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Love Is Hell'
Love Is HellOriginally Released as Two EPs in Late 2003
Personal Document on Romantic Loss, Frustration, and Loneliness Hits Bittersweet, Spiritual Notes
Adams' Voice Never So Poignant: Supported By Strings, Acoustic Guitars, Spare Pianos
Revealing Sonics: Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI
Originally released on two EPs and mired in controversy, Love Is Hell is a staggeringly personal report on romantic desolation, personal frustration, and incurable loneliness whose themes play out via splendidly crooned vocals, chamber-pop strings, and spare pianos. The excising of pain has rarely sounded more bittersweet-or spiritual.
This title is not eligible for discount.LP 1
1. Political Scientist
2. Afraid Not Scared
3. This House Is Not for Sale
4. Anybody Wanna Take Me Home
5. Love Is Hell
7. The Shadowlands
8. World War 24
1. My Blue Manhattan
2. Please Do Not Let Me Go
3. City Rain, City Streets
4. I See Monsters
5. English Girls Approximately
6. Thank You
7. Hotel Chelsea Nights
3. Fuck the Universe
4. Twice As Bad As Love
5. Father's Son
6. Gimme Sunshine
7. Black Clouds$64.99Vinyl LP Box Set - 3 LPs Sealed Buy Now
Hotter Than Hell (Awaiting Repress)Although Kiss' self-titled debut performed respectably on the charts, it was not the blockbuster they had hoped for. With the album fading on the charts in the summer of 1974, Kiss was summoned back into the studio to work on a follow-up. Producers Richie Wise and Kenny Kerner were onboard again, and even though the sonics are muddier (and more filler is present in the compositions), Hotter Than Hell is another quintessential Kiss release. Many of the songs have been forgotten over the years (few have been featured in concert after the '70s), but there are still more than a few gems to be found. It's unclear if the members of Kiss were having problems with their personal relationships at the time, but it's a common thread that runs through the songs. The plodding Got to Choose and the rapid-fire Parasite deal with love gone bad; the title track is about unobtainable love, while Goin' Blind is a disturbing tale of a 93-year-old having an affair with a 16-year-old. Also included are the early favorites Let Me Go, Rock 'n' Roll and Watchin' You, as well as the original electric version of Comin' Home (an acoustic version was the opener of 1996's MTV Unplugged) and Strange Ways, which contains one of Ace Frehley's best guitar solos. Even though Hotter Than Hell actually fared worse on the charts than the debut, it has become a revered album among Kiss fans over the years -- and rightfully so.
- Greg Prato (All Music Guide)1. Got To Choose
3. Goin' Blind
4. Hotter Than Hell
5. Let Me Go, Rock 'n' Roll
6. All the Way
7. Watchin' You
9. Comin' Home
10. Strange Ways$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Send Them All To HellThe German PANZER, the Teutonic Heavy Metal trio, is comprised of yet three undisputed genre legends: Vocalist & bass-player Schmier, best known as frontman of DESTRUCTION and HEADHUNTER, guitarist Herman Frank (ACCEPT, VICTORY) as well as drummer Stefan Schwarzmann (ACCEPT).
The initial idea was born when drummer Stefan Schwarzmann, who has relocated to Switzerland about seven years ago, had a chat with the owner of renowned Swiss club Z7 in Pratteln. The two tried to figure out a way to fill the empty space within touring and recording, the venue has been facing with its most frequently playing bands. To make a long story short: Nobert Mandel (owner of Z7) had the idea of a trio, with both Stefan and Herman in it. The only vacancy for bass and vocals wouldn't stay open for long, as Stefan had the phone number and mail address of DESTRUCTION's Schmier right at hand - and so "The German Panzer" was born!
Commented vocalist & bass-player Schmier: "When Stefan Schwarzmann, drummer of ACCEPT and an old friend came to me with the idea of putting a band together, I first thought he tried to fool me hahaha! But the idea sounded amazing from the beginning and after the first meeting with Herman Frank, the German guitar legend, that everybody knows from his work with ACCEPT and VICTORY and Stefan, we realized really fast, that this team could really kick some serious ass together. And Instead of talking too long about it, we started writing songs right away and within some weeks had half of the album recorded and it sounded wicked! We don t wanna re-invent the metal-wheel. We play the music we love, easy as that and it's great fun cause we all dig this shit since we are teenagers!
Naming a band after fierce war machinery might seem a bit off for some, but if you take a look at the lyrics, this is picture perfect. The lyrics provoke, criticize and are part of the art. "My lyrics criticize... I don t pray," adds Schmier.
And as difficult as the search for a name was at first, with all members being German die-hards and organizers of the Teutonic scene, The German PANZER seemed to be the name everybody remembers right away.
As for the album title, »Send Them All To Hell« was almost mandatory, as these are the first words to be heard on the record, with Schmier whispering them into the mic. With the exception of one track that feature all three members, all songs are written entirely by Herman Frank and Schmier.
If you like it heavy, more melodic or if you dig Speed Metal, then The German PANZER will hit right on - Or to say it with Herman Frank: "No left - no right! Just straight forward like a Panzer!1. Death knell
2. Hail and kill
3. Temple of doom
6. Mr. Nobrain
8. Virtual collision
9. Roll the dice
10. Bleed for your sins
11. Murder in the skies (Gary Moore Cover)$28.99Vinyl LP - 2 LPs Sealed Buy Now
No Love Deep WebDeath Grips shocked the world and their record label when they released their second release of the year No Love Deep Web, but upon listening it's pretty clear that this is a mixtape that the label had no intention of releasing. No Love Deep Web was probably just an elaborate way to hype up the band, and it's safe to say it worked. No Love Deep Web had over 34.2 million downloads on BitTorrent thanks to the help of Twitter, and I think its safe to say their plan worked. Speaking of the album itself, it employs very minimalistic stripped down beats and has a much chiller vibe overall compared to the previous two records. That doesn't mean the beats are soft though, because they are harder than the phallus on the album cover. No Love Deep Web is one big grimy middle finger to the music industry and one of the most sordid albums ever released by a group on a major label.
This isn't your father's hip hop, but that should be common knowledge by now. If you go into this expecting insightful lyrics and smooth flow over catchy beats you're going to have a bad time, hell even if you expect to understand the lyrics most of the time you're going to get very little out of No Love Deep Web. MC Ride is his schizophrenic self on tracks like No Love and World Of Dogs, but he also comes down to earth and actually calms down a bit on tracks like Artificial Death In The West adding a lot more depth to their sound. The whole album feels like the fever dreams of a severely withdrawn drug addict, tracks like World Of Dogs, No Love and Hunger Games sound like a sick drug addicts crash back down to earth and their gritty existence. The line I got some *** to say just for the *** of it perfectly encapsulates not only MC Ride's style, but No Love Deep Web, and Death Grips' whole career.
The beats on this thing are raw and stripped down, some of the tracks don't even have a melody some of the time, just drums and vocals like in Lock Your Doors. The beats are fidgety electronic bells and whistles, lots of interesting sounds and synths creating a gritty atmosphere for MC Ride to spit his insane lyrics over. The rawness and harsh production of the beats help point to the fact that this is a mixtape and not a studio release, the minimalistic approach also creates a fresh sound compared to the over produced and at times gimmicky production on The Money Store, and this approach will likely convert a few people who were not fond of the over the top nature of The Money Store.
No Love Deep Web inevitably sounds a tad rushed, no *** it was made in only a few months, but it definitely did its job as a hype generator. It doesn't do enough different to warrant its early release date and the band's sound is getting a bit tiring. The main problem though is the lack of standout tracks, with most of the hooks gone and with such stripped down beats a lot of the songs blend together in an unflattering way. Exhausting as it can be at times, No Love Deep Web turned out to be another great addition to Death Grips' ever expanding discography that is likely to turn a few heads just as all of their previous work has done.
- Robert Lowe (Sputnik Music)1. Come Up And Get Me
2. Lil Boy
3. No Love
4. Black Dice
5. World Of Dogs
6. Lock Your Doors
8. Hunger Games
9. Deep Web
12. Bass Rattle Stars Out The Sky$25.99Vinyl LP - Sealed Buy Now
Love From With The DeadWith the Dead - Love From With the Dead
Doom is all around us. The optimism of a new millennium has steadily disintegrated. The light at the end of the tunnel turned out to be a burning tower block and the powers-that-be are dancing in the smouldering ruins. Humanity is eating itself and we're all terminally fucked. As a result, it makes perfect sense that the emergence of British doom metal mavens With The Dead would strike a dissonant chord with so many people. Formed in 2014 by former Cathedral/Napalm Death frontman and Rise Above Records boss Lee Dorrian and ex-Electric Wizard/Ramesses bassisit/guitarist Tim Bagshaw, the band coalesced in a monetary burst of spontaneity and shared fury, resulting in the release of their eponymous debut album in 2015: one of that year's most widely acclaimed releases and a welcome shot in the arm for fans of merciless, unrelenting sonic despair.
"We were very happy with the way the first album was received," says Lee. "To be honest, there were no real expectations with the first LP. It's hard to explain. We just got together and did it. There was no big anticipation. We knew it was going to be well received by certain people, just because of the sheer heaviness of it, but we didn't think it would get the reaction it did. It sold really well and got a good response all around. It came together so strangely and so fast. We hadn't gone round, sweating in the clubs, although we've all done that previously. The record came out on Rise Above so it was easy and there were no demands from anyone except ourselves. The important thing is, we didn't want it to be seen as some novelty project band."
Hell-bent on staking a further claim to be doom metal's most intense and remorseless practitioners, With The Dead have now completed work on their second album, Love From With The Dead. Comprising tracks recorded during two separate sessions with celebrated studio guru Jaime Gomez Arellano, the new material represents the first fruits of the band's recently retooled line-up. Joining Lee and Tim are bassist Leo Smee and drummer Alex Thomas, who replaces the departed Mark Greening. As Lee explains, the band's new incarnation generated great chemistry from the start.
"Tim came over from New Jersey, where he still lives, and we booked four nights' rehearsals with Leo and Alex to see how it was going to work. Literally, on the first night, they had the whole set nailed within three or four hours. It sounded better than ever before, too. So the next three nights were pointless and we didn't need them, so we spent the time going over ideas for new songs and by the end we had four brand new songs. It was crazy. Then we thought 'While Tim's over, let's go in the studio and record them ' Luckily, Gomez was free and we went over to his studio and recorded the four new tracks, they're the last four on the album, and it was all done just like that. The other three tracks were recorded nearly a year later, again with just one night's rehearsal. It was all done super quick."
For those who flinched at the sheer, unforgiving brutality of With The Dead's first record, the songs on Love From With The Dead are liable to cause major emotional trauma. Darker, denser, more despondent and sickeningly heavy in numerous senses of the word, this is an album that re-establishes doom as a genre that embraces the extreme and not just some cosy, nostalgic reimagining of the early '70s. From opener Isolation's slithering howl of torment and the crushing, schizophrenic barrage of Egyptian Tomb through to the expansive, drone-driven horrors of the closing CV1 (a mournful lament to Lee Dorrian's home city of Coventry that features a guest appearance by home-town comrade and electro-noise maverick Russell Haswell), Love From With The Dead grimly extinguishes the light of hope and hammers home the hatred and futility that plagues our brief and brittle lives.
"The thinking was that the first LP was meant to be the heaviest we could possibly make, but then what do you next?" Lee muses. "Well, the only thing you can do is make the next one even heavier. So that was the ambition and the intention, to make it even more crushing. But to be able to do that you have to be crushed yourself. This last couple of years have been quite soul-destroying. There's been a lot of personal shit going on, and during this whole process so much fucking bad shit has happened in my personal life and other people's personal lives. Everything you hear on this LP, the angst is very real. I've never felt so disillusioned with life and the world around me, not since the first Cathedral album!"
Irrefutable evidence that With The Dead are a formidable and substantial proposition, the quartet's second album could hardly provide a more apposite soundtrack to the deeply fucked up and irrevocably dysfunctional state of the world in 2017. Both a fine example of the simple, savage power of the riff and an authentic outpouring of anger, bitterness, bile and vivid existential dread, it is the living, breathing, screaming embodiment of heaviness itself. Cometh the hour, cometh the bringers of doom
"I'm 50 next year and you're supposed to mellow out when you get older, but why?" Lee asks. "I don't feel like mellowing out. The world's getting worse, the atmosphere is getting heavier, people treat each other like shit and there's so much negativity, how are you supposed to chill out when all that's going on? I'm in a privileged position to be able to be in a band like this, so why fuck around? The band's called With The Dead and it's a doom band, why would you want to mellow out? It's got to be pure nihilism or nothing."
Dom Lawson, July 2017.1. Isolation
2. Egyptian Tomb
3. Reincarnation of Yesterday
4. Cocaine Phantoms
5. Watching the Ward Go By
7. CV1$29.99Vinyl LP - Sealed Buy Now
Too Young To Be In Love (Awaiting Repress)Too Young To Be In Love is the first fully-realized Hunx and His Punx album, and the groups first for Hardly Art. It was recorded in New York City by Ivan Julian, one of the founding members of inimitable NYC punk legends Richard Hell and the Voidoids. This record was made in the same studio that one of Hunx's idols, Ronnie Spector, once recorded in. While it is preceded by the Gay Singles LP (True Panther Sounds/Matador Records, 2009), a collection of hard-to-find and out-of-print 7 singles, Too Young To Be In Love is the first proper studio record from Hunx and His Punx.
Too Young To Be In Love also marks the first time the group has ever been comprised entirely by punkettes, another name for the all girl band that band leader Seth Bogart (aka Hunx) always dreamed of. Shannon Shaw (of Shannon and the Clams) plays bass, and wrote three of the albums songs. Her powerful voice on Lovers Lane and The Curse of Being Young crackles and breaks with a raw ferocity that perfectly compliments Hunxs swoon-worthy nasal croon. This album also represents a distinct reversal of roles, the all-girl quartet (Shaw, plus guitarist Michelle Santamaria, drummer Erin Emslie, and Amy Blaustein on guitar/organ) bring the fire, while Hunx brings the sugar. All of the ladies sing on this album, and their voices combine to create some modern Wall of Sound magic.
Hunx and His Punx might be the first ever girl group fronted by a flamboyant gay male whose dream in life is to sound like a girl. They have created a unique new sound they refer to as Young Oldies, a mixture of '50s teenage rock n roll, '60s girl groups and bubblegum pop.
I only write songs out of heartbreak, says Hunx of the new record. Older songs focused on trashier homoerotic topics like cruising and boyfriend stealing. But Too Young To Be In Love is all about love and heartbreak. People tend to have scandalous ideas about Seth Hunx Bogart. This can happen when you try to French kiss the entire front row at one of your shows, pose for photographs nude or bare everything in the video for Lust For Life by the band Girls. But behind all of this is a sweet and somewhat innocent entertainer who knows how to put on a show.1. Lovers Lane
2. Hes Coming Back
3. Keep Away From Johnny
4. The Curse of Being Young
5. Too Young To Be In Love
6. If Youre Not Here (I Dont Know Where You Are)
7. Bad Boy
8. Tonite Tonite
9. Can We Get Together?
10. Blow Me Away$13.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Seven Gates Of Hell: The Singles140 Gram Red Vinyl
The Seven Gates of Hell: Singles, 1980-1985. As the title states, the focus here are Venom's singles, Without Venom, there's a fair chance that we wouldn't have thrash metal or death metal, the group's work served as an obvious blueprint for most of the biggest metal bands we know and love today. This compilation is essential for every metal fan.LP 1
1.In League With Satan
2.Live Like An Angel, Die Like A Devil
4.In Nomine Satanas
5.Die Hard (12" Version)
8.Warhead (12" Version)
10.Seven Gates Of Hell
1.Manitou (12" Version)
2.Dead Of The Night
4.Nightmare (12" Version)
8.Teacher's Pet/Poison/Teacher's Pet (Reprise)$37.99140 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Tell MeTheir Secretly Canadian debut is one hell of a break-up record. Love is a confusing thing and it always leaves the mind with more questions than answers. Tell Me captures the confusion, denial, sleepless nights, and the desperate pleas for love that can only be felt when the mind gives up control to the heart. Catfish Haven are amongst the few bands that can command a stage; keep a crowd up with a high energy live performance and still deliver such heartache.1. I Don't Worry
2. Tell Me
3. Crazy For Leaving
4. All I Need Is You
5. Down by Your Fire
6. Another Late Night
7. If I Was Right
8. Grey Skies
9. Let It Go (Got to Grow)
10. This Time$14.99Vinyl LP - Sealed Buy Now
Rock Me TonightRock Me Tonight is the platinum-selling 1985 debut album from American R&B/Soul singer Freddie Jackson. Originally released on April 28, 1985, the album yielded four top-10 singles on the U.S. R&B chart, with the first two, You Are My Lady and Rock Me Tonight (For Old Times Sake), reaching number one. The latter two, Love Is Just a Touch Away and He'll Never Love You, peaked at Nos. 9 and 8, respectively. The album contains a cover of the Billie Holiday classic Good Morning Heartache. The success of Rock Me Tonight garnered Jackson a Grammy Award nomination in 1986 for Best New Artist, losing out to Sade. Rock Me Tonight went on to top the R&B Albums chart for 14 nonconsecutive weeks and peaked inside the Top 10 on the Billboard 200.1. He'll Never Love You (Like I Do)
2. Love Is Just a Touch Away
3. I Wanna Say I Love You
4. You Are My Lady
5. Rock Me Tonight (For Old Times Sake)
6. Sing a Song of Love
8. Good Morning Heartache$24.99Vinyl LP - Sealed Buy Now
UnpredictableReleased in 1977, Unpredictable was the third album that the Chuck Jackson/Marvin Yancy team produced for her. Most of the songs were written by Jackson/Yancy, including the major hits I'm Catching Hell (a confessional ballad) and I've Got Love on My Mind. However, Cole does some writing herself, contributing Your Eyes and the quiet storm item Peaceful Living -- and the exuberant feel-good anthem Party Lights was written by keyboardist Tennyson Stephens. Without question, Jackson and Yancy get high marks for being consistent. They saw to it that 1975's Inseparable and 1976's Natalie were excellent, and they also make sure that Unpredictable is a highly rewarding addition to Cole's catalog.
- Alex Henderson1. This Heart
2. Still In Love
3. Party Lights
4. I've Got Love On My Mind
5. Unpredictable You
6. Peaceful Living
7. Be Mine Tonight
8. I Can't Breakaway
9. Your Eyes
10. I'm Catching Hell$19.99Vinyl LP - Sealed Buy Now
First Pressing Of 1000 Numbered Copies On Solid Orange & Black Colored Vinyl
Meat Loaf's Dead Ringer (1981) is the second of his three albums written entirely by Jim Steinman, among which Bat Out Of Hell was the first.
Once again, Jim Steinman wrote extended, operatic songs with hyperbolic lyrics and organized a backup band anchored by E Street Band members Max Weinberg (drums) and Roy Bittan (keyboards), while Meat Loaf sang with a passion all the more compelling for its hint of the ridiculous.
Four singles were released from Dead Ringer: Dead Ringer For Love, I'm Gonna Love Her For Both Of Us, Read 'Em And Weep and Peel Out. The album reached #1 in the UK. The title track, featuring a perfectly cast Cher as duet singer, went Top Ten.1. Peel Out
2. I'm Gonna Love Her For Both Of Us
3. More Than You Deserve
4. I'll Kill You If You Don't Come Back
5. Read 'em And Weep
6. Nocturnal Pleasure
7. Dead Ringer For Love
8. Everything Is Permitted$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
For The Cause
Pressed on Clear Vinyl
Maintaining urgency, authenticity and integrity has never been an issue for New York City's hardest, and hardest working band, MADBALL. Twenty-five years along as a recording and touring entity, MB brings forth its ninth aural chapter, »For The Cause«; a signature collection of lionhearted, groove-laden, street-level New York Hardcore as only MADBALL can bring it.
The aptly titled album doesn't so much revisit where the group has been since 1994 - although MADBALL released its first EP, »Ball Of Destruction« as a virtual AGNOSTIC FRONT side-project back in 1989 - but forges forward and represents where the fellas find themselves collectively and personally a quarter-decade down the road.
Throughout the band's storied history, MADBALL has asserted its mission; carrying forth a simple yet righteous cause, and this time around, they've chosen to define that cause more succinctly than ever before. Tornadic vocalist/front man Freddy Cricien explains, "If you're not fighting for a cause, you're not participating in life. Simple as that. Speak up, fight, educate yourself, make a difference and make sacrifices for what's important to you." Words to live by.
»For The Cause« sees the return to the fold of guitarist Matt Henderson, who hasn't appeared on a MADBALL album since 2000's »Hold It Down«, for which Henderson also served as producer. "To have him record with us again was really special," offers Freddy. He adds, "Matt's been playing 'commemorative' shows and tours with us on-and-off over the years, so, obviously, the love and friendship is there. He'll always be an honorary member A MADBALL lifer."
Unique to this album is the stellar production work by RANCID's Tim Armstrong, who clearly helped express MADBALL's distinctive voice powerfully and dynamically without stepping on the trademark formula the band has forever carried, yet constantly seeks to improve upon. "It's a tricky thing, producing. You can truly enhance something, but you could also ruin a record if a band lets you," says Cricien. Freddy continues, "Tim has always respected our band and how we do what we do. He knew we had a vision for how this album should sound, so he let us do our thing, but was there every step supporting and cheering us on. Whenever he did chime in, it was well thought out and he made strong suggestions. He even helped write the hook on 'For You.' He was there for us in a non-meddlesome role, which for this particular record, was the best-case scenario." Danish studio veteran Tue Madsen (MESHUGGAH, DARK TRANQUILLITY, SICK OF IT ALL) skillfully handled mixing duties on »For The Cause«.
Also, noteworthy on »For The Cause« are the various cameo appearances by some of MADBALL's friends, as well as several artists with whom the group shares a mutual respect; namely PSYCHO REALM's Sick Jacken on the track 'Rev Up,' THE BUSINESS' Steve Whale and producer Armstrong on 'The Fog,' plus legendary emcee Ice-T on the hardcore banger 'Evil Ways.' Freddy discloses, "Jacken is our homie. He just came through to say what's up and check out the spot and I happened to be recording 'Rev Up.' He was really digging the song and just freestyled. It really drove the message of the song home. As for Ice-T, he added a good flavor to 'Evil Ways.' It was a real honor to work with someone I've been following and have respected since I was a kid. He genuinely supports our band and the scene we come from. Tim and Steve jumping on 'The Fog' happened organically like everything else with this record." The UK Oi! legend provided the spoken intro and a guitar lead to the street punk-tinged anthem.
What's maybe most notable on »For The Cause« is its various twists and turns both musically and vocally to keep MADBALL's brand of NYHC fresher than it has ever been. Freddy presents, "How do you grow as a band or as a person if you don't take chances? We feel obligated to ourselves and everyone else to evolve, at least somewhat. We took more 'chances' on this record than on any previous one, and we're happy about that! We're proud that it's still very much us; it's real and honest. There is plenty on there to satisfy the people that support us from every era of this band."
As for MADBALL's astounding longevity in the hardcore game: "We don't know how to do anything else at this point. We raise our families to the best of our ability; we do MADBALL to the best of our ability So far so good, and we don't feel that we've reached our full potential in either of those areas just yet."1. Smile Now Pay Later
2. Rev Up
3. Freight Train
5. Old Fashioned
6. Evil Ways (feat. Ice T)
7. Lone Wolf
8. Damaged Goods
9. The Fog (feat. Tim Timebomb)
10. Es Tu Vida
11. For You
12. For The Cause
13. Confessions$24.99Colored Vinyl LP - Sealed Buy Now
FlyWhat you hear on Fly is Yoko Ono's disarming combination of opacity and visceral, personal transparency in full bloom. It's one of the most unbridled, most captivating soul albums ever made. And that's right where she wants you: vulnerable, wide open to any-and-everything, ready to have your world tipped onto its head. She's a master of spinning your head around.
First, you get the Bar Band from Hell of "Midsummer New York" to kick things off. It's about the last thing you'd expect from Ono coming off Plastic Ono Band. But here you are, listening to Ono channeling Elvis. Why am I all of a sudden bopping along to it? At 16-minute-plus, the tranced-out,motorik-inspired boogie "Mind Train" is rough-and-ready for your next basement get down.Movement and perspiration required. Then, we have the absolutely gutting blues of "Don't Worry,Kyoko (Mummy's Only Looking For Her Hand in The Snow)." Full of ache and raw emotion, the song is a love note, a plea for forgiveness, to her estranged daughter Kyoko shot across the universe on a flaming arrow. Ono follows this stampede of emotion with the self-referential torch song "Mrs.Lennon," a wounded song that gets right into the Universal Loneliness. And so here you are. You're devastated. You're exhausted. You're exhilarated. And you're only 1/4 of the way up the mountain that is Fly. Dig deep, traveler, it's worth the climb.LP 1
1. Midsummer New York
2. Mind Train
3. Mind Holes
4. Don't Worry Kyoko (Mummy's Only Looking For A Hand In The Snow)
5. Mrs. Lennon
7. Toilet Piece / Unknown
8. O'Wind (Body Is The Scar Of Your Mind)
2. Don't Count The Waves
5. Telephone Piece
6. Between The Takes
7. Will You Touch Me
8. The Path
9. Head Play (Medley: You/Airmale/Fly)$27.99Vinyl LP - 2 LPs Sealed Buy Now
The ArgumentAs founder and half of the songwriting engine that drove the mighty HÜsker DÜ to his maverick solo work (has there ever been a portrait of a breakup as evocative yet anthemic as "2541"?), Grant Hart has cut a singular path across the last three decades of music. It is with great confidence that we say he has made an album to rival his greatest achievements. A double album based on John Milton's epic Paradise Lost, Hart distills its essence into pop and rock concoctions that nimbly flit through the history of 20th century music from Irving Berlin and David Bowie to... HÜsker DÜ, even. Ambition is the topic and Hell is the location for this project that is ambitious as Hell. Does he pull it off? We say yes!
Although lines from the poem are rarely quoted directly, all of the menace, pain and devotion of Milton's best loved work are here found. But where
Milton's poem was unadorned by rhyme, The Argument contain many complex couplets, especially the title track, in which not only the ends of lines rhyme, but the word that ends a phrase is the same as the first line of the phrase after it, all while conforming to the original ten syllable structure devised by Milton. Anyone who has ever had a conversation with Grant knows how patiently he chooses the words he uses.
While visiting James Grauerholz, former friend and secretary for William S. Burroughs, James showed Grant an unpublished manuscript for Lost Paradise,
William's science fiction story which portrays the fallen angels as men from distant planets and God as none other than fellow Missourian Harry S. Truman.
James and Grant discussed adding music to William's story much in the same way that Tom Waits and William conspired to turn the German folk tale Die
Freishutz into The Black Rider as staged by Robert Wilson.
From that point the seed had been planted, and the seed grew into the most beautiful tree in the garden of Grant's career!
Domino invite you to taste the fruit of this tree, go ahead, taste it.1. Out Of Chaos
3. Awake, Arise!
4. If We Have The Will
5. I Will Never See My Home
6. I Am Death
8. Letting Me Out
9. Is The Sky The Limit?
10. Golden Chain
11. So Far From Heaven
12. Shine, Shine, Shine
13. It Isn't Love
14. War In Heaven
16. (It Was A) Most Disturbing Dream
17. Underneath The Apple Tree
18. The Argument
19. Run For The Wilderness
20. For Those Too High Aspiring$22.99Vinyl LP - 2 LPs Sealed Buy Now
Pacific DaydreamLos Angeles, CA's Weezer will release their eleventh album, Pacific Daydream, via Crush Music/Atlantic Records. Produced by Butch Walker, Pacific Daydream is the follow up to the critically acclaimed album Weezer (The White Album), which was nominated for a Grammy for Best Rock Album at the end of last year.
Following the release of Weezer (The White Album), the band began working on what they called "The Black Album," but as they worked, they found the songs they were writing felt more like reveries from a beach at the end of the world. Instead of forcing a different direction, they began an entirely new album; Pacific Daydream was born. Frontman Rivers Cuomo brings this decision back to a Chinese proverb he says inspired the design behind the entire record:
Once upon a time, I, Chuang Chou, dreamt I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was Chou. Soon I awaked, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man.
Pacific Daydream - an album full of the melodic mastery and craftsmanship for which Weezer are known - is a record that navigates the uncertainty between reality and dreams, blurring the line between the listener knowing if they are daydreaming the world of the album, or if the world of the album is daydreaming them. It's a record about finding the grey area between the black and the white, about escaping the everyday into the fantasy of what may be just down the line, but also maybe isn't. It's an album that sounds like the Beach Boys and The Clash fell in love by the ocean and had one hell of an amazing baby. It's Weezer doing all the things they do best and then some.1. Mexican Fender
2. Beach Boys
3. Feels Like Summer
4. Happy Hour
5. Weekend Woman
6. QB Blitz
7. Sweet Mary
8. Get Right
9. La Mancha Screwjob
10. Any Friend of Diane's$19.99Vinyl LP - Sealed Buy Now
Modern Guilt (Discontinued)Import
Modern Guilt is the eighth official studio album and eleventh overall by American alternative artist Beck. The album lasts 33 minutes, making it the shortest album by Beck to date. Modern Guilt features two contributions by Cat Power and was produced by Beck and Danger Mouse.
Modern Guilt indulges Beck's love of Sixties psychedelic music, and the results are vividly rendered - all acid-trip guitars, mod dance-party beats, daisy-chain harmonies and thundering percussion. But beneath the DayGlo arrangements lie some deeply bummed-out songs about living in a time of war (Walls), environmental degradation (Gamma Ray) and widening generation gaps (Youthless). Danger Mouse brings a hip-hop DJ's love of funky old rock records; Beck brings the end-of-the-Sixties, pre-apocalyptic hangover.
Taken as a whole, the album's first five songs stand among Beck's strongest work. The most dazzling example is Chemtrails, which nods through a heroin haze of droning guitars while Beck imagines jets flying above a sea full of dead people. The song title comes from a conspiracy theory that holds that some jet trails are actually chemical sprays engineered by the government for secret purposes. But you don't have to know the reference to feel the dread. Staring at the corpses, Beck sings, So many people, where do they go? The morbid answer is implied: No matter where all the lonely people come from, they all end up in the same place.
That last song sums up Beck's biggest issue on the album: Don't know what I've done, but I feel ashamed. That's modern guilt for you: knowing the world's going to hell and feeling partly responsible, but not quite knowing what to do about it. Some days, we're worse than you can imagine/And how am I supposed to live with that? he sings on Walls. A few lines later, he finds his own reason to carry on: We do the best with the souls we're given. And not long after he sings these words, the song cuts out abruptly in the middle of the melody. Like Tony Soprano said, you never know when your time is gonna come.
--Melissa Maerz, www.rollingstone.com1. Orphans
2. Gamma Ray
4. Modern Guilt
6. Walls (feat. Cat Power)
8. Soul of a Man
9. Profanity Prayers
10. Volcano$27.99Vinyl LP - LPs Sealed Buy Now
WARB-ATL-0825xPortugal The Man
WoodstockWell, we're two full months into 2017 and the world continues to burn like an avalanche of flaming biohazard material sliding down a mountain of used needles into a canyon full of rat feces. But hey, it's not all bad: Portugal. The Man has a new album coming out called Woodstock.
PTM's last album came out over three years ago-a long gap for a band who've dropped roughly an album a year since 2006. And in true, prolific band fashion, they've spent almost every minute since 2013 working on an album called Gloomin + Doomin. They created a shit-ton of individual songs, but as a whole, none of them hung together in a way that felt right. Then John Gourley, PTM's lead singer, made a trip home to Wasilla, Alaska, (Home of Portugal. The Man's biggest fan, Sarah Palin) and two things happened that completely changed the album's trajectory.
First, John got some parental tough love from his old man, who called John on the proverbial carpet or dogsled or whatever you put people on when you want to yell at them in Alaska. What's taking so long to finish the album? John's dad said. Isn't that what bands do? Write songs and then put them out? Like fathers and unlicensed therapists tend to do, John's dad cut him deep. The whole thing started John thinking about why the band seemed to be stuck on a musical elliptical machine from hell and, more importantly, about how to get off of it.
Second, fate stuck its wiener in John's ear again when he found his dad's ticket stub from the original 1969 Woodstock music festival. It seems like a small thing, but talking to his dad about Woodstock '69 knocked something loose in John's head. He realized that, in the same tradition of bands from that era, Portugal. The Man needed to speak out about the world crumbling around them. With these two ideas converging, the band made a seemingly bat-shit-crazy decision: they took all of the work they had done for the three years prior and they threw it out.
It wasn't easy and there was the constant threat that the band's record label might have them killed, but the totally insane decision paid off. With new, full-on, musical boners, the band went back to the studio-working with John Hill (In The Mountain In The Cloud), Danger Mouse (Evil Friends), Mike D (Everything Cool), and longtime collaborator Casey Bates (The one consistent producer since the first record). In this new-found creative territory, the album that became Woodstock rolled out naturally from there
Remember that mountain of burning needles we were talking about? Good. Because Woodstock is an album (Including the new single Feel It Still) that-with optimism and heart-points at the giant pile and says, Hey, this pile is fucked up! And if you think that pile is fucked up too, you owe it to yourself-hell, to all of us-to get out there and do something about it.1. Number One
2. Easy Tiger
3. Live In The Moment
4. Feel It Still
5. Rich Friends
6. Keep On
7. So Young (feat. Fat Lip)
8. Mr. Lonely
9. Tidal Wave
10. Noise Pollution (feat. Mary Elizabeth Winstead & Zoe Mannville)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Kiss: MTV UnpluggedCelebrating four decades of decibels, KISS, Mercury Records and UMe proudly announce reissuing the legendary KISS albums on 180g audiophile vinyl
starting in 2014. Remastered to high definition 192kHz/24-bit audio for maximum fidelity, these albums have never sounded so amazing and now
vinyl collectors will get what they've been demanding. All posters, sleeve art, stickers, etc that appeared in the original LP release where applicable have
been faithfully reproduced for the KISS Army.
On April 10, KISS will be inducted into the Rock and Roll Hall of Fame - which will be broadcast in May -
and then will kick off a summer co-headlining tour with Def Leppard starting in June.
After sinking deep into this musical celebration, even the not-so-avid listener will surely know something more about Kiss, a classic rock icon of the '70s roaring back in vibrant and passionate form. This recording of a session done expressly for the program MTV Unplugged in 1996 brought together a special group for a remarkable, if unexpected, reunion. Throughout this record, you can feel the support and raw adoration of the audience present, certainly a mixture of long-time fans and new admirers. The members of Kiss got together to rock hard on their axes and crash big on the drums, bringing a renewed sense of freshness and excitement. Nearly rock & roll legends, they exceeded expectations and, given their newfound energy, charisma, and love for the music, their performance provided the catalyst for the beginning of a successful world reunion tour. Coming Home delivers a feverish and electric opening that gets the crowd on its feet in a hurry. Soon the emotion and presence of this group are brought back with startling grace and wisdom on Plaster Caster, and the beautiful acoustic medley Goin' Blind. The decades of Kiss, their costumes, and their wild stadium shows roll back in a heartbeat through the crashing tune Do You Love Me. Perhaps one of the most bewildering tunes that really reflects the image of Kiss is the rocking blues tune Domino. The crowd is really fired up now, next experiencing the charming and soulful power rock ballad Sure Know Something. A World Without Heroes is very subdued and reflective. Rock Bottom is delicate and mysterious in the opening seconds, with a lush minor harmony delivered picking style on the acoustic. Now it gets rough, expresses Stanley, grooving in a racy blues statement. See You Tonight is a romantic and pretty ballad delivered with sweetness, and the group sings, I'll see you tonight/And if I can't, I'll cry, I'll cry/I see you tonight, outside. Then on comes the darker resonance of the band with I Still Love You, expressing grave longing after a grueling breakup. I got to make you see, is a gripping line in a haunting bridge section, before the shouted, emotional, sometimes painful chorus: Girl, it seems the price I have of losing you/Will be my hell to pay/It makes me want to die/'Cause I still love you. The solo during the bridge is reminiscent of the chord structure of the Guess Who's Undun. After this painful, depressing song, new breath is found with Every Time I Look at You, a song of forgiveness, delivered with sincerity and the feeling of hope: Every time I hold you/The things I never told you seem to come easily/'Cause you're everything to me. The bridge is brilliant and seems to elevate the melody to a gratifying level, before breaking into a chilling guitar improv, layered over with a shimmering string orchestra. Beth is the most heartwarming song of Kiss' power ballads: Beth I know you're lonely/And I hope you'll be alright/'Cause me and the boys will be playing all night. Finally, a Kiss show wouldn't be complete without the ultimate party song, Rock and Roll All Night, a tune still electric without electric guitars.
- Shawn M. Haney (All Music Guide)LP 1
1. Comin' Home
2. Plaster Caster
3. Goin' Blind
4. Do You Love Me
6. Sure Know Something
7. A World Without Heroes
8. Rock Bottom
1. See You Tonight
2. I Still Love You
3. Every Time I Look At You
4. 2,000 Man
6. Nothin' To Lose
7. Rock 'N' Roll All Nite
8. Got To Choose$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Live Songs 2011Import
When Cohen became known as a musician in his late 30s with his albums Songs Of Leonard Cohen and the sophomore Songs From A Room, people were surprised that his music seemed to come out fully formed.
Many were familiar with his work as an author and poet, but did not know that he had been a musician for most of his life. For Cohen, making music was another way to bring his poetry to the people. The dark thrall of his songs portray an artist that is ever able to trace the hidden contours of love, lust, sex, religion, politics and history.
Live Songs was released in 1973; Cohen's fourth album was a collection of recordings made at a number of concerts in Europe between 1970 and 1973. The collection consists of songs from 1969's Songs From A Room, such as 'Bird On A Wire', 'Story of Isaak' and a new version of 'Seems So Long Ago, Nancy' (now simply dubbed 'Nancy'), and a number of new songs.
The epic climax is unmistakably the 13-minute 'Please Don't Pass Me By (A Disgrace)', in which Cohen describes his personal descent into hell & oblivion. The song tormented Cohen to such a degree that he rarely sang it again.
A beautiful collection of songs that shows Cohen in his most raw & vulnerable moments1. Minute Prologue
2. Passing Thru
3. You Know Who I Am
4. Bird on the Wire
7. Story of Isaac
8. Please Don't Pass Me By (A Disgrace)
9. Tonight Will Be Fine
10. Queen Victoria$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Weird SisterWe're excited to announce the release of the debut album by thrilling Cardiff-based noisepop five-piece Joanna Gruesome. Brimming with irresistible pop melodies and spiked with dissonant fuzzy jangle, their songs are shot through with loud discordant feedback and super-fast, hardcore punk drumbeats. Kicking it against sexism and homophobia, nothing is off-limits, drawing inspiration from DIY scenes such as Riot Grrrl/noisepop/C86/K Records as well as post hardcore like Drive Like Jehu/Converge and the art rock of The Velvet Underground, Swirlies and My Bloody Valentine.
Joanna Gruesome comprise Alanna on vocals, Owen on guitar, Max on bass, George on guitar and Dave on drums. Most of the album was written during a month long stay in a seedy west Brighton hotel called The Hell House and recorded under the guidance of producer MJ of the much lauded Hookworms. Awash with nods to mental illness and the dark recesses of the mind, the record is littered with references to the devil or zombies and allusions to comic books.
Take first single "Secret Surprise," in which mental illness takes a physical form and is fought using razor blades. Or Anti-Parent Cowboy Killers, which is about stealing a scooter and driving it into the ocean when you should be in school LEARNING. Or Sugarcrush, about spending a summer burning knitwear. Slotting in with contemporaries like Swearin' and Speedy Ortiz, Joanna Gruesome offer a staggeringly diverse album, unexpectedly quiet and surprisingly loud.
"Abrasion, anger, attitude. One guitarist is in the audience, but this isn't too much of a stretch. There are slower parts where the musicians take a second to breath. There are noisier bits where the musicians take a second to reflect. There are thumpy bits where the musicians take a second to dance and enjoy themselves. Everyone's smiling. Everyone's hugging themselves. What a glorious mess of a noise to be a part of. What a glorious sense of community." - Everett True, Collapse Board
A brilliant band from Cardiff who love their fuzzy melodies and songs dripped in scuzzy reverb. Huw Stephens, Radio One.1. Anti-Parent Cowboy Killers
3. Wussy Void
5. Lemonade Grrrl
6. Secret Surprise
7. Do You Really Wanna Know Why Yr Still In Love With Me?
10. Satan$15.99Vinyl LP - Sealed Buy Now
Dan DyerIt may be generalizing. Hopefully it isn't offensive. But let's face it: Dan Dyer has one hell of a soulful voice for a white guy. It's a soulful voice for anybody. But for a white guy?! Close your eyes and you're likely to picture something more along the lines of Al Green or Stevie Wonder or Sly Stone than some east Texan around 40 years old. But this is Dan Dyer's gift - a voice oozing soul along with deeply introspective, serious songwriting.
Dyer was born and raised in the small east Texas town of Tool. He was given a guitar at age 5 but didn't learn to play until he was 18 and had moved to Austin, Texas. It was there that he began to study music seriously, attacking the guitar, and exploring his until-then untapped singing and songwriting powers.
While attending Texas State in San Marcos, Texas, Dyer formed a band, Breedlove, with guitarist Tyrone Vaughan (son of Jimmie Vaughan), drummer Jason White, keyboardist Ezra Reynolds and bassist Josh Dawkins. The group developed a dedicated following and released Reach Out in 1996 before disbanding in 1998.
From there, Dyer moved to New York City and began writing commercial music jingles, having songs placed in marketing campaigns for Budweiser, Chevrolet, Dr. Pepper and Campbell's Soup. While there, Lenny Kravitz, who had just begun a Warner Bros. imprint called Roxie Records, signed Dyer and produced his What Lies Beneath record in 2004, the first release on the label. Kravitz co-wrote four of the songs with Dyer and also played guitar on the record.
After touring for a year behind What Lies Beneath, Dyer moved to St. Louis and started a family. In 2007, he returned to Austin where he'd reunited with friend David Boyle, who recorded and produced Dyer in his converted-church studio for the self-titled Dan Dyer. The record was released in 2008 on Fat Caddy Records. From the chain gang-inspired sound of Love Chain to the gospel-tinged I Walk On Gilded Splinters and Stewart Copeland-esque syncopations of Play On Little Children, Dyer and Boyle weave a diverse fabric that extends beyond conventional musical boundaries.
This title is not eligible for discount.1. Prisoner Of Fear
2. Howling Wind
3. Come Home
4. Come Home Pt. 2
5. Reach Out$19.99180 Gram Audiophile Virgin Vinyl LP D2D -Sealed Direct to Disc (D2D) Buy Now
Both Sides of the SkyBoth Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile period between January 1968 and 1970. Jimi's mastery and use of the studio as a proving ground for new songs resulted in a growing collection of extraordinary material. This album completes a trilogy of albums [with Valleys Of Neptune and People, Hell & Angels] presenting the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of Stepping Stone, Lover Man and Hear My Train A Comin' as well as recordings where Jimi is joined by special guests Johnny Winter and Stephen Stills. Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix's albums throughout the guitarist's lifetime, and produced by Janie Hendrix, Kramer and John McDermott.
Mannish Boy - The first ever studio session by the group Hendrix would christen as his Band Of Gypsys. Hendrix, Cox & Miles shared a love for the blues as this driving, uptempo reworking of Mannish Boy by Muddy Waters makes clear.
Lover Man - Just two weeks before their triumphant New Year's concerts at the Fillmore East in NYC [yielding both 1970's Band Of Gypsys and 2016's sequel Machine Gun], Hendrix gathered with Cox and Miles to cut this dynamic rendition of what had become a favorite concert staple.
Stepping Stone - A totally unique take on this Hendrix favorite, with Jimi showcasing both blues and country styled licks atop a relentless, galloping beat.
$20 Fine -Stephen Stills joined Jimi, Mitch Mitchell and Buddy Miles Express keyboardist Duane Hitchings at this September 1969 session. With Stephen handling lead vocals and organ, Jimi added multiple guitar parts to this rollicking Stills original.
Power Of Soul - This 1970 studio session came three weeks after the Band Of Gypsys concerts at the Fillmore East. While a live version remains one of the highpoints of Band Of Gypsys, Jimi never released a studio version during his lifetime. For this album, we present the mix that Hendrix and Kramer prepared of the complete song at Electric Lady on August 22, 1970.
Jungle - The influence of Curtis Mayfield can be heard here as Jimi expands on the Villanova Junction Blues theme he made famous by its inclusion in the 1970 Woodstock documentary.
Things I Used To Do - Jimi is joined for this rendition of Guitar Slim's blues classic by Johnny Winter. Jimi's trademark guitar work and Winter's deft slide playing weaves in and around the foundation set by bassist Billy Cox and Crosby, Stills, Nash & Young drummer Dallas Taylor.
Georgia Blues - Jimi reunited with some old friends from his pre-Experience days. Lonnie Youngblood, with whom Hendrix played in R&B groups like Curtis Knight & The Squires, voiced this superb twelve bar blues neatly underpinned by Hendrix's sublime rhythm and lead guitar work.
Sweet Angel - With Axis: Bold As Love only just released, Jimi immediately turned his focus to recording what would become Electric Ladyland. This gorgeous, instrumental reading of Angel,, features Jimi on guitar, bass and vibraphone joined by Mitch Mitchell.
Woodstock - Stephen Stills came to this session fresh from having visited Joni Mitchell, who had a new song that Stills was excited to try and record. Long before CSNY's version, Stephen, Jimi and Buddy Miles recorded this amazing rendition.
Send My Love To Linda - A superb new Hendrix original composition recorded with Cox and Miles in the aftermath of their successful Band Of Gypsys performances at the Fillmore East.
Cherokee Mist - Together with drummer Mitch Mitchell, Jimi created this moody, evocative original complete with his playing of a sitar to complement his traditional electric guitar.1. Mannish Boy
2. Lover Man
3. Hear My Train a Comin'
4. Stepping Stone
5. $20 Fine
6. Power of Soul
8. Things I Used to Do
9. Georgia Blues
10. Sweet Angel
12. Send My Love to Linda
13. Cherokee Mist$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Rose1979 Soundtrack Contains Multiple Smash Hits: When a Man Loves a Woman, Stay With Me Among Them
Midler Steps Into Persona of Janis Joplin on Record Steeped in Rock n Roll, Pounding R&B, and Memphis Blues
Contagious Sound That Spotlights Midlers Potent Voice: LP Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI
Bette Midlers first leading role in a musical remains her best. As the soundtrack for that film, The Rose spotlights The Divine Miss Ms outstanding performance as a character in the persona of Janis Joplin. Midler received an Oscar nomination for Best Actress, and while the record contains no visuals, it punctuates the raw emotion and show-stopping persuasion that the singer brings to upbeat, rollicking fare composed in tribute to the late Joplin. Her reading of When A Man Loves a Woman remains definitive and unique for being sung from a females perspective.
Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI, this Silver Label LP allows listeners to hone in on Midlers voice like never before. Kernels of previously unheard tonalities, richer hues of her bluesy timbre, and better-defined contours of her phrasing come to foreas do the contributions of guitarist Steve Hunter and drummer Whitey Glan, both members of Lou Reeds Rock n Roll Animal tour. No, The Rose isnt your conventional adult-contemporary pop offering from Midler. Its much more.
Always a natural-born theatrical star, Midler demonstrates these abilities to wondrous effect throughout, pouring herself into the painful sentiments of Stay With Me and raising hell on raucous numbers such as Sold My Soul to Rock N Roll and Keep On Rockin. Muscle Shoals sounds and Memphis-birthed shuffles keep Midler balanced and engaged. Producer Paul Rothchild, who helmed Joplins final salvo, matches the headliners zest by keeping tight-fisted control over the material selection and sonics. Never does Midler seem as if shes merely paying tribute or playing a part; she makes listeners feel every note.
Its apt, then, that shes afforded carte blanche on the title track, a gorgeous and career-defining moment of immense proportions and the only song here not performed in the persona of Joplin. Theres no better way to wrap up an album of nearly shamanic power, and an effort that, along with The Divine Miss M, remains Midlers peak.
This title is not eligible for discount.1. Whose Side Are You On
2. Midnight In Memphis
3. Concert Monologue
4. When a Man Loves a Woman
5. Sold My Soul to Rock N Roll
6. Keep on Rockin
7. Love Me With a Feeling
9. Homecoming Monologue
10. Stay With Me
11. Let Me Call You Sweetheart
12. The Rose$24.99Vinyl LP - Sealed Buy Now
Still ClimbingLeslie West is set to releases his album Still Climbing in 2013 via Provogue Records / Mascot Label Group.
Originality, excitement, honesty and survival are all part of what makes a legend, and those qualities ripple through every song on the album. It's a testimonial to the strength and durability of West's artistry. Born October 22, 1945, as he approaches his 68th birthday, West has packed some of the most soulful and searing vocal performances of his half-century career into these 11 tracks. His guitar has never sounded more massive or riff-orientated.
What's different on Still Climbing is that I wanted my guitars to sound as big as I look. So I used four of my Dean Signature model guitars with my Mountain of Tone humbucking pickups. I plugged them into my Blackstar amps - no pedals - and turned them up loud and raw, and what you hear is exactly what I did in the studio. These Blackstar amps deliver everything I need without 'confidence' pedals. I played one of the early tracks we recorded for Slash, and he said, 'That is as heavy as it gets.'
Still Climbing is co-produced by West and Mike Metal Goldberg, who engineered all of the sessions. Songs like Dyin' Since The Day I Was Born, Hatfield or McCoy, and Busted, Disgusted or Dead establish a new litmus test for heavy.
The latter features West and Johnny Winter on duelling slide guitars. West also gave up smoking cigarettes and pot after a bout with bladder cancer, so it's no wonder many of Still Climbing's numbers explore the theme of survival and, ultimately, triumph. To that end, West avows, Not only am I lucky to be here, but because I stopped smoking my voice is now stronger than it's ever been - as strong as my guitar playing.
His inclusion of Feeling Good, a song by British actor-musician Anthony Newley that was made famous by Steve Winwood's group Traffic, is a testimonial to all of that. Its lyrics celebrate a new dawn for me as West and his long-time buddy Dee Snider (Twisted Sister) trade vocal lines.
West has always been an outstanding vocalist, earning comparisons to soul legends like Otis Redding since his 1969 debut Mountain, which gave his historic band its name. On Still Climbing West revisits the catalogue of another classic soul man, Percy Sledge, with the enduring When a Man Loves a Woman. He's joined by now 32 year-old soul man Jonny Lang, who he met 15 years ago when Lang was a rising guitar prodigy. West says they cut the tune side-by-side in the studio, their soaring guitars and voices twining to bring fresh blood and a blues-soaked arrangement to the song.
When a Man Loves a Woman, Never Let Me Go and Fade Into You explore a romantic theme. In 2009 West married his wife Jenni, who co-wrote many of Still Climbing's songs with the guitar giant.
Balls, guts, heart - more words that are part of West's legend and describe the roaring crescendos and deep emotional roots of Still Climbing - and West himself. You know, when it comes to talent, we don't all move at the same rate of speed, West muses. Some people start at the top of their game and after 10 or 20 years you wonder what the hell happened to them. I like to joke that the older I get the better I used to be, but after giving up drugs and smoking, my voice can hit notes that I never could reach before. I'm thankful for that.1. Dyin' Since The Day I Was Born (With special guest Mark Tremonti)
2. Busted, Disgusted or Dead (With special guest Johnny Winter)
3. Fade Into You
4. Not Over You At All
5. Tales Of Woe
6. Feeling Good (with special guest Dee Snider)
7. Hatfield or McCoy
8. When A Man Loves A Woman (With special guest Jonny Lang)
9. Long Red
10. Don't Ever Let Me Go (With special guest Dylan Rose)
11. Rev Jones Time (Somewhere Over The Rainbow)$15.99Vinyl LP - Sealed Buy Now