- Lowest Price
- Highest Price
New Wave Sessions80s legend Dale Bozzio presents this Limited Edition 12 vinyl of brilliant cover songs such as Girls Just Wanna Have Fun, I Know What Boys Like, Funkytown plus new versions of two classic Missing Persons singles.1. Words
2. Destination Unknown
3. I Know What Boys Like
5. Turning Japanese
6. Der Kommissar
7. Girls Just Wanna Have Fun
8. Destination Unknown (TV Mania 12 Mix)
9. Walking In L.A. (Technova's Electro Mix)$18.99Vinyl LP - Sealed Buy Now
Under The PinkUnder the Pink was Tori Amos' follow-up to the sensationally successful Little Earthquakes and demonstrates that she had by no means run out of faeries and demons to sport with. Amos herself describes it as her impressionistic album--her piano playing is perfectly attuned to the subtle, shifting colors of her lyrical moods on Bells for Her, while Past the Mission indicates her growing use of distinctive arrangements to illustrate her songs. Highlights include God, in which Amos demonstrates her often-missed humor, openly taunting the Almighty for his indifference to humanity, asking Do you need a woman to look after you? --David Stubbs
One of the most successful and influential artists of her generation, Tori Amos is as much a force to be reckoned with today as when she released her first solo album Little Earthquakes over 2 decades ago. Eschewing the trends of the time, the prodigious chanteuse touched millions deeply with her arresting melodies, riveting stage presence and personal & honest lyrics.1. Pretty Good Year
3. Bells for Her
4. Past the Mission
5. Baker Baker
6. The Wrong Band
7. The Waitress
8. Cornflake Girl
10. Cloud on My Tongue
11. Space Dog
12. Yes, Anastasia$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Missing In ActionThe first new Missing Persons studio album in over 25 years featuring the unmistakable voice of '80s new wave icon, influential lead singer Dale Bozzio.
Such memorable hits as "Words," "Destination Unknown," and "Walking In L.A." made Missing Persons a household name in the '80s and a staple of early MTV thanks in part to the cutting edge fashion statements of Bozzio, which inspired the likes of Madonna, Gwen Stefani, Lady GaGa, and others.
Written and produced by the multi-talented Billy Sherwood (William Shatner / Prog Collective) who worked closely with Bozzio to create an album that can stand alongside the rest of the Missing Persons catalog while bringing a modern twist that fans will appreciate.1. Do Or Die
2. Hello, Hello
3. Walk Into The Sun
4. Covert Operation
5. The More We Love
6. Crisis In Overdrive
7. All The Way
8. If I Gave You My Mind
9. Siren Song
10. The Speed Of Light$22.99Vinyl LP - Sealed Buy Now
The Womack LiveIn 1970 Womack and manager Ed Wright decided to capitalize on his new-found solo visibility by capturing an in-person performance at a Los Angeles nightclub. The Womack Live was the result, a compelling, cathartic session where, as the original liner notes attest, Womack held church, agonizing, pleading, exhorting and testifying to a crowd fully in rapture to him. As well as extended jams on album material like 'How I Miss You Baby,' the playlist featured killer versions of 'Something' and 'Everybody's Talkin'' and some outrageous stage patter. All in all, it's an incredible recital capturing Bobby Womack in his prime, and even comes with an uncredited appearance from Percy Mayfield.1. Let It Out
3. Oh How I Miss You Baby
4. California Dreamin'
6. Everybody's Talkin'
8. Laughing And Clowning
9. To Live The Past
10. I'm A Midnight Mover
11. The Preacher
12. More Than I Can Stand$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
In Person (Pure Pleasure)
Note: This issue is as the original vinyl album issue & contains all the dialogue from Ray and the stage promoter, along with audience participation.
I bought this LP, of the Atlanta concert, in 1960. It knocked me out then, and it knocks me out now. For me, this IS Ray Charles. In the intro to Night Time Is The Right Time Ray says, »... and Miss Marjorie Hendricks will help us out on vocals ...«, and boy, does she help out! Turn up the volume and strap yourself down.
The greatness of this album. Ray was touring with his band in the 50's, and they played at a concert in Herndon Stadium, Atlanta. An engineer at radio station WAOK recorded the occasion on a one track tape recorder using a single microphone. The recording was later played over the air. The response of the radio audience was overwhelming, resulting in the ultimate release of the Atlantic album. It is one of the most extraordinary albums of all time. First, the recording is amazing considering how it was recorded. The band is heard with perfect clarity and balance, and the audience is also picked up, and you can hear the shouting, whooping, the give and take with the audience, and the extraordinary energy in what was a typical concert of Ray Charles playing to his own audience. Many of the tunes were or became classics, known to every funk and blues musician in the country and to most of the population at large. Ray Charles was revered like no other musician.
This is the most cathartic of all Ray Charles' recordings. On two tracks, The Right Time and Tell The Truth-both shared with the Raelettes' lead singer, Marjorie Hendricks-the music transcends art to become powerfully shamanistic. It remains one of the greatest rhythm and blues albums of all time.
- Ray Charles (piano, vocal)
- Marcus Belgrave, John Hunt (trumpet)
- David Newman (tenor saxophone)
- Bennie Crawford (bassoon)
- Edgar Willis (bass)
- Teagle Flemming (drums)
Recording: May 1959 at Herndon Stadium, Atlanta, Georgia, by Ivan Miles
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. The Right Time
2. What'd I Say
3. Yes, Indeed
4. The Spirit Feel
6. Drown In My Own Tears
7. Tell The Truth$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Divine Miss MNumbered Limited Edition
Midler's Grammy-Winning 1972 Debut Announces the Birth of a Superstar
Record Overflows With Energy and Personality: Torch Songs, Girl-Group Classics, Campy Remakes, Theatrical Pieces Delivered With Supreme Emotion
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (Best Plant in North America): Midler's Voice Upfront and Centered, Every Nuance of Her Phrasing Laid Bare
Oh, behave! Bette Midler's sparkling, energy-pulsing 1972 debut features the singer honing her trademark brassy personality as well as showing off an intimate, raw edge that fell by the wayside later in her career. Witness her forlorn, melancholic, and heartbroken moods, all conveyed with supreme emotion on several riveting ballads. But this LP is no downer. Midler offsets any bleakness with playfully campy songs laced with unadulterated enthusiasm and joyous defiance. This is a diva lover's delight. The music is astonishingly alive. A superstar is born!
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents The Divine Miss M with the warmly cozy and front-row perspective that the music demands. Midler's voice is transparent and full, the timbrel shadings colorfully outlined, the vocal images appearing as if she's singing just a few feet away. Similarly, her cast of back-up vocalists (the Harlettes) receives ample face time on songs that come across as if performed by a girl-group revue. Midler has cut many records in her career but none are this entertaining, diversified, and, now, sonically spectacular.
There's always risk associated with interpreting other artists' classics and hits, but Midler makes every song here her own. She injects Chapel of Love with extra swagger and feminine gusto. In her hands, the Carpenters' Superstar becomes more heartbreaking, filled with desolate sentiment and lonesome ache. John Prine's ballad Hello In There echoes, as if sung to an empty room, with forlorn emotion. The 50s smash Leader of the Pack positively stomps and declares, her band in tow, that she's not going to be stopped. Indeed, Midler's interpretations of these staples surpass the previous versions, mostly due to her impeccable strong vocals and contagious passion. She doesn't quit. And don't you dare decline her offer on Do You Want to Dance!
What else can be said of her trademark Boogie Woogie Bugle Boy, her update of the Andrews Sisters' jazzy hit landing in the Top 10, featuring a scat vocal (!), and smartly walking the line between campy fun and serious reverence. Similarly, Midler's two takes of Friends--the first off-the-cuff, wild, snappy, and humorous; the second slightly cooler and infused with gorgeous harmonies--remain modern marvels. There's not a bad note on this incredible record.
The Divine Miss M has always been prized for its clear, clean production. Mobile Fidelity's Silver Series LP further improves the sound, which, in combination with Midler's performances, make this collectible reissue an absolute no-brainer!
This title is not eligible for discount.1. Do You Want to Dance? (Bobby Freeman)
2. Chapel of Love (Jeff Barry, Ellie Greenwich, Phil Spector)
3. Superstar (Bonnie Bramlett, Leon Russell)
4. Daytime Hustler (Jeff Kent)
5. Am I Blue (Jarry Akst, Grant Clark)
6. Friends (Mark Klingman, Buzzy Linhart)
7. Hello In There (John Prine)
8. Leader of the Pack (Jeff Barry, Ellie Greenwich, George Morton)
9. Delta Dawn (Larry Collins, Alex Harvey)
10. Boogie Woogie Bugle Boy (Don Raye, Hughie Prince)
11. Friends (Reprise) (Mark Klingman, Buzzy Linhart)$24.99Vinyl LP - Sealed Buy Now
WeekendWeekend is the fifth studio album by Swedish band The Sounds. The band has been compared to new wave groups such as Blondie, and Missing Persons. The first single of the album is titled "Shake Shake Shake.1. Shake Shake Shake
2. Take It the Wrong Way
3. Hurt the Ones That I Love
5. Great Day
7. Too Young To Die
11. Young and Wild$19.99Vinyl LP - Sealed Buy Now
Vanitas (Discontinued)Brand new album from Birmingham's Anaal Nathrakh
Extensive print & internet advertising. Features in Metal Hammer, Terrorizer, Rocksound, etc Anaal Nathrakh was created for one purpose - to be the soundtrack for Armageddon, the audial essence of evil, hatred and violence, the true spirit of necro taken to its musical extremes.
Since being founded in 1998, the band has gained a reputation for embodying precisely these things, with a history including not only the release of seven albums and an EP to rapturous acclaim, but collaborations with such legendary figures as Attila Csihar (Mayhem), Shane Embury and Danny Herrera (Napalm Death), Nick Barker (Testament, Dimmu Borgir), Joe Horvath (Circle of Dead Children), Sethlans Teitan (Watain) and so on.
This, alongside appearing on BBC Radio 1 at the personal behest of sadly missed icon John Peel, headlining a stage at the renowned cult Inferno Festival in Norway as their debut international live appearance, countless placings in best album of the year polls and album of the month awards in the press and cover appearances on leading magazines such as Terrorizer.
Anaal Nathrakhs status as one of the leading lights in extreme metal is undeniable.Side A
1. The Blood-Dimmed Tide
2. Forging Towards The Sunset
3. To Spite The Face
4. Todos Somos Humanos
5. In Coelo Quies, Tout Finis Ici Bas
6. You Can't Save Me, So Stop Fucking Trying
7. Make Glorious The Embrace Of Saturn
8. Feeding The Beast
9. Of Fire, And Fucking Pigs
10. A Metaphor For The Dead$28.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Axis: Bold As LoveRanked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Very few albums radically change the musical and cultural landscape, altering our perceptions by way of a mad combination of forward-looking performance, liberating lyrical narratives, spiritual overtones, and unimaginable sounds. Jimi Hendrix's sophomore Axis: Bold As Love is one of those records, a timeless and prophetic set that still seems as if it comes to us from the future. Unrelentingly ambitious, deeply mythical, and profoundly virtuosic, the stupendous 1967 collection dives into a pool of lustful psychedelia, earthy blues, cosmic soul, and unhinged rock. Along with jazz-schooled drummer Mitch Mitchell and melodic bassist Noel Redding, Hendrix establishes a new musical language, a foundation on which fellow guitar giants such as Eric Clapton, Jeff Beck, Pete Townshend, and Prince would build. Ranked by Rolling Stone as the 82nd greatest album ever released, and leagues ahead of its time, Axis: Bold As Love is an absolute must-have for every music lover. Particularly now that it's finally been afforded the sonic treatment it's always deserved.
Mastered from the original two-track mix-down analog master tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this LP is a sonic knockout on par with the very best audiophile recordings. With all apologies to previous editions from Classic and Universal, this pressing blows away any competition. It's no wonder that this release spearheads Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history.
Featuring seminal classics such as Spanish Castle Magic, Little Wing, and Castles Made Of Sand, Axis: Bold As Love stands as one of the Jimi Hendrix Experience's monumental moments, a tapestry scorched with color, sewn together with erotic threads, and varnished with rich personality. Do not miss this seminal pressing of a most seminal recording.1. EXP
2. Up From The Skies
3. Spanish Castle Magic
4. Wait Until Tomorrow
5. Ain't No Telling
6. Little Wing
7. If 6 Was 9
8. You Got Me Floatin'
9. Castles Made Of Sand
10. She's So Fine
11. One Rainy Wish
12. Little Miss Lover
13. Bold As Love$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Passion (Discontinued)STUNNING 180 GRAM CLEAR VINYL LP VERSION OF THE NEW ANAAL NATHRAKH ALBUM
Anaal Nathrakh was created for one purpose - to be the soundtrack for armageddon, the audial essence of evil, hatred and violence, the true spirit of necro taken to its musical extremes. Since being founded in 1999, the band has gained a reputation for embodying precisely these things, with a history including not only the release of five albums and an EP to rapturous acclaim, but collaborations with such legendary figures as Attila Csihar (Mayhem), Shane Embury and Danny Herrera (Napalm Death), Nick Barker (Testament, Dimmu Borgir), Joe Horvath (Circle of Dead Children), Sethlans Teitan (Watain) and so on. This, alongside appearing on BBC Radio 1 at the personal behest of sadly missed icon John Peel, headlining a stage at the renowned cult Inferno Festival in Norway as their debut international live appearance, countless placings in best album of the year polls and album of the month awards in the press and cover appearances on leading magazines such as Terrorizer Anaal Nathrakhs status as one of the leading lights in extreme metal is undeniable. Hallmarked by breathtaking musical ferocity, inventiveness and breadth, married with a mercurial, intensely misanthropic and sharp intelligence, Anaal Nathrakhs sound is imbued with a palpable sense of menace that is virtually unmatched in metal. For 2011, the band present the digested and re-vomited results of an 18-month journey through slings, arrows and outrageous misfortune. Intended in the most scourging sense of the word, Passion is an encoded vision of agony; desolation taken as the inspiration for incalculable rage. This is only abetted by contributions of twisted misanthropy from Rainer Landfermann (Pavor, Bethlehem), Alan Dubin (Khanate, Gnaw etc) and the utter blackness of Gnaw Their Tongues. Glorying in their Pyrrhic epiphanies, Anaal Nathrakh have developed a deeper understanding of horror and Passion is the focused, distilled and above all bleakly triumphant result. Passion will be released in Europe on the 23rd of May through Candlelight Records1. Volenti Non Fit Iniuria
2. Drug-Fucking Abomination
3. Post Traumatic Stress Euphoria
4. Le Diabolique Est L'ami Du Simple
5. Locus Of Damnation
6. Tod Huetet Uebel
7. Paragon Pariah
8. Who Thinks Of The Executioner
9. Ashes Screaming Silence
10. Portrait Of The Artist$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
I Am The CosmosClear Colored Vinyl
I Am the Cosmos is an enduring testament to the brilliance of Chris Bell; lyrically poignant and melodically stunning, this lone solo album is proof positive of his underappreciated pop mastery. While cuts like Get Away, I Got Kinda Lost, and Fight at the Table recall the glowing, energetic power pop of Bell's earlier work, the majority of the songs on I Am the Cosmos are more reflective and deeply personal; the title track is a harrowingly schizophrenic tale of romantic despair, while other cuts like the lurching Better Save Yourself and the lovely Look Up are infused with a spiritual power largely missing from his Big Star material.
The album's highlight, You and Your Sister -- which features backing vocals from none other than Bell's Big Star mate Alex Chilton -- is simply one of the great unknown love songs in the pop canon, a luminous and fragile ballad almost otherworldly in its beauty.
Jason Ankeny (All Music Guide)1. I Am The Cosmos
2. Better Save Yourself
3. Speed Of Sound
4. Get Away
5. Make A Scene
6. Look Up
7. I Kinda Got Lost
8. There Was A Light
9. Fight At The Table
10. I Don't Know
11. Though I Know She Lies
12. You And Your Sister$20.99Colored Vinyl LP - Sealed Buy Now
Teens Of DenialWith Teens of Denial, his first real "studio" album
with an actual band, Will Toledo moves from
bedroom pop to something approaching classicrock
grandeur and huge (if detailed and personal)
narrative ambitions, with nods to the Cars,
Pavement, Jonathan Richmond, Wire, and
Teens of Denial refracts Toledo's particular, personal
story of one difficult year through cultural
touchstones such as the biography of Frank Sinatra,
the evolution of the Me Generation as seen in Mad
Men and elsewhere, plus elements of eastern and
western theology. The whole thing flaunts a kind of
conceptual, lyrical, and musical ambition that has
been missing from far too much 21st-century music.
Horns, keyboards, and elegant instrumental
interludes set off art-garage moments; vivid vocal
harmonies follow punk frenzy. The selfish captain
of the capsized cruise liner in the Mediterranean in
2013 becomes a metaphor for struggles of the
individual in society, as experienced by one
hungover young man on the verge of adulthood.
The album was produced by Steve Fisk (Nirvana,
Beat Happening, Soundgarden) at his studio in
Seattle, July-September 2015. This is the first full
album of new music from Car Seat Headrest
released on Matador.LP 1
1. Fill In The Blank
3. Destroyed By Hippie Powers
4. (Joe Gets Kicked Out Of School For Using) Drugs
With Friends (But Says This Isn't A Problem)
5. Not What I Needed
6. Drunk Drivers/killer Whales
1. 1937 Skate Park
2. Unforgiving Girl (She's Not An)
3. Cosmic Hero
4. The Balad Of The Consta Concordia
5. Connect The Dots (The Saga Of Frank Sinatra)
6. Joe Goes To School$27.99Vinyl LP - 2 LPs Sealed Buy Now
Bestial BurdenFour days before New York noise musician Margaret Chardiet was supposed leave for her first European tour as Pharmakon, she had a medical emergency which resulted in a major surgery. Suddenly, instead of getting on a plane, she was bedridden for three weeks, missing an organ.
"After seeing internal photographs taken during the surgery, I became hyperaware of the complex network of systems just beneath the skin, any of which were liable to fail or falter at any time," Chardiet said. "It all happened so fast and unexpectedly that my mind took a while to catch up to the reality of my recovery. I felt a widening divide between my physical and mental self. It was as though my body had betrayed me, acting as a separate entity from my consciousness. I thought of my corporeal body anthropomorphically, with a will or intent of its own, outside of my will's control, and seeking to sabotage. I began to explore the idea of the conscious mind as a stranger inside an autonomous vessel, and the tension that exists between these two versions of the self."
Consumed by these ideas, and unable to leave her bed, Chardiet occupied herself by writing the lyrics and music that would become Bestial Burden, the second Pharmakon LP for Sacred Bones Records. The record is a harrowing collection of deeply personal industrial noise tracks, each one brimming with struggle and weighted with the intensity of Chardiet's internal conflict.1. Vacuum
2. Intent Or Instinct
3. Body Betrays Itself
4. Primitive Struggle
6. Bestial Burden$19.99Vinyl LP - Sealed Buy Now
TransgressorBaby Blue Vinyl
The Afro-futurist mix of Hip-Hop/R&B/Punk that is Tunde Olaniran returns with his first full-length album on Quite Scientific entitled Transgressor. The record showcases Olaniran's masterful approach to mixing intelligent and conscious commentary with a slew of personal revelations and heartfelt declarations. Propulsive entries like Namesake and KYBM instantly signify the hi-energy dance-pop feel that has brought attention to Olaniran in the past, while tracks like Let Me Go, Up & Dow, and Everyone's Missing make clear his abilities to be at once gut-wrenchingly emotional, candidly playful, or deadly-serious. Currently calling the United States his home after various stints in Nigeria, Germany, and England, Olaniran has in a very short time become one of the most beloved fixtures of an ever evolving Detroit music scene, as well as a driving force within the growing artistic community in Flint, MI (where he currently resides). His previous EPs have led to plenty of praise from outlets such as The New York Times, Pitchfork, NPR, Stereogum, Paste, BlackBook, Paste, EW and countless others while his penchant for channeling his energies into additional projects as an author, choreographer, and community organizer has made Olaniran's voice one that can't help but be heard in 2015.1. Transgressor
2. Let Me Go
5. Up & Down
6. Everyone's Missing
7. Run to the Gun
9. Brighter Days
10. 24KT$20.99Colored Vinyl LP - Sealed Buy Now
Listen Like Thieves (Awaiting Repress)Listen Like Thieves on Numbered Limited Edition LP from Mobile Fidelity Silver Label
Breakthrough 1985 Album Charted Three Great Singles
Australian Band Finds Its Groove With Bluesy Grooves, Pop Hooks
Includes "What You Need," "Listen Like Thieves," and "Kiss the Dirt"
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI
True to the title of the record's smash single, INXS gives you what you need on Listen Like Thieves. Originally released in 1985, the breakthrough album marked the group's deserved entrance into the mainstream radio sphere and commercial charts. With its sound honed from prior records, INXS develops an enviably balanced combination of dance grooves, bluesy persuasion, acoustic framing, and pop bluster on this batch of supremely catchy fare, equally memorable for its melodic nature and stylistic fusion.
Working with producer Chris Thomas (John Cale, Pete Townshend, Roxy Music), INXS expands its versatility and reach. Vocalist Michael Hutchence, too, comes into his own, singing more confidently, soulfully, and warmly than in the past. While avoiding cheap imitation, the Aussies turn to the Rolling Stones as influences, churning out thick riffs and slithering rhythms that aim for the hips and stimulate the feet. Hutchence splits the difference between the sexual bravado of Mick Jagger and primal depth of Jim Morrison, and in doing so, establishes himself as an original who's always careful not to overdo anything or overstay his welcome.
Bolstered by a series of can't-miss singles-the swaggeringly funky "What You Need," sharp thrust of "Listen Like Thieves," and wistful "Kiss the Dirt"-Listen Like Thieves teems with glorious hooks and intertwining instrumentation that cross-pollinates jazz, R&B, new-wave, and pub rock. Honking saxophone lines surge throughout, punctuating the spare chords and driving bridges with an insouciant edge missing from most of the decade's pop. A knack for atmospheric production also plays a large role. On "Shine Like It Does," a majestic moodiness takes hold, while "This Time" gives U2 a run for its money.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, Silver Series' numbered limited edition LP significantly enhances the midband, textural qualities, and ample spaciousness-all previously boxed-in on prior editions. The character of the bass notes, as well as the depth and breathiness of the vocals are also noticeably improved, bringing out the music's personality and dynamics like never before.
This title is not eligible for discount.1. What You Need
2. Listen Like Thieves
3. Kiss the Dirt (Falling Down the Mountain)
4. Shine Like It Does
5. Good & Bad Times
6. Biting Bullets
7. This Time
8. Three Sisters
9. Same Direction
10. One X One
11. Red Red Sun$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
CranekissTime and changes distance Tamaryn's Cranekiss from her earlier efforts, and for that matter, from everyone else's. Time, by way of the long period spent crafting this material, both on her own and with Weekend's Shaun Durkan, who with producer Jorge Elbrecht (Violens, Lansing-Dreiden), make up the creative team behind Cranekiss. Changes, by relocating across the country from San Francisco to New York City, by expanding the approach taken on her two previous albums (2010's The Waves and 2012's Tender New Signs), by making music that pulls you closer to it despite the enormity of the sounds within.
Tamaryn's first two full-lengths stood out in a crowd of shoegaze/ethereal revivalists as much for what they were (careful, gorgeous, thrilling tapestries of guitar-based textures) as what they weren't (simplistic, trendy, disposable signposts made to be broken). With Cranekiss, Tamaryn emerges from her past in a way that's inviting, warm-blooded, and shockingly direct. She's made a big record, loaded with samples, synth triggers and processing that was missing from her previous efforts, the result of long nights grinding it out at the Brooklyn studio Gary's Electric, where the record was born. The Waves and Tender New Signs focused on the sounds Tamaryn and her group could coax out of guitars, but with Cranekiss her sonic palette has exploded with maniacal abandon, pressed into service of a post-adolescent love letter to all the music that she and her collaborators hold dear, drawing influences from the feelings that fell out of her. Anyone familiar enough with those times should be able to draw their own comparisons, recognizing the modes of musical respect and adoration flashing past as the record spins. From there, though, Tamaryn has modeled these elements into simulacra, where despite the nods and glances to the past, play as a totally new sound.
Lyrically, this is Tamaryn's most personal collection of songs to date, and Elbrecht has placed her voice front and center across the entire record, elevating her presence like never before. Cranekiss explores dark rock, dance pop, and glistening melancholy with a uniformly commanding presence across it all, in stormy, unsettled brushstrokes that apply pressure behind Tamaryn's words.
Cranekiss represents a long journey, and a new phase in Tamaryn's music unfolding before you, a blood-red kaleidoscope of desire and late night abandon, a bold step forward.1. Cranekiss
2. Hands All Over Me
5. Keep Calling
7. Fade Away Slow
8. I Won't Be Found
9. Sugar Fix
10. Intruder (Waking You Up)$17.99Vinyl LP - Sealed Buy Now
LP Contains CD Of Full Album
Chicago's own The Lawrence Arms will release Metropole, their first
album in eight years, in 2014 via Epitaph. A beloved
band in the punk scene from their inception in 1999, members
Brendan Kelly (vocals/bassist), Chris McCaughan (vocals/guitar), and
Neil Hennessey (drummer) have released five studio albums to date.
Their sixth album and first with Epitaph, Metropole captures "that
aloneinacrowd, strangerinastrangeland kind of shit" according
to Kelly. Metropole was recorded at Chicago's Atlas Studios with co
producer Matt Allison, who has also worked with Chicagopunk
scene veterans Alkaline Trio.
The followup to their 2009 Fat Wreck
Chords EP Buttsweat and Tears, the new venture takes apart the
band's gritty punk rock and fiery spirit, to reveal a new passion for
storytellingthroughsongwriting. Take the bravely personal lyrics of
You Are Here where McCaughan ironically sings Days just keep
rolling on / They won't miss me when I'm gone / I'm the chorus to
that lonely street / Just footsteps fading to a dying beat." After a long
hiatus, dedicated fans have missed The Lawrence Arms and are
ready for the band's most dynamic album to date.1. Chilean District
2. You Are Here
3. Hickey Avenue
4. Seventeener (17th and 37th)
5. Beautiful Things
6. Acheron River
8. Drunk Tweets
9. The YMCA Down The Street From The Clinic
10. Never Fade Away
11. Paradise Shitty
12. October Blood$19.99Vinyl LP + CD - Sealed Buy Now
The StrangerRanked 67/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Joels Breakthrough Record Loaded With Smash Hits: Movin Out (Anthonys Song), Just the Way You Are, Only the Good Die Young, Shes Always a Woman
Getting It Right: Mobile Fidelitys Half-Speed Mastered Version Brings Phil Ramones Celebrated Production into Full-Color Detail
1977 Set a Grammy Winner for Record of the Year and Song of the Year
Billy Joel entered 1977 with a great track record but in need of breakthrough. Pairing with producer Phil Ramone (Carly Simon, Simon & Garfunkel), who developed the requisite ingredients missing from Joels formula, the singer-songwriter became a household name and chart-topping success courtesy of The Stranger. Certified ten-times platinum, Joels artistic and commercial smash remains a pop-rock benchmark. Better still, it now sounds astonishing.
An integral part of Mobile Fidelitys Billy Joel catalog restoration series, The Stranger is mastered from the original master tapes and pressed on 180g LP at RTI. Far superior to the previous Sony and Simply Vinyl analog reissues, this edition emphasizes the crucial touches and insightful techniques Ramone brought to a batch of material that ranks among Joels most clever, catchy, and sagacious.
Whereas a handful of Joels preceding efforts feature a near-flawless mix of melodic arrangements and poignant lyrics, the aspects he sought in order to graduate into a more serious artist arrive here via Ramones more muscular, fleshed-out, and rock-enabling production. The streamlined approach slightly strips back the sweeping developments heard on Piano Man and Turnstiles, and on this edition, lays bare the core of the material, allowing the vocalists bittersweet yearning, rollicking 88 notes, and working-class conviction to emanate with full-bodied detail, vivid color, and grand-scale dynamics.
A Grammy winner for both Record and Song of the Year, Just the Way You Are epitomizes Joels balladic reach, his ability to transfer wistful sentiments and lovelorn emotions. He also flashes a mean streak. The animated Only the Good Die Young bounces and hops to an updated classic-R&B rhythm and, underneath its beauty, Shes Always A Woman hints at trouble underfoot. And then theres the New York-centric, character-rich poetry of the vignettes.
Akin to many of his influences, Joel nails the grit, personality, specificity, descriptiveness, and behavior of protagonists that populate Movin Out (Anthonys Song) and Scenes From an Italian Diner, each equally at home on The Stranger as well as on a Broadway play or on a golden-era Hollywood film soundtrack. No wonder that, just months after its original release, Joel was no longer a stranger to any of the music-loving public. He would never look back.
Don't pass up this seminal pop-rock work in the best fidelity its ever enjoyed.
This title is not eligible for discount.1. Movin Out (Anthonys Song)
2. The Stranger
3. Just the Way You Are
4. Scenes From an Italian Restaurant
6. Only the Good Die Young
7. Shes Always a Woman
8. Get It Right the First Time
9. Everybody Has a Dream/The Stranger (Reprise)$49.99180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
Klipsch Reference X12 Neckband Bluetooth Headphones
Preferring to stand apart from the plastic monotony and build something better, Klipsch built the X12 Neckband headphones from the ground up to combine premium hand-picked materials, beautiful copper accents and unrivaled acoustic technology for a superior listening experience. With an all-day battery, call vibration alerts and carefully-selected real leather, these wireless in-ear monitors deliver durability, comfort and audiophile-grade sound that's incomparable.
Premium Audio Style
We've paired our smallest, lightest, best sounding, and most comfortable X12 acoustic modules with the best materials and craftsmanship of our Neckband for the most enjoyable experience for listening on the go. With copper accents bound by genuine leather, the Klipsch X12 Neckband headphones couple superior form and function into a classy package.
Built For Long Days
Built with extended usage in mind, Klipsch X12 Neckband headphones can last 18 hours on a single charge for music listening or taking calls. Secured by an electroplated steel exoskeleton and an IPX4 splash-proof rating, the Klipsch X12 Neckband headphones are built to last.
Call Vibration Alert
You can keep your phone in your bag and no longer stress about missing a crucial phone call. With a vibrating motor in the left control pod, a pulse against your collar will notify you of an incoming call.
Audiophile Balanced Armature
Using a custom KG-926 balanced armature placed inside of a milled aluminum housing, X12 Neckband headphones achieve full range response from a tiny form factor. Ported and vented, the balanced armature driver provides classic tube amplifier sound and unrivaled bass performance. With a warm and full soundstage, the KG-926 produces dynamics only rivaled by multi-armature counterparts.
Patented + Custom Fit
Klipsch X12 Neckband headphones feature Klipsch patented silicon contour ear tips that sit inside the ear canal with anatomical accuracy for incredible comfort and create the perfect seal for excellent noise isolation and bass response. The X12 Neckband headphones come with a pair of Comply™ Ts-100 Comfort Tips for a personalized, memory foam fit.
Advanced Remote + Clear Voice Mic
Offers full control of most smartphone models including Android and Apple devices, ensuring seamless control of music and calls. With cVc®, X12 Neckband Bluetooth® automatically enhances voice clarity and actively diminishes environmental noise to ensure you sound loud and clear.
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.$399.00Reference X12 Neckband Bluetooth Headphones - 2 Colors Available Buy Now
Howard TateSinger Howard Tate cracked the R&B Top 20 three times in the late 1960s, left music and endured hardship and anonymity for nearly 30 years and beginning in the early 2000s returned to his rightful place as one of America's most revered soul performers.
Tate was born in Macon, Georgia, in 1939 and moved with his family to Philadelphia as a young boy. In his teens, he joined a north Philadelphia gospel group, the Gainors, that also featured to-be star Garnet Mimms. The group recorded in the early 1960s for Mercury Records and Cameo Records before Tate left to become the featured singer of organist Bill Doggett's group.
In the mid-'60s, Mimms urged producer Jerry Ragovoy to check out Tate, and from 1966 to 1969 Tate and Ragovoy recorded about 10 singles, the first for the Utopia label, the rest for Verve. Ain't Nobody Home (1966), Look At Granny Run Run (1966) and Stop (1967), all written or co-written by Ragovoy, each charted R&B Top 20. But to rock audiences, Tate was best known as the original performer of Get It While You Can, which became one of Janis Joplin's signature tunes. Tate's debut album, Get It While You Can, was released in 1966 to tremendous acclaim. Rolling Stone called the album a spectacular showcase of suave, muscular good-powered singing, heavily influenced by Sam Cooke, with a joyous, shrieking falsetto that became Tate's trademark.
Tate recorded a few more singles for Lloyd Price's label, Turntable, before reuniting briefly with Ragovoy for sessions on Atlantic. After one more single on Epic in 1974, Tate all but vanished. Despite his success, he was unhappy with how the music business was treating him, never having seen any royalties.
Tate sold securities in the New Jersey and Philadelphia areas into the 1980s when he succumbed to substance abuse and endured a very tumultuous period of homelessness and personal loss. He turned his life around and began work as a minister and counselor in the early 1990s. Then in 2001, a musician Tate had toured with back in the 1960s saw him in a supermarket and within hours Tate's old producer, Jerry Ragovoy, was calling, resulting in a return to the studio for the Grammy-nominated Rediscovered. He followed up with Howard Tate Live in 2006, A Portrait Of Howard - with guests Lou Reed, Carla Bley and Larry Goldings - in 2007 and Blue Day in 2008.
Music luminaries have recognized and celebrated Tate's trademark voice throughout the years, with Elvis Costello calling him the missing link between Jackie Wilson and Al Green. Among the well-known musicians that have covered songs originally recorded by Tate are Joplin (Get It While You Can), Jimi Hendrix (Stop), Hugh Masekela (Stop), B.B. King (Ain't Nobody Home), Ry Cooder (Look At Granny Run Run) and Grand Funk Railroad (Look At Granny Run Run).
This title is not eligible for discount.1. Look At Granny Run Run
2. Sweet Sixteen
3. Louisiana 1927
4. Ill Be Home
5. Dear Lord
6. Aint Nobody Home$19.99180 Gram Audiophile Virgin Vinyl LP D2D -Sealed Direct to Disc (D2D) Buy Now
Pop CrimesRowland S. Howard started playing in teenage bands in late
70s Melbourne. Whilst still a callow youth he wrote "Shivers," an
undisputed classic, (quietly ignoring the fact that Rowland perhaps
doesn't see it that way and approaches the song as if it was written
by someone else). The song was recorded by his band The Boys Next
Door who mutated into the Birthday Party and then relocated to
Europe to wage a guerrilla campaign against the trivialities of the
80s, until they turned their fire upon themselves and disintegrated
Whilst his former associates have moved on to weekend colour
supplement acceptability, Rowland has commonly been perceived
as the banished wastrel prince... exiled to a squalid garret on the
colder edges of the kingdom, accompanied only by his dreams and
inclinations. His demeanour (pale, gaunt, stick thin, sickly, dark
humoured, fatalistic) has perhaps inadvertently added far too much
credence to this interpretation of events. The shadow of this myth
has seemingly obscured the sheer volume of his creativity and the
singularity of his musical vision.
Always respected by his peers, a scan through Rowland's
catalogue of work sees him allied with the likes of Lydia Lunch,
Thurston Moore, Wim Wenders, Barry Adamson, The Gun Club, Nikki
Sudden, the Beasts Of Bourbon, the Hungry Ghosts and HTRK.
Rowland's own ensemble These Immortal Souls gun their engines
in the ill-lit background and the legacy of his work with The Birthday
Party scores the skin of successive generations of musicians and
But it's a history Rowland would gleefully put a match to. With or
without it Rowland S. Howard would make tense, beautiful music,
would deliver us his personal vision of the world, would create Pop
Long-time faithful friends Mick Harvey (who played with Rowland
for over 30 years), JP Shilo (Hungry Ghosts) and producer Lindsay
Gravina make for a formidable backline. Out front the guitar playing
couldn't be any one else but Rowland S Howard and his weary,
almost journalistic vocal delivery dispassionately sits amidst the
sweaty panic of the music, adding to the ill ease.
The band lurch in to Pop Crimes as if dragging a rain soaked body
across a muddy field. The ghosts of Lee Hazlewood, Snatch, Sergio
Leone, The Shangri-Las and nameless guys from a never known chain
gang watch on. Within the first few breaths Rowland references
Stalin, Calvary and genocide, whilst razoring guitar lines the current
crop of post-punk revisionists could only fantasize about.
"Shut Me Down" is Rowland at his most romantic, though
inevitably it's shot through with loss and longing. If only Dusty
Springfield were alive to revel in its drama. Talk Talk's 'Life's What
You Make It' is re-imagined as if it had risen from the grind of a
Detroit auto plant's assembly line. '(I Know) A Girl Called Johnny'
sees Jonnine D from HTRK sidle up to the microphone for a duet
that will melt even the coldest of hearts. It's a glorious missing link
between the New York girl group sound and the street smarts of
Suicide. Townes Van Zandt's "Nothin" is given a chilling tenement
building transformation. "Wayward Man" has the band wailing like
alarm sirens before Rowland emerges at his most contemplative
with the gorgeous, fragile build of "Ave Maria." Final track "The
Golden Age Of Bloodshed" takes the album out on a swaggering,
swashbuckling epic, with salvation slipping through the narrator's
fingers.1. (I Know) A Girl Called Jonny
2. Shut Me Down
3. Life's What You Make It
4. Pop Crimes
5. Nothin '
6. Wayward Man
7. Ave Maria
8. The Golden Age Of Bloodshed$17.99Vinyl LP - Sealed Buy Now
SadnecessaryYou never know who you're going to meet on the first day of school. Sometimes, you can end up being introduced to one of the best friends you'll ever
know. That was the case for Clemens and Philipp-otherwise known as Milky Chance. The Kassel, Germany duo met in an Advanced Music Course at
the start of eleventh grade, and they creatively gelled right off the bat.
They got along so great that they played in a local band until graduation. Even though the group disbanded when their drummer left Kassel, Clemens and
Philipp kept on making music. Weaving together elegant electronic production with acoustic guitars and lilting, lush vocals, they harnessed a style
unequivocally their own.
Clemens put it best, Think of it as the singer-songwriter spirit mixed with electronic beats. Somehow, it's always a little bit melancholy, but there's a
positive spin. You can dance to most of it too! Melancholy is something that I carry within me. I write the best songs when this mood catches me."
In order to capture that, the boys built a tiny studio in the quiet house Clemens grew up in. Over the course of two weeks in 2013, they cut their full-length
debut, Sadnecessary, on a minimalist setup, spending hours getting the settings just right. They didn't need anything more than a rudimentary interface,
microphone, and computer. That's why Sadnecessary sizzles so much.
After cutting the tracks, Clemens and Philipp uploaded the first single Stolen Dance to YouTube. With its bright handclaps, plaintive acoustic guitars, and
his own gravelly smooth delivery, the song became a viral sensation, eventually racking up over 30 million-plus YouTube views and made them the most
blogged about act on HypeM for that month.
About the song, he says, It's less of a story than a feeling. The feeling in the song refers to a certain moment I wanted to hold on to. It's the sentiment you
experience when you miss somebody you really like and just can't spend time with that person. You're sad the other person isn't there, but you're also
happy for the beautiful moments you've spent together.
Sadnecessary, released on the musicians' own Lichtdicht Records in Europe, became a phenomenon followed by packed shows around the continent. In
early 2014, Republic Records inked a deal with Milky Chance to release the record stateside, opening them up to their largest audience yet.
Now, songs like Down By The River flow between poetic musing and delightfully danceable grooves. Clemens remains honest at every turn though.
There is actually a personal story behind 'Down By The River', he adds. In general it's about being in love, but there's a lot of room for interpretation.
That's important to us.
Ultimately, because of that emotional expanse, these songs will resonate loudly with listeners everywhere. Clemens leaves off, At the end of the day,
we're most happy when people discover our music for themselves and have fun at one of our concerts. It's just great when they listen to a song and
connect it to a personal experience. That's the most amazing thing, and we'd love to encourage that.
Led by the irresistibly catchy, danceable track "Stolen Dance" - which has already hit #1 in 15 countries and amassed over 50 million views on YouTube -
German duo Milky Chance are now poised for greatness in the states as well.
The duo weaves elegant electronic production with acoustic guitars, along with lilting, lush vocals. It's a unique sound that is unequivocally their own.1. Stunner
2. Flashed Junk Mind
7. Down By The River
8. Sweet Sun
10. Stolen Dance
12. Feathery$25.99Vinyl LP - Sealed Buy Now
Hurry Up, We're Dreaming (Colored Vinyl) (Awaiting Repress)Pressed On Clear Pink & Clear Blue Vinyl
With these soft spoken words on the simply-titled opening track-"Intro"- M83 mastermind Anthony Gonzalez introduces us to his sixth record and first double disc album, Hurry Up, We're Dreaming.
Dauntlessly singing into the void that was left behind since Saturdays=Youth, Gonzalez suddenly surges with overwhelming emotion as the music mounts an invisible precipice. Historically, he softly eased you into his world, introducing you to the lush and radiant spaces between captivating melodies and intimate lyrics, but not this time. Not on this record.
Graduating from the fuzzy, fumbling emotional cobwebs and draped ambiance of past records, Hurry Up, We're Dreaming careens past its audience. Brazenly stretching out along the horizon, spilling glittery, golden arms of sound across the landscape, it holds your breath hostage without you even noticing you were missing it. If it seemed that Anthony was basking in the sunshine-drenched days of his youth when he released Saturdays in 2008, then it can be said that in 2011, at the age of 30, he is tempestuously charging towards his future with Hurry Up, We're Dreaming.
Relocating to Los Angeles from Antibes, Gonzalez surrounded himself with players pivotal to completing his childhood dream of a double disc record. Producer Justin Meldal-Johnsen (Beck, NIN, The Mars Volta, Goldfrapp) and guitarist Brad Laner (from 90s band Medicine) had been hugely influential on Anthony growing up and now were central to the new record's creation.
"In France there is this show on TV where at the end there is a musical guest who plays one or two songs. I remember one night when I was a teenager being at home watching the best of performances and looking at this crazy bass player with a big afro and thinking, 'Wow this guy is so cool.' "And now I am working with him. It's so intense that thinking about it makes me feel weird. But it's weird in a super good way. Same thing with Brad, I was listening to his music when I was first getting into music and now he's on my album."
Anthony and Justin met backstage in 2009 at Scotland's T In The Park. Later, "he came to me very genuinely stating that 'he was a fan and that he would love to work with me,'" explains Gonzalez. "I love when people do that because I can tell it's coming from the heart. He was sincere and that's the way I like to work with people."
Stepping away from his work with producers Ken Thomas and Ewan Pearson on Saturday, Gonzalez freckles his new chapter with signature M83 fingerprints while pushing himself beyond the constricting emotions of a guarded musician. Bored with being frustrated and shy, Anthony is respectful of the precious time given to him and doesn't want to leave behind any regrets, thus thrusting himself into the spotlight vocally. He tests out different ways of singing, ranging from a spectral breathy whisper to a howling scream, and each voice clings to us like a dew-heavy spider web at dawn.
Fans will recognize band member Morgan Kibby, her vocals flirting with the shadowy places in between verses, leaping off the record in spoken word or blending with an adult choir. Morgan will join Anthony on tour but she was never meant to sing as much on this record as she had on pervious projects. Quenching his desire to work with a different person on each record, Gonzalez added LA-based chanteuse Zola Jesus to the mix for the completion of "Intro." "The song was already written but I really wanted a female vocal on it and I was kind of struggling to find the right person, but then I heard her music and it just made sense."
Where Saturday=Youth is drenched in lustful exploration and hungry adolescent wonder, Hurry Up is decadently cunning and seductive. "Intro" and "My tears are becoming a sea" eerily croon to you, swirling all of the glitter and growth from the past records into an epic swell, mysteriously and dramatically warning you of the impact you are about to experience. "Midnight City" (disc one) and "OK Pal" (disc two) are humid, adrenaline driven dreams unlike anything we have heard from M83 in the past. "Midnight City" adeptly sweeps you through abandoned concrete streets swimming in broken neon light and aggressively pushing and pulsating to synthetic beats. While "OK Pal" catcalls you to a locker full of mapped out Peter Gabriel-esque echoing lyrics, leaving you stranded in a post-apocalyptic landscape. These journeys are about awakening, craving and conquering. Throughout Hurry Up, We're Dreaming Anthony carries the listener to different countries of sound in his own universe, "We didn't need a story, we didn't need a real world. We just had to keep walking and we became the stories- we became the places." Drifting away from his previous records and reigned in politeness he unleashes all that he has been dreaming of and yearning for. Even when he takes a second to look back on "Echoes of Mine" the velvety, elderly voice of a woman heartbreakingly tells the story of a girl drenched in the shadows of her youth, knowing she has to grow up.
Grandiose in scale and inspired by Smashing Pumpkin's revered double disc Melancholy & The Infinite Sadness, Anthony has long had the goal to create his own monumental double disc record. "I saw when I was a teenager that I could dig into it [the album]. It was like a treasure. If I were a teenager nowadays I would try to find something as creative as this album. They had so much to say in their songs."
Impressed with the juxtaposing sun and moon artwork featured on Melancholy, Anthony focuses in on another natural duality: siblings. The cover artwork mirrors this relationship, featuring a photograph of a little boy with a little girl sitting on a bed. The photograph perpetuates the conversation for the two distinct voices we behind each disc, representing two sides of an overall piece that are almost the same. "I want people to listen to it as two different human beings that are connected somehow, but every song on the album has a secret on the other side."
Soaring and scraping up against the sky while sharing each uncharted frontier with new collaborators is what M83 does best. Gracefully coming into the next decade of his life, Anthony delivers what makes each record sincere, innocent, and full of joy: he gives us his past and his future.
"I think it is a reflection of my 30 years of being a human being. It's a compilation of all my previous music together. It's a retrospective of myself."LP 1
2. Midnight City
4. Where The Boats Go
6. Raconte moi une histoire
7. A Train To Pluton
8. Claudia Lewis
9. This Bright Flash
10. When Will You Come Home?
11. Soon, My Friend
1. My Tears Are Becoming A Sea
2. New Map
3. OK Pal
4. Another Wave From You
6. Year One, One UFO
8. Steve McQueen
9. Echoes Of Mine
10. Klaus I love You
11. Outro$28.99Colored Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Black Beauty28-page, full-color book (11" x 11")
Extensive essay by Ben Edmonds (Creem, Rolling Stone, Mojo) featuring all-new interviews
Abundant, never-before-seen photographs by Herbert Worthington (Fleetwood Mac's Rumours)
Brilliantly mastered by multi-GRAMMY® nominee Dan Hersch (Paul Simon, Kinks, Cars,The Band)
Mastered for vinyl by multi-GRAMMY® winner Doug Sax (The Who, Rolling Stones, Pink Floyd)
Black Beauty, the never-before-released masterpiece by Arthur Lee's legendary psychedelic rock band Love, is available on 180-gram vinyl LP. Recorded in 1973 for the ambitious new label Buffalo Records,
the album remained unreleased when the company folded. Finally, after 39 years High Moon Records is honored to fulfill Arthur Lee's wish that Black Beauty be heard by music fans worldwide. Black Beauty is making its first-ever official release
in any format, anywhere! With unparalelled sound and state-of-the-art packaging, critics are hailing Black Beauty as an instant classic. Black Beauty is that rarest of rock artifacts: an unreleased,
full-length studio album, from an undisputed musical
genius. Black Beauty is the missing link in a catalog that includes Forever Changes, the classic 1967 Love album the New York Times called "one of the most affecting and beguiling albums of all time. With Black Beauty, Arthur Lee manages to combine searing 70's-rock with gorgeous melodies and stellar songwriting - topped off by his most distinctive, snarling, soulful vocals ever. With its wonderfully eclectic collection of songs, the
album offers Love fans a rare glimpse into a previously undocumented phase of Arthur Lee's fabled career, while shining a light for new fans to discover the unique genius that is the music of Arthur Lee and Love.
It's tempting to play what-if with Love's lost labor, Black Beauty, which was recorded in 1973 but shelved for nearly four decades. What if Buffalo Records hadn't gone out of business just prior to the album's release? What if Black Beauty had actually hit stores? What if it hadn't languished in limbo until years after Arthur Lee's death? Would it have stopped Love's slide into obscurity? Would it have signaled a comeback for the man who masterminded Forever Changes, still one of the most complex and compelling artifacts of 1960s Los Angeles? Would his life and career have played out any differently? Would we think of him today as something other than a cult artist, inspired as well as damned by his era?
It's difficult to imagine any answers to those questions, but it says a lot about Lee that the album even raises these what-ifs and coulda-beens. The very qualities that made him such a fascinating voice-- restlessness, excitability, paranoia, perfectionism, single-mindedness-- may have doomed any commercial prospects more than his notorious fear of travel ever did. After recording Forever Changes, he fired the band and hired new musicians to take their places. Every subsequent album featured a different line-up, although the changes seem based more on personality than on musical direction or ability. Never stagnant, Love was in constant flux, always in a state of development but never quite arriving. So the operative question becomes: Was this the version of Love that Lee had been working toward?
For Black Beauty-- which is finally seeing release via High Moon Records, although the reissue has been delayed for two years-- Lee assembled guitarist Melvan Whittington, bass player Robert Rozelle, and drummer Joe Blocker. This may be the hardiest and most muscular of Love's post-Changes rosters, with remarkable force and range. With crisp production by Paul Rothchild, best known for his work with the Doors, Love build from a potent blues rock foundation not dissimilar to that of Jimi Hendrix, but without the distracting shamanistic persona and guitar pyrotechnics. "Walk Right In" struts into country rock territory, rewriting Cannon's Jug Stompers 1929 hit into a plea for empathy, and "Beep Beep" attempts a sort of pop reggae, albeit not entirely convincingly.
On the whole, this particular line-up sounds perfectly rough and unrehearsed, generating a tense energy on "Skid" and "Stay Away" even as they suggest a band still figuring out exactly what they can do together. It's a strong album, but it's not another Forever Changes, whose accomplishments in retrospect were unrepeatable, or even another Four Sail. On the other hand, Lee wasn't aiming to craft something in that vein. Still, especially considering the professional setbacks he had faced in the years leading up to Black Beauty-- which includes being dropped by Elektra and shuffling through a series of independent labels-- Lee sounds engaged and invigorated, forgoing the bitterness that had rankled the band for a slightly more hopeful outlook. On stand-out "Can't Find It", he sings, "Every time I cry my heart out, and every time I play the fool, but there's gotta be something in this lonely world for me." The confession is all the more bittersweet for being capped with the line, "but I can't find it without you." It's ostensibly a love song, but could just as easily be addressed to his audience. His creative satisfaction relies on having a listener to complete the circuit, which makes this album's long shelf life all the sadder.
-Stephen M. Deusner (Pitchfork, May 15, 2013)1. Young & Able
2. Midnight Sun
3. Can't Find It
4. Walk Right In
6. Beep Beep
7. Stay Away
8. Lonely Pigs
9. See Myself In You
10. Product Of The Times$26.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now