- Lowest Price
- Highest Price
Midnight Sun (Original Motion Picture Soundtrack)Pressed On Sea Mist Colored Vinyl
Based on the Japanese film, Midnight Sun centers on Katie, a 17-year-old sheltered since childhood and confined to her house during the day by a rare disease that makes even the smallest amount of sunlight deadly. Fate intervenes when she meets Charlie and they embark on a summer romance.
Original recordings from Bella Thorne with original score from composer Nathaniel Walcott.1. Burn So Bright - Bella Thorne
2. Reaching - Bella Thorne
3. Warsaw - White Sea
4. What's Real - Waters
5. Stockholm - Adriel
6. Sweetest Feeling - Bella Thorne
7. Walk With Me - Bella Thorne
8. Where I Stand - Mia Wray
9. Let The Light In - Bella Thorne
10. I'm Old School Too - Nathaniel Walcott
11. Wanna Go Out On A Real Date? - Nathaniel Walcott
12. I'm Not Swimming - Nathaniel Walcott
13. Skinny Dip Kiss- Nathaniel Walcott
14. Sunrise - Nathaniel Walcott
15. Triggering Event - Nathaniel Walcott$24.99Colored Vinyl LP - Sealed Buy Now
Midnight Sun (Awaiting Repress)Moth To A Flame, the album's transportative closer, finds Sean Lennon and Charlotte Kemp Muhl in full psychedelic guise, echoing the minor-key atmospherics of Pink Floyd's Breathe alongside a celestial chorus and mercurial slide guitar.
Midnight Sun follows 2010's Mark Ronson-produced Jardin Du Luxembourg and the same year's homegrown Acoustic Sessions.
In more recent times, the duo have toured with fellow psych voyagers The Flaming Lips and Tame Impala, while Lennon found time to release Mystical Weapons with Deerhoof's Greg Saunier and continue his role as Musical Director of his mother's Plastic Ono Band. Muhl, meanwhile, immersed herself in the folk world with Kemp & Eden.
- Ross Bennett (Mojo)1. Too Deep
5. Midnight Sun
6. Last Call
7. Devil You Know
8. Golden Earrings
9. Great Expectations
10. Poor Paul Getty
11. Don't Look Back Orpheus
12. Moth To A Flame$19.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
King Of The Sun / King Of The Midnight SunThe legendary former garage-punks, recently covered by Bruce Springsteen, break new ground with two albums that are the same - but different Why would a band re-record their new album in its entirety and then release them both at the same time? Because, as leader Chris Bailey puts it, "it's both sides of The Saints in one package".LP1
1. King of the Sun
2. A Million Miles Away
3. Sweet Chariot
7. Road To Oblivion Part 2
8. All That's On My Mind
9. Craters On The Moon
10. Mini Mantra Part 1
11. Adventures in the Dark Arts of Watermelonery
1. King of the Sun (Midnight Session)
2. A Million Miles Away (Midnight Session)
3. Sweet Chariot (Midnight Session)
4. Turn (Midnight Session)
5. Mystified (Midnight Session)
6. Duty (Midnight Session)
7. Road To Oblivion Part 2 (Midnight Session)
8. All That's On My Mind (Midnight Session)
9. Craters On The Moon (Midnight Session)
10. Mini Mantra Part 1 (Midnight Session)
11. Adventures In The Dark Arts of Watermelonery (Midnight Session)$39.99Vinyl LP - 2 LPs Sealed Buy Now
Midnight SpecialBefore Uncle Kracker spent six weeks at #1 with When the Sun Goes Down, a duet with good friend Kenny Chesney, country music might've seemed an odd place to find the Detroit-based good-time Kid Rock alumni. But as several summer tours with Chesney, the Top 5 Smile and the enduring recurrent status of Sun prove, Uncle Kracker's deep melodies and sense of what the heartland means has made him a perfect fit in today's post-rural realm of country music.
The first single Nobody's Sad on a Saturday Night, a theme song for a weekend party, from his label debut Midnight Special, has already hit the airwaves and is being embraced by Country radio. With producer Keith Stegall at the helm (Alan Jackson, George Jones and Zac Brown, as well as writing #1 songs for Jackson, George Strait and Dr. Hook), Uncle Kracker took his strong sense of melody and infectious choruses into the studio in Nashville. Writing all 11 songs with some of Nashville's best known writers, including Shane McAnally (Come Over, Somewhere with You, Last Call), Scooter Carusoe (Anything But Mine, Better as a Memory) and Chris Tompkins (Before He Cheats, Blow Away), as well as Detroit rocker JT Harding - Uncle Kracker grounds his music in bands people know, places they've been, moments they've shared and a real sense of America today.1. You Got That Thang
2. I'd Be There
3. Four Letter Word
4. Blue Skies
5. When I Close My Eyes
6. In Between Disasters
8. Nobody's Sad on a Saturday Night
9. Nuthin' Changes
10. Who We Are
11. It Is What It Is (with Sonia Leigh)$21.99Vinyl LP - Sealed Buy Now
Midnight Oil: The Complete Vinyl Box SetMidnight Oil's 11 Classic Studio LPs Plus Their Two 12 EP's On 180g Vinyl In One Complete Box
Remastered From The Original Tapes By Steve Smart At Studios 301, Sydney
Mastered For Vinyl At Abbey Road Studios, London
Introducing the complete Midnight Oil Vinyl Collection from Sony Legacy and Sony Music Australia. This definitive Oils collection includes all of Midnight Oil's 11 classic studio LPs plus their two 12 EPs on 180g vinyl in one complete box. Each vinyl has been remastered from the original tapes by Steve Smart at Studios 301, Sydney and then mastered for vinyl at Abbey Road Studios, London. The artwork has been painstakingly restored to match the original releases and this deluxe box set includes the original alternative album cover for Capricornia.
Midnight Oil is more than just a rock & roll band. From their beginnings as an inner city punk group gigging around Australian pubs in the late 70's they grew into one of Australia s most successful international rock bands in the '80s and '90s. Midnight Oil followed nobody else's rules. They blazed trails, they took stands and they pushed all boundaries. Most importantly, across a quarter of a century this iconic band created a uniquely Australian sound that is captured here in one complete vinyl collection for the very first time.
- Midnight Oil
- Head Injuries
- Bird Noises (ep)
- Place Without A Postcard
- 10, 9, 8, 7, 6, 5, 4, 3, 2, 1
- Red Sails In The Sunset
- Species Deceases (ep)
- Diesel and Dust
- Blue Sky Mining
- Earth and Sun and Moon
- Redneck Wonderland
2. Head Over Heels
4. Used And Abused
5. Surfing With A Spoon
6. Run By Night
7. Nothing Lost-Nothing Gained
1. Cold Cold Change (Album Version)
2. Section 5 (Bus To Bondi) (Album Version)
3. Naked Flame (Album Version)
4. Back On The Borderline (Album Version)
5. Koala Sprint (Album Version)
6. No Reaction (Album Version)
7. Stand In Line (Album Version)
8. Profiteers (Album Version)
9. Is It Now? (Album Version)
1. Don't Wanna Be The One (Album Version)
2. Brave Faces (Album Version)
3. Armistice Day (Album Version)
4. Someone Else To Blame (Album Version)
5. Basement Flat (Album Version)
6. Written In The Heart (Album Version)
7. Burnie (Album Version)
8. Quinella Holiday (Album Version)
9. Loves On Sale (Album Version)
10. If Ned Kelly Was King (Album Version)
11. Lucky Country (Album Version)
1. Outside World (Album Version)
2. Only The Strong (Album Version)
3. Short Memory (Album Version)
4. Read About It (Album Version)
5. Scream In Blue (Album Version)
6. US Forces (Album Version)
7. Power And The Passion (Album Version)
8. Maralinga (Album Version)
9. Tin Legs And Tin Mines (Album Version)
10. Somebody's Trying To Tell Me Something (Album Version)
1. When The Generals Talk (Album Version)
2. Best Of Both Worlds (Album Version)
3. Sleep (Album Version)
4. Minutes To Midnight (Album Version)
5. Jimmy Sharman's Boxers (Album Version)
6. Bakerman (Album Version)
7. Who Can Stand In The Way (Album Version)
8. Kosciusko (Album Version)
9. Helps Me Helps You (Album Version)
10. Harrisburg (Album Version)
11. Bells And Horns In The Back Of Beyond (Album Version)
12. Shipyards Of New Zealand (Album Version)
1. Beds Are Burning (Album Version)
2. Put Down That Weapon (Album Version)
3. Dreamworld (Album Version)
4. Arctic World (Album Version)
5. Warakurna (Album Version)
6. The Dead Heart (Album Version)
7. Whoah (Album Version)
8. Bullroarer (Album Version)
9. Sell My Soul (Album Version)
10. Sometimes (Album Version)
1. Blue Sky Mine (Album Version)
2. Stars Of Warburton
3. Bedlam Bridge (Album Version)
4. Forgotten Years (Album Version)
5. Mountains Of Burma (Album Version)
6. King Of The Mountain (Album Version)
7. River Runs Red
8. Shakers And Movers
9. One Country (Album Version)
10. Antarctica (Album Version)
1. Feeding Frenzy (Album Version)
2. My Country (Album Version)
3. Renaissance Man (Album Version)
4. Earth And Sun And Moon (Album Version)
5. Truganini (Album Version)
6. Bushfire (Album Version)
1. Drums Of Heaven (Album Version)
2. Outbreak Of Love (Album Version)
3. In The Valley (Album Version)
4. Tell Me The Truth (Album Version)
5. Now Or Neverland (Album Version)
1. Underwater (Album Version)
2. Surf's Up Tonight (Album Version)
3. Common Ground (Album Version)
4. Time To Heal (Album Version)
5. Sins Of Omission (Album Version)
6. One Too Many Times (Album Version)
7. Star Of Hope (Album Version)
8. In The Rain (Album Version)
9. Bring On The Change (Album Version)
10. Home (Album Version)
11. E-Beat (Album Version)
12. Barest Degree (Album Version)
13. Gravelrash (Album Version)
1. Redneck Wonderland
3. Cemetery In My Mind
4. Comfortable Place on the Couch
5. Safety Chain Blues
6. Return to Sender
8. The Great Gibber Plain
9. Seeing is Believing
10. White Skin Black Heart
11. What Goes On
12. Drop in the Ocean
1. Golden Age (Album Version)
2. Too Much Sunshine (Album Version)
3. Capricornia (Album Version)
4. Luritja Way (Album Version)
5. Tone Poem (Album Version)
6. A Crocodile Cries (Album Version)
7. Mosquito March (Album Version)
8. Say Your Prayers (Album Version)
9. Been Away Too Long (Album Version)
10. Under The Overpass (Album Version)
11. World That I See (Album Version)
12. Poets And Slaves (Album Version)
1. No Time For Games (Album Version)
2. Knife's Edge (Album Version)
3. Wedding Cake Island (Album Version)
4. I'm The Cure (Album Version)
1. Progress (Album Version)
2. Hercules (Album Version)
3. Blossom And Blood (Album Version)
4. Pictures (Album Version)$424.99180 Gram Audiophile Virgin Vinyl LP Box Set - 13 LPs Sealed Buy Now
Can You Please Crawl Out Your Window/Burning Of The Midnight LampTHE FIRST OF AN HISTORIC SERIES OF 7" SINGLES FEATURING UNIQUE AND HARD-TO-FIND VINTAGE PERFORMANCES BY JIMI HENDRIX!
In a historic alliance, Sundazed has partnered with Experience Hendrix, L.L.C. to release an eye-popping series of new 7" picture-sleeve vinyl singles featuring unique and hard-to-find vintage performances by Jimi Hendrix!
Both sides feature the classic original Jimi Hendrix Experience lineup of Hendrix on guitar and vocals, Noel Redding on bass and Mitch Mitchell on drums, and capture the band just as they were beginning to emerge as a major creative force on both sides of the Atlantic. As with every release in the series, it will feature a color picture sleeve, incorporating rare vintage Hendrix photos that capture the legendary artist's distinctive persona and pioneering spirit.
In a recording career that spanned only three and a half years prior to his tragic death in 1970 at the age of 27, Jimi Hendrix revolutionized the role of the electric guitar, and radically altered the face of contemporary music. He became rock's first guitar superstar with an effortless charisma that matched his visionary talent to an intensely original performing style.1. Can You Please Crawl Out Your Window?
2. Burning of the Midnight Lamp$9.997 Vinyl Single - Sealed Buy Now
GOASTT StoriesThe Ghost of a Saber Tooth Tiger is a six-piece psych rock
band led by Sean Lennon and Charlotte Kemp Muhl. Their
2014 album Midnight Sun was picked by Rolling Stone
magazine on their Best Albums of 2014 list, and "Too Deep"
was selected by NPR as one of the Best Songs of 2014.
This 10" vinyl record presents more of their whimsical
psychedelia. Limited to 600.1. Casanova
4. Richard Brown$14.9910 Vinyl LP - Sealed Buy Now
Al DiMeola's second album Elegant Gypsy proved to become one of the defining albums in fusion. While being still a member of Return To Forever, DiMeola delivered his sophomore solo record after Land Of The Midnight Sun by collaborating with jazz rock giants Steve Gadd, Jan Hammer and Anthony Jackson. He even enlists Flamenco superstar Paco De Lucia on "Mediterranean Sundance", a song which predicts the style DiMeola would eventually evolve into: Latin tinged acoustic wizardry. Elegant Gypsy was certified Gold in the United States.1. Flight Over Rio
2. Midnight Tango
3. Mediterranean Sundance
4. Race With Devil On Spanish Highway
5. Lady Of Rome, Sister Of Brazil
6. Elegant Gypsy Suite$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sweet Summer Sun-Hyde Park LiveThis summer, over 100,000 delirious fans packed into Hyde Park for two spectacular outdoor concerts to see Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood do what they do best. The Stones delivered a five star performance packed full of hits such as 'Start Me Up', 'Brown Sugar', 'Jumpin' Jack Flash', 'Miss You', 'It's Only Rock 'N' Roll', 'Gimme Shelter', 'Doom And Gloom' and 'Sympathy For The Devil', as well as one or two surprises.
Mick Jagger said: "It was a great gig It was beautiful with the sun going down over Hyde Park. I can't think of a better way celebrate the Rolling Stones' 50 than doing it on our home patch in front of 100,000 people on a glorious summer night enjoy it we certainly did."
Keith Richards commented: "Coming back to Hyde Park was like a full circle being drawn, and the band were in top form. We thought what could be more appropriate than having a great summer in London!"
From the second the Rolling Stones stepped out onto the stage each night, through to the dazzling firework and pyrotechnic display that heralded the end of the concert, fans old and new were treated to a non-stop, hit after hit performance, which took them through the Stones' huge back catalogue. Keith Richards wowed the crowds by weaving his charismatic guitar licks with Ronnie Wood's immense solos, Mick Jagger was on spectacular form, his boundless energy on stage matched by a number of stunning outfit changes, and Charlie Watts the unflappable heartbeat of the band, driving the band on through the set.
Former guitarist Mick Taylor - whose live debut with the Stones took place at the original 1969 Hyde Park concert - joined the band on stage to guest on the bluesy 'Midnight Rambler' and on closing track 'Satisfaction', whilst long-term live band members Lisa Fischer, Darryl Jones, Chuck Leavell, Bernard Fowler, Bobby Keys and Tim Ries all added their inimitable flair and finesse.
The Rolling Stones Sweet Summer Sun - Hyde Park Live is the perfect way for concert-goers to relive their favourite memories from the gigs, and for their fans to see the band back where they truly belong: live on the stage in their hometown.LP 1
1. Start Me Up
2. It's Only Rock 'n' Roll
3. Tumbling Dice
4. Emotional Rescue
5. Street Fighting Man
6. Ruby Tuesday
7. Doom And Gloom
8. Paint It Black
1. Honky Tonk Women
2. You Got The Silver
3. Before They Make Me Run
4. Miss You
5. Midnight Rambler
6. Gimme Shelter
1. Jumpin' Jack Flash
2. Sympathy For The Devil
3. Brown Sugar
4. You Can't Always Get What You Want
5. (I Can't Get No) Satisfaction
1. Start Me Up
2. It's Only Rock 'n' Roll
3. Street Fighting Man
4. Ruby Tuesday
5. Doom And Gloom
6. Honky Tonk Women
7. You Got The Silver
9. Miss You
10. Midnight Rambler
11. Gimme Shelter
12. Jumpin' Jack Flash
13. Sympathy For The Devil
14. Brown Sugar
15. You Can't Always Get What You Want
16. (I Can't Get No) Satisfaction$59.99Vinyl LP + DVD - 3 LPs Sealed Buy Now
Elysium (Awaiting Repress)
DMM Direct Cut From 24/96 Hi-Res Master
180 Gram Audiophile Pressing
He came from the 'Land Of The Midnight Sun', sparkled on the jazz-rock stage as an 'Elegant Gypsy', came up trumps in the 'Casino' with all the right chords and melodies, and his 'Splendido Hotel' was the number one address for fusion fans around the globe. He finally achieved immortality together with John McLaughlin and Paco de Lucia on 'Friday Night In San Francisco'. From his early days as a rising star i right up to the present day, he has continually managed to refine his qualities: breathtakingly fast picking, skillful percussion effects the like of which had never been heard before, the effortlessness with which he can instantly switch from muscular axe-man rock to spinning gentle, romantic webs of melody. In the nineties, inspired by his love of the acoustic sounds of Latin America and the works of nuevo tango pioneer Astor Piazzolla, he made some delightful chamber music recordings.
On more recent albums all these penchants, influences and musical movements have fused into an unmistakable sound. 'Elysium' is the climax of this process so far. The artist has arrived where he always wanted to be. He himself thinks of Elysium as a 'place of perfect happiness'. A paradise where acoustic and electric components, triumphant rock and finely entwined jazz, delicate and pumping rhythms, guitars and keyboards, wide panoramas of rock and diaphanous carpets of sound come together in harmony. The gates to paradise for guitar aficionados are open to everyone - with 'Elysium.'
- Al Di Meola: Guitars
- Barry Miles: Keyboards
- Mario Parmisano: Keyboards
- Piano Philippe Saisse: Keyboards, Piano, Marimba
- Rhani Krija: Percussion
- Peter Kaszas: Drums
4. Purple and Gold
3. Etcetera in E-major (Intro)
4. Etcetera in E-minor
7. Monsters$34.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
- Al Di Meola: Guitars
Their Greatest HitsShake 'em up! R&B from the vaults of King/Federal Records!
The lascivious pen of Henry "Hank" Ballard was responsible for many risquÉ odes, including The Midnighters' "Work With Me Annie," "Sexy Ways," and "Get It," major R&B hits of the early '50s all included on 1956's Their Greatest Hits! The FCC banned several of the band's songs from airplay, which only made them that much more desirable for the growing teenage market, and this Sundazed edition-pressed on 180 gram audiophile vinyl at RTI-is the ultimate way to experience the best of the throbbing fury of this storied ensemble at its peak. GET IT!1. Work With Me Annie
3. Sexy Ways
4. Get It
5. Switchie Witchie Twitchie
6. It's Love Baby (24 Hours A Day)
7. Annie Had A Baby
8. She's The One
9. Annie's Aunt Fannie
10. Crazy Loving (Stay With Me)
11. Henry's Got Flat Feet
12. Tore Up Over You$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Cosmic Scene (Pure Pleasure)
Still riding the success of his triumphant concert at the 1956 Newport Jazz Festival, Duke Ellington in 1958 decided to reduce his touring orchestra to a nonet dubbed the Spacemen, and recorded this lone project with them for the Columbia label. Perhaps inspired by the first orbiting satellites, Ellington is not taking cues from George Russell or Sun Ra, whose extraterrestrial inspirations led them to even more progressive paths. This large ensemble is playing mostly standards, but the arrangements and solos carve an integrated yet elasticized concept that allows for a more expanded role for the ensemble's trombonists Quentin 'Butter' Jackson, John Sanders, and Britt Woodman, and select soloists. One in the solo spotlight is Clark Terry on flugelhorn exclusively, putting his fabled trumpet aside. The classic material presented includes clarinetist Jimmy Hamilton's features Avalon and Early Autumn, the slinky stripper pole blues version of St. Louis Blues with Ellington's piano taking the lead, and a version of Body & Soul, with tenor saxophonist Paul Gonsalves completely extrapolating and re-harmonizing the tune. There's a modified Perdido, an animated and perky Midnight Sun that deviates from any other slow and lugubrious version of the ballad, and Jones a real good swinger. There are two originals; the blues bass of Jimmy Woode and the 'bones with plentiful piano from Duke infusing Bass-Ment, and one of the more delightful of all of Ellington's book, the poppin' and boppin' Spacemen, a bright happy horn chart led by Terry that is one of the more distinctive Ellington numbers of this time period. It comes highly recommended.
- Paul Gonsalves (tenor saxophone)
- Clark Terry (fluegel horn)
- Britt Woodman, John Sanders, Quentin Jackson (trombone)
- Jimmy Hamilton (clarinet)
- Duke Ellington (piano)
- Jimmy Wood (bass)
- Sam Woodyard (drums)
Recording: April 1958 at Columbia 30th Street Studio, New York
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Avalon
2. Body And Soul
4. Early Autumn
7. St. Louis Blues
9. Midnight Sun
10. Take The A Train$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
MTV Unplugged - Summer SolsticeIn the land of the midnight sun, the clocks tick slightly different than they do elsewhere. This is especially true during the summer solstice, when the sun hardly sets at all, bathing the small Norwegian island of Giske - where a-ha played their first ever two acoustic concerts - in an eerie twilight.
Giske is a tiny island in close proximity to the city of Ålesund on the shore of the North Atlantic Ocean - a popular city much frequented by day trippers arriving on huge cruise ships during Norway's short yet intense summer season. But a-ha's audience didn't get to Giske on such boats. Coming from destinations all over the world, for them getting to Giske meant embarking on a plane to Oslo and from there to Ålesund. And from there you finally have to drive through a series of seemingly endless and frighteningly deep undersea tunnels to reach Giske, an island so beautiful and, well, remote, that one immediately wonders why a-ha handpicked this specific location to play their long awaited first MTV Unplugged shows on the night of the 2017 summer solstice, right where the world seems to end.
Pål Waaktaar-Savoy: "Choosing Giske is like most of the things we do: It's been 50% chance and 50% planned. We were discussing many different places to play these special shows - among them Manaus in the Amazon jungle, Berlin, London and New York. At the end of the day it was the Ocean Sound Recordings studio in Giske that made the difference. We knew that we could rehearse undisturbed in an extremely good sounding facility."
a-ha booked the Ocean Sound Recordings studio, which looks out onto the ocean, to revisit their own back catalogue for two weeks together with producer Lars Horntveth, who had already been working on the acoustic arrangements for more than half a year. The nearby Øygardshallen (Giske Harbour Hall) turned out to be the perfect venue to stage their two first ever acoustic shows: They simply had to lay cables from A to B and then were able to use the studio at Ocean Sound Recordings to capture the shows perfectly. a-ha performed in front of an audience of just 250 people - the Øygardshallen's glass front allowed the audience to gaze out into the pale night and onto a number of LED video steles that had been set up behind the band, serving as a minimalist backdrop to the concert. Suffice to say, the concerts were sold-out within minutes, as a-ha were to play "concerts so close to our audience like never before". As Magne Furuholmen puts it: "These were by far the most intimate concerts we've ever given."
Yet the beauty of the North Atlantic Ocean, the light of the midnight sun and the exclusivity of the concerts are only one half of the story. The other half is that the idea of a-ha playing their vast catalogue of world hits stripped down to their very essence is indeed a promising endeavor.
Pål: "We've talked about this idea for so many years. And in many of our concerts we've also played some acoustic songs. But if you consider that we don't use much technology at all when we write the songs, the idea an entirely acoustic show makes total sense. Playing all these songs now in their acoustic versions is like returning to their origins."
Magne expands the thought in a more universal direction: "Most of our songs draw inspiration from a childhood directly exposed to Norwegian culture, even the folk music tradition, perhaps more so than we thought. We were constantly faced with questions from journalists implying how our 'Norwgian-ness' was a unique part of our sound, even though we lived and worked in London.
As a creative person it is almost easier to tap into this nordic mindest from a distance. History is full of good examples of how iconic Norwegians in the past did their best work away from home; The writer Henrik Ibsen wrote on universal topics with a strong Norwegian tone while living in Italy, Edvard Munch's melancholic force defined expressionism while living in Berlin - yet he simply couldn't be from anywhere but this country. And of course there is Edvard Grieg, who took a lot of inspiration directly from folk music. His music always felt particularly resonant in our ears growing up. With such strong figures and influences defining what it is to be a Norwegian, it becomes part of what you are. Our darker, melancholic streak definitely harks back to these early influences. We feel connected to all that, which is why we thought returning home for this project was a very natural step.
Morten Harket stresses the fact how crucial it was to have arranger/producer Lars Horntveth on board as a catalyst and fearlessly driving force behind the scenes: "He confronted our music by presenting completely new arrangements, also taking out 'untouchable' parts, which easily came across as being disrespectful. I say this as a compliment, by the way... And of course we hated it! But we also needed it! This was exactly what we had asked of him. We needed someone who would boldly question everything that we stood for as a band - someone who could stand up to us. Of course it led to shouting matches. It's part of the creative process. Lars deserves the credit for bringing the band closer together than we have been for a very long time."
For the MTV Unplugged shows, a-ha played 17 songs in completely new arrangements as well as two new songs and two cover versions on vintage acoustic instruments, accompanied by a backing band featuring Karl Oluf Wennerberg on drums, Even Ormestad on acoustic bass, Morten Qvenild on piano and various acoustic keyboards, Lars Horntveth on multiple instruments and Madeleine Ossum on violin and vocals, Tove Margrethe Erikstad on cello and Emilie Heldal Lidsheim on viola and backing vocals. Furthermore, a total of four guest stars served as duet partners for Morten Harket. Most notably, Echo & The Bunnymen's Ian McCulloch had been invited by Magne Furuholmen to sing "Scoundrel Days" and Ian's very own "The Killing Moon" on the first of the two shows. On the second night, a-ha were joined by Alison Moyet of Yazoo fame to duet with Morten on "Summer Moved On". Highasakite's Ingrid Helene Håvik guested on "The Sun Always Shines on TV" on both nights, while, last but not least, American singer Lissie did the same on "I've Been Losing You".
"In the cacophonic world of popular music, with its high-impact effects and productions, the music is often somewhat lost as it ends up being premeditated." Morten Harket addresses the subject of subtlety: "The world of pop is a world where everything always has to be more than anything else."
Attending the concerts and the last full day of the rehearsals, you could tell that the whole group and especially Morten did indeed try to reveal the soul of each and every song performed. During the last run-through on the day before the first night the band took things extremely seriously. Songs were started, stopped and deconstructed. Discussions between Morten and the group as well as with the recording engineers dealt with the tiniest details of sound, cohesiveness and attitude. As a result, the two shows benefited profoundly, both in terms of microstructure (the new arrangements reveal so much of the songs' essences), as well as in that the overall dramaturgic arc of the concerts, which steadily built towards a climax that would astound even the most dedicated follower of the group. During the encore, a-ha would play - "as usual" - their first and biggest hit to date, "Take On Me". But an unexpected chord change in the chorus and the skeletal arrangement not only allowed a new perspective on the song's lyrics, it also left the audience with tears in their eyes.
Magne: "When you rearrange songs for an acoustic rendition it is also an opportunity to do more than to just simplify them. I especially like what happened when we took a fresh look at Take on me, which went from being an uptempo syntheziser-driven popsong to a much more melancholic, yearning ballad in this slowed down arrangement, it shows with much more clarity how the song at its core is not some standalone upbeat track, but belongs squarely inside our catalogue alongside more thoughtful, darker songs like scoundrel days etc.
There are only a few bands in the world who can look back on similarly close ties with the music channel MTV as a-ha. Alongside the likes of Duran Duran and Yello, in 1985 a-ha were worldwide pioneers who immediately understood the power of the music video as both a narrative and commercial tool. Steve Barron's classic "Take On Me" clip is still a milestone of music video and in 2003 was voted by the MTV audience as one of the top ten best videos ever made. There have long been efforts by a-ha and MTV to organize an Unplugged concert.
The fact that the two MTV Unplugged concerts in June 2017 actually took place on Giske also left a deep impression on a-ha themselves. Like every other band that has been successful on a worldwide scale for over three decades, a-ha have had their share of problems, split-ups and re-unifications. A thoughtful Magne reflects: "After such a long time, a-ha have now become a band that simply continues from project to project. This turned out to be a very healthy approach for the three of us, because going acoustic also had the taste of a new project."
Pål: "When we recorded our last few albums, we were sometimes working pretty isolated from each other. We should do this again - sitting and recording in the same room together for a couple of weeks or months and see what comes out as a result. We may argue about a lot of things, but we are also a band that has very close ties."
After the closing applause that seemed would never end, the band left the stage and walked out of Øygardshallen into the living daylights. Having performed two triumphant concerts together, the three band mates climbed into three separate vehicles and headed off into the sunlit night. But everybody in the audience had a feeling that a-ha had now just opened a brand new chapter in their unparalleled career. To quote a line from one of the highlights of these unplugged shows: "Cause I've been told / Stay on these roads / We shall meet, I know."
-Max DaxLP 1
1. This Is Our Home (Live from MTV Unplugged, Giske / 2017)
2. Lifelines (Live from MTV Unplugged, Giske / 2017)
3. I've Been Losing You (Live from MTV Unplugged, Giske / 2017)
4. Analogue (All I Want) (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. The Sun Always Shines on TV (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. A Break in the Clouds (Live from MTV Unplugged, Giske / 2017)
7. Foot of the Mountain (Live from MTV Unplugged, Giske / 2017 / LP Edit)
1. Stay on These Roads (Live from MTV Unplugged, Giske / 2017 / LP Edit)
2. This Alone Is Love (Live from MTV Unplugged, Giske / 2017)
3. Over the Treetops (Live from MTV Unplugged, Giske / 2017)
4. Forever Not Yours (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. Sox of the Fox (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. Scoundrel Days (Live from MTV Unplugged, Giske / 2017)
7. The Killing Moon (Live from MTV Unplugged, Giske / 2017 / LP Edit)
1. Summer Moved on (Live from MTV Unplugged, Giske / 2017 / LP Edit)
2. Memorial Beach (Live from MTV Unplugged, Giske / 2017 / LP Edit)
3. Living a Boy's Adventure Tale (Live from MTV Unplugged, Giske / 2017)
4. Manhattan Skyline (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. The Living Daylights (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. Hunting High and Low (Live from MTV Unplugged, Giske / 2017)
7. Ake on Me (Live from MTV Unplugged, Giske / 2017)$45.99Vinyl LP - 3 LPs Sealed Buy Now
REDI-SUN-5043xBooker T. & The MG's
And Now!And Now!, Booker T. & the MGs third album, marked a major change in the bands lineup with Donald Duck Dunn replacing Lewie Steinberg on bass. The addition of Dunns funkier style is in full evidence on tracks like In the Midnight Hour and Think, the latter song also featuring blistering Telecaster licks from six-string stalwart Steve Cropper. The balance of the album includes original songs , like Top Twenty R&B single My Sweet Potato, and current chart hits, done in that inimitable MG style. With Booker T.s evocative keyboard lines and Al Jacksons propulsive percussion, this was a band of individual virtuosos that became an even greater whole. And nowget ready for the soul jam!
This magnificent, made-in-Memphis LP is sourced from the original analog Stax Records master tapes, pressed High-Definition vinyl and outfitted in original artwork so sharp and clean that you would swear it just came off the rack at Lansky Brothers Department Store!1. My Sweet Potato
3. Now Matter What Shape
4. One Mint Julep
5. In The Midnight Hour
7. Working in The Coal Mine
8. Don't Mess Up A Good Thing
11. Soul Jam
12. Sentimental Journey$24.99Vinyl LP - Sealed Buy Now
REDI-SUN-5422xThe Missing Links
The Missing LinksDeluxe Reissue OF 1965 Aussie Garage Rarity with Bonus 7 EP
Though they have different approaches, a common thread runs through Australian bands like the Saints, Hoodoo Gurus, Midnight Oil and AC/DC: an aggressive, take-no-prisoners posture designed to grab audiences by the throat. This direct crowd-band interaction is essential on the rough-and-tumble Oz pub circuit, where if the group doesn't deliver the goods, they're likely to go down in a hail of lager cans. Whatever it is that puts the raw in Antipodean rawk, it's been there from the beginning. For proof, check the wild, outrageous sounds of the Missing Links. Formed in Sydney in 1964, a series of personnel changes eventually replaced all original members, leaving vocalist Andy Anderson, guitarist Doug Ford, drummer Baden Hutchens, bassist Ian Thomas and Chris Gray on keyboards. It was this lineup that recorded the band's 1965 debut album, The Missing Links. An instant garage punk classic, The Missing Links took the UK R&B combo model and drenched it in attitude and feedback, making contemporaries like the Troggs and the Who appear tame by comparison. The sonic guitar meltdown at the end of "You're Drivin' Me Insane" presages Jimmy Page's Zeppelin liftoff by a full three years while "Wild About You" defies description, except to say it still sounds shocking nearly 50 years on.
This slice of vigorous vinyl became one of the most prized acquisitions for garage punk fans the world over, with each successive wave of Down Under musical malcontents spreading its legend. The globe-trotting team at Sundazed has now restored the album in all its magnificent MONO glory! What more could you want? Well, how about the IMPOSSIBLY rare EP, The Links Unchained, featuring four more cuts of mid-Sixties madness!?! For a limited time, Sundazed is offering both of these audacious aural artifacts in one convenient package!1. Wild About You
2. Hobo Man
3. Bald-Headed Woman
4. Not To Bother Me
5. Mama Keep Your Big Mouth Shut
6. Some Kinda Fun
7. You're Drivin' Me Insane
8. Nervous Breakdown
9. Speak No Evil
10. On The Road Again
11. All I Want
12. H'tuom Tuhs
7" EP TRACKS:
1. I'll Go Crazy
2.Don't Give Me No Friction
3. One More Time
4. Wooly Bully$24.99180 Gram Audiophile Virgin Vinyl LP Mono + 7 Vinyl Single - Sealed Buy Now
Bo Diddley's Beach PartyFrom The Original Chess/Checker Masters In Glorious Mono
Faithful Reproduction Of The Original Artwork
It's the beach party of your dreams. Not one of those with the squeaky-clean suburban kids doing the frug at Malibu like in the movies, oh no. This is Myrtle Beach, filled with dangerous bikers and gang members and hot mamas and escaped convicts and god knows who else (best not to ask), all cruising for kicks. It's after midnight but the heat still lingers from a blistering day. Except for a small bonfire, the dark is all-enveloping; couples vanish into it and you'd best be looking elsewhere. At the fire, some guy's carving his initials into his hand with a pen knife, and two babes are noodle-dancing to the waves, or maybe just the voices in their heads. They need music, dammit. Just then, a cloud of dust materializes at the far end of the boardwalk, heading your way, getting closer by the minute. As it approaches, you can just make out the silhouette of a rather large man atop a little motor scooter, some crazy looking guitar slung over his shoulder. Who IS this guy? The scooter chugs to a stop at your feet, and off steps the only musician in the known world who could play this party without having the shit kicked out of him. Bo Diddley.
He plugs in, kicks off a scorching guitar riff. The band falls in. And the place goes totally batshit. Miraculously, someone thought to bring along a tape recorder. The result: Bo Diddley's Beach Party, the absolute pinnacle of vicarious musical thrills. Presented in its original, glorious, Distort-O-Phonic mono, this sweaty grungefest kicks ass from start to finish.
Lots of albums claim to be essential, groundbreaking, and all that crap, and pointyheaded rock crits fawn over cosmic lyrical brainfarts and diminished ninths and such. Bo Ddiddley's Beach Party just kicks sand in their faces and dares you not to dance.
Sundazed earnestly believes that you have no business calling yourself a rock 'n roll fan, an r&b maven, or even a sentient human being unless this album is in your collection, that's how crucial it is. In fact, don't even talk to us until it's in your hands. We mean it.1. Memphis
3. Hey! Bo Diddley
4. Old Smokey
5. Bo Diddley's Dog
6. I'm All Right
7. Mr. Custer
8. Bo's Waltz
9. What's Buggin' You
10. Road Runner$24.99180 Gram Audiophile Vinyl LP Mono - Sealed Buy Now
Live On Tour 1966The Standells' amazing string of punkish, tough-guy anthems, like "Dirty Water" and "Sometimes Good Guys Don't Wear White", define the legacy of mid-sixties garage rock like nothing else. With the success of these records came '66 tours with the Rolling Stones and Beach Boys. From all reports, the Standells proved a superb live act. But for decades, their on-stage reputation rested on an earlier, Pre-Tower label live album documenting the Standells in an unrecognizably clean-cut night club incarnation.
But there's a happy ending to this story. It turns out the Standells were in fact recorded at their peak, LIVE ON TOUR-1966! At last, here's the whole knock-out live act from the year the Standells stormed the charts. All the '66 hits are here including "Sometimes Good Guys Don't Wear White", "Why Pick On Me?" and of course, "Dirty Water" (in tremendous versions, all of them). Fan faves are also on board, like the fuzzed-out "Mr. Nobody" and stomping "Why Did You Hurt Me". Highlights also include high energy covers of "Midnight Hour" and "Please, Please, Please", to name just a few of these crowd-pleasers, showcasing the Standells' R&B roots updated with '66 sheen. Hearing the Standells' road-tested, extended take on "Gloria" is not to be missed, either!
Rescued from a professionally recorded concert at the University of Michigan, the Standells are captured in astonishingly clean sound that rivals their legendary studio recordings. This may just be the finest recorded example of vintage live '66 American garage rock. It's all here, the Standells in brilliant sound and in a superb package including rare photos and liner notes.1. Introduction
2. Mr. Nobody
3. Good Lovin'
4. Why Did You Hurt Me
5. Sunny Afternoon
7. Why Pick On Me
8. Please, Please, Please
9. Midnight Hour
10. Sometimes Good Guys Don't Wear White
11. Dirty Water$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Two VinesAlt-electro pioneers Empire Of The Sun return with their third studio album, Two Vines, set for release via Astralwerks. With Two Vines, the Australian band invites listeners to enter the jungle paradise that marks the third remarkable age of the Empire Of The Sun. Through a waterfall of dreams, beyond the white light of an ice curtain lies a lush, green world where childlike innocence and ancient wisdom are one. The album's first single, "High & Low," offers a glimpse of this dreamlike kingdom.
"We always saw Empire as a movie," says Nicholas Littlemore, the co-pilot with Luke Steele of this fantastic vessel of electro-futurist sound and vision. "The whole concept was based around childhood fantasies; being in bed and staring at the posters on your wall, whether they were monster movies or outlandish rock stars or pieces of art. We always wanted to be one of those posters on a child's wall that had so much imagination locked into it, a kind of invitation that pushes you over the edge into dream world. With this record, it's time to take that next step."
Recorded in Hawaii and Los Angeles, Two Vines is co-produced by Empire Of The Sun and Peter Mayes (Sia, The Killers, Mika), alongside long-term collaborator, Donnie Sloan (Midnight To Monaco). It also sees the creative circle expanding with esteemed pianist/arranger Henry Hey and bassist Tim Lefebvre, from David Bowie's Blackstar band, featured heavily on the album. Factor in Wendy Melvoin from Prince's Revolution, as well as Fleetwood Mac's genius guitarist/vocalist Lindsey Buckingham, and the Empire's rainbow has never been so vast and colorful.
"Going to Hawaii to record was the best idea," says Luke Steele of sessions at Honolulu's Avex Studios - where Kanye West recorded 2010's My Beautiful Dark Twisted Fantasy. "That was the catalyst for me. I'd spend the morning surfing, then roll in and make music into the night."1. Before
2. High and Low
3. Two Vines
5. There's No Need
6. Way to Go
8. Digital Life
9. First Crush
11. To Her Door
13. Lend Me Some Light
14. Welcome to My Life
15. Walking on a Dream$22.99Vinyl LP - Sealed Buy Now
Black Light Syndrome (Awaiting Repress)This power trio has famous roots, and they've brought it all together masterfully. First cut The Sun Road starts off like a tune off of David Gilmour's first solo album and then vanishes into a driving, power-chorded surge of soulful rock. Next, Dark Corners is a massive rocker that pulls you under its powerful whirlpool of guitar/bass/drum frenzy. Stevens tortures the guitar into absolute submission without any predictable riffs. Levin looms everywhere, and Bozzio flows in a polyrhythmic jungle. Fine interactive tension and execution everywhere. This goes way beyond King Crimson's Red days.
Duende opens with flamenco guitar firebursts, and slowly builds into a decent Spanish-flavored piece. Not my favorite, but well done. The title cut, Black Light Syndrome, is obviously a play on Bozzio Levin Stevens. It is a slower-paced dirge and filled to the brim with a variety of well-executed riffs, basslines, and drum tech.
Falling in Circles is an early Floydscape dotted with Ronnie Montrose leads, a ballad of driving determination and resolve. Floods of Satriani, Wishbone Ash, Alvin Lee, Fripp, Buck Dharma, and even that Duane Allman tone.
Book of Hours took me right back to Wheels of Fire's Pressed Rat and Warthog, rainy-day dreamy afternoons with a fresh pot of designer coffee. Levin, Bozzio, and Stevens play off of one another precisely as one mind.
On the last cut, Chaos/Control, you hear that E7 breakdown from Hendrix's Midnight on War Heroes, and then a jazzy boogie in classic Frank Marino style is laid down. Stevens is a guitarist with a wide range of dynamics.
- John W. Patterson (All Music Guide)1. The Sun Road
2. Dark Corners
4. Black Light Syndrome
5. Falling in Circles
6. Book of Hours
7. Chaos / Control$26.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Electric Ladyland (Awaiting Repress)Ranked 54/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Cut from the Analog Masters by Legendary Engineer George Marino at Sterling Sound and Pressed on 180-gram Vinyl at RTI!
First-Ever Audiophile Edition of Hendrix's Pioneering Third Studio Album: The Wait Is Over!
The Hendrix Family is Committed to Bringing you the Best Sound Quality Possible: Do Not Miss This Pressing!
Set Joins Exquisitely Remastered Versions of Are You Experienced, Axis: Bold As Love, First Rays of the New Rising Sun, and the previously unreleased Valleys of Neptune!
The great manifesto of the psychedelic rock era, the Jimi Hendrix Experience's Electric Ladyland is the culmination of resounding experimentation and several years of band chemistry, as well as Hendrix's continual development as a guitarist seemingly capable of anything and limited only by what he couldn't think of doing. As the trio's final studio recording together, it's also the band's most adventurous, and collaborative, as Steve Winwood, Al Kooper, Buddy Miles, Jack Casady, and Chris Wood all make guest apprarances. Featuring everything from sensitive wah-wah playing (Burning of the Midnight Lamp) to the all-time best version of Bob Dylan's All Along the Watchtower, with Hendrix infusing the song with requisite mystery and mayhem, to the magnetic riff passages of Voodoo Child (Slight Return), Electric Ladyland remains one of the most fully realized and referenced recordings in history. And until now, it's never received the sonic facelift it's not only needed, but deserved.
Mastered from the original analog tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this 2LP set is a sonic knockout on par with the very best audiophile recordings. This is also the first-ever audiophile edition of Electric Ladyland. We guarantee it will absolutely blow away whatever analog or digital version you've heard before. It's no wonder that this release spearheads Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history.
Ranked by Rolling Stone as the 54th greatest album ever made, Electric Ladyland epitomizes the passion, soulfulness, exoticism, and emotion that makes music such a part of our life. You will not want to live without.1. And The Gods Made Love
2. Have You Ever Been (To Electric Ladyland)
3. Crosstown Traffic
4. Voodoo Chile
5. Little Miss Strange
6. Long Hot Summer Night
7. Come On (Let The Good Times Roll)
8. Gypsy Eyes
9. Burning Of The Midnight Lamp
10. Rainy Day, Dream Away
11. 1983(A Merman I Should Turn To Be)
12. Moon, Turn The Tidesgently gently gently
13. Still Raining, Still Dreaming
14. House Burning Down
15. All Along The Watchtower
16. Voodoo Child (Slight Return)$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Among The Ghosts (Pre-Order)Lucero's ninth studio album, Among the Ghosts, is their first for noted Nashville indie label Thirty Tigers. It was recorded and co-produced with Grammy-winning engineer/producer and Memphis native Matt Ross-Spang (Jason Isbell, Margo Price, Drive by Truckers) at the historic Sam Phillips Recording Service, the studio built by the legendary producer after outgrowing his Memphis Recording Service/Sun Studio.
Recorded primarily live as a five-piece, Among the Ghosts eschews the Stax-inspired horns and Jerry Lee Lewis-style boogie piano featured on some of the band's past recordings for a streamlined rock & roll sound that pays homage to their seminal influences as it seeks to push that legacy into the future. For a band who carried the torch of the alt-country movement back in the 90's and helped pave the way for what is now called Americana, Lucero have re-discovered what inspired them in the first place. The sound is more their own and at the same time not exactly like anything they've done before. This is a band settling into their craft. The 10-song disc's title is both a tribute to the spirits which roam the streets of their fabled city, as well as the hard road the determinedly independent band set out on 20 years ago. The band played around 200 shows per year for many of those 20 years.
With a nod to his younger brother Jeff Nichols, an acclaimed filmmaker whose movies include Loving, Mud, Take Shelter, Midnight Special, and Shotgun Stories; Nichols has written songs that are cinematic short stories, steeped in Southern gothic lore. There are nods to regional authors like Flannery O'Connor and Faulkner, as well as newer writers like Larry Brown (Big Bad Love, Fay), Ron Rash (The Cove, The World Made Straight), and William Gay (The Long Home).
As the first album he's written since his marriage and the birth of his now two-year-old daughter Izzy, Nichols approached the task as a narrator rather than in first person. It's a dark palette that includes tales of a haunting ("Among the Ghosts"), a drowning ("Bottom of the Sea), a reckoning with the devil ("Everything has Changed"), a divorce ("Always Been You"), and a shoot out ("Cover Me"). And that's just Side A. Side B is a letter from a battlefield ("To My Dearest Wife"), a crime ("Long Way Back Home"), a straight-out rocker ("For the Lonely Ones") and even a spooky spoken-word cameo from actor Michael Shannon, who has appeared in every one of Nichols' brother's films. The song's title "Back to the Night" references a line from Nick Tosches' Jerry Lee Lewis biography, Hellfire. In addition, there's a song Nichols wrote for his brother's movie Loving, which appeared in the film and on the soundtrack, re- recorded for Among the Ghosts with the whole band.
"You could also say there's a rescue, a getaway, a survival story and a middle finger to Satan himself," laughs Nichols. "It's all in your perspective."
Several songs juxtapose going off to battle with a rock & roll band's endless touring, shifting time periods like the spirits which haunt the album, the happiness of domestic bliss undercut with fears of loss and the specter of mortality. Among the Ghosts simultaneously reprises the past and looks to the future, while being firmly anchored in the present.
Musically, the band highlights range from co-founding member Brian Venable's Dire Straits-meets-War on Drugs guitar pyrotechnics in "Bottom of the Sea" and "Cover Me" to the Springsteen vibe of "For the Lonely Ones," Rick Steff's skeletal piano lines on "Always Been You," John C's bass lines in "Everything Has Changed" and "Long Way Back Home," and drummer Roy Berry's dynamic shifts from the powerful and brutal title track "Among the Ghosts" to the marching drive of "To My Dearest Wife" and the subtlety of "Loving." Throughout, Nichols' bourbon-soaked growl has become even more distinctive and commanding.
Among the Ghosts offers a timeless perspective on Lucero's distinctive sound. The lyrics could've been written 200 years ago or yesterday. Representing a new South compared to the one that's been mythologized, Lucero have formulated their own ideas and culture which, in some cases, contradicts what came before them (no Confederate flags), but also updates and reconsiders those traditions in a new light.
"I think we've tried to remake this place that we love and cherish in our own fashion. We are very proud of where we are from and we've spent the last 20 years trying to bring a bit of our version of home to the rest of the world It may have taken 20 years, but everything has fallen in place right where it needs to be," acknowledges Nichols. "There were some dark days in those middle years, but we've learned how to do this and survive. We still write heartbreak songs, but now, with a family at home, it's a whole new kind of heartbreak."
Among the Ghosts lays out that new territory with alacrity, as Lucero shines their Morning Star, burning just as brightly, if not more so, 20 years later. As one of the album's song titles so aptly puts it, "Everything Has Changed," but one thing hasn't Lucero's music remains more vital than ever.1. Among the Ghosts
2. Bottom of the Sea
3. Everything Has Changed
4. Always Been You
5. Cover Me
6. To My Dearest Wife
7. Long Way Back Home
9. Back to the Night
10. For the Lonely Ones$19.99Vinyl LP - Sealed PRE-ORDER Buy Now
Hurry Up, We're Dreaming (Colored Vinyl) (Awaiting Repress)Pressed On Clear Pink & Clear Blue Vinyl
With these soft spoken words on the simply-titled opening track-"Intro"- M83 mastermind Anthony Gonzalez introduces us to his sixth record and first double disc album, Hurry Up, We're Dreaming.
Dauntlessly singing into the void that was left behind since Saturdays=Youth, Gonzalez suddenly surges with overwhelming emotion as the music mounts an invisible precipice. Historically, he softly eased you into his world, introducing you to the lush and radiant spaces between captivating melodies and intimate lyrics, but not this time. Not on this record.
Graduating from the fuzzy, fumbling emotional cobwebs and draped ambiance of past records, Hurry Up, We're Dreaming careens past its audience. Brazenly stretching out along the horizon, spilling glittery, golden arms of sound across the landscape, it holds your breath hostage without you even noticing you were missing it. If it seemed that Anthony was basking in the sunshine-drenched days of his youth when he released Saturdays in 2008, then it can be said that in 2011, at the age of 30, he is tempestuously charging towards his future with Hurry Up, We're Dreaming.
Relocating to Los Angeles from Antibes, Gonzalez surrounded himself with players pivotal to completing his childhood dream of a double disc record. Producer Justin Meldal-Johnsen (Beck, NIN, The Mars Volta, Goldfrapp) and guitarist Brad Laner (from 90s band Medicine) had been hugely influential on Anthony growing up and now were central to the new record's creation.
"In France there is this show on TV where at the end there is a musical guest who plays one or two songs. I remember one night when I was a teenager being at home watching the best of performances and looking at this crazy bass player with a big afro and thinking, 'Wow this guy is so cool.' "And now I am working with him. It's so intense that thinking about it makes me feel weird. But it's weird in a super good way. Same thing with Brad, I was listening to his music when I was first getting into music and now he's on my album."
Anthony and Justin met backstage in 2009 at Scotland's T In The Park. Later, "he came to me very genuinely stating that 'he was a fan and that he would love to work with me,'" explains Gonzalez. "I love when people do that because I can tell it's coming from the heart. He was sincere and that's the way I like to work with people."
Stepping away from his work with producers Ken Thomas and Ewan Pearson on Saturday, Gonzalez freckles his new chapter with signature M83 fingerprints while pushing himself beyond the constricting emotions of a guarded musician. Bored with being frustrated and shy, Anthony is respectful of the precious time given to him and doesn't want to leave behind any regrets, thus thrusting himself into the spotlight vocally. He tests out different ways of singing, ranging from a spectral breathy whisper to a howling scream, and each voice clings to us like a dew-heavy spider web at dawn.
Fans will recognize band member Morgan Kibby, her vocals flirting with the shadowy places in between verses, leaping off the record in spoken word or blending with an adult choir. Morgan will join Anthony on tour but she was never meant to sing as much on this record as she had on pervious projects. Quenching his desire to work with a different person on each record, Gonzalez added LA-based chanteuse Zola Jesus to the mix for the completion of "Intro." "The song was already written but I really wanted a female vocal on it and I was kind of struggling to find the right person, but then I heard her music and it just made sense."
Where Saturday=Youth is drenched in lustful exploration and hungry adolescent wonder, Hurry Up is decadently cunning and seductive. "Intro" and "My tears are becoming a sea" eerily croon to you, swirling all of the glitter and growth from the past records into an epic swell, mysteriously and dramatically warning you of the impact you are about to experience. "Midnight City" (disc one) and "OK Pal" (disc two) are humid, adrenaline driven dreams unlike anything we have heard from M83 in the past. "Midnight City" adeptly sweeps you through abandoned concrete streets swimming in broken neon light and aggressively pushing and pulsating to synthetic beats. While "OK Pal" catcalls you to a locker full of mapped out Peter Gabriel-esque echoing lyrics, leaving you stranded in a post-apocalyptic landscape. These journeys are about awakening, craving and conquering. Throughout Hurry Up, We're Dreaming Anthony carries the listener to different countries of sound in his own universe, "We didn't need a story, we didn't need a real world. We just had to keep walking and we became the stories- we became the places." Drifting away from his previous records and reigned in politeness he unleashes all that he has been dreaming of and yearning for. Even when he takes a second to look back on "Echoes of Mine" the velvety, elderly voice of a woman heartbreakingly tells the story of a girl drenched in the shadows of her youth, knowing she has to grow up.
Grandiose in scale and inspired by Smashing Pumpkin's revered double disc Melancholy & The Infinite Sadness, Anthony has long had the goal to create his own monumental double disc record. "I saw when I was a teenager that I could dig into it [the album]. It was like a treasure. If I were a teenager nowadays I would try to find something as creative as this album. They had so much to say in their songs."
Impressed with the juxtaposing sun and moon artwork featured on Melancholy, Anthony focuses in on another natural duality: siblings. The cover artwork mirrors this relationship, featuring a photograph of a little boy with a little girl sitting on a bed. The photograph perpetuates the conversation for the two distinct voices we behind each disc, representing two sides of an overall piece that are almost the same. "I want people to listen to it as two different human beings that are connected somehow, but every song on the album has a secret on the other side."
Soaring and scraping up against the sky while sharing each uncharted frontier with new collaborators is what M83 does best. Gracefully coming into the next decade of his life, Anthony delivers what makes each record sincere, innocent, and full of joy: he gives us his past and his future.
"I think it is a reflection of my 30 years of being a human being. It's a compilation of all my previous music together. It's a retrospective of myself."LP 1
2. Midnight City
4. Where The Boats Go
6. Raconte moi une histoire
7. A Train To Pluton
8. Claudia Lewis
9. This Bright Flash
10. When Will You Come Home?
11. Soon, My Friend
1. My Tears Are Becoming A Sea
2. New Map
3. OK Pal
4. Another Wave From You
6. Year One, One UFO
8. Steve McQueen
9. Echoes Of Mine
10. Klaus I love You
11. Outro$28.99Colored Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Sun Midnight Sun (Out Of Stock)Sun Midnight Sun is the second solo album from acclaimed singer, songwriter, and fiddle player Sara Watkins. Produced by guitarist, singer, and songwriter Blake Mills, co-founder of the band Simon Dawes, the album features special guest appearances by Fiona Apple, Jackson Browne, Taylor Goldsmith (Dawes), Benmont Tench, and Sean Watkins.
In the three years since her last release, Watkins has been busy touring the world as guest fiddle player and vocalist with the Decemberists and joining Garrison Keillor on his nationwide Summer Love performance tours, as well as acting as his first and only guest host for A Prairie Home Companion broadcasts.
Sun Midnight Sun was recorded, mixed, and mastered by Shawn Everett at Zeitgeist Studio, Los Angeles, and includes songs written by Watkins ("You and Me," "Take Up Your Spade") as well as several collaborations with Mills ("The Foothills," "Be There," "The Accord," "Impossible," and "Lock and Key"). It also features songs by Dan Wilson ("When It Pleases You") and Willie Nelson ("I'm a Memory"), and a rendition of The Everly Brothers classic "You're the One I Love," on which Fiona Apple duets with Watkins.
Watkins first gained recognition as a founding member of the Grammy Award-winning, platinum-selling trio Nickel Creek. When not on the road or in the studio, Watkins has guest-starred as fiddler and/or harmony vocalist on albums by BÉla Fleck, the Chieftains, Ray LaMontagne, Ben Lee, Dan Wilson, Richard Thompson, and Alex Woodward, among others. Additionally, Watkins and her brother Sean continue an informal residency called the Watkins Family Hour at the L.A. club Largo, which often includes surprise cameos from friends and colleagues.1. The Foothills
2. You and Me
3. You're the One I Love (ft. Fiona Apple)
4. When It Pleases You
5. Be There
6. I'm a Memory
8. The Ward Accord
9. Lock & Key
10. Take Up Your Spade$24.99Vinyl LP - Sealed Temporarily out of stock
Living Things (Out Of Stock)White Vinyl!
Ever since the early-aughts super-combo of Hybrid Theory and Meteora, Linkin Park has been doing something popular artists just don't do: going off-menu. Chester Bennington, Rob Bourdon, Brad Delson, Dave 'Phoenix' Farrell, Joe Hahn and Mike Shinoda collectively came to the hard decision to deviate from the foundation of their success in search of fresh new sounds and ideas. On the records that followed, Minutes to Midnight and A Thousand Suns, LP made the courageous leap into the unknown.
The learning curve was arduous, but a necessary and welcome challenge for the band. Hybrid Theory isn't just the title of the first album, but a career mission statement.1. Lost In The Echo
2. In My Remains
3. Burn It Down
4. Lies Greed Misery
5. I'll Be Gone
6. Castle Of Glass
8. Roads Untraveled
9. Skin to Bone
10. Until It Breaks
12. Powerless$24.99Colored Vinyl LP - Sealed Temporarily out of stock