Authorized & Certified VPI Dealer

A World of Vinyl

Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
10% Off Vinyl - 20% Off Vinyl Orders 100+
Home > Products for: '

Metallica Colored Vinyl

'
  • 1
Results per page:
  • Ride The Lightning Ride The Lightning Quick View

    $17.99
    Buy Now
    x

    Ride The Lightning

    Kill 'Em All may have revitalized heavy metal's underground, but Ride the Lightning was even more stunning, exhibiting staggering musical growth and boldly charting new directions that would affect heavy metal for years to come. Incredibly ambitious for a one-year-later sophomore effort, Ride the Lightning finds Metallica aggressively expanding their compositional technique and range of expression. Every track tries something new, and every musical experiment succeeds mightily. The lyrics push into new territory as well -- more personal, more socially conscious, less metal posturing. But the true heart of Ride the Lightning lies in its rich musical imagination. There are extended, progressive epics; tight, concise groove-rockers; thrashers that blow anything on Kill 'Em All out of the water, both in their urgency and the barest hints of melody that have been added to the choruses. Some innovations are flourishes that add important bits of color, like the lilting, pseudo-classical intro to the furious Fight Fire with Fire, or the harmonized leads that pop up on several tracks. Others are major reinventions of Metallica's sound, like the nine-minute, album-closing instrumental The Call of Ktulu, or the haunting suicide lament Fade to Black. The latter is an all-time metal classic; it begins as an acoustic-driven, minor-key ballad, then gets slashed open by electric guitars playing a wordless chorus, and ends in a wrenching guitar solo over a thrashy yet lyrical rhythm figure. Basically, in a nutshell, Metallica sounded like they could do anything. Heavy metal hadn't seen this kind of ambition since Judas Priest's late-'70s classics, and Ride the Lightning effectively rewrote the rule book for a generation of thrashers. If Kill 'Em All was the manifesto, Ride the Lightning was the revolution itself.


    - Steve Huey (All Music)

    1. Fight Fire With Fire

    2. Ride The Lightning

    3. For Whom The Bell Tolls

    4. Fade To Black

    5. Trapped Under Ice

    6. Escape
    7. Creeping Death

    8. The Call Of Ktulu
    Metallica
    $17.99
    Vinyl LP - Sealed Buy Now
  • Metallica Through The Never Metallica Through The Never Quick View

    $39.99
    Buy Now
    x

    Metallica Through The Never


    Black, Red, & White Colored Vinyl


    Award-winning filmmaker Nimród Antal (Predators, Kontroll) creates a groundbreaking 3-D motion picture event, Metallica Through the Never. The music-driven feature film combines a bold narrative and spectacular live-performance footage of one of the most popular and influential rock bands in history to produce a bracing, raw and visceral cinematic experience. Emerging young star Dane DeHaan (The Place Beyond the Pines, Kill Your Darlings, The Amazing Spider-Man 2) portrays Trip, a young roadie sent on an urgent mission during Metallica's roaring live set in front of a sold-out arena audience.


    Metallica Through The Never is written and directed by Nimród Antal and produced by Charlotte Huggins (Journey to the Center of the Earth). The film was released by Picture house in North America on September 27, 2013, exclusively in over 300 IMAX® 3-D theaters, and expanded into additional theaters on October 4, 2013.


    Recorded live at Rexell Place, Edmonton, Alberta on August 17 & 18, 2012 and at Rogers Arena, Vancouver, British Columbia on August 24, 25 and 27, 2012, the soundtrack consists of 15 classic Metallica songs - from their early work (Hit The Lights) to the more recent (Cyanide).


    In true Metallica concrert tradition, the album kicks off with Ennio Morricone's The Ecstasy of Gold from the film, The Good The Bad, And The Ugly.


    Metallica is easily one of the best, most influential heavy metal band of the '80s. Responsible for bringing the genre back to Earth, the bandmates looked and talked like they were from the street, shunning the usual rockstar games of metal musicians during the early '80s. They expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions.

    LP 1
    1. L'Estasi Dell'oro (The Ecstasy Of Gold) (2004 Digital Remaster) - By Ennio Morricone
    2. Creeping Death
    3. For Whom The Bell Tolls
    4. Fuel
    5. Ride The Lightning
    6. One


    LP 2
    1. The Memory Remains
    2. Wherever I May Roam
    3. Cyanide
    4. ...And Justice For All
    5. Master Of Puppets


    LP 3
    1. Battery
    2. Nothing Else Matters
    3. Enter Sandman
    4. Hit The Lights
    5. Orion

    Metallica
    $39.99
    Colored Vinyl LP - 3 LPs Sealed Buy Now
  • Hardwired To Self-Destruct (Pink Vinyl) Hardwired To Self-Destruct (Pink Vinyl) Quick View

    $24.99
    Buy Now
    x

    Hardwired To Self-Destruct (Pink Vinyl)

    Pressed On Pink Colored Vinyl


    Metallica released their eleventh studio album, Hardwired To Self-Destruct, on November 18th, via Blackened Recordings. The 2 Vinyl set is the Grammy® Award winning Rock and Roll Hall of Fame inductee' s first studio album since 2008's multi-platinum Death Magnetic.


    Hardwired To Self-Destruct is produced by Greg Fidelman, who engineered and mixed Death Magnetic. Metallica formed in 1981 by drummer Lars Ulrich and guitarist and vocalist James Hetfield and has become one of the most influential and commercially successful rock bands in history, having sold 110 million albums worldwide while playing to millions of fans on literally all seven continents. They have scored several multi-platinum albums, including 1991's Metallica (commonly referred to as The Black Album), with sales of nearly 17 million copies in the United States alone, making it the best-selling album in the history of Soundscan. Metallica has also garnered numerous awards and accolades, including nine Grammy Awards, two American Music Awards, and multiple MTV Video Music Awards, and were inducted into the Rock and Roll Hall of Fame and Museum in 2009.


    In December 2013, Metallica made history when they performed a rare concert in Antarctica, becoming the first act to ever play all seven continents all within a year, and earning themselves a spot in the Guinness Book of World Records. "Hardwired," the first track to be released from the forthcoming album was played for the first time during a live remote broadcast from Metallica's HQ in the Bay Area. During an interview with Minneapolis rock station 93X discussing the band's performance at U.S. Bank Stadium on August 20th, Lars Ulrich stunned 93X's Pablo by unleashing the incendiary song for the first time, much to the surprise (and delight) of the station, as well as fans around the world.

    LP 1
    1. Hardwired
    2. Atlas, Rise!
    3. Now That We're Dead
    4. Moth Into Flame
    5. Am I Savage?
    6. Halo On Fire


    LP 2
    1. Confusion
    2. Dream No More
    3. ManUNkind
    4. Here Comes Revenge
    5. Murder One
    6. Spit Out The Bone

    Metallica
    $24.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • The Rock And Roll Hall Of Fame: Volume 1 (Colored Vinyl) The Rock And Roll Hall Of Fame: Volume 1 (Colored Vinyl) Quick View

    $25.99
    Buy Now
    x

    The Rock And Roll Hall Of Fame: Volume 1 (Colored Vinyl)


    Limited Edition Purple Colored Vinyl


    Unforgettable Musical Collaborations Like Tom Petty With Prince And Mick Jagger With Bruce Springsteen


    Original Members Of Cream Take The Stage For The First Time In 25 Years For A Blistering "Sunshine Of Your Love


    Includes performances from legends like Bruce Springsteen & The E Street Band, Cream, Jeff Lynne, Steve Winwood, Metallica, Jeff Beck, Jimmy Page, Ron Wood, Joe Perry, Tom Petty, Green Day, James Taylor, Al Green, Chuck Berry and more


    Jam-filled performances of chart-busters like "Johnny B. Goode, "Ironman", "Blitzkrieg Bop, "Can't Get No Satisfaction, and a show-stopping performance of "While My Guitar Gently Weeps


    For over a quarter century, rock and roll's biggest stars have gathered annually on one special evening for an exclusive party: The Rock and Roll Hall of Fame Induction Ceremonies. Honoring music's most influential figures with the most prestigious of awards, it's also an evening where both artists and fans celebrate rock and roll with once-in-a-lifetime performances. For the first time on vinyl, Time Life has pressed a selection of the most memorable moments in the history of the induction ceremony, previously only available in digital and physical formats. ROCK & ROLL HALL OF FAME LIVE: VOLUME 1 is a unique, collectible vinyl album featuring an unforgettable "set list" including the biggest names in rock 'n' roll.

    1. Johnny B. Goode - Chuck Berry With Bruce Springsteen & The E Street Band (1995)
    2. Tenth Avenue Freeze-Out - Bruce Springsteen & The E Street Band (1999)
    3. A Change Is Gonna Come - Al Green (1995)
    4. The Train Kept-A-Rollin' - Jeff Beck, Jimmy Page, Ron Wood, Joe Perry, Flea And Metallica (2009)
    5. Iron Man - Metallica (2006)
    6. Woodstock - James Taylor (1997)
    7. Sunshine Of Your Love - Cream (1993)
    8. Blitzkrieg Bop - Green Day (2002)
    9. (I Can't Get No) Satisfaction - Mick Jagger, Bruce Springsteen And The Rock And Roll Hall Of Fame Band (1988)
    10. While My Guitar Gently Weeps - Tom Petty, Jeff Lynne, Steve Winwood, Dhani Harrison And Prince (2004)
    Various Artists
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Omen Omen Quick View

    $12.99
    Buy Now
    x

    Omen

    Colored Vinyl


    Natives of Westfield, Massachusetts, Within The Ruins is armed with a unique take on blending tech and metal together; writing music that sets their band apart from numerous other metal bands. The quintet has mastered their technique of bringing breakdowns, riffs, tempo and a dash of personality together in order to form one cohesive entity.


    They describe their sound as "loud, energetic, interesting and fresh" and cite bands like Metallica and As I Lay Dying as their early influences.


    Their 2011 EP, Omen, issued on Victory Records, follows that to a T with two new originals to go along with a cover of Metallica's "Fight Fire With Fire" and Kansas' "Carry On Wayward Son." Colored vinyl pressing from Victory Records!


     

    1. Controller

    2. Infamy

    3. Carry On Wayward Son (Kansas Cover)

    4. Fight Fire With Fire (Metallica Cover)
    Within The Ruins
    $12.99
    Colored Vinyl LP - Sealed Buy Now
  • The Grinding Wheel (Yellow And Black Vinyl) The Grinding Wheel (Yellow And Black Vinyl) Quick View

    $31.99
    Buy Now
    x

    The Grinding Wheel (Yellow And Black Vinyl)

    Pressed On Yellow And Black Vinyl

    Armed with pioneering pure metal proposals like Death Rider, The Beast Within, and Raise The Dead already in 1982, New Jersey's Overkill were a rock-solid part of the first clutch of bands forging in fire this music known as thrash metal. Along with Metallica, Exodus, Slayer and cross-town doppelgangers Anthrax, D.D. Verni and Bobby Blitz Ellsworth were helping to create a new form of metal that is still as vibrant today as when the band's first album, Feel the Fire was issued by Jonny Zazula's Megaforce Records back in the spring of '85.

    Witness Overkill's 18th album of blistering yet precise and thought-provoking thrash magic, The Grinding Wheel, a record on which thrash's ultimate team of five machined parts shows up and executes to perfection with a little punk thrown in for bad measure.

    But a life dedicated to metal can be a grind, hence the title of this sparks-a-flyin' record. It just makes sense for us, reflects D.D. If you've been making metal for almost 40 years like we have, it can be a grind. But we also liked the old school metal idea of referencing Grinder, the Judas Priest song, which suits the album because it has classic metal parts on it as well as the thrash parts. There's a blue collar feel to that title too, and that's how we approach Overkill. The guitar case is basically a lunchbox and we go to work.

    One of the principles-if not characteristics-of the band is that it's been grinding through for long, long periods of time, seconds Blitz. Decades to this point. And not necessarily with huge gains with regards to popularity, but for sure, with huge gains in as much as we can earn a living while doing the kind of music that we want. And so the idea of grinding it out over the decades became a device for writing the album, whether it would be riffs or lyrics.

    Despite, as D.D. says, the album's classic metal references (such as Black Sabbath in Come Heavy and Iron Maiden in The Long Road and the epic and cinematic title track), when the band gets up a full head of thrash steam, they bring to the party a trademark punk aesthetic, forged from trips on the train to CBGB and Max's Kansas City to witness original punk legends such as The Damned and The Dead Boys.

    Punk is huge for Overkill, confirms Verni. And it's something we very specifically brought back to the band in a sort of second wave, beginning with Ironbound in 2010 and then The Electric Age and White Devil Armory. I know from my end, it came from talking to the band and talking to fans. We had some of those metal records in the middle of our career where I wasn't paying enough attention to the punk rock vibe of the band. But just before we started writing Ironbound, I was very specific about getting back into that mentality, picking up on that energy again. You're not going to hear any Green Day or Ramones in us, but the energy and the attitude of punk mixed with the New York vibe that's what Overkill is, compared to other bands. You don't hear any of that in Megadeth; you don't hear any of that in Slayer. It's more specific to what we brought to the thrash world.

    Central to that premise is the incendiary Let's All Go to Hades which is sure to become a pit favourite. This one was a hell of a lot of fun, says Blitz. You know, I've always written abstractly. I'm not the guy who says, 'I'm going to crush your skull into dust.' I like writing more so from an abstract point of view, putting a slew of thoughts together that create one idea, like a puzzle more than a specific black or white. And when I looked at all these lyrics when I was done, I said, oh my God, I'm 57 and I finally matured (laughs). Oh, this is gross! (laughs). But I do like tongue-in-cheek songs like 'Hades,' where it says, sort of let's all go to the Bataclan, you know, stand arm in arm and sing 'Killed by Death.' I kind of tied in not long ago events, specifically what happened in Paris, with losing Lemmy. After that, I'm on a train from Paris to Istanbul on the Orient express, which actually existed (laughs)-it actually went from Paris to Istanbul. So that one is mapped out a bit more.

    Adds D.D., It's not a 'smash your face into the wall' kind of song. It got a little bit of fun in it. I know any time you talk to the really heavy thrash guys, they go, 'Oh, no, no, no-no fun allowed. It's got to be heavy and brutal every second.' But that song definitely has a bit of fun in it. And we've done that before, with things like 'Old School' and 'Fuck You.' We're not afraid to do a bit of that sometimes.

    Another favorite lyric of Blitz', which is set to a non-nonsense old school thrash track, is Our Finest Hour. It's about the recognition of sameness, explains Ellsworth. I think people are comfortable when they recognize themselves in someone else. And 'Our Finest Hour' is kind of a detailed journey through that concept. It's like, 'Come on over here; I recognize you.' I've always been a firm believer in the fact that it's great to accomplish things on your own, but people are always stronger as a group-that's the basic outline of that tune.

    At the other end of the spectrum from punk is a song like The Long Road. D.D. readily agrees that there was a Maiden influence as part of this one's crafting. Oh yeah, for sure. The opening, along with a little section in there with the vocals, definitely feels like New Wave of British Heavy Metal.

    More evident in the band's panoramic classic metal passages, but even articulated here on Our Finest Hour, is another storied Overkill trademark, the definition one gets in the band's bass parts. Combine this with the Mensa-like percussive wizardry of Ron Lipnicki (laid bare for all to hear at headphone levels through the smack of his gravity-defying double bass work), and The Grinding Wheel emerges as a record with a remarkable rhythm section foundation from which to rise.

    I've had that kind of sound now for a long time, says Verni. There are a lot of bass players that say, 'I want to feel the bass.' And it's like, I just couldn't give a shit about feeling the bass. To me that's low-end. Guitars have low-end, kick drums have low-end, bass has low-end-I want to hear the bass, not feel it. So from a long time ago, that's what I would be doing on my EQ. I would be tweaking and turning knobs until not only could I feel it, but I can hear it separate from the guitars. And as a result, the bass just got more and more aggressive. I'm not a finesse player at all, on a bass. I bang the shit out of it, and I kind of do that to get away from the guitars and give it its own identity, its own sound, its own thing, so the bass has its own personality, not just serving as a foundation for the guitars.

    This affects the writing as well, says Blitz. Don't forget, D.D. is a guitarist. He's been playing guitar probably more so than bass in his spare time since the late '80s. This is a guy who has two-and-a-half decades of six strings under his belt. So we get more of a unique perspective; it gives this band its unique qualities when it comes to songwriting. Because it's a guy holding six strings who's got plenty of experience playing those six strings, but thinking from the other perspective. So you get a punchier thing; you don't get a lot of fluff. When you compare Overkill to some of our contemporaries, there you get a guitar player writing guitar-based songs. D.D. is writing, first and foremost, from a rhythm perspective, and that's what drives the songs. Add Dave Linsk to the picture, once there's a ten-note riff written, then you have the best of both worlds.

    Which brings us back to the aforementioned machine-like efficiency of the five guys that comprise Overkill, this idea that there are no weak links within this particular classic five-piece with two guitars lineup of metal warriors.

    That's the strength of the band, explains Blitz. Dave is really the one that holds the guitar reigns in this band. He's a writer at his core. You know, he's one of these guys who brushes his teeth and hears a rhythm the way the bristles are hitting the enamel (laughs). He's that dude. 'Oh wait a second, I have another idea.' He has an idea a minute, and if that's the case, some of them are going to be great. So he holds the reins. When it comes to Derek, he's more the opinionated thought later on. And so when it runs through the machine, being D.D. and myself, then Dave, Derek comes in and can change that song. It's always kind of good to have, let's say, a chief and some Indians. And it depends who's wearing the chief hat at any particular time. But I think at the end of the day, when you're looking for a clean perspective, it goes through Derek-that's usually what his contribution is, more of a finalization.

    And Ron? He's one-of-a-kind, says Verni. He's a great drummer. I've worked with him for a bunch of records now. This is our fifth record together and so I really understand how he plays at this point. Working with him in the studio is just a pleasure, because he's so right on it.

    After heaping all manner of praise on legendary producer Andy Sneap (brought on only for mix given Verni's proven acumen at the task), D.D. further clarifies the reason Overkill can be at the top of their game 18 records into their distinguished run.

    I have a studio and I did most of it at my place; I've been doing it that way for a while now. And now the group of guys we have in the band has been pretty consistent for a while. So we have a nice mix; everybody kind of knows their role, and is good at their role. Everybody brings a little something to the party. And I think that's why these last couple of records people ask, 'How is it that your records get better after 25 years?' And I think part of it is that everybody has a role in the band, everybody is comfortable with their role, and they're really good at the part they have. So the records actually get better. It's like having a team, instead of having a whole bunch of chiefs and no Indians.

    But a proven people's band like Overkill-a more personable bunch you'll never meet-fully recognizes that part of the band's success in being able to survive and thrive with the grind is due to the allegiance of the band's considerable worldwide fan base.

    For sure, says Blitz. One of the things with regard to grind, with regard to four decades of Overkill, it's good to be here, but it's obviously earned, not just by us but by the people that support this in general. The fact is that it's not just us grinding it out. I mean, maybe it is when it comes to the studio and writing and recording songs, from that selfish perspective. But the reason something exists for decades is based on group effort. Like we had talked about earlier with 'Our Finest Hour,' people are stronger together. In that light, this band is, let's say, not just our project, but it's a project by and for all those who hold it dear.

    1. Mean, Green, Killing Machine
    2. Goddamn Trouble
    3. Our Finest Hour
    4. Shine On
    5. The Long Road
    6. Let's All Go To Hades
    7. Come Heavy
    8. Red, White And Blue
    9. The Wheel
    10. The Grinding Wheel
    11. Emerald
    Overkill
    $31.99
    Colored Vinyl LP - Sealed Buy Now
  • Hardwired To Self-Destruct (Deluxe Box Set) Hardwired To Self-Destruct (Deluxe Box Set) Quick View

    $59.99
    Buy Now
    x

    Hardwired To Self-Destruct (Deluxe Box Set)

    Deluxe Box Set of Metallica's all new album!


    Three LP disc set, 180 gram, 33 1/3 RPM, limited edition colored vinyl (version exclusive to this product)


    Includes Lithograph photo print and Hardwired...To Self-Destruct themed buttons.
    Metallica released their eleventh studio album, Hardwired To Self-Destruct, on November 18th, via Blackened Recordings. The 2 Vinyl set is the Grammy® Award winning Rock and Roll Hall of Fame inductee' s first studio album since 2008's multi-platinum Death Magnetic.


    Hardwired To Self-Destruct is produced by Greg Fidelman, who engineered and mixed Death Magnetic. Metallica formed in 1981 by drummer Lars Ulrich and guitarist and vocalist James Hetfield and has become one of the most influential and commercially successful rock bands in history, having sold 110 million albums worldwide while playing to millions of fans on literally all seven continents. They have scored several multi-platinum albums, including 1991's Metallica (commonly referred to as The Black Album), with sales of nearly 17 million copies in the United States alone, making it the best-selling album in the history of Soundscan. Metallica has also garnered numerous awards and accolades, including nine Grammy Awards, two American Music Awards, and multiple MTV Video Music Awards, and were inducted into the Rock and Roll Hall of Fame and Museum in 2009.


    In December 2013, Metallica made history when they performed a rare concert in Antarctica, becoming the first act to ever play all seven continents all within a year, and earning themselves a spot in the Guinness Book of World Records. "Hardwired," the first track to be released from the forthcoming album was played for the first time during a live remote broadcast from Metallica's HQ in the Bay Area. During an interview with Minneapolis rock station 93X discussing the band's performance at U.S. Bank Stadium on August 20th, Lars Ulrich stunned 93X's Pablo by unleashing the incendiary song for the first time, much to the surprise (and delight) of the station, as well as fans around the world.

    LP 1
    1. Hardwired
    2. Atlas, Rise!
    3. Now That We're Dead
    4. Moth Into Flame
    5. Am I Savage?
    6. Halo On Fire


    LP 2
    1. Confusion
    2. Dream No More
    3. ManUNkind
    4. Here Comes Revenge
    5. Murder One
    6. Spit Out The Bone


    LP 3
    1. Lords of Summer
    2. Ronnie Rising Medley
    3. When a Blind Man Cries
    4. Remember Tomorrow
    5. Helpless (Live at Rasputin Music)
    6. Hit the Lights (Live at Rasputin Music)
    7. The Four Horsemen (Live at Rasputin Music)
    8. Ride the Lightning (Live at Rasputin Music)
    9. Fade to Black (Live at Rasputin Music)
    10. Jump in the Fire (Live at Rasputin Music)
    11. For Whom the Bell Tolls (Live at Rasputin Music)
    12. Creeping Death (Live at Rasputin Music)
    13. Metal Militia (Live at Rasputin Music)
    14. Hardwired (Live in Minneapolis)

    Metallica
    $59.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 3 LPs Sealed Buy Now
  • The Plague That Makes Your Booty Move... It's The Infectious Grooves The Plague That Makes Your Booty Move... It's The Infectious Grooves Quick View

    $25.99
    Buy Now
    x

    The Plague That Makes Your Booty Move... It's The Infectious Grooves


    Limited To 1000 Glow In The Dark Colored Vinyl


    25th Anniversary Vinyl Edition


    Newly Remastered For Vinyl


    Features Suicidal Tendencies Frontman Mike Muir, Metallica Bassist Robert Trujillo, And Jane's Addiction Drummer Stephen Perkins


    In celebration of its 25th anniversary, the groundbreaking debut album from funk-metal supergroup Infectious Grooves comes to vinyl for the first time in the U.S. Fully remastered for vinyl and limited to 1000 copies worldwide. Pressed on stunning glow-in-the-dark vinyl.


    Infectious Grooves is a funk metal supergroup led by Suicidal Tendencies frontman Mike Muir. It also features former Excel guitarist Adam Siegel, ex-Suicidal Tendencies bassist Robert Trujillo (now in Metallica), and Jane's Addiction drummer Stephen Perkins.


    Though Muir's sense of humor was often obvious with Suicidal Tendencies, Infectious Grooves often brought out a goofier type of humor: their albums contain comedy skits by a reptilian lover named Aladdin Sarsippius Sulemenagic Jackson III.

    1. Punk It Up
    2. Therapy
    3. I Look Funny?
    4. Stop Funk'n With My Head
    5. I'm Gonna Be My King
    6. Closed Session
    7. Infectious Grooves
    8. Infectious Blues
    9. Monster Skank
    10. Back to the People
    11. Turn Your Head
    12. You Lie And Yo Breath Stank
    13. Do the Sinister
    14. Mandatory Love Song
    15. Infecto Groovalistic
    16. Thanx But No Thanx
    Infectious Grooves
    $25.99
    Colored Vinyl LP - Sealed Buy Now
  • Fistful Of Metal / Armed & Dangerous (On Sale) Fistful Of Metal / Armed & Dangerous (On Sale) On Sale Quick View

    $24.99$19.99Save $5.00 (20%)

    Buy Now
    x

    Fistful Of Metal / Armed & Dangerous (On Sale)

    Red and Clear Swirl Colored Vinyl


    Anthrax is a band that must be named in the same breath as Slayer and Metallica as pioneers of the American metal movement. This 25th Anniversary re-issue combines the first two Anthrax records, Fistful of Metal and Armed & Dangerous in one great package on three 10 vinyl LPs. Includes classics like Metal Thrashing Mad, Howling Furies and Armed & Dangerous. Die cut, triple 10 gatefold sleeve.


    This title is not eligible for further discount.

    Side 1

    1. Deathrider
    2. Metal Thrashing Mad
    3. I'm Eighteen


    Side 2

    1. Panic
    2. Subjugator
    3. Soldiers Of Metal


    Side 3

    1. Death From Above
    2. Anthrax
    3. Across The River


    Side 4

    1. Howling Furies
    2. Armed & Dangerous


    Side 5

    1. Raise Hell
    2. God Save The Queen
    3. Metal Thrashing Mad (Live)


    Side 6

    1. Panic (Live)
    2. Soldiers Of Metal (Rare Version)
    3. Howling Furies (Rare Version)

    Anthrax
    $24.99 $19.99 Save $5.00 (20%)
    Colored 10 Vinyl LP - 3 LPs Sealed Buy Now
  • Power Games Power Games Quick View

    $22.99
    Buy Now
    x

    Power Games

    Pressed On Brown And Green Camo Vinyl

    First-Ever Vinyl Reissue

    Limited To 700 Copies

    This lost 1982 NWOBHM classic foretold the emergence of speed and thrash metal with high RPM work-outs like Coldheart, No Lies, and Dutch Connection. Was it a coincidence that Metallica's Kill 'Em All came out the following year? Maybe, but one could easily suspect that Power Games was on the Metallica turntable.

    Jaguar along with Bronze label-mates Raven was definitely the most balls-out outfit in the New Wave of British Heavy Metal scene, and this record, aside from one mid-tempo track (Rawdeal) is pure pedal-to-the-metal metal.

    Our first-ever vinyl reissue comes in green and brown camo vinyl limited to 700 copies!

    1. Dutch Connection
    2. Out Of Luck
    3. The Fox
    4. Master Game
    5. No Lies
    6. Run For Your Life
    7. Prisoner
    8. Ain't No Fantasy
    9. Raw Deal
    10. Cold Heart
    Jaguar
    $22.99
    Colored Vinyl LP - Sealed Buy Now
  • Controlled By Hatred/Feel Like Shit Deja Vu Controlled By Hatred/Feel Like Shit Deja Vu Quick View

    $26.99
    Buy Now
    x

    Controlled By Hatred/Feel Like Shit Deja Vu

    180 Gram Translucent Yellow Colored Vinyl


    Controlled by Hatred/Feel Like Shit...DÉjà Vu is the fourth studio album of Suicidal Tendencies. It includes Robert Trujillo's (Metallica) first work with Suicidal Tendencies, and is the first of three Suicidal Tendencies albums to be certified gold. A must have for any Suicidal Tendencies fan, this record has been out of press since its original release in 1989. Now it's back on vinyl with this limited edition 180 gram translucent yellow color vinyl pressing.

    1. Master Of No Mercy
    2. How Will I Laugh Tomorrow (Video Edit)
    3. Just Another Love Song
    4. Waking The Dead
    5. Controlled By Hatred
    6. Choosing My Own Way Of Life
    7. Feel Like Shit... Deja-Vu
    8. It's Not Easy
    9. How Will I Laugh Tomorrow (Heavy Version)
    Suicidal Tendencies
    $26.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Band Of Brothers Soundtrack Band Of Brothers Soundtrack Quick View

    $42.99
    Buy Now
    x

    Band Of Brothers Soundtrack

    First Pressing Of 1,000 Numbered Copies On Transparent Green / Black Camouflage Colored Vinyl, Black Vinyl Thereafter


    180 Gram Audiophile Vinyl


    15 Year Anniversary Edition / Includes Free Poster


    Includes Insert / Gatefold Sleeve


    PVC Protective Sleeve


    First Time On Vinyl


    Band of Brothers is a 2001 American war drama miniseries based on historian Stephen E. Ambrose's 1993 non-fiction book of the same name. The executive producers were Steven Spielberg and Tom Hanks, who had collaborated on the 1998 World War II film Saving Private Ryan. The series won Emmy and Golden Globe Awards in 2001 for best miniseries.


    Band of Brothers is a dramatized account of Easy Company (part of the 2nd Battalion, 506th Parachute Infantry Regiment), assigned to the United States Army's 101st Airborne Division during World War II. Over the course of ten episodes, the series details the company's exploits during the war. It was the most expensive television miniseries made by HBO or any other television network when it was created in 2001.


    The music for the series was written and composed by Michael Kamen, who worked with Pink Floyd for their 1982 movie The Wall and conducted The San Francisco Symphony Orchestra for Metallica's S&M. Michael Kamen also composed scores for Highlander, Lethal Weapon, Die Hard. License To Kill, Last Action Hero, Robin Hood: Prince of Thieves and many more. Sadly he passed away in 2003.

    LP 1
    1. Main Theme
    2. Band Of Brothers (Suite One)
    3. Band Of Brothers (Suite Two)

    4. The Mission Begins
    Part Two - Day Of Days
    5. Swamp
    Part Three - Carentan
    6. Spiers' Speech
    7. Fire On Lake

    Part Four - Replacements
    8. Parapluie

    9. Boy Eats Chocolate
    10. Bull's Theme


    LP 2
    Part Five - Crossroads
    1. Winters On Subway

    Part Six - Bastogne
    2. Headscarf

    Part Seven - The Breaking Point
    3. Buck In Hospital

    4. Plaisier D'amour

    Part Eight - The Patrol
    5. Preparing For Patrol

    Part Nine - Why We Fight
    6. String Quartett In C-sharp Minor (Opus 131)
    7. Discovery Of The Camp
    8. Nixon's Walk

    Part Ten - Points
    9. Austria

    10. Band Of Brothers Requiem

    Michael Kamen
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Beyond The Gate Beyond The Gate Quick View

    $15.99
    Buy Now
    x

    Beyond The Gate

    Colored Vinyl


    Taking a page from each of the anthologies that Metallica, Megadeth, At The Gates, and Behemoth have written, Wretched has bound together their own unique volume of stylishly structured death/thrash metal masterpieces. The band recorded "Beyond The Gate" with producers Jamie King (Between The Buried And Me) and Eric Rachel (Hatebreed, The Black Dahlia Murder, Dillinger Escape Plan) at The Basement Recording Studios in their home state of North Carolina.

    1. Birthing Sloth

    2. The Deed of Elturiel

    3. In The Marrow

    4. A Still Mantra

    5. Cimmerian Shamballa

    6. On the Horizon

    7. Part I: Aberration

    8. Part II: Beyond the Gate

    9. My Carrion Video

    10. The Guardians of Uraitahn

    11. The Talisman

    12. Eternal Translucence
    Wretched
    $15.99
    Colored Vinyl LP - Sealed Buy Now
  • Low Low Quick View

    $22.99
    Buy Now
    x

    Low

    Limited Edition Pressing On Gold Vinyl


    Low is Testament's sixth studio album, originally released in September of 1994. This is the first Testament album to feature John Tempesta on drums and James Murphy on guitar. Low was produced by RAGE AGAINST THE MACHINE knobs-man Garth Richardson and mixed by Michael Wagener (Motley Crue, Megadeth, Metallica, Ozzy, Accept and more).

    1. Low
    2. Legions (In Hiding)
    3. Hail Mary
    4. Trail Of Tears
    5. Shades Of War
    6. P.C.
    7. Dog Faced Gods
    8. All I Could Bleed
    9. Urotsukidji
    10. Chasing Fear
    11. Ride
    12. Last Call (Instrumental)
    Testament
    $22.99
    Colored Vinyl LP - Sealed Buy Now
  • The Violent Sleep Of Reason The Violent Sleep Of Reason Quick View

    $27.99
    Buy Now
    x

    The Violent Sleep Of Reason

    Pressed On Grey / Black Splatter


    Limited To 1000 Copies


    The Violent Sleep of Reason, the band's eighth full-length studio album, finds MESHUGGAH building upon their legacy for fearless metal sculpting within the context of extreme metal, but also recapturing some of the magic and excitement specifically within the aspect of performance, finding flow and groove that would be a challenge for any lesser band to locate, given such technical geometric madness at mischievous hand.


    "There's a distinct methodology", says drummer, writer and spokesman for the band Tomas Haake, that was put into motion to help the band achieve the level of "intensity" the attentive fan will feel as he/she makes their way through The Violent Sleep of Reason.


    For this one, it's all live takes, with either 3 or 4 of the band members recording their respective instruments simultaneously - which is a way of recording they haven't used in many years. And that definitely goes against the stream of what you see in most technical metal nowadays, where editing, drum programming, the use of "beat detectives" etc. is a way more common approach to recording. So on this one, MESHUGGAH went back towards a more old-school approach, properly rehearsing the songs as a whole band before going into studio to record them. Jens was in one room, guitarists were in one room, bass player Dick was sitting right next to the drum set with an amplifier/cab in the next room. So in that sense this is more "old school"; the methodology is in that sense more like what bands were doing in the '80s and 90s. "And that vibrancy comes out", says Haake; "it's a very audible difference, sloppier sounding if you will, but at the same time it brings a different energy than the last few albums - this is "less perfect", but in that sense, also more alive."


    The personal challenge taken on by the band produced fortunate byproducts as well, or, rather, it inspired them to "de-machine" other aspects of the technical MESHUGGAH juggernaut.


    "Yes, for this one we also changed our approach toward the guitar recording/sounds," explains Haake, who nonetheless confirms that the band is still using eight-string axes, and for the most part, tuning down half a step to achieve that torrid MESHUGGAH guitar grunt. "The last few albums have been mostly digital, guitar sounds-wise, using all digital guitar gear as opposed to analog tube amps and regular cabs. The upside of using all digital like we did previous, is you can re-amp it afterwards, as it's basically a clean signal so you can pick, choose, and tweak things at a later point. But with this album, it was six speakers, all separately miked in one (super-loud) room, each cabinet with a different head -Marshall, Orange, Mesa Boogie etc-and then mixing it up a little bit depending on the song. If there was a song that was a little slower and sludgier, we might add more of the Orange amp to get a tad more of that stoner sound. And if it's a bit more metal, we'd maybe use the Marshall head or the Mesa head a little more in the mix. So we did have the opportunity, to mix and match for each song so the guitar sound is not exactly the same for every song. And that's a difference from Koloss and obZen, for example, where pretty much every song had the same drum and guitar sound."


    But the end result is still a relentless onslaught of MESHUGGAH -patented ideas, save for one gorgeous and atmospheric respite, at the close of "Stifled."


    Framing the pacing and contours of record, Tomas says, "None of the songs stick out quite like, for example, the way "Bleed" did on obZen. To me, it doesn't really have hits-it just has really cool songs! Not that we ever really had "hits" though (laughs). They're just maybe a little "wilder" sounding on this album, much due also to the live recording approach. Dick and I wrote about half of the material, and the rest was either me and Mårten working together or Mårten writing on his own. We were kind of going for something nuts as is the case with all our writing/recording albums - We wanted to hear something that we hadn't heard ourselves do before." Fredrik was not part of the songwriting for this one, as he's been hard at work on his next solo album, but as always he was still very involved with every aspect of the recording, from recording rhythm guitars, guitar solos etc . "And that's also a completely new thing," continues Tomas. "Dick was never involved in the songwriting prior to this album, whereas Fredrik always was. And that, of course, creates a difference in the way the album as a whole came out."


    At the lyrical end, highlights include the title track, which, set to a massively heavy arch-djent rhythm, speaks of "the violent outcome of not dealing with what is going on, the violent implications of being asleep. "The title is actually inspired by a Goya painting called 'The Sleep of Reason Produces Monsters.'"


    A second highlight is strident opener and longest song on the album, "Clockworks," which is strafed by a typically super-human drum performance from Haake. "That's more about looking to yourself and who you are and things you want to change about yourself. And then in the context of how your mind works, as a clockwork. It's the idea of taking out all the little pins, wheels, and springs and kind of rebuilding it to make you function in a different fashion. So lyrics for that song is a look in on self, at things that you wish that you could change about yourself."


    Listen to tracks like the vertigo-inducing "Nostrum" and the slower if equally circular and note-dense "By the Ton," and it's easy to understand why it's been four years since a MESHUGGAH album. But mind-numbing complexity of the material is not the only reason, explains Haake.


    "No, well, I would say first of all, it takes us a lot of time to write. And we're very bad at focusing; we're very bad at multitasking. I don't think we ever wrote one single riff on a tour bus or in a hotel room. So if you have a touring cycle of two, two-and-a-half, three years, there's not going to be anything written in that time period. And that's just how we all function. We need to have a break, like, okay, time out now-nothing else for a year. We need to write for one year. But you also want to tour as much as possible for an album. Koloss, for example, we toured for like two-and-a-half years. And then you write. And when we do finally write, we scrutinize those songs, riffs, structures over and over and over, and change things as we go. So in a lot of the songs, maybe only one riff was actually there originally. So writing for us does take a long time, no doubt."


    As a result, the band's erudite and intelligent fan base "get something that they don't really hear in any other bands". On the first album you still hear a lot of Metallica and Anthrax and Bay Area kind of thrash metal influence. "We knew that we sounded a bit like that, but we were aiming for something we hadn't heard in any other band. And that's still the main fuel. We're not trying to write your average metal song. We're not trying to write catchy songs. We're not trying to write hit songs (laughs). We're just trying to write something that is cool, that we haven't heard before, and hopefully our fans haven't heard before. And that also gets harder and harder though, because by now, there are so many awesome musicians and bands and so much great music out there. But it would seem like the followers that we do have, the people that have kept buying our albums and stayed with us for a lot of years, are not necessarily the typical metal fans. The crowd we have is diverse. We have a lot of geeks and nerds and weirdos, and they are beautiful ones, you know? We have a lot of people with talent, and a lot of people that are also interested in music as art, and not just an event."


    But it's not lost on Tomas that MESHUGGAH is making daunting progressive music, music where melody is subservient to jackhammer rhythm, as evidenced by the way that even his lead singer, Jens Kidman, is situated within the maelstrom that is MESHUGGAH


    "He's the perfect tool for the job. Just like most people, we all, of course, like music where there's "proper singing", and we all love a great singer. Personally, I think the voice is the most empathic instrument. You hear someone sing and you're like, oh my God, that's the coolest instrument in the world. But at the same time, what we're trying to do is not that. Just like the guitars and me as a drummer, Jens also is a rhythmic tool, one that adds aggression, as well as words to back up that aggression if you will."


    So would Tomas then acquiesce to the idea of MESHUGGAH as metal's reigning enemies of melody?


    "In a sense, yeah. I mean, there is definitely melody and a lot of melodic thought put into tonalities, harmonies between bass and guitars and things like that, but at the same time, we're not often going for anything pretty. Sometimes there's a little bit, where we go, 'Awww, that's beautiful," but then we usually immediately mess it up again. You give it a little bit of something "nice" sometimes, but basically we're not going for niceness (laughs)."


    Produced by Meshuggah; engineered by Tue Madsen, Puk Studios, Kaerby, Denmark.

    1. Clockworks
    2. Born In Dissonance
    3. MonstroCity
    4. By The Ton
    5. Violent Sleep Of Reason
    6. Ivory Tower
    7. Stifled
    8. Nostrum
    9. Our Rage Won't Die
    10. Into Decay
    Meshuggah
    $27.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • United States Of Horror United States Of Horror Quick View

    $21.99
    Buy Now
    x

    United States Of Horror

    Pressed 2x 45 RPM Yellow Colored Vinyl


    Ho99o9 (pronounced Horror) are theOGM and Yeti Bones. Originally from Newark and currently residing in LA, this critically acclaimed duo mix the ferocious sounds of hardcore and punk with politically charged hip-hop. United States of Horror features singles 'City Rejects,' 'War Is Hell' and the title track. Their unique sound and potent live performances recall DC legends Bad Brains and earned praise from The NY Times, Rolling Stone, NME, Noisey and fellow musicians like Kirk Hammett of Metallica.

    LP 1
    1. U.S.H.
    2. War Is Hell

    3. Street Power
    4. Face Tatt
    5. When Death Calls (Interlude)
    6. Bleed War
    7. Moneymachine

    8. Splash
    9. Knuckle Up


    LP 2
    1. Dekay

    2. Sub-Zer0
    3. Feels Like... (Interlude)
    4. City Rejects
    5. Hydrolics

    6. New Jersey Devil

    7. United States Of Horror

    8. Blaqq Hole

    Ho99o9
    $21.99
    Colored Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Live & Louder (Box Set) Live & Louder (Box Set) Quick View

    $39.99
    Buy Now
    x

    Live & Louder (Box Set)

    Limited Box Set Edition Houses 2x 180-Gram Vinyl, 1x CD, 1x DVD, & 1x Red Colored Vinyl 7 Single (Live At Planet Rock Radio UK)

    Includes Poster, Sticker, Button, Patch, & Photocard

    'Live & Louder,' The Dead Daisies' highly-anticipated live outing, is set for release on Spitfire Music / SPV and perfectly captures the awesome vibe of their supreme, sweat-drenched, roof-raising live sets, recorded on a heady high at the end of an unbelievable 2016.

    Not to turn down a good opportunity, the band recorded a number of shows on their UK / European Tour with the same team that made 'Make Some Noise' blow speakers worldwide. The album was mixed by Anthony Focx (Aerosmith, Bad Company, Metallica, Santana) at Focxhole Studios and mastered by Howie Weinberg.

    They assembled a true monster in the vein of the great live albums of the 70s. You can feel the sweat drip from the ceilings and the energy of the crowd becoming one with the band, as they scream, holler and forget about our often mundane reality for a night of true Rock'n'Roll.

    Warts 'n all, 'LIVE & LOUDER' is a document of a band in their prime; a raw slice of visceral energy, an in-your-face assault on the senses. Simply: THE DEAD DAISIES in their element and at their best!

    LP 1
    1. Song And a Prayer
    2. Mexico
    3. Make Some Noise
    4. Song And a Prayer
    5. Song And a Prayer
    6. We All Fall Down
    7. Lock 'N' Load
    8. Something I Said


    LP 2
    1. Last Time I Saw The Sun
    2. Join Together
    3. With You And I
    4. Band Intros
    5. Mainline
    6. Helter Skelter
    7. American Band
    8. Midnight Moses


    CD
    1. Long Way To Go
    2. Mexico
    3. Make Some Noise
    4. Song And A Prayer
    5. Fortunate Son
    6. We All Fall Down
    7. Lock ‚ N' Load
    8. Something I Said
    9. Last Time I Saw The Sun
    10. Join Together
    11. With You And I
    12. Band Intros
    13. Mainline
    14. Helter Skelter
    15. American Band
    16. Midnight Moses


    DVD
    Documentary "Live & Louder" (40 Min)
    1. Intro
    2. Looking Back At 2016
    3. Touring With The Daisies
    4. Doug Aldrich
    5. Show Preparation
    6. Stage Fright
    7. Song Favorites
    8. Cover Songs
    9. The Signing Sessions
    10. Looking To The Future
    Tour Recaps (25 Min)
    1. Recording
    2. Musikmesse / Hessentag
    3. Summer Tour
    4. Freedom To Rock Tour
    5. Arizona Cardinals
    6. Japan / South Korea - U.S.O.
    7. Kiss Kruise
    8. Fall/winter Tour
    Bonus Content (20 Min)
    1. Slideshow Best Of 2016
    2. Videoclip: Song And A Prayer
    3. Videoclip: Join Together
    4. Videoclip: Long Way To Go
    5. Videoclip: Make Some Noise

    The Dead Daisies
    $39.99
    180 Gram Audiophile Virgin Vinyl LP Box Set + CD + DVD + 7 - 2 LPs Sealed Buy Now
  • Time Is Up (Out Of Stock) Time Is Up (Out Of Stock) Quick View

    $18.99
    x

    Time Is Up (Out Of Stock)

    Limited Edition, Hand Numbered Vinyl Pressing of the Band's Popular 2011 Album


    The unexpected rebirth of vintage American thrash midway through the 2000s was a pleasant if short-lived surprise, once veteran fans and newbies alike realized there was precious little left to do with the hallowed old genre that hadn't already been done before, and better. Every last '80s thrash band of note and their snotty little brother reunited and released comeback albums of varying quality (heck, even Metallica finally broke down and returned to their roots, though for entirely different reasons), but only a handful of young 'uns released albums worth remembering, once the worshipful good vibes subsided, including California's Warbringer, Brazil's Violator, Virginia's Municipal Waste, and, now, Colorado's Havok. Already impressive on their 2009 debut effort, Burn, the Denver quartet really puts it all together on the 2011 sophomore Time Is Up, marrying the necessary old-school thrash hallmarks with enough fresh ideas and memorable hooks to keep boredom at bay on neck-snapping riff machines like Fatal Intervention, Scumbag in Disguise, and Out of My Way. It's also worth noting that slower tempos and heightened melodicism are not out of the question for the band, either, even if the experiments don't always work as well on some cuts (see the spotty Killing Tendencies) as others (the excellent D.O.A.). Ultimately, it would still be quite a stretch (OK, it would be an outright lie) to praise Havok for introducing any innovations with Time Is Up (but then that's not their goal), and one can never help but wonder whether the band's tight-as-f**k musicianship would have been possible before the advent of Pro-Tools, but this is still about as good as it gets for modern, moshing entertainment.

    1. Prepare For Attack
    2. Fatal Intervention
    3. No Amnesty
    4. D.O.A.
    5. Covering Fire
    6. Killing Tendencies
    7. Scumbag in Disguise
    8. The Cleric
    9. Out of My Way
    10. Time Is Up
    Havok
    $18.99
    Vinyl LP Colored - Sealed Temporarily out of stock
  • 1
Go to top