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Loving Vincent (Original Soundtrack Album)Pressed On 180-Gram Yellow Vinyl
Housed In Packaging Designed By Director Dorota Kobiela
"Loving Vincent" is the upcoming biographical animated film from newcomer directors Dorota Kobiela and Hugh Welchman. The movie follows Armand Roulin (Douglas Booth), the son of an acquaintance of Vincent van Gogh, as he attempts to deliver a letter from the painter following van Gogh's death. Armand soon finds himself retracing the steps taken by Vincent in his final days in an attempt to unravel the mysterious circumstances surrounding his death. A film unlike any other, "Loving Vincent" is entirely hand painted - each of the movie's 65,000 frames is an oil painting on a canvas created using the same techniques as Vincent van Gogh.
In addition to being a wonder for the eyes, "Loving Vincent" is a treat for the ears. Scoring duties fell to English composer Clint Mansell (Requiem For A Dream, Black Swan), who has crafted a masterpiece. Somber yet driven, Mansell's compositions are filled the swell of mournful strings pocked with delicate, deliberate notes in countermelodies. A perfect companion to the story of dreadful loss and resigned understanding, "Loving Vincent" demands to be heard. A beautiful rendition of "Starry Starry Night" performed by Lianne La Havas that serves as the film's credit song is also included.1. The Night Cafe
2. The Yellow House
3. At Eternity's Gate
4. Portrait Of Armand Roulin
5. Marguerite Gachet At The Piano
6. Still Life With Glass Of Absinthe & A Carafe
7. The Painter On His Way To Work On The Road To Tarascon
8. Five Sunflowers in A Vase
9. Wheatfield With Crows
10. Thatched Roofs In Chaponval
11. Blossoming Chestnut Trees
12. The Sower With Setting Sun
13. Starry Night Over The Rhone$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
St. Vincent Soundtrack + Score
180 Gram Audiophile Vinyl
Including 2 Inserts
2 LP Set Contains The Original Score By Theodore Shapiro + The Soundtrack Featuring Tweedy, Bob Dylan, The National And Jefferson Airplane
First Pressing Of 1000 Numbered Copies On Blue Marbled Vinyl
The Soundtrack to the comedy drama St. Vincent (starring Academy Award® nominees Bill Murray, Melissa McCarthy and Naomi Watts), is an irresistible compilation of evergreens and newer hits - including songs from Bob Dylan, The National, and Jefferson Airplane.
This At The Movies release is a very interesting package: next to presenting the song soundtrack, we've also included the Original Score by Theodore Shapiro on a second disc. Each copy of the first pressing is individually numbered and pressed on blue marbled vinyl.
The soundtrack album includes classics from the 1960s and 1970s, such as Bob Dylan's "Shelter From The Storm" from the 1975 album Blood On The Tracks. Tweedy provides two songs: the funky "Everybody Hides" and the laid-back "Why, Why, Why". In between comes a contrasting classic, the straight-hitting vocals of Jefferson Airplane's "Somebody To Love". This was the band's first and biggest hit, a single from the album Surrealistic Pillow in 1967.LP 1: Soundtrack
1. Everyone Hides - Tweedy
2. Try Loving Me - The Webs
3. Somebody to Love - Jefferson Airplane
4. Why Why Why - Tweedy
5. You Da One - Ca$hizz Klay featuring Fingazz
6. Stripper Pole - Nyzzy Nyce
7. One Toke over the Line - Brewer & Shipley
8. Further On Bronze Radio Return
9. Hard to Find - JD & The Straight Shot
10. Start a War - The National
11. Molodaya Luna - Vechyaslav Samarin
12. Shelter from the Storm -Bob Dylan
LP 2: Score
1. Long Walk Home
2. Gym Class
3. Life of Vin
4. Be Good
5. Vin and Zucko
6. Standard Operating Procedure
7. Small Means Nothing
9. Daka's Ultrasound
10. At the Track
11. Broken Glass
12. Saints Among Us
14. Break Through
15. Fresh Crab
16. Bad News$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Love This GiantRecorded over two years largely at Water Music in Hoboken, NJ, the album is a collaboration in the truest sense of the word, with Byrne and St. Vincent (aka Annie Clark) co-writing ten of the album's twelve tracks, and each artist penning one song individually. The album centers around an explosive brass band and is propelled by John Congleton's drum programming!
There was no delineating what the roles were, explains Clark of the recording. It's a collaboration I'm truly proud of. The duo also split lyrical and vocal duties on the record, which despite eschewing a traditional guitar/bass/drums lineup in favor of idiosyncratic horn arrangements, presents itself as infectious and modern hook-laden rock.
Byrne and Clark met in 2009 at the 'Dark Was the Night' benefit at Radio City Music Hall and were approached shortly after by the Housing Works Bookstore to collaborate on a night of music. They began composing remotely, trading song ideas and structures online while Clark toured and it quickly became apparent that they had more than just one night of music in them!!
Byrne performed with Clark at her 'American Songbook' show at Lincoln Center in 2010, and Clark contributed vocals to Byrne's Here Lies Love album, released the same year.1. Who
2. Weekend in the Dust
3. Dinner For Two
4. Ice Age
5. I Am An Ape
6. The Forest Awakes
7. I Should Watch TV
11. The One Who Broke Your Heart
12. Outside of Space & Time$22.99Vinyl LP - Sealed Buy Now
Sunglasses After DarkTwelve smokin hot rockabilly tracks recorded between 1958 and 1960 by the little known but much-loved rock pioneer and former Gene Vincent guitarist, Dwight Pullen!1. Everybodys Rockin
2. Tight Slacks
3. Sunglasses After Dark
4. Moonshine Liquor
5. Crazy In Love
6. Walk My Way Back Home
7. Lets All Go Wild
9. Tuscaloosa Lucy
10. Drinkin Wine Spoo Dee O Dee
11. Teen Age Bug
12. Dont Make Me Cry (I Love You)$18.99Vinyl LP - Sealed Buy Now
ADAD-VAG-3214xJames Vincent McMorrow
Post TropicalIn 2014, Vagrant releases Post Tropical , the second full-length, studio album by Dublin's James Vincent McMorrow.
On a pecan farm half a mile from the Mexican border, Post Tropical was born - a collection of sounds and ideas brought to life in rooms where the low
frequencies of passing freight trains vibrated in the studio, briefly disturbing the birds in the rafters. And like most new ideas, Post Tropical is hard to
describe. It requires attention and engagement. It seduces you towards hidden depths.
James Vincent McMorrow's acclaimed debut album, Early in the Morning , reached number 1 in Ireland, went platinum and picked up a Choice Music
Prize nomination upon its release in 2010. Along the way, there were shows everywhere from the Royal Festival Hall to Later...with Jools Holland, and a
breakout hit in the charity cover of Steve Winwood's 'Higher Love'. McMorrow's first record was the formative sounds of a songwriter who suddenly found
people giving a damn. "I'm so proud of that album, but I never longed to be a guy with a guitar. You play these songs live as best you can, and suddenly
you're a Folk musician. But the texture of this record is completely different. This is the kind of stuff that makes sense to me."1. Cavalier
2. The Lakes
3. Red Dust
5. All Points
6. Look Out
8. Post Tropical
10. Outside, Digging$19.99Vinyl LP - Sealed Buy Now
Rumor and Sigh (Awaiting Repress)
The Most Cohesive and Accessible Album of Richard Thompson's Career: Brilliantly Diverse, Savagely Witty Rumor and Sigh Includes All TIME 100 Song 1952 Vincent Black Lightning
Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 3000 Numbered Copies: Rumor and Sigh on 180g Vinyl 2LP for the First Time, Features Dynamic Production
Richard Thompson manages all of his usual superhuman feats on Rumor and Sigh. Rippled, vibrant guitar lines that sound like they're coming from four guitars? Check. Lyrics that expose the delicate quirks of human behavior in witty, truthful manners? Here. Engaging vocals that arrive as if they are sung only to you, the words doubling as whispered thoughts in your own head? Yep. But Rumor and Sigh goes further by featuring astute, lively production and well-planned arrangements that turn the 1991 album into one of the - if not the - most cohesive and accessible efforts of Thompson's storied career. And now, courtesy of Mobile Fidelity, it's his best-sounding record.
Mastered from the original master tapes, pressed at RTI, strictly limited to 3000 numbered copies, and on 180g vinyl 2LP for the first time ever to provide needed groove space, Mobile Fidelity's analog edition breathes with an effervescent openness that makes the music emerge with a livelier sheen, standout dynamics, and unstoppable energy. The dead-quiet pressing makes it immediately evident Rumor and Sigh endures as a very special album - a cohesive, varied, and fun set spiked with some of Thompson's finest compositions and an exoticism that extends to the modest use of the hurdy-gurdy, mandolin, concertina, and crumhorn.
Casual fans will likely even recognize the Mitchell Froom-produced release includes the incomparable 1952 Vincent Black Lightning, a motorcycle-based tale of desire, love, and death rightly recognized by TIME magazine as one of its All TIME 100 songs. It, and the other 13 tracks, takes on newfound radiance that showcases the brilliant range of Thompson's instrumentation and tone. You could plug in a guitar amplifier right next to you, connect a Fender, and strum. Yet you still wouldn't have the depth, intimacy, and detail afforded by this audiophile edition. It's that remarkable.
So is the diversity of the album's sonic signatures and themes. Opener Read About Love provides an electric-start jolt, its upbeat tempos, shimmering accents, and massive hooks framing Thompson's amusing story of an inexperienced introvert that applies pop-culture ideas of romance to the real thing. The master wordsmith finds similar ironies in the mischievous intent of I Feel So Good, a Celtic-flavored tune whose uplifting emotions contrast with the character's out-of-control desires. Humor further wriggles in the jaunty Psycho Street and spirited Don't Sit on My Jimmy Shands, an enduring tribute to the Scottish accordionist and the pursuit of collecting rare 78 records.
The singer-songwriter's knack for accentuating biting contrast - and for delving into darker regions where jealousy, bitterness, and self-deprecation reside - pervades Rumor and Sigh in the same manner his band shades his every move with narrative skill. Just listen to the faint keyboard cues on I Misunderstood or Jim Keltner's crisp, hi-hat cracks on You Dream Too Much. Of course, everyone stands aside for the folk-leaning 1952 Vincent Black Lightning, a solo tour de force of musicianship and lyricism that confirms Rumor and Sigh survives not only as one of the finest records of the 1990s - but one of the best platters of the last three decades.
This title is not eligible for discount.1. Read About Love
2. I Feel So Good
3. I Misunderstood
4. Grey Walls
5. You Dream Too Much
6. Why Must I Plead
7.1952 Vincent Black Lightning
8. Backlash Love Affair
9. Mystery Wind
10. Don't Sit on My Jimmy Shands
11. Keep Your Distance
12. Mother Knows Best
13. God Loves a Drunk
14. Psycho Street$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
SONM-LEG-8031xChris Shiflett And The Dead Peasants
Chris Shiflett And The Dead PeasantsChris Shiflett & The Dead Peasants is a new project from Shiflett, already known as the lead guitarist for Foo Fighters and the frontman for Jackson United. Steeped in his love for classic country artists (Johnny Cash, Waylon Jennings), rockabilly (Gene Vincent, Eddie Cochran), and deep-rooted rock bands (The Rolling Stones, The Replacements), this new album is packed with soulful pedal steeland twang guitar-accented songs. The album highlights his talent and versatility not only as a skillful guitarist, but also as a songwriter. These infectious Americana-laced rock songs are some of the best hes penned, from the chiming keys and buoyant, ringing guitars of Get Along to the pedal steel- and mandolin-lined heartache of Bandaged, and from the spry, Old 97s-ian Baby, Let It Out to the rueful country swing of Death March.
Shiflett wrote the songs on Chris Shiflett & The Dead Peasants over the course of 2008-09, inspiration first striking when a friend asked him to perform at Orange Countys punk-rockabilly Hootenanny festival in 2008. After re-immersing himself in his Americana and old country music collection to prepare a short set and then playing a brief acoustic tour with friend Joey Cape of Lagwagon, he began writing what eventually became the new album. Recorded at the Foo Fighters Studio 606 in Los Angeles, CA, this past December and January, the core band on Chris Shiflett & The Dead Peasants is Shiflett (vocals, guitar), 606 house engineer John Lousteau (drums, in addition to engineering), and Derek Silverman (keyboards). The albums additional instrumentation was performed by an array of fine musicians, including Davey Faragher (Elvis Costello and The Imposters, Jenny Lewis, John Hiatt) on bass, Greg Leisz (Wilco, Lucinda Williams, Whiskeytown) on pedal steel, Stevie Blacke (Beck, Weezer, Colbie Caillat) on violin and mandolin, and Audra Mae on backing vocals.1. Helsinki
2. Get Along
4. God Damn
5. Burning Lights (Joe Strummer cover)
6. An Atheists Player
7. Not Going Down Alone
8. Baby, Let It Out
9. Death March$19.99Vinyl LP - Sealed Buy Now
DJ Spinna Presents: The Sound Beyond Stars Vol 1Few if any producers have managed to make the transition between hip-hop and house as successful as Vincent Williams, a.k.a. DJ Spinna. But until now his hip-hop career has been better documented. Here, for the first time, is a collection of the cream of Spinna''s house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist.1. Karizma - The Power (DJ Spinna Acid Row Mix)
2. Bah Samba - Moonlight (DJ Spinna Galactic Soul Vocal)
3. Angela Johnson - Got To Let It Go (DJ Spinna Remix)
4. Yvette Rovira - I Remember Love (DJ Spinna Remix)
5. Kerri Chandler With Harley & Muscle - You Can't Lie (DJ Spinna Remix)$24.99Vinyl LP - 2 LPs Sealed Buy Now
DJ Spinna Presents: The Sound Beyond Stars Vol 2Few if any producers have managed to make the transition between hip-hop and house as successful as Vincent Williams, a.k.a. DJ Spinna. But until now his hip-hop career has been better documented. Here, for the first time, is a collection of the cream of Spinna''s house remixes, a collection likely to win a place in the homes of anyone who loves their house music with a deep and soulful twist.1. Loftsoul feat. Lisa Millet - Dear Friend (DJ Spinna Remix)
2. Tone Control - Without your Love (DJ Spinna Galactic Soul Vocal Mix)
3. Groove Addix feat.Annette Taylor - Faith (DJ Spinna Galactic Soul Remix)
4. Animal House - Dirty Mind (DJ Spinna Full 13 Minutes Remix)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Eat Their OwnKnown for his work with Soft Black, New Jersey's Vincent Cacchione aka Caged Animals, has created a highly personal, wistfully nostalgic world that basks in the golden glow of love both new (Lips That Turn the Light To Fire) and old (Teflon Heart) in the haze of regret (This Summer I'll Make It Up To You) and the blur of days gone by. Taken collectively, these are songs which gather resonance with every listen and poignancy with every play, lending increasing depth and profundity towards the fleeting moments in life which we only wish could linger a little more.
Caged Animals is a wired world, but simultaneously an innocent version of darker concepts, mixing lyric and melody to create the sweetest sensation. It's a world inhabited by Raymond Carver vignettes and exhibitions of raw Neil Rough portraiture or Robert Frank's The Americans and it could be sound tracked by The Elephant 6 collective playing Dion covers, Sun Ra's future-jazz moogs and grooves, no wave's awkward DNA or Captain Beefheart at his most playful.1. Teenagers in Heat
2. This Summer I'll Make It Up To You
3. Teflon Heart
4. Hazy Girls
5. Piles of $$$
6. The NJ Turnpike
8. All The Beautiful Things In The World
9. Somebody To Use
10. Lips That Turn the Light To Fire
11. Instant <3breaker$15.99Vinyl LP - Sealed Buy Now
Creatures Of The Night (Awaiting Repress)Celebrating four decades of decibels, KISS, Mercury Records and UMe proudly announce reissuing the legendary KISS albums on 180g audiophile vinyl
starting in 2014. Remastered to high definition 192kHz/24-bit audio for maximum fidelity, these albums have never sounded so amazing and now
vinyl collectors will get what they've been demanding. All posters, sleeve art, stickers, etc that appeared in the original LP release where applicable have
been faithfully reproduced for the KISS Army.
By 1982's Creatures of the Night, Kiss had finally ditched their plans of becoming respectable artists (starting with 1979's Dynasty) and had come to the realization that they were a loud, no-holds-barred heavy metal band. Easily their best since 1977's Love Gun, Creatures of the Night contains very little filler and sounds as if Kiss had been reborn (it also includes one of the heaviest drum sounds ever captured in the studio by any rock band). The band is inspired and enthusiastic throughout, especially on such rockers as the opening title track, Killer, War Machine, Saint and Sinner, and one of their great anthems, I Love It Loud. Also included is one of Kiss' better ballads, I Still Love You (later featured on 1996's Unplugged set), as well as Rock and Roll Hell, a song written about Ace Frehley, who would soon officially make his resignation from the band public. Guitarist Vinnie Vincent (real name: Vinnie Cusano) handles guitar duties here and was eventually named as Frehley's replacement, playing on the ensuing tour. Although Creatures of the Night deserved to be the album that put Kiss back on top of the charts, it performed below expectations (topping out at number 45), as did its tour. Hence, the album is one of Kiss' most underrated. It didn't take a genius to figure out that the makeup had grown stale and was now getting in the way of their music. The time had finally come for the band to unmask.
- Greg Prato (All Music Guide)1. Creatures Of The Night
3. Keep Me Comin'
4. Rock And Roll Hell
6. I Love It Loud
7. I Still Love You
8. Saint And Sinner
9. War Machine$35.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Sabougla VoicesIn today's frenetically paced world, uncovering a lost treasure is often met with great enthusiasm, excitement, and anticipation. Lost footage of Gene Kelly dancing. A Vincent van Gogh no one knew existed. An Arthur Crudup album lost in a vault for 40 years. Jimi Hendrix material coming to light after 40 years. Well, now we can also celebrate the "discovery" of a blues master stepping into the sunlight, and delivering the best gospel album since Elvis gave us "How Great Thou Art" in February, 1967. The paradox is that Leo Welch has been there all along, living in Sabougla, Mississippi, first playing blues, and then moving to gospel. Born in 1932, Welch grew up playing blues. As his style of blues became less popular, he began to play gospel because churches offered more opportunities to play. Consequently, he was overlooked because blues aficionados frequented juke joints. Most blues lovers would never think to find blues, or blues related music in a church.
After an off-the-cuff call by Welch to Big Legal Mess Records, things continued to fall into place, and he was able to record his debut album, Sabougla Voices. It is really difficult to accurately describe this stunning album, and faithfully convey the vibe, the atmosphere, and way it moves a listener. Welch has poured a lifetime of learning, living, loving, playing, and praying into this work, and it shows!
This album is stripped down, bare bones joyful gospel being played and sung from the heart. This is not your daddy's gospel though. Sabougla Voices is a shot of love to your heart, a cool cleansing breeze blowing through your soul, and an orgasm for your ears. The album opens with "Praise His Name," which is beautifully sparse, raw, and has a great bouncing beat. "You Can't Hurry God" is almost a gospel honky-tonk that has a juke joint vibe. "Take Care Of Me Lord" has a very early Magic Slim and The Teardrops sound to it. "Mother Loves Her Children" is really basic, slow, artfully delicate blues. "Somebody Touched Me" has a mid 1960s Rolling Stones blues flavor, and nice backing vocals. "A Long Journey" is delightfully slow, and begs to be pulled over you like a comforting blanket of blues. "His Holy Name" is gospel as a shuffle, and definitely has the church rocking! The album closes with "The Lord Will Make A Way," an acoustic performance that is slow and stark, but very moving.
If this is Welch's debut alum, we can't wait for the follow-up! This album is definitely a must-have.
- Barry Kerzner (American Blues Scene Magazine)1. Praise His Name
2. You Can't Hurry God
3. Me and My Lord
4. Take Care of Me Lord
5. Mother Loves Her Children
6. Praying Time
7. Somebody Touched Me
8. A Long Journey
9. His Holy Name
10. The Lord Will Make A Way$15.99Vinyl LP - Sealed Buy Now
Instant ReplayCelebrate The Legendary Artist's #1 Record From 1978
Stunning 180 Gram Audiophile Translucent Red Vinyl & Gatefold Cover Presentation
Mastered Impeccably At Friday Music - Pressed At R.T.I.
Featuring: Edgar Winter, Vinnie Vincent (Formerly Of Kiss), G.E. Smith (Hall & Oates / Bob Dylan)
In 1978, mega artist Dan Hartman (Free Ride, I Can Dream About You, Living In America) was sitting on top of the world. After a long
tenure performing with superstars like Muddy Waters, Johnny Winter and The Edgar Winter Group, Dan rewarded his fans once again with
one of the most important club and pop songs of the era with Instant Replay. Featuring the classic line-up of Dan Hartman, Vinnie Vincent
(Kiss), G.E. Smith (Bob Dylan) and former bandmate Edgar Winter, the Instant Replay album rapidly became one of the most definitive albums of his very successful career.
The LP kicks off with the #1 title track Instant Replay and simmers on with the lengthy dance smash Countdown/This Is It. His rock and
funk side continues with even more classics like Double-O-Love and the brilliant Time And Space, making this one of most popular albums
of the time and continues to be heard on radio and in dance halls all over the world.
Friday Music is no stranger to the stunning recordings of Dan Hartman and his affiliations with our other artists Johnny Winter and The Edgar Winter Group. Therefore, it is with much excitement to announce the legendary Dan Hartman masterpiece Instant Replay. Mastered impeccably by Joe Reagoso (Johnny Winter/Isley Brothers/ Instant Funk) at Friday Music Studios and pressed at RTI, this stunning LP was long overdue for the audiophile vinyl domain.
Dan Hartman would go on later to become one of the top recording artists, composers and record producers of our time. Collaborating
with such diverse artists as Joe Cocker, Stevie Winwood and James Brown, his career ended with his untimely passing in 1994.
In honor of the late artist and this amazing album, we are presenting Instant Replay for the first time on translucent RED Vinyl with a limited edition gatefold cover. We believe this wonderful new audiophile release of Instant Replay will become one of the most anticipated dance and classic rock/pop releases of the year!
Countdown!1. Instant Replay
2. Countdown / This Is It
4. Chocolate Box
5. Love Is A Natural
6. Time & Space$19.99180 Gram Audiophile Virgin Vinyl LP Buy Now
End Is ForeverFollowing up their breakthrough 1999 release Blue Skies, Broken Hearts...Next 12 Exits, Kris Roe and his band, the Ataris, offered up the dynamic, dangerously non-punk End Is Forever in early 2001. Along with singer/guitarist Roe, Chris Knapp (drums), Marco Pena (guitars), and bassist Mike Davenport wind their way through an expanse of post-grunge alternative and emocore more musical than anything the Ataris had previously released. Listeners familiar with the group's earlier recordings probably won't be too surprised by End Is Forever as Roe's quickly developing, gifted writing had always been the outfit's defining factor, making the transition away from punk's noisier elements predestined. Purists already dismissive of the entire emo genre will be mortified by Roe's polished heart-tugging trilogy Giving Up on Love, Summer Wind Was Always Our Song, and I.O.U. One Galaxy that opens the disc. Things degenerate further for credibility-obsessed punk fans when Roe and Co. kick out some old-fashioned big rock on tracks like Road Signs and Rock Songs. Listeners anxious about the Ataris unavoidable flight to the punk genre suburbs won't have to read between any lines to figure where the band was heading when they produced this 2001 release. After End Is Forever, all that remained to be seen is just how far the quartet's undeniable mainstream appeal would take them.
- Vincent Jeffries (All Music Guide)1. Giving Up on Love
2. Summer Wind Was Always Our Song
3. I.O.U. One Galaxy
4. Bad Case of Broken Heart
5. Up, Up, Down, Down, Left, Right, Left, Right, B, A, Start
6. Road Signs and Rock Songs
7. If You Really Wanna Hear About It
8. Fast Times at Drop-out High
9. Song for a Mix Tape
10. You Need a Hug
11. How I Spent My Summer Vacation
12. Teenage Riot
13. Song #13
14. Hello and Goodbye$19.99Vinyl LP - Sealed Buy Now
Shine OnThree Time Grammy Winner and legendary singer songwriter makes her Verve debut with her eighth studio album, SHINE ON. Sarah has sold over 40
million albums in her career and is one of the most respected female artists in music today.
The new album was recorded in Vancouver with longtime collaborator/producer Pierre Marchand (the co-writer of hits like Adia and Building a
Mystery), along with contributions from producer/songwriter Bob Rock (Michael BublÉ, Nelly Furtado) and keyboardist Vincent Jones.
In a press release, McLachlan revealed that the album was inspired by her father's passing and her own appreciation of life: "This album is about moving
through the second half of my life in a more mindful and meaningful way, recognizing that every day, every moment is precious and though we all have
our issues and problems, our damages, we all have the ability to continue to learn, grow from our experiences, thrive and shine on. Many of the songs are
inspired at least partially or wholly by my father's passing three years ago and the profound effect losing him had on me. I had to find my footing again
without the anchor of his unconditional love.1. In Your Shoes
2. Flesh and Blood
4. Broken Heart
5. Surrender and Certainty
6. Song For My Father
7. Turn the Lights Down Low
8. Love Beside Me
9. Brink of Destruction
10. Beautiful Girl
11. The Sound That Love Makes$24.99Vinyl LP - 2 LPs Sealed Buy Now
Silk DegreesSilk Degrees by Boz Scaggs was not only one of the finest examples of crossover soul, pop & rock ever recorded, but it was also one of the biggest albums of the 70's & included some of the finest grooves ever played by Boz Scaggs, which netted him a Grammy for his mega number one hit Lowdown.Other major hit singles included in this ltd. ed HQ vinyl edition are Lido Shuffle, Georgia & It's Over. Other artists covered songs from this watershed album & had major hits themselves, which further illustrates the importance of this highly loved LP. Includes bonus LIVE cd in the first 1000 copies!
Personnel: Boz Scaggs (vocals); Fred Tackett, Louie Shelton (guitars); Les Dudek (slide guitar); Plas Johnson (tenor saxophone, horns); Bud Shank (saxophones, horns); Chuck Findley (horns, flugelhorn); Jim Horn, Tom Scott, Dick Hyde, Paul Hubinon, Vincent deRosa (horns); David Paich (keyboards, synthesizer); David Hungate (bass); Jeff Porcaro (drums, percussion); Carolyn Willis, Marty McCall, Jim Gilstrap, Augie Johnson, Maxine Green, Pepper Swenson (background vocals).
Recorded at Davlen Sound Studios and Hollywood Sound Studios, Los Angeles, California. Boz Scaggs's 1976 breakthrough, SILK DEGREES, was not only his biggest-selling album, it was also one of his best. Here Scaggs collaborated with keyboardist and bandleader David Paich, who would soon form the hugely successful band Toto with this record's drummer, Jeff Porcaro. In Paich, Scaggs found a foil who added just enough pop gloss to make his blues- and R&B-tinged material palatable to the masses. Crucially, though, the pair keeps Scaggs's remarkable voice at the center of things, never going too far overboard with the studio polish. As a result, hit singles Lowdown and, particularly, the horn-spiked R&B of Lido Shuffle still sound fresh, while the ballads remain soulful. A year or so later, Rita Coolidge would take one of those ballads, We're All Alone, into the Billboard Top Ten with her own version.
1. What Can I Say
3. Jump Street
4. What Do You Want The Girl To Do
5. Harbor Lights
7. It's Over
8. Love Me Tomorrow
9. Lido Shuffle
10. We're All Alone$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
TribalLast summer Imelda May became a mother for the first time. You might expect her to turn to singing ballads. You would be horribly wrong.
"There are no lullabies on this album," laughs the lady who's brought rockabilly back into fashion sixty years after it was kicked into life by young men like
Carl Perkins and Elvis Presley, Gene Vincent and Jerry Lee Lewis.
"Tribal" is as primal a rock 'n' roll record as you could ever find, infused with the spirit of Sun Studios, where the sound was born in Memphis, Tennessee -
but given a 21st century kick up the butt by a girl from the back streets of Dublin.
Tribal" - her third album, following "Love Tattoo" and the Top Ten hit "Mayhem" - is her punchiest yet.
The songs on "Tribal" are infused with the rebel spirit that launched rock 'n' roll on an unsuspecting world way back in the mid-1950s, but also the rebel
spirit of the punk bands Imelda admired growing up in Dublin in the late 1970s as the youngest of five siblings - The Clash and The Undertones, The
Buzzcocks and The Cramps.
The motto for the way Imelda lives her life is the title of her new single 'It's Good To Be Alive'. "I wrote it in the early hours of the morning one day after I
had the baby," she reveals. "I was sleep-deprived and feeling very exhausted. I looked out of the window, watched the sun rise through the trees and felt
- God, it's good to be alive!"
Other song titles sum up Imelda's zest for life. 'It's Good To Be Alive'. 'I Wanna Dance'. 'Wicked Way'. 'Wild Woman'. Especially the latter, with its chorus:
"There's a wild woman livin' inside of me/A wicked, wicked wild woman, dyin' to be free". "You see people toning it down and becoming more responsible
as they get older. But inside, there's still the lunatic inside"1. Tribal
2. Wild Woman
3. It s Good To Be Alive
4. Gypsy In Me
5. Little Pixie
6. Hellfire Club
7. Five Good Men
8. Ghost Of Love
9. Wicked Way
10. Round The Bend
11. I Wanna Dance
12. Right Amount Of Wrong$19.99Vinyl LP - 2 LPs Sealed Buy Now
Restoration: The Songs Of Elton John And Bernie Taupin (Pre-Order)Release Date: June 22, 2018*
Some of the world's biggest pop, rock and country artists are celebrating Elton John's most beloved and legendary catalog of hits with two albums Revamp (Island Records) and Restoration (Mercury Nashville). The superstar lineup features artists both new and iconic reinterpreting the timeless songs of the over 50 year writing partnership that Elton and Bernie Taupin share. These renditions and artists show the depth of the catalog these two icons have created, which can easily cross musical genres and their unparalleled influence across popular music of all styles.
Revamp features the hits reimagined by the best in pop, rock and urban with Mary J. Blige, Alessia Cara, Coldplay, Miley Cyrus, Florence And The Machine, Lady Gaga, The Killers, Mumford and Sons, P!nk and Logic, Q-Tip ft. Demi Lovato, Queens of the Stone Age, Ed Sheeran, Sam Smith,
Restoration highlights countries biggest stars with thoughtful interpretations by Dierks Bentley, Rosanne Cash and Emmylou Harris, Miley Cyrus, Vince Gill and Don Henley, Miranda Lambert, Little Big Town, Maren Morris, Kacey Musgraves, Willie Nelson, Brothers Osborne, Chris Stapleton, Rhonda Vincent and Dolly Parton and Lee Ann Womack.
"'It's always a huge compliment when an artist loves your song enough to take the time and effort to rework it," adds Elton John. "As songwriters, Bernie and myself are thrilled when singers we admire and respect as much as those on Revamp & Restoration choose to add their own unique twist in the process. It means that our music is still relevant and ultimately that our songs continue to reach new audiences. We're humbled and thank them all for their generosity."
"Because of our love of all kinds of music, we're not stuck in one genre," said Bernie Taupin. "From day one we borrowed from everything that's good about American music - whether it's blues, country, gospel, pop, pure rock - everything got thrown in the mix. I think that's why our music over the years has been so varied. It would be tiring if you just got stuck in one niche your entire career, especially when it's one as long as ours."
The album art for Restoration was created by Bernie. The rustic musical instruments and flags from both nations is an extension of his mixed-media art that's another form of expression. It symbolizes the role that U.S. culture and its native music has played as a driver in the John/Taupin canon.
"For me, there's an irony about the American flag," Taupin says. "It's been battered and beaten and burned, but it's resilient. It's always come back. I incorporate it with other things, and lately I've done a lot of pieces with deconstructed guitars and other found materials: barbed wire, broken bottles, things that people identify with on an everyday level. If it's on the floor and it works, I'll put it into the artwork. But it all goes hand in hand with my belief in America and my interest, I would say obsession, with Americana."
Revamp has a pop art cover based on the Terry O'Neil photograph of Elton that was recreated in neon. The covers are very different from each other because they represent totally different albums.
"We have two completely different albums; Revamp being the pop one and Restoration being the country one and God we have so many great artists doing our songs, it's quite incredible," said Elton John. "Restoration was Bernie's project and he's a huge country fan. The 'Revamp' was more my project. He came up with an astonishing list of country performers both new and legendary. On Revamp I wrote out a wish list of people that I would love and asked them and to my surprise most of them said yes and we have quite an astonishing eclectic crew."
*Please note that release dates are subject to change.1. Rocket Man - Little Big Town
2. Mona Lisas And Mad Hatters - Maren Morris
3. Sacrifice - Don Henley and Vince Gill
4. Take Me To The Pilot - Brothers Osborne
5. My Father's Gun - Miranda Lambert
6. I Want Love - Chris Stapleton
7. Honky Cat - Lee Ann Womack
8. Roy Rogers - Kacey Musgraves
9. Please - Rhonda Vincent and Dolly Parton
10. The Bitch Is Back - Miley Cyrus
11. Sad Songs (Say So Much) - Dierks Bentley
12. This Train Don't Stop - Rosanne Cash and Emmylou Harris
13. Border Song - Willie Nelson$35.99Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
Yellow & Green (Awaiting Repress)Baroness, the Savannah-based quartet whose two prior releases (Red Album and Blue Record) were awarded record of the year honors from both Revolver and Decibel Magazines as well as repeatedly placing on year-end best of lists from Pitchfork and Village Voice, return with a new album titled Yellow & Green which will be released via Relapse Records.
Yellow & Green reunites Baroness with Blue Record producer John Congleton (Explosions in the Sky, St. Vincent, Xiu Xiu) following both the band's busiest period (multiple worldwide tours including stops at Coachella, Bonnaroo and Soundwave) and most luxurious year, having taken nearly all of 2011 off to freely write and demo material for their newest offering.
Yellow & Green finds the band as more than just giants of the metal underground, but now fully formed hard rock titans. Fans of the band have come to expect nothing less than constant evolution from Baroness and that is precisely what the band has delivered, but in ways no one could have anticipated: the hooks are immediately seared into your brain, riffs that take just one listen to fully lodge themselves in your consciousness and vocals that are sung both heavily and beautifully.
Some songs are more delicate than Baroness ever hinted at before while others are straight up arena rockers, yet all along Yellow & Green is unmistakingly the Baroness that the world has come to love and look to for Record of the Year quality rock and roll. It's not hard to imagine any one of the 18 songs that fill out Yellow & Green being rock radio anthems, and deservedly so.LP1
1. Yellow Theme
2. Take My Bones Away
3. March to the Sea
4. Little Things
7. Black Where I Belong
8. Sea Lungs
1. Green Theme
2. Board Up the House
3. Mtns. (The Crown & Anchor)
6. Psalms Alive
8. The Line Between
9. If I Forgot Thee, Lowcountry$24.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Everybody's Coming DownCall it a soundtrack to Man's 21st century existential angst, Everybody's Coming Down poses cosmic queries, contemplates regrets, questions self-worth, and examines the possibility of living in the moment, when memories are all that we truly take with us. And in some ways, that's the sweet spot front man and lyricist Tim Kasher inhabits: trying to make sense of this world of ours, and how and why we navigate it the way we do.
Everybody's Coming Down moves in a new direction musically and, in contrast to The Good Life's earlier releases, is very much a rock record. It is also the first that truly embodies the band as a whole, more so than any previous album. In blending elements of drummer Roger L. Lewis's love of classic rock, multi-instrumentalist Ryan Fox's chaotic approach to melody, Stefanie Drootin-Senseney's propulsive, tuneful bass parts and colorful vocal arrangements, and Kasher's deft, complementary song writing, the band sparked a vibrant evolution in sound. The gentler, folk-driven pop/rock for which the band is beloved remains (sonic sister album bookends "7 In The Morning" and "Midnight Is Upon Us;" "The Troubadour's Green Room"), but it is now mixed amongst guitars lines that unspool in a blaze across songs that hit harder and more viscerally ("Everybody," "Holy Shit"), as well as moments of distorted psychedelia and moody ambience ("Flotsam Locked Into A Groove," "Diving Bell," "How Small We Are").
Kasher began writing songs for a new album in October 2013, and the quartet - balancing their busy lives and multiple projects - reconvened from July to December 2014 to finish writing what became Everybody's Coming Down. With the help of Ben Brodin in Omaha's ARC Studios, The Good Life started recording in January of this year and finished the album in their respective homes. The band then turned to John Congleton (St. Vincent, Baroness, Angel Olsen, Cloud Nothings) to mix the album at his Elmwood Recording in Dallas, TX, looking to his experienced hand and uninhibited style to maintain and further realize the album's untempered, vital sound.
And vital it is: Everybody's Coming Down might not crack the ever-elusive code to our universal wonderings, but it'll make you think, illuminate a new or alternative perspective, perhaps salve a lonely ache of isolation. Because we are, ultimately, all in this together - forever coming down.1. 7 in the Morning
3. The Troubadour's Green Room
4. Holy Shit
5. Flotsam Locked Into a Groove
6. Forever Coming Down
7. Happy Hour
8. Diving Bell
9. Skeleton Song
10. How Small We Are
11. Ad Nausea
12. Midnight Is Upon Us$18.99Vinyl LP - Sealed Buy Now
The Body WinsSarah Jaffe started work on The Body Wins the day she bought a bass and a drum set at a pawnshop. That day, she wrote the rhythmic A Sucker For Your Marketing and her second full-length began to take shape. Jaffe had pent-up creative energy inside her, after spending most of the year traveling and touring behind her debut Suburban Nature, and she explores it with abandon here.
There's a side of The Body Wins that didn't exist with Jaffe on her debut and it has a newfound pulse to it, more than a heartbeat, not quite a breakbeat. Glorified High, the first single perfectly captures that with a chorus that smacks you in the chest and lovingly lingers.
The Body Wins may sound different to those introduced to Jaffe through Suburban Nature and it should as it's more of a product of everywhere she's been, literally and figuratively, and a hint of everywhere she might go from here. Produced by John Congelton (St. Vincent, Walkmen, Clap Your Hands Say Yeah, Explosions in the Sky.)1. Paul
2. Body Wins
3. Glorified High
4. Manneguin Woman
5. Halfway Right
6. The Way Sound Leaves
8. Hooray for Love
9. Foggy Field
10. Sucker For Your Marketing
13. When You Rest$13.99Vinyl LP - Sealed Buy Now
Bo Diddley Is A LoverMastered From The Original Chess Mono Reels
Delivering a devastating punch to rock's early '60s doldrums, Bo Diddley Is a Lover bursts at the seams with Bo's uncompromising, rockin' beat. Yep. Industry and the government may have cleaned up fellow '50s rockers like Chuck Berry, Little Richard, Elvis and Gene Vincent, but they didn't get to Bo -- a defiant rocker to the core.
By the time of the 1961 sessions for this album, Bo had relocated from Chicago to DC, to record at his own home studio. He used his artistic freedom to his complete advantage, churning out a series of killer records unfettered by bureaucratic interference. Considered the pinnacle of his collaboration with Lady Bo (aka, Peggy Jones), Is a Lover is also one of Bo's most diverse. Along with rockers like "Hong Kong, Mississippi" and "Bo Diddley Is Loose," the LP also features fantastic instrumentals such as "Congo," straight blues ("Bo's Blues," that is), a call-and-answer with old sparring partner Jerome Green ("Bo's Vacation") and the fabulous ballad, "Love Is a Secret," with backing vocals from a young DC girl group, the Impalas (who would hit the charts three years later as the Jewels). On this album, they're also in fine form on the rocking "Not Guilty" and the title track. And they're not the only gals contributing, as Lady Bo shines on the axe throughout - particularly on the exotic instro, "Aztec." Not to be outdone, Bo closes the album with the badass instro, "Quick Draw" - with strings pulled and twisted to their limit.
This 180-gram edition, properly mastered from the original Chess mono reels, is where you need to be on this album. For sure, for sure.1. Not Guilty
2. Hong Kong, Mississippi
3. You're Looking Good
4. Bo's Vacation
6. Bo's Blues
7. Bo Diddley Is A Lover
9. Back Home
10. Bo Diddley Is Loose
11. Love Is A Secret
12. Quick Draw$24.99180 Gram Audiophile Vinyl LP Mono - Sealed Buy Now