- Lowest Price
- Highest Price
Merle Haggard Albums'
Swinging Doors / The Bottle Let Me DownThe #1 country album of 1966, includes the hits Swinging Doors and The Bottle Let Me Down
Merle Haggard's third album, Swinging Doors / The Bottle Let Me Down, was assembled from a variety of singles and session like its two predecessors, but it contained a stronger overall selection of material than either album. In addition to the two masterpieces from which the album took its name, the record included a terrific version of Tommy Collins' High On A Hilltop, and plus excellent songs like The Girl Turned Ripe, If I Could Be Him, and Someone Else You've Known.
-AllMusic1. Swinging Doors
2. If I Could Be Him
3. The Longer You Wait
4. I'll Look You Over
5. I Can't Stand Me
6. That Girl Turned Ripe
7. The Bottle Let Me Down
8. No More You And Me
9. Somebody Else You've Known
10. High On A Hilltop
11. This Town's Not Big Enough
12. Shade Tree (Fix-It Man)$24.99Vinyl LP - Sealed Buy Now
Mama TriedOne of Merle Haggard's finest recordings, 1968's Mama Tried is comprised of a number of strong originals and several excellent covers. While Mama Tried, I'll Always Know and You'll Never Love Me Now all happen to be some of Haggard's most solid original offerings, it's his gritty and honest interpretations of songs like Little Ole Wine Drinker Me, In the Good Old Days (When Times Were Bad), Teach Me to Forget, Run 'Em Off and Too Many Bridges to Cross Over that help distinguish Mama Tried as perhaps the most quintessential Bakersfield-Sound album ever recorded.1. Mama Tried
2. Green, Green Grass of Home
3. Little Ole Wine Drinker Me
4. In the Good Olde Days (When Times Were Bad)
5. I Could Have Gone Right
6. I'll Always Know
7. The Sunny Side of My Life
8. Teach Me to Forget
9. Folsom Prison Blues
10. Run 'Em Off
11. You'll Never Love Me Now
12. Too Many Bridges to Cross Over$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Django And JimmieDjango & Jimmie, the new studio album collaboration from Willie Nelson and Merle Haggard, two of the founding fathers of American outlaw country music. The legendary singer-songwriters join forces and reignite the musical chemistry that made Pancho & Lefty a honky-tonk blockbuster and America's #1 Country Album following its release in January 1983. The success of Pancho & Lefty opened the doors for a number of successful follow-up projects including 1987's Seashores Of Old Mexico album, 2007's Last Of The Breed, with Ray Price.
Django & Jimmie premieres 14 brand-new studio recordings including: "Django & Jimmie," a duel tribute to jazz guitarist Django Reinhardt and Jimmie Rodgers, country music's mythic "Singing Brakeman"; "It's All Going To Pot," a rollicking anthem for the emerging 21st century cannabis culture; the reflective and meditative "Live This Long"; "Missing Ol' Johnny Cash," a homage to country music's original Man in Black featuring guest vocals from Bobby Bare; a sublime interpretation of Bob Dylan's "Don't Think Twice, It's Alright"; and the future country classic "Unfair Weather Friend,"
Among the 14 essential recordings on Django & Jimmie, Nelson and Haggard each pay musical tribute to the other through heartfelt solo performances: Willie singing Merle's "Somewhere Between" and Merle covering Willie's "Family Bible."LP1
1. Django and Jimmie
2. It's All Going to Pot
3. Unfair Weather Friend
4. Missing Ol' Johnny Cash
5. Live This Long
6. Alice In Hulaland
7. Don't Think Twice, It's Alright
1. Family Bible
2. It's Only Money
3. Swinging Doors
4. Where Dreams Come to Die
5. Somewhere Between
6. Driving the Herd
7. The Only Man Wilder Than Me$36.99Vinyl LP - 2 LPs Sealed Buy Now
Willie And The Boys: Willie's Stash Vol. 2Legacy Recordings is set to release Willie Nelson and the Boys, the eagerly-awaited second installment in the acclaimed Willie's Stash archival recordings series.
Following in the musical footsteps of 2014's December Day, the first volume in the Willie's Stash series (featuring Willie's Sister Bobbie), Willie Nelson and the Boys is another family collaboration, this time showcasing Willie and sons, Lukas Nelson and Micah Nelson, performing a selection of well-loved American country music standards and classics, including seven penned by the immortal Hank Williams Sr.
The Willie's Stash series will present a variety of archival releases, each personally curated by Willie Nelson, culled from decades of recording and touring, providing unique perspectives on one of America's most vital musical forces.
Consisting mainly of studio recordings laid down during the extraordinary 2011 sessions for Heroes, Willie's Legacy debut, Willie Nelson and the Boys (Willie's Stash, Vol. 2) is produced by Willie's longtime friend and collaborator Grammy-winning Buddy Cannon and recorded by Steve Chadie at Pedernales Recordings Studio in Austin, Texas.
Musicians on the album include Willie Nelson (vocals, Trigger), Lukas Nelson (vocals, electric guitar, resonator guitar), Micah Nelson (vocals), Mickey Raphael (harmonica), Kevin Swine Grantt (bass), Bobby Terry (acoustic guitar, electric guitar), Jim Moose Brown (piano, B-3 organ, Wurlitzer), Mike Johnson (steel guitar), Tony Creasman (drums), Barry Bales (upright bass on My Tears Fall) and Lonnie Wilson (drums on My Tears Fall). Move It On Over featured background vocals by the Spur Of The Moment Singers: Buddy Cannon, Mickey Raphael, Kevin Swine Grantt, Bobby Terry, Jim Moose Brown, Mike Johnson, Tony Creasman, Melonie Cannon, and Shannon Finnegan.
According to Willie, the album is ....kinda like the country version of 'Stardust.' Where you have all these great songs and standards that the young people have never heard, then all of a sudden you have a whole new audience out there.
I really love the live element of this record, said producer Buddy Cannon. There was a fire in the studio during those sessions, especially on these particular tracks. It was as though the band was in a Nashville honky tonk and Willie and Lukas strolled in and jammed with the band for an hour. That's what this record is. It's honest excitement. I've never cut a record before that has this element.... It's a great joy to see Willie, Luke and Micah all equally part of a record that I love so much.
Born in Austin, Texas and raised in Maui, singer/songwriter/guitarist Lukas Nelson entered the music scene as a youngster and, by the age of 13, had joined his father Willie Nelson's band, touring as rhythm guitarist and honing the stagecraft that lead to his own career. Moving to Los Angeles, he launched in own ensemble, Lukas Nelson & Promise Of The Real (POTR) in 2008; POTR served as Neil Young's back-up group on The Monsanto Years album and subsequent tour. Lukas and his father worked together on Willie's 2012 Legacy album, Heroes, which featured a number of father-and-son vocal-and-guitar duets.
Micah Nelson has performed with a variety of artists at events including FarmAid, Neil Young's Bridge-School Benefit, Desert Trip festival, Lightning in a Bottle, Coachella, Bonnaroo Festival as well as on TV shows such as Conan O'Brien, Jimmy Fallon, Jimmy Kimmel and more. Micah has been involved in the ensemble Insects vs. Robots, recorded and toured with Neil Young and made multi-instrumental contributions to the 21st century post-modern American rock band Promise Of The Real. Micah is currently the singer/songwriter/guitarist in his future-folk project Particle Kid.
Willie Nelson and the Boys (Willie's Stash, Vol. 2) is the artist's 10th release since signing to Legacy Recordings in 2012. His last Legacy album, God's Problem Child, was released on April 28, 2017 (the eve of Willie's 84th birthday on April 29) and promptly entered the Billboard Country chart at #1, making it the artist's second US country chart-topper in less than two years; Nelson's 6th Legacy release, Django and Jimmie, an unforgettable musical collaboration with Merle Haggard, debuted at #1 on the Billboard Country chart in June 2015.1. Move It On Over (Hank Williams Sr.)
2. Mind Your Own Business (Hank Williams Sr.)
3. Healing Hands Of Time (Willie Nelson)
4. Can I Sleep In Your Arms (Hank Cochran)
5. Send Me The Pillow You Dream On (Hank Locklin)
6. I'm So Lonesome I Could Cry (Hank Williams Sr.)
7. I'm Movin' On (Hank Snow)
8. Your Cheatin' Heart (Hank Williams Sr.)
9. My Tears Fall (Alyssa Miller)
10. Cold, Cold Heart (Hank Williams Sr.)
11. Mansion On The Hill (Hank Williams Sr. and Fred Rose)
12. Why Don't You Love Me (Hank Williams Sr.)$19.99Vinyl LP - Sealed Buy Now
Best TroubadorWith Best Troubador, Bonnie 'Prince Billy pays homage to a long-time and forever hero, the late Merle Haggard. A singer who, some 25 years previously, first performed in public by playing a Merle song, Bonny has often cited his work in performance, on records and in conversation with anyone who was around, even talking to Merle himself for Filter magazine in 2009.
Merle's body of work was considered by Bonnie for a record such as this for some time, but his passing in April of 2016 almost put a stop to it. The goal was to participate in the handing forward of the songs of a living legend, as Merle had done so many times in his own career. With Merle gone, some of the impetus for the project was in peril. A plan to make the album in Nashville studios was abandoned. The songs still called to be played again, however - and so sessions were endeavored at home, capturing feeling, memory and new expression in familiar confines with the full-hearted playing and singing of the Bonafide United Musicians: Van Campbell, Nuala Kennedy, Danny Kiley, Drew Miller, Cheyenne Mize and Chris Rodahoffer, with special guests Mary Feiock, Emmett Kelly, A.J. Roach and Matt Sweeney.
The songs sung on Best Troubador are pulled from all over - from Haggard's third album in 1967 though to his 47th in 2011 - but this is no simple hits compilation. Capable only of occupying a shared space between himself and Merle Haggard, Bonny chose personal favorites to find Merle and himself together in the music. Moving from 1978 to 1969 to 2003 to 1981 and so on allows the album to circle Haggard's music in a simulation of thought and memory, slipping around from spot to spot as if they were discrete impressions, unknown but knowable yet. Dedicated to new life and old, Best Troubadour is wistful and bittersweet, for the triumph of a life spent in unending pursuit of the goal: new and expressive music, as our inspirations and heroes once sang it.LP 1
1. The Fugitive
2. I'm Always On a Mountain When I Fall
3. The Day the Rains Came
4. Haggard (Like I've Never Been Before)
5. I Always Get Lucky With You
7. My Old Pal
8. Roses In the Winter
1. Some Of Us Fly
2. Wouldn't That Be Something
4. That's the Way Love Goes
5. Nobody's Darling
6. What I Hate (excerpt)
7. I Am What I Am
8. If I Could Only Fly$27.99Vinyl LP - 2 LPs Sealed Buy Now
Lady and GentlemanLady & Gentlemen, a creative concept album co-produced by LeAnn Rimes, country superstar Vince Gill and successful writer, Darrell Brown, features country classic songs by the likes of George Jones, Merle Haggard and Waylon Jennings, all sung from a modern females perspective.
Says LeAnn, This album was born out of the memories of when I first fell in love with country music and in reflecting, I realized that almost all of my favorite country songs from back then were sung by men. I am honored to take a step back in time and sing these songs from a woman's perspective and hopefully help reintroduce them to a new audience.
The album features the Grammy Award nominated song Swingin (Best Female Country Vocal Performance) along with the moving single, Give, Crazy Women and an anniversary edition of Blue as bonus tracks.1. Give Lyrics
2. Swingin' Lyrics
3. Blue Eyes Crying In The Rain Lyrics
4. Deeper Than The Holler Lyrics
5. He Stopped Loving Her Today Lyrics
6. Don't Close Your Eyes Lyrics
7. The Dance Lyrics
8. Islands In The Stream Lyrics
9. I Love A Rainy Night Lyrics
10. Suspicious Minds Lyrics
11. You Never Even Called Me By My Name Lyrics
12. If I Said You Had A Beautiful Body Would You Hold It Against Me Lyrics
13. The Chair Lyrics
14. I'm So Lonesome I Could Cry Lyrics
15. Crazy Women Lyrics$21.99Vinyl LP - Sealed Buy Now
Almost Blue180 Gram Vinyl
Elvis Costello's impressive album of country covers is now available on 180-gram vinyl re-mastered from the original master tapes. This unique album includes "What A Good Year For The Roses" and country covers of classics from the likes Hank Williams, Merle Haggard, Gram Parsons and more.
Elvis Costello was so enamored with American country music when he finally discovered it, he was motivated to record Almost Blue. Renowned as one of the most passionate and enthusiastic covers albums ever made, the 12-song set finds the iconic singer/songwriter interpreting standards by the likes of Hank Williams, Gram Parsons, George Jones, Merle Haggard, and other legends. Replete with heartbreak, lonesomeness, boozing, cheating, and dreaming, it's laden with country and westerns customary themes and dignified by one of the finest performances of Costello and the Attractions peerless career.1. Why Don't You Love Me (Like You Used to Do)? (Hank Williams)
2. Sweet Dreams (Don Gibson)
3. Success (Johnny Mullins)
4. Hot Burrito #1 (Gram Parsons, Chris Ethridge)
5. Tonight the Bottle Let Me Down (Merle Haggard)
6. Brown to Blue (George Jones, Virginia Franks)
7. A Good Year for the Roses (Jerry Chesnut)
8. Sittin' and Thinkin' (Charlie Rich)
9. Colour of the Blues (Lawton Williams, George Jones)
10. Too Far Gone (Billy Sherrill)
11. Honey Hush (Lou Willie Turner)
12. How Much I Lied (Gram Parsons, Pam Rifkin)$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
West Of The WestDave Alvin's home state of California has produced countless songwriters of varying musical genres. In an homage to some of those greats, West Of The West showcases Dave Alvin performing some of his favorites. Featuring songs by Merle Haggard, Tom Waits, John Fogerty, Jerry Garcia, Brian Wilson and more, the album also includes his original work "Between The Cracks" co-written with California native Tom Russell and bonus track "Boss" previously unavailable with this release.1. California Bloodlines
2. Redneck Friend
3. Kern River
4. Blind Love
5. Here in California
6. I Am Bewildered
7. Sonora's Death Row
8. Down on the Riverbed
9. Between the Cracks
10. Don't Look Now
11. Tramps and Hawkers
13. Surfer Girl$22.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Sweetheart Of The RodeoRanked 117/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
With one mighty swing of the axe, the Byrds changed not only the face of rock 'n' roll but country music, as well, with their sixth album, 1968's Sweetheart Of The Rodeo. Tired of dipping a toe into the genre, Roger McGuinn and Chris Hillman added singer Gram Parsons and drummer Kevin Kelley and went for total immersion. The baptism of country-rock was a natural with Parsons, former International Submarine Band frontman, now on board. And the repertoire was wide open for country classics by the Louvin Brothers (The Christian Life) and Merle Haggard (Life In Prison), as well as Depression-era ballads (Woody Guthrie's Pretty Boy Floyd) and honky tonk weepers cut by George Jones (You're Still On My Mind). The town wasn't big enough for both of them, of course, and Parsons soon split to form the Flying Burrito Brothers, but it sure was nice while it lasted!
We're proud to present the reissue of this monumental recording in its original, stereo incarnation, cut directly from the original Columbia Recordings analog stereo masters, with perfect artwork restoration and meticulously faithful mastering.1. You Ain't Going Nowhere
2. I Am a Pilgrim
3. The Christian Life
4. You Don't Miss Your Water
5. You're Still On My Mind
6. Pretty Boy Floyd
7. Hickory Wind
8. One Hundred Years from Now
9. Blue Canadian Rockies
10. Life In Prison
11. Nothing Was Delivered$28.99Vinyl LP - Sealed Buy Now
Way Out WestWhile he's too gracious to admit it himself, the Grammy-winning singer, songwriter and musician is living, breathing country music history. He's played alongside the masters, from Cash to Lester Flatt, who discovered him; been a worldwide ambassador for Nashville, Bakersfield and points in between; and safeguarded country's most valuable traditions and physical artifacts.
But most importantly, Stuart continues to record and release keenly relevant music, records that honor country's rich legacy while advancing it into the future. Way Out West, his 18th studio album, hits both of those marks. Produced by Mike Campbell (Tom Petty and the Heartbreakers), the album is a cinematic tour-de-force, an exhilarating musical journey through the California desert that solidifies Stuart as a truly visionary artist.
When it comes to transforming country songs into tangible experience, Stuart has a secret weapon: his longtime band the Fabulous Superlatives, which NPR Music said could "melt your heart with four-part harmonies, rock your bones with honky tonk, and dazzle you with picking worthy of their name,". Made up of guitarist Kenny Vaughan, drummer Harry Stinson and new member, bassist Chris Scruggs, the Superlatives are an extension of Stuart himself. The Superlatives are missionaries, they're fighting partners. They're my Buckaroos, my Tennessee Three, my Strangers. They're my legacy band and have been since Day One, says Stuart.
I would play this record for Hank Williams, Merle Haggard or Ernest Hemingway and never bat an eye, says Stuart. There's something in there that would entertain each of them.1. Desert Prayer - Part I
3. Lost On The Desert
4. Way Out West
5. El Fantasma Del Toro
6. Old Mexico
7. Time Don't Wait
9. Air Mail Special
11. Please Don't Say Goodbye
12. Whole Lotta Highway (With A Million Miles To Go)
13. Desert Prayer - Part II
14. Wait For The Morning
15. Way Out West (Reprise)$18.99Vinyl LP + CD - Sealed Buy Now
God's Problem Child'God's Problem Child' is Willie's first album to debut all-new songs since 'Band of Brothers' in 2014. It includes 13 new songs, including seven recently written by Willie and Buddy Cannon, his longtime collaborator and producer. The album's title track, penned by Jamey Johnson and Tony Joe White, includes vocals by both writers and the legendary Leon Russell (on what may be Russell's very last recording). Closing the album is He Won't Ever Be Gone, a song written by Gary Nicholson that pays tribute to Willie's outlaw country comrade, Merle Haggard.1. Little House on the Hill
2. Old Timer
3. True Love
4. Delete and Fast Forward
5. A Woman's Love
6. Your Memory Has a Mind Of Its Own
8. Still Not Dead
9. God's Problem Child
10. It Gets Easier
11. Lady Luck
12. I Made a Mistake
13. He Won't Ever Be Gone$19.99Vinyl LP - Sealed Buy Now
Midnight SouvenirsSinger/songwriter/producer Peter Wolf, universally recognized as one of the greatest rockers of all time, is back with a new album: Midnight Souvenirs. His seventh solo album, his first solo effort since 2002s Sleepless which was acclaimed as an instant classic and voted one of Rolling Stone magazines Top 500 Albums of All Time, Midnight Souvenirs is a continuation of Wolf s distinctive and eclectic tales that brighten and interpret a world gone noir. Featuring duets with country legend and national treasure Merle Haggard, the soulfully transcending dynamic Shelby Lynne, and the haunting and majestic voice of Neko Case, Midnight Souvenirs integrates and embraces rock, R & B, blues, folk and country in a way that has distinguished Wolf s storied career. Measurable are his decades as the leader and frenzied focal figure of the J. Geils Band, with whom he showcased his talents on such hits as Centerfold, Freeze Frame, Love Stinks and Musta Got Lost.1. Tragedy with Shelby Lynne
2. I Dont Wanna Know
3. Watch Her Move
4. Theres Still Time
5. Lying Low
6. The Green Fields Of Summer with Neko Case
7. Thick As Thieves
8. Im Always Asking For You
9. Leaves Us All Behind
10. Overnight Lows
11. Everything I Do Gonna Be Funky
12. Dont Try And Change Her
13. The Night Comes Down (for Willy Deville)
14. Its Too Late For Me with Merle Haggard$34.99Vinyl LP - 2 LPs Sealed Buy Now
I'm Not The DevilCody Jinks was raised on country music but he cut his teeth on metal. "Metallica was king. They set the tone for me and I spent a good part of my youth wanting to be James Hetfield." After a dedicated stint as a frontman in a thrash metal band, Jinks willingly found himself back to where it all began. "My dad loved the outlaw country icons, Johnny Cash, Waylon Jennings and Merle Haggard. That never ending consistency of incredible music growing up laid some very deep seeds. I'm mean, come on nothing better than mentally diving into 'The Hag' and metal when it comes time for me to write songs."
Always avoiding trends and ferociously choosing his direction was the only option from day one, even though that very path could have prevented success. "What is success if you can't wake up everyday being who you really are. In the end, that will catch up with you." Jinks has been tested countless times by his career choices. The better part of the last 15 years have included numerous empty bar rooms and a never ending financial loss. "Yeah, I've been pretty good at losing money. Not the greatest feeling in the world to be gone from home for long stretches of time, only to walk in the door broke. Luckily I've got a damn good woman in my life. She has stood by me with unmeasurable strength to say the least and it is an absolute fact that I seriously overplayed my hand when landing her."
His long, dark beard and endless array of tattoos are no fad. They unquestionably define Cody Jinks. His prototypical metal/hard rock band frontman look is not a well orchestrated image, but again, define Cody Jinks. Diving into to his album, I'm Not the Devil is the perpetual truth of who he is and where he has found himself at this point in his career. "I'm just glad that I ended up where I am now," Jinks said. "It makes complete sense that I'm at this place in my life. Country music found me when I was young and chased me down as I grew older"
Jinks' latest project is his deepest, darkest and most provocative album to date, with a metal common denominator, the apocalypse, running throughout the record. "It's a pretty scary time," Jinks said. "There are some evil people running things in the world. It hits me since I have a six and three-year old."
There's not a weightier song than the aptly titled "Heavy Load." It's the most apocalyptic song on the album but the dense cut, with a pretty violin break, is a gorgeous tune. The vocal hook grabs ears when Jinks croons "Train Jumps Tracks Some Time Ago/You Can't Root That Heavy Load." "That was the last song I wrote on the record," Jinks said. "I couldn't be happier how that one turned out."
"All You Can" features a pretty piano line and sobering wordplay. When Jinks belts out 'What Are You Living For," you can't help but think about the serious question posed in what is becoming an increasingly shallow existence. "I was really tired when I wrote that song," Jinks said. "We had been on the road for awhile. The bottom line is that if you're not helping people, you're not doing your job as a human being. It's time to quit feeling sorry for yourself and do something."
One of Jinks' favorite songs on the album is "The Way I Am," a cover of a Merle Haggard classic. "I love that song," Jinks says. "I wrapped it up just before Merle died. The song always resonated with me. I relate to that one since there are times I would rather be out fishing."
"No Words" is a stunner of a gritty, autobiographical love song, which is a throwback to how songs used to be written. It is a tuneful gem, inspired by reality. Jinks starts out dark as night. "My Whole View of the World has Changed/ I Guess that Comes with Age/I Don't Believe there is Good in Every Man Like I Did Back Then/I May Drink More Than I Should/You've Seen Me on the Floor/I Spent my Lifetime in this Cage I Built Around Me." But the song is actually a tip of the hat to his beloved wife of 19 years. "There Aint' No Words/ To Say How Much I Need You/With You Here/ You Make This Life I Lead Worth Living." "It's about my wife," Jinks says. "But the funny thing is that she doesn't like it. She thinks it sounds too sad."
With the title track "I'm Not the Devil," Jinks wakes us all up to the realities of mistakes and the heartfelt desire to be forgiven. "We are all guilty of mistakes and very guilty of pointing out the mistakes of others. Forgiveness feels so much better or so I think."
It's impressive how Jinks is getting his message across. Jinks utilizes space well in his songs. Notes aren't crammed in. Jinks lets his songs breathe. "After all I've experienced, I think I've matured," Jinks says. "I think you can hear it in the music. I've grown up."
Even though he still looks the part of the headbanger he was back in the day, he has moved on. "It's all for the best, Jinks says. "I'm where I was meant to be."
It's all about the music and the fans, who are the fuel that drives Jinks. "They come out night after night giving up hard earned money and precious time to see me play," Jinks says. " It's truly is amazing when you really think about it. The best way I can say thanks is by giving back with effort and gratitude."1. The Same
2. I'm Not the Devil
3. No Guarantees
4. No Words
5. Give All You Can
6. She's All Mine
7. The Way I Am
8. Chase That Song
9. Heavy Load
11. Church at Gaylor Creek
13. Hand Me Down$24.99Vinyl LP - Sealed Buy Now
Cass CountyInspired by the country music that soundtracked Henley's early days in east Texas, Cass County finds him harmonizing with Miranda Lambert, trading verses with Martina McBride and duetting with Merle Haggard.
I'm associated with California a lot because of that other band that I play in, but I really and truly was born and raised in Cass County, Texas, Henley said last month during a private listening party in Nashville. I'm a Southerner and a Texan. I have ancestors in Tennessee, Mississippi and Georgia. So this is a natural progression for me. It's not me trying to do the 'Don Henley country album.' It's who I am and where I come from.
-Rolling Stone1. Bramble Rose (with Mick Jagger and Miranda Lambert)
2. The Cost of Living (with Merle Haggard)
3. Take A Picture of This
4. Waiting Tables
5. No, Thank You
6. Praying for Rain
7. Words Can Break Your Heart
8. That Old Flame (with Martina McBride)
9. When I Stop Dreaming (with Dolly Parton)
10. A Younger Man
11. Train In The Distance
12. Where I Am Now$34.99Vinyl LP - 2 LPs Sealed Buy Now
UNIM-EAG-8500xMark Collie & His Reckless Companions
Alive At Brushy Mountain State PenitentiaryUntil it closed in 2009, Tennessee's Brushy Mountain State Penitentiary was one of the most notorious penal institutions in America. Located in mountainous Petros, it was a forbidding rockpile hewn out of the rough countryside by its own inmates in 1896.
On Oct. 17, 2001, Mark Collie came to Brushy Mountain with a sheaf of newly written songs about crime and punishment and an all-star band for a pair of performances that were recorded for a live album release. Mostly, though, Collie showed up at Brushy Mountain with a mission.
God gave me the opportunity to get in there and share something that might make a difference, he says. I believed the songs could matter. I wanted to make something that people could find hope in, or redemption, or restoration, or forgiveness.
His close friendship with country icon Johnny Cash supplied the principal inspiration for his own prison recording. Collie was well aware of Cash's celebrated 1968-69 live albums recorded at California's Folsom and San Quentin penitentiaries. He also knew the impact that a 1959 performance at the latter facility had on Inmate #A-45200, better known as the legendary country star Merle Haggard. Without Johnny going to San Quentin, Collie says, there might not have been a Merle Haggard. A lot of lives were changed or made better as a result of that music. Collie began writing his own cycle of prison songs.
A top-flight crew of musicians was assembled, including guitarist Dave Grissom (John Mellencamp, Joe Ely), keyboardist Mike Utley (Jimmy Buffett, the Dixie Flyers), guitarist-mandolinist Tommy Burroughs (Memphis Riverbluff Clan), Collie's longtime accordionist Hassel Tekkle, bassist Willie Weeks (the Rolling Stones, Eric Clapton, B.B. King), drummer Chad Cromwell (Neil Young, Mark Knopfler), and guitarist-fiddler-vocalist and solo star Shawn Camp. Austin-based critics darling Kelly Willis, who takes lead vocals on two tracks, also supplied backup vocals on several numbers; the late Texas blues giant Clarence Gatemouth Brown is the album's other special guest.
Alive at Brushy Mountain embraces a breadth of American styles - country, blues, gospel, bluegrass, and rock n roll. It largely comprises striking original material, which contemplates the convict's lot with compassion, keen detail, and sometimes boisterous humor.LP 1
1. One More Second Chance
2. I Could've Gone Right
3. Maybe Mexico
4. Heaven Bound (feat. Kelly Willis)
5. Got A Felling for Ya (feat. Kelly Willis)
6. On The Day I Die
7. Dead Man Runs Before He Walks (feat. Shawn Camp)
8. Rose Covered Garden
1. Why Me Lord (feat. Kelly Willis)
2. Do As I Say
3. Someday My Luck Will Change (feat. Clarence "Gatemouth" Brown)
4. Folsom Prison Blues
5. Reckless Companions
6. Gospel Train (feat. Brushy Mountain Prison Choir)$19.99Vinyl LP - 2 LPs Sealed Buy Now
American III: Solitary ManFor younger generations of musicians, having their song cut by Johnny Cash must be a little like scaling the Washington Monument. On his third album
for producer Rick Rubin's American label, Cash makes Tom Petty's I Won't Back Down sound like a companion classic to I Walk the Line. He
transforms U2's One into a sturdy testament of plainspoken faith, while he plumbs the netherworld of Nick Cave's The Mercy Seat and Will Oldham's I
See a Darkness. Amid more familiar fare (including Neil Diamond's title track), the album's sing-along standout is the deadpan, down-and-out, talking
blues of Nobody. Cash's recent originals have the age-old purity of Appalachian music, while the traditional closing of Wayfaring Stranger offers
bittersweet benediction. Merle Haggard, Sheryl Crow, and June Carter Cash provide vocal cameos. -Don McLeese
Recorded at The Cash Cabin Studio, Hendersonville, Tennessee and The Akademie Mathematique Of Philosophical Sound Research, Los Angeles,
California.Includes liner notes by Johnny Cash.Solitary Man won the 2001 Grammy Award for Best Male Country Vocal Performance. AMERICAN III
was nominated for the 2001 Grammy Award for Best Contemporary Folk Album.1. I Won't Back Down
2. Solitary Man
3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
6. I See A Darkness
7. The Mercy Seat
8. Would You Lay With Me (In A Field Of Stone)
9. Field Of Diamonds
10. Before My Time
11. Country Trash
12. Mary Of The Wild Moor
13. I'm Leavin' Now
14. Wayfaring Stranger$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ReflectionsCountry music's "Gentle Giant" re-teams with award-winning producer Garth Fundis for Reflections, the follow up to 2012's well-received comeback album
And So It Goes. Don Williams, a Country Music Hall of Fame member, dominated for decades as a country hit maker and was dubbed "the Gentle Giant"
because of his unique blend of commanding presence and that laid-back, easy style-cutting across national and genre boundaries. Those personal and
musical qualities that stood out strongly across the 1970s, '80s and '90s, came full circle both in 2012, as Williams delivered the masterful And So It Goes,
and today, as he readies the release of Reflections.
Now, digging deeper into his winning, self-assured ease and revered musical style, Williams delivers a new collection of songs on Reflections that are
sure to become instant classics. Included are numbers penned by legends Townes Van Zandt, Merle Haggard, Jesse Winchester and others, setting the
bar high and requiring the talents of only someone of Williams' caliber to deliver them as intended.1. I'll Be Here In The Morning
2. Talk Is Cheap
3. I Won't Give Up On You
4. Sing Me Back Home
5. Working Man's Son
6. Healing Hands
7. If I Were Free
8. Stronger Back
9. Back To The Simple Things
10. The Answer$21.99Vinyl LP - Sealed Buy Now
Almost BlueCostellos Soulful Country & Western Covers Album Tackles Standard Tunes by George Jones, Hank Williams, Gram Parsons, and More
Expertly Played 1981 Set Marks the Second of the Encyclopedic Pop Musicians Many Forays Into Multiple Styles
Half-Speed Mastered from the Original Master Tapes: Knockout Sonics Present Costellos Close-Up Vocals, Steve Nieves Piano, and the Pedal-Steel Guitars in Great Relief
Elvis Costello was so enamored with American country music when he finally discovered it, he was motivated to record Almost Blue. Renowned as one of the most passionate and enthusiastic covers albums ever made, the 12-song set finds the iconic singer/songwriter interpreting standards by the likes of Hank Williams, Gram Parsons, George Jones, Merle Haggard, and other legends. Replete with heartbreak, lonesomeness, boozing, cheating, and dreaming, its laden with country and westerns customary themes and dignified by one of the finest performances of Costello and the Attractions peerless career.
Half-speed mastered from the original master tapes, Mobile Fidelitys numbered limited edition 180g LP opens up the soundstages, clears previously muddled midrange frequencies, and places the imaging of the various country-tuned instruments into clear focus. For the first time, listeners can hear just how much of himself Costello invests in the vocal performances, while the Attractions dont miss a beat, particularly pianist Steve Nieve and guest musician John McFee. Moreover, the strings (when employed) take on new life, and the records cover art, a take-off on Kenny Burrells Midnight Blue, is faithfully reproduced.
At the time of the albums recording in 1981, Costello was admittedly emotionally shattered. The title of the effort isnt merely coincidental. Feeling dejected and disenchanted, the vocalist had been put through the ringer: His pop stardom yielded one incredible record after another, but Costellos marriage was in tatters, his behavior deplorable, and his reputation tarnished by a famous drunken incident that shamed him for decades. In addition, he chose to follow his string of original LPs up with the soul- and R&B-minded Get Happy, a creative masterwork that nonetheless caused some of his mainstream fans to believe hed abandon his hit-making pedigree.
So he did what any self-respecting, astute musician would want to do: Cut a country and western record steeped in heartbreak, fragility, sadness, despair, and beer-glass-raising spirit. Largely informed by the stacks of country LPs he bought in used shops during U.S. tours, and in the ideal frame of mind, Costello sought out not to make standards such as Sweet Dreams, Too Far Gone, Honey Hush, and Tonight the Bottle Let Me Down his own but to put a unique spin on the darkness, surprise, soulfulness, foreboding, and authenticity that they contain within.
With each note, Costello succeeds and exceeds expectations, turning in versions that sound both old and new. Such timelessness, and the confluence of contemporary and traditional, distinguishes Almost Blue from nearly every other country tribute album made by pop/rock artists before and since. Costello and the Attractions embody the deep sentiments attached to these weeping ballads, tear-jerking lullabies, honky-tonk rave-ups, and playful shuffles in an incredibly convincing manner. Producer George Sherrill, famous for working with the likes of Tammy Wynette, George Jones, and Marty Robbins, and brought on board specifically for the project, frames the music with the perfect blend of grit and professionalism.
This title is not eligible for discount.1. Why Don't You Love Me (Like You Used to Do)? (Hank Williams)
2. Sweet Dreams (Don Gibson)
3. Success (Johnny Mullins)
4. Hot Burrito #1 (Gram Parsons, Chris Ethridge)
5. Tonight the Bottle Let Me Down (Merle Haggard)
6. Brown to Blue (George Jones, Virginia Franks)
7. A Good Year for the Roses (Jerry Chesnut)
8. Sittin' and Thinkin' (Charlie Rich)
9. Colour of the Blues (Lawton Williams, George Jones)
10. Too Far Gone (Billy Sherrill)
11. Honey Hush (Lou Willie Turner)
12. How Much I Lied (Gram Parsons, Pam Rifkin)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Magnolia Electric Co
10th Anniversay Deluxe Edition
Expanded Reissue Of Songs: Ohia's Classic Record Gathering Together One Unreleased Song, Demos And Full-band Song Only
Previously Available In Japan.
Includes Rare Photos From The Era In Which It Was Recorded
The hallmark of Jason Molina's career, Magnolia Electric Co., is both a confluence of all he would create and a line in the
sand to mark a shift in his songwriting approach. It was the last statement under his iconic Songs: Ohia moniker, and the
moment before he began making new legends as Magnolia Electric Co. for the next 10 years. Now- here at the end of that
decade - with Molina gone, his work gathers more weight and meaning. This expanded 10-year anniversary edition of
Magnolia Electric Co. features one never-before-released track plus many rarities. The full-band studio outtake of fan
favorite Whip Poor Will is a sweet and spare version that ended up being played far differently on Magnolia Electric Co.'s
final album Josephine (2009). Also included is the studio version of The Big Game Is Every Night. Previously only available
on the Japanese version of the album, this opus serves as Molina's thesis statement, its poetry weaving through the 20th
Century, through art and sporting culture - ultimately questioning what it means to be an American in the autumn of the
American Era. The edition also gathers Molina's gutting demos for the record, including those two outtakes. Nearly each
begins with audible sound of the RECORD button being pressed down on the tape player. They are so close and intimate,
it's hard to look them right in the eyes. But you should.
With the wailing lap steel of the album opener Farewell Transmission, Jason Molina & Company usher in a new day,
playing the sort of rock that your cool uncle rolled to back in the '70s. Landing somewhere on the radar sonically between
Bob Dylan's Desire and Bob Seger's Beautiful Loser, though thematically in-line with Lynyrd Skynyrd's Simple Man, The
Magnolia Electric Co lies at the crossroads of working class rock, white soul, swamp rock and outlaw country
While Songs: Ohia's last record Didn't It Rain was a meditation on roots and stability, Magnolia Electric Co. finds itself
toiling with the wages of change, which is well illustrated in I've Been Riding with the Ghost, a real rig rocker that could
have easily fit on Time Fades Away, on which Molina sings: See I ain't getting better, I am only getting behind. Standing on
the crossroad trying to make up my mind. Trying to remember how it got so late. Why every night pain comes from a
different place. Now something's got to change.
This thematic preoccupation with change also manifests itself in the rotating cast of lead vocalists. While the entire album
boasts a doo wop-like line-up with five vocalists on the floor, six of the eight songs have Molina in the tall stool with the
ever-enchanting Jennie Benford (of Jim & Jennie & the Pinetops, who was also a key player on Didn't It Rain) as primary
back-up vocalist. But on two songs, new Songs: Ohia players step up to take on lead vocal duties, singing Molina-penned
songs. Lawrence Peters takes the lead on The Old Black Hen with his fantastic Merle Haggard-esque country croon, while
Miss Scout Niblett appears from the nether world of the Ohia wardrobe with feathers in her hair and casts her spell on the
Ohia rig barreling through Peoria Lunch Box Blues.
Recorded live, in its entirety, at the hands of Steve Albini at his Electrical Audio Studio in Chicago, Illinois, with the same
core back-up band that played on the Mi Sei Apparaso Come Un Fantasma Italian live album, this is the record where the
Songs: Ohia fan demographics make a radical shift from the dominant bedroom universe of the world's lonely, sensitive,
overqualified young white dudes, and finds refuge in the masses by being embraced by the world's truck drivers, sorority
chicks, and hockey players, alike. Indeed, this is the first Songs: Ohia record with more than one song that could be played
at a strip joint or monster truck show. Amid the mid-tempo slow jams, there lie some of the most upbeat material that
Songs: Ohia has recorded to date.LP 1
1. Farewell Transmission
2. I've Been Riding With The Ghost
3. Just Be Simple
4. Almost Was Good Enough
5. The Old Black Hen
6. Peoria Lunch Box Blues
7. John Henry Split My Heart
8. Hold On Magnolia
9. The Big Game Is Every Night (Bonus Track)
10. Whip Poor Will (Bonus Track)
1. Farewell Transmission (Demo)
2. I've Been Riding With The Ghost (Demo)
3. Just Be Simple (Demo)
4. The Old Black Hen (Demo)
5. Peoria Lunch Box Blues (Demo)
6. John Henry Split My Heart (Demo)
7. Hold On Magnolia (Demo)
8. The Big Game Is Every Night (Demo)
9. Whip Poor Will (Demo)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Country Club (Out Of Stock)In true honky tonk style Country Club is the bastard child of a drunken promise. A post show hang-out between X and the Knitters' John Doe and The Sadies produced the idea to join forces to make an album of country songs. Timeless sounds abound on Country Club driven by Does gorgeously rough-hewn vocals, the dueling thousand pound chops of the guitar-wielding Good brothers and The Sadies world class rhythm section of Mike Belitsky and Sean Dean. Classic tunes by Merle Haggard and Waylon Jennings stand along side corkers by Tammy Wynette and Roger Miller, all of them getting unique treatments by Doe and The Sadies. The album also features four originals; three from The Sadies and one courtesy of the timeless pairing of John Doe and Exene Cervenka. On Country Club John Doe and The Sadies find the perfect blend of the reverent and the experimental resulting in a slightly psychedelic brew that just might pass for straight if you're not lookin'.1. Stop the World and Let Me Off
2. Husbands and Wives
3. 'Til I Get It Right
4. It Just Dawned on Me
5. (Now and Then) There's a Fool Such as I
6. The Night Life
7. The Sudbury Nickel
8. Before I Wake
9. I Still Miss Someone
10. The Cold Hard Facts of Life
11. Take These Chains from My Heart
12. Help Me Make It Through the Night
13. Are the Good Times Really Over for Good
14. Detroit City
15. Pink Mountain Rag$17.99Vinyl LP - Sealed Temporarily out of stock
Metamodern Sounds In Country Music (Out Of Stock)
" he understands that good hooks hang on great rhythms
and every sob story requires an uppercut punch line."-The Washington Post
" humbly fantastic."-SPIN
"...this is GOOD COUNTRY something I think any music lover
(country or not) can appreciate."-My Old Kentucky Blog
Sturgill Simpson isn't one to rest on his laurels, which is why, less than a year after the release of his critically acclaimed debut,
High Top Mountain, the singer-songwriter is coming out with his captivating and wholly unique sophomore album, Metamodern
Sounds in Country Music. The album title - an allusion to Ray Charles' groundbreaking 1962 record, Modern Sounds in Country and
Western Music -- hints at the psychedelic sounds found within, a departure from Simpson's first album, which drew comparisons
to the music of Waylon Jennings and Merle Haggard. "I think that there is a lot of room in country music for progression and sonic
oscillation, which is what I wanted to explore." Where some artists find inspiration from other music, Simpson found his in books,
devouring religious texts both ancient and modern, recent studies about discoveries in quantum physics and string theory, and
publications by Carl Sagan and Terence McKenna. He also drew upon French filmmaker Gaspar Noe's experimental drama Enter the
Void as he created murky, multi-textured soundscapes that incorporate elements of classic country, bluegrass, rock, and even a bit
of electronica, a genre that Simpson admits he has a "slight fetish" for.1. Turtles All The Way Down
2. Life of Sin
3. Living The Dream
5. Long White Line
6. The Promise
7. A Little Light Within
8. Just Let Go
9. It Ain't All Flowers$19.99Vinyl LP - Sealed Temporarily out of stock
Wild Moon (Out Of Stock)Plowboy Records' latest signing, J.D. Wilkes and The Dirt Daubers, release 'Wild Moon', their third album. Produced by Cheetah Chrome, 'Wild Moon' finds The Dirt Daubers - previously an old-timey, acoustic group - plugged in and wailing away on raw, blissfully distorted rock-n-roll and blues. The
Dirt Daubers were formed by Legendary Shack Shakers front man, artist, director and country punk pioneer J.D. Wilkes in 2009 with his wife Jessica. Wilkes' "gothic preacher" persona and frantic blues harmonica whips 'Wild Moon' into a frenzy, trading lead vocal duties with his feminine foil.
J.D. and Jessica are joined by electric guitarist Rod Hamdallah and drummer Preston Corn. Smoky baritone sax grooves are provided by Tom Waits' sideman Ralph Carney, with piano played by Wilkes himself - delving deeper into the bluesy
recesses of American music. Jessica emotes pained lyrics about life, love and loss on tunes like "No More My Love" and "Apples and Oranges," while J.D. continues his southern storytelling style on "Angel Crown" and the title track.
Wilkes is also an accomplished harmonica player, having recorded for such artists as Merle Haggard, John Carter Cash, Mike Patton, and Hank Williams III. He can also be spotted playing harmonica for Hank Williams III in the 2004 American Masters film Hank Williams: Honky Tonk Blues. His song `Swampblood` can be heard on the Grammy-nominated
soundtrack for HBO's True Blood series. Shore Fire Media on board to spearhead publicity and marketing efforts.
"Wilkes writes mind-blowing lyrics rife with Biblical references and ruminations of life, death, sin and redemption " -BILLBOARD1. French Harp Hustle
2. Apples and Oranges
3. Wild Moon
5. No Rest For the Wicked
6. No More My Love
7. Angel Crown
8. Let It Fly
9. You Know I Love You
10. Hidey Hole
11. Don't Thrill Me No More
12. River Song
13. God Fearing People$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock