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The Hottest New Group In Jazz (Pure Pleasure)The premier jazz vocal act of all time, Lambert, Hendricks & Ross revolutionized vocal music during the late '50s and early '60s by turning away from the increasingly crossover slant of the pop world to embrace the sheer musicianship inherent in vocal jazz. Applying the concepts of bop harmonies to swinging vocal music, the trio transformed dozens of instrumental jazz classics into their own songs, taking scat solos and trading off licks and riffs in precisely the same fashion as their favorite improvising musicians. Vocal arranger Dave Lambert wrote dense clusters of vocal lines for each voice that, while only distantly related, came together splendidly. Jon Hendricks wrote clever, witty lyrics to jazz standards like Summertime, Moanin', and Twisted, and Annie Ross proved to be one of the strongest, most dexterous female voices in the history of jazz vocals. Together Lambert, Hendricks & Ross paved the way for vocal groups like Manhattan Transfer while earning respect from vocalists and jazz musicians alike.
- Dave Lambert (vocals)
- Joe Hendricks (vocals)
- Annie Ross (vocals)
- Harry Edison (trumpet)
- Gildo Mahones (piano)
- Ike Isaacs (bass)
- Jimmy Wormworth (drums)
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Charleston Alley
7. Gimme That Wine
10. Everybody's Boppin'$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Cheap Xmas: Donald Fagen Complete (Awaiting Repress)Donald Fagen, the Grammy award wining voice of Steely Dan, since the 80's has continued to make an impact. His innovative 1981 release, The Nightfly, an instant classic was one of the first major pop releases to use the new digital recording technology, also draws an Album of the Year nomination at the Grammy awards and wins France's Grand Prix du Disques.
During the eighties, Donald takes on various projects including composing music for films (Heavy Metal, The King of Comedy, Bright Lights Big City), for other artists (Diana Ross, Yellowjackets, Jennifer Warnes, Manhattan Transfer) and co-production (The Gospel at Colonus soundtrack), as well as writing the occasional column on film music for Premiere Magazine.
As the nineties begin, Donald collaborates with producer and wife-to-be Libby Titus on a series of legendary club-concerts exploring the work of specific songwriters such as Bert Berns and Jerry Ragovoy. This culminates in several national tours and the recording, The New York Rock and Soul Revue - Live at the Beacon Theater, which features Michael Macdonald, Phoebe Snow, Boz Scaggs, Charles Brown, the Brigati Brothers and others. Walter, back in NYC to produce Donald's solo album, Kamakiriad, joins the revue for the '92 season. 1993 - 2004: Kamakiriad, an account of a dangerous journey in the sedan of tomorrow is released to widespread acclaim in '93. Meanwhile, encouraged by the response to their performances in the Rock and Soul Revue, Donald and Walter, now under the management of Craig Fruin, debut the All New Steely Dan Orchestra that summer.
At the conclusion of the Art Crimes Tour in '96, Donald and Walter begin writing for a new Steely Dan CD, the first album of all new songs in twenty years. Two Against Nature finally comes out in 2000, supported by a tour, a PBS Television concert and several other TV appearances. The album wins four Grammy awards, including Album of the Year. A few months later, Steely Dan is inducted into the Rock and Roll Hall of Fame. In addition, the two songwriters become the recipients of ASCAP's Founder's Award and honorary Doctorates from the Berklee College of Music.
2003 sees the release of Everything Must Go, yet another instant classic. In 2006, Donald releases the album Morph the Cat. The three solo albums, The Nightfly, Kamakiriad and Morph the Cat were released as The Nightfly Trilogy the following year. The Steely Dan band continues to tour through the summer of 2011.
Donald is also one of the three Dukes of September, the others being Michael McDonald and Boz Scaggs.$119.99180 Gram Audiophile Virgin Vinyl LP Box Set - 7 LPs Sealed AWAITING REPRESS Buy Now