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  • With You In Mind (Awaiting Repress) With You In Mind (Awaiting Repress) Quick View

    $21.99
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    With You In Mind (Awaiting Repress)

    With You In Mind: The Songs Of Allen Toussaint, a new release from Galactic-drummer Stanton Moore with David Torkanowsky (keyboards) and James Singleton (bass) features an all-star cast: Cyril Neville, Jolynda Kiki Chapman, Nicholas Payton, Donald Harrison, Trombone Shorty, Maceo Parker, and Wendell Pierce. The musicians on With You in Mind: The Songs of Allen Toussaint are present-generation masters of the unique musical style of the world-historic city of New Orleans. These singers and players felt the mission of the album, and delivered inspired, focused performances. Producers Torkanowsky and Moore sculpted it all into a great album that grows with every subsequent listen.
    1. Here Come the Girls (Feat. Cyril Neville & Trombone Shorty)
    2. Life (Feat. Cyril Neville, Nicholas Payton & Skerik)
    3. Java (Feat. Nicholas Payton, Donald Harrison Jr. & Trombone Shorty)
    4. All These Things (Feat. Jolynda Kiki Chapman)
    5. Night People (Feat. Maceo Parker)
    6. The Beat (Feat. Cyril Neville)
    7. Riverboat (Feat. Nicholas Payton & Donald Harrison Jr.)
    8. Everything I Do Gone Be Funky (Feat. Maceo Parker)
    9. With You in My Mind
    10. Southern Nights (Feat. Nicholas Payton & Wendell Pierce)
    Stanton Moore
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • James Brown's Funky People Part 1 James Brown's Funky People Part 1 Quick View

    $29.99
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    James Brown's Funky People Part 1

    Some have made the claim that Get On Down may love James Brown just a little too much. To which the label replies, it's not possible to love James Brown too much. The label's welcome obsession with Mr. Brown and the incredible line-up of talent found on his People Record imprint continues with the reissue of Funky People Part 1.


    Long out of print on vinyl, Funky People Part 1 features the top tier of artists from Brown's People Records label, including The J.B.'s, Lyn Collins, Fred Wesley and Maceo Parker. Some of the James Brown organization's all-time best material is collected here, including The J.B.'s "Pass The Peas" and "Hot Pants Road," Fred Wesley's in your face politics through funk statement "Damn Right, I Am Somebody," Lyn Collins smash hit "Think (About It)" and many more.


    Newcomers and diehard fans alike continue to dig into the James Brown and People Records vaults, and the more they do so, the more they realize that it's a nearly never ending source of truly next-level funk and soul music. And you can be sure this aural goodness will keep flowing to the public, thanks to the exhaustive efforts of Get On Down.


    This title is not eligible for discount.

    1. Gimme Some More (The J.B.'s)
    2. Pass The Peas (The J.B.'s)
    3. Lyn Collins Think (About It)
    4. Givin' Up Food For Funk (Part 1) [The J.B.'s]
    5. Mama Feelgood (Lyn Collins)
    6. Hot Pants Road (The J.B.'s)
    7. Rock Me Again & Again & Again & Again & Again & Again (Lyn Collins)
    8. Damn Right, I Am Somebody (Parts 1 & 2) [Fred Wesley & The J.B.'s]
    9. Take Me Just As I Am (Lyn Collins)
    10. If You Don't Get It The First Time, Back Up And Try Again (Party Fred Wesley & The J.B.'s)
    11. Parrty (Part 1) [Maceo & The Macks]
    12. (It's Not The Express) It's The JB's Monaurail (Part 1) [Fred & The New J.B.'s]
    Various Artists
    $29.99
    Vinyl LP - Sealed Buy Now
  • Doin' It To Death Doin' It To Death Quick View

    $19.99
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    Doin' It To Death

    For starters, this platter begins with one of the great intros of all time: "Ladies and gentlemen, there are seven acknowledged wonders of the
    world. You are about to witness the eighth "


    Lodged in a deep groove between the JB's' debut LP Food For Thought (1972) and the more complex and at-times political Damn Right, I Am
    Somebody (from 1974) sits the ridiculously vampy and infectious classic, Doing It To Death. First moving hips and making heads nod in 1973,
    the James Brown-produced, 5-song album is one big funk lick, broken up into many delicious moving parts.


    As with pretty much everything produced by the JB's - led by Fred Wesley with heavy help from a supporting cast that included saxophonist
    Maceo Parker, guitarists Jimmy Nolen and Hearlon "Cheese" Martin and drummer John "Jabo" Starks - all songs began and revolved around
    a devastating riff. The title track is most certainly guilty-as-charged, as it starts strutting right out of the gate and continues for just over 10
    minutes, driven by a guitar lick and MCed by the inimitable James Brown, with soloists stepping up and out while the song chugs on.


    The other centerpiece of the album is the 8-minute "You Can Have Watergate Just Gimme Some Bucks And I'll Be Straight," whose groove is
    interestingly teased two times before it arrives in full form. The song title itself is provocative, and the music keeps a stone-cold groove despite
    the less than cheery undertones. Again driven by an infectious guitar morsel, the breakdowns in this song gave sampling producers and DJs
    sweet dreams in the '80s, and Fred Wesley's trombone solo rides beautifully over the group's cries of "We need some money."


    Beyond the aforementioned sure-shots, the twitchy "More Peas," "La Di Da La Di Day" and the much jazzier, solo-heavy "Sucker" round out
    this incredible album. It's just another perfect example of how James Brown's funk machine could stop the world when they hit a groove.


    This title is not eligible for discount.

    1. Introduction To The J.B.'s
    2. Doing It To Death - Part 1 & 2
    3. You Can Have Watergate Just Gimme Some Bucks And I'll Be Straight
    4. More Peas
    5. La Di Da La Di Day
    6. You Can Have Watergate Just Gimme Some Bucks And I'll Be Straight
    7. Sucker
    8. You Can Have Watergate Just Gimme Some Bucks And I'll Be Straight
    The J.B.'s
    $19.99
    Vinyl LP - Sealed Buy Now
  • Binary Binary Quick View

    $24.99
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    Binary

    "My last record was very inward-looking," says Ani DiFranco. "I was pregnant and then raising a screaming infant. But now that kid is about to turn four, so I got out of the weeds of personal space and started looking outward again, being more engaged, more big 'P' Political. As an artist, I like to be out in the world, and what initially compelled me was to try to push society to a better place. So when I'm not in heartbreak or motherhood mode, that's where you'll naturally find me."

    With her twentieth studio album, Binary, the iconic singer/songwriter/activist/poet/DIY trendsetter returns to territory that brought her to the world's attention more than twenty-five years ago. One of the first artists to create her own label in 1990, she has been recognized among the feminist pantheon for her entrepreneurship, social activism, and outspoken political lyrics. At a time of global chaos and confusion, DiFranco is kicking ass and taking names, with a set of songs offering a wide range of perspective and musical scope.

    She describes a moment during the writing of "Play God," an unblinking pro-choice battle cry, as a particular breakthrough. (A live version of the song was included in the anti-Trump "30 Days, 30 Songs" campaign alongside tracks from Death Cab for Cutie, Aimee Mann, Franz Ferdinand, and more.)

    "When I wrote the line 'You don't get to play god, man/I do,' I paused and thought, 'Can I say that?,' " she says. "It's not the first time I've thought that, but it's been a while. And in that moment, I thought, 'I'm back, mothafuckas!'"

    "When you make a record about family and relationships, people assume you're mommy now and you've lost your edge, and it's going to be all buttercups from here on. So that line had the feeling of 'Take that! My kid is sleeping right now and I want to talk about some shit!"

    On Binary, DiFranco tackles the challenge and necessity of teaching non-violence with "Pacifist's Lament" and the need for empathy in "Terrifying Sight." Remarkably, though, these songs-recorded, in her usual fashion, in a couple of short full-sprint sessions spread across several years-were all written prior to the 2016 elections and attendant political turmoil.

    "I'm not surprised," says DiFranco. "Over twenty-five years, I've found that my songwriting is often full of premonition. It shows me, in a deep and spooky way, how we know things on levels below consciousness. I write songs and then they happen, and later I realize what they're about. I'm just happy to have some good tools in my toolbox to address what's happening now-the feminist diatribes are turned up nice and high on this record!"

    She notes that Binary's title track is key to her intention on this project. "I always title a record from the song that seems to be at its core," she says. "An underlying theme in the songs, and in the feminism I want to engage society with, is the idea that autonomy is a fallacy-nothing exists except in relationship to something else. We are, in some senses individuals with individual liberties and unique powers, but that's only a surface story."

    Though this concept is closely tied up in our present-day obsession with technology ("Sitting alone at home, staring at a screen, you can't really know anything, because knowing is engaging," she says), DiFranco also reveals a growing connection to nature and the physical world.

    "Every year on Goddess' Green Earth, I understand my relationship to it more," she says. "My early songs were all human drama. I don't think I noticed the bigger picture at all-I was transfixed by power dynamics between people. Now I see that it's largely the providence of women to really embody nature, so I do think I'm getting back to basics, and it's a shift for me."

    The backbone of Binary's sound is DiFranco's long-time rhythm section of bassist Todd Sickafoose and drummer Terence Higgins, but on much of the album, the trio is augmented with some all-star guests. "I knew I wanted to involve some of my brilliant friends this time out," she says. "We made some calls and got a party going. That was the idea, to reach out and have some other spirits enter."

    Virtuoso violinist Jenny Scheinman and keyboard wizard Ivan Neville both join in for more than half of the record; "they are so captivating and they elevate my shit whenever they come near it," says DiFranco. Other contributors include the legendary Maceo Parker, Bon Iver's Justin Vernon, and Gail Ann Dorsey, longtime bassist for David Bowie. New Orleans resident DiFranco takes special pride in the Crescent City funk spearheaded by natives Higgins and Neville on a number of the tunes. "Their souls are of this place," she says. "The feel they bring is something they got in utero."

    For the better part of 2016, DiFranco beat the drum for voter turnout on her "Vote Dammit!" tour, focusing on registering and inspiring people to vote. In the days following the election, fans turned to her for guidance with renewed earnestness, anxious to hear music and wisdom from the longtime activist. Ani encouraged fans to take political action and did the same herself, participating in the Women's March on Washington and performing at the official Women's March after party benefitting Planned Parenthood with The National and Sleater-Kinney.

    Binary, of course, is being released into a world in which music distribution and consumption have transformed rapidly and dramatically. For DiFranco, a true pioneer in the music industry with her Righteous Babe label, it's a time to reconsider the possibilities and ambitions of her business.

    "While I was precedent-setting at one time with Righteous Babe and my indie crusade, I feel like, in the time it took me to nurse another baby into being, I've fallen behind," she says. "The universe and technology have continued to evolve, and the idea of harnessing technology and crowd-sourcing everything-money, knowledge, revolution-is a very powerful concept that I'm ready to get more involved with. Righteous Babe is starting to grow now into something that will hopefully become avant-garde once again- more of a collective, more dynamic."

    "I'm trying to figure it out daily," says Ani DiFranco. "Just like always."

    1. Binary
    2. Pacifist's Lament
    3. Zizzing
    4. Play God
    5. Alrighty
    6. Telepathic
    7. Even More
    8. Spider
    9. Sasquatch
    10. Terrifying Sight
    11. Deferred Gratification
    Ani DiFranco
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Doin' Their Own Thing (Out of Stock) Doin' Their Own Thing (Out of Stock) Quick View

    $28.99
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    Doin' Their Own Thing (Out of Stock)

    Having been an integral part of James Brown's backing band since 1964, saxophonist Maceo Parker, together with his drummer brother Melvin and other band members, eventually split from the Godfather of Soul in 1970 to forge their own horn-driven Funk outfit. Over a two year period, All The King's Men toured extensively and cut two albums of which Doing Their Own Thing was the first.


    Produced by BB Cunningham and Ray Riley at the Sounds of Memphis Studio and featuring original material by the band,the album showcases the not inconsiderable talents of trumpeter Richard Griffith (later to join George Clinton's Parliament-Funkadelic) as well as Eldee Williams (alto sax), Alfonzo Kellum and Jimmy Nolen (guitars), with Maceo providing vocals on three of the tracks.


    Revered by contemporary Funk fans this is a welcome reissue for a highly sought after album which has long been unavailable on vinyl.

    1. Maceo
    2. Got To Get Cha

    3. Southwick
    4. Funky Women
    5. Shake It Baby (Keep On Shakin' It)
    6. Better Half
    7. Don't Waste This World Away
    8. Mag-Poo
    9. (I Remember) Mr Banks
    Maceo Parker
    $28.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
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