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Live At Reading'
Live At Reading (Awaiting Repress)Ranked #1 in Kerrang magazine's 100 Gigs That Shook The World and voted as Nirvana's #1 Greatest Moment by fans in an NME poll, Nirvana's historic August 30, 1992 headlining appearance at the UK's Reading Festival is one of the most bootlegged concerts in the annals of rock 'n' roll. Now, fans finally can own a pristine copy of that entire performance complete with remastered audio.
While the show's centerpiece was a performance of nearly the entire Nevermind tracklist, also noteworthy were early performances of three as yet unrecorded songs which wouldn't be released until a year later on In Utero: All Apologies,Dumb, and, in its first ever public performance, Tourette's. The career-spanning set list also reached back to the band's 1989 Sub Pop debut album, Bleach, for Blew,About A Girl, School, Negative Creep, and the band's first single Love Buzz, and even further back for Spank Thru.
Other songs from the Reading set would appear in studio form on the Incesticide compilation later in the year: Aneurysm, Been A Son and Sliver. Additionally, the band played a pair of beloved covers by two bands that helped shape the formative Nirvana sound: The Money Will Roll Right In by Fang and by The Wipers.1. Breed
2. Drain You
6. In Bloom
7. Come As You Are
9. About A Girl
12. Lounge Act
13. Smells Like Teen Spirit
14. On A Plain
15. Negative Creep
16. Been A Son
17. All Apologies
20. Stay Away
21. Spank Thru
22. The Money Will Roll Right In
24. Territorial Pissings$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
WARB-NON-3208xThe Staves & yMusic
The Way Is ReadNonesuch Records releases The Way Is Read, a twelve-song album by the English trio The Staves-Emily, Jessica, and Camilla Staveley-Taylor (all vocals)-and New York City-based ensemble yMusic. After being commissioned in 2016 by Justin Vernon's Eaux Claires Festival to collaborate on a live performance piece, The Staves delved deep into yMusic's catalogue of contemporary classical compositions to find pieces suited to their lyrics and vocals. While the Festival is known for bringing musicians together for one-off performances, this is the first time one of those partnerships has made the leap into a studio album. The LP was produced by Rob Moose and Jessica Staveley-Taylor and mixed and engineered by Brian Joseph at his studio, Hive, in Eau Claire, Wisconsin.
The two groups will come together live again at a series of special shows at the Walker Art Center in Minneapolis on December 1 and 2, and they also will perform on public radio's A Prairie Home Companion on December 16. The Way Is Read is available to pre-order now from iTunes and the Nonesuch Store, along with an instant download of the album track Trouble on My Mind, which can be heard on Spotify. You can watch a video for that song, directed by yMusic flautist Alex Sopp, here:
Emily Staveley-Taylor says of the collaboration, Our aim from the outset was to truly collaborate with yMusic. We wanted to feel like instruments and join in with some of yMusic's existing work, using our voices in ways we hadn't previously explored. We chopped up compositions and put them together again in new ways. We took old folk songs and made them abstract. The idea of forming an orchestra with these incredible musicians was fascinating. What we have ended up with is everything we'd hoped, more than we dreamed, and hopefully the tip of the iceberg.
Rob Moose of yMusic adds, When Justin raised the possibility of our groups collaborating, we immediately upped the stakes by focusing on a combination of new Staves songs and transformations of yMusic's composed works. It was as much a thrill to hear songs emerge organically over sections of intricate chamber music as it was satisfying to strip songs of the instrument that created them, whether guitar or piano, in order to craft new connective tissue. This project was born of voice memos sent back and forth across the seas, two frenetic days in a Manhattan rehearsal space, a festival set, and a single day of recording in the woods outside of Eau Claire.
The Staves, also known as Jessica, Camilla and Emily Staveley-Taylor, moved to Minneapolis from London in the summer of 2016, where they lived for a year in order to be closer to Eau Claire, Wisconsin, friend and collaborator Justin Vernon's hometown, which has become a creative hub and second home to them. The sisters have worked with Stones and Who producer Glyn Johns, as well as Laura Marling and Ryan Adams producer Ethan Johns. In addition to their three albums and several EPs, The Staves have headlined tours across North America and Europe and performed on tours with Bon Iver, Florence and the Machine, Angus and Julia Stone, and The Civil Wars. The New York Times said of their 2015 Vernon-produced Nonesuch debut, If I Was, the songs are illuminated from within, and Magnet said, The perfection just goes on and on until you start to wonder: Are they human?
Hailed by Performance Today's Fred Child as one of the groups that has really helped to shape the future of classical music, yMusic comprises six New York City instrumentalists-violinist Rob Moose, violist Nadia Sirota, cellist Gabriel Cabezas, clarinettist Hideki Aomori, flutist Alex Sopp, and trumpeter CJ Camerieri-flourishing in the overlap between the pop and classical worlds. Their virtuosic execution and unique configuration has attracted the attention of high profile collaborators-from Paul Simon to Ben Folds to JosÉ González-and inspired an expanding repertoire of original works by some of today's foremost composers, including Nico Muhly and Andrew Norman.1. Hopeless
2. Take Me Home
3. Trouble on My Mind
4. Bladed Stance
5. All My Life
6. Silent Side
7. Year of the Dog
8. Courting Is a Pleasure
9. All the Times You Prayed
11. Sprig of Thyme
12. The Way is Read$21.99Vinyl LP - Sealed Buy Now
LION-BEA-0063xJerry Lee Lewis
Live At The Hamburg StarclubImport
In poll after poll, this LP is hailed as one of the greatest records of all time and quite possibly the greatest live recording ever made. And now this 1964 classic makes a welcome reappearance on vinyl. Jerry Lee Lewis was never in better form, and his backing group, the Nashville Teens try to keep up as he jumps from one classic to another. His reading of Your Cheating Heart is still definitive and Whole Lotta Shakin' is arguably one of the greatest version ever recorded.
Forty-five years later, we can re-live that night on the Reeperbahn. For those who bought the original LP, Bear Family's remastering will enable you to listen to it anew, for those who missed it, there's no excuse now. As a bonus, Bear Family has included one song, Down The Line, missing from the original LP. And when you open the gate-fold cover, there's a large street map (60 x 60cm / 24 x 24) of Hamburg's St. Pauli quarter showing the Reeperbahn and Star-Club. This exclusive full-color graphic was designed by Ulf Harten, a well-known artist and friend of Bear Family.1. Mean Woman Blues
2. High School Confidential
5. What'd I Say Part 1
6. What'd I Say Part 2
7. Great Balls Of Fire
8. Good Golly, Miss Molly
9. Lewis' Boogie
10. Your Cheating Heart
11. Hound Dog
12. Long, Tall Sally
13. Whole Lotta Shakin' Goin' On
14. Down The Line$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
UNIM-SID-3019xThe Horrible Crowes
Live At The Troubadour (Awaiting Repress)Includes DVD With Over An Hour Of Live And Behind The Scenes Footage
On September 14, 2011, The Horrible Crowes took the stage of the legendary Troubadour in West Hollywood, CA for an amazing hour-long plus set. It was only the band's second show, and attendees were able to experience Elsie in an authentic, natural setting.
I think this was one of the highlights of my career, Brian Fallon recalls. Everyone was in great spirits, we were comfortable, and we were playing music that excited us beyond what we thought we were capable of. I remember, on this night, I felt like someone else was playing for us. I love this band, as a fan.
Both Fallon and guitarist Ian Perkins remember that night fondly. I will always look back at this show with the fondest of memories. Sometimes you can walk into a venue and the atmosphere is already there, The Troubadour is one of those places. We were all excited to play such a legendary venue and you only have to read the names on the walls inside to see why."
The hi-definition DVD features twelve live tracks from that night, as well as candid pre-show interviews with Brian Fallon and Ian Perkins, sound check footage and the music videos for Behold The Hurricane and Lady Killer.1. Last Rites
3. Behold the Hurricane
4. I Witnessed a Crime
5. Go Tell Everybody
6. Cherry Blossoms
9. Teenage Dream
10. Mary Ann
11.Black Betty & the Moon
12. Blood Loss
13. I Believe Jesus Brought Us Together
14. Never Tear Us Apart$24.99Vinyl LP + DVD - 2 LPs Sealed AWAITING REPRESS Buy Now
Live At The Sands: Before FrankSwinging Hard and Heavy With Orchestral Support, Live Big-Band Album Recorded During the Count's Warm-Up Sets for Sinatra in Early 1966 in Vegas
Incredible Sound: Mastered from the Original Master Tapes, Reissue Improves Upon Renowned Dynamics, Presence, Crispness, and Balances
Long Out-of-Print, Seminal Classic is Perfect Complement to Sinatra's Live at the Sands
Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.'s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra's iconic Live at the Sands.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You'll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence. Each horn occupies its own space, and Basie's transfixing piano-a focal point throughout-resonates with gorgeous detail and impeccable pacing. The collective's energy almost demands to be measured with an SPL meter.
Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie's signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count's studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie "Lockjaw" Davis, saxophonist/flautist Eric Dixon, and drummer "Sonny" Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.
Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis' turn on a white-hot "Jumpin' at the Woodside" and he and Dixon's exchanges on "This Could Be the Start of Something Big." No slouch, Basie approaches "Makin' Whoopee" with graceful playfulness, and oversees the assortment of uptempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard "I Can't Stop Loving You," arranged by Quincy Jones, can almost be considered a bonus.
No, it don't mean a thing if it ain't got that swing. And Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. Mobile Fidelity's reissue restores not only the sonics but the record's place in jazz history.
This title is not eligible for discount.1. Introduction
3. I Can't Stop Loving You
4. I Needs to Be Bee'd With
5. Flight of the Foo Birds
6. Satin Doll
7. Makin' Whoopee!
8. Corner Pocket
9. One O'Clock Jump
10. Hello Little Girl
11. Whirly Bird
12. Blues for Ilene
13. This Could Be the Start of Something Big
14. Jumpin' at the Woodside$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
All Live180 Gram Audiophile Vinyl
Carefree Highway Tour Limited Edition
Mastered by Joe Reagoso From The Original Tapes
Gordon Lightfoot is celebrating his 5 decades of classic songs & albums and Friday Music is proud to be a part of the celebration with his latest work All Live.
This new 180 Gram Audiophile LP is solely produced by the artist himself from recordings at the famed Massey Hall in Toronto. 19 of his most famous and revered tunes are included like Sundown, If You Could Read My Mind, Early Morning Rain & Carefree Highway.1. 14 Karat Gold
2. If You Could Read My Mind
3. Fine as Fine Can Be
4. Baby Step Back
5. Early Morning Rain
7. A Painter Passing Through
8. Rainy Day People
9. Ringneck Loon
12. Carefree Highway
13. Christian Island
14. The Wreck of the Edmund Fitzgerald
15. Canadian Railroad Trilogy
16. Let It Ride
17. Blackberry Wine
18. Song for a Winter's Night
19. Old Dan's Records$39.99180 Gram Audiophile Virgin Vinyl LP Buy Now
At The SandsSinatra at the Sands is a 1966 live album by Frank Sinatra, accompanied by Count Basie and his orchestra, conducted and arranged by Quincy Jones, recorded live at the Copa Room of the Sands Hotel and Casino in Las Vegas.
It was Sinatra's first live album to be commercially released, and contains many definitive readings of the songs that are most readily associated with Sinatra.LP 1
1. Come Fly With Me
2. I've Got A Crush On You
3. I've Got You Under My Skin
4. The Shadow of Your Smile
5. Street of Dreams
6. One For My Baby (And One More For the Road)
7. Fly Me To the Moon
8. One O'Clock Jump
9. The Tea Break (monologue)
10. You Make Me Feel So Young
1. All of Me
2. The September Of My Years
3. Get Me To the Church On Time
4. It Was A Very Good Year
5. Don't Worry 'Bout Me
6. Makin' Whoopee! (instrumental)
7. Where or When
8. Angel Eyes
9. My Kind of Town
10. A Few Last Words (monologue)
11. My Kind of Town (reprise)$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Live From SpainIt had been nearly 20 years since Roger McGuinn had last performed in Spain, but in September 2004 the former Byrds leader and two of his treasured and trusty 12-string guitars made their way to the Basque medieval city of Vitoria-Gasteiz for a special solo set at the revered Azkena Rock Festival. And for this magical visit, McGuinn fans will be thrilled to learn, the tape was rolling.
Beautifully recorded by Spanish national radio, this incredibly intimate, 21-song album finds McGuinn chiming his way through glorious versions of Byrds hits (Turn! Turn! Turn!, Eight Miles High, So You Want to Be a Rock n Roll Star, and others) and his trademark inimitable readings of Bob Dylan classics (My Back Pages, Knockin on Heavens Door, and, of course, Mr. Tambourine Man); along the way, the folk-rock icon peppers the program with poignant anecdotes about his career and the songs themselves. Long-time fans, however, will completely swoon over the versions of less-frequently revisited gems like Lover of the Bayou, Jolly Roger, and Drug Store Truck Drivin Man.1. My Back Pages
2. Ballad of Easy Rider
3. Wasnt Born to Follow
4. On Easter Morn He Rose
5. Mr. Spaceman
6. Pretty Boy Floyd
7. You Aint Goin Nowhere
8. Drug Store Truck Drivin Man
9. Chimes of Freedom
10. On and On
11. Lover of the Bayou
12. Chestnut Mare
13. Jolly Roger
14. Bells of Rhymney
16. Mr. Tambourine Man
17. Turn! Turn! Turn!
18. Eight Miles High
19. So You Want to Be a Rock n Roll Star
20. May the Road Rise to Meet You
21. Knockin on Heavens Door$36.99Vinyl LP - 2 LPs Sealed Buy Now
Live From Austin, TX (Kris Kristofferson) (Pre-Order)Release Date: May 25, 2018*
Kris Kristofferson has an unusual resumÉ. Brownsville, Texas-born, football star and Golden Gloves boxer in college, Rhodes scholar at Oxford, Army captain and chopper pilot, studio janitor, part-time bartender, leading man opposite Barbra Streisand and Jane Fonda. But on his passport, under occupation, it reads songwriter. And that more than anything sums up the essence of Kris Kristofferson. His songs have been recorded by at least 500 other artists, from Willie and Johnny (Cash) to Janis Joplin and Ray Charles, but only that gravelly baritone of his can truly render those songs the way they were meant to be heard, from somewhere deep down in the heart of the man himself. This performance from September 1981 captures Kris in his prime. As he put it at the time, the music's a little closer to the soul because I'm creating and controlling the whole show. Classics like Me and Bobby McGee, Loving Her Was Easier, Why Me?, and Sunday Mornin' Comin' Down take on a whole new meaning coming from the man who wrote and lived the words.
This is the show that almost wasn't. As I was about to introduce Kris, the studio descended into total darkness. Apparently an errant rodent chewed through a major power line and the result was a black-out that lasted all night. The audience was led out by flashlight singing the ACL theme and Kris hung out on the roof with the crew. Fortunately, he came back the next night, and the resulting magic is here to enjoy.
- Terry Lickona (Producer Austin City Limits)
*Please note that release dates are subject to change.LP 1
1. Star Crossed
2. You Show Me Yours (And I'll Show You Mine) / Stranger
3. Here Comes That Rainbow Again
4. Help Me Make It Through The Night
5. Me And Bobby McGee
7. Nobody Loves Anybody Anymore
8. Darby's Castle
9. Casey's Last Ride
10. The Pilgrim
11. For The Good Times
1. Loving Her Was Easier (Than Anything I'll Ever Do Again)
2. Sunday Mornin' Comin' Down
3. Silver Tongued Devil
4. Smile At Me Again
5. Why Me$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
REDI-SUN-5296xDick Dale And His Del-Tones
Rock Out With Dick Dale And His Del-Tones (Live At Ciro's)Prior to his emergence as a recording artist, surf guitar king Dick Dale first carved out his legend as a live performer. The artist's incendiary early shows in front of raucous surfer crowds at Balboa Beach's Rendezvous Ballroom established Dale as a regional sensation, and in the process helped to put surf music on the map. After he became an international star, Dale and his longstanding band the Del-Tones maintained the energy and innovation of their early performances, expanding their reputation as a peerless live act.
In 1965, Dale captured the infectious spirit of his live shows with this album, recorded on stage at the fabled Hollywood nightclub Ciro's. This vintage LP offers a bracing snapshot of the trailblazing guitar hero at his string-shredding best, tearing into his classic Let's Go Trippin', and applying his head-spinning instrumental fire to such diverse tunes as Henry Mancini's Peter Gunn, Lee Hazlewood's Angry Generation and Bob Dylan's Blowin' in the Wind. He also unveils his underrated vocal skills on riveting readings of Eddie Cochran's Summertime Blues, Barrett Strong's Money and Ray Charles' What'd I Say.
Out of print on vinyl for decades, the Sundazed edition of Rock Out with Dick Dale and His Del-Tones (Live at Ciro's) has been mastered from the original analog tapes and pressed on high-quality 180-gram vinyl, with completely restored original cover art.1. Peter Gun
2. Money Honey
3. Angry Generation
4. Summertime Blues
5. Blowin' in the Wind
6. Don't Stop Now (Movin' and a-Groovin')
7. Let's Go Trippin' 65
8. Bony Moronie
9. Watusi Jo
11. What'd I Say$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sweatin' to the Oldies (Pre-Order)Release Date: May 11, 2018*
64 tracks from 1993-1996 compiled from splits with Charles Bronson, Brutal Truth, Rupture, Floor and more plus the debut EP, tracks from a bunch of comps including "Better Read Than Dead" and live at KFJC and 924 Gilman St. Everything remastered, or in some cases mastered for the first time by Dan Randall at Mammoth Sound. Originally released on Slap A Ham Records in 1997 and out of print for 15 years.
*Please note that release dates are subject to change.1. Gary's Free Time (There's Lots Of It) - Intro
3. One Ghetto To The Next
4. Return Of The Wall Of Death
5. Who Writes Your Rules (Half Off)
6. Mighty Morphin Power Violence
7. Thrice The Heiney
8. Kiss Of The Sasquatch
9. Hot Dog Water Popsicle In The Hand Of Eric Wood
10. Problems In The Homeland
11. I Hate The Kids (S.O.A.)
13. Smoking Don's Crack Hole
14. Dirt The Purity
15. Knuckle Scraper
16. Box II (Yates Goes To Africa)
17. Spazz Vs. Mother Nature
18. Nuge On A Stick
20. Gnome Servant
21. DJ Tinkle Fingers' Diplomatic Services
22. Hard Boiled
23. 4 Times A Day
24. All Urban Outfield
26. Hot Dog Water Popsicle In The Hand Of Eric Wood
27. The Box
28. Droppin' Many Ravers
29. In The Name Of....
30. Might For Right
32. Mad At The World
36. Hard Boiled
37. All Urban Outfield
39. Bled Dry
41. No Room
42. Ghost Dance
43. Hug Yourself
47. Gas Pump
49. Hard Boiled - Live
50. Burning Tongue - Live
51. Kiss Of The Sasquatch - Live
52. Hot Dog Water Popsicle In The Hand Of Eric Wood - Live
53. Dan Lifting Banner - Live
57. No Thought
60. Our Scene (Go!)
61. Force Fed
63. Precision Fastening
64. Lost Cause (Negative Approach)$25.99Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
THERE IS MORE (Live In Sydney, Australia 2018) (Pre-Order)Release Date: May 18, 2018*
Re-mastered especially for the ultimate vinyl listening experience, the THERE IS MORE vinyl is ideal for the vinyl enthusiast.
- 2 double-sided, vinyl picture discs
- Gatefold wallet
- 'THERE IS MORE' fold-out poster
In Genesis 32 we read the story of Jacob wrestling with God through the night. On the other side of Jacob's divine encounter was a new name, a new blessing, a new identity and a new way of walking (literally). Will we be a worshiping people who are not content to sleep through the night (spiritually speaking) and wake in the morning unchanged? Like Jacob, will we enter into the wrestle with God, dare to know Him more intimately and be changed in the process?
This is the premise for Hillsong Worship's 26th live praise and worship album. The title, THERE IS MORE, truly is a statement-of-belief more than a record title. As Brooke Ligertwood writes, "THERE IS MORE at stake than we dare realize - souls, communities, families, nations on the other side of our wrestle through the night seasons. Our personal freedom is for corporate revival. THERE IS MORE of God and more to God and His love than we can possibly conceive of."
With songs such as, "Who You Say I Am", "Be Still", "The Passion" and "New Wine", THERE IS MORE strikes the balance of contemplative devotion and powerful declarations of praise for both individuals and congregations alike.
*Please note that release dates are subject to change.LP 1
1. Who You Say I Am
2. You Are Life
3. The Passion
4. God So Loved
5. Be Still
2. Touch Of Heaven
3. Lettered Love
4. The Lord's Prayer
5. New Wine
6. So Will I - 100 Billion X$34.99Vinyl LP Picture Disc - 2 LPs Sealed PRE-ORDER Buy Now
Havin' A PartyA spectacular collection of live tracks by Texas swing traditionalists Asleep At The Wheel, presented on gorgeous vinyl! Includes boot-stomping performances of the classics "Choo Choo Ch' Boogie," "The Letter That Johnny Walker Read" (#10 Country Singles chart), "Hot Rod Lincoln" and much, much more!1. Choo Choo Ch' Boogie
2. Ain't Misbehavin' (I'm Savin' My Love For You)
3. The Letter That Johnny Walker Read
4. What A Wonderful World
5. Big Ball's In Cowtown
6. Hot Rod Lincoln
7. House Of Blue Lights
8. Cotton Eyed Joe
9. Miles And Miles Of Texas
10. (Get Your Kicks On) Route 66
11. Take Me Back To Tulsa$22.99Vinyl LP - Sealed Buy Now
SoultraneSoultrane is the fourth album by jazz musician John Coltrane, released in 1958 on Prestige Records, catalogue 7142. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey.
The album is a showcase for Coltrane's late-1950s "sheets of sound" style, the term itself coined by critic Ira Gitler in the album's liner notes. Also featured is a long reading of Billy Eckstine's ballad standard "I Want to Talk About You", which Coltrane would revisit often during his career, most notably on the album Live at Birdland. Among the other tracks is the popular theme "Good Bait" by Tadd Dameron, and Fred Lacey's elegiac "Theme For Ernie". "You Say You Care" is from the Broadway production of Gentlemen Prefer Blondes.
John Coltrane - tenor saxophone
Red Garland - piano
Paul Chambers - bass
Art Taylor - drums1. Good Bait
2. I Want To Talk About You
3. You Say You Care
4. Theme For Ernie
5. Russian Lullaby$21.99Vinyl LP Reissue -Sealed Buy Now
A Flourish And A SpoilThe Districts deliver raw, rollicking power on 'A Flourish And A Spoil' out February 10 on Fat Possum Records. John Congleton (St. Vincent, Angel Olsen, Swans) produced/engineered/mixed the album at Seedy Underbelly Studio (formerly Pachyderm Studio) in Cannon Falls, MN. The resulting 10 tracks capture the boisterous live performances from the quartet, who are all between 19 and 20 years old. The Guardian UK says, The Districts will be your new favourite band.
The four-piece band formed in 2009 while the members were still in high school in Lancaster County, PA. 'A Flourish And A Spoil' features singer/guitarist Rob Grote's vocals front and center, combining equal parts ferocity and yearning as when he reflects on leaving behind suburban childhood on Suburban Smell. The album credits original members Grote, Connor Jacobus on bass and Braden Lawrence on percussion with Pat Cassidy joining on guitar.
The Districts have toured with bands including Deer Tick, White Denim, Dr. Dog and Temples and won over fans on both sides of the pond with 2014 sets at Lollapalooza, ACL and Reading Festival, among others. Consequence of Sound says, As performers, they're naturals, having the confidence and stage presence of bands twice as old and twice as popular and Interview Magazine dares, just try not to bob your head.1. 4th And Roebling
5. Sing the Song
6. Suburban Smell
8. Heavy Begs
9. Young Blood
10. 6 AM$18.99Vinyl LP - Sealed Buy Now
Rastaman VibrationFeatures Original Artwork
For Bob Marley, 1975 was a triumphant year. The singer's Natty Dread album featured one of his strongest batches of original material (the first compiled after the departure of Peter Tosh and Bunny Wailer) and delivered Top 40 hit No Woman No Cry. The follow-up Live set, a document of Marley's appearance at London's Lyceum, found the singer conquering England as well. Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs.
At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber. Though none of these cuts would show up on Legend, Marley's massively popular, posthumous best-of, some of the finest reality numbers would surface on the compilation's more militant equivalent, 1986's Rebel Music set. War, for one, remains one of the most stunning statements of the singer's career. Though it is essentially a straight reading of one of Haile Selassie's speeches, Marley phrases the text exquisitely to fit a musical setting, a quiet intensity lying just below the surface. Equally strong are the likes of Rat Race, Crazy Baldhead, and Want More.
These songs are tempered by buoyant, lighthearted material like Cry to Me, Night Shift, and Positive Vibration. Not quite as strong as some of the love songs Marley would score hits with on subsequent albums, Cry to Me still seems like an obvious choice for a single and remains underrated. Though record buyers may not have found any single song to be as strong on those terms as No Woman No Cry, Rastaman Vibration still reached the Top Ten in the United States.
.1. Positive Vibration
2. Roots Rock, Reggae
3. Johnny Was
4. Cry To Me
5. Want More
6. Crazy Baldhead
7. Who The Cap Fit
8. Night Shift
10. Rat Race$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Includes 1 Bonus Track
By the time that jazz icon/bandleader/percussionist Art Blakey and his Jazz Messengers began recording for Riverside in the fall of 1962, Blakey had already been the spiritual center of the group for nearly 15 years. The unprecedented caliber of performers who had already passed through the revolving-door personnel reads like a who's who of 20th century jazz. On Caravan -- his first of several notable sides for the venerable label -- he is joined by a quintet of concurrent and future all-stars. Likewise, it could be argued that each has never again been presented in such a fresh or inspired setting as on these recordings. In order to establish with any authority just how heavy (even for purveyors of hard bop) the players in this band are, they need only to be named: Curtis Fuller (trombone), Freddie Hubbard (trumpet), Wayne Shorter (tenor sax), Cedar Walton (piano), and Reggie Workman (bass). With Blakey (drums) firmly at the helm, these Jazz Messengers deliver a scintillating synergy that doesn't sacrifice intensity for the sake of cadence. The trademark give-and-take that graces the laid-back and sophisticated pop and jazz standards Skylark and In the Wee Small Hours of the Morning likewise is responsible for the palpable energy brought to the sizeable contributions from Shorter and Hubbard -- which make up half of the album's material. The title and leadoff track liquefies Duke Ellington's original arrangement and ignites it, fueling this extended fiery interpretation. Hubbard's first solo harks back to his own recording of Caravan, which can be heard on the Impulse release Artistry of Freddie Hubbard and was recorded earlier the same year. Coincidentally, that disc also features Curtis Fuller as well as a rare non-Sun Ra-related appearance from John Gilmore (tenor sax). Blow for blow, however, this reading has more than just an edge -- it possesses the entire blade. The melody snakes in and out of Blakey's strident flurry of syncopation. Another highlight is Shorter's interjectory solo, recalling his ability to succeed John Coltrane in Miles Davis' coterie. Among the original compositions, Shorter's upbeat Sweet 'n' Sour stands out as the most cohesive and ensemble-driven, although the singular group dynamic is well applied to the lively This Is for Albert as well. By contrast, Hubbard's Thermo is more angular -- taking full advantage of the musicians' aggressive chops. The 2001 20-bit remaster from Fantasy contains two bonus tracks: take four of Sweet 'n' Sour and take two of Thermo. This release can be considered definitive Blakey, bop, and Jazz Messengers.
- Lindsay Planer (All Music)1. Caravan
2. Sweet 'n' Sour
3. In The Wee Small Hours Of The Morning
4. Sweet 'n' Sour [Alternate Take] *
5. This Is For Albert
*Bonus Track (From The Same Sessions. Not On The Original LP)$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
No WavesBody/Head is the duo of Kim Gordon (Sonic Youth, Free Kitten) and guitarist Bill Nace (Northampton Wools, Celyon Mange). They play experimental, free-form guitar drones highlighed by Gordon's unmistakable voice. Their sound is an immersive, three-dimensional experience and no two performances are similar.
No Waves was recorded on March 24th, 2014 during Big Ears Festival in Knoxville, TN at the Bijou Theater. This live album (don't jump to conclusions, please read ahead) captures Kim Gordon and Bill Nace at peak chemistry during the tour supporting 2013's critically lauded Coming Apart.
The band have not played many shows since forming, but those who have been able to see them live have left their jaws on the floor. This album is the piece of the Body/Head puzzle for those who have not seen the band live and for those that have, something they want to own.
Instead of presenting "tracks" or "songs" from the record, we present moments from this one pinnacle set that was luckily for us beautifully caught in time.
World-renowned artist and long-time friend of Kim Gordon, Raymond Pettibon has made an original piece of art for the cover of the album.1. Sugar Water
2. The Show Is Over
3. Abstract/Actress$21.99Vinyl LP - Sealed Buy Now
Both Sides of the SkyBoth Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile period between January 1968 and 1970. Jimi's mastery and use of the studio as a proving ground for new songs resulted in a growing collection of extraordinary material. This album completes a trilogy of albums [with Valleys Of Neptune and People, Hell & Angels] presenting the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of Stepping Stone, Lover Man and Hear My Train A Comin' as well as recordings where Jimi is joined by special guests Johnny Winter and Stephen Stills. Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix's albums throughout the guitarist's lifetime, and produced by Janie Hendrix, Kramer and John McDermott.
Mannish Boy - The first ever studio session by the group Hendrix would christen as his Band Of Gypsys. Hendrix, Cox & Miles shared a love for the blues as this driving, uptempo reworking of Mannish Boy by Muddy Waters makes clear.
Lover Man - Just two weeks before their triumphant New Year's concerts at the Fillmore East in NYC [yielding both 1970's Band Of Gypsys and 2016's sequel Machine Gun], Hendrix gathered with Cox and Miles to cut this dynamic rendition of what had become a favorite concert staple.
Stepping Stone - A totally unique take on this Hendrix favorite, with Jimi showcasing both blues and country styled licks atop a relentless, galloping beat.
$20 Fine -Stephen Stills joined Jimi, Mitch Mitchell and Buddy Miles Express keyboardist Duane Hitchings at this September 1969 session. With Stephen handling lead vocals and organ, Jimi added multiple guitar parts to this rollicking Stills original.
Power Of Soul - This 1970 studio session came three weeks after the Band Of Gypsys concerts at the Fillmore East. While a live version remains one of the highpoints of Band Of Gypsys, Jimi never released a studio version during his lifetime. For this album, we present the mix that Hendrix and Kramer prepared of the complete song at Electric Lady on August 22, 1970.
Jungle - The influence of Curtis Mayfield can be heard here as Jimi expands on the Villanova Junction Blues theme he made famous by its inclusion in the 1970 Woodstock documentary.
Things I Used To Do - Jimi is joined for this rendition of Guitar Slim's blues classic by Johnny Winter. Jimi's trademark guitar work and Winter's deft slide playing weaves in and around the foundation set by bassist Billy Cox and Crosby, Stills, Nash & Young drummer Dallas Taylor.
Georgia Blues - Jimi reunited with some old friends from his pre-Experience days. Lonnie Youngblood, with whom Hendrix played in R&B groups like Curtis Knight & The Squires, voiced this superb twelve bar blues neatly underpinned by Hendrix's sublime rhythm and lead guitar work.
Sweet Angel - With Axis: Bold As Love only just released, Jimi immediately turned his focus to recording what would become Electric Ladyland. This gorgeous, instrumental reading of Angel,, features Jimi on guitar, bass and vibraphone joined by Mitch Mitchell.
Woodstock - Stephen Stills came to this session fresh from having visited Joni Mitchell, who had a new song that Stills was excited to try and record. Long before CSNY's version, Stephen, Jimi and Buddy Miles recorded this amazing rendition.
Send My Love To Linda - A superb new Hendrix original composition recorded with Cox and Miles in the aftermath of their successful Band Of Gypsys performances at the Fillmore East.
Cherokee Mist - Together with drummer Mitch Mitchell, Jimi created this moody, evocative original complete with his playing of a sitar to complement his traditional electric guitar.1. Mannish Boy
2. Lover Man
3. Hear My Train a Comin'
4. Stepping Stone
5. $20 Fine
6. Power of Soul
8. Things I Used to Do
9. Georgia Blues
10. Sweet Angel
12. Send My Love to Linda
13. Cherokee Mist$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Old RamonOld Ramon, the sixth Red House Painters album, recorded in the
fall of 1997 through the spring of 1998, was intended for release
that summer. But the mega-major label merger catastrophe that
left hundreds of bands homeless spared few. Red House Painters
looked for a brief moment like survivors, but subsequent delays
eventually turned into permanent layoff. Old Ramon sat in limbo
and grew into legend as another great, lost album only the
privileged few would ever properly hear. They've unintentionally
put the wait back into the term "long-awaited."
Singer Mark Kozelek kept busy with a series of other projects. He
served as producer for Take Me Home: A Tribute to John Denver.
As archivist for the 4AD Red House Painters Retrospective album,
assembling rarities and live tracks. As solo artist with several
tracks on the Shanti Project album, and two albums Rock 'n' Roll
Singer and What's Next to the Moon, a collection of AC/DC songs
reinterpreted. As live performer, touring the United States, United
Kingdom, Spain, Sweden and his first ever shows in South Korea.
As film scorer for the independent film Last Ball. And, finally, as
actor in Cameron Crowe's critically acclaimed Almost Famous.
But while playing a musician in a movie-Kozelek appears as the
bassist of Stillwater in Almost Famous-was an exciting diversion,
it also pointed out the absurdity and irony of the situation. He'd
been writing and performing his own music since the 1980s, with
Red House Painters since the early 1990s. He was a musician, not
just someone who might play one on TV.
With Old Ramon sitting on the shelf, it was like reading a book
with a chapter missing. Kozelek had written most of the album
throughout 1996 and 1997. There were "Between Days" and
"Wop-a-din-din," written during the months he stayed in Oaxaca,
Mexico about his time there and his cat waiting at home in San
Francisco; "Cruiser" written on an airplane ride from Los Angeles
to San Francisco about a friend he'd met during the John Cale
tour; and "Golden," a song in tribute to John Denver, written and
recorded in a single day during December of 1997, just a few
months after Denver's tragic death. "Michigan" and "River" had
been road-tested on the band's previous tour.
The album, in fact, had come together with a good feeling, reuniting
the band with their old friend and engineer Billy Anderson,
who'd worked on their earlier records Down Colorful Hill and the
two self-titled releases (Rollercoaster and Bridge by their covers).
Sessions in San Francisco, Mendocino, California and Austin,
Texas resulted in several hours' worth of music being recorded.
The band had spread out and worked up various arrangements for
a majority of the tunes. Sadly, a twenty-minute version of "Michigan"
fell to the cutting room floor.
But the ten songs packed onto Old Ramon (the title comes from a
Spanish children's book that caught Kozelek's fancy) well
represent the band that will take to the road for the first time in
several years with extensive touring throughout the United States
and Europe. Once freed from their major label commitments,
reputable independent labels bid for the band's services. This,
however, is the album exactly as it was intended-untouched-three
years to the month of its completion. Good news:
The wait is officially over.1. Wop-A-Din-Din
2. Byrd Joel
4. Between Days
10. Kavita$22.99Vinyl LP - 2 LPs Sealed Buy Now
OfferingsIf a Fellini film, a Bosch painting, and a Rorschach drawing had a collective sound, it would be Typhoon's new release. The 14-track record Offeringsis a musical and lyrical excursion into surreal imagery, eerie soundscapes, and an emotionally jarring narrative.
The 70-minute album for Roll Call Records, which is the Portland, Oregon indie rock band's fourth studio album, centers on a fictional man who is losing his memory, and in turn, his sense of self. "I've always been preoccupied with memory, losing memory, and trying to recapture memory. I wanted to explore the questions: What does a person become if they don't know where they came from? What is the essential quality of the person if you strip away all memory?" explains singer/songwriter Kyle Morton.
Motivated in part by his own preoccupation with "losing it," Morton also found a treasure trove of inspiration through various books, art, and film he was immersed in during the writing of this record. "I was watching a lot of David Lynch, and thought a lot about the Christopher Nolan movie, Memento, and Fellini's 8 ½.And there were a lot of books on my nightstand that played into this. It made it's a much darker album for sure," he says.
Offerings is divided into four movements (Floodplains, Flood, Reckoning, and Afterparty) to represent the mental phases the main character goes through where he first realizes that something is wrong, then struggles through the chaos of his situation, and finally moves into acceptance before succumbing to his dreadful fate.
"I wanted this record to be a journey, like Dante's Inferno. It kicks off with 'Wake,' where the character wakes up and he's shitting the bedand doesn't know what's going on. I was going for a specific feel that Samuel Beckett does so well," says Morton, who was reading Beckett's Three Novels, specifically Malloy, while writing the song's lyrics. "Beckett would call it a literature of impoverishment where he'd strip away as much as he could so he could get a feeling of essence and scarcity; that's what I tried to do musically and lyrically here."
Mission accomplished. Morton also masterfully makes a parallel with the character's journey to the state of the world today starting with the second track, "Rorschach," which looks at the age of information and collapse of meaning.
"But, by the third song, 'Empiricist,' there's a regression to the womb where the character is back in his bed at home,talking about his range of motion shrinking. This first movement ends with 'Algernon' [taken from one of Morton's favorite short stories, Flowers for Algernon, by Daniel Keyes], where he's constantly awakening and in an interrogation with a woman-who the listener should know is his wife, but he doesn't."
Musically, there is a sense of impending doom and chaos throughout the record that mirrors the character's fear and anxiety. "The claustrophobic feeling of only having the present moment and this sense of repetition is musically mirrored with this looping that runs though the record with a through line of choral parts that give it a darker, creepier feel," says Morton.
To set the right tone for the story, Morton went for a less horns, more guitar approach. "We have a little bit of trumpet on this record and a lot of string arrangements. But we really strayed away from the horn arrangements. I wanted it to be a darker, more intense rock record, so it's very guitar-based. It's going back to my rock roots before Typhoon," says Morton.
The concept of what the main character in the album is going through is also meant as a way of explaining cultural memory loss. "I was also reading historian Timothy Snyder and was inspired by his take on how America is at risk of losing their sense of history. If we haven't learned the lessons of our past, historically, we can't recognize when elements come back to haunt us, which is what's happening right now," he adds.
One choral part ("Down in the floodplains waiting on a cure/ Blessed be the water/ May the water make us pure") was especially inspired by current politics. "I had Steve Bannon in mind quite a bit when I was writing these choral parts because I'm taking on this world view that I don't agree with, which is that the world needs a bloody struggle to reset -bring on the demolishing of order," he says.
The character's downward spiral continues through the album's second movement, Flood, while in the third, Reckoning, comes the absolute-zero moment where the character is ready and willing to let go of life. Reckoning kicks off with "Coverings," which is the first song Morton ever co-wrote with a band member -Shannon Steele, who also sings on it. (Steele lends her vocals to the end of "Bergeron," as well.)
"'Coverings' takes the story into the devil's mansion where all the rooms are the same representing this repeated infinite present with no reference. For me, this is Hell. And, at this point, our character has lost his marbles," he explains.
"At the same time, on the worldly scale," continues Morton, "this is the point where we don't have any public trust and there's no cultural memory, there's just chaos. People are becoming identical in this collapse of meaning and you have no reference. If there is any point to this record it's that -Without reference, you have an interesting concept of infinity, which can be really bad."
As the album comes to a close with the acoustic "Sleep," the character decides that instead of taking part of the chaos, he'd rather sacrifice himself. But there is light at the end of this dark, emotional journey. "The secret track, 'Afterparty,' is where he finds peace and freedom. It's his homecoming. He's on the other side of it now and has found his version of Heaven," says Morton.
It's this level of intricacy in Typhoon's storytelling and musicianship that has helped Typhoon become one of indie rock's most revered bands. Their previous album, White Lighter, hit No. 2 on Billboard's Heatseekers Album Chart and got Best of The Year nods from NPR and Paste.Typhoon has brought their, at times, 11-piece live show on the road alongside indie rock peers The Decemberists, Portugal the Man and Grouplove, and sold out major clubs and venues across America.
Adds Morton of Offerings, "I kind of wanted to make a dystopian record. If it's nothing else, it's that. If I could write my own one-line review, I'd think I'd want people to say, 'It's disturbing and unfortunately correct."1. Wake
14. Sleep$29.99Vinyl LP - 2 LPs Sealed Buy Now
Brothers and Sisters of the Eternal SonDamien is out of his goddamn mind.
This isn't a recent development, but it's an important aspect of his work that often goes ignored. In place of
this key element is the idea that his music is a sober and in-depth excavation of the American landscape and
rural psyche. Well, folks,I'm sorry, but it's not.
Damien Jurado is every character in every Damien Jurado song. He is the gun,the purple anteater,the paper
wings, the avalanche, the airshow disaster, Ohio, the ghost of his best friend's wife. It is a universe unto its
own,with it's own symbolism, creation myth, and liturgy. You might go as far as to call it a religion, and your
religion is a character in his religion.
Level with me. You're reading this because of Damien Jurado's new album,Brothers and Sisters of the Eternal
Son (produced by Richard Swift). You are a progressive minded, left-leaning person who in parlor-style
conversation regarding the globo-political ramifications of Sky Person relationships laughs knowingly so as
not to be judgmental and very reasonably concedes "Well, I don't believe He's some old man with a beard
sitting up in the clouds" at which point everyone agrees on [insert benign middle-ground] and moves on.
Consider this:What if the only way to understand a religion is to create your own?
Who is this Silver community? Where the hell are they in the Bible? Is this heresy? Agnostic reference? Isn't
this sun business a little, I don't know, animistic? Pagan? Go ahead and answer that question for yourself. I'll
give you a second.
Do you understand the music any better?
You know that adage we all use so we have something to say while we shrug our shoulders? "People change"?
That one. Is that applicable to Jesus Christ? Maybe he's been on a personal journey of discovery since he
ascended. He went through the 60's, 70's,he turned on,tuned out, got disillusioned. Why can't we talk about
that Jesus? Does it have to be the old-timey one all the time? American folk Jesus,ugh. The one who's always
winning Best Soundtrack Oscars for people. Rarely do stories of faith make us identify with Jesus. It's
Abraham, Satan, Silver Timothy, Salome, Dr.J, Saul of Tarsus; divinely imperfect brothers and sisters who give
Gawd something to do.
Damien Jurado made up his own Jesus because a Damien Jurado album needs a beautiful Jesus. Some freaky
space Jesus that I don't recognize. The name is the same, a lot of the imagery is the same, but he's reborn.
Born again,I mean. Yeah, as if Jesus got born again. That's what this album sounds like.
Jesus is out of his goddamn mind and I want to live in Damien's America.
Sign me up.
--- Father John Misty; 09-20-20131. Magic Number
2. Silver Timothy
3. Return To Maraqopa
4. Metallic Cloud
5. Jericho Road
6. Silver Donna
7. Silver Malcolm
8. Silver Katherine
9. Silver Joy
10. Suns In Our Mind$16.99Vinyl LP - Sealed Buy Now
The Royal Sessions200-Gram Audiophile Vinyl Pressed At Quality Record Pressings!
Paul Rodgers, longtime singer, songwriter and multi-instrumentalist with Bad Company, has partnered with 429 Records and is gearing up for the release
of "The Royal Sessions"-a lovingly crafted collection of classic R&B and soul songs re-imagined by the iconic rock singer recorded at Memphis' Royal
Studios, historic home of Willie Mitchell and Hi Records, with many of the musicians who played on the original tracks.
Truly a lifetime in the making, Rodgers has come full circle with "The Royal Sessions" as he pays homage to the legendary hits he collected on 45s
released on Stax/Volt, Goldwax and Hi Records-recordings by Otis Redding, Albert King and Ann Peebles which made such an indelible impression on
the young Rodgers inspiring him to pursue a career as a singer. Produced by Perry Margouleff, "The Royal Sessions" is an extraordinary recording which
captures the music in its pure form-live band and vocal takes as performed together at Royal Studios by Rodgers and an all-star roster of legendary musicians.
About the record, Michael Fremer says, Sonically, what do you think results from live in the hallowed studio basic tracks and vocals recorded all analog, mixed to analog tape and cut from analog tape? It's spectacular! Play this record and then the CD for your friends who think CD is transparent to the source. Let them compare the drum sound, the cymbal crashes, the space and the image three dimensionality. Let them consider Rodgers in the room and then on CD not quite in the room. A musical triumph and a sonic in the studio spectacular.
- Michael Fremer (Analog Planet)
Click here to read the full review: Review By Michael Fremer1. I Thank You
2. Down Don't Bother Me
3. I Can't Stand The Rain
4. I've Been Loving You Too Long (To Stop Now)
5. That's How Strong My Love Is
6. Walk On By
7. Any Ole Way
8. It's Growing
9. I've Got Dreams To Remember$29.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
SiltWonderwheel Recordings is proud to present the debut album, Silt, from Sudanese singer Alsarah and her band the Nubatones. Called "The New Star Of Nubian Pop" by The Guardian, the album was produced solely by Alsarah who describes the sound of Silt as "East African Retro Pop". It's music that harkens back to the hazy sounds of 1960s and 70s Nubian music with it's haunting instrumentation, soaring vocal melodies, and pentatonic arrangements.
The album has it's musical roots in the Nubian "Songs of Return" that began to spring up after mass displacement and resettlement of hundreds of thousands in a region of lower Nubia that Went under water after Egypt built Aswan High Dam to Control the flooding of the Nile in 1970. The focus of these songs, both thematically and lyrically is about a return to home and the beauty of home and embodies a certain kind of saudade - a nostalgic longing for a place that no longer exists. The album encompasses Alsarah and her band's musical Curiosities around Concept of migration being all displaced immigrant themselves. Silt is their take on ' L ' the music of this time and place mixed with the fusion goings-on of Khartoum, along with Arabic and North African influences appearing in the mix.
Alsarah, is a Sudanese born singer, songwriter and ethnomusicologist. Born in the capital city of Khartoum, where she spent the first 8 years of her life, she relocated to Taez, Yemen with her family to escape the ever stifling regime in her native country. She abruptly moved to the US in 1994, when a brief civil war broke out in Yemen. Now residing in Brooklyn, NY, she is a self-proclaimed practitioner of East-African retro-pop. Working on various projects, she most recently has been working with The Nile Project and was featured on their debut release, Aswan (named one of the top 5 must hear International albums of 2013 by NPR). She has also collaborated with French producer Dêbruit on the album Aljwal, released this past November via Soundway Records.
The Nubatones started out as dinner conversation between Alsarah and percussionist Rami El Aasser in his living room, digging thru archives of old music from North Africa, and reading about migration patterns in modern day Nubia, Soon the conversation opened into a musical one and spread to include master Oud player and Luthier Haig Manoukian and bass player Mawuena Kodjovi. With a collective love for pentatonic music and a common understanding of what it means to be an immigrant, the group Went on to perform both nationally and internationally at prestigious venues such as The Kennedy Center, The Apollo Music Cafe, Celebrate Brooklyn at Prospect Park, The World Music festival in Chicago, and The Festival du Mon'd Arab in Montreal just to name a few.1. Habibi Taal
2. Soukura (It's Late)
3. Nuba Noutou
4. Oud Solo
5. Bilad Aldahb
6. Fugu (Shams Alhurria)
8. Wad Alnuba feat. Sounds of Taraab
9. Yanas Baridou
10. Nuba Drums (Solo)
11. Jibal Alnuba$15.99Vinyl LP - Sealed Buy Now