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Mississippi Fred Mcdowell'
Mama Says I'm CrazySince no one could copyright Mississippi, two major blues performers, Fred McDowell and John Hurt, adopted the state as part of their name. To confuse matters more, both performers made comebacks during the late '50s/early '60s and both specialized in prewar acoustic blues. While a blues novice might find such similarities confusing, the two men's singing and guitar styles are polar opposites. Whereas Hurt's smooth, deep vocals and Piedmont fingerpicking made him easily accessible to the folk revival crowd, McDowell's soulful vocals and forcefully rhythmic guitar represented something more primitive. In 1967, producer George Mitchell brought together McDowell and harp player Johnny Woods for an off-the-cuff session not unlike what one might have heard at a Como, MS, house party. Interestingly, the two men hadn't played together in eight years, but on songs like Standing at the Backdoor and the title track, one would never guess it. This isn't a polite affair, with one player holding back while the other solos. Instead, McDowell and Woods trade notes, overlap, and rush forward on Long Haired Doney and Shake Em' on Down as though they had an unlimited supply of energy. While McDowell's vocals and slashing guitar propel Goin' Away and I Got a Woman forward, Woods' harp adds pizzazz. Acoustic blues fans will warmly embrace Mama Says I'm Crazy and be thankful that Mitchell went to the trouble required to track down Woods for this earthy set.
- Ronnie D. Lankford, Jr., Allmusic1. Shake Em' On Down
2. Goin' Away
3. Mama Says I'm Crazy
4. I Got A Woman
5. Red Cross Store
6. Going Down To The River
7. Standing at the Back Door
8. What's Going to Become of Men
9. Long Haired Doney
10. John Henry
11. I Walked All Night Long$16.99Vinyl LP - Sealed Buy Now
Mississippi Hill Country BluesFans of this Mississippi hill country blues patriarch will enjoy this time capsule recorded in 1982 and 1967. It's Burnside in the raw, playing solo on acoustic guitar as he did for his neighbors for most of his early career--when farming was still his profession. Burnside reprised Miss Maybelle, Mellow Peaches, Poor Boy, Jumper on the Line, and others among these songs on his more recent albums for Fat Possum Records, but these early versions capture his driving blend of one-chord rhythm with lightning decorations of slide and melody already fully developed.
If anything, Burnside's guitar playing has slowed over the years, but it's taken on gravity as it's grown more spare, just as his voice--high and limber here--has added character with the imperfections of age. Burnside is also a more idiosyncratic musician now. Nonetheless, it's a pleasure to hear him doing numbers like Bad Luck and Trouble nearly 20 years ago, fusing the influences of John Lee Hooker and Fred McDowell into the potent style that's made him one of today's premier practitioners of old-time rural blues. -Ted Drozdowski1. Miss Maybelle
2. House Up On The Hill
3. Gone So Long
4. Skinny Woman
5. See What My Buddy's Done
6. Don't Care How Long You're Gone
7. Rolling And Thumbling
8. Mellow Peaches
9. I Believe
10. Poor Boy
11. Poor Black Mattie
12. Jumper On The Line
13. Long Haired Doney$18.99Vinyl LP - Sealed Buy Now
Hambone's MeditationsLuther Dickinson is most well known as the head of the North Mississippi all-stars and the lead guitarist for The Black Crowes. He has become known as one of the best guitar players around, whose slide guitar style has been likened to the great Mississippi Fred McDowell. As a young person in Northern Mississippi, Luther was schooled his father, Jim Dickinson, and by the legendary Otha Turner and R.L. Boyce as to the finer aspects of blues guitar playing. Handbone's Meditations is his debut solo outing. The record is a soft, fragile and beautiful offering that provides a stage for Dickinson's soulful, masterful melodic blues stylings.1. Death Comes On Wings of Crepe
2. Blind Lemon and the Hook Man
3. Breckenridge Blues
5. Tallahatchee (Birds of the Moon)
6. Old Gospel Medley I
7. Old Gospel Medley II$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Notes Of BlueLed by the songwriting and vocals of Jay Farrar, Son Volt was one of the most instrumental and influential bands in launching the alt.country movement of the 1990's. A movement that was the precursor to what is now widely referred to as Americana.
The 10 songs on Notes Of Blue are inspired by the spirit of the blues, but not the standard blues as most know it. The unique and haunting tunings of Mississippi Fred McDowell, Skip James and Nick Drake were all points of exploration for Farrar for the new collection. The album opens with the country soul of "Promise The World", followed by "Back Against The Wall", a song that could stand alongside the great Son Volt songs of their early albums.
Farrar possesses one of the most distinctive voices in roots, rock, country or any genre. He exudes a soulful longing combined with a wise-beyond-his-years command that is as arresting and compelling as ever. As a songwriter, Farrar's depth and poetic penchant has been the foundation of a thoughtful, deep and intelligent body of work. Both attributes are on full display on Notes Of Blue, as he touches on themes of redemption and the common struggle, both of which are at the core of the blues. Whether you call it alt.country, Americana, roots rock, insurgent country or just good ol' rock 'n' roll, musical trends appear and disappear on regular basis. Notes Of Blue is a testament to the legacy of inspiration and creative spirit that Jay Farrar and Son Volt continue to uphold.1. Promise the World
2. Back Against the Wall
4. Cherokee St
5. The Storm
6. Lost Souls
8. Sinking Down
9. Cairo and Southern
10. Threads and Steel$19.99Vinyl LP - Sealed Buy Now
Belly of the Sun (Pure Pleasure)Cassandra Wilson continues to move down a highly eclectic path on Belly Of The Sun, the somewhat belated follow-up to Traveling Miles. While displaying a jazz singer's mastery of melodic nuance and improvisatory phrasing, Wilson draws on a variety of non-jazz idioms -- roots music, rock, Delta blues, country, soul -- to create a kind of earthy, intelligent pop with obvious crossover appeal. Her core band includes guitarists Marvin Sewell and Kevin Breit, who blend marvelously, Sewell mostly on mellow acoustic and Breit adding atmospheric touches on electric, 12-string, and slide guitars, as well as mandolin, banjo, and even bouzouki. Bassist Mark Peterson and percussionists Jeffrey Haynes and Cyro Baptista provide a superbly sensitive rhythmic foundation. But because Wilson returned to her home state of Mississippi to record most of this album, she made sure to book some time with local musicians. Thus guitarist Jesse Robinson guests on (and co-writes) the funky Show Me a Love, and the octogenarian pianist Boogaloo Ames plays an unpolished yet utterly heartfelt duet with Wilson on the classic Darkness on the Delta. Other guests include drummer Xavyon Jamison, trumpeter Olu Dara, pianist and vocalist Rhonda Richmond (who penned the slowly swaying Road So Clear), guitarist Richard Johnston, backup vocalists Patrice Monell, Jewell Bass, Henry Rhodes, and Vasti Jackson, and the children of New York's Middle School 44. Wilson delves into vintage blues with Mississippi Fred McDowell's You Gotta Move and a brief yet dynamic rendition of Robert Johnson's Hot Tamales. But the best tracks are the rock/pop covers: the Band's The Weight, Bob Dylan's Shelter From the Storm, James Taylor's Only a Dream in Rio, Jobim's Waters of March, and Jimmy Webb's Wichita Lineman (a 1968 hit for Glen Campbell). Wilson and band are in peak interpretive form on these ethereal reinventions. While her own lyrics may not rise to the level of a Robbie Robertson or a Bob Dylan, her versatility and focus come through clearly on the originals Justice, Just a Parade (a collaboration with neo-soul rookie India.Arie), and the Caribbean-tinged Cooter Brown.
- Cassandra Wilson (guitar)
- Kevin Breit (vocal, mandolin, guitar, banjo, bouzouki)
- Olu Dara (trumpet)
- Rhonda Richmond (vocal, piano)
- Mark Peterson (bass)
- Xavyon Jamison (drums)
- Jeffrey Haynes (percussion)
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
This title is not eligible for discount.1. The Weight
3. Darkness On the Delta
4. Waters of March
5. You Gotta Move
6. Only A Dream In Rio
7. Just Another Parade
8. Wichita Lineman
9. Shelter From the Storm
10. Drunk As Cooter Brown
11. Show Me A Love
12. Road So Clear
13. Hot Tamales$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Amazing GraceOne of the truly legendary releases in the cannon of the man who defined modern Hill Country Blues, Amazing Grace finds Fred McDowell playing with the Hunters Chapel Singers in Hunters Chapel of Como, Mississippi. This 1966 release originally on Testament was one of the few records producer Jim Dickinson took with him to every recording session for reference material. McDowell and company perform what the record subtitle calls Mississippi Delta spirituals on this stark and moving set, which includes a version of one of his signature tunes, You Got to Move.1. Jesus On The Mainline
2. When I Lay My Burden Down
3. Im So Glad (I Got Good Religion)
4. Going Over The Hill
5. I Know Ive Been Converted
6. Just a Little More Faith
7. Back, Back, Train
8. You Got To Move
9. Jesus Gonna Make Up My Dying Bed
10. Amazing Grace
11. Keep Your Lamp Trimmed And Burning
12. Tell The Angels
13. When You Come Out Of The Wilderness
14. The Lord Will Make A Way
15. Its A Blessing
16. This Little Light Of Mine$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Ranie Burnette's Hill Country BluesRanie Burnette was born on July 4th, 1913 in Pleasant Grove, MS, located in Panola County. While he was known to have played local dances and juke joints in the hill country of North Mississippi during the 1940's and 50's, competing with the likes of Fred McDowell, no known recordings of Ranie were made until the 70's and early 80's while he was living in Senatobia.
During that time he recorded two sides for a regional 45 single and was later recorded by Leo Bruin, both in Senatobia and during a trip Ranie made to the Netherlands. Some of those recordings appear on the Swingmaster CD Going Down South, along with tracks by harmonica player Johnny Woods and R.L. Burnside, whom Ranie mentored and often played with.
Burnette's music, like the aforementioned artists, is strongly rooted in the rhythmic tradition of the fife and drum bands from the region, which you'll hear on this 11-song collection, also recorded by Leo Bruin. Ranie Burnette died in Memphis, TN, on January 23, 2000 and is buried in the cemetery at Ebeneezer Missionary Baptist Church in Como, MS.1. Coal Black Mattie
2. Lonesome Moon Blues
3. Gone Dead on You
4. Two and Two Blues
5. One String Baby
6. Miss Mabelle
7. Hungry Spell
8. Dough Roller Blues
9. Turn On Down
10. Shake Em' On Down
11. Yonder Goes My Baby$16.99Vinyl LP - Sealed Buy Now
Pushing My LuckRobert Belfour's sophomore effort for Fat Possum -- at 63, he is one of the youngest artists on the roster and is by far the most polished, if the Delta blues can ever really be called that -- proves his debut was indeed only a beginning.
In stark contrast to his labelmates, Belfour strictly plays acoustic blues, but he plays them with the same dark, trancelike feel of Junior Kimbrough, haunting spookiness of Fred McDowell, rhythmic intensity of John Lee Hooker, and sprawling drawl of Lightnin' Hopkins. Ted Gainey aids Belfour on a drum kit.
While the first album was all of a piece, and everything but the vocal seemed to be recorded at the same level (and even then, Belfour couldn't always be understood among the ringing guitars and shuffling drums), Pushin' My Luck is nervier, a bit more edgy. Belfour's truly nearly unbelievable singing is a bit more in the foreground, enough to add to the hypnotic repetition in his music, while the drums -- played no more elaborately than Meg White's in the White Stripes -- are mixed just a tad higher, bringing it extremely close to the punch this stuff has when played in front of a live audience.
Fans of Kimbrough's guitar playing -- or Ali Farka Toure's, for that matter -- will be instantly drawn to the polyrhythmic, droning chords and ambling, elegantly raw, slippery fills that Belfour plays, whether it's on Hill Stomp, the title track, I Got My Eyes on You, Sweet Brown Sugar, or I'm Gonna Leave, which closes the set. The vibe is the same everywhere; this is deep, hot Mississippi blues full of a slow, steamy, writhing sexual vibe; twisted soul; and a sense of foreboding mystery that cannot be mentioned, let alone explained.
This is the first great blues record of 2003 and if it isn't nominated for the W.C. Handy Award, the damned foundation should be disbanded on the basis of deafness. I hope this guy lives to be a 100 and makes a record every year he's on this planet. Forget everything you just read: This record is amazing; just buy it.
- Thom Jurek (All Music Guide)1. Hill Stomp
2. Breaking My Heart
3. Pushin' My Luck
4. Go Ahead On
5. You Got Me Crying
6. I Got My Eyes On You
7. Sweet Brown Sugar
8. Stayed Awake
9. Crazy Ways
10. I'm Gonna Leave You
$16.99Vinyl LP - Sealed Buy Now
Delta Blues (Out Of Stock)Includes MP3 Download
Arguably the greatest recordings of the great Fred McDowell's career were the two albums for Arhoolie, recorded at the height of the blues revival in 1964-65. This is the first of those two and an absolutely stunning piece of delta blues majesty. Stripped down beauty that's reissued here on high quality vinyl with an exact reproduction of the paste-on sleeve.1. Write Me A Few Lines
3. I Heard Somebody Call
4. 61 Highway
5. Mama Don't Allow Me
6. Kokomo Blues
7. Fred's Worried Life Blues
8. You Gonna Be Sorry
9. Shake 'Em On Down
10. My Trouble Blues
11. Black Minnie
12. That's Alright
13. When I Lay My Burden Down$19.99Vinyl LP - Sealed Temporarily out of stock