Pro-ject Authorized & Certified VPI Dealer

VINYL. OUR WAY OF LIFE SINCE 2004

(877) 929-8729
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
20% Off Vinyl - LP20
Home > Products for: '

Miles Davis Quintet

'
Results per page:
  • Relaxin' With The Miles Davis Quintet Relaxin' With The Miles Davis Quintet Quick View

    $21.99
    Buy Now
    x

    Relaxin' With The Miles Davis Quintet

    Featuring John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones. The greatest small group in the history of jazz recorded at their peak in 1956. Featuring joyous, straight-ahead swinging and melodic improvisation, this is a near-perfect album. Contains 'If I Were A Bell,' 'It Could Happen To You,' 'I Could Write A Book' and several others.

    1. If I Were A Bell
    2. You're My Everything
    3. I Could Write A Book
    4. Oleo
    5. It Could Happen To You
    6. Woody'n You
    Miles Davis
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Relaxin' With The Miles Davis Quintet (Mono) Relaxin' With The Miles Davis Quintet (Mono) Quick View

    $34.99
    Buy Now
    x

    Relaxin' With The Miles Davis Quintet (Mono)

    Relaxin' is the second classic album to be issued from the famed extended 1956 recording sessions of the Miles Davis Quintet (Miles Davis, John Coltrane, Red Garland, Paul Chambers and Philly Joe Jones). The set is notable for Miles' mastery with a mute as he he only plays open here on Dizzy Gillespie's Woody'n You, the emerging talent of a young John Coltrane and the strength and subtlety of the Red Garland led rhythm section. One of Davis' brightest outings featuring such memorable numbers as If I Were A Bell, It Could Happen To You and I Could Write A Book among others.


    This title is not eligible for discount.

    1. If I Were A Bell
    2. You're My Everything
    3. I Could Write A Book
    4. Oleo
    5. It Could Happen To You
    6. Woody'n You
    Miles Davis
    $34.99
    200 Gram Audiophile Virgin Mono Vinyl - Sealed Buy Now
  • Workin' With the Miles Davis Quintet (Awaiting Repress) Workin' With the Miles Davis Quintet (Awaiting Repress) Quick View

    $21.99
    Buy Now
    x

    Workin' With the Miles Davis Quintet (Awaiting Repress)

    Undeniably one of the best small bands in the history of jazz, the Miles Davis quintet of the mid-1950s made history at the Cafe Bohemia on Manhattan's Barrow Street and in the New Jersey studio of Rudy Van Gelder for Prestige. This is the 3rd in a series of four LPs taped in two marathon studio sessions, done in the style of sets at the Bohemia, producing music of high energy and immediacy. This is a mix of standards and originals, up-tempos and ballads, and a trio number, Ahmad's Blues. Miles is the sole survivor of this quintet but the music made in the mid-50's period will live forever. The excitement of the emerging John Coltrane; the informed, melodic swing of Red Garland; the tremendous snap and pop of the rhythm trio of Garland, Paul Chambers and Philly Joe Jones, and Miles' poignancy and intense swing. Recording engineered by Rudy Van Gelder.

    1. It Never Entered My Mind
    2. Four
    3. In Your Own Sweet Way
    4. The Theme (take 1)
    5. Trane's Blues
    6. Ahmad's Blues
    7. Half Nelson
    8. The Theme (take 2)
    Miles Davis
    $21.99
    Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
  • Steamin' With The Miles Davis Quintet Steamin' With The Miles Davis Quintet Quick View

    $21.99
    Buy Now
    x

    Steamin' With The Miles Davis Quintet

    1. Surrey With The Fringe on Top
    2. Salt Peanuts
    3. Something I Dreamed Last Night
    4. Diane
    5. Well, You Needn't
    6. When I Fall in Love
    Miles Davis
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • The New Miles Davis Quintet The New Miles Davis Quintet Quick View

    $21.99
    Buy Now
    x

    The New Miles Davis Quintet

    Miles Davis, trumpet

    John Coltrane, tenor sax

    Red Garland, piano

    Paul Chambers, bass

    Philly Joe Jones, drums

    1.JUST SQUEEZE ME
    2.THERE IS NO GREATER LOVE
    3.HOW AM I TO KNOW?
    4.S'POSIN
    5.THE THEME
    6.STABLEMATES
    Miles Davis
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Cookin' With The Miles Davis Quintet Cookin' With The Miles Davis Quintet Quick View

    $21.99
    Buy Now
    x

    Cookin' With The Miles Davis Quintet

    1. My Funny Valentine
    2. Blues By Five
    3. Airegin
    4. Tune-Up/When Lights Are Low
    Miles Davis Quintet
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Miles Davis & The Modern Jazz Giants Miles Davis & The Modern Jazz Giants Quick View

    $27.99
    Buy Now
    x

    Miles Davis & The Modern Jazz Giants

    Import


    The Complete, Historic, All-Star Recording Session Of Decemeber 24, 1954. Miles Davis and the Modern Jazz Giants is an album recorded by Miles Davis, for Prestige Records. Most of the album comes from a session on December 24th 1954, but 'Round Midnight is from the sessions by Davis's new quintet in 1956 which resulted in Steamin' with the Miles Davis Quintet and three other albums to fulfill Davis's contract with Prestige.



    The 1954 session is notable as the only time Thelonious Monk made a studio recording with Davis - the two men did not get on well, as Davis felt Monk ought to be laying out (refraining from playing) during the trumpeter's solos. Ira Gitler, who was present at the session and wrote the sleeve notes for the album, dispels the myth that the two men confronted each other physically, but there was argument throughout the session. The first take of The Man I Love has a false start caused by Monk asking when he should start playing, and an exasperated Davis telling engineer Rudy Van Gelder, Hey Rudy, put this on the record, man - all of it!.

    1. Bags' Groove(Take 1)
    2. Bags' Groove(Take 2)
    3. Bemsha Swing
    4. The Man I Love(Take 1)
    5. The Man I Love(Take 2)
    6. Swing Spring
    Miles Davis
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Miles In The Sky Miles In The Sky Quick View

    $49.99
    Buy Now
    x

    Miles In The Sky

    Numbered, Limited Edition


    1968 Record Marks First Time Davis Uses Electric Piano, Bass, and Guitar: Second Half is Acoustic


    Mastered from the Original Master Tapes: Seminal Proto-Fusion Effort Explodes With Color and Vibrancy


    Final Effort With Davis' Classic Second Quintet Finds the Leader Looking to the Past and the Future


    Miles in the Sky reflects the intriguing curiosities and rainbow possibilities suggested by the album cover. Miles Davis' fifth and final album with his classic second quintet is kaleidoscopic in sound, forward-looking in structure, and contextually grounded in approach. As the legendary leader's first venture into what would become fusion, it's historical for containing the premier appearances of electric piano, bass, and guitar on a Davis effort. Laden with rich textures and style-bridging elements, Mobile Fidelity's 45RPM pressing brings the aural magic into focus.


    Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Miles in the Sky joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Afforded the benefits provided by the record's wider grooves, Davis' burnished trumpet resounds with utmost clarity, and the soundstage seems to extend for days. Reference-caliber separation and imaging give each musician their own space, allowing every passage to come across without any sonic limitations.


    The album's wide-open soundscapes soar. As do the fluid contributions of Davis' mates. Tony Williams' percussion, central to every composition here, transpires before your eyes. Herbie Hancock's piano hovers and fades with sublime purity. And George Benson, who sits on Paraphernalia, blows the equivalent of smoke rings with his bluesy guitar, which here takes on brilliant tonality and definition. The acoustic material that occupies the second half of the record is equally transparent and full-bodied.


    Granted enhanced production and a greater field of audible information, Miles in the Sky can finally be perceived as belonging to the same upper echelon as Davis' ubiquitously acclaimed Nefertiti and Filles de Kilimanjaro--the albums that precede and follow, respectively, this watershed title. Commonly branded a transitional work, Miles in the Sky showcases Davis already at ease with electric instruments and eager to venture into uncharted territories. Doubling as organized jams and bridges between jazz and rock, both the rhythmically challenging Stuff and frisky Paraphernalia glancing toward the future while keeping solid footing in the past.


    Similarly, so do Country Boy and Black Comedy. In his original review for jazz authority DownBeat, Larry Kart observes: Davis takes material from his earlier days and darkens its emotional tone. His opening phrase on 'Country Boy' recalls a fragment from his Summertime solo on the Porgy and Bess album, but here it is delivered with a vehemence that rejects the poignancy of the earlier performance. Even on 'Black Comedy,' his most straight ahead solo here, the orderly pattern of the past is displaced and fragmented.


    Flavored with humor, bossa nova, country, and even ballroom phrases, the compositions on Miles in the Sky explodes with creativity, purpose, and color.


    This title is not eligible for discount.

    1. Stuff
    2. Paraphernalia
    3. Black Comedy
    4. Country Son
    Miles Davis
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
  • Miles Smiles (Speakers Corner) Miles Smiles (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Miles Smiles (Speakers Corner)

    Except for the taping of a live performance at the Portland Festival, Miles Davis's discography for 1966 only lists the recordings made for the LP Miles Smiles! How strange when one considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties.



    The bass player Ron Carter was best suited for the complicated rhythm part and remained Miles's 'number one' in a quintet which gave a new interpretation to compositions by Wayne Shorter and jazz hits such as Freedom Jazz Dance by Eddie Harris and Jimmy Heath's Gingerbread Boy.



    Every second of the nine-minute-long Footprints by Shorter is an absolute highlight, while the drumming of the young Tony Williams in Freedom Jazz Dance is full of vitality, with a quick pulse, and even described as threatening in the liner notes. This music is neither 'new stream' nor 'old guard' but good modern jazz according to Anthony Tuttle. That's exactly what Miles Smiles was upon its release 40 years ago - and that's what it is to this day! And that Miles Davis smiled for once thanks to the great musical relationship between the five individualists is certainly no mere rumour.



    Musicians:



    • Miles Davis

    • Wayne Shorter (tenor saxophone)

    • Herbie Hancock (piano)

    • Ron Carter (bass)

    • Tony Williams (drums)




    Recording: October 1966 at Columbia RecordsStudios, New York, by Frank Laico

    Production: Teo Macero




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Orbits
    2. Circle
    3. Footprints
    4. Dolores
    5. Freedom Jazz Dance
    6. Ginger Bread Boy
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Jazz Track Jazz Track Quick View

    $24.99
    Buy Now
    x

    Jazz Track

    A reissue of two underrated Miles Davis sessions on one mono LP; Side One is the Miles Davis Quintet's soundtrack for the French film L'Ascenseuer Pour l'Echafaud while highlights from the Miles Davis Sextet's session on May 26, 1958 (Davis' 32nd birthday).
    1. GÉnÉrique
    2. L'Assassinat De Carala
    3. Sur L'Autoroute
    4. Julien Dans L'Ascenseur
    5. Florence Sur Les Champs-ÉlysÉes
    6. Dîner Au Motel
    7. Évasion De Julien
    8. Visite Du Vigile
    9. Au Bar Du Petit Bac
    10. Chez Le Photographe Du Motel
    11. On Green Dolphin Street
    12. Fran-Dance
    13. Stella By Starlight
    Miles Davis
    $24.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Adam's Apple (Awaiting Repress) Adam's Apple (Awaiting Repress) Quick View

    $19.99
    Buy Now
    x

    Adam's Apple (Awaiting Repress)

    "Adam's Apple" by Grammy®-award winner, Wayne Shorter will be reissued as part of an overall Blue Note 75th anniversary vinyl initiative spearheaded by current Blue Note Records President, Don Was. Recorded in 1966, this is Shorter's tenth album. This album includes the first recording of Shorter's composition "Footprints" which was later recorded by the Miles Davis Quintet.
    1. Adam's Apple
    2. 502 Blues (Drinkin' and Drivin')
    3. El Gaucho
    4. Footprints
    5. Teru
    6. Chief Crazy Horse
    Wayne Shorter
    $19.99
    Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
  • Soul Junction Soul Junction Quick View

    $21.99
    Buy Now
    x

    Soul Junction

    Though it was recorded in 1957 (on the same day as his All Mornin' Long LP), Soul Junction was not released until 1960 on the Prestige label.
    Featuring the fine tenor work of his fellow Miles Davis Quintet alum, John Coltrane, and the blazing trumpet of Donald Byrd, Soul Junction is one
    of Garland's finest releases as a band leader. The center piece is the 16-minute long title track which features a stunning, mellow and bluesy solo from Red himself.
    1. Soul Junction
    2. Woody'n You
    3. Birk's Works
    4. I've Got It Bad
    5. Hallelujah
    Red Garland Quintet
    $21.99
    Vinyl LP - Sealed Buy Now
  • Soul Junction (Awaiting Repress) Soul Junction (Awaiting Repress) Quick View

    $32.99
    Buy Now
    x

    Soul Junction (Awaiting Repress)

    Import


    Though it was recorded in 1957 (on the same day as his All Mornin' Long LP), Soul Junction was not released until 1960 on the Prestige label.
    Featuring the fine tenor work of his fellow Miles Davis Quintet alum, John Coltrane, and the blazing trumpet of Donald Byrd, Soul Junction is one
    of Garland's finest releases as a band leader. The center piece is the 16-minute long title track which features a stunning, mellow and bluesy solo from Red himself. Yet another jazz classic reissued on LP by Doxy.

    1. Soul Junction
    2. Woody'n You
    3. Birk's Works
    4. I've Got It Bad
    5. Hallelujah
    Red Garland Quintet
    $32.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • A Garland Of Red (Pre-Order) A Garland Of Red (Pre-Order) Quick View

    $21.99
    Buy Now
    x

    A Garland Of Red (Pre-Order)

    Originally released on the Prestige label in 1956, A Garland of Red is the debut album by pianist Red Garland.

    In his review for Allmusic, Scott Yanow stated Thirty-three at the time of this, his first recording as a leader, pianist Red Garland already had his distinctive style fully formed and had been with the Miles Davis Quintet for a year... Red Garland recorded frequently during the 1956-62 period and virtually all of his trio recordings are consistently enjoyable, this one being no exception.

    1. A Foggy Day
    2. My Romance
    3. What Is This Thing Called Love?
    4. Makin' Whoopee
    5. September in the Rain
    6. Little Girl Blue
    7. Constellation
    8. Blue Red
    Red Garland Trio
    $21.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Coltrane Coltrane Quick View

    $21.99
    Buy Now
    x

    Coltrane

    After establishing himself as a star on the rise with the Miles Davis quintet, the Thelonious Monk quartet, and various Prestige recordings with Sonny Rollins, Hank Mobley, and Tadd Dameron, John Coltrane made his debut as a leader on this excellent self-titled 1957 release. The 6-song set finds the tenor sax giant joined by John Splawn (trumpet), Sahib Shihab (baritone sax), Mal Waldron (piano), Red Garland (piano), Paul Chambers (bass) and Al Heath (drums) on a pair of Trane's own compositions in Straight Street and Chronic Blues, alongside Cal Massey's Bakai and pop fare such as Violets for Your Furs, While My Lady Sleeps and Time Was.


    1. Bakai
    2. Violets For Your Furs
    3. Time Was
    4. Straight Street
    5. While My Lady Sleeps

    6. Chronic Blues
    John Coltrane
    $21.99
    Vinyl LP Reissue -Sealed Buy Now
  • Tenor Madness Tenor Madness Quick View

    $21.99
    Buy Now
    x

    Tenor Madness

    By the time this LP was released, Sonny Rollins already had such albums under his name as Worktime (OJCCD-007-2) and Sonny Rollins Plus 4 (OJCCD-243-2), in addition to his sideman exploits with the Clifford Brown/Max Roach Quintet. Tenor Madness, in which he was joined by the rhythm section from the Miles Davis Quintet, further substantiated and underlined his rapidly rising stature. The material is an effective mixture of Rollins' playing attitudes with an intriguing original, Paul's Pal, and the mining of unusual material such as My Reverie and The Most Beautiful Girl in the World. And, of course, there is the celebrated title track featuring the two titans to emerge in the '50s, Rollins and his guest, visiting in the studio that day, John Coltrane.
    1. Tenor Madness
    2. When Your Lover Has Gone
    3. Paul's Pal
    4. My Reverie
    5. The Most Beautiful Girl In The World
    Sonny Rollins
    $21.99
    Vinyl LP Reissue - Sealed Buy Now
  • Coltrane (Mono) Coltrane (Mono) Quick View

    $34.99
    Buy Now
    x

    Coltrane (Mono)

    After establishing himself as a star on the rise with the Miles Davis quintet, the Thelonious Monk quartet, and various Prestige recordings with Sonny Rollins, Hank Mobley, and Tadd Dameron, John Coltrane made his debut as a leader on this excellent self-titled 1957 release. The 6-song set finds the tenor sax giant joined by John Splawn (trumpet), Sahib Shihab (baritone sax), Mal Waldron (piano), Red Garland (piano), Paul Chambers (bass) and Al Heath (drums) on a pair of Trane's own compositions in Straight Street and Chronic Blues, alongside Cal Massey's Bakai and pop fare such as Violets for Your Furs, While My Lady Sleeps and Time Was.


    This title is not eligible for discount.

    1. Bakai
    2. Violets For Your Furs
    3. Time Was
    4. Straight Street
    5. While My Lady Sleeps
    6. Chronic Blues
    John Coltrane
    $34.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • All Mornin' Long All Mornin' Long Quick View

    $49.99
    Buy Now
    x

    All Mornin' Long

    200-Gram Pressing by Quality Record Pressings has a Flat Edge Profile and Deep Groove Label, True to the Original LP, and a Deluxe High-Gloss Tip-on Album Jacket.


    All-Star Musician Lineup of Red Garland, John Coltrane, Donald Byrd, George Joyner and Arthur Taylor. Originally Released in November 1957.


    Some groups have existed only in the recording studio but have produced music of lasting value.

    This quintet, under pianist Red Garland's leadership, actually did play some gigs around New York in the fall of 1957, but even if it hadn't, the rapport in the studio would still have been powerful. Beginning with the association of Garland and sax master John Coltrane in the Miles Davis Quintet and continuing with Arthur Taylor's trio connection with Garland, and trumpeter Donald Byrd's having worked with all of them in one form or another, there was enough of a common spirit in the musical attitudes of all the participants. The title blues spans an entire side; the overleaf is shared by Gershwin's They Can't Take That Away from Me and Dameron's Our Delight.


    This title is not eligible for discount.

    1. All Mornin' Long
    2. They Can't Take That Away From Me
    3. Our Delight
    Red Garland Quintet
    $49.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Head Hunters Head Hunters Quick View

    $34.99
    Buy Now
    x

    Head Hunters


    Mastered at Sterling Sound by Ryan Smith


    Stoughton Printing Old-Style Deluxe Film-Lamination Tip-On Jacket


    Plated and Pressed at Quality Record Pressings!


    There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock.


    In 1963, Miles Davis invited Hancock to join the Miles Davis Quintet. During his five years with Davis, Herbie recorded many classics with the jazz legend including ESP, Nefertiti and Sorcerer, and later on he made appearances on Davis' groundbreaking In a Silent Way and Bitches Brew.


    Hancock's own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles and Speak Like a Child. After leaving Davis' fold, Herbie put together a new band called The Headhunters and, in 1973, recorded Head Hunters. Head Hunters was a pivotal point in Hancock's career, bringing him into the vanguard of jazz fusion. Hancock had pushed avant-garde boundaries on his own albums and with Miles Davis, but he had never devoted himself to the groove as he did on Head Hunters. Drawing heavily from Sly Stone, Curtis Mayfield and James Brown, Hancock developed deeply funky, even gritty, rhythms over which he soloed on electric synthesizers, bringing the instrument to the forefront in jazz. It had all of the sensibilities of jazz, particularly in the way it wound off into long improvisations, but its rhythms were firmly planted in funk, soul and R&B, giving it a mass appeal that made it the biggest-selling jazz album of all time (a record which was later broken).


    Jazz purists, of course, decried the experiments at the time, but Head Hunters still sounds fresh and vital four decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul and hip-hop.


    This title is not eligible for discount.

    1. Chameleon
    2. Watermelon Man
    3. Sly
    4. Vein Melter
    Herbie Hancock
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Prisoner The Prisoner Quick View

    $19.99
    Buy Now
    x

    The Prisoner


    Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    As one of the first albums Herbie Hancock recorded after departing Miles Davis' quintet in 1968, as well as his final album for Blue Note, The Prisoner is one of Hancock's most ambitious efforts. Assembling a nonet that features Joe Henderson (tenor sax, alto flute), Johnny Coles (flugelhorn), Garnett Brown (trombone), Buster Williams (bass), and Albert Tootie Heath (drums), he has created his grandest work since My Point of View. Unlike that effort, The Prisoner has a specific concept -- it's a tribute to Dr. Martin Luther King, evoking his spirit and dreams through spacious, exploratory post-bop. Often, the music doesn't follow conventional patterns, but that doesn't mean that it's alienating or inaccessible. It is certainly challenging, but Hancock's compositions (and his arrangement of Charles Williams' Firewater) have enough melody and space to allow listeners into the album. Throughout the record, Hancock, Coles, and Henderson exchange provocative, unpredictable solos that build upon the stark melodies and sober mood of the music. The tone is not of sorrow or celebration, but of reflection and contemplation, and on that level, The Prisoner succeeds handsomely...

    - Stephen Thomas Erlewine (All Music)

    1. I Have a Dream
    2. The Prisoner
    3. Firewater
    4. He Who Lives in Fear
    5. Promise of the Sun
    6. The Prisoner
    7. Firewater
    Herbie Hancock
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Black Codes (From The Underground) Black Codes (From The Underground) Quick View

    $29.99
    Buy Now
    x

    Black Codes (From The Underground)

    Limited Edition - Only 2000 Copies Pressed


    Cut at 33 1/3rpm and Pressed on 180g Audiophile-Grade Vinyl at Pallas in Germany!


    Mastered From the Original Master Tapes by Bernie Grundman


    With his brother Branford (who doubles here on tenor and soprano) often closely emulating Wayne Shorter, and the rhythm section (pianist Kenny Kirkland, bassist Charnett Moffett, and drummer Jeff Watts) sounding a bit like the famous Herbie Hancock-Ron Carter-Tony Williams trio, Wynton is heard at the head of what was essentially an updated version of the mid- to late-'60s Miles Davis Quintet. The music is brilliantly played and displays what the "Young Lions" movement was really about: young musicians choosing to explore acoustic jazz and to extend the innovations of the pre-fusion modern mainstream style.


    Features:

    Limited Edition - Only 2000 Copies Pressed

    180g Audiophile-Grade Vinyl

    Mastered from original master tapes

    Mastered by Bernie Grundman

    Pressed at Pallas in Germany


    Musicians:

    Wynton Marsalis, trumpet

    Branford Marsalis, saxophone

    Charnett Moffett, bass

    Jeff Tain Watts, drums

    Ron Carter, bass

    Kenny Kirkland, keyboards

    1. Black Codes
    2. For Wee Folks
    3. Delfeayo's Dilemma
    4. Phryzzinian Man
    5. Aural Oasis
    6. Chambers of Tain
    7. Blues
    Wynton Marsalis
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Harmon Gymnasium, University of California, Berkeley CA, April 7th 1967 (Awaiting Repress) Harmon Gymnasium, University of California, Berkeley CA, April 7th 1967 (Awaiting Repress) Quick View

    $24.99
    Buy Now
    x

    Harmon Gymnasium, University of California, Berkeley CA, April 7th 1967 (Awaiting Repress)

    Digitally Remastered


    This remarkable 1967 concert finds Miles Davis playing with his second quintet: Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Albert Stinson (bass), and Tony Williams (drums). Recorded for broadcast on KALX radio, it features the only live recording of ''Dolores'' by this group, and their last known recording of ''Stella By Starlight.'' An incendiary document of a great artist at the peak of his powers, it's presented here with background notes and images.

    1. Gingerbread Boy
    2. Stella By Starlight
    3. Dolores
    4. Round Midnight
    5. So What
    6. Walkin'
    Miles Davis
    $24.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Someday My Prince Will Come Someday My Prince Will Come Quick View

    $32.99
    Buy Now
    x

    Someday My Prince Will Come

    Import

    Remastered on 180 Gram Audiophile Vinyl!


    After John Coltrane and Cannonball Adderly left the 'quintet', Miles Davis was forced to search for new qualified musicians. He found them in Hank Mobley, Wynton Kelly, Jimmy Cobb and Paul Chambers. In 1961, just two years after recording Kind Of Blue, Miles and his new line up started recording energetically and finished Someday My Prince Will Come after only three days.


    This album is a cross-over from Kind Of Blue, which is known for the typical Miles Davis-tunes, to traditional pop-standards such as the eponymous title track from Snow White And The Seven Dwarfs.

    1. Someday My Prince Will Come
    2. Old Folks
    3. Pfrancing
    4. Drad-Dog
    5. Teo
    6. I Thought About You
    Miles Davis
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Someday My Prince Will Come Someday My Prince Will Come Quick View

    $24.99
    Buy Now
    x

    Someday My Prince Will Come

    Remastered on 180 Gram Audiophile Vinyl!


    After John Coltrane and Cannonball Adderly left the 'quintet', Miles Davis was forced to search for new qualified musicians. He found them in Hank Mobley, Wynton Kelly, Jimmy Cobb and Paul Chambers. In 1961, just two years after recording Kind Of Blue, Miles and his new line up started recording energetically and finished Someday My Prince Will Come after only three days.


    This album is a cross-over from Kind Of Blue, which is known for the typical Miles Davis-tunes, to traditional pop-standards such as the eponymous title track from Snow White And The Seven Dwarfs.

    1. Someday My Prince Will Come
    2. Old Folks
    3. Pfrancing
    4. Drad-Dog
    5. Teo
    6. I Thought About You
    Miles Davis
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Go to top