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An Evening With Makeba/Belafonte (Speakers Corner)
Songs from Africa: Just by reading this subtitle, one might well ask oneself whether an album with such an unpretentious title would ever manage to find its way to the charts. But as soon as the disc is placed on the turntable, all doubts are dispelled that this collection of songs was actually one of the top sellers of its genre in the Sixties. The melodies, all of which stem from South African tribal songs, are treated lovingly to sensitive new arrangements. It goes without saying that the producers only wanted a minimum of background instrumentalists for these two star singers in order to preserve the original character of the songs. A little bit of guitar here, a touch of mouth organ there, and the soft rhythm of drums are all that are needed for the soft springy sound. Central to the authentic sound is a mixed chorus that mostly uses the traditional art of antiphonal singing with the soloists.
Such delightful sounds and harmony will make you want to put the stylus back on the groove again and again. This is addictive music of the world, which one can listen to for hours on end.
- Harry Belafonte, Miriam Makeba (vocal)
- Jonas Gwangwa (arranger, conductor)
- Sam Brown, Eddie Diehl, Jay Berliner (guitar)
- William Salter (bass violin)
- Auchee Lee, Solomon Ilori, Chief Bey, (percussion)
Recording: 1965 in RCA Victor's Studios, New York
Production: Andy Wiswell and Harry Belafonte
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.
This title is not eligible for discount.$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
EchoesWally Badarou is a French-born synthesizer specialist, and long-time associate of the British band Level 42, known for its blend of funk, pop, soul and rock. He has co-written and performed on a number of the band's tracks since their recording dÃ‰but in 1980, later co-producing them. Though not an official member, he has long been considered an informal fifth member.
Badarou was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah Sticky Thompson), the in-house recording team of Compass Point Studios responsible for a long series of albums of the 1980s recorded by Grace Jones, Tom Tom Club, Joe Cocker, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. His keyboard playing can also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, Talking Heads, Foreigner, Melissa Etheridge, Manu Dibango and Miriam Makeba.
Echoes (1983) is his second solo album, which included Chief Inspector, Hi-Life and Mambo, which was sampled for Massive Attack's Daydreaming of the Blue Lines album. You can actually feel Caribbean sunshine with this music. Badarou breathes real life into his synthesizers on this album of happy, upbeat, and danceable instrumentals.1. Keys
6. Endless Race
7. Chief Inspector
10. Rain$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now