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  • This World Is Not Enough This World Is Not Enough Quick View

    $19.99
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    This World Is Not Enough

    Since 2010, Elias Bender Rønnenfelt (Iceage, Vår) has used the Marching
    Church moniker to a variety of musical ends, both live and recorded. However,
    the project as it exists on This World Is Not Enough wasn't born until November
    2013. With a live performance looming and no real idea what the set would be,
    Rønnenfelt found a new vision for the band while daydreaming at a gig at the
    venue where Marching Church was set to perform. "What I pictured was me in a
    comfortable armchair, adorned in a golden robe, leading a band while a girl kept
    pouring me champagne when I required it," Rønnenfelt explained. "This raised
    the question, 'What sort of music would go along with this picture?'"


    Rønnenfelt discovered the answer to that question with a lineup rounded out by
    Kristian Emdal and Anton Rothstein of Lower, Cæcilie Trier (Choir of Young
    Believers), Bo H. Hansen (Hand of Dust, Sexdrome) and Frederikke Hoffmeier
    (Puce Mary). Under Rønnenfelt's leadership, the group composed some music,
    rehearsed twice, and played their show. It was decided that night that this incarnation
    of Marching Church would make a record.


    This World Is Not Enough was influenced at first by obscure works like David
    Maranha's experimental drone-rock saga Antarctica, and eventually by soul
    bandleaders like James Brown and Sam Cooke. "The whole month of writing
    and rehearsing and the one week we had in the studio was truly an explosion
    of ideas," Rønnenfelt said. "Improvisation, something I have never worked with
    before, was crucial in the making of this album, considering the loose nature
    of the writing on some of these songs. The album works because of the band's
    incredible ability of breathing life into these, at times, very simple ideas and
    experiments."


    The eight tracks that made the final cut are, in Rønnenfelt's words, "songs of
    nocturnal longing, preposterous self-obsession and cockeyed etiquette," and they
    are an exemplary statement of the songwriter's extraordinary growth since the
    birth of Iceage.

    1. Living in Doubt
    2. King of Song
    3. Hungry for Love
    4. Your Father's Eyes
    5. Calling Out a Name
    6. Every Child (Portrait of Wellman Braud)
    7. Up a Hill
    8. Dark End of the Street
    Marching Church
    $19.99
    Vinyl LP - Sealed Buy Now
  • Human Rights Human Rights Quick View

    $24.99
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    Human Rights

    Engineered by by Jim Ebert and Joe Gelchion

    Reocorded at Cue Studios in Falls Church, Virginia Between February 7th and March 31st 1987
    1. My Mama
    2. Human Rights
    3. I Luv King Jah
    4. Now You Say
    5. Luv Aint Craz
    6. No Return
    7. Don't Break
    8. Life After Death
    9. Conquering Judah
    10. Jah Like That
    11. Viva Azania
    12. Acting So Bad
    HR
    $24.99
    Vinyl LP - Sealed Buy Now
  • Soul Deep Soul Deep Quick View

    $34.99
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    Soul Deep

    Import

    Soul Deep is an essential compilation of The Box Tops' best tracks. Hailing from 1960's Memphis, The Box Tops are best known for the hits The Letter, Cry Like a Baby and Soul Deep, and are considered a major blue-eyed Soul group of the period.


    They performed a mixture of current Soul music songs by artists such as James & Bobby Purify and Clifford Curry, Pop tunes such as A Whiter Shade of Pale by Procol Harum, and songs written by their producers, Dan Penn, Spooner Oldham, and Chips Moman.


    Their records are prime examples of the styles made popular by Moman and Penn at American Sound Studio in Memphis. Many of their lesser known Top 40 hits, including Neon Rainbow, I Met Her in Church, and Sweet Cream Ladies, Forward March, are considered minor classics.

    1. The Letter
    2. Neon Rainbow
    3. Happy Times
    4. Cry Like A Baby
    5. Fields Of Clover
    6. Choo Choo Train
    7. She Shot A Hole In My Soul
    8. People Gonna Talk
    9. I Met Her In Church
    10. Sweet Cream Ladies, Forward March
    11. Together
    12. I Must Be The Devil
    13. Soul Deep
    14. I Shall Be Released
    15. (the) Happy Song
    16. Turn On A Dream
    17. I See Only Sunshine
    18. You Keep Tightening Up On Me
    The Box Tops
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Freedom Highway Complete Freedom Highway Complete Quick View

    $29.99
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    Freedom Highway Complete


    Newly Remixed And Remastered


    Expanded To Include 30+ Additional
    Minutes Of The Original Church Service


    Includes 7 Previously Unreleased Tracks


    Liner Notes By Renowned Author And
    Documentarian Robert Gordon


    Freedom Highway Complete: Recorded Live at Chicago's New Nazareth
    Church is a newly remixed, remastered and expanded edition of the live
    concert masterpiece recorded by the Staple Singers in April 1965 in support
    and celebration of that year's historic civil rights marches from Montgomery
    to Selma, Alabama. In this stirring collection you will find the fervent
    emotions and depth of feeling that only the most inspired gospel, folk and
    handclapping music can provide.
    p>
    First released on Epic Records as an LP in 1965 the original Freedom
    Highway album was constrained by the time limits of 12" vinyl and the full
    service was edited down to only include key performance tracks. Freedom
    Highway Complete: Recorded Live at Chicago's New Nazareth Church
    is newly expanded to include 30+ additional minutes of the original
    performance and church service.
    p>
    The exultant title song, "Freedom Highway", was written in March, 1965, at
    the time Rev. Martin Luther King led the momentous freedom march from
    Selma to Montgomery, Alabama. "When the Saints Go Marching In," "He's
    All Right" and "We Shall Overcome" are other songs of a jubilant nature. In
    the last selection, The Staple Singers are joined by the great choir of the
    New Nazareth Church under the direction of Miss Ora Lee Hopkins.

    1. Intro by Pops Staples*
    2. When The Saints Go Marching In
    3. The Funeral
    4. Build On That Shore
    5. We Shall Overcome
    6. Freedom Highway
    7. What You Gonna Do?
    8. Precious Lord, Take My Hand
    9. When I'm Gone
    10. Help Me Jesus
    11. Rev. Hopkins/Offering*
    12. Jesus Is All*
    13. Samson and Delilah*
    14. View The Holy City*
    15. Tell Heaven
    16. He's All Right
    17. Pops Outro*
    18. Benediction Save the Last Dance for Me*


    *Previously unreleased

    The Staple Singers
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Neon Bible Neon Bible Quick View

    $24.99
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    Neon Bible

    Neon Bible is the second studio album by the Canadian indie rock band Arcade Fire, originally released on March 5, 2007 (UK) and March 6, 2007 (US) on Merge Records. Originally announced on December 16, 2006, through the band's website, the majority of the album was recorded at a church the band bought and renovated in Farnham, Quebec. The album is the first to feature drummer Jeremy Gara and the first to include violinist Sarah Neufeld among the band's core line-up.


    Neon Bible became Arcade Fire's highest-charting album at the time, debuting on the Billboard 200 at number two, selling 92,000 copies in its first week and more than 400,000 to date. Being released within a month of similarly successful releases by The Shins (Wincing the Night Away) and Modest Mouse (We Were Dead Before the Ship Even Sank), Neon Bible was cited as an example of the popularization of indie rock.

    LP 1
    1. Black Mirror
    2. Keep the Car Running
    3. Neon Bible
    4. Intervention


    LP 2
    1. Black Wave/Bad Vibrations
    2. Ocean of Noise
    3. The Well and the Lighthouse
    4. (Antichrist Television Blues)
    5. Windowsill
    6. No Cars Go
    7. My Body Is a Cage

    Arcade Fire
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Dead Revolution Dead Revolution Quick View

    $22.99
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    Dead Revolution

    Hammers of Misfortune was formed in the mid-1990s under the name Unholy Cadaver. At the time, the only members were guitarist John Cobbett and drummer Chewy Marzolo, both of whom shared vocal duties. In 2000, the band changed its name to Hammers of Misfortune, taking its moniker from a track on the Unholy Cadaver demo. Recruiting Scalzi and Janis Tanaka (formerly of Fireball Ministry and L7), the band released its 2001 concept album The Bastard. The Bastard received many positive reviews in the metal community, including several "best of 2001" awards from magazines such as Terrorizer. In 2003 the band released their second album The August Engine. This album was also well received by the metal community, getting a 10/10 review from Brave Words & Bloody Knuckles. In 2006 a new lineup toured the US twice, and recorded and released "The Locust Years". After The Locust Years, he band recorded the double album, Fields/Church of Broken Glass (Profound Lore), in 2008. In March 2010, Hammers of Misfortune announced that they had signed a record deal with Metal Blade Records. Since then, Metal Blade has re-released The Bastard, The August Engine, The Locust Years, and Fields/Church of Broken Glass. In October 2011, the band produced their fifth studio album, 17th Street, another critical success which landed on many year end lists, including Popmatters and NPR.


    As for differences between Dead Revolution and its predecessor 17th Street, Cobbett says it's more varied, using different tones. The mainman also thinks it's a darker and heavier effort. If trends and opinions are anything to go by, it would appear Hammers of Misfortune are sliding slowly into, well, darker and heavier territory. 17th Street, by comparison, was fiercer than Fields / Church of Broken Glass. Likewise, Dead Revolution eats its forebear 17th Street for proverbial breakfast. To wit, there's no power ballad ("Summer Tears") on Hammers of Misfortune's newest.

    1. The Velvet Inquisition
    2. Dead Revolution
    3. Sea Of Heroes
    4. The Precipice (Waiting for the Crash...)
    5. Here Comes The Sky
    6. Flying Alone
    7. Days Of '49
    Hammers of Misfortune
    $22.99
    Vinyl LP - Sealed Buy Now
  • The Earth Is Not A Cold Dead Place The Earth Is Not A Cold Dead Place Quick View

    $19.99
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    The Earth Is Not A Cold Dead Place

    Explosions in the Sky's second effort takes a more studied, even lush approach to the literate chaos of their 2001 debut. But put on your sad sack thinking cap now, because Earth Is Not a Cold Dead Place is a contemplative and heady rush of masterful melancholia. Its six songs are multi-minute, slow motion workouts of gentle electric guitar plucks and subtle/sudden washes of percussion ù they're still instrumental, but as lyrical as anything in the indie rock universe. 'Only Moment We Were Alone' turns on a simple, melancholy guitar figure, the drums shifting from insistent catch-up mode to a studied march built to introduce the next layered crescendo. Explosions in the Sky doesn't shift as suddenly or jarringly on Earth Is Not a Cold Dead Place; the quartet has applied more structural predictability this time out, but is still quick about setting the sad butterflies in your stomach to fluttering. 'Memorial' is the album's meditative heart. It begins so quietly, reduced to brittle landscapes of tone. Lightly chiming guitars drift in, like the echoes of church bells off in narrow city streets. Then, like each of the album's movements, it surges forward in a rush, like the overtures of Sonic Youth separated, dried, and ultimately lengthened in the blistering Texas sun. The final blast of distortion and staccato drumming is Earth at full bittersweet bluster. 'Your Hand in Mine' ends things as they began, with a pair of determined guitars picking out a melody that's both pretty and pretty damn heartbreaking.
    First Breath After Coma
    The Only Moment We Were Alone
    Six Days At The Bottom Of The Ocean
    Memorial
    Your Hand In Mine
    Explosions In The Sky
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Bloomed Bloomed Quick View

    $19.99
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    Bloomed


    Remastered


    Includes CD With Bonus Tracks


    The March entry in our 25th anniversary reissue series is Bloomed, the 1994 debut album
    from Richard Buckner. The album will be remastered and released on 180-gram
    vinyl and will include a CD containing 11 bonus tracks of radio sessions, live
    performances, and original recordings of songs that appeared on future releases.
    Spin magazine described Buckner as "equal parts Bay Area bohemian and dust bowl
    traditionalist" and named Bloomed one of its best albums of 1994, while Pitchfork
    wrote, "It's a traditional outsider-country record in the lineage of Townes Van Zandt.
    Buckner's voice is all honey and oak, his guitar style elaborately twanging, his constant
    subject matter heartache."


    Richard Buckner provides some background on the album:


    Bloomed was originally (erroneously?) released on an unnamable German label in 1994.
    I was living in San Francisco at the time, having just moved out of a residential hotel
    and into the 1906 hilltop prefab that adorns the cover. At the time, I was heading a
    band called The Doubters. We were playing high profile events such as The Covered
    Wagon Saloon's Musical Barstools, but weren't making much headway. We had been
    turned down consistently every year by SXSW, but I was somehow finagled in as
    an unannounced guest onto an already unofficial SXSW showcase created by Butch
    Hancock at his gallery in downtown Austin. There, I met up again with Lloyd Maines,
    who agreed to produce my first record.


    Maines and I met in Lubbock, TX, a few months later, where we worked with
    Lubbock musicians in a small recording studio walled in wooden shingles Sharpied
    with bible passages from various church groups that also enjoyed working there.
    It was 112°F the morning I arrived under the suspicious (Californians are merely
    B-grade yankees) gaze of downtown's Buddy Holly statue. That first night there, it
    hailed so hard that heaven's angry pellets were storming in under my motel door. It
    only let up for a few moments that first night, allowing me to run across the street to
    get a butter burger and fries to go. We finished four days later and I flew back to San
    Francisco, dismembered the band, and embarked on a tour that would last about 20
    years (or a few days, if you count what I actually remember).


    Nothing's changed. I'm still dodging the sky and busking to strangers.

    LP
    1. Blue and Wonder
    2. Rainsquall
    3. 22
    4. Mud
    5. Six Years
    6. This is Where
    7. Gauzy Dress in the Sun
    8. Daisychain
    9. Desire
    10. Up North
    11. Surprise, AZ
    12. Cradle to the Angel


    CD
    1. The Last Ride
    2. Settled Down
    3. The Worst Way
    4. Emma
    5. Hutchinson (Recorded in 1995 at Black Eyed Pig in San Francisco by Kyle Statham)
    6. Surprise, AZ (Recorded in 1996 at World CafÉ)
    7. Blue and Wonder (Recorded in 1997 at KCRW)
    8. Still Lookin For You-Townes Van Zandt (Recorded in 1997 at World CafÉ)
    9. Up North
    10. Six Years
    11. Gauzy Dress in the Sun (Recorded live at The Starry Plough, Berkeley CA 2/25/1995)

    Richard Buckner
    $19.99
    180 Gram Audiophile Virgin Vinyl LP + CD - Sealed Buy Now
  • Mozart - Symphony #36 - Piano CTO 15 (Speakers Corner) (Pre-Order) Mozart - Symphony #36 - Piano CTO 15 (Speakers Corner) (Pre-Order) Quick View

    $34.99
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    Mozart - Symphony #36 - Piano CTO 15 (Speakers Corner) (Pre-Order)

    Let us recall that great American and citizen of the world who trod every musical pathway and who held his audience riveted with unbounding energy and charisma. Whether as a composer of operas or musicals, performer, conductor or mentor, "Lenny" felt at home everywhere. And all who were privileged enough to get to know him can confirm this, whether they experienced him as a circumspect teacher who taught interested amateurs about church music, or even as a pianist bawling out hit songs in a bar.



    Quality was guaranteed with records sporting the words "Bernstein conducts ...", and no music lover ever missed adding such gems to his collection. But most recordings of Bernstein as a master of the keyboard lie buried in the archives.



    Where some musicians fail due to a lack of perspicacity or false self-judgement, Bernstein appears to take himself beyond his normal bounds in his double function as solo pianist and conductor. His interpretation of Mozart is richly nuanced but free of all romantic trimmings; his Mozart is what we have learned to value over the past few years of the present century. This recording is absolutely first class, both musically and technically, and is thus a true collector's object.



    Musicians:



    • Vienna Philharmonic Orchestra

    • Leonard Bernstein (conductor)




    Recording: March 1966 at Sofiensaal, Vienna by Gordon Parry

    Production: Erik Smith





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Wolfgang Amadeus Mozart
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • The Legendary Father of Folk Blues The Legendary Father of Folk Blues Quick View

    $34.99
    Buy Now
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    The Legendary Father of Folk Blues


    Legendary Delta Bluesman's Columbia LP Now On 200-Gram Vinyl!


    One Of The Truly Great Audiophile Blues Recordings Of All Time!


    Lacquers Cut By Ryan Smith At Sterling Sound From The Original Master Tape


    Plated And Pressed At Quality Record Pressings!


    Heavyweight Glossy Tip-On Jacket By Stoughton Printing


    Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.


    The Father of the Delta Blues recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine - Essential recordings by one of the greatest bluesmen ever. And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers were then plated and pressed on 200-gram vinyl by our own Quality Record Pressings.


    Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it. But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.


    Now, sit back and enjoy one of the genre's greatest, on a reissue that's the best that's been made to date. So authentic, so real - that's the Analogue Productions difference.


    This title is not eligible for discount.

    1. Death Letter
    2. Pearline
    3. Louise McGhee
    4. John The Revelator
    5. Empire State Express
    6. Preachin' Blues
    7. Grinning In Your Face
    8. Sundown
    9. Levee Camp Moan
    Son House
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Legendary Father of Folk Blues (45 RPM) The Legendary Father of Folk Blues (45 RPM) Quick View

    $54.99
    Buy Now
    x

    The Legendary Father of Folk Blues (45 RPM)


    Legendary Delta Bluesman's Columbia Lp Now A 200-gram 45 Rpm 2lp Set!


    45 RPM 2LP Set Includes Bonus Track: Motherless Children


    Lacquers Cut By Ryan K. Smith At Sterling Sound From The Original Master Tape


    Plated And Pressed At Quality Record Pressings!


    Heavyweight Glossy Tip-on Jacket By Stoughton Printing


    Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.


    The Father of the Delta Blues recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine - Essential recordings by one of the greatest bluesmen ever. And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers - for this version we've cut the album at 45 RPM for truer cartridge tracking and decreased distortion on the inner groove - were then plated and pressed on 200-gram vinyl by our own Quality Record Pressings.


    Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it. But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.


    Now, sit back and enjoy one of the genere's greatest, on a reissue that's the best that's been made to date. So authentic, so real - that's the Analogue Productions difference.


    This title is not eligible for discount.

    1. Death Letter Blues
    2. Pearline
    3. Louise McGhee
    4. John The Revelator
    5. Empire State Express
    6. Preachin' Blues
    7. Grinning In Your Face
    8. Sundown
    9. Levee Camp Moan
    10. Motherless Children (bonus track)
    Son House
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
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