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  • Ellington At Newport (Awaiting Repress) Ellington At Newport (Awaiting Repress) Quick View

    $24.99
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    Ellington At Newport (Awaiting Repress)

    Numbered, Limited Edition Mono LP


    Pandemonium: Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance


    Ellington's Legendary Comeback Punctuated by Paul Gonsalves' 27-Chorus Saxophone Solo


    Unrivaled Analog Transparency: LP Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI


    One of the Most Riveting and Important Jazz Recordings Ever Made


    It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.


    Like few records before or since, the 1956 set owes as much to context and circumstance as it does instrumental execution. Years prior to his appearance in Rhode Island, Ellington had suffered lackadaisical record sales and a falling out of the public eye, as bop and hard bop supplanted tradition big bands. Yet in preparation for the event, Ellington worked on experimental ideas and a reshaping of some of his standards.


    The iconic arranger/composer's foresight comes into fruition throughout the white-hot set, never more so than on "Diminuendo and Crescendo In Blue," on which tenor saxophonist Paul Gonsalves erases all rules and outlays a 27-chorus solo that left everyone in awe-and prompted them to stand on chairs, dance feverishly, and hoot and holler to an extent that caused Ellington to ultimately cool things off. The improvisational flight epitomizes boldness, freedom, risk, and, to the bandleader, an assuredly loud response to the critics that had believed his well was tapped.


    The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on Newport Up via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.


    And now, the 1956 classic can be experienced in an analog fidelity never before as authentic or transparent on any pressing. Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (America's best record plant), this numbered limited edition Silver Series LP of Ellington's triumph boasts tremendous separation, deeper low frequencies, clearer highs, and front-to-back dynamics. Horns blare with multi-hued color, the Duke's 88s ring out with treble finesse, and the rhythm section claims an added presence buried on previous editions. Musically and sonically, you need this LP. It's that simple.


    This title is not eligible for discount.

    1. Festival Junction
    2. Blues to Be There
    3. Newport Up
    4. Jeep's Blues
    5. Diminuendo and Crescendo In Blue
    Duke Ellington
    $24.99
    Vinyl LP Mono - Sealed AWAITING REPRESS Buy Now
  • MFSL Record Brush MFSL Record Brush Quick View

    $19.99
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    MFSL Record Brush

    The Mobile Fidelity Record Brush is Our All-Time Best-Selling LP Brush! Heres an inexpensive tool for keeping all of your irreplaceable records clean and cared for! We are very proud to offer the latest in essential record care products: The MoFi LP Record Brush! Easy to use, easy to clean; this record brush is guaranteed to keep all of your LPs clean and quiet! It gets really deep into the grooves and helps scrub all that nasty, noisy dirt out. The key to its great vinyl cleaning is found in Mobile Fidelitys proprietary cleaning pad and ergonomic brush handle. Its been designed for multi-purpose use: it can be used as a wet-cleaning brush (we recommend using it as part of your intensive record cleaning machine workout) or as simply the best dry record brush ever designed. One cleaning pad will clean hundreds of your favorite LP's. For best results, we recommend the use of a simple, single step record cleaning fluid like our best selling Mobile Fidelity fluids. Not only is the best record brush ever designed, its also the cheapest! Stock up on a few of these brushes and keep you records in pristine condition!


    For cleaning: We recommend keeping an unused toothbrush around for cleaning the pads on the MD LP Brush. Remember...a clean brush is a happy brush...and one that will not transfer debris onto other records!

    Accessories
    $19.99
    MFSL Record Brush Buy Now
  • MFSL Super Record Wash 32oz MFSL Super Record Wash 32oz Quick View

    $24.99
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    MFSL Super Record Wash 32oz

    Our all-time, best-selling record cleaning fluid is better than ever. Its been improved to be more powerful, but still perfectly safe for all record surfaces. Completely alcohol free, Mobile Fidelity Super Record Wash incorporates non-toxic, natural degreasers and dirt solvents in combination with quadruple-distilled, hyper-pure water base. MoFi Super Record Wash will keep your records sounding quiet and looking great! This is the best one-step record cleaning fluid for use with any Record Cleaning Machine or any hand cleaning system.
    Mobile Fidelity
    $24.99
    Super Deep Record Cleaner Buy Now
  • Planet Waves Planet Waves Quick View

    $34.99
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    Planet Waves


    Chart-Topping 1974 Record Reunites Dylan With the Band: Interplay Alone Worth Experiencing Set in Highest-Possible Fidelity


    Mastered from the Original Master Tapes: Mobile Fidelity Version Brings Underrated Gem to Fullest Light With Warm, Revealing Sound


    Edgy Personal Album Captures Legendary Artist Straddling Line Between Romance and Suspicion: Includes Beloved Favorites "Forever Young" and "You Angel You"


    Bob Dylan's Planet Waves became an event even before the album was released and revealed itself as an understated masterwork. His first studio recording in nearly four years, the homespun 1974 effort finds him reuniting with the Band, by then firmly established as virtuosos. The chemistry is obvious on every song. And the modest and spare production only magnifies the honesty and purity of the collaboration. Mobile Fidelity's 180g LP deepens the music's emotional connection and rustic warmth to the fullest possible extent.


    Mastered from the original master tapes, this collectable audiophile edition brings to the surface the communal interplay and warm, relaxed vibe established by Dylan and the Band. Listeners will finally sense the sensitive tones made possible by the ensemble's laidback nature and watertight playing. The deep body of Richard Manuel's piano, pinpoint decay of Garth Hudson's organ, and clarity of Dylan's vocals emerge with new perspective. As a result, Planet Waves leaps from the background of Dylan's catalog into the fore, the revelatory sonics helping earn the record serious consideration as one of the Bard's finest.


    Recorded in just three days time, Planet Waves is at its core an exhibition of the inimitable folk-rock honed by Dylan and the Band. Recalling the Americana spirit of The Basement Tapes while adding a domesticated edginess and subtracting a degree of wildness, the set personifies simple charm and scraggly sweetness. Couched in the context of Dylan grappling with the chasm between family life and the road, Planet Waves fittingly encompasses myriad moods and contradictions, with tunes ranging from unquestionably devotional to overtly dark. In between, the singer attempts to navigate peace, catharsis, and resolve.


    Per Dylan's hallmark, many tunes on Planet Waves involve twists and subterfuge. Not, however, the best-known offerings-the often-covered wish "Forever Young," celebratory roll-and-tumble "On a Night Like This," devotional "You Angel You," which spark with love, romance, and prayer-like tenderness. Yet the seeds that blossomed into 1975's traumatic break-up album Blood on the Tracks are also planted here. Complex feelings and deep-seated personal confusion surface on "Wedding Song," the hardscrabble "Tough Mama," piano-centered "Dirge," and knocking-on-heaven's-door darkness of "Going, Going, Gone."


    Throughout, Dylan's voice supplies subtle hints about his mindset and intent as the Band shadows him step for step, adding to the thematic ambivalence and contributing to a debate over meaning that continues today. Indeed, such relevance confirms the significance of Planet Waves 40 years after its original release. Mobile Fidelity's analog version digs beneath the surface and helps expose the record's buried strains.


    This title is not eligible for discount.

    1. On a Night Like This
    2. Going, Going, Gone
    3. Tough Mama
    4. Hazel
    5. Something There Is About You
    6. Forever Young
    7. Forever Young (Continued)
    8. Dirge
    9. You Angel You
    10. Never Say Goodbye
    11. Wedding Song
    Bob Dylan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wild Planet Wild Planet Quick View

    $24.99
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    Wild Planet

    Numbered Limited Edition


    Party Out of Bounds! Eclectic Groups Sophomore Album The Equal of Its Smash Debut


    Boffo Encore: Surf, Pop, Dance, Kitsch, Cabaret, and Psychedelia Unite With Giddy Vocals and Ricky Wilsons Still-Underrated Guitar Playing


    Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI: 1980 Smash Now Possesses Jump-Out-of-Your-Seat Sonics


    Party out of bounds! Not only is this sentiment one of the B-52s directives on their ceaselessly fun sophomore album, its one of the records hit songs, and perfectly summarizes the spirit and intent behind this new-wave classic. Completely up to task in following up their kitschy debut, the B-52s step everything up a notch: Songwriting, humor, exaggeration, melodies, hooks, and group interplay. Wild Planet also finds the band embracing stronger psychedelic accents that seamlessly mesh with its lava-lamp colors and textures. What an album.


    Rollicking, rousing, and riotous, Wild Planet soars on vocal efforts put forth by the delightfully campy chanteuses Cindy Wilson and Kate Pierson, whose innocent girly tonalities wonderfully match up with Fred Schneiders effeminate deliveries and manic presentations. While the sheer exuberance and giddy nature of the music tends to make them an afterthought, the trios harmonies are utterly amazing. Add in Ricky Wilsons propulsive beach-bound guitar riffs, random squealing synthesizers, and a surfeit of danceable rhythms, and you have nothing less than a 1980s masterpiece that, due to its optimistic vibes and buoyant grooves, only gets better with time.


    As for clever humor and quirky character? Everywhere. Mentions of an icebox, fruit punch, and surprise greetings kick off the defining Party Out of Bounds. Private Idaho is an instant mix-tape essential, sent up with declamatory refrains and insouciant beats. Not to be outdone, the B-52s tackle the subject of devilish possession on the witty Devil In My Car and get hysterical on Strobe Light, surely the finest tune ever written about making love in the shadow of a pulsating illumination device. Schneider is on fire, embracing his sexuality while pushing his mates to new limits. Theres no serious matter here; Wild Planet is all about celebrating, and few records do a better job of capturing such a mood.


    Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI, Silver Series numbered limited edition LP presents the B-52s 1980 classic in a rousing fidelity that will have you wanting to jump off your furniture, lampshade on head. The all-important bass lines, divergent vocal timbres, and usually unnoticed guitar lines attain an unprecedented level of balance and realism. And, few bands took advantage of the large-format LP cover art like the B-52s. The cover portrait of these fashionistas is reason enough to get these extraordinary reissue, which takes great pride in reproducing the original art right down to the last smear of eyeliner of Piersons face.


    This title is not eligible for discount.

    1. Party Out of Bounds

    2. Dirty Back Road

    3. Runnin' Around
    4. Give Me Back My Man
    5. Private Idaho
    6. Devil in My Car
    7. Quiche Lorraine
    8. Strobe Light
    9. 53 Miles West of Venus
    The B-52s
    $24.99
    Numbered Limited Edition Vinyl LP - Sealed Buy Now
  • Get Happy!! Get Happy!! Quick View

    $49.99
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    Get Happy!!

    Elvis Costello and the Attractions masterful Get Happy!! is largely believed born of national scandal. While in a Holiday Inn bar, the English singer attempted to end an annoying conversation by baiting Stephen Stills with outrageous, offensive racial remarks about Ray Charles and James Brown. With everyone involved inebriated, the details are unclear, but the falloutdeath threats, radio embargos, protestsis infamous. The upshot? Costello and company retreated, scrapped a planned record, and created the soulful genius that is Get Happy!!, the bands fourth consecutive five-star effort.



    Half-speed mastered from the original master tapes, and pressed on two 45RPM LPs to replicate the very first promotional pressing in the UK, the 1980 LP has never sounded better on any format. Rather than cram nearly 50 minutes of music and 20 songs onto a single record, Mobile Fidelity has gone the extra mile and back to the album's UK roots with two 45RPM discs. For the first time, listeners can home in on the records signature sound that relates to the decision to record the vocals in a studios glass strings room. In addition, the dimensions and images associated with Steve Nieves penetrating organ, Pete Thomas punchy drumming, and Costellos bounding vocals know no limits. The music simply leaps off the proverbial page, the uptempo rhythms jumping and nimble bass lines kicking.



    Clearly, the group is motivated, and the leader brings some of his very finest songs to the table, including High Fidelity, Riot Act, Motel Matches, and The Imposter. While some believe the drunken incident caused Costello to shelve a planned new-wave-leaning effort for the soul-stoked Get Happy!!, the vocalist claims that his ability to find so many great soul records in America from 1977 through 1979 inspired the group to change course. Whatever the cause, Get Happy!! is a start-to-finish wonder.



    Paying homage to Northern soul, Motown, Stax, and Southern soul strains, and infused with smooth and gritty arrangements, Get Happy!! runs on an efficient R&B motor. Subtle tributes abound. High Fidelity quotes a Supremes song; Love for Tender borrows a Supremes riff; Opportunity tips its hat to Al Green; Clowntime Is Over bows to Curtis Mayfield. And two covers, of Sam & Daves I Cant Stand Up for Falling Down and the Merseybeats I Stand Accused, are recast as quick, R&B rave-ups. Theres not a misplaced note or bad step on this record. And for history buffs, the closing, searing ballad Riot Act is Costellos response to his hypocritical critics and finger-pointers.



    As essential as anything in Costellos catalog, and one of the truly great records of the 1980s, you owe it to yourself to experience Get Happy!! in the supreme sonic fidelity that this numbered limited edition Mobile Fidelity double-LP pressing affords. For those intimately familiar with its contents, listening will be a revelation. And for fans that have never heard the record, prepare to be wowed.



    Part of Mobile Fidelitys Costello catalog restoration series, Get Happy!! will make you positively ecstatic.


    This title is not eligible for discount.

    1. Love for Tender
    2. Opportunity
    3. The Imposter
    4. Secondary Modern
    5. King Horse
    6. Possession
    7. Men Called Uncle
    8. Clowntime Is Over
    9. New Amsterdam
    10. High Fidelity
    11. I Can't Stand Up For Falling Down
    12. Black & White World
    13. 5ive Gears in Reverse
    14. B Movie
    15. Motel Matches
    16. Human Touch
    17. Beaten to the Punch
    18. Temptation
    19. I Stand Accused
    20. Riot Act
    Elvis Costello
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM - 2 LPs Sealed Buy Now
  • Cosmic Thing Cosmic Thing Quick View

    $24.99
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    Cosmic Thing

    Follow Your Bliss: 1989 Favorite Contains Radio Anthems Roam and Love Shack


    Party-Starting Band Steps Up the Kitsch, Hooks, and Fun on Dance-Friendly Multi-Platinum Set


    Addictive Rhythms, Deep Grooves, Quirky Vibes: LP Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI


    Mention the phrase Love Shack and anyone youre talking to will immediately know to what youre referencing. Few songs stick in the brain with such lasting power, fond memories, and sing-a-long potential as the B-52s blissful 1989 smash, one of the many moments that make the bands Cosmic Thing such a timeless affair. The groups melodies were never sharper, its vibes never as carefree, and attitude as joyous as on this multi-platinum affair that stayed on the charts for more than a year.


    Mastered on Mobile Fidelitys world-renowned mastering system at pressed at RTI, this Sliver Label LP dazzles with glorious textures, deeper low-end frequencies, more pronounced midrange information, and enhanced vocal dynamics absent from prior editions. Especially noticeable is the additional color and sense of rhythmic involvement in the already-persuasive pop-rock tunes, guaranteed to lighten any mood and ignite any celebration.


    Urging listeners to roam around the world on one of the two Top 5 singles here, the B-52s follow their own instructions, constructing lively fare assembled from quirky riffs, bizarre albeit smooth harmonies, strident lead vocals, jagged tempos, and infectious choruses. At heart, Cosmic Thing is a dance-your-ass-off soiree. Leader Fred Schneider delights in kitsch, his deliveries combining goofy pronouncements and half-rapped words that speak the co-ed ensembles long tradition of originality, flair, campiness, and irreverence.


    Better still is the bands embrace of a shinier, funkier sound established by producers Don Was and Nile Rodgers. The production, exponentially improved on this reissue, complements the upbeat energy, well-crafted songwriting, and emotional exuberance demonstrated on everything ranging from the kick-starting Bushfire to rambunctious Junebug to wild, weird, and wonderful Love Shack. Just try not to smile after spinning this LP. Its impossible.


    This title is not eligible for discount.

    1. Cosmic Thing
    2. Dry Country
    3. Deadbeat Club
    4. Love Shack
    5. Junebug
    6. Roam
    7. Bushfire
    8. Channel Z
    9. Topaz
    10. Follow Your Bliss
    The B-52s
    $24.99
    Vinyl LP - Sealed Buy Now
  • 52nd Street 52nd Street Quick View

    $49.99
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    52nd Street

    Ranked 352/500 on Rolling Stone's List of the 500 Greatest Albums of All Time


    52nd Street on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity


    Mainstream Perfection: Melodic Devices, Passionate Singing, Sophisticated Arrangements, Jazzy Backdrop Walk Down 52nd Street


    Commanding Sonics: Mobile Fidelity Edition Sets the New Standard in How Joel's 1978 Classic Should-and Does-Sound


    Chart-Topper Certified Seven-Times Platinum: Includes "Big Shot," "Honesty," "My Life"


    Some artists embrace their success by repeating the steps that originally granted them fame. Billy Joel did the opposite, refusing to be contained by prescribed approaches or constrained by a given label. The follow-up to the breakthrough The Stranger, 52nd Street further expands on its predecessor's bold production techniques and inventive arrangements, incorporating more sophisticated textures as well as reflecting a jazz edge gleaned from New York City's thriving club scene.


    A key component of Mobile Fidelity's Billy Joel catalog restoration series, The Stranger is mastered from the original master tapes and pressed on 45RPM 180 gram LP at RTI. The wider and deeper grooves-as well as the meticulous mastering process-yield resplendent dynamics, broad soundstages, three-dimensional perspectives, and tonal balances absent from prior editions. Indeed, Joel wouldn't sound more realistic if were playing ten rows away from you onstage. This is how you want to experience the 1978 LP that captured the Grammy Award for Album of the Year.


    Teaming again with producer Phil Ramone, Joel capitalizes on his momentum, churning out another direct-sounding affair replete with captivating melodic devices, showmanship accents, and penetrating lyrics. The singer's concision and focus is evident via the tune's lengths, with only "Until the Night" breaking the six-minute mark. Hit singles "Big Shot" and "My Life" rattle forth with an urgency and intensity that Joel had not previously demonstrated, the combination of passionate deliveries, snide overtones, and insistent grooves setting the table for what follows.


    Broadening his palette, and drawing from New York's thriving jazz club scene and the city's late-70s grit, Joel splashes Latin and jazz colors on several pieces-even employing veterans such as Dave Grusin and Freddie Hubbard to contribute along with a cast that includes a team of background vocalists and horn players. Everything is tastefully appointed, and yet the vocalist's trademark Broadway gaze and knack for the grand gesture coincide with the straight-ahead swagger.


    52nd Street is one of the main reasons why Joel has always been championed for consistency. Everything here, from the production to the stand-up songs, helped redefine mainstream pop-rock. More than three decades later, it's finally available in fidelity that rivals that of those Columbia Records' master tapes produced right on 52nd Street. Mobile Fidelity takes you there and Joel sweeps you away.


    This title is not eligible for discount.

    1. Big Shot
    2. Honesty
    3. My Life
    4. Zanzibar
    5. Stiletto
    6. Roaslinda's Eyes
    7. Half a Mile Away
    8. Until the Night
    9. 52nd Street
    Billy Joel
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Smash (Awaiting Repress) Smash (Awaiting Repress) Quick View

    $49.99
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    Smash (Awaiting Repress)

    Pianist's First New Studio Album in More Than Four Years Masterfully Unites Harmony and Melody Via Uncommon Delicacy, Tonal Intimacy


    Barber Defies Expectations, Channels Melancholic Experiences Into Expressionistic Poetry and Attractive Arrangements


    Instant Audiophile Classic: Mobile Fidelity's 180g 2LP Set Renders Atmospherics, Whisper-Soft Transients, Acoustic Dimensions, and Images With Utmost Detail and Precision


    "No One Else Writes or Sounds Like This"-Chicago Tribune


    Accessible and complicated, alluring and challenging, sensuous and liberating, Patricia Barber's Smash once and for all confirms the pianist/singer exists in an elevated artistic plane reached by none of her generational peers. Four years in the making, and the beloved musician's first studio record since 2008, her Concord Records debut defies expectations and crystallizes her status as a preeminent songwriter. Informed by personal episodes of significant loss and yearning, the album masterfully unites harmony and melody via uncommon delicacy, tonal intimacy, and ethereal surrealism. It will likely stand as 2013's finest jazz effort, an instant classic.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 2LP possesses audiophile-quality fidelity and dynamic transparency unmatched by the commercially released CD. Akin to the reissue label's previous Barber releases, many of which are long out-of-print and command huge sums on the collector's market, Smash brings the singer and her band into your listening room, converting it into a recreation of the stage at Chicago's Green Mill, Barber's home base. Sonic characteristics crucial to Barber's sophisticated compositions-atmospherics, decay, whisper-soft transients, mood, acoustic dimensions, precise imaging-are rendered with utmost detail, balance, and accuracy. All else that's required for your trip to the Green Mill is a stereo and glass of chardonnay.


    Punctuated by deft instrumental passages and mysterious verses, Smash marks a triumphant return for Barber after she endured a series of melancholic episodes, including the death of her mother and four other people close to her. In addition, a disagreement with business associate cost her untold amount of money. She also broke away from Blue Note after its president stepped down from his position. Barber channels these painful, often-angry experiences and transitional periods into expressionistic poetry on Smash, transferring her emotions to arrangements that mirror the deep, meaningful cycle of human life and death.


    Backed by a brilliant trio, Barber opts for her now-signature subdued methods, allowing each syllable to linger, every note to hover before fading, each rhythmic line to develop unique relationships with the groove. Chicago Tribune jazz critic Howard Reich wrote in his rave review of Smash: "No one else writes or sounds like this, in other words, because no one else approaches the art of singing, songwriting, and piano playing with Barber's particular interests. The liquidity of her vocals, the sharp edge of her jazz pianism, and the quirkiness of her original songs cannot be imitated and remain a work in progress."


    These aspects, and more, are immediately apparent on Smash, arguably the boldest and most satisfying set of the reclusive talent's career. Her famously seductive and breathy vocals, supple right-hand runs, and nuanced harmonics simultaneously engage, hypnotize, and tempt. Her mates follow suit with aptly sculpted bass lines, taut percussion, and suggestive guitar fills. A model of economical succinctness, Smash takes risks, harbors intensity, and utilizes silences to communicate. It represents a new level for 21st century jazz, and there's no way to better way to experience it and immerse yourself in its powers than via Mobile Fidelity's superb edition.


    This title is not eligible for discount.

    1. Code Cool
    2. The Wind Song
    3. Romanesque
    4. Smash
    5. Redshift
    6. Spring Song
    7. Devil's Food
    8. Scream
    9. The Swim
    10. Bashful
    11. The Storyteller
    12. Missing
    Patricia Barber
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • My Funny Valentine My Funny Valentine Quick View

    $34.99
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    My Funny Valentine

    Numbered, Limited Edition


    Historic Recording Captures Elegant Ballads Performed at February 1964 Concert


    Audiophile Reference-Standard Sound: Album Boasts Lifelike Tones, Balances, Images, and Ambience


    Davis Taps Divine Inspiration: Compositions Marked by Deep Emotions, Spontaneous Brilliance, Sensitive Beauty, and Sublime Poignancy


    Miles Davis' My Funny Valentine marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps of Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis' oft-controversial avant-garde leanings. Most significantly, however, the set captures the ballads performed at a benefit concert from New York's then-new Philharmonic Hall just months after President Kennedy's assassination. Tapping into a seemingly divine inspiration, Davis never sounded so elegant or poetic.


    Boasting gorgeous sound and pressed on 180g LP at RTI, Mobile Fidelity's choice reissue of the trumpeter's scintillating work bookends the label's release of Four & More from the same show and features similar enhancements relating to depth, presence, dynamics, clarity, and ambience. Presented in reference-standard fidelity, the record boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns-all are rendered with palpable detail. This is the very definition of reach-out-and-touch-it realism.


    Staged as a benefit to support voter registration in the South, the February concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. Yet unforeseen circumstances raised the stakes. Having professed his admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (and, in particular, the title track) as homage to the fallen leader, a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate the performances; Davis and his Harmon mute paint with intricate brushstrokes.


    Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader's equal, and would continue with Davis until later in the decade, helping form what's now known as the "second great quintet." But the secret weapon on both My Funny Valentine and its sister Four & More arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem "one of the unsung heroes of modern jazz." His lines are subtle and sophisticated, straight ahead but capable of unanticipated direction, and here, he comes into his own. As does the entire band.


    Indeed, the combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the quintet on My Funny Valentine arguably exceeds that on any of Davis' myriad other live efforts. One listen confirms something special transpiring, and on this Mobile Fidelity reissue, those properties are rendered in a manner that's as transparent to the source as humanly possible. Do not miss this.


    This title is not eligible for discount.

    1. My Funny Valentine
    2. All of You
    3. Stella By Starlight
    4. All Blues
    5. I Thought About You
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • New Morning New Morning Quick View

    $34.99
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    New Morning

    Sublime 1970 Album Among Loosest, Jovial of Dylan's Career


    Includes Hit Single If Not for You and The Man In Me, Featured in the Film The Big Lebowski


    Dylan's Phrasing and Piano Playing Parallel Efforts of His Crack Backing Band


    Stunning Reissue Boasts Phenomenally Open Sound: New Morning Has Never Enjoyed Better Fidelity


    The album might have saved Bob Dylan's career. At the least, it proved the icon still relevant, and his wits still in tact. And it immediately followed what remains the artist's biggest disaster, the yet-unexplained and forever puzzling Self Portrait, a nearly unlistenable attempt that caused many to wonder whether Dylan had lost his mind. If intended as a joke, it bombed, making the sublime New Morning all the more important to restore faith in the singer's creativity and songwriting prowess. It did all this and more, and stands as his finest studio effort during a five-year span.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored analog version spotlights the open, woozy sound that welcomes wholeheartedly Dylan's piano, several eager guitars, female background singers, Al Kooper's organ, and snappy drumming into a world of their own. New Morning remains one of Dylan's loosest and jovial affairs, the instruments retaining an off-the-cuff sensibility relating to a nightclub atmosphere or live stage feel. On this reissue, notes naturally dangle and fade, allowing the playful vibes and humor to come through like never before. Consequently, the album can be experienced with a new perspective. Wider grooves mean more information reaches your ears.


    "Many of the songs seem to have been made up on the spot, with confidence in the ability of first-rate musicians to move in any direction at any time," wrote Dylan expert and cultural critic Greil Marcus in his original review for the New York Times. "The riffs, inventions, and studio jams of New Morning have their own personality the full joy of anticipating the right move and the exhilaration of hitting it square and bouncing off a chord into a new lyric."


    These observations hold true today, for the 1970 effort claims a daring flair Dylan rarely exhibited on albums before or since. Enthusiasm and excitement surround his singing, and his work on the 88s underlines the liberating arrangements. Offbeat and eclectic, the record frolics and swings, with the Bard and his crack band pursuing jazzy steps ("Sign on the Window"), shuffling spoken-word experiments ("If Dogs Run Free"), and soulful rock ("The Man In Me," used to wonderful and prominent effect in the Coen Brothers film The Big Lebowski).


    Throughout, Dylan's phrasing communicates joyousness and simplicity seemingly carried over from the stripped-down John Wesley Harding and Nashville Skyline. The record's dominant sentiments trace to the lead track, "If Not For You," one of the singer's all-time greatest singles, stitched with country threads and warmth that pervades everything that follows. Yes, New Morning may lack the iconic status of some of Dylan's better-known records. Yet the underdog stature makes repeat listens all the more rewarding.


    This title is not eligible for discount.

    1. If Not for You
    2. Day of the Locusts
    3. Time Passes Slowly
    4. Went to See the Gypsy
    5. Winterlude
    6. If Dogs Run Free
    7. New Morning
    8. Sign on the Window
    9. One More Weekend
    10. The Man In Me
    11. Three Angels
    12. Father of Night
    Bob Dylan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • John Wesley Harding John Wesley Harding Quick View

    $49.99
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    John Wesley Harding

    Ranked 301/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    John Wesley Harding on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity


    Stripped-Back, Unobtrusive 1967 Album a Mellow Return to Dylan's Roots and Harbinger of Country Rock


    Hear the Musical Cousin to Dylan and The Band's The Basement Tapes in Extraordinary Fidelity: Transparent 45RPM Edition Mastered on Mobile Fidelity's World-Renowned Mastering System


    Includes Original Version of All Along the Watchtower


    Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by again deviating from the norm and straying from expectation. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with relief and freshness, the sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this restored 45RPM analog version presents the 1967 album with the finite details and impressionistic tones. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan's acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All of these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy's bass with a previously unheard supple character. Wider grooves mean more information reaches your ears.


    Recorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favor of stanzas that waste no words and progress narratives at every turn. It's as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity.


    Combined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano- and pedal steel-flavored set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness.


    Climbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, there's the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they could've been made in 1967, 1937, or 2007. With "All Along the Watchtower," Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isn't even a standout on an album on which every note just belongs.


    This title is not eligible for discount.

    1. John Wesley Harding
    2. As I Went Out One Morning
    3. I Dreamed I Saw St. Augustine
    4. All Along the Watchtower
    5. The Ballad of Frankie Lee and Judas Priest
    6. Drifter's Escape
    7. Dear Landlord
    8. I Am a Lonesome Hobo
    9. I Pity the Poor Immigrant
    10. The Wicked Messenger
    11. Down Along the Cove
    12. I'll Be Your Baby Tonight
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • By The Light Of The Moon By The Light Of The Moon Quick View

    $34.99
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    By The Light Of The Moon

    Mastered from the original master tapes, Mobile Fidelity's numbered limited edition 180g LP brings these 11 songs to life and out of the clouded, foggy sonic environment in which they've remained for more than two decades. For the first time, T Bone Burnett's stripped-back production functions as it should. Namely, Los Lobos sound as if they're playing at a small, sweaty neighborhood joint late on a Sunday night for an audience of locals, friends, and family.


    The group's uncanny ability to switch between instruments and effortlessly play each as if it's their innate right-listen to the seamless fashion in which electric and acoustic guitars, marimbas, organs, saxophones, harmonicas, and percussion create strikingly memorable soundscapes-comes to light amidst a warmer, airier, more organic and deep-black background.David Hidalgo's sweet, honeysuckle timbre, he and Cesar Rosas' overlapping tremolo guitars, and stacks of interwoven rhythms jump with vibrant electricity.


    Shifting into storytelling mode, Los Lobos use By the Light of the Moon as an opportunity to meditate on everyday America and channel the fate of normal communities. Issues of faith, mortality, love, disillusionment, and melancholy inform narratives that are on the same socially conscious level as those of period-era Bruce Springsteen and John Mellencamp. As for the songs, they crackle, waltz, shuffle, dance, tremble, and kick. The band almost dares listeners not to care.


    Whether leaning into twangy two-step country-rock ("One Night In America"), dual-guitar shootout rockabilly ("Shakin' Shakin' Shakes"), swinging jump R&B ("Is This All There Is?"), tequila-spiked East Los Angeles-style rock ("Set Me Free (Rosa Lee)"), searing Latin-tinged blues ("My Baby's Gone"), or poignant gospel-lined folk ("River of Fools"), Los Lobos' Tex-Mex gumbo continually impresses and delights.


    Don't pass up one of the best releases of the 1980s and one of Los Lobos' definitive statements. You'll never hear a better pressing. Boleros, rancheros, and more await!


    This title is not eligible for discount.

    1. One Time One Night
    2. Shakin' Shakin' Shakes
    3. Is This All There Is?
    4. Prenda Del Alma
    5. All I Wanted To Do Was Dance
    6. Set Me Free (Rosa Lee)
    7. The Hardest Time
    8. My Baby's Gone
    9. River of Fools
    10. The Mess We're In
    11. Tears of God
    Los Lobos
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Another Side Of Bob Dylan Another Side Of Bob Dylan Quick View

    $49.99
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    Another Side Of Bob Dylan

    Dylans Second 1964 Album Expands Songwriting Themes and Adds Levity


    Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity


    Recorded in One Day: Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness Grace the Bards Loosest 1960s Effort


    Includes I Shall Be Free No. 10, It Aint Me Babe, My Back Pages, Chimes of Freedom


    The Freewheelin Bob Dylan, Bringing It All Back Home, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity


    The ever-evasive Bob Dylan never explicitly stated exactly what represented the another side of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbias Studio A and, displaying an openness hed never before revealed in a formal environment, lays down the songs that compromise his fourth album.


    Featuring minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelitys reissue illuminates the artists conditionhe laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if hes stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfectionwith microscopic accuracy. Indeed, Dylans slightly woozy and completely playful state related to his having downed a handful of bottles of Beaujolais during the sessions.


    The uninhibited joie de vive is discernable in the rattling piano lines on Black Crow Blues, seemingly subconscious ramble of the hysterical folk rhyming of Motorpsycho Nightmare, bluesy dream sequencing throughout I Dont Believe You, and intentionally out-of-tune yodeling during All I Really Want to Do. On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.


    And so the apparently autobiographical and self-aware My Back Pages, one of the earliest examples of Dylans immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant releasean essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions. Quintessential Dylan.


    As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal Chimes of Freedom, the standard that journalist Paul Williams dubbed Dylans Sermon on the Mount. Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. All I Really Want to Do
    2. Black Crow Blues
    3. Spanish Harlem Incident
    4. Chimes of Freedom
    5. I Shall Be Free, No. 10
    6. To Ramona
    7. Motorpsycho Nightmare
    8. My Back Pages
    9. I Dont Believe You
    10. Ballad in Plain D
    11. It Aint Me Babe
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Another Side Of Bob Dylan (Mono) (Pre-Order) Another Side Of Bob Dylan (Mono) (Pre-Order) Quick View

    $49.99
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    x

    Another Side Of Bob Dylan (Mono) (Pre-Order)

    Dylan's Second 1964 Album Expands Songwriting Themes and Adds Levity


    Mono 2LP Mastered from the Original Master Tapes: Strictly Limited to 3,000 Copies, Vinyl Delivers Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness in Sound Dylan Intended


    Includes I Shall Be Free No. 10, It Ain't Me Babe, My Back Pages, Chimes of Freedom


    The ever-evasive Bob Dylan never explicitly stated exactly what represented the another side of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Experienced in mono, Another Side of Bob Dylan is all that and more.


    Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's 180g 45RPM 2LP set illuminates Dylan's emotional condition - he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection - with microscopic accuracy and unparalleled directness. The preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, this mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album - making the mono mix all the more historically valuable and truthful.


    The uninhibited joie de vive is discernible in the rattling piano lines on Black Crow Blues, seemingly subconscious ramble of the hysterical folk rhyming of Motorpsycho Nightmare, bluesy dream sequencing throughout I Don't Believe You, and intentionally out-of-tune yodeling during All I Really Want to Do. On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.


    And so the apparently autobiographical and self-aware My Back Pages, one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release - an essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions.


    As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal Chimes of Freedom, the standard that journalist Paul Williams dubbed Dylan's Sermon on the Mount. Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.


    This title is not eligible for discount.

    1. All I Really Want to Do
    2. Black Crow Blues
    3. Spanish Harlem Incident
    4. Chimes of Freedom
    5. I Shall Be Free, No. 10
    6. To Ramona
    7. Motorpsycho Nightmare
    8. My Back Pages
    9. I Dont Believe You
    10. Ballad in Plain D
    11. It Aint Me Babe
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Trust Trust Quick View

    $34.99
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    Trust

    Trust Is Most Eclectic and Ambitious Record of Elvis Costello's Career: "[His] Summit as a Singer, Songwriter, and Miserable-Irish-Bastard Pin-Up Boy" Says Rolling Stone


    Mastered from the Original Master Tapes: Mobile Fidelity LP of Trust Enhances the Realism of the Songs' Advanced Arrangements and Nimble Accents


    1981 Album Mixes R&B Rhythms and New-Wave Melodies: Includes "Clubland," "Watch Your Step," and "Strict Time"


    The album cover to Trust speaks volumes: Elvis Costello, bathed in shadows, his eyes nervously peering out from behind his sunglasses, his face conveying a combination of edgy noir purpose and guilt-ridden anxiety. Indeed, the tension-rich songs within largely convey the opposite meanings of the record's title, with the British icon musing on what lies beyond arrogant youth and immediate success with a jaundiced, scarred perspective informed by his country's political climate and his own experiences.


    Of course, this being Costello and the Attractions, everything is wrapped into a catchy batch of songs that encourage listeners to hear them multiple times before they reveal their true intent. On Trust, almost nothing is what it seems, a condition that only enhances what remains the most diverse set of Costello's career. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's transparent analog reissue lets music lovers in on the secrets via unsurpassed clarity and breathtaking immediacy.


    Whether the full, rounded tones of Bruce Thomas' bass or complete extension and decay of Steve Nieve's organ, every instrumental accent is delivered with lifelike detail and superb balance. Melodicas, drums, pianos, and guitars similarly come across faithfully and richly, the blend freed of constricting sonic veils and dynamic compression. Heard anew on this pressing, Trust emerges as one of the most satisfyingly complex and expertly played albums of its era. Costello's singing, too, reveals intricate tonal shadings and implied meanings, with slower tracks such as the hypnotic "Watch Your Step" and Tin Pan Alley-inspired solo tour de force "Shot With His Own Gun" ravishing with enhanced emotional investment.


    As is often the case with great (and sophisticated) albums, Trust-which retains a five-star review from the most recent Rolling Stone Album Guide-didn't spawn any Top 40 hits at the time of its release. Yet age has been more than kind to the effort Costello said aimed to cross the rhythms of Get Happy!! with the melodies of Armed Forces, and which more than achieves the exacting goal. Admittedly made in a haze of booze and pills, the 1981 affair plumbs issues of disillusionment, romance, and sin with barbed wit and unvarnished honesty.


    Country, soul, pop, rockabilly, two-step, punk-shot-through rock, jazz-Costello and the Attractions explore and master it all on Trust, all the while performing with an unencumbered directness and on-point coherence. No better example of the singer's simultaneous stylistic reach and virtuosity exists. Experience it like never before on this phenomenal-sounding pressing.


    This title is not eligible for discount.

    1. Clubland
    2. Lovers Walk
    3. You'll Never Be a Man
    4. Pretty Words
    5. Strict Time
    6. Luxembourg
    7. Watch Your Step
    8. New Lace Sleeves
    9. From a Whisper to a Scream
    10. Different Finger
    11. White Knuckles
    12. Shot With His Own Gun
    13. Fish 'n' Chip Paper
    14. Big Sister's Clothes
    Elvis Costello
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Cheap Thrills Cheap Thrills Quick View

    $49.99
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    Cheap Thrills

    Ranked 338/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Quintessential 1968 Record a Potent Mix of Psychedelia, Blues, Folk, and Rock: Janis Joplin Delivers Cathartic Vocal Performance on Major-Label Debut That Includes Powerhouse Piece of My Heart


    Mobile Fidelity 45RPM Vinyl Pressing Touts Superb Spaciousness, Punchiness, Dynamics, and Texture: Cheap Thrills Sounds As Close to Live as Music Gets and Features Robert Crumb Artwork


    In many facets, Big Brother and the Holding Company's Cheap Thrills is the quintessential album to spring from the outcome of the Summer of Love. Best known as Janis Joplin's major-label debut, the 1968 set arrived when the countercultural movement was in full swing and before co-optation, drugs, and violence signaled the fall of the era. Ranked #338 on Rolling Stone's 500 Greatest Albums of All Time, it puts a female singer in the prominent position traditionally given to a male and showcases a band pouring a potent cocktail of fiery psychedelic, blues, and folk sounds that informed the unfettered creativity of the San Francisco scene. Produced by John Simon, Cheap Thrills also features one of the most iconic and elaborate album covers in history. Now, thanks to Mobile Fidelity, the instantly identifiable effort also possesses sonics equivalent to its visual and musical status.


    Cut at 45RPM and pressed on dead-quiet vinyl at RTI, the iconic audiophile label's analog reissue intensifies the quintet's storied sophomore effort. Due to the wider grooves, this pressing benefits from increased spaciousness, punchiness, energy, pacing, and dynamics. Joplin's hurricane-force singing reverberates with texture, grittiness, and volume. An arresting array of instrumental colors and tones comes on with clearer separation and depth. While previous pressings find the band and Joplin's voice in competition with one another for room, both emerge as distinct entities. Always noted for its rawness, Cheap Thrills sounds as close to live as it gets, an unadulterated portrait of nervy rock n' roll delivered with exuberant enthusiasm and all-out determination. This is music at is most visceral.


    Having drawn national attention for their legendary performance at the Monterey International Pop Festival in 1967, Big Brother and Joplin faced huge expectations to deliver a studio set that would convey their onstage vibrancy and potency. Cheap Thrills does this and more, becoming one of 1968's most commercially successful releases that remained on the charts the week Joplin announced her separation from the ensemble. Contrary to popular belief, only one of the album's songs, Ball and Chain, was recorded live. Everything else owes to the unhinged, spirit-elevating performances and true collaboration between vocalist and band that manifests itself throughout the record's 37-minute-plus running time. Merging biker-babe ruggedness with wounded-bird poignancy, Joplin's expressive belting, mega-watt moaning, and sensitive crooning take center stage. Yet her bandmates match every step with explosive rhythms, heavy guitar-driven blues, and assertive solos that take inspiration from free-form jazz.


    Indeed, Cheap Thrills still exhilarates not only due to Joplin's almighty singing but because of boundary-shredding arrangements that reflect the period's anything-is-possible mindset. More so than any other musicians Joplin encountered, the members of Big Brother pushed limits on convention via soirees into acid-dipped psychedelia and its orbiting sonic galaxies. Together, they aim and achieve an aural mythos that makes a permanent connection between artist and audience by way of eliminating traditional divisions. Such communal power is evident on the mind-bending version of Big Mama Thornton's Ball and Chain and insistent, sinewy I Need a Man to Love. It's also obvious during quieter moments, whether the tripped-out, twisted, and curvaceous contours of George and Ira Gershwin's Summertime or restrained, throwback acoustic blues of Turtle Blues.


    Yes, Joplin presents - and rallies against - loneliness and desperation in a cathartic language few had heard before or since. What's even more significant is the fearlessness, toughness, synergy, and sexual danger pulsing through every song, including the take-on-all-comers challenge Piece of My Heart, which the collective attacks with career-making ferocity. Like Robert Crumb's daring pop-art illustrations that grace the cover, they simultaneously lure and dare the listener to enter a space where outsiders run free and where outlaws are heard above the mainstream din.


    This title is not eligible for discount.

    1. Combination of the Two
    2. I Need a Man to Love
    3. Summertime
    4. Piece of My Heart
    5. Turtle Blues
    6. Oh, Sweet Mary
    7. Ball and Chain
    Big Brother & The Holding Company feat. Janis Joplin
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Four & More Four & More Quick View

    $34.99
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    Four & More

    Exhilarating and Immediate: Live Set Documents One of Davis Final Excursions With a Program of Standards


    Hear the Interior of Philharmonic Hall at New Yorks Lincoln Center Come Alive: Mobile Fidelitys Fastidious Reissue Illuminates Venue Acoustics, Musicians Phrasings


    Whirlwind Uptempo Pace Prodded by Tenor Saxophonist George Coleman and Drummer Tony Williams


    Sketches of Spain, Kind of Blue, Milestones, Round About Midnight, and In a Silent Way Also Available from Mobile Fidelity


    Given his gargantuan recorded output, Miles Davis seldom abandoned a conceptual vision in the studio, particularly after the turn of the 1960s. Which makes a live document such as Four & More all the more valuable for the manner in which it portrays the legendary trumpeter removed from thematic demands and interior confines, and instead letting loose onstage with a program of stellar material that hed soon abandon in favor of experimentalism.


    Part of Mobile Fidelitys Miles Davis catalog restoration series, Four & More engages with electrifying speed and palpable punch, the effort now claiming vastly improved imaging, deeper soundstaging, and startling clarity. Half-speed mastered from the original master tapes and pressed at RTI, this unsurpassed analog edition teems with the urgency demonstrated by Davis and his band notes flooding the listener with an attack only possible from sound featuring full frequency extension, tremendous spacing, and you-are-there immediacy.


    Recorded on February 12, 1964 in Philharmonic Hall at New Yorks Lincoln Center, Four & More bookends My Funny Valentine. Whereas the latter spotlights ballads, this thrilling souvenir is all about quick tempos, rushing solos, left-hook rhythms, and hard-bop grooves. Drawing largely on mid- and late-1950s material, Davis accompanied by bassist Ron Carter, drummer Tony Williams, saxophonist George Coleman, and pianist Herbie Hancock approaches standards such as So What, Seven Steps to Heaven, and Four with biting tenacity and furious passion, the individual themes racing by as the collective barges in to take rapid, punctuation-asserting solos.


    Few, if any, live Davis performances match the hurricane-generating intensity and dynamic aggressiveness captured here. One reason for the vigor? Davis waived he and his musicians fees for the concert, taking place under the auspices of a political benefit, a decision that angered some of his sidemen. Whatever the cause, Hancock swings, Coleman flexes muscles, Carter bows instructive passages, and the 19-year-old phenom Williams throws down with breathtaking agility. Amidst the melodic tangents and galloping exchanges, the quintet retains gripping control, with eight-bar dialogues between the instrumentalists and positive vamps supplying cues and endings.


    At last, these historic recordings are afforded the breathing room and acoustic perspective they've always deserved. For listeners that may be unfamiliar with this title, prepare to be blown away literally and figuratively. Aficionados know what to expect on the music front, but Mobile Fidelitys 180g LP reissue ratchets up the thrills by several levels. Don't miss this gem.


    This title is not eligible for discount.

    1. So What
    2. Walkin
    3. Joshua
    4. Go-Go
    5. Four
    6. Seven Steps to Heaven
    7. There Is No Greater Love
    8. Go-Go
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Sunday at The Village Vanguard (Out Of Stock) Sunday at The Village Vanguard (Out Of Stock) Quick View

    $99.99
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    Sunday at The Village Vanguard (Out Of Stock)


    Mastered from the Original Master Tapes With Mobile Fidelity's One-Step Process: Sunday at the Village Vanguard UD1S 45RPM Box Set the Ultimate Analog Version of Bill Evans' 1961 Jazz Staple


    Deluxe Packaging Includes Opulent Box, Special Jackets and Unique Bonus Artwork: No Expense Spared, Strictly Limited to 3000 Numbered Copies


    Gorgeous Romanticism, Seamless Chemistry, Group Interplay, and Symbiotic Trio Performances Forever Changed Jazz: Evans' Live Masterwork Boasts Brilliant Sound, Lyrical Pianism, Magical Feel


    The gorgeous romanticism of Bill Evans' Sunday at the Village Vanguard cannot be overstated. Neither can the iconic record's place in history - nor what it signifies to generations upon generations of listeners hypnotized by the consummate playing, resplendent compositions, and seamless chemistry. Originally released in1961, the live set remains the gold standard for symbiotic trio performance, empathy, and communication. Because of Orrin Keepnews' brilliant recording, it also survives as one of the best-sounding jazz albums extant - a fact confirmed by its appearance on multiple reissues over the past few decades. But it's never sounded better than this.


    Evans' masterwork reaches three-dimensional sonic and emotional heights never before attained by analog recordings on this opulent Mobile Fidelity UD1S box set complete with special jackets and a unique insert. Strictly numbered to 3000 copies, this ultra-hi-fi audiophile edition literally and figuratively brings you closer to the music of this Riverside staple that, along with the complementary Waltz for Debby, transformed Evans into a legend and became a blueprint for how jazz trios should work together. You'll enjoy deep-black backgrounds, pointillistic details, and staggering dynamics. Experienced via UD1S, Sunday at the Village Vanguard places Evans and his esteemed colleagues in your listening room. Every note, breath, and movement captured by the microphones are reproduced with exquisite accuracy and wowing clarity.


    The deluxe packaging and gorgeous presentation of this Sunday at the Village Vanguard pressing befit its extremely select status. Housed in an opulent box, this UD1S edition contains special jackets and unique bonus artwork that further illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this Sunday at the Village Vanguard is a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound and creativity, and who desire to fully immerse themselves in the music - and everything involved with the album, from the graphics to the textures.


    Recorded just ten days before bassist Scott LaFaro perished in a car accident, Sunday at the Village Vanguard changed the way jazz trios were perceived by audiences and musicians alike. Up until Evans, LaFaro, and drummer Paul Motian proved otherwise, a trio configuration meant two sidemen served as rhythmic support to spotlight the virtuosity of a headline performer or primary soloist. Here, the three instrumentalists operate in complete unison and achieve supreme democratic balance. Expressing their intent via shared conversations, they alight on sublime pieces flush with thematic discovery, improvisational dialog, and raw feeling.


    A quest for discovery informs the music as well as the playing. Evans' lyrical pianism met at every turn by LaFaro's chorded responses and harmonic counterpoints. Indeed, Sunday at the Village Vanguard remains LaFaro's standout moment, his soloing helping shape the melodies and striking a keen equilibrium between modality and traditionalism. Joining poignant renditions of Miles Davis, Cole Porter, and Gershwin numbers, two LaFaro originals - Jade Visions and the opening Gloria's Step - further demonstrate his genius. They furnish the album a supernatural aura that matches the jovial mood of the musicians. It's impossible to think this album could be improved in any way. Particularly now that this UD1S pressing brings the Village Vanguard into your room. Prepare to witness history. Again and again.


    More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior:

    Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.


    This title is not eligible for discount.

    1. Gloria's Step
    2. My Man's Gone Now
    3. Solar
    4. Alice in Wonderland
    5. All of You
    6. Jade Visions
    Bill Evans Trio
    $99.99
    Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock
  • The Nightfly (45 RPM Box Set) (Out Of Stock) The Nightfly (45 RPM Box Set) (Out Of Stock) Quick View

    $99.99
    x

    The Nightfly (45 RPM Box Set) (Out Of Stock)


    Limit 1 Per Customer


    Mastered From The Original Master Tapes With Mobile Fidelity's One-Step Process: The Nightfly US1S 45RPM Box Set Is The Ultimate Analog Version Of Donald Fagen's 1982 Landmark Debut


    Lavish Packaging Includes Opulent Box And Special Foil-Stamped Jackets: Deluxe Audiophile Pressing Strictly Limited To 6000 Numbered Copies


    Cinema For The Ears: The Nightly Remains One Of The Best-Sounding Albums Ever Made With Reference Production, Standout Playing, And Jazz-Like Arrangements That Embody Timeless Cool


    Donald Fagen's largely autobiographical The Nightfly remains one of the best-sounding albums ever made. Revered by audiophiles, the Steely Dan co-founder's 1982 set immediately became a demonstration disc at hi-fi shows and audio salons the world over. It also quickly emerged as an irreplaceable monitor-evaluating tool for recording-studio engineers and front-of-the-house testing device for concert-venue soundboard engineers who continue to use it today. Painstakingly recorded over eight months by illustrious producer Gary Katz and a Hall of Fame-worthy cast of perfectionist-minded musicians, The Nightfly endures as a rare trifecta of superlative performance, consummate songwriting, and crisp, benchmark production. Mobile Fidelity is honored to give this seminal effort unsurpassed treatment befitting the most serious music connoisseurs.


    Fagen's solo debut reaches three-dimensional sonic and emotional heights never before attained by analog recordings on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 5,000 numbered copies, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that picks up where Steely Dan's Gaucho leaves off. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, The Nightfly places Fagen and his session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.


    The lavish packaging and beautiful presentation of Mobile Fidelity's The Nightfly pressing befit its extremely select status. Housed in a deluxe box, this UD1S version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of The Nightfly is a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art - and everything involved with the album, from the images to the textures and liner notes.


    Nominated for seven Grammy Awards, The Nightfly represent[s] certain fantasies that might have been entertained by a young man growing up in the remote suburbs of a northeastern city during the late fifties and early sixties, i.e., one of my general height, weight, and build, pens Fagen in the liner notes, revealing the work's thematic thrust and wistful, nostalgic appeal. At their core, songs look at the world via an optimistic, mindfully innocent lens and through the eyes of an adolescent holed up in his bedroom with his ear to a radio whose exciting transmissions inspire thoughts of futuristic cities, late-night deejays, otherworldly hopes, and Cold War romances. Cinema for the ears, The Nightfly comes on like a film transferred to wax - its stories filled with relatable vulnerability, ambition, and warmth.


    It is also timelessly cool, with everything from the iconic album cover - complete with Fagen in the role of a cigarette-smoking disk jockey spinning a Sonny Rollins album on an RCA turntable at 4:09 in the morning - to the flawless playing honoring the laid-back, hip, stylish jazz pedigree of the arrangements. Indeed, The Nightfly's fame owes as much to the stunning contributions by stickler musicians - saxophonist Michael Brecker, trumpeter Randy Brecker, guitarist Larry Carlton, drummer Steve Jordan, bassist Marcus Miller, drummer Jeff Porcaro, and Harmonica Frank Floyd included - as it does the particulars behind its creation, which involved cutting-edge technology, novel microphoning techniques, and pioneering recording methods that gave Fagen exactly what he demanded. His insistence on dialing in exacting drum sounds is by itself the stuff of legend.


    The results of the meticulous sessions transcend eras and generations - part of its very design. Virtually every track connects with classic 50s and 60s styles. Green Flower Street doubles as an homage to the jazz standard On Green Dolphin Street. The title track draws imagery from blues pioneer Charley Patton. Ruby Baby references soul greats the Drifters. Maxine nods to harmonies perfected by big-band vocal quartets like the Four Freshmen. The Goodbye Look acknowledges the bossa-nova craze of Fagen's youth. In all respects, The Nightfly rules the airwaves.


    More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

    Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.


    This title is not eligible for discount.

    1. I.G.Y.
    2. Green Flower Street
    3. Ruby Baby
    4. Maxine
    5. New Frontier
    6. The Nightfly
    7. The Goodbye Look
    8. Walk Between Raindrops
    Donald Fagen
    $99.99
    Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock
  • Rickie Lee Jones (Out Of Stock) Rickie Lee Jones (Out Of Stock) Quick View

    $34.99
    x

    Rickie Lee Jones (Out Of Stock)

    Rickie Lee Jones on Numbered Limited Edition 180 Gram LP from Mobile Fidelity


    Rickie Lee Jones' Hip, Jazzy Debut as Fresh Today As It Was in 1979


    Mastered from the Original Master Tapes: At Last, the Definitive-Sounding Edition of the Diversified Genre-Hopping Classic


    Coolsville: Music Combines Finger-Snapping Style, Beret-Wearing Artfulness, Bohemian Pop Know-How


    Double-Platinum Album Includes Top 10 Hit "Chuck E's In Love"


    Rickie Lee Jones was hip before hipsters came of age. Wearing a beret, exuding supreme cool, and visually demarcating herself as a member of a bohemian underground, her image on the cover of her self-titled debut says as much about the singer-songwriter as it does the music within the grooves. Uninterested in coloring within the lines, Jones steps out, a dreamer in the post-punk age, an adventurous drifter seemingly deaf to the noisiness of her era. No wonder the work remains one of the most impressive opening salvos in history.


    Mastered from the original master tapes, Mobile Fidelity's 180 gram LP edition of Jones' double-platinum 1979 smash finally gives listeners the ultimate version of this long-adored masterpiece. Always prized by audiophiles for its sonics, the record now breathes with a clearer air, with enhancements in dynamics, imaging, soundstaging, and frequency extension apparent seconds after the needle touches down on the opening grooves. Jones' singular, jazzy vocals-straddling territory between youthful surprise, street-smart sharp, and grown-up seriousness-take on stupendously lifelike qualities to the extent you can hear into her lungs.


    Emerging from a quiet Los Angeles scene that also laid claim to Tom Waits, a former love interest, Jones reflects an undiminished capacity for fusing folk, R&B, pop, jazz, and scatted word poetry on an effort that matches the flexibility and elasticity of the artist's creative approach. As if playing games of hide and seek, Jones often dances around conventional syllabic phrases, using her delivery to stretch language and vowels, turning in diction that's at once gorgeous and enterprising. She taps into a subtlety of texture and ambience well beyond her then 23-year-old age, inserting sly humor when apt, and never shying away from raw emotion.


    Renowned for the Top 10 hit "Chuck E's In Love," Rickie Lee Jones overflows with finger-snapping be-bop accents, funky cabaret melodies, bluesy bridges, soothing balladry, and even Westernized fills. Subdued complexities flavor the arrangements, expressly tailored for Jones' portrait-rich storytelling and character-driven narratives. Such diversity is on display on the metaphorical heartache of "Last Chance Texaco," reflective "Company," and corner-hangout musings of "Danny's All-Star Joint." Throughout, intricate guitar lines give listeners further reason to concentrate on the tunes. This one is simply a must-have.


    This title is not eligible for discount.

    1. Chuck E's In Love
    2. On Saturday Afternoons in 1963
    3. Night Train
    4. Young Blood
    5. Easy Money
    6. Last Chance Texaco
    7. Danny's All-Star Joint
    8. Coolsville
    9. Weasel and the White Boys Cool
    10. Company
    11. After Hours
    Rickie Lee Jones
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • A Distortion Of Love (Out Of Stock) A Distortion Of Love (Out Of Stock) Quick View

    $49.99
    x

    A Distortion Of Love (Out Of Stock)

    A Distortion of Love on Numbered Limited Edition 180 Gram LP from Mobile Fidelity


    Acclaimed Pianist/Singer's Oft-Neglected 1992 Sophomore Effort Teems With Poetic Enterprise and Intrepid Originality


    Smooth, Transparent Sonics Worthy of an Intimate Venue: One of Only Two Barber Albums to Never Have Been Reissued-Until Now


    Audiophile Favorite Steams Up Mirrors With Enchanting Melodies, Breathy Vocals, Daring Originality


    Patricia Barber's origins are commonly associated with 1994's CafÉ Blue and the follow-up, 1998's Modern Cool. Both quickly established the singer/pianist as an immediate audiophile favorite whose rare combination of astute instrumental performance, daring originality, poetic enterprise, intrepid vocals, and sculpted production announced her as an artist that both takes immense care in her music as well as in her sound. While largely unknown to many, 1992's diverse A Distortion of Love signaled the beginning of Barber's unfettered creativity.


    Half-speed mastered from the original master tapes and pressed at RTI, Mobile Fidelity's numbered, limited-edition 180 gram LP of the Chicagoan's sophomore album features the similar wowing detail and perspective-altering clarity offered on the reissue label's celebrated versions of Mythologies, The Cole Porter Mix, and the now out-of-print and extremely sought-after CafÉ Blue, Modern Cool, Companion, and Nightclub.


    Such is the attention brought to Barber's tastefully reverb-assisted singing, the quartet's stripped-down arrangements, the grand piano's resonance, the background finger snaps, and the astounding transparency of every note and breath uttered in the studio. Smoothness, balance, and neutrality abound. Through and through, this is an audiophile delight.


    While national acclaim wouldn't come to Barber until the mid-90s, it wasn't because she didn't provide notice of her monumental talent and MacArthur Grant-worthy inventiveness. On A Distortion of Love, her individuality manifests on a surprisingly eerie rendition of the standard "Summertime" and subsequent "Subway Station No. 5," a lengthy piece adorned with atmospheric nervousness, tonal shifts, and contrapuntal movements that ultimately lead into a swinging theme.


    Barber, guitarist Wolfgang Muthspiel, bassist Marc Johnson, and percussionist Adam Nussbaum achieve like-minded heights on an improvised and clever read of the Temptations' "My Girl." Here, and again especially on the aptly titled "You Stepped Out of a Dream," Barber's textured vocals seemingly float on a jet-black plain, emanating as if her lips and mouth are just feet away, the slap of the acoustic bass and patter of the drums responding in kind to her expressiveness. Whether you're familiar with this album, a longtime Barber fan, or just coming to her for the first time, Mobile Fidelity's pressing of this record will please even the sternest critics of vocal jazz.


    This title is not eligible for discount.

    1. Summertime
    2. Subway Station No. 5
    3. You Stepped Out of a Dream
    4. Parts Parallels
    5. Or Not To Be
    6. Yellow Car
    7. Yet Another In a Long Series of Yellow Cars
    8. I Never Went Away
    9. My Girl
    10. Be Myself
    Patricia Barber
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock
  • Sinatra's Swingin' Session (Out Of Stock) Sinatra's Swingin' Session (Out Of Stock) Quick View

    $34.99
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    Sinatra's Swingin' Session (Out Of Stock)

    Mastered from the Original Master Tapes


    Legend has it that when Frank Sinatra initially stepped into the recording studio for the first of four sessions, he asked Nelson Riddle to speed up the tempos to the songs that landed on Sinatra's Swingin' Session!!! It's safe to say that the arranger followed orders and that the results-buoyant, cheery, fun, exuberant, zesty, and wonderfully jazzy-speak for themselves. This 1961 effort remains the Chairman's fastest, hardest-swinging set. And oh, how it swaggers.


    Mastered from the original master tapes, Mobile Fidelity's numbered limited edition 180 gram LP of this gem possesses a punchiness, immediacy, forcefulness, and dynamic heft that rivals even what's heard on a pristine original Capitol pressing-provided you can even find one. The reissue will help convert your room into a studio stuffed with horn players and percussionists, with Sinatra, decked out in a trademark fedora and suit, holding court at the center of it all. Sinatra's Swingin' Session!!! isn't a live album, but it hits with the gusto and tang of one.


    Forget about incorrect rumors that state that this album was only completed due to contractual obligations and that Sinatra hurried through the material. No matter the circumstances, nothing here is tossed-off or rushed. As always, Sinatra takes it all seriously, pouring his all into each of the dozen tracks here. He wouldn't have it any other way. Name another singer from his era (or any) that could possibly keep time with these uptempo beats and sound as if he isn't even breaking a sweat. Needless to say, Sinatra has a blast making it all happen.


    Riddle's arrangements help push forward the tunes, whether they be happy standards such as "When You're Smiling (The Whole World Smiles With You)," optimistic finger-snappers like "S'posin'," or the evergreen "Blue Moon," punctuated with a memorable tenor sax solo. Melodies unfurl like red ribbons on packages; grooves alternate between galloping and gallivanting; even ballads can't resist moving to joyous rhythmic patterns. Throughout, Sinatra's casual, uninhibited singing rises above the band, producing emotions that are at once frisky, lighthearted, pleasurable, and contagious. Dust off your dancing shoes.


    This title is not eligible for discount.

    1. When You're Smiling (The Whole World Smiles With You)
    2. Blue Moon
    3. S'posin'
    4. It All Depends on You
    5. It's Only a Paper Moon
    6. My Blue Heaven
    7. Should I?
    8. September in the Rain
    9. Always
    10. I Can't Believe That You're in Love With Me
    11. I Concentrate on You
    12. You Do Something to Me
    Frank Sinatra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • E.S.P. (Out Of Stock) E.S.P. (Out Of Stock) Quick View

    $49.99
    x

    E.S.P. (Out Of Stock)

    Numbered, Limited Edition


    Pressed At RTI


    A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.


    Pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of E.S.P. treats each phrase and every note as sacred communication. This meticulously restored audiophile version renders the music's dynamics, pitch, colors, and textures with lifelike realism and proper scale. Reference-caliber separation, wall-to-wall soundstages, and distinct images magnify the intensity and beauty of Davis and Co.'s creations. Whether it's the distinctive snap of Tony Williams' drum sticks against the snare head, air moving through Davis' trumpet, acoustic thrum of Ron Carter's bass, or upper register of Herbie Hancock's piano, the sound is better than you'd even hear in the most intimate jazz clubs. Prepare to be swayed on every level.


    For many, E.S.P. looms among the decade's best albums if only because of the significance of Davis' lineup. While Hancock, Williams, and Carter are holdovers that began playing with one another on 1963's Seven Steps to Heaven, Wayne Shorter functions as the secret weapon and key addition responsible for this ensemble hitting a new peak. Indeed, the saxophonist helped pen two of the seven compositions here - notably, E.S.P. is entirely comprised originals and clocked in as one of the longest-running jazz LPs issued at the time - and, more importantly, grants Davis the confidence and leeway necessary for the eruption of enigma, steadiness, and tension.


    As he did with John Coltrane year earlier, Davis hangs back and picks his moments to solo, with Shorter stepping up to supply the churn. Their bandmates respond in kind, itching to take off into new stratospheres all the while keeping their improvisations grounded and connected to the piece at hand. Guided by Davis' visions and inspired by current boundary-pushing works by the likes of Ornette Coleman, Cecil Taylor, and Coltrane, the magnificent results spark with variation, harmony, emotion, energy, and brilliant movement.


    Interlocking lines drive Little One, alternating rhythms pulse through the funky Eighty-One, melodies soar on the balladic Iris, the aptly titled Mood broods over minor-key structures, and Agitation - goosed by a two-minute percussive introduction by Williams - delivers on its promise. No record - and no group of musicians - have ever balanced coherent themes and exploratory playing in better fashion than Davis' quintet on E.S.P. It's the avant-garde record even jazz traditionalists love, and essential on every level.


    This title is not eligible for discount.

    1. E.S.P.
    2. Eighty-One
    3. Little One
    4. R.J.
    5. Agitation
    6. Iris
    7. Mood
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Temporarily out of stock
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