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  • Carlos Santana Curated Set - Sketches Of Spain LP by Miles Davis (Allotment Reached) Carlos Santana Curated Set - Sketches Of Spain LP by Miles Davis (Allotment Reached) Quick View

    $28.99
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    Carlos Santana Curated Set - Sketches Of Spain LP by Miles Davis (Allotment Reached)

    Shipping Week Of May 21st, 2018


    Extremely Limited - Under 100 Units Available!


    Get Sketches of Spain, Miles Davis' epic 1960 album, named by Experience Vinyl curator Carlos Santana as his #1 favorite record of all-time, in LIMITED EDITION yellow/red swirl colored vinyl on audiophile mono, the way so many people remember it.


    Included in each set:


    - Sketches of Spain, by Miles Davis on 180g yellow/red colored vinyl


    - Companion booklet that includes:


    • Carlos Santana's handwritten Top 10 list
    • 3 Essays written by Santana
    • Sketches Track-by-Track listening guide
    • 10 Things to Know about Sketches of Spain

    This title is not eligible for discount.
    Miles Davis
    $28.99
    180 Gram Audiophile Virgin Vinyl LP Mono Box Set - Sealed PRE-ORDER
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  • Greatest Hits (1969) Greatest Hits (1969) Quick View

    $19.99
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    Greatest Hits (1969)

    Miles Davis' Greatest Hits is a compilation album by Miles Davis, originally released on vinyl in 1969.
    1. Seven Steps to Heaven
    2. All Blues
    3. Someday My Prince Will Come
    4. Walkin'
    5. My Funny Valentine
    6. E.S.P.
    7. 'Round Midnight
    8. So What
    Miles Davis
    $19.99
    Vinyl LP - Sealed Buy Now
  • On The Corner On The Corner Quick View

    $34.99
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    On The Corner

    Miles Davis On the Corner on Numbered Limited Edition 180g LP from Mobile Fidelity


    Get Down and Make It Funky: Miles Davis' Groundbreaking On the Corner Focuses on the Groove and Bottom End


    Mastered From the Original Master Tapes: Mobile Fidelity 180g LP Reveals Multiple Levels of Rhythm, Visceral Bass, and Pioneering Production Techniques In Transparent Fashion


    Exotic, Bold, Streetwise: Spirited 1972 Album Embraces Davis' Jungle Sound With Percussive Foundations, Trance Loops, and Transformational Arrangements


    Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches - the likes of which fill Davis' boldest and most controversial - undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's numbered limited-edition 180g LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid audiophile-grade sonics. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can even discern the multiple levels of rhythm Davis employed on complex tracks such as Black Satin, as On the Corner stands as his first effort to use overdubbing and multiple tape machines.


    New degrees of spaciousness and airiness - equally important to the musique concrete arrangements - give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's analog version captures Teo Macero's innovative production - and the trumpeter's cutting-edge aural collages - in definitive fashion.


    Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties - Chick Corea and Herbie Hancock prominently figure - he also relies on an all-star cast of sidemen for concentrated soloing and additional support.


    With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party. Exotic, intrepid, and filled with Davis' jungle sound, On the Corner remains daringly hip more than four decades later.


    This title is not eligible for discount.

    1. On the Corner/New York Girl/Thinkin' One Thing and Doin' Another/Vote for Miles
    2. Black Satin
    3. One and One
    4. Helen Butte/Mr. Freedom X
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Coltrane (Mono) Coltrane (Mono) Quick View

    $34.99
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    Coltrane (Mono)

    After establishing himself as a star on the rise with the Miles Davis quintet, the Thelonious Monk quartet, and various Prestige recordings with Sonny Rollins, Hank Mobley, and Tadd Dameron, John Coltrane made his debut as a leader on this excellent self-titled 1957 release. The 6-song set finds the tenor sax giant joined by John Splawn (trumpet), Sahib Shihab (baritone sax), Mal Waldron (piano), Red Garland (piano), Paul Chambers (bass) and Al Heath (drums) on a pair of Trane's own compositions in Straight Street and Chronic Blues, alongside Cal Massey's Bakai and pop fare such as Violets for Your Furs, While My Lady Sleeps and Time Was.


    This title is not eligible for discount.

    1. Bakai
    2. Violets For Your Furs
    3. Time Was
    4. Straight Street
    5. While My Lady Sleeps
    6. Chronic Blues
    John Coltrane
    $34.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Ascenseur Pour L'Echafaud (Pre-Order) Ascenseur Pour L'Echafaud (Pre-Order) Quick View

    $49.99
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    Ascenseur Pour L'Echafaud (Pre-Order)

    Release Date: June 22, 2018*


    Miles Davis' Ascenseur pour l'Échafaud - Elevator to the Gallows - is without a doubt one a landmark in the
    trumpeter's discography but also in the history of soundtrack. The themes improvised during the legendary
    recording session made in Paris have now become standards in jazz and keep on fascinating new generations of
    listeners. To celebrate this film music 60th anniversary, we're releasing a 10" 3LP collector's edition.


    *Please note that release dates are subject to change.

    LP 1
    1. GÉnÉrique (BOF Ascenseur pour l'Échafaud)
    2. L'assassinat de Carala (BOF Ascenseur pour l'Échafaud)
    3. Sur l'autoroute (BOF Ascenseur pour l'Échafaud)
    4. Julien dans l'ascenseur (BOF Ascenseur pour l'Échafaud)
    5. Florence sur les Champs-ÉlysÉes (BOF Ascenseur pour l'Échafaud)
    6. Dîner au motel (BOF Ascenseur pour l'Échafaud)
    7. Évasion de Julien (BOF Ascenseur pour l'Échafaud)
    8. Visite du vigile (BOF Ascenseur pour l'Échafaud)

    9. Au bar du Petit Bac (BOF Ascenseur pour l'Échafaud)
    10. Chez le photographe du motel (BOF Ascenseur pour l'Échafaud)


    LP 2
    1. Nuit sur les Champs-ÉlysÉes (Take 1)
    2. Nuit sur les ChampsÉlysÉes (Take 2)
    3. Nuit sur les Champs-ÉlysÉes (Take 3)
    4. Nuit sur les Champs-ÉlysÉes (Take 4)


    LP 3
    1. Assassinat (Take 1)
    2. Assassinat (Take 2)
    3. Assassinat (Take 3)
    4. Dîner au motel (Take 2)

    5. Final (Take 1)
    6. Final (Take 2)

    Miles Davis
    $49.99
    10 Vinyl LP - 3 LPs Sealed PRE-ORDER Buy Now
  • Kind Of Blue (Box Set) (Awaiting Repress) Kind Of Blue (Box Set) (Awaiting Repress) Quick View

    $59.99
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    Kind Of Blue (Box Set) (Awaiting Repress)

    Ranked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time


    Best-Selling Album in Jazz History Receives the Prestigious Mobile Fidelity Treatment: Mastered from the Original Master Tapes


    Mobile Fidelity 180 gram 45RPM 2LP Box Set is Definitive Analog Version and Intended to Be Passed on to Generations


    If There's a Stairway to Heaven, This is the Soundtrack: Epochal 1959 Record the Mt. Rushmore of Jazz Sessions


    Dream Team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb Make History


    How does one properly introduce an epochal record? Perhaps by unequivocally stating that it is the best-selling jazz album in history. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. Theres also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.


    Part of Mobile Fidelity's Miles Davis catalog restoration series, the landmark has been given the ultimate white-gloves treatment. Half-speed mastered from the original master tapes, and pressed on 45RPM LPs at RTI, this sumptuous box set of the often-reissued album is a must for even fans that already possess multiple versions. Such is the illuminating transparency, reference dynamics, organic warmth, and instrumental detail exposed by the thoroughly scrupulous mastering process. If there's a stairway to heaven, this is the soundtrack.


    In its three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis key recordings. Its why the labels engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. The blueprint for melodic improvisation and vamping, Kind of Blue simplifies tonal organization and chordal progression into an eminently beautiful, introspective tapestry stitched with swinging poetry, mellifluous soloing, compositional lyricism, transcendental harmonies, and group interplay of the highest caliber.


    While no one has ever completely identified the magic behind the records allure the otherworldly nature is part of its inherent charm much of the success lies with the band members. Davis intentionally handpicked these musicians to comprise this particular cast, with everyone from former foil Evans to blues maestro Kelly to percussive genius Cobb interacting and reacting with peerless skill.


    An audiophile favorite from the day it was issued, Kind of Blue takes on nirvanic sonic proportions via Mobile Fidelitys reissue. The expressive warmth, imaging clarity, frequency extension, and window-on-the-world breadth afforded by this new edition places music lovers right in the studio with the sextet. Close your eyes and, no matter how many times you may have heard it before, your experience will parallel that of the players that recorded these gems. Everyone shares in the excitement of not knowing what will happen and, as the music begins to lie out in front of you, you'll feel as if you've been whisked away to a jazz holy land. Quintessential.



    This title is not eligible for discount.

    1. So What
    2. Freddie Freeloader
    3. Blue in Green
    4. All Blues
    5. Flamenco Sketches
    Miles Davis
    $59.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM Box Set - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Sketches of Spain Sketches of Spain Quick View

    $34.99
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    Sketches of Spain

    Ranked 356/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Davis Third and Final Pairing With Arranger Gil Evans Yields Watershed Innovations


    Sublime Sound: Mobile Fidelity Reissue Corrects the Dry Sound That Plagues Previous Editions


    Flamenco-Themed 1960 Set Develops Synergy Between Orchestrations and Melancholic Jazz Phrasings


    Urge by Davis to Develop Techniques Possessed by Forbearers Finds Him Expanding Palette, Spinning Webs of Lyrical Sound and Emotion


    Kind of Blue, Milestones, Round About Midnight, Four & More, and In a Silent Way Also Available from Mobile Fidelity


    Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects a total of three times during their celebrated career. For their final act, they created Sketches of Spain, a peak moment in each luminarys career and a transformative album that weds Spanish themes, lush orchestrations, romantic timbres, and Davis increasingly lyrical methods in a tender ceremony that continues to resonate more than five decades after its original release.


    Part of Mobile Fidelitys Miles Davis catalog restoration series, the genre-defying 1960 classic has been given the ultimate white-gloves treatment. Mastered from the original master tapes and pressed at RTI, this exquisite 180g LP significantly expands the soundstage that frames the orchestra and digs deep to eradicate a dryness that many critics have found as an anathema to its overall enjoyment. Here, at last, is the full-figured perspective long deserved by the woodwinds, strings, and percussion, all of which come alive with previously unheard definition and detail.


    Indeed, in its three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis key recordings. Its why the labels engineers have taken every available measure to insert listeners into the space occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and the 18-piece orchestra. With both Evans and Davis attracted to the blues undercurrents permanently entrenched in the Spanish flamenco strains, listeners can finally wholly detect the myriad microdynamic tonalities, brooding ostinato devices, and minor pedal points that stamp the compositions with divine sensibility and goffered effect.


    Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform the flamenco-spiced pieces, but so do unconventionally voiced instruments that come into full relief on this reissue. Davis Harmon-muted trumpet is abetted by an assortment of bassoons and French horns that create pleasing contrasts and sounds (pp, mf, ppp) that get to the heart of Sketches of Spain: splashes of color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out variegated shades, adamantine layers, and striated distinctions.


    Whether its the somber mood piece of the standout Concierto de Aranjuez (Adagio), renowned forDavis flugelhorn performance, or the folktale-based Solea, Mobile Fidelitys enhanced Sketches of Spain transfixes with playing, ideas, and innovations that remain exclusive to this incomparable record.


    This title is not eligible for discount.

    1. Concierto de Aranjuez (Adagio)
    2. Will O the Wisp
    3. The Pan Piper
    4. Saeta
    5. Solea
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Kind Of Blue (Mono) Kind Of Blue (Mono) Quick View

    $39.99
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    Kind Of Blue (Mono)

    Import

    180 Gram Audiophile Vinyl


    Mono


    Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck - Time Out & Charles Mingus - Ah Um among them), so much has been said and written about Miles Davis' Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.


    As Bill Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Miles Davis laid out the themes before the tape rolled and the band improvised. The end results were fragile and wondrous. Recorded during 2 sessions in 1959, Kind of Blue worked on many different levels and will do so for many years to come.

    1. So What
    2. Freddie Freeloader
    3. Blue In Green
    4. All Blues
    5. Flamenco Sketches
    Miles Davis
    $39.99
    180 Gram Audiophile Vinyl LP Mono - Sealed Buy Now
  • Agharta Agharta Quick View

    $47.99
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    Agharta

    Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his septet-flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion.


    Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own trumpet. It eschews both melody and harmony in favor of a combination of riffs, crossing polyrhythms, and Funk-oriented grooves for soloists to improvise throughout.


    The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

    LP 1
    1. Prelude (Part 1)
    2. Prelude (Part 2) / Maiysha


    LP 2
    1. Interlude
    2. Theme From Jack Johnson

    Miles Davis
    $47.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Sketches of Spain Sketches of Spain Quick View

    $24.99
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    Sketches of Spain

    Ranked 356/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Limited individually Numbered Edition!


    Mono Pressing!


    The conception of ''Sketches of Spain'' in 1960, can be placed in the ''most melodic era'' of Miles Davis. It is one of his most accessible and less improvisational albums, some even outclassed it from the reigns of Jazz.


    This is one of the four albums where Miles and Gil Evans (arranger & conductor) were together with a small orchestra of horns and percussion, and it was fueled by Spanish melodies that fascinated Davis to the point he needed to get into them and go beyond: El Concierto de Arajuez by Joaquín Rodrigo and El Amor Brujo by Manuel de Falla.

    1. Concierto de Aranjuez
    2. Will O the Wisp
    3. The Pan Piper
    4. Saeta
    5. Solea
    Miles Davis
    $24.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • All Mornin' Long All Mornin' Long Quick View

    $49.99
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    All Mornin' Long

    200-Gram Pressing by Quality Record Pressings has a Flat Edge Profile and Deep Groove Label, True to the Original LP, and a Deluxe High-Gloss Tip-on Album Jacket.


    All-Star Musician Lineup of Red Garland, John Coltrane, Donald Byrd, George Joyner and Arthur Taylor. Originally Released in November 1957.


    Some groups have existed only in the recording studio but have produced music of lasting value.

    This quintet, under pianist Red Garland's leadership, actually did play some gigs around New York in the fall of 1957, but even if it hadn't, the rapport in the studio would still have been powerful. Beginning with the association of Garland and sax master John Coltrane in the Miles Davis Quintet and continuing with Arthur Taylor's trio connection with Garland, and trumpeter Donald Byrd's having worked with all of them in one form or another, there was enough of a common spirit in the musical attitudes of all the participants. The title blues spans an entire side; the overleaf is shared by Gershwin's They Can't Take That Away from Me and Dameron's Our Delight.


    This title is not eligible for discount.

    1. All Mornin' Long
    2. They Can't Take That Away From Me
    3. Our Delight
    Red Garland Quintet
    $49.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Big Fun Big Fun Quick View

    $39.99
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    Big Fun

    Import

    180 Gram Audiophile Vinyl


    Gatefold Sleeve


    Featuring Herbie Hancock, John Mclaughlin, Lonnie Listen Smith, Chick Corea, Wayyne Shorter, Joe Zawinul And Many Others


    Originally released in 1974, Big Fun presents music from three different phases of Miles Davis's early-seventies electric period.


    Sides one and four (Great Expectations and Lonely Fire) were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. They also mark the first time since the beginning of Miles Davis's electric period that he played his trumpet with the Harmon mute which had been one of his hallmarks, making it sound much like the sitar. This contributed to creating a very clear and lean sound, highlighting both the high and low registers, as opposed to the busier sound of Bitches Brew which placed more emphasis on the middle and low registers.


    Ife was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks from that record. It has a drum and electric bass groove and a plethora of musicians improvising individually and in combinations over variations on the hypnotic bassline.


    Recorded in March 1970, Go Ahead John is an outtake from Davis's Jack Johnson sessions. The recording is a riff and groove-based, with a relatively sparser line-up of Steve Grossman on soprano saxophone, Dave Holland on bass, Jack DeJohnette on drums, and John McLaughlin on guitar with wah-wah pedal.

    LP 1
    1. Great Expectations
    2. Ife


    LP 2
    1. Go Ahead John

    2. Lonely Fire

    Miles Davis
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • My Funny Valentine (Awaiting Repress) My Funny Valentine (Awaiting Repress) Quick View

    $34.99
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    My Funny Valentine (Awaiting Repress)

    Numbered, Limited Edition


    Historic Recording Captures Elegant Ballads Performed at February 1964 Concert


    Audiophile Reference-Standard Sound: Album Boasts Lifelike Tones, Balances, Images, and Ambience


    Davis Taps Divine Inspiration: Compositions Marked by Deep Emotions, Spontaneous Brilliance, Sensitive Beauty, and Sublime Poignancy


    Miles Davis' My Funny Valentine marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps of Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis' oft-controversial avant-garde leanings. Most significantly, however, the set captures the ballads performed at a benefit concert from New York's then-new Philharmonic Hall just months after President Kennedy's assassination. Tapping into a seemingly divine inspiration, Davis never sounded so elegant or poetic.


    Boasting gorgeous sound and pressed on 180g LP at RTI, Mobile Fidelity's choice reissue of the trumpeter's scintillating work bookends the label's release of Four & More from the same show and features similar enhancements relating to depth, presence, dynamics, clarity, and ambience. Presented in reference-standard fidelity, the record boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns-all are rendered with palpable detail. This is the very definition of reach-out-and-touch-it realism.


    Staged as a benefit to support voter registration in the South, the February concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. Yet unforeseen circumstances raised the stakes. Having professed his admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (and, in particular, the title track) as homage to the fallen leader, a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate the performances; Davis and his Harmon mute paint with intricate brushstrokes.


    Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader's equal, and would continue with Davis until later in the decade, helping form what's now known as the "second great quintet." But the secret weapon on both My Funny Valentine and its sister Four & More arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem "one of the unsung heroes of modern jazz." His lines are subtle and sophisticated, straight ahead but capable of unanticipated direction, and here, he comes into his own. As does the entire band.


    Indeed, the combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the quintet on My Funny Valentine arguably exceeds that on any of Davis' myriad other live efforts. One listen confirms something special transpiring, and on this Mobile Fidelity reissue, those properties are rendered in a manner that's as transparent to the source as humanly possible. Do not miss this.


    This title is not eligible for discount.

    1. My Funny Valentine
    2. All of You
    3. Stella By Starlight
    4. All Blues
    5. I Thought About You
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Miles Davis At Carnegie Hall Miles Davis At Carnegie Hall Quick View

    $27.99
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    Miles Davis At Carnegie Hall

    Import


    180 gram vinyl of the 1961 album includes the bonus track 'I Thought About You', which was recorded at the same concert but not released on the original release.

    So What
    Spring Is Here
    No Blues
    Oleo
    Someday My Prince Will Come
    The Meaning of the Blues/Lament
    New Rhumba
    I Thought About You*


    *Bonus Track

    Miles Davis
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Final Tour: Copenhagen, March 24, 1960 (Awaiting Stock) The Final Tour: Copenhagen, March 24, 1960 (Awaiting Stock) Quick View

    $19.99
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    The Final Tour: Copenhagen, March 24, 1960 (Awaiting Stock)

    Showcasing the musical chemistry shared by Miles and Trane and lets fans experience the magic of both artists at the peak of their collective powers. Miles and Trane each implemented their own jazz revolutions at the time of this concert and the electrifying sonic frisson produced by the sometimes competing/sometimes intertwining music visions of these artists perplexed contemporary jazz fans


    As quoted by music historian Ashley Kahn, "it's not that the band members were so much apart, but rather that each were more themselves within the same unit - that divergence could co-exist and make music together."


    Focuses on the final chapter in the landmark collaboration between Davis and Coltrane.

    1. Introduction (Live from Tivoli Konsertsal, Copenhagen)
    2. So What (Live from Tivoli Konsertsal, Copenhagen)
    3. On Green Dolphin Street (Part 1) (Live from Tivoli Konsertsal, Copenhagen)
    4. On Green Dolphin Street (Part 2) (Live from Tivoli Konsertsal, Copenhagen)
    5. All Blues (Live from Tivoli Konsertsal, Copenhagen)
    6. The Theme (incomplete) (Live from Tivoli Konsertsal, Copenhagen)
    Miles Davis
    $19.99
    Vinyl LP - Sealed AWAITING STOCK Buy Now
  • Round About Midnight (Speakers Corner) Round About Midnight (Speakers Corner) Quick View

    $34.99
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    Round About Midnight (Speakers Corner)

    At long last these early recordings, which Miles Davis set down for the Columbia label in 1955 and 1956, are available on LP again. And what is more, they were made without any alternate takes or second attempts, as is the custom these days.



    You can sit back and enjoy the six numbers in the order which the producer, probably in conjunction with Davis, decided upon. To be sure, all of the titles are well known and have been played a thousand times over in many different versions. But what this Quintet (and here each and every individual musician is meant!) produces as regards inventiveness, thrilling improvisations and artistry is absolutely top notch. Davis's vibrato-less sound is taken over seamlessly by John Coltrane - wonderfully demonstrated in the middle of Bye, Bye Blackbird, while Paul Chambers' showpiece is Ack VÄrmeland du sköna (aka Dear Old Stockholm). In the years 1955/56, bebop was the talk of the day, born witness to by the classics Tadd's Delight by Tadd Dameron and Ah-Leu-Cha by Charlie Parker. Here, however, the improvised melodic strands are more moderate, pointing the way to the style that later became known as modal jazz.



    Although 'Round About Midnight as an album does not enjoy the reputation of Kind Of Blue, this Columbia recording contains many gems which are well worth hearing.



    Musicians:



    • Miles Davis

    • John Coltrane (tenor saxophone)

    • Red Garland (piano)

    • Paul Chambers (bass)

    • Philly Joe Jones (drums)




    Recording: October 1955, June and September 1956 at Columbia's 30th Street Studio, New York

    Production: George Avakian




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Round Midnight
    2. Ah-Leu-Cha
    3. All Of You
    4. Bye Bye Blackbird
    5. Tadds Delight

    6. Dear Old Stockholm
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Someday My Prince Will Come (200 Gram) Someday My Prince Will Come (200 Gram) Quick View

    $34.99
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    x

    Someday My Prince Will Come (200 Gram)

    200-Gram Vinyl Pressed At Quality Record Pressings


    Mastered From The Original Analog Master Tapes By Ryan K. Smith At Sterling Sound


    Deluxe Tip-On Jacket From Stoughton Printing


    A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.


    This title is not eligible for discount.

    1. Someday My Prince Will Come
    2. Old Folks
    3. Pfrancing
    4. Drad Dog
    5. Teo
    6. I Thought About You
    Miles Davis
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Reality Of My Surroundings (Pre-Order) The Reality Of My Surroundings (Pre-Order) Quick View

    $19.99
    Buy Now
    x

    The Reality Of My Surroundings (Pre-Order)

    Release Date: July 13, 2018*


    The Reality of My Surroundings is the third full-length album by Fishbone, originally released on April 23, 1991. It was the first Fishbone album to include former Miles Davis music director John Bigham (guitar, keyboards), who joined in 1989 during the Truth and Soul tour.

    *Please note that release dates are subject to change.

    1. Fight The Youth
    2. If I Were A I'd
    3. So Many Millions
    4. Asswhippin'
    5. Housework
    6. Deathmarch
    7. Behavior Control Technician
    8. If I Were A... I'd
    9. Pressure
    10. Junkies Prayer
    11. Pray To The Junkiemaker
    12. Everyday Sunshine
    13. If I Were A I'd
    14. Naz-Tee May'en
    15. Babyhead
    16. If I Were A I'd
    17. Those Days Are Gone
    18. Sunless Saturday
    Fishbone
    $19.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Ascenseur Pour L'Echafaud (2LP) Ascenseur Pour L'Echafaud (2LP) Quick View

    $42.99
    Buy Now
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    Ascenseur Pour L'Echafaud (2LP)

    Import


    Ascenseur Pour L'Échafaud is a 1958 French film directed by Louis Malle. It was released as Lift to the Scaffold in the UK. The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman. Jean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis to create the film's Soundtrack. He showed Davis a screening of the movie, and afterwards Miles knew exactly how to portray the smoky hazed or frantic scenes through sonic imagery. On December 4 1957, he brought four French Jazzmen (Barney Wilen / tenor saxophone, RenÉ Urtreger / piano, Pierre Michelot bass and Kenny Clarke drums) to the recording studio Le Poste Parisien Studio without having them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. Eventually Ascenseur Pour L'Échafaud has become a great achievement of artistic excellence.


    For the first time since its original release in 1958, Music On Vinyl combined the original soundtrack and the additional recordings and created an essential 2LP set with the original artwork.

    Side 1 (ORIGINAL 1958 A-SIDE)
    1. GÉnÉrique
    2. L'Assassinat De Carala
    3. Sur L'Autoroute
    4. Julien Dans L'Ascenseur
    5. Florence Sur Les Champs-Élysees


    Side 2 (ORIGINAL 1958 B-SIDE)
    1. Dîner Au Motel
    2. Évasion De Julien
    3. Visite Du Vigile
    4. Au Bar Du Petit Bac
    5. Chez Le Photographe Du Mot


    Side 3
    1. Nuit Sur Les Champs-ÉlysÉes (TAKE 1)
    2. Nuit Sur Les Champs-ÉlysÉes (TAKE 2)
    3. Nuit Sur Les Champs-ÉlysÉes (TAKE 3)
    4. Nuit Sur Les Champs Elysees (TAKE 4)
    5. Assassinat Visite Du Vigil
    6. Assassinat Julien Dans L'ascenseur
    7. Assassinat L'Assassinat De Carala
    8. Motel


    Side 4
    1. Final (TAKE 1)
    2. Final (TAKE 2)
    3. Final (TAKE 3)
    4. Ascenseur
    5. Le Petit Bal (TAKE 1)
    6. Le Petit Bal (TAKE 2)
    7. SÉquence Voiture (TAKE 1)
    8. Sequence Voiture Sur L'Aut (TAKE 2)

    Miles Davis
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Sorcerer Sorcerer Quick View

    $49.99
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    Sorcerer


    1967 Post-Bop Classic the Third of Five Albums from Miles' Prized Second Quintet


    Mastered from the Original Master Tapes: Sorcerer Has Never Sounded More Dynamic, Present, Warm, or Tonally Rich


    Mood, Inflection, and Nuance Take Center Stage on Compositions Steeped in Sophisticated Expressionism


    Filled with aural magic and enchanting musical spells, Sorcerer is true to its name. The third of five albums devised by Miles Davis' legendary second quintet-and the second record in a still-unprecedented string of eight consecutive releases within a four-year period that forever changed the face of jazz-the 1967 magnum opus mesmerizes with instrumental colors, subdued musings, and subtle details. These crucial characteristics blossom with vibrant realism on Mobile Fidelity's definitive 45RPM pressing.


    Mastered from the original master tapes and pressed on 180g 45RPM vinyl at RTI, this collectable audiophile edition of Sorcerer joins the ranks of eleven other essential Davis records given supreme sonic and packaging treatment by Mobile Fidelity. Longtime listeners will immediately recognize a wealth of information and depth of tonality unavailable on prior versions. The myriad shadings, interwoven textures, and relaxed nuances that tie the post-bop set's warm compositions together are rendered with utmost realism.


    This is a reference-standard reissue. You'll hear poetic lyricism pouring out of Wayne Shorter's horn, the breadth and definition of the notes spreading across an enormous soundstage. Never before have drummer Tony Williams' rim shots ricocheted with such purpose or his light percussive work mirrored that of a feather touching skin. Similarly, Herbie Hancock's piano runs now occupy their own space, where their relationship to the central rhythms and front line becomes clearer.


    Prizing inflection and nuance more so than heady solos or uptempo flights, Sorcerer mesmerizes with cerebral properties and cascades of emotional interplay. Such beauty emerges in the mellow ballad "Pee Wee," an indelible statement of restrained authority and sophisticated expression. The swirling title track unfolds as jazz shadowplay, Hancock, Shorter, and Williams mirroring one another's moves with guile and purpose. The opening "Prince of Darkness" showcases the ensemble's reach and communication, every musician going in seemingly different directions yet ending up on the same page.


    A lasting example of Davis' visionary insight, Sorcerer is comprised entirely of pieces written by his band mates. Indeed, save for the closing "Nothing Like You"-a brief tribute to Davis' eventual wife, who also graces the cover, recorded in 1962 and adorned with vocals from Bob Dorough-the album represents a further maturation and refinement of a quintet that stands as one of the finest in jazz history. Mobile Fidelity is proud to give the record the treatment it's long deserved.


    This title is not eligible for discount.

    1. Prince of Darkness
    2. Pee Wee
    3. Masqualero
    4. The Sorcerer
    5. Limbo
    6. Vonetta
    7. Nothing Like You
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - Sealed Buy Now
  • Bitches Brew (Awaiting Repress) Bitches Brew (Awaiting Repress) Quick View

    $49.99
    Buy Now
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    Bitches Brew (Awaiting Repress)

    Monumental 1970 Double Album is Signpost for Jazz Fusion: Psychedelic Record Still Sounds Ahead of Its Time More Than 40 Years Later


    Otherworldly Sonics: Mobile Fidelity Delivers the Consummate Pressing of the Uncompromising Work Ranked by Rolling Stone as Among the Greatest 100 Albums of All Time


    Grammy Award-Winning Set Ignores Convention, Pursues Funk and Rock Directions Via Innovative Rhythms and Groundbreaking Ensemble Configurations


    A Dozen Five-Star Miles Davis Albums Spanning 1958-1971 Available from Mobile Fidelity on Definitive-Sounding LP


    "Listen to This." As the original working title for Bitches Brew, the invitation resonates as the best way to approach a record that shattered conventions, altered music history, and still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made in any genre.


    Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's definitive 180g 2LP. Mastered from the original master tapes, these audiophile editions join the ranks of eleven other essential Davis sets given supreme sonic treatment by Mobile Fidelity.


    Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism.
    Mobile Fidelity's reissues envelop you in expansive warm tonal blankets.


    Gathering a Hall of Fame-worthy lineup of musicians, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops speak to the leader's ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of this watershed effort lies in how it encourages free thought-the very principle with which Davis
    conceived the everlasting beauty that is Bitches Brew.


    This title is not eligible for discount.

    1. Pharaoh's Dance
    2. Bitches Brew
    3. Spanish Key
    4. John McLaughlin
    5. Miles Runs the Voodoo Down
    6. Sanctuary
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Kind Of Blue: 50th Anniversary Collector's Edition Kind Of Blue: 50th Anniversary Collector's Edition Quick View

    $109.99
    Buy Now
    x

    Kind Of Blue: 50th Anniversary Collector's Edition

    Ranked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The Best Selling Jazz Album of All-Time Gets the Super Deluxe Treatment for its 50th Anniversary!


    Includes the Original Remastered CD, a CD of Bonus Material, a DVD of the Making of Kind of Blue, an Incredible Full-Color Book, Photos from the Sessions, Miles' Notes and the LP of the Original Album Pressed on Blue Vinyl!


    In 1958, after a string of critically acclaimed and successful albums, Miles Davis was searching for a new direction to take the music, and signs were pointing him off the chordal highway into a new jazz style: modal. His innovations would open up the world for improvisers. He recruited key players with the potential to solidify his new approach, forming his famed sextet with rising jazz giants John Coltrane, Cannonball Adderley, Bill Evans & Wynton Kelly, Paul Chambers and Jimmy Cobb. Miles hired the little-known Evans because he needed a pianist who was into the modal thing. Davis and Evans both had developed personal voices characterized by a melodic flow that suggested, rather than defined, musical structure. It was his relationship with Evans that created the spark that resulted in the album Kind of Blue.


    In only two impromptu sessions in March and April of 1959, Miles Daviss sextet created a tour de force 5 original tunes built on simple scales. Davis is committed to getting something spontaneous out of his musicians. The entire album was composed as a series of modal sketches and was conceived only hours before the recording dates. The outcome? Pure inspiration, and the stuff of legend an album made up of the first full take of each tune, captured at the historic Columbia 30th Street Studio. The album was originally released on Columbia Records in 1959, stunning the jazz world by practically creating a new language of music. Its influence goes far beyond jazz. Kind of Blue is universally considered to be one of the best albums of all time, of any genre. Fifty years later, Kind of Blue the epitome of spontaneous inventionis still the best selling jazz album ever.


    This Collectors Edition marks the 50th Anniversary with an unprecedented presentation of music, images, insight and history to celebrate the album that is essential to any music collection, the ideal gift item for any jazz lover, especially fans of Miles Davis a true collectors set.


    Do Not Miss this Limited-Edition Collector's Edition!

    Blue Colored Vinyl LP:

    1. So What

    2. Freddie The Freeloader

    3. Blue In Green

    4. All Blues

    5. Flamenco Sketches


    Disc 1 - CD:

    1. So What (9:22)

    2. Freddie Freeloader (9:46)

    3. Blue In Green (5:36)

    4. All Blues (11:32)

    5. Flamenco Sketches (9:25)

    6. Flamenco Sketches (alternate take) (9:31)

    7. Freddie Freeloader - studio sequence 1 (0:51)

    8. Freddie Freeloader - false start (1:26)

    9. Freddie Freeloader - studio sequence 2 (1:34) (*)

    10. So What - studio sequence 1 (1:55) (*)

    11. So What - studio sequence 2 (0:12) (*)

    12. Blue In Green - studio sequence (1:57) (*)

    13. Flamenco Sketches - studio sequence 1 (0:43)

    14. Flamenco Sketches - studio sequence 2 (1:10) (*)

    15. All Blues - studio sequence (0:19) (*)

    (*) previously unreleased


    Disc 2 - CD:

    1. On Green Dolphin Street (9:48)

    2. Fran-Dance (5:48)

    3. Stella By Starlight (4:43)

    4. Love For Sale (11:46)

    5. Fran-Dance (alternate take) (5:51)

    6. So What (17:28) (**)

    (**) previously released in unauthorized form

    • Rare musical material including the first session by the Miles Davis sextet, May 26, 1958

    • Over 30 minutes of studio material

    • First authorized release of two extended live performances from April 9, 1960 Den Haag Concert and The Zurich Concert.


    DVD:

    • Documentary - Story Behind Kind of Blue

    • April 2, 1959 TV program, Robert Herridge Theater: The Sound of Miles Davis

    Miles Davis
    $109.99
    Colored Vinyl LP + 2 CDs + DVD - Sealed Buy Now
  • Tale Spinnin' (Speakers Corner) Tale Spinnin' (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Tale Spinnin' (Speakers Corner)

    We played music that people listened to every day just as they watch the news every evening, music which changed constantly - just like the weather, reminisced Joe Zawinul when talking about coming up with a name for the group. This would probably frighten off listeners in today's mass market. But back in those days CBS was satisfied with the group's sound being somewhat similar to the Miles Davis Combo and offered them a recording contract without carrying out the usual sound check. The magic potion Bitches Brew, which Zawinul and Wayne Shorter had conjured up with Miles Davis, was promising of exhilarating new things to come.



    The heart-stopping mix of motivic fixed points and exciting improvisations, »the sketchy melodies, all that a synthesizer and other similar electronic devices could offer, combined with a Milky Way of rhythms« (Der Spiegel) was the pathway down which the group went - without ever becoming pure routine. The fifth album, Tale Spinnin', is captivating for its wealth of distinctive, often warm, synthesized sounds, which are further enhanced by Wayne Shorter's bright, twangy soprano saxophone, lending it a jazzy aura. To be sure, this gripping jazz fusion never progresses steadily all the time, but takes up snatchy, though seemingly familiar, melodic ingredients and combines them to produce a new mixture. Badia, however, is completely different: a quietly flowing and totally rhythmic ethnic work, which today would be classified as World Music.



    Musicians:



    • Joe Zawinul (keyboards, percussion, vocals)

    • Wayne Shorter (tenor saxophone, soprano saxophone)

    • Alphonso Johnson (bass)

    • Alyrio Lima (percussion)

    • Leon Ndugu Chandler (drums)




    Recording: 1975 in den Wally Heider Recording Studios, San Francisco, von Bruce Botnick

    Production: Josef Zawinul und Wayne Shorter





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Man In the Green Shirt
    2. Lusitanos
    3. Between the Thighs
    4. Badia
    5. Freezing Fire
    6. Five Short Stories
    Weather Report
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Filles De Kilimanjaro Filles De Kilimanjaro Quick View

    $49.99
    Buy Now
    x

    Filles De Kilimanjaro

    Numbered, Limited Edition


    Davis' Self-Proclaimed "Directions in Music" March Begins Here


    Mastered from the Original Master Tapes: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center


    Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous


    Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45RPM 2LP set.


    Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.


    Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.


    The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted "Frelon Brun." Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, "Petits Machins" is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.


    Filles de Kilimanjaro also represents a jumping-off point for Davis' lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with Davis' desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.


    More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline "Directions in Music." With the jazz world still trying to wrap its collective mind around its genius, it still does.


    This title is not eligible for discount.

    1. Frelon Brun
    2. Tout de Suite
    3. Petits Machins
    4. Filles de Kilimanjaro
    5. Mademoiselle Mary
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
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