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Miles Smiles (Speakers Corner)
Except for the taping of a live performance at the Portland Festival, Miles Davis's discography for 1966 only lists the recordings made for the LP Miles Smiles! How strange when one considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties.
The bass player Ron Carter was best suited for the complicated rhythm part and remained Miles's 'number one' in a quintet which gave a new interpretation to compositions by Wayne Shorter and jazz hits such as Freedom Jazz Dance by Eddie Harris and Jimmy Heath's Gingerbread Boy.
Every second of the nine-minute-long Footprints by Shorter is an absolute highlight, while the drumming of the young Tony Williams in Freedom Jazz Dance is full of vitality, with a quick pulse, and even described as threatening in the liner notes. This music is neither 'new stream' nor 'old guard' but good modern jazz according to Anthony Tuttle. That's exactly what Miles Smiles was upon its release 40 years ago - and that's what it is to this day! And that Miles Davis smiled for once thanks to the great musical relationship between the five individualists is certainly no mere rumour.
- Miles Davis
- Wayne Shorter (tenor saxophone)
- Herbie Hancock (piano)
- Ron Carter (bass)
- Tony Williams (drums)
Recording: October 1966 at Columbia RecordsStudios, New York, by Frank Laico
Production: Teo Macero
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Orbits
5. Freedom Jazz Dance
6. Ginger Bread Boy$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
We Want MilesImport
We Want Miles is now available on vinyl after almost thirty years!
On the heels of releasing Miles' Bitches Brew Live album, Music On Vinyl is also releasing another Miles Davis album that has been on their wish list for quite some time.
'We Want Miles' is a collection of live recordings from Boston, New York (where he had played his last gig in 1975) and Tokyo from 1981, and they're among the first live recordings made after an extended hiatus.
But unlike his 1981 comeback album The Man With The Horn, on We Want Miles Davis has rediscovered his famed embouchure and this album was released to great critical acclaim in 1982, winning a Grammy for Best Jazz Instrumental Performance on the way.
This is the first vinyl reissue since its original release in 1982, on double 180 grams audiophile vinyl in a Gatefold sleeve with its original artwork.
Playing with him are a level headed Marcus Miller on bass, Al Foster on drums, Mike Stern on guitar (not afraid to let it rip every once in a while), Mino Cinelu on percussion and Bill Evans holding his own on saxophone.Side 1
1. Jean Pierre
2. Back Seat Betty
1. Fast Track
2. Jean Pierre
1. My Man's Gone Now
1. Kix$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Seven Steps To Heaven (200 Gram)200-Gram Vinyl Pressed At Quality Record Pressings
Mastered From The Original Analog Master Tapes By Ryan K. Smith At Sterling Sound
Deluxe Tip-On Gatefold Jacket From Stoughton Printing
In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this disc, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic Seven Steps To Heaven, Joshua and slow passionate versions of Basin Street Blues and Baby Won't You Please Come Home.
This title is not eligible for discount.1. Basin Street Blues
2. Seven Steps To Heaven
3. I Fall in Love Too Easily
4. So Near So Far
5. Baby Won't You Please Come Home
6. Joshua$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Monk, Trane, Miles & MeCoryell made his HighNote debut with this All-Star line-up and pays tribute to the jazz giants
who influenced him and helped him develop his unique jazz guitar style which has made him the
touchstone against which all other jazz guitarists are measured. With the great John Hicks on piano,
saxman Willie Williams, drummer Yoron Israel laying down the foundation and the imaginative bass-ics of Santi Debriano, Larry pours some new wine into the old bottles with innovative takes on classic tunes by Monk, Trane, Miles and, of course, Larry Coryell.1. Star Eyes
2. Trinkle Tinkle
3. All Blues
5. Fairfield County Blues
6. Up Against the Wall$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
SONM-LEG-0018xMiles Davis & Thelonious Monk
Miles & Monk At NewportMiles & Monk at Newport was a combined album of a Miles Davis appearance at Newport with an appearance of Thelonious Monk, from the LP era. Despite the title, the two artists do not perform together on the LP, and they are represented on each side by separate live appearances at the Newport Jazz Festival.1. Ah-Leu-Cha - Miles Davis
2. Straight, No Chaser - Miles Davis
3. Fran-Dance - Miles Davis
4. Two Bass Hit - Miles Davis
5. Nutty - Thelonious Monk Quartet
6. Blue Monk - Thelonious Monk Quartet$24.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
The New Miles Davis QuintetMiles Davis, trumpet
John Coltrane, tenor sax
Red Garland, piano
Paul Chambers, bass
Philly Joe Jones, drums1.JUST SQUEEZE ME
2.THERE IS NO GREATER LOVE
3.HOW AM I TO KNOW?
6.STABLEMATES$21.99Vinyl LP Reissue - Sealed Buy Now
E.S.P.Numbered, Limited Edition
Pressed At RTI
A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.
Pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of E.S.P. treats each phrase and every note as sacred communication. This meticulously restored audiophile version renders the music's dynamics, pitch, colors, and textures with lifelike realism and proper scale. Reference-caliber separation, wall-to-wall soundstages, and distinct images magnify the intensity and beauty of Davis and Co.'s creations. Whether it's the distinctive snap of Tony Williams' drum sticks against the snare head, air moving through Davis' trumpet, acoustic thrum of Ron Carter's bass, or upper register of Herbie Hancock's piano, the sound is better than you'd even hear in the most intimate jazz clubs. Prepare to be swayed on every level.
For many, E.S.P. looms among the decade's best albums if only because of the significance of Davis' lineup. While Hancock, Williams, and Carter are holdovers that began playing with one another on 1963's Seven Steps to Heaven, Wayne Shorter functions as the secret weapon and key addition responsible for this ensemble hitting a new peak. Indeed, the saxophonist helped pen two of the seven compositions here - notably, E.S.P. is entirely comprised originals and clocked in as one of the longest-running jazz LPs issued at the time - and, more importantly, grants Davis the confidence and leeway necessary for the eruption of enigma, steadiness, and tension.
As he did with John Coltrane year earlier, Davis hangs back and picks his moments to solo, with Shorter stepping up to supply the churn. Their bandmates respond in kind, itching to take off into new stratospheres all the while keeping their improvisations grounded and connected to the piece at hand. Guided by Davis' visions and inspired by current boundary-pushing works by the likes of Ornette Coleman, Cecil Taylor, and Coltrane, the magnificent results spark with variation, harmony, emotion, energy, and brilliant movement.
Interlocking lines drive Little One, alternating rhythms pulse through the funky Eighty-One, melodies soar on the balladic Iris, the aptly titled Mood broods over minor-key structures, and Agitation - goosed by a two-minute percussive introduction by Williams - delivers on its promise. No record - and no group of musicians - have ever balanced coherent themes and exploratory playing in better fashion than Davis' quintet on E.S.P. It's the avant-garde record even jazz traditionalists love, and essential on every level.
This title is not eligible for discount.1. E.S.P.
3. Little One
7. Mood$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
Bitches Brew (Awaiting Repress)Monumental 1970 Double Album is Signpost for Jazz Fusion: Psychedelic Record Still Sounds Ahead of Its Time More Than 40 Years Later
Otherworldly Sonics: Mobile Fidelity Delivers the Consummate Pressing of the Uncompromising Work Ranked by Rolling Stone as Among the Greatest 100 Albums of All Time
Grammy Award-Winning Set Ignores Convention, Pursues Funk and Rock Directions Via Innovative Rhythms and Groundbreaking Ensemble Configurations
A Dozen Five-Star Miles Davis Albums Spanning 1958-1971 Available from Mobile Fidelity on Definitive-Sounding LP
"Listen to This." As the original working title for Bitches Brew, the invitation resonates as the best way to approach a record that shattered conventions, altered music history, and still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made in any genre.
Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's definitive 180g 2LP. Mastered from the original master tapes, these audiophile editions join the ranks of eleven other essential Davis sets given supreme sonic treatment by Mobile Fidelity.
Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism.
Mobile Fidelity's reissues envelop you in expansive warm tonal blankets.
Gathering a Hall of Fame-worthy lineup of musicians, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops speak to the leader's ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of this watershed effort lies in how it encourages free thought-the very principle with which Davis
conceived the everlasting beauty that is Bitches Brew.
This title is not eligible for discount.1. Pharaoh's Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
5. Miles Runs the Voodoo Down
6. Sanctuary$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
First MilesThe album includes tracks from Davis's first recording session, backing singer Rubberlegs Williams on April 24, 1945, and the first session produced under his name, leading the members of Charlie Parker's band on August 14, 1947. Davis plays no solos in the session with Rubberlegs Williams, only being heard as part of an ensemble. He says in his autobiography he was so nervous on his first ever recording he could hardly play, and he forgot most of the details as he put the experience out of his mind.1. That's The Stuff You Gotta Watch (alt. take 1)
2. That's The Stuff You Gotta Watch (alt. take 2)
3. That's The Stuff You Gotta Watch (Master take 3)
4. Pointless Mama Blues
5. Deep Sea Blues
6. Bring it on Home (F.S.take 1)
7. Bring it on Home (alt. take 2)
8. Bring it on Home (master-take 3)
9. Milestones (F.S. take 1)
10. Milestones (master-take 2)
11. Milestones (alt. take 3)
12. Little Willie Leaps (F.S. - incomplete take 1)
13. Little Willie Leaps (alt. take 2)
14. Little Willie Leaps (master-take 3)
15. Half Nelson (alt. take 1)
16. Half Nelson(master-take 2)
17. Sippin' At Bells (F.S. incomplete take 1)
18. Sippin' At Bells (master-take 2)
19. Sippin' At Bells (F.S.-take 3)
20. Sippin' At Bells (alt. take 4)$19.99Vinyl LP - Sealed Buy Now
Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign
Released in 1999, Traveling Miles is a tribute album by Cassandra Wilson to Miles Davis. Wilson's thirteenth career album, Traveling Miles will be
reissued on 2 LPs as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don
Was. Artist is actively touring and working on new music.1. Run the Voodoo Down
2. Traveling Miles
3. Right Here, Right Now
4. Time After Time
5. When the Sun Goes Down
6. Seven Steps
7. Some Day My Prince Will Come
8. Never Broken
9. Resurrection Blues (Tutu)
10. Sky and Sea (Blue in Green)
12. Voodoo Reprise$24.99Vinyl LP Reissue - 2 LPs Sealed Buy Now
The Essential Miles DavisSpanning over 40 years (1945-86) and seven labels, this 2-LP set captures Miles at every stage of his career, from his early recordings with Bird (Now's the Time) through Miles' own triumphs (Round About Midnight; Miles Runs the Voodoo Down) to his late recordings.LP 1
1. Now's the Time
3. 'Round Midnight
4. Bye Bye Blackbird
7. So What
8. The Pan Piper
1. Someday My Prince Will Come
4. Miles Runs the Voodoo Down
5. Black Satin
6. Time After Time$29.99Vinyl LP - 2 LPs Sealed Buy Now
The Musings Of MilesThe Musings of Miles is the first 12 LP by Miles Davis, issued by Prestige Records in 1955. This jazz classic, newly reissued by Prestige, features, in
addition to Davis on trumpet, Red Garland on piano, Oscar Pettiford on bass and Philly Joe Jones on drums. This is an essential new addition to all vinyl
and jazz collectors alike.1. Will You Still Be Mine?
2. I See Your Face Before Me
3. I Didn't
4. A Gal in Calico
5. A Night In Tunisia
6. Green Haze$21.99Vinyl LP - Sealed Buy Now
Miles Davis Vol. 2Recorded in 1953, Miles Davis Volume 2 contains music from the great jazz trumpeter's second session for Blue
Note. Miles Davis Volume 2 features legendary jazz drummer, Art Blakey, and will be reissued in its original 10" form as part of an overall Blue Note vinyl initiative spearheaded by current Blue Note Records President, Don Was.1. Tempus Fugit
3. Ray's Idea
5. I Waited For You
6. C.T.A.$19.9910 Vinyl LP - Sealed Buy Now
Miles Ahead (Soundtrack)The release of the movie MILES AHEAD, Don Cheadle's wildly entertaining and moving exploration of Miles Davis, will be accompanied by this new soundtrack featuring musical highlights from Miles' career and new recordings overseen by Grammy Award-winning jazz/hip-hop artist Robert Glasper.
This is a perfect primer on Davis' career for the new fan and a brilliant audio keepsake of the film for those who've studied his works inside and out. The album features 11 tracks from across Miles' catalogue from 1956 to 1981, select dialogue from the film featuring Cheadle in character, and five original compositions written, co-written, produced or performed exclusively for MILES AHEAD by Robert Glasper. These cues include "What's Wrong with That?" a jam that closes the movie imagining Cheadle as Miles playing in the present day with guest performers Glasper, Herbie Hancock, Wayne Shorter, Gary Clark, Jr. and Esperanza Spalding; plus "Gone 2015," an end-credits song featuring guest verses from rapper Pharoahe Monch. Cheadle also pens new liner notes for the album discussing the selection and creation of the songs on the soundtrack.LP 1
1. Miles Ahead
2. Dialogue: It takes a long time...
3. So What
4. Taylor Made
5. Dialogue: Listen, you talk too goddamn much...
6. Seven Steps to Heaven
7. Dialogue: If you gonna tell a story...
8. Frelon Brun
9. Dialogue: Sometimes you have these thoughts...
10. Duran (Take 6)
1. Dialogue: You own my music...
2. Go Ahead John (part two C)
3. Black Satin
4. Dialogue: Be musical about this shit...
5. Prelude, Pt. 2
6. Dialogue: Y'all listening to them...
7. Junior's Jam
9. Back Seat Betty
10. Dialogue: I don't like the word jazz...
11. What's Wrong with That?
12. Gone 2015$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Miles In The SkyNumbered, Limited Edition
1968 Record Marks First Time Davis Uses Electric Piano, Bass, and Guitar: Second Half is Acoustic
Mastered from the Original Master Tapes: Seminal Proto-Fusion Effort Explodes With Color and Vibrancy
Final Effort With Davis' Classic Second Quintet Finds the Leader Looking to the Past and the Future
Miles in the Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis' fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the legendary leader's first venture into what would become fusion, it's historical for containing the premier appearances of electric piano, bass, and guitar on a Davis effort. Laden with rich textures and style-bridging elements, Mobile Fidelity's 45RPM pressing brings the aural magic into focus.
Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Miles in the Sky joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Afforded the benefits provided by the record's wider grooves, Davis' burnished trumpet resounds with utmost clarity, and the soundstage seems to extend for days. Reference-caliber separation and imaging give each musician their own space, allowing every passage to come across without any sonic limitations.
The album's wide-open soundscapes soar. As do the fluid contributions of Davis' mates. Tony Williams' percussion, central to every composition here, transpires before your eyes. Herbie Hancock's piano hovers and fades with sublime purity. And George Benson, who sits on Paraphernalia, blows the equivalent of smoke rings with his bluesy guitar, which here takes on brilliant tonality and definition. The acoustic material that occupies the second half of the record is equally transparent and full-bodied.
Granted enhanced production and a greater field of audible information, Miles in the Sky can finally be perceived as belonging to the same upper echelon as Davis' ubiquitously acclaimed Nefertiti and Filles de Kilimanjaro--the albums that precede and follow, respectively, this watershed title. Commonly branded a transitional work, Miles in the Sky showcases Davis already at ease with electric instruments and eager to venture into uncharted territories. Doubling as organized jams and bridges between jazz and rock, both the rhythmically challenging Stuff and frisky Paraphernalia glancing toward the future while keeping solid footing in the past.
Similarly, so do Country Boy and Black Comedy. In his original review for jazz authority DownBeat, Larry Kart observes: Davis takes material from his earlier days and darkens its emotional tone. His opening phrase on 'Country Boy' recalls a fragment from his Summertime solo on the Porgy and Bess album, but here it is delivered with a vehemence that rejects the poignancy of the earlier performance. Even on 'Black Comedy,' his most straight ahead solo here, the orderly pattern of the past is displaced and fragmented.
Flavored with humor, bossa nova, country, and even ballroom phrases, the compositions on Miles in the Sky explodes with creativity, purpose, and color.
This title is not eligible for discount.1. Stuff
3. Black Comedy
4. Country Son$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
100 Miles And Runnin'100 Miles and Runnin' is the platinum certified EP by N.W.A, released in 1990 on Ruthless Records. It is the first
record the group released after Ice Cube began a solo career.1. 100 Miles And Runnin'
2. Just Don't Bite It
3. Sa Prize (Part 2)
4. Real Niggaz
5. Kamurshol$24.99Vinyl LP - Sealed Buy Now
UNIM-FAN-2060xRed Wanting Blue
These Magnificent MilesThese Magnificant Miles is the first official label release from Columbus, Ohio-based Red Wanting Blue. Produced by Jamie Candiloro (Ryan Adams, Willie Nelson, REM) in Columbus and mixed in Los Angeles, the release captures leader Scott Terrys decade-long dedication to the trials of the road, sung in a remarkable radio-ready baritone and backed by his expert bands shimmering new-classic rock sound.1. Gravity
2. You Are My Las Vegas
3. Where You Wanna Go
4. The World Is Over
5. Finger In The Air
6. Red Ryder
7. The Air I Breathe
8. New Cool
9. Probably Nothing
10. U.S. Bumper Sticker
11. Space Time
12. The Band$21.99Vinyl LP - 2 LPs Sealed Buy Now
93 Million Miles (Discontinued)Nearly nine years ago Mark Pritchard and Steve Spacek began bonding over their shared passion for the seemingly disparate spheres of bubbling Detroit techno, soul and fierce Jamaican digital dancehall. By pure coincidence, the two found themselves living in Australia, and that connection was cemented by the forming of Africa Hitech, the moniker which represents both Steve and Mark's love for all things progressive within music, whilst acknowledging that the roots of much of today's popular music can be traced directly back to Africa.
Their first full length project for Warp is titled 93 Million Miles. The album is an unflinchingly ambitious product of international globe-trotting that carves a new faultline into the rapidly expanding terrain of bass music.1. 93 Million Miles
2. Future Moves
3. Light the Way
5. Our Luv
6. Do U Wanna Fight
8. Don't Fight It
9. Cyclic Sun
10. Foot Step
11. Out in the Streets$28.99Vinyl LP - 3 LPs Sealed Buy Now
Miracle MileStarfucker provided the soundtrack to over 100 ecstatic sold-out dance parties in tiny, sweaty rooms over the past two years. Word of mouth has spread and the band now find themselves in even larger venues, with brighter lights and bigger songs.
The four-piece collaborated in the process of writing Starfucker's third album, Miracle Mile. After all-night lyric writing sessions and fleshing out song skeletons that first formed on the road, there isn't a single song on Miracle Mile that every member of Starfucker didn't contribute to and ultimately improve. "While I'm Alive," is a song that bursts out of the gate with what can only be described as swagger. Not overconfidence or false bravado, but the undeniable sound of a band that knows exactly who they are: swirling keyboards that take you up, down, and all around, rhythmic guitars, irresistible basslines, and drums that keep an unrelenting beat.
Miracle Mile truly coalesces as a complete whole that couldn't have come together any other way.1. Born
3. Bury Us Alive
4. Mystery Cloud
5. Death as a Fetish (feat. Mattress)
8. The White of Noon
9. Hungry Ghost
10. Mona Vegas
12. Quality Time$23.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Relaxin' With The Miles Davis Quintet (Mono)Relaxin' is the second classic album to be issued from the famed extended 1956 recording sessions of the Miles Davis Quintet (Miles Davis, John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones). The set is notable for Miles' mastery with a mute as he he only plays open here on Dizzy Gillespie's Woody'n You, the emerging talent of a young John Coltrane and the strength and subtlety of the Red Garland led rhythm section. One of Davis' brightest outings featuring such memorable numbers as If I Were A Bell, It Could Happen To You and I Could Write A Book among others.
This title is not eligible for discount.1. If I Were A Bell
2. You're My Everything
3. I Could Write A Book
5. It Could Happen To You
6. Woody'n You$34.99200 Gram Audiophile Virgin Mono Vinyl - Sealed Buy Now
Miles Davis And The Modern Jazz GiantsHere are tracks from one of the truly classic sessions, in which a combination of jazz giants gathered in Rudy Van
Gelder's studio on a chilly Christmas Eve in 1954. With Thelonious Monk and three quarters of the Modern Jazz
Quartet (Jackson, Heath, and Clarke) as his accomplices, Miles Davis blends sophisticated harmonic knowledge
with raw, spontaneous invention to produce extraordinary music. This is a strong addition to any jazz collection.1. The Man I Love [Take 2]
2. Swing Spring
3. 'Round Midnight
4. Bemsha Swing
5. The Man I Love [Take 1]$21.99Vinyl LP - Sealed Buy Now
Miles Davis & The Modern Jazz GiantsImport
The Complete, Historic, All-Star Recording Session Of Decemeber 24, 1954. Miles Davis and the Modern Jazz Giants is an album recorded by Miles Davis, for Prestige Records. Most of the album comes from a session on December 24th 1954, but 'Round Midnight is from the sessions by Davis's new quintet in 1956 which resulted in Steamin' with the Miles Davis Quintet and three other albums to fulfill Davis's contract with Prestige.
The 1954 session is notable as the only time Thelonious Monk made a studio recording with Davis - the two men did not get on well, as Davis felt Monk ought to be laying out (refraining from playing) during the trumpeter's solos. Ira Gitler, who was present at the session and wrote the sleeve notes for the album, dispels the myth that the two men confronted each other physically, but there was argument throughout the session. The first take of The Man I Love has a false start caused by Monk asking when he should start playing, and an exasperated Davis telling engineer Rudy Van Gelder, Hey Rudy, put this on the record, man - all of it!.1. Bags' Groove(Take 1)
2. Bags' Groove(Take 2)
3. Bemsha Swing
4. The Man I Love(Take 1)
5. The Man I Love(Take 2)
6. Swing Spring$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Relaxin' With The Miles Davis QuintetFeaturing John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones. The greatest small group in the history of jazz recorded at their peak in 1956. Featuring joyous, straight-ahead swinging and melodic improvisation, this is a near-perfect album. Contains 'If I Were A Bell,' 'It Could Happen To You,' 'I Could Write A Book' and several others.1. If I Were A Bell
2. You're My Everything
3. I Could Write A Book
5. It Could Happen To You
6. Woody'n You$21.99Vinyl LP Reissue - Sealed Buy Now
UNIM-PRE-7094xMiles Davis Quintet
Cookin' With The Miles Davis Quintet1. My Funny Valentine
2. Blues By Five
4. Tune-Up/When Lights Are Low$21.99Vinyl LP Reissue - Sealed Buy Now