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Kind Of Blue (Mono)Import
180 Gram Audiophile Vinyl
Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck - Time Out & Charles Mingus - Ah Um among them), so much has been said and written about Miles Davis' Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.
As Bill Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Miles Davis laid out the themes before the tape rolled and the band improvised. The end results were fragile and wondrous. Recorded during 2 sessions in 1959, Kind of Blue worked on many different levels and will do so for many years to come.1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches$39.99180 Gram Audiophile Vinyl LP Mono - Sealed Buy Now
Ascenseur Pour L'Echafaud
Miles Davis' Ascenseur pour l'Échafaud - Elevator to the Gallows - is without a doubt one a landmark in the
trumpeter's discography but also in the history of soundtrack. The themes improvised during the legendary
recording session made in Paris have now become standards in jazz and keep on fascinating new generations of
listeners. To celebrate this film music 60th anniversary, we're releasing a 10" 3LP collector's edition.LP 1
1. GÉnÉrique (BOF Ascenseur pour l'Échafaud)
2. L'assassinat de Carala (BOF Ascenseur pour l'Échafaud)
3. Sur l'autoroute (BOF Ascenseur pour l'Échafaud)
4. Julien dans l'ascenseur (BOF Ascenseur pour l'Échafaud)
5. Florence sur les Champs-ÉlysÉes (BOF Ascenseur pour l'Échafaud)
6. Dîner au motel (BOF Ascenseur pour l'Échafaud)
7. Évasion de Julien (BOF Ascenseur pour l'Échafaud)
8. Visite du vigile (BOF Ascenseur pour l'Échafaud)
9. Au bar du Petit Bac (BOF Ascenseur pour l'Échafaud)
10. Chez le photographe du motel (BOF Ascenseur pour l'Échafaud)
1. Nuit sur les Champs-ÉlysÉes (Take 1)
2. Nuit sur les ChampsÉlysÉes (Take 2)
3. Nuit sur les Champs-ÉlysÉes (Take 3)
4. Nuit sur les Champs-ÉlysÉes (Take 4)
1. Assassinat (Take 1)
2. Assassinat (Take 2)
3. Assassinat (Take 3)
4. Dîner au motel (Take 2)
5. Final (Take 1)
6. Final (Take 2)$49.9910 Vinyl LP - 3 LPs Sealed Buy Now
Sketches of SpainRanked 356/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Davis Third and Final Pairing With Arranger Gil Evans Yields Watershed Innovations
Sublime Sound: Mobile Fidelity Reissue Corrects the Dry Sound That Plagues Previous Editions
Flamenco-Themed 1960 Set Develops Synergy Between Orchestrations and Melancholic Jazz Phrasings
Urge by Davis to Develop Techniques Possessed by Forbearers Finds Him Expanding Palette, Spinning Webs of Lyrical Sound and Emotion
Kind of Blue, Milestones, Round About Midnight, Four & More, and In a Silent Way Also Available from Mobile Fidelity
Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects a total of three times during their celebrated career. For their final act, they created Sketches of Spain, a peak moment in each luminarys career and a transformative album that weds Spanish themes, lush orchestrations, romantic timbres, and Davis increasingly lyrical methods in a tender ceremony that continues to resonate more than five decades after its original release.
Part of Mobile Fidelitys Miles Davis catalog restoration series, the genre-defying 1960 classic has been given the ultimate white-gloves treatment. Mastered from the original master tapes and pressed at RTI, this exquisite 180g LP significantly expands the soundstage that frames the orchestra and digs deep to eradicate a dryness that many critics have found as an anathema to its overall enjoyment. Here, at last, is the full-figured perspective long deserved by the woodwinds, strings, and percussion, all of which come alive with previously unheard definition and detail.
Indeed, in its three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis key recordings. Its why the labels engineers have taken every available measure to insert listeners into the space occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and the 18-piece orchestra. With both Evans and Davis attracted to the blues undercurrents permanently entrenched in the Spanish flamenco strains, listeners can finally wholly detect the myriad microdynamic tonalities, brooding ostinato devices, and minor pedal points that stamp the compositions with divine sensibility and goffered effect.
Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform the flamenco-spiced pieces, but so do unconventionally voiced instruments that come into full relief on this reissue. Davis Harmon-muted trumpet is abetted by an assortment of bassoons and French horns that create pleasing contrasts and sounds (pp, mf, ppp) that get to the heart of Sketches of Spain: splashes of color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out variegated shades, adamantine layers, and striated distinctions.
Whether its the somber mood piece of the standout Concierto de Aranjuez (Adagio), renowned forDavis flugelhorn performance, or the folktale-based Solea, Mobile Fidelitys enhanced Sketches of Spain transfixes with playing, ideas, and innovations that remain exclusive to this incomparable record.
This title is not eligible for discount.1. Concierto de Aranjuez (Adagio)
2. Will O the Wisp
3. The Pan Piper
5. Solea$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Live EvilOriginally released in 1971, Live-Evil is one of Miles Davis' most extraordinary records. Here, on a double album comprised of both live and studio recordings, the electric sound that Davis first unveiled the year previous emerges as a fully formed and powerful beast. Featuring one of his finest bands, which included John McLaughlin, Keith Jarrett, Gary Bartz, Jack DeJohnette and Brazilian percussionist Airto, Live-Evil is a stunning exploration of the outer limits of jazz, and one of the most influential records of the '70s. Absolutely essential. Reissued on double 180 gram vinyl in a gatefold jacket.1. Sivad
2. Little Church
3. Medley: Gemini/Double Image
4. What I Say
5. Nem Um Talvez
7. Funky Tonk
8. Inamorata And Narration By Conrad Roberts$27.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Recorded in two days in the summer of 1967 Nefertiti is Miles Davis' last fully acoustic album, with no compositions from Miles himself. Most tracks are written by Wayne Shorter & Herbie Hancock.
Best known for its unusual title track, where the horns keep repeating the melody and the rhythm section improvises (in stead of the other way around).
Whilst an acoustic album, it does signals Miles' transition from bop to jazz fusion; a hint at the next albums Miles in the Sky and the critically acclaimed In A Silent Way.
Rhythm section: Tony Williams & Ron CarterSide A
3 Hand Jive
3 Pinocchio$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Steamin' With The Miles Davis Quintet1. Surrey With The Fringe on Top
2. Salt Peanuts
3. Something I Dreamed Last Night
5. Well, You Needn't
6. When I Fall in Love$21.99Vinyl LP Reissue - Sealed Buy Now
Filles De KilimanjaroNumbered, Limited Edition
Davis' Self-Proclaimed "Directions in Music" March Begins Here
Mastered from the Original Master Tapes: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center
Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous
Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45RPM 2LP set.
Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.
Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.
The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted "Frelon Brun." Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, "Petits Machins" is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.
Filles de Kilimanjaro also represents a jumping-off point for Davis' lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with Davis' desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.
More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline "Directions in Music." With the jazz world still trying to wrap its collective mind around its genius, it still does.
This title is not eligible for discount.1. Frelon Brun
2. Tout de Suite
3. Petits Machins
4. Filles de Kilimanjaro
5. Mademoiselle Mary$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
Relaxin' With The Miles Davis Quintet (Mono)Relaxin' is the second classic album to be issued from the famed extended 1956 recording sessions of the Miles Davis Quintet (Miles Davis, John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones). The set is notable for Miles' mastery with a mute as he he only plays open here on Dizzy Gillespie's Woody'n You, the emerging talent of a young John Coltrane and the strength and subtlety of the Red Garland led rhythm section. One of Davis' brightest outings featuring such memorable numbers as If I Were A Bell, It Could Happen To You and I Could Write A Book among others.
This title is not eligible for discount.1. If I Were A Bell
2. You're My Everything
3. I Could Write A Book
5. It Could Happen To You
6. Woody'n You$34.99200 Gram Audiophile Virgin Mono Vinyl - Sealed Buy Now
Kind Of Blue (Box Set) (Awaiting Repress)Ranked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time
Best-Selling Album in Jazz History Receives the Prestigious Mobile Fidelity Treatment: Mastered from the Original Master Tapes
Mobile Fidelity 180 gram 45RPM 2LP Box Set is Definitive Analog Version and Intended to Be Passed on to Generations
If There's a Stairway to Heaven, This is the Soundtrack: Epochal 1959 Record the Mt. Rushmore of Jazz Sessions
Dream Team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb Make History
How does one properly introduce an epochal record? Perhaps by unequivocally stating that it is the best-selling jazz album in history. Or by affirming that, every year, it sells tens of thousands of copies more than five decades after its original release. Theres also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. And the Dream Team lineup of Miles Davis, Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. Yes, Kind of Blue is utterly inimitable.
Part of Mobile Fidelity's Miles Davis catalog restoration series, the landmark has been given the ultimate white-gloves treatment. Half-speed mastered from the original master tapes, and pressed on 45RPM LPs at RTI, this sumptuous box set of the often-reissued album is a must for even fans that already possess multiple versions. Such is the illuminating transparency, reference dynamics, organic warmth, and instrumental detail exposed by the thoroughly scrupulous mastering process. If there's a stairway to heaven, this is the soundtrack.
In its three-decade-plus history, Mobile Fidelity has never been prouder to have the honor of handling efforts as important as Davis key recordings. Its why the labels engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. The blueprint for melodic improvisation and vamping, Kind of Blue simplifies tonal organization and chordal progression into an eminently beautiful, introspective tapestry stitched with swinging poetry, mellifluous soloing, compositional lyricism, transcendental harmonies, and group interplay of the highest caliber.
While no one has ever completely identified the magic behind the records allure the otherworldly nature is part of its inherent charm much of the success lies with the band members. Davis intentionally handpicked these musicians to comprise this particular cast, with everyone from former foil Evans to blues maestro Kelly to percussive genius Cobb interacting and reacting with peerless skill.
An audiophile favorite from the day it was issued, Kind of Blue takes on nirvanic sonic proportions via Mobile Fidelitys reissue. The expressive warmth, imaging clarity, frequency extension, and window-on-the-world breadth afforded by this new edition places music lovers right in the studio with the sextet. Close your eyes and, no matter how many times you may have heard it before, your experience will parallel that of the players that recorded these gems. Everyone shares in the excitement of not knowing what will happen and, as the music begins to lie out in front of you, you'll feel as if you've been whisked away to a jazz holy land. Quintessential.
This title is not eligible for discount.1. So What
2. Freddie Freeloader
3. Blue in Green
4. All Blues
5. Flamenco Sketches$59.99180 Gram Audiophile Virgin Vinyl LP 45 RPM Box Set - 2 LPs Sealed AWAITING REPRESS Buy Now
The Final Tour: Copenhagen, March 24, 1960 (Awaiting Stock)Showcasing the musical chemistry shared by Miles and Trane and lets fans experience the magic of both artists at the peak of their collective powers. Miles and Trane each implemented their own jazz revolutions at the time of this concert and the electrifying sonic frisson produced by the sometimes competing/sometimes intertwining music visions of these artists perplexed contemporary jazz fans
As quoted by music historian Ashley Kahn, "it's not that the band members were so much apart, but rather that each were more themselves within the same unit - that divergence could co-exist and make music together."
Focuses on the final chapter in the landmark collaboration between Davis and Coltrane.1. Introduction (Live from Tivoli Konsertsal, Copenhagen)
2. So What (Live from Tivoli Konsertsal, Copenhagen)
3. On Green Dolphin Street (Part 1) (Live from Tivoli Konsertsal, Copenhagen)
4. On Green Dolphin Street (Part 2) (Live from Tivoli Konsertsal, Copenhagen)
5. All Blues (Live from Tivoli Konsertsal, Copenhagen)
6. The Theme (incomplete) (Live from Tivoli Konsertsal, Copenhagen)$19.99Vinyl LP - Sealed AWAITING STOCK Buy Now
Kind Of Blue: 50th Anniversary Collector's EditionRanked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
The Best Selling Jazz Album of All-Time Gets the Super Deluxe Treatment for its 50th Anniversary!
Includes the Original Remastered CD, a CD of Bonus Material, a DVD of the Making of Kind of Blue, an Incredible Full-Color Book, Photos from the Sessions, Miles' Notes and the LP of the Original Album Pressed on Blue Vinyl!
In 1958, after a string of critically acclaimed and successful albums, Miles Davis was searching for a new direction to take the music, and signs were pointing him off the chordal highway into a new jazz style: modal. His innovations would open up the world for improvisers. He recruited key players with the potential to solidify his new approach, forming his famed sextet with rising jazz giants John Coltrane, Cannonball Adderley, Bill Evans & Wynton Kelly, Paul Chambers and Jimmy Cobb. Miles hired the little-known Evans because he needed a pianist who was into the modal thing. Davis and Evans both had developed personal voices characterized by a melodic flow that suggested, rather than defined, musical structure. It was his relationship with Evans that created the spark that resulted in the album Kind of Blue.
In only two impromptu sessions in March and April of 1959, Miles Daviss sextet created a tour de force 5 original tunes built on simple scales. Davis is committed to getting something spontaneous out of his musicians. The entire album was composed as a series of modal sketches and was conceived only hours before the recording dates. The outcome? Pure inspiration, and the stuff of legend an album made up of the first full take of each tune, captured at the historic Columbia 30th Street Studio. The album was originally released on Columbia Records in 1959, stunning the jazz world by practically creating a new language of music. Its influence goes far beyond jazz. Kind of Blue is universally considered to be one of the best albums of all time, of any genre. Fifty years later, Kind of Blue the epitome of spontaneous inventionis still the best selling jazz album ever.
This Collectors Edition marks the 50th Anniversary with an unprecedented presentation of music, images, insight and history to celebrate the album that is essential to any music collection, the ideal gift item for any jazz lover, especially fans of Miles Davis a true collectors set.
Do Not Miss this Limited-Edition Collector's Edition!Blue Colored Vinyl LP:
1. So What
2. Freddie The Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches
Disc 1 - CD:
1. So What (9:22)
2. Freddie Freeloader (9:46)
3. Blue In Green (5:36)
4. All Blues (11:32)
5. Flamenco Sketches (9:25)
6. Flamenco Sketches (alternate take) (9:31)
7. Freddie Freeloader - studio sequence 1 (0:51)
8. Freddie Freeloader - false start (1:26)
9. Freddie Freeloader - studio sequence 2 (1:34) (*)
10. So What - studio sequence 1 (1:55) (*)
11. So What - studio sequence 2 (0:12) (*)
12. Blue In Green - studio sequence (1:57) (*)
13. Flamenco Sketches - studio sequence 1 (0:43)
14. Flamenco Sketches - studio sequence 2 (1:10) (*)
15. All Blues - studio sequence (0:19) (*)
(*) previously unreleased
Disc 2 - CD:
1. On Green Dolphin Street (9:48)
2. Fran-Dance (5:48)
3. Stella By Starlight (4:43)
4. Love For Sale (11:46)
5. Fran-Dance (alternate take) (5:51)
6. So What (17:28) (**)
(**) previously released in unauthorized form
• Rare musical material including the first session by the Miles Davis sextet, May 26, 1958
• Over 30 minutes of studio material
• First authorized release of two extended live performances from April 9, 1960 Den Haag Concert and The Zurich Concert.
• Documentary - Story Behind Kind of Blue
• April 2, 1959 TV program, Robert Herridge Theater: The Sound of Miles Davis$109.99Colored Vinyl LP + 2 CDs + DVD - Sealed Buy Now
Bitches Brew: 40th Anniversary Collector's EditionThis 40th Anniversary Collector's Edition of Miles Davis Bitches Brew is housed in a 12 x 12 slipcase box, contains an audiophile 180g vinyl double-LP gatefold replication of the original album; two CDs with the original 94-plus minutes of music plus six bonus tracks and a third CD of a previously unissued performance at Tanglewood in August of 1970, with Keith Jarrett, Chick Corea, Dave Holland, Jack DeJohnette, Airto Moreira and Gary Barts; and a DVD of a previously unissued performance in Copenhagen in November of 1969, with Wayne Shorter, Corea, Holland and DeJohnette.
Also included is a 52 page full-color 12x12 book with a 500 word essay by journalist/author/producer/musician Greg Tate; producer's notes by Michael Cuscuna and Richard Seidel (the box's co-producers); and a Lenny White interview by author Ashley Kahn. The book features Mati Klarwein's painting Zonked (a psychedelic portrait of Miles Davis' wife, Betty, which also encodes a profile of Miles) on its cover, plus dozens of rare, unpublished photographs and record label memos.
In addition, a memorabilia envelope is also included containing a reproduction of the Miles Davis Rolling Stone cover story from December of 1969, a previously unseen correspondence from Teo Macero's archives, reproductions of three Fillmore West concert tickets from April of 1970, high quality photograph prints, and a foldout poster.LP 1:
1. Pharaoh's Dance
2. Bitches Brew
1. Spanish Key
2. John McLaughlin
3. Miles Runs the Voodoo Down
1. Pharaoh's Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
1. Miles Runs the Voodoo Down
3. Spanish Key (alternate take)
4. John McLaughlin (alternate take)
5. Miles Runs the Voodoo Down (single edit)
6. Spanish Key (single edit)
7. Great Expectations (single edit)
8. Little Blue Frog (single edit)
CD 3 - Tanglewood Live 1970:
1. Bill Graham Intro
3. Bitches Brew
4. The Mask
5. It's About That Time
7. Spanish Key/The Theme
8. Miles Runs the Voodoo Down
9. Bill Graham Outro
DVD - Copenhagen Live 1969:
2. Miles Runs the Voodoo Down
3. Bitches Brew
5. I Fall In Love Too Easily
7. It's About That Time/The Theme$124.99180 Gram Audiophile Virgin Vinyl LP + 3 CD + DVD - 2 LPs Sealed Buy Now
180 Gram Audiophile Vinyl
Includes 4-Page Booklet
Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only.
Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira) through one continuously performed set list.
The songs in the band's setlist were as followed: Directions, Miles Runs the Voodoo Down, Willie Nelson, I Fall In Love Too Easily, Sanctuary, It's About That Time, Bitches Brew, Masqualero, Spanish Key, and The Theme. They were performed as one continuous and uninterrupted piece of music, a practice Davis had begun in 1967. He later explained in his autobiography that performing these kinds of long musical suites without breaks allowed more space for improvisations in concert.
The original Japanese booklet is included in this vinyl package.LP 1
1. Black Beauty Part I
2. Black Beauty Part II
1. Black Beauty Part III
2. Black Beauty Part IV$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Weather Report/Friday Music 180 Gram Audiophile Series Continues!
The Original #1 1977 Jazz Rock Fusion Classic Heavy Weather
First Time 180 Gram Audiophile Vinyl & Gatefold Cover Presentation
Mastered By Joe Reagoso And Manufactured At R.T.I.
The legendary Weather Report set the music world on fire back in the early seventies with their hypnotic blend
of progressive-fused jazz with funk, prog-rock and soul, augmented with the brilliant and skillful musicianship of their
superstar founders Wayne Shorter on saxophone and various electronic reeds and the late great Joe Zawinul on a
stunning array of keyboards and electronic instruments. Both of these legendary musicians/composers worked with
Miles Davis on his classics like Bitches Brew, plus solid tenures with legends like Cannonball Adderley (Zawinul) and
Art Blakey (Shorter) all of which would prove to become the huge catalyst for things to come.
Throughout the remainder of the late seventies and beyond, Weather Report's fine arsenal of recordings would
take the band to the top of all the popular music charts. The 1977 fusion classic Heavy Weather would go on to yield
one of the biggest albums of their career as it hit the top rungs of the jazz charts, plus major showings in the pop and
R&B charts thanks to the top charting hit single Birdland.
No stone is left unturned, as this masterpiece is loaded with smashes like Joe Zawinul's brilliant ballad A Remark
You Made, the powerful Palladíum by Wayne Shorter and of course the funk assault of Jaco's Pastorius on Teen Town
all which made this a top charting album in 1977.
As one of the most enduring albums in their massive career catalog, Heavy Weather also features the all-star
lineup of Joe Zawinul, Wayne Shorter, Jaco Pastorius (bass), Manolo Badrena (drums) and Alex Acuna (percussion).
All in all, Heavy Weather took the fans by storm, forever retaining the title superstars to the Weather Report franchise.
Friday Music is pleased to announce for the very first time here on audiophile vinyl Heavy Weather by Weather
Report. Mastered impeccably by Joe Reagoso at Friday Music Studios, this amazing classic truly shines in the
audiophile vinyl domain. Pressed at R.T.I., this brilliant masterwork truly resonates as you remember from years ago.
To enhance your limited anniversary edition album experience, this first time audiophile vinyl release is also for
a very short time being offered in a first time gatefold cover presentation, featuring the original album cover design
by Lou Beach.
Welcome back and celebrate the music of Weather Report with their masterpiece Heavy Weather an audiophile
first time 180 gram vinyl Friday Music release.
A Remark You Made!1. Birdland
2. A Remark You Made
3. Teen Town
5. Rumba Mamá
7. The Juggler
8. Havona$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Someday My Prince Will Come (200 Gram)200-Gram Vinyl Pressed At Quality Record Pressings
Mastered From The Original Analog Master Tapes By Ryan K. Smith At Sterling Sound
Deluxe Tip-On Jacket From Stoughton Printing
A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.
This title is not eligible for discount.1. Someday My Prince Will Come
2. Old Folks
4. Drad Dog
6. I Thought About You$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Vol.1Miles Davis Volume 1 is the first in a pair of compilation albums of recordings made by Miles Davis over 1952-1954, released by the Blue Note Record label.
The twelve inch LP (BLP 1501) was originally released in 1956 (followed by Volume 2 (BLP 1502)) after Davis won the Down Beat readers poll as best trumpeter.The two volumes of rereleased Miles Davis material were the first releases in Blue Note's new 1500 series of 12LPs. The music compiled on the two volumes was from three separate recording sessions made over 1952-1954, some of which had been previously issued as singles, and as three now discontinued 10 inch LPs. Volume 1 contained takes of the May 9, 1952 and April 20, 1953 sessions for the label, including alternate takes of some songs.1.Tempus Fugit
5.How Deep Is The Ocean
7.Dear Old Stockholm
12.Woody'n You$19.99Vinyl LP Reissue - Sealed Buy Now
Bopping The BluesOne of Miles Davis' Earliest Recording Sessions
Pressed On Audiophile-Grade 180 Gram Vinyl At Pallas Group In Germany
Mastered From Original Analog Tapes By Bernie Grundman
Features Legendary Tenor Saxophonist Gene Ammons and Drummer Art Blakey
One of Miles Davis' earliest recording sessions. The very first known instance of the famed trumpeter playing in an "open" style, and in a band with legendary tenor saxophonist Gene Ammons and drummer Art Blakey. Need any more be said? Very few jazz albums possess more historical import and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair. Yes, it's got that elusive Holy Grail quality. Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, Bopping the Blues marks what are indisputably Davis' initial open-voiced contributions and a can't-miss opportunity for collectors and enthusiasts to get closer to the man and his music.1. Don't Sing Me The Blues (Take 1)
2. Don't Sing Me The Blues (Take 2)
3. I've Always Got The Blues (Take 1)
4. I've Always Got The Blues (Take 2)
5. I've Always Got The Blues (Take 3)
6. Don't Explain To Me Baby (Take 1)
7. Don't Explain To Me Baby (Take 2)
8. Don't Explain To Me Baby (Take 3)
9. Don't Explain To Me Baby (Take 4)
10. Baby, Won't You Make Up Your Mind (Take 1)
11. Baby, Won't You Make Up Your Mind (Take 2)
12. Baby, Won't You Make Up Your Mind (Take 3)$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Ascenseur Pour L'Echafaud (2LP)Import
Ascenseur Pour L'Échafaud is a 1958 French film directed by Louis Malle. It was released as Lift to the Scaffold in the UK. The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman. Jean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis to create the film's Soundtrack. He showed Davis a screening of the movie, and afterwards Miles knew exactly how to portray the smoky hazed or frantic scenes through sonic imagery. On December 4 1957, he brought four French Jazzmen (Barney Wilen / tenor saxophone, RenÉ Urtreger / piano, Pierre Michelot bass and Kenny Clarke drums) to the recording studio Le Poste Parisien Studio without having them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. Eventually Ascenseur Pour L'Échafaud has become a great achievement of artistic excellence.
For the first time since its original release in 1958, Music On Vinyl combined the original soundtrack and the additional recordings and created an essential 2LP set with the original artwork.Side 1 (ORIGINAL 1958 A-SIDE)
2. L'Assassinat De Carala
3. Sur L'Autoroute
4. Julien Dans L'Ascenseur
5. Florence Sur Les Champs-Élysees
Side 2 (ORIGINAL 1958 B-SIDE)
1. Dîner Au Motel
2. Évasion De Julien
3. Visite Du Vigile
4. Au Bar Du Petit Bac
5. Chez Le Photographe Du Mot
1. Nuit Sur Les Champs-ÉlysÉes (TAKE 1)
2. Nuit Sur Les Champs-ÉlysÉes (TAKE 2)
3. Nuit Sur Les Champs-ÉlysÉes (TAKE 3)
4. Nuit Sur Les Champs Elysees (TAKE 4)
5. Assassinat Visite Du Vigil
6. Assassinat Julien Dans L'ascenseur
7. Assassinat L'Assassinat De Carala
1. Final (TAKE 1)
2. Final (TAKE 2)
3. Final (TAKE 3)
5. Le Petit Bal (TAKE 1)
6. Le Petit Bal (TAKE 2)
7. SÉquence Voiture (TAKE 1)
8. Sequence Voiture Sur L'Aut (TAKE 2)$42.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Miles Davis Vol. 2Recorded in 1953, Miles Davis Volume 2 contains music from the great jazz trumpeter's second session for Blue
Note. Miles Davis Volume 2 features legendary jazz drummer, Art Blakey, and will be reissued in its original 10" form as part of an overall Blue Note vinyl initiative spearheaded by current Blue Note Records President, Don Was.1. Tempus Fugit
3. Ray's Idea
5. I Waited For You
6. C.T.A.$19.9910 Vinyl LP - Sealed Buy Now
AghartaAgharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his septet-flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion.
Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own trumpet. It eschews both melody and harmony in favor of a combination of riffs, crossing polyrhythms, and Funk-oriented grooves for soloists to improvise throughout.
The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.LP 1
1. Prelude (Part 1)
2. Prelude (Part 2) / Maiysha
2. Theme From Jack Johnson$47.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Swing, Swang, Swingin' (Discontinued)Prior to 1959, Jackie McLean was an important young Turk whose sharp tone and intense style on alto grew out of Charlie Parker yet were very much his own. Growing up in New York, his neighbors included such friends as Bud Powell, Thelonious Monk and Sonny Rollins. By 1951 he was recording with Miles Davis and other associations in the 1950s included Charles Mingus and two years with Art Blakey's Jazz Messengers. But all of that was a prelude to his recording 21 brilliant, explorative and frequently explosive albums for Blue Note during 1959-67. While McLean became one of the first jazz musicians of his generation to stretch beyond hard bop into freer explorations inspired by Ornette Coleman, Swing, Swang, Swingin' is a straight ahead affair in which he mostly puts his stamp on standards. Few versions of Let's Face The Music And Dance and I Love You have ever had this much intensity and, when McLean digs into the ballad What's New, he gives it a fiery passion that had never been heard before. Jackie McLean not only swings and swangs but he burns with the urgency, agony and ecstasy of the 1960s.
- Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
- Remastered by Kevin Gray and Steve Hoffman at Acoustech
- Cut at 45rpm for Better Sound!
- Pressed on two 180 gram Virgin Vinyl LPs by RTI
- Limited Edition
- Ultra-Durable, Extra Thick Album Jackets
- Gatefold Album with Session Photos in stunning High Resolution
- Jackie McLean, alto saxophone
- Walter Bishop Jr., piano
- Jimmy Garrison, bass
- Art Taylor, drums
This title is not eligible for discount.1. What's New
2. Let's Face the Music and Dance
3. Stable Mates
4. I'll Remember You
5. I Love You
6. I'll Take Romance
7. 116th and Lenox$49.99180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
E.S.P.Numbered, Limited Edition
Pressed At RTI
A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.
Pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of E.S.P. treats each phrase and every note as sacred communication. This meticulously restored audiophile version renders the music's dynamics, pitch, colors, and textures with lifelike realism and proper scale. Reference-caliber separation, wall-to-wall soundstages, and distinct images magnify the intensity and beauty of Davis and Co.'s creations. Whether it's the distinctive snap of Tony Williams' drum sticks against the snare head, air moving through Davis' trumpet, acoustic thrum of Ron Carter's bass, or upper register of Herbie Hancock's piano, the sound is better than you'd even hear in the most intimate jazz clubs. Prepare to be swayed on every level.
For many, E.S.P. looms among the decade's best albums if only because of the significance of Davis' lineup. While Hancock, Williams, and Carter are holdovers that began playing with one another on 1963's Seven Steps to Heaven, Wayne Shorter functions as the secret weapon and key addition responsible for this ensemble hitting a new peak. Indeed, the saxophonist helped pen two of the seven compositions here - notably, E.S.P. is entirely comprised originals and clocked in as one of the longest-running jazz LPs issued at the time - and, more importantly, grants Davis the confidence and leeway necessary for the eruption of enigma, steadiness, and tension.
As he did with John Coltrane year earlier, Davis hangs back and picks his moments to solo, with Shorter stepping up to supply the churn. Their bandmates respond in kind, itching to take off into new stratospheres all the while keeping their improvisations grounded and connected to the piece at hand. Guided by Davis' visions and inspired by current boundary-pushing works by the likes of Ornette Coleman, Cecil Taylor, and Coltrane, the magnificent results spark with variation, harmony, emotion, energy, and brilliant movement.
Interlocking lines drive Little One, alternating rhythms pulse through the funky Eighty-One, melodies soar on the balladic Iris, the aptly titled Mood broods over minor-key structures, and Agitation - goosed by a two-minute percussive introduction by Williams - delivers on its promise. No record - and no group of musicians - have ever balanced coherent themes and exploratory playing in better fashion than Davis' quintet on E.S.P. It's the avant-garde record even jazz traditionalists love, and essential on every level.
This title is not eligible for discount.1. E.S.P.
3. Little One
7. Mood$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
Bitches Brew: LiveImport
It has been said that jazz stopped evolving when Davis wasn't there to push it forward.
Even if that isn't true, Miles Davis certainly was one of the greatest music innovators of the 20th century, pioneering Cool Jazz (with the 1949 recording of Birth Of The Cool), Modal Jazz (with 1959's Kind Of Blue) and Fusion with 1970's Bitches Brew.
Bitches Brew Live contains recordings from two performances: the first three songs were recorded at his Newport Jazz performance in July 1969 - a couple of weeks before the Bitches Brew Sessions in August of that year - and have remained unissued till this day.
Miles performs with Chick Corea on electric piano, Dave Holland on acoustic bass and Jack DeJohnette on drums; musicians who all went on to become leaders of the Fusion movement. (Wayne Shorter unfortunately missed this date because he was stuck in traffic.) The A1 track 'Miles Runs The Voodoo Down' is the first professionally live recorded version of this song.
The other six songs were recorded at the Isle Of Wight festival in 1970,and contain 'Directions' and 'It's About That Time' from the In A Silent Way sessions.
Included in this exclusive release is a 12 page booklet with a liner note essay by renowned music journalist Michael Azzerad, and a special etch on the D side.Side 1
1. Miles Runs The Voodoo Down
3. It's About That Time/The Theme
2. Bitches Brew
1. It's About That Time
3. Spanish Key
4. The Theme
D-Side is etched$44.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Giant Steps (Mono Remaster)Mono Remaster
History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience.
Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.
Coltrane (tenor sax) is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers -- who was the only band member other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated -- replicating the lineup featured on Kind of Blue, sans Miles Davis of course.
At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are likewise Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos -- the 180-degree antithesis of the art form up to that point. These arrangements would create a place for the solo to become infinitely more compelling. This would culminate in a frenetic performance style that noted jazz journalist Ira Gitler accurately dubbed sheets of sound. Coltrane's polytonal torrents extricate the amicable and otherwise cordial solos that had begun decaying the very exigency of the genre -- turning it into the equivalent of easy listening.
He wastes no time as the disc's title track immediately indicates a progression from which there would be no looking back. Line upon line of highly cerebral improvisation snake between the melody and solos, practically fusing the two. The resolute intensity of Countdown does more to modernize jazz in 141 seconds than many artists do in their entire careers. Tellingly, the contrasting and ultimately pastoral Naima was the last tune to be recorded, and is the only track on the original long-player to feature the Kind of Blue quartet. What is lost in tempo is more than recouped in intrinsic melodic beauty.
- Lindsay Planer (AllMusic.com)1. Giant Steps (Mono Version)
2. Cousin Mary (Mono Version)
3. Countdown (Mono Version)
4. Spiral (Mono Version)
5. Syeeda's Song Flute (Mono Version)
6. Naima (Mono Version)
7. Mr. P.C. (Mono Version)$21.99Vinyl LP Mono - Sealed Buy Now