert features a solo Young with just a guitar, a piano and a mic debuting what were mostly new songs at the time. I'm gonna sing mostly new songs tonight, Neil Young tells the rapt Massey Hall audience, I've written so many new ones that I can't think of anything else to do with them other than sing 'em. The sound quality is impeccable and the setting lends a profound intimacy to Young's voice and musicianship, making this an overall remarkable recording and a mystery that it wasn't released sooner. The acclaimed Toronto performance features brilliant takes on some of Young's most enduring classics including; Old Man, Cowgirl In The Sand, Ohio and a suite of A Man Needs A Maid and Heart Of Gold before they were recorded for Harvest. Live At Massey Hall is a newly mined rock gem here on Classic Records' stunning 180g Quiex Super Vinyl Profile!1. On The Way Home
2. Tell Me Why
3. Old Man
4. Journey Through The Past
6. Love In Mind
7. A Man Needs A Maid/Heart Of Gold Suite
8. Cowgirl In The Sand
9. Don't Let It Bring You Down
10. There's A World
11. Bad Fog Of Loneliness
12. The Needle And The Damage Done
13. Ohio [Live At Massey Hall
14. See The Sky About To Rain
15. Down By The River
16. Dance Dance Dance
17. I Am A Child$29.99180 Gram Audiophile Classic Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Jazz At Massey HallImport
180 Gram Vinyl
Live At Massey Hall, Toronto, Canada, May 15, 19531. Perdido
2. Salt Peanuts
3. All Things You Are
4. 52nd Street Theme
6. Hot House
7. A Night In Tunisia$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Live At The Cellar Door
Mastered By Chris Bellman At Bernie Grundman Mastering And Pressed At Pallas In Germany
Neil Young will release Live At The Cellar Door, the latest in his Archives Performance Series, on Reprise Records. The album collects recordings made during Young's intimate six-show solo stand at The Cellar Door in Washington D.C. between November 30th and December 2nd, 1970, a few months after Reprise released his classic third solo album After The Gold Rush in August.
The album, which features Young performing on acoustic guitar and piano, includes tracks that are interesting for several reasons, such as stunning live versions of songs that appeared on After The Gold Rush (Tell Me Why, Only Love Can Break Your Heart, Birds, Don't Let It Bring You Down and the title track) and solo performances of the Buffalo Springfield songs Expecting To Fly (from their 1967 second album Buffalo Springfield Again), I Am A Child (from their third and final album Last Time Around and Young's 1977 Decade compilation), and Flying On The Ground Is Wrong, from their 1966 self-titled debut.
In addition, Live At The Cellar Door features early, raw performances of songs that wouldn't appear until subsequent Young albums, including the rarity Bad Fog Of Loneliness (which appears on Live At Massey Hall '71 - released in 2007-but was previously unreleased until the studio band version was included on Archives Vol. 1 1963-1972), Old Man (released two years later on 1972's Harvest album), a rare solo performance of Cinnamon Girl on piano (the full band version appears on Young's 1969 second solo album Everybody Knows This Is Nowhere), and Down By The River, also from Everybody Knows This Is Nowhere.
Live At The Cellar Door was recorded by Henry Lewy and produced by Young.1. Tell Me Why
2. Only Love Can Break Your Heart
3. After the Gold Rush
4. Expecting To Fly
5. Bad Fog of Loneliness
6. Old Man
8. Don't Let It Bring You Down
9. See the Sky About to Rain
10. Cinnamon Girl
11. I Am A Child
12. Down By the River
13. Flying On The Ground Is Wrong$24.99180 Gram Audiophile Classic Vinyl LP - Sealed Buy Now
All Live (Awaiting Repress)180 Gram Audiophile Vinyl
Carefree Highway Tour Limited Edition
Mastered by Joe Reagoso From The Original Tapes
Gordon Lightfoot is celebrating his 5 decades of classic songs & albums and Friday Music is proud to be a part of the celebration with his latest work All Live.
This new 180 Gram Audiophile LP is solely produced by the artist himself from recordings at the famed Massey Hall in Toronto. 19 of his most famous and revered tunes are included like Sundown, If You Could Read My Mind, Early Morning Rain & Carefree Highway.1. 14 Karat Gold
2. If You Could Read My Mind
3. Fine as Fine Can Be
4. Baby Step Back
5. Early Morning Rain
7. A Painter Passing Through
8. Rainy Day People
9. Ringneck Loon
12. Carefree Highway
13. Christian Island
14. The Wreck of the Edmund Fitzgerald
15. Canadian Railroad Trilogy
16. Let It Ride
17. Blackberry Wine
18. Song for a Winter's Night
19. Old Dan's Records$39.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
All The World's A Stage200 Gram Vinyl
Newly Remastered At Abbey Road From Original Analogue Masters
All The World's A Stage is a 1976 double live album recorded at Toronto's Massey Hall during RUSH's 2112 tour. Certified platinum, the original album was formatted for auto-change continual play turntables - this edition matches the original. 2015 is all about 12 Months of RUSH on vinyl!Bastille Day
Fly By Night/In The Mood
Something For Nothing
The Temples Of Syrinx
At The Tobes Of Hades
Across The Styx
Of The Battle
In The End
Working Man/Finding My Way
What You're Doing$38.99200 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Swiss Movement (Speakers Corner)Les McCann had already been playing his way through the clubs and record studios on the US west coast for ten years when his appearance on 21 June 1969 at the relatively new and jazz-soaked festival in Montreux on Lake Geneva changed all that. There, he celebrated his greatest musical success, his number one hit. Half ironically, but proudly in later concerts, when the piano stool could hardly bear him due to his size and weight, he stressed that Swiss Movement had supported him, his wife, children and grandchildren.
Compared To What is a catchy melody that is heard on the radio, again and again, all around the world, today, tomorrow and the day after It is unmistakable, still groovy, full of soul, humorous, stirring. And Cold Duck Time is no way inferior: Eddie Harris blows for all he is worth. Everyone can hear that Benny Bailey was challenged by the unknown themes, but this maestro still managed to capture the audience's ear and attention.
Swiss Movement is, and will remain forever, a highlight among all the jazz LPs that have been recorded live and it shouldn't be missing from any collector's shelf. Along with Benny Goodman's Carnegie Hall Concert from 1938, Charlie Parker & Co.'s Massey Hall concert from 1953, and Ella Fitzgerald's Berlin concert from 1960 - and very few others
- Eddie Harris (tenor saxophone)
- Benny Bailey (trumpet)
- Les McCann (piano, violin)
- Leroy Vinnegar (bass)
- Donald Dean (drums)
Recording: June 1969 live at Montreux Jazz Festival
Production: Joel Dorn & Nesuhi Ertegun
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Compared To What
2. Cold Duck Time
3. Kathleen's Theme
4. You Got It In Your Soulness
5. The Generation Gap$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
- Eddie Harris (tenor saxophone)