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Man From Uncle'
Man From U.N.C.L.E. Orginal Soundtrack180 Gram Audiophile Vinyl
Gatefold Sleeve / 4-page Booklet
PVC Protective Sleeve
Henry Cavill (Man of Steel) stars as Napoleon Solo opposite Armie Hammer (The Social Network) as Illya Kuryakin in director Guy Ritchie's The Man From U.N.C.L.E., a fresh take on the hugely popular 1960s television series.
Ivor Novello winning and multi-BAFTA nominated composer Daniel Pemberton (a.o. The Awakening and the Sundance Jury winning Enemies Of The People) created an exciting soundtrack with relaxing lounge instrumentals full of Jazz and Swing elements. Moreover the soundtrack contains seven original classics as Compared To What by Roberta Flack or Take Care Of Business by Nina Simone. Pemberton has also scored countless Emmy, BAFTA, Grierson and RTS winning comedies, documentaries and lifestyle shows and worked with Oscar winning directors and editors.
The Man from U.N.C.L.E. also stars Alicia Vikander (Anna Karenina), Elisabeth Debicki (The Great Gatsby), with Jared Harris (Sherlock Holmes: Game of Shadows) and Hugh Grant as Waverly.LP1
1. Compared To What
2. Out Of The Garage
3. His Name Is Napoleon Solo
4. Escape From East Berlin
5. Jimmy, Renda Se
6. Mission: Rome
7. The Vinciguerra Affair
8. Bugs, Beats And Bowties
9. Cry To Me
10. Five Months, Two Weeks, Two Days
11. Signori Toileto Italiano
12. Breaking In (searching The Factory)
1. Breaking Out (the Cowboy Escapes)
2. Che Vuole Questa Musica Stasera
3. Into The Lair (betrayal, Pt. I)
4. Laced Drinks (betrayal, Pt. Ii)
5. Il Mio Regno
6. Circular Story
7. The Drums Of War
8. Take You Down
9. We Have Location
10. A Last Drink
11. Take Care Of Business
12. The Unfinished Kiss$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Steve Jobs Soundtrack
Gatefold Sleeve / Insert / Printed Innersleeves
PVC Protective Sleeve
Also Featuring Songs By Bob Dylan, The Libertines & The Maccabees
Composer Daniel Pemberton follows up his movie score for The Man from U.N.C.L.E. with not one but three different scores for Steve Jobs, the new Danny Boyle film starring Michael Fassbender as Apple's controversial visionary leader.
"There is not one side of music that could reflect Jobs' personality. There is a classical side to him, a rebellious side to him, a technical side to him, a soft side to him, and a cold side to him", Pemberton explains. The movie is therefore divided into three acts, each with a different musical theme.
The first act "Vision" is set in 1984 when Steve Jobs had his vision of what personal computing could bring to the world. Then there is "Revenge" in 1988 when he sets up this company pretty much to get revenge on the people he thought had betrayed him at Apple. Finally, "Wisdom" is the climax with his own personal realization of what his goals in life have been and what has been slightly misguided.
Pemberton wanted to have a sound that captured the times so for the first act he used synthesizers from the early '80s. The third act is performed on a Mac computer using Logic - modern technology which wouldn't be available weren't it for Apple. For Act II, he used "the oldest computer that still exists, which is the orchestra. You give them information which is notation and they interpret that in a way better than any piece of technology has managed to beat.LP 1
1. The Musicians Play Their Instruments
2. It's Not Working
3. Child (Father)
4. Jack It Up
5. The Circus Of Machines I (Overture)
6. Russian Roulette
7. It's An Abstract
8. I Wrote Ticket To Ride
9. Change The World
10. The Skylab Plan
11. Don't Look Back Into The Sun (The Libertines)
12. Life Out Of Balance
13. The Nature Of People
1. ... I Play The Orchestra
2. The Circus Of Machines II (Allegro)
4. Rainy Day Women #12 & 35 (Bob Dylan)
5. 1998. The New Mac.
6. Father (Child)
8. Grew Up At Midnight (The Maccabees)
9. Shelter from the Storm (Bob Dylan)$42.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Mind Control (their third full-length album) is set for release in April 2013, following their two debut London sell-out concerts at The Garage. Within it's blood soaked grooves you will hear shocking tales of bizarre desert ceremonies, religious brainwashing and drug inspired mass slaughter!
Imagine the original Alice Cooper band jamming in a cell with early Black Sabbath and the Stooges, whilst sitting on murder charges and you may get a glimpse into their fuzzed up world of exploding tube amps and cymbal smashing mayhem. However, this enticing act of musical manipulation is merely the icing upon a very sick cake. Mind Control is a concept album with a theme that makes the acts and intentions of the likes of Charles Manson and Jim Jones seem like petty crimes. What makes Mind Control scarier than most albums is that it doesnt seem as sinister on the surface as it really is deep down within the core of its black acid-drenched world of pain and torture.
The infectious energy surges and pulverizing grooves of Mind Crawler, tell the tale of a man on a mission who has fled from Mount Abraxas after mercilessly murdering all the members of his cult. He rides his motorcycle through the gates of hell and hijacks the weak minds of yet more foolish disciples to join him in his desert hideaway. This is when the real fun and terror truly commences...
There was no escaping the chained-to-the brain hooks and melodies of first single from the album, Poison Apple, but this was merely a trailer for the real hellish delights now to be bestowed upon the earth. Recorded at the legendary Chapel Studios over an autumnal full moon using the finest western electrical technology, engineer Jim Spencer (Bert Jansch, Robert Wyatt) has perfectly captured the bands live sound of saturated fuzz, mind-bending riffs and 60's vocal harmonies. A wider range of influences can be heard from both music and cinema, but their founding principle of presenting light and darkness still remains. Simple and ragged in all its low life glory, Mind Control is the ultimate expose of killer cult madness and mind manipulation.1. Mt. Abraxas
2. Mind Crawler
3. Poison Apple
4. Desert Ceremony
5. Evil Love
6. Death Valley Blues
7. Follow the Leader
8. Valley of the Dolls
9. Devils Work$42.99Vinyl LP - 2 LPs Sealed Buy Now
The LightWhether they move minds or bodies, Uncle Lucius is out to make music that can lift
our spirits. And rock our souls.
Though Austin roots band Uncle Lucius has worn a Southern rock tag for most of
its 10-year existence, the band's fourth studio album, The Light, charts a course
designed to convey just how vast that musical territory really is. The Light dips into
regions where blues, R&B, jazz, soul, country and gospel took form, mapping a sound
that captures the true meaning of Americana.
Containing songwriting contributions from all four band members, The Light also
seeks to illuminate a different landscape: the sometimes-rocky terrain of our hearts
and minds. Tracked at Austin's Treefort Studios with producer George Reiff, these 12
songs deliver what guitarist Mike Carpenter, a Houston native, likes to call "Southern
rock for the thinking man. Rock 'n' roll for the soul."
Lead singer, Kevin Galloway, admits his ultimate goal is to turn musical energy into
a catalyst for humanity's evolution. This is music with depth, made by men given to
truth seeking on levels both existential and literal.1. The Light
2. Age of Reason
3. Taking in the View
5. End of 118
6. No Time Flat
7. Wheel's in Motion
8. Gulf Coast Gypsies
9. Flood Then Fade Away
10. Don't Own the Right
11. Nothing to Save
12. Someday is a Far Cry$19.99Vinyl LP - Sealed Buy Now
O ShudderSix years into Dutch Uncles' flourishing career, the idiosyncratic art-popologists return with new album O Shudder which sees them further distilling and refining their signature sound, marrying rock bombast with classical arrangements, acoustic instrumentation with smart synthetic pop.O Shudder is Dutch Uncles' most direct record to date, the sound of a wildly witty band well and truly finding their stride, whilst lyrically tackling the growing pains of being twentysomething in a generic Northern suburbia; according to hip swivelling front man Duncan Wallis, the album covers themes including "pregnancy, social media, terrorism, divorce, sexual dysfunction, job seeking, health scares, doubt, love".With O Shudder, Dutch Uncles continue their fascinating, wonky ascent which has seen them play enormodomes with emo punk rock behemoths and self confessed Dutch Uncles acolytes Paramore, supporting and being supported by like minded left-field pop adventurers Wild Beasts, Outfit, Field Music, and Everything Everything, have a burger named after them by one of Manchester's premiere eateries and prefigure Future Islands' dance moves meme in their video for 2013 single Flexxin.The album was recorded with long term collaborator Brendan Williams in three locations; at a studio in the heart of the Welsh valleys, above a Salford pub, 'The Kings Arms', (incidentally where C4 comedy Fresh Meat is filmed) and, for the acoustic instruments, in the natural reverb of Salford's Peel Hall. The band were meticulous in tweaking their synth sounds so they'd fit seamlessly with the harp, xylophone, marimba, string and woodwind sounds that populate the record. Sources of inspiration for the record included The Blue Nile, Kate Bush's third album, Never For Ever, Igor Stravinsky, Japan and lyrically John Cooper Clarke, Sparks, Ian Dury and Prefab Sprouts' album From Langley Park to Memphis. All set to o shudder and stun, and induce plenty of hip swivelling, Dutch Uncles have delivered on their youthful potential and, with O Shudder, solved their own particular Rubix's cube, bringing their unclassifiable pop music into clear and precise focus.1. Babymaking
4. Decided Knowledge
5. I Should Have Read
6. In N Out
7. Given Thing
8. Don't Sit Back (Frankie Said)
10. Tidal Weight
11. Be Right Back$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Magnolia Electric Co
10th Anniversay Deluxe Edition
Expanded Reissue Of Songs: Ohia's Classic Record Gathering Together One Unreleased Song, Demos And Full-band Song Only
Previously Available In Japan.
Includes Rare Photos From The Era In Which It Was Recorded
The hallmark of Jason Molina's career, Magnolia Electric Co., is both a confluence of all he would create and a line in the
sand to mark a shift in his songwriting approach. It was the last statement under his iconic Songs: Ohia moniker, and the
moment before he began making new legends as Magnolia Electric Co. for the next 10 years. Now- here at the end of that
decade - with Molina gone, his work gathers more weight and meaning. This expanded 10-year anniversary edition of
Magnolia Electric Co. features one never-before-released track plus many rarities. The full-band studio outtake of fan
favorite Whip Poor Will is a sweet and spare version that ended up being played far differently on Magnolia Electric Co.'s
final album Josephine (2009). Also included is the studio version of The Big Game Is Every Night. Previously only available
on the Japanese version of the album, this opus serves as Molina's thesis statement, its poetry weaving through the 20th
Century, through art and sporting culture - ultimately questioning what it means to be an American in the autumn of the
American Era. The edition also gathers Molina's gutting demos for the record, including those two outtakes. Nearly each
begins with audible sound of the RECORD button being pressed down on the tape player. They are so close and intimate,
it's hard to look them right in the eyes. But you should.
With the wailing lap steel of the album opener Farewell Transmission, Jason Molina & Company usher in a new day,
playing the sort of rock that your cool uncle rolled to back in the '70s. Landing somewhere on the radar sonically between
Bob Dylan's Desire and Bob Seger's Beautiful Loser, though thematically in-line with Lynyrd Skynyrd's Simple Man, The
Magnolia Electric Co lies at the crossroads of working class rock, white soul, swamp rock and outlaw country
While Songs: Ohia's last record Didn't It Rain was a meditation on roots and stability, Magnolia Electric Co. finds itself
toiling with the wages of change, which is well illustrated in I've Been Riding with the Ghost, a real rig rocker that could
have easily fit on Time Fades Away, on which Molina sings: See I ain't getting better, I am only getting behind. Standing on
the crossroad trying to make up my mind. Trying to remember how it got so late. Why every night pain comes from a
different place. Now something's got to change.
This thematic preoccupation with change also manifests itself in the rotating cast of lead vocalists. While the entire album
boasts a doo wop-like line-up with five vocalists on the floor, six of the eight songs have Molina in the tall stool with the
ever-enchanting Jennie Benford (of Jim & Jennie & the Pinetops, who was also a key player on Didn't It Rain) as primary
back-up vocalist. But on two songs, new Songs: Ohia players step up to take on lead vocal duties, singing Molina-penned
songs. Lawrence Peters takes the lead on The Old Black Hen with his fantastic Merle Haggard-esque country croon, while
Miss Scout Niblett appears from the nether world of the Ohia wardrobe with feathers in her hair and casts her spell on the
Ohia rig barreling through Peoria Lunch Box Blues.
Recorded live, in its entirety, at the hands of Steve Albini at his Electrical Audio Studio in Chicago, Illinois, with the same
core back-up band that played on the Mi Sei Apparaso Come Un Fantasma Italian live album, this is the record where the
Songs: Ohia fan demographics make a radical shift from the dominant bedroom universe of the world's lonely, sensitive,
overqualified young white dudes, and finds refuge in the masses by being embraced by the world's truck drivers, sorority
chicks, and hockey players, alike. Indeed, this is the first Songs: Ohia record with more than one song that could be played
at a strip joint or monster truck show. Amid the mid-tempo slow jams, there lie some of the most upbeat material that
Songs: Ohia has recorded to date.LP 1
1. Farewell Transmission
2. I've Been Riding With The Ghost
3. Just Be Simple
4. Almost Was Good Enough
5. The Old Black Hen
6. Peoria Lunch Box Blues
7. John Henry Split My Heart
8. Hold On Magnolia
9. The Big Game Is Every Night (Bonus Track)
10. Whip Poor Will (Bonus Track)
1. Farewell Transmission (Demo)
2. I've Been Riding With The Ghost (Demo)
3. Just Be Simple (Demo)
4. The Old Black Hen (Demo)
5. Peoria Lunch Box Blues (Demo)
6. John Henry Split My Heart (Demo)
7. Hold On Magnolia (Demo)
8. The Big Game Is Every Night (Demo)
9. Whip Poor Will (Demo)$24.99Vinyl LP - 2 LPs Sealed Buy Now
The Sound Of Wilson Pickett (Speakers Corner)Wilson Pickett's best years were those when he recorded for Atlantic Records, and he remained convinced of this even after changing to other labels in his later career. Atlantic boss Jerry Wexler took the promising young Gospel singer under his wing and launched him on his rapidly developing career as an unruly soul man. Pickett's aggressiveness, which in his mature years occasionally resulted in him having backstage fights with musicians and managers, are expressed here in strong words and are given further bite by his antagonistic band. Although he lashed out to the full in his emotional, crackling vocal attacks, he never lost control and even his strongest outbursts remained highly musical. His unique, breathless sound and his ferocious efforts to express himself succinctly do not make for easy listening on this superb hit record and for white people, who according to Pickett would never understand soul music anyway, could well present a real challenge. Is this such fascinating music that you become dumbstruck? Very possibly, as critic Joachim von Mengershausen writes: »His voice is hard, aggressive and strained; it hardly binds the tones together, chops up the phrases, blurts out the essentials - Pickett has eliminated all the Uncle-Tom warmth in soul and has virtually rocked it away.«
- Wilson Pickett (vocal)
- Spooner Oldham (piano, organ)
- Andrew Love (tenor saxophone)
- Floyd Newman (bassoon)
- Gene Miller, Wayne Jackson (trumpet)
- Jimmy R. Johnson, Chips Moman (guitar)
- Junior Lowe (bass)
- Roger Hawkins (drums)
Recording: 1967 at Fame Recording Studios, Muscle Shoals (Alabama, USA), by Rick Hall & Tom Dowd
Production: Jerry Wexler
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Soul Dance Number Three
2. Funky Broadway
3. I Need A Lot Of Loving Every Day
4. I Found A Love, Part 1
5. I Found A Love, Part 2
6. You Can't Stand Alone
7. Mojo Mamma
8. I Found The One
9. Something Within Me
10. I'm Sorry About That
11. Love Is A Beautiful Thing$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Pusher Man (Out Of Stock)Limited Edition Pressing
Everybody's favourite band, Uncle Acid, release a new single, Pusher Man on Rise Above Records. The single is backed by Remember Tomorrow, an Iron Maiden cover, initially available on a Kerrang (legendary UK magazine) cover-mount CD.
Pusher Man is taken from the bands fourth album, The Night Creeper, which was released to much acclaim in July of last year. The track was recorded as part of the album sessions at Toe Rag Studios in early 2015 with engineer Liam Watson (White Stripes, Tame Impala, Electric Wizard).
They released their breakthrough album Blood Lust in 2011, a homage to British Hammer and folk horror films of the 1970s, a candle-lit head-trip of withered hands, ritual knives and gallows ropes. Mind Control (2013), their third album, looked further afield, to the post-Charles Manson US for inspiration: Jim Jones dosing the Kool-Aid. Blue Cheer, Blue Oyster Cult and B-movie biker movies. War, Watergate, serial killers and suicidal TV evangelists.1. Pusher Man
2. Remember Tomorrow$16.997 Vinyl Single - Sealed Temporarily out of stock
Out Of The Cellar (Out Of Stock)First Time Audiophile Vinyl Release Of This 3X Platinum Metal Classic!
Mastered By Joe Reagoso At Friday Music And Capitol Mastering, Hollywood From The Original Atlantic Records Tapes
Ratt have been making very loud and credible heavy metal rock albums now for over three decades. The San Diego quintet built a local club following throughout the early eighties and flourished into a mega-platinum recording act for Atlantic Records with their debut smash recording Out of the Cellar.
The Out of the Cellar album features 10 hard hitting rock masterworks like their top charting hit singles Round and Round, Back for More and Wanted Man as well as a plethora of metal radio classics like The Morning After, She Wants Money, In Your Direction and the ever popular metal album closer Scene of the Crime.
Out of the Cellar was also a home run for their huge video audience, as Round and Round was an MTV smash
video hit and featured the antics of Stephen Pearcy's famous uncle the late great Milton Berle.
Featuring the dynamic vocals of Stephen Pearcy, the dual guitar attack of Warren DeMartini and Robbin Crosby, the blistering bass of Juan Croucier and the powerful drum work of Bobby Blotzer, Ratt's Out of the Cellar album is still the go to choice for many heavy metal fans as the band continues to be a major force in the music industry.
When Out of the Cellar was released in 1984, the compact disc and cassette were the dominant media of the day, as the original rare vinyl album release went on to become a highly priced collector's item chasing major bucks for a mint copy.
Relayer Friday Music is very pleased to announce another heavy metal classic with the debut top five, multimillion selling album Out of the Cellar by Ratt. Mastered from the original Atlantic Records tapes by Joe "Heavy Metal Kid" Reagoso (Deep Purple/Alice Cooper/UFO), this first time audiophile vinyl release will be one of the most anticipated
heavy metal audiophile releases this year.
Ratt Out of the Cellar First Time Audiophile Vinyl Limited Edition An Exclusive Only from your heavy
metal friends at Relayer Friday Music. Round and Round1.Wanted Man
2. You're in Trouble
3. Round and Round
4. In Your Direction
5. She Wants Money
6. Lack of Communication
7. Back for More
8. The Morning After
9. I'm Insane
10. Scene of the Crime$29.99180 Gram Audiophile Virgin Vinyl LP Temporarily out of stock