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Milestones (Mono)Masterwork is Oft-Overlooked Link Between Round About Midnight and Kind of Blue
Vanguard Sonics: Mobile Fidelity Reissue Presents The 1958 Standard with Unparalleled Sound Quality
In MONO You Will Not Hear a Better Analog Edition
Only Record to Feature Davis Original Sextet, Including Rhythm Section of Paul Chambers and Philly Joe Jones
Title Track Stands as First-Ever Modal Composition Even as Blues and Hard-Bop Flavors Make LP One of Davis Most Explosive Affairs
Sketches of Spain, Kind of Blue, Round About Midnight, Four & More, and In a Silent Way Also Available from Mobile Fidelity
Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.
Part of Mobile Fidelitys Miles Davis catalog restoration series, Milestones has been restored to mono for the first time as to expose the records standing as one of the all-time great jazz efforts.Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g mono LP edition grants each musician their own space in a well-defined, broadened soundstage. Colors, shapes, and dimensions appear in the manner they do when beheld from behind a studio-control rooms window.
Davis burnished trumpet? Rendered in three-dimensional perspective, coaxing his mates out to play with unburdened zest and commotion. Coltranes trademark saxophone? Witness it in life-size proportion, his solos working in tandem with and against the driving rhythms. Garlands swaggering piano lines? Visualize the 88 keys as he hits full stride, the chords and fills slithering around skeletal frameworks.
If anything, Milestones is as famous for its title track as the players that produced it. The launching pad for many of Davis (and later, his contemporaries) improvisational flights, the singular piece invites the tessellated explorations Coltrane would forever chase as well as the headliners argyle solo work, who broaches territories that far exceed what he had done with his bop-rooted past. Every song is a highlight, whether its the bravado No Jackle, featuring a hot-foot pace and bebop strains, or Sids Ahead, which continues the albums blues theme while tossing around edgy harmonics and inside-out structures.
Then theres Straight, No Chaser, the absolutely definitive rendition of Thelonious Monks signature piece. Coltranes marbled playing pulls at the tunes lobed borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting When the Saints Go Marching In while demonstrating his knowledge of tradition and eye towards the future. A milestone if there ever was. And now, in resplendent mono.
This title is not eligible for discount.1. Dr. Jackle
2. Sids Ahead
3. Two Bass Hit
5. Billy Boy
6. Straight, No Chaser$34.99180 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
Maiden VoyageMaiden Voyage is arguably the best in Herbie Hancock's series of fine Blue Note albums from the 60s. Every single cut on this album from the haunting Maiden Voyage to the gentle, swinging Dolphin Dance has found its way into the standard jazz repertoire. Herbie Hancock fashioned a modern jazz milestone here with extraordinary compositions, interplay and solos.
Every single tune on this album from the haunting Maiden Voyage to the gentle, swinging Dolphin Dance has found its way into the standard jazz repertoire. Herbie Hancock fashioned a modern jazz milestone with extraordinary compositions, interplay and solos.
Originally released in 1965.
Herbie Hancock, piano
Ron Carter, bass
George Coleman, tenor saxophone
Freddie Hubbard, trumpet
Anthony Williams, drums
This title is not eligible for discount.1. Maiden Voyage
2. The Eye Of The Hurricane
3. Little One
4. Survival Of The Fittest
5. Dolphin Dance$49.99180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
SaharaThis critically-acclaimed and Grammy-nominated 1972 album marked the beginning of McCoy Tyner's nine-year association with the Milestone label and producer Orrin Keepnews. It is a deceptively simple record, employing four tunes from the band's regular repertoire and one solo piano piece. But Tyner seemed to have brought under control his overwhelming pianistic skills and the lessons learned during six years with John Coltrane. The results, particularly on the 23-minute development of the title tune, are lastingly impressive.1. Ebony Queen
2. A Prayer For My Family
3. Valley of Life
5. Sahara$21.99Vinyl LP Reissue - Sealed Buy Now
MilestonesOnly Record to Feature Davis Original Sextet, Including Rhythm Section of Paul Chambers and Philly Joe Jones
Title Track Stands as First-Ever Modal Composition Even as Blues and Hard-Bop Flavors Make LP One of Davis Most Explosive Affairs
Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.1. Dr. Jekyll
2. Sid's Ahead
3. Two Bass Hit
5. Billy Boy
6. Straight, No Chaser$24.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
Miles Davis created just one studio album with his original sextet and he made every moment count. Joined by Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but created a genuine modern-jazz masterwork laden with performances that are among the most explosive of his distinguished career in the process.
Due to its position between the more famous 'Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic. Every song here is a highlight, whether it's the influential title track, the bravado of "No Jackle," the blues themed "Sid's Ahead," or the definitive rendition of Thelonious Monk's signature piece "Straight, No Chaser," this 1958 release is a milestone indeed!1. Dr. Jackle
2. Sid's Ahead
3. Two Bass Hit
5. Billy Boy
6. Straight, No Chaser$27.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Milestones is Miles Davis' only original sextet recording featuring John Coltrane, Paul Chambers, Cannonball Adderley, Philly Joe Jones and Red Garland. This 1958 masterpiece captured Davis' rst modal jazz experiments in pieces like "Straight, No Chaser" and the title track. Both the song and the album proved to be actual milestones in Jazz, as the modalism Davis introduced on this record continued to inuence Jazz on a global scale.1. Dr. Jekyll
2. Sid's Ahead
3. Two Bass Hit
5. Billy Boy
6. Straight, No Chaser$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Kind Of Blue (Awaiting Repress)Ranked 12/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
High quality 180 gram Audiophile Vinyl
Replication of Original Artwork
Released August 17, 1959, on Columbia Records in the United States. Recording sessions for the album took place at Columbia's 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis's ensemble sextet, which consisted of pianist Bill Evans (Wynton Kelly on one track), drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley.
After the entry of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) and 1958 Miles (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis's best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis's masterpiece. The album's influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time.1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Milestones180 Gram Vinyl Includes Fully Restored Original Artwork
Milestones was originally released on September 24, 1973 and was Roy Orbison's final album from The MGM
Years. The singles were 'Blue Rain' and 'I Wanna Live,' but other standouts include Roy's renditions of
contemporary hits 'Sweet Caroline' and 'Drift Away.' This re-issue is fully remixed and remastered to return the
audio to its original glory.1. I Wanna Live
2. You Don't Know Me
3. California Sunshine Girl
5. Blue Rain (Coming Down)
6. Drift Away
7. You Lay So Easy On My Mind
8. The World You Live In
9. Sweet Caroline
10. I've Been Loving You Too Long
11. The Morning After$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Harlem Bush Music UhuruAvant garde jazz player's 1971 album featuring Andy Bey, Ron Carter, Juni Booth, Harold White, Nat Bettis.1. Blue (A Folk Tale)
2. Uhuru Sasa
4. Celestial Blues
5. The Planets$31.99Vinyl LP - Sealed Buy Now
Av Oss, For OssNew full-length from one of the pioneers of the Viking Metal genre with artwork made by Costin Chioreanu.
In over twenty years we have carried out our vision.
We were there when Norwegian extreme metal grew forth and took shape as an enormous cultural export. We played far and wide. At home and abroad. We were part of something new. Something special and innovative. We were there when Norwegian metal gathered and inspired thousands. We were there and swung the hammer when Viking metal was forged as a unique expression that later inspired countless bands, worldwide.
Now the horns of war sound again. And Einherjer is there.
Behind us we have an array of albums - some of which stand as milestones in a genre of explosive growth.
Frode Glesnes - guitar, bass fx & vocal
Aksel Herløe - lead guitar, bass fx & backing vocal
Gerhard Storesund - drums & samples1. Fremad
2. Hammer i kors
4. Hedensk oppstandelse
5. Nord og Ner
8. Av oss, for oss$22.99Vinyl LP - Sealed Buy Now
In The NowIn The Now is the new solo album from Barry Gibb, the surviving member of one of music s most successful and revered bands, the Bee Gees, formed with his brothers Robin and Maurice. Produced by Barry and co-producer John Merchant, In The Now is only the second solo effort of Gibb's career and his first album of all new material since the Bee Gees final studio album in 2001.
The new album is an impassioned solo effort that signals a welcome return of one of the most identifiable and versatile voices in the history of rock, pop, and R&B. The 12-track album was recorded in Miami with the same gathering of accomplished musicians Barry assembled for his acclaimed 2014 solo tour. And Barry has kept In The Now a family affair, writing all the songs with his sons Stephen and Ashley. Commenting on working with his sons, Barry said, 'We've been writing together for a long long time - my eldest son Stephen and my second eldest son Ashley. So in a very spiritual way it's not my three brothers, it's my two sons. But it still works the same way. I'm a better writer if I'm writing with somebody.
Barry proudly admits, All of the feelings that I've ever had in life are all in this album.
Barry Gibb has had a phenomenal career. As a founding member of the Bee Gees, along with his brothers Robin and Maurice, Barry Gibb has sold more than 220 million albums worldwide. Between Robin, Maurice, and Andy, the Gibb brothers achieved 19 number one records on the Billboard charts including a phenomenal 6 in a row, equaling The Beatles record. As a record producer/songwriter, Barry has been instrumental in creating milestones for other artists, ranging from Barbra Streisand's 'Guilty' album to Dolly Parton and Kenny Rogers country record 'Islands In The Stream' also, Diana Ross 'Eaten Alive featuring 'Chain Reaction' as well as Dionne Warwick's 'Heartbreaker' album.LP 1
1. In the Now
2. Grand Illusion
3. Star Crossed Lovers
1. Blowin' a Fuse
2. Home Truth Song
3. Meaning of the Word
1. Cross to Bear
3. Amy In Colour
1. The Long Goodbye
3. End of the Rainbow$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
UNIM-FAN-5363xGary Bartz NTU Troop
Harlem Bush Music - UhuruHarlem Bush Music is a compilation of two albums by saxophonist Gary Bartz NTU Troop recorded in 1970 and 1971 and originally released on the Milestone label.<1. Blue (A Folk Tale)
2. Uhuru Sasa
4. Celestial Blues
5. The Planets$24.99Vinyl LP - Sealed Buy Now
Die Healing (Awaiting Repress)"Die Healing" featuring original SAINT VITUS vocalist Scott Reagers! This is essential doom!!!!
Recommended if You Like: BLACK SABBATH, TROUBLE, COUNT RAVEN, CANDLEMASS, THE OBSESSED, HIGH ON FIRE, SLEEP, BARONESS, MASTODON, SIR LORD BALTIMORE
Die Healing is a pivotal point in Vitus' discog; not only their very last before they temporarily ended their relentlessly classic doom metal album releases with a thirteen year hiatus, but their third recording with Scott Reagers, who helped make the eponymous debut, Hallow's Victim and EP The Walking Dead such milestones of doom. And what a way to go out. Many will tell you this is actually Saint Vitus' finest moment, and although I favour the debut and Wino's career zenith Born Too Late above it, there is no doubt it deserves as solid a place in the pantheon of doom as Nightfall or Master Of Reality or In The Rectory Of The Bizarre Reverend.
The band's sound and instrumentation is class without question. The guitar tone saw a slight departure from the fuzz prevalent on Wino-albums (including the 2012 opus Lillie: F-65), with something more of an electric edge familiar to C.O.D. Fret not, the tone is still plenty burly, and of course massively appropriate for the toking of vaporous substances.
The guitar solos are likewise a little clearer - though of course solos like on 'One Mind' and 'Return Of The Zombie' have that inimitable Chandler scaling chaos in spades, squeaking like a dozen metal detectors malfunctioning. In general though the album's sound gives the feeling of the band moving forward with the sound established on the underappreciated, Chritus Linderson-assisted C.O.D., while welcoming their original singer back into the fold as easily as if he'd never left. It comes together brilliantly.
What cements the album's place atop the pile of '90s Vitus releases is that it's a lot more solid than V and C.O.D. in terms of songs, chock full of highlights with nary a skippable track. 'Dark World' heralds absolutely no messing about, a timeless slow burn Saint Vitus classic to get you going. Reagers unlocks his trademark moon-touched howls, boosted here with a gruffness and depth that must have come with age. He can still hit the unnerving highs that made the debut such a unique piece. Not to mention his more aghast and tragic-heroic style is accompanied by a lyrical shift toward tales of horror and myth, adding further colours of yore to the band's solidified musical approach (although 'In The Asylum' is as brilliantly witty a tale of human disintegration as anything Wino has written for Vitus).
Some of the great knells peeling off Chandler's guitar in the main riff of 'Let The End Begin' are highlights for Vitus' entire career. It climaxes with a great rocking section, splashed with sumptuous guitar and bass solos, in a move actually quite uncharacteristic for the band, who tended to steer between leadweight trawling songs and more rambunctious cuts. The eerie build on 'Sloth' is another of the band's best moments. The entire song, with its off-kilter structure and wailing chorus, is an example of just how muscular the band's creative fibers were at the time. 'Return of the Zombie', a quasi-sequel to the classic, shifty song off the debut of course, makes its mark with a crazed vocal performance and some spooky effects. And of course there's more, I've just listed a few real standouts but the album is too generous in its blessings for them to be exhaustively listed.
It's just a really solid album that builds on all the best things the band had done to date while keeping the songwriting fresh. What a swansong this was. This album is the reason Lillie: F-65 had such vast expectations from me. A must have.
- joncheetham88 (Metal Archives)1. Dark World
2. One Mind
3. Let The End Begin
4. Trail Of Pestilence
6. Return Of The Zombie
7. In The Asylum
8. Just Another Notch$21.99Vinyl LP Reissue - Sealed AWAITING REPRESS Buy Now
SPCO-SPE-0667xGil Evans Orchestra
The Gil Evans Orchestra Plays The Music Of Jimi Hendrix (Speakers Corner)
Critics find this album rather difficult to evaluate. Their judgement ranges from a colourful mixture to a successful cover album to a masterly fusion and an homage to an artist whose life came to an end far too soon - Jimi Hendrix. Jimi had long been gone when this album was recorded in 1974. But it is almost superfluous to look back to the legendary Hendrix if you focus on the great Gil Evans. After such milestones as Birth Of The Cool and Sketches Of Spain it isn't difficult to regard these late audiophile masterpieces as a logical development of Evans's exceptional skill as an arranger.
When you listen - or rather experience - how the crystal-clear sound in Angel is heightened to an emphatic ballad on the saxophone, or how rich soulful vocals storm ahead in a funky style (Crosstown Traffic), or fluffy, cloud-like sounds are built up on the flutes in Castles Made From Sand, then it is no longer of importance who thought out the music. It is sufficient that it exists and is pleasing to all who hear it. It is also unimportant whether one reveres Hendrix's immemorable melodies or whether one pays homage to Evans's visionary soundworld: a recording such as this could only be born of the two.
- Gil Evans (arranger, conductor, piano)
- David Sanborn, Billy Harper (saxophone, flute)
- Billy Harper (saxophone, flute)
- Lewis Soloff (trumpet)
- Tom Malone (synthesizer, trombone, flute, bass)
- David Horowitz (electric piano, synthesizer)
- John Abercrombie (guitar)
- Don Pate (bass)
- Warren Smith, Jr. (chimes, percussion, vibraphone)
- Bruce Ditmas (drums)
Recording: 1974 at RCA's Studio B, New York City, by Bob Simpson
Production: Mike Lipskin
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Angel
2. Crosstown Traffic/ Little Miss Lover
3. Castles Made of Sand/Foxey Lady
4. Up From the Skies
5. 1983 - A Merman I Should Turn to Be
6. Voodoo Child (Slight Return)
7. Gypsy Eyes
9. Castles Made of Sand
10. Up From the Skies
11. Gypsy Eyes$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Spine Of God (Awaiting Repress)Reissue of a milestone in the Stoner Rock genre! The kings of hard psychedelic rock present Spine Of God a re-release of their first studio album. Originally released in 19991, this milestone is the perfect reincarnation of Black Sabbath,Deep Purple and Hawkwind. It has already achieved cult status in the Stoner Rock genre. The album was completely written and produced by singer and mastermind Dave Wyndorf.
This re-issue is an absolute must-have for any Stoner / Psychedelic Rock Fan.1. Pill Shovel
3. Nod Scene
4. Black Mastermind
5. Zodiac Lung
6. Spine Of God
7. Snake Dance
8. Sin's A Good Man's Brother
10. Ozium (Demo Version)$19.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
ADAD-VAG-9712xEdward Sharpe & The Magnetic Zeros
Edward Sharpe And The Magnetic ZerosThe third studio album from Edward Sharpe & The Magnetic Zeros, the record seems to mark a milestone for the collective, who have gone on to earn widespread success since their 2009 debut album, Up From Below.
"These songs mean everything to me," said frontman Alex Ebert in a press release. "It's the rawest, most liberated, most rambunctious stuff we've done."1. Better Days
2. Let's Get High
5. Life is Hard
6. If I Were Free
7. In The Lion
8. Country Calling
9. They Were Wrong
10. In The Summer
11. Remember To Remember
12. This Life$24.99Vinyl LP - 2 LPs Sealed Buy Now
UNIM-FAN-5165xJoe Henderson & Alice Coltrane
The Elements (Awaiting Repress)The Elements is an album by American saxophonist Joe Henderson, originally released in 1973 on Milestone.
1970 began a decade of discovery for Joe Henderson; a time to set aside the post-bop instrumentation and repertoire he was identified with and branch out into other realms. One of the most successful and challenging of these efforts that the Milestone label documented was the present four-part improvisation on the basic themes of Fire, Air, Water and Earth.
Assisting the tenor saxophonist was a group of sympathetic explorers--Alice Coltrane on piano and harp, violin original Michael White, bass giant Charlie Haden, and the multifaceted percussionist Kenneth Nash.
Latin American, Indian, and Native American strains enter the mix as Henderson applies the heat and mercurial invention of his more conventional work to these open-ended settings. While the music is enhanced with overdubbing in spots, the true magic of The Elements emanates from the musicians' collective genius at listening and responding to each other.1. Fire
4. Earth$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Sad Wings Of DestinyThe groundbreaking Sad Wings of Destiny was the first great Judas Priest album, simultaneously taking the entire heavy metal genre to new depths of darkness and new heights of technical precision and musicality. The album was an important milestone in the eventual development of the progressive metal subgenre, and established a standard of excellence to which Judas Priest would adhere through the remainder of the '70s.1. Victim Of Changes
2. The Ripper
3. Dreamer Deceiver
9. Island Of Dominatio$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Library Catalog Music Series: Music for Savage Tropical ImageryYuuki Matthews is a Seattle-based freelance musician and owner of 2 cats. Originally from Hollywood (Burbank), California, Yuuki moved to the Northwest with his mother and brother in the mid-nineties. He recorded the songs that make up Music for Savage Tropical Imagery at home between tours, odd jobs, and major milestone events. With this record, Yuuki sought to expand upon the nostalgia of subtle sound degradation.1. Villa
2. Hk Cinema Funk
3. Equatorial Broadway Funk
6. Sun Bear
7. Sloth Documentary
8. Em'S Dream
10. Sea Sponge Cake$14.99Vinyl LP - Sealed Buy Now
Playing With FireCountry superstar, Jennifer Nettles, is releasing her second solo album now on Big Machine Records. She won five
ASCAP, ACM Crystal Milestone Award for being the first woman solo songwriter for a Song of the Year since 1972,
a Grammy®, CMA, and ACM Award. As the lead vocalist for the decorated duo Sugarland, who earned eight #1
singles and over 22 million in worldwide sales.1. Playing With Fire
2. Unlove You
3. Hey Heartbreak
4. Drunk in Heels
5. Stupid Girl
6. Three Days In Bed
9. Starting Over
10. Salvation Works
11. Way Back Home$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Green1988's Green, R.E.M.'s sixth studio album, was a milestone of sorts for the band: Green marked the group's
departure from longtime label I.R.S. Records; it was R.E.M's first LP to be certified double platinum, and it was the
album that broadened and solidified the band's success across the Atlantic.
An eclectic album, Green featured
singles "Stand" and "Orange Crush" and was certified double platinum in the US, platinum in the UK, and peaked at
#12 on the Billboard 200.1. Pop Song 89
2. Get Up
3. You Are The Everything
5. World Leader Pretend
6. The Wrong Child
7. Orange Crush
8. Turn You Inside-Out
10. I Remember California
11. Untitled$24.99Vinyl LP - Sealed Buy Now
The Dutchess (10th Anniversary Edition)The Dutchess, the debut album by Fergie, was originally released in the U.S. on September 19, 2006. Universal Music
Enterprises will mark its 10th anniversary milestone with a 2LP edition of the original album that features the hits,
Fergalicous, London Bridge, Glamorous and Clumsy.
The Dutchess is one of this century's seminal pop music
achievements and this reissue marks the first time it will be made available on standard weight, black vinyl.LP 1
3.All That I Got (The Make Up Song)
2.Here I Come
4.Big Girls Don't Cry (Personal)
5.Mary Jane Shoes
6.Losing My Ground
7.Finally/Israel Nights$24.99Vinyl LP - 2 LPs Sealed Buy Now
'LIVE', originally released in 1977, is considered a milestone in the impressive career of one of Holland's finest rock bands: The Golden Earring. Recorded at The Rainbow Theatre in London, this is the band at their best. This double vinyl set captures their energetic live act, featuring extended and groovy versions of their songs. Including some of their biggest hits until then: 'She Flies On Strange Wings' and of course a lengthy rendition of 'Radar Love'!
This 180 grams audiophile 2LP release features a gatefold sleeve and glossy sleeve finishing.1. Candy's Going Bad
2. She Flies on Strange Wings
3. Mad Love's Comin'
4. Eight Miles High
5. Vanille Queen
6. To the Hilt
7. Fightin' Windmills
8. Con Man
9. Radar Love
10. Just Like Vince Taylor$35.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Soft Machine released their third album, surprisingly called 'Third' in 1970. It is a double album with each side of the vinyl consisting of a single long composition.
Its music explores the emerging jazz fusion of the type present on Miles Davis' 'Bitches Brew', which was released just a few months earlier.
'Third' marks the most major of Soft Machine's several shifts in musical genre over their career, completing their transition from psychedelic music to jazz.
Third is a significant milestone of the Canterbury scene, featuring interplay between the band's personnel: Mike Ratledge on keyboards, Robert Wyatt on drums, Hugh Hopper on bass and newest member Elton Dean on saxophone.1. Facelift (Live) (18:45)
2. Slightly All The Time (18:11)
3. Moon In June (19:09)
4. Out-Bloody-Rageous (19:13)$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now