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Music From SiestaMusic From Siesta is an album released in 1987 by Miles Davis and Marcus Miller. It is the soundtrack of the 1987 film Siesta, directed by Mary Lambert.
This collaboration between Miles Davis and producer Marcus Miller (who, except for some cameos, plays all of the other instruments) is quite successful and a bit of a surprise since it is essentially a soundtrack to an obscure film. Dedicated to arranger Gil Evans, the music is greatly influenced by his style with Miller creating an electrified but very warm orchestra to accompany Davis' melodic solos. This was the first of several instances in which Miles Davis, in the twilight of his life, returned to his roots. It's worth searching for.1. Lost In Madrid Part I
2. Siesta/Kitt's Kiss/Lost In Madrid Part II
3. Theme For Augustine/Wind/Seduction/Kiss
5. Lost In Madrid Part III
2. Lost In Madrid Part IV/Rat Dance/The Call
3. Claire/Lost In Madrid Part V
5. Los Feliz$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
2-LP Set On 180-gram Vinyl Includes Remastered Original Studio Album, Plus Unreleased Live Performances
Extra 180-Gram Vinyl LP Of Live Performances By The Miles Davis Octet Of The Nice Jazz Festival Of 1986, Available For The First Time On Vinyl
Packaging Is A Replica Of The Original Vinyl Album, Including Stickers, LP Labels, Irving Penn's Beautiful And Iconic Photographs
30 Years ago, Miles Davis made waves in the music world when he left Columbia Records to sign recording and publishing contracts with Warner Bros. and Warner Chappell in 1985. With a new label to call home, Davis immediately started working on the album, which originally had the working title, Perfect Way, named after a song by new wave pop band Scritti Politti that he was covering on the album. The album was later renamed Tutu by producer Tommy LiPuma, taken from news headlines of the day referencing the well-known South African archbishop and anti-apartheid leader, Desmond Tutu.
Rhino celebrates one of jazz music's most revered and innovative talents with a 2-LP deluxe edition set on 180-gram vinyl of Miles Davis' TUTU, released to coincide with the 30th Anniversary of Davis signing with Warner. The deluxe edition includes a remastered LP of the original album and a bonus LP of live performances at the Nice Festival held in 1986, packaged with the original artwork featuring photographs by the legendary Irving Penn.
TUTU pushed Davis back into center stage, winning him two Grammy® awards, when even the most reverent seemed to admit that his best music lay in the past. Tutu stands as an important part of the Davis legacy, and a testament to a prolific artist whose boundless creativity continuously redefined a genre throughout his legendary career.
As Davis recalled, Tutu "started with some music that George Duke, the piano player sent to me." Davis' affection for the initial track - eventually titled "Backyard Ritual" and filled with synthesizer sounds and electronic beats - revealed the trumpeter's willingness to consider music written by others, and the use of cutting-edge electronics.
Producer Tommy LiPuma recruited composer and studio musician Marcus Miller to collaborate on the project, who at 27, had already made a name for himself in jazz, R&B and popular music, playing funk, rock, bebop and hip hop. Davis later praised him as being "so hip and into the music that he even walks in tempo . . . in the studio we make a great team."
"Technology was kind of exploding and I thought it would be interesting to hear Davis making his way through this new world," said Miller. Performing on the album were George Duke, Adam Holzman and Bernard Wright, percussionists Paulinho Da Costa and Steve Reid, drummer Omar Hakim and violinist Michael Urbaniak all contributed tracks; keyboardist Jason Miles played a significant role as well, programming the synthesizers and helping push the tracks to a level of sonic detail that could compete with contemporary recordings.
Tutu would feature a variety of tunes that offered a mix of flavors and mood. Besides the title track, four were composed by Miller - "Splatch," "Portia," "Don't Lose Your Mind" and "Full Nelson" (the last a tribute to another South African leader, Nelson Mandela). "Tomaas" - named by Davis for LiPuma - was co-written by Davis and Miller, based on ideas Davis had previously recorded. The selections were rounded out by one cover - "Perfect Way," which Davis had initially chosen to be the album's title track.
By that summer, Davis' group was touring Europe. With a four-night run approaching at the Grande Parade du Jazz festival in Nice, France, the decision was made to record the group at its prime. It was a wise choice. Warner Bros. hired a mobile recording truck and all four concerts were taped. "Everybody in the band knew we were being recorded so we were on our game," remembers his nephew, drummer Vince Wilburn. "Miles had an uncanny knack for knowing not only what to record but when and where. Every night was more beautiful than the one before: wonderful weather, captive audiences and the band was on fire."
"At the time, there wasn't anything that jumped out at me," LiPuma admits. "Believe me, if I thought there had been, I would've put an album out. But having spent some time with the music, it's brilliant - and I think it's an important recording." Like the best live recordings, these tracks are both historic and timeless - filled with a spirit and snap that can still be felt today, yet cannot be repeated.LP 1
5. Backyard Ritual
6. Perfect Way
7. Don't Lose Your Mind
8. Full Nelson
LP 2 - Live from Nice Festival, France, July 1986
2. Human Nature
3. Carnival Time
5. New Blues$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
AmandlaAmandla was originally released in 1989. It is the third and final collaboration between Miles Davis and producer/bassist Marcus Miller. The album mixes elements of the genres go-go, zouk, funk, and jazz, combining electronic instruments with live musicians. The composition Mr. Pastorius, featuring drummer Al Foster, is a tribute to late jazz bassist Jaco Pastorius. (via Wikipedia)
This album will be released on 180 gram vinyl.1. Catembe
3. Big Time
8. Mr. Pastorius$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Time And The RiverTime and The River is a brand new album from Jazz saxophonist David Sanborn. It is his first collaboration in the studio with producer and bass player Marcus Miller in over fifteen years. Through the years, the two have worked together on a number of records, winning five Grammy Awards and their albums went Gold multiple times.
In his three-and-a-half-decade career, Sanborn has released 24 albums, won six Grammy Awards and has had eight gold albums and one platinum album. He continues to be one of the most highly active musicians of his genre. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album Taking Off in 1975 and has worked extensively as a session musician, notably on David Bowie's Young Americans (1975).
Time and The River is a groove oriented jazz album, with funky beats and beautiful ballads where Sanborn can show the emotional side of his legendary saxophone skills. Additional credits go to Roy Assaf, Justin Mullens, Tim Vaughn, Ricky Peterson, Javier Diaz, Marcus Baylor, Larry Braggs, Randy Crawford.1. A La Verticale
2. Ordinary People
4. Can't Get Next To You feat. Larry Braggs
5. Oublie Moi
6. Seven Days Seven Nights
7. Windmills of Your Mind feat. Randy Crawford
8. Spanish Joint
9. Overture (from The Manchurian Candidate)$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
We Want MilesWe Want Miles is now available on vinyl after almost thirty years!
On the heels of releasing Miles' Bitches Brew Live album, Music On Vinyl is also releasing another Miles Davis album that has been on their wish list for quite some time.
'We Want Miles' is a collection of live recordings from Boston, New York (where he had played his last gig in 1975) and Tokyo from 1981, and they're among the first live recordings made after an extended hiatus.
But unlike his 1981 comeback album The Man With The Horn, on We Want Miles Davis has rediscovered his famed embouchure and this album was released to great critical acclaim in 1982, winning a Grammy for Best Jazz Instrumental Performance on the way.
This is the first vinyl reissue since its original release in 1982, on double 180 grams audiophile vinyl in a Gatefold sleeve with its original artwork.
Playing with him are a level headed Marcus Miller on bass, Al Foster on drums, Mike Stern on guitar (not afraid to let it rip every once in a while), Mino Cinelu on percussion and Bill Evans holding his own on saxophone.Side 1
1. Jean Pierre
2. Back Seat Betty
1. Fast Track
2. Jean Pierre
1. My Man's Gone Now
1. Kix$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Wide OpenWide Open marks Michael McDonald's first set of original material in 17 years. McDonald wrote Wide Open over several years and recorded the tracks at his Nashville studio with drummer Shannon Forrest (Faith Hill, Blake Shelton, Tim McGraw, Toto) and a crew of the city's session players and features collaborations with guitarist-singer Warren Haynes (Allman Brothers Band, Gov't Mule), guitarist Robben Ford, bassist Marcus Miller and saxophonist Branford Marsalis.LP 1
1. Hail Mary
2. Just Strong Enough
3. Find It In Your Heart
4. Half Truth
5. Ain't No Good
6. Honest Emotion
1. Blessing in Disguise
2. Dark Side
3. If You Wanted to Hurt Me
4. Beautiful Child
5. Too Short
6. Free a Man$25.99Vinyl LP - 2 LPs Sealed Buy Now
AvonmoreBryan Ferry's 14th solo album, 'Avonmore' features eight new Ferry compositions plus Ferry's cinematic interpretation of Sondheim's 'Send In The Clowns'. Produced by Ferry and Rhett Davies in Ferry's London studio, the album was mixed by Craig Silvey (Arcade Fire/Paolo Nutini) and features performances throughout the album by many of Ferry's long-term musical partners including Nile Rodgers, Johnny Marr and Marcus Miller. Highlights include the forthcoming single 'Loop De Li', 'Soldier of Fortune' (co-written by Johnny Marr) plus closing track 'Johnny & Mary', Ferry's recent collaboration with Norwegian producer and DJ Todd Terje.1. Loop De Li
2. Midnight Train
3. Soldier of Fortune
4. Driving Me Wild
5. A Special Kind Of Guy
8. One Night Stand
9. Send In The Clowns
10. Johnny & Mary$24.99Vinyl LP - Sealed Buy Now
The Nightfly (45 RPM Box Set) (Out Of Stock)
Limit 1 Per Customer
Mastered From The Original Master Tapes With Mobile Fidelity's One-Step Process: The Nightfly US1S 45RPM Box Set Is The Ultimate Analog Version Of Donald Fagen's 1982 Landmark Debut
Lavish Packaging Includes Opulent Box And Special Foil-Stamped Jackets: Deluxe Audiophile Pressing Strictly Limited To 6000 Numbered Copies
Cinema For The Ears: The Nightly Remains One Of The Best-Sounding Albums Ever Made With Reference Production, Standout Playing, And Jazz-Like Arrangements That Embody Timeless Cool
Donald Fagen's largely autobiographical The Nightfly remains one of the best-sounding albums ever made. Revered by audiophiles, the Steely Dan co-founder's 1982 set immediately became a demonstration disc at hi-fi shows and audio salons the world over. It also quickly emerged as an irreplaceable monitor-evaluating tool for recording-studio engineers and front-of-the-house testing device for concert-venue soundboard engineers who continue to use it today. Painstakingly recorded over eight months by illustrious producer Gary Katz and a Hall of Fame-worthy cast of perfectionist-minded musicians, The Nightfly endures as a rare trifecta of superlative performance, consummate songwriting, and crisp, benchmark production. Mobile Fidelity is honored to give this seminal effort unsurpassed treatment befitting the most serious music connoisseurs.
Fagen's solo debut reaches three-dimensional sonic and emotional heights never before attained by analog recordings on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 5,000 numbered copies, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that picks up where Steely Dan's Gaucho leaves off. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, The Nightfly places Fagen and his session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.
The lavish packaging and beautiful presentation of Mobile Fidelity's The Nightfly pressing befit its extremely select status. Housed in a deluxe box, this UD1S version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of The Nightfly is a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art - and everything involved with the album, from the images to the textures and liner notes.
Nominated for seven Grammy Awards, The Nightfly represent[s] certain fantasies that might have been entertained by a young man growing up in the remote suburbs of a northeastern city during the late fifties and early sixties, i.e., one of my general height, weight, and build, pens Fagen in the liner notes, revealing the work's thematic thrust and wistful, nostalgic appeal. At their core, songs look at the world via an optimistic, mindfully innocent lens and through the eyes of an adolescent holed up in his bedroom with his ear to a radio whose exciting transmissions inspire thoughts of futuristic cities, late-night deejays, otherworldly hopes, and Cold War romances. Cinema for the ears, The Nightfly comes on like a film transferred to wax - its stories filled with relatable vulnerability, ambition, and warmth.
It is also timelessly cool, with everything from the iconic album cover - complete with Fagen in the role of a cigarette-smoking disk jockey spinning a Sonny Rollins album on an RCA turntable at 4:09 in the morning - to the flawless playing honoring the laid-back, hip, stylish jazz pedigree of the arrangements. Indeed, The Nightfly's fame owes as much to the stunning contributions by stickler musicians - saxophonist Michael Brecker, trumpeter Randy Brecker, guitarist Larry Carlton, drummer Steve Jordan, bassist Marcus Miller, drummer Jeff Porcaro, and Harmonica Frank Floyd included - as it does the particulars behind its creation, which involved cutting-edge technology, novel microphoning techniques, and pioneering recording methods that gave Fagen exactly what he demanded. His insistence on dialing in exacting drum sounds is by itself the stuff of legend.
The results of the meticulous sessions transcend eras and generations - part of its very design. Virtually every track connects with classic 50s and 60s styles. Green Flower Street doubles as an homage to the jazz standard On Green Dolphin Street. The title track draws imagery from blues pioneer Charley Patton. Ruby Baby references soul greats the Drifters. Maxine nods to harmonies perfected by big-band vocal quartets like the Four Freshmen. The Goodbye Look acknowledges the bossa-nova craze of Fagen's youth. In all respects, The Nightfly rules the airwaves.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
This title is not eligible for discount.1. I.G.Y.
2. Green Flower Street
3. Ruby Baby
5. New Frontier
6. The Nightfly
7. The Goodbye Look
8. Walk Between Raindrops$99.99Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock