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  • Mack Daddy Mack Daddy Quick View

    $24.99
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    Mack Daddy

    Mack Daddy is the third album from Sir Mix-a-Lot. It was originally released on February 4, 1992, on Def American Recordings and features the hit single, Baby Got Back. The single spent 5 weeks at #1 on Billboard's Hot 100 and sold more than 2 million copies. Only Whitney Houston's I Will Always Love You sold better in 1992. Continuing with its Respect The Classics campaign, UMe will be reissuing this album back on vinyl after being out of print for over 10 years
    1. One Time's Got No Case

    2. Mack Daddy

    3. Baby Got Back

    4. Swap Meet Louie

    5. Seattle Ain't Bullshittin'

    6. Lockjaw

    7. The Boss Is Back

    8. Testarossa

    9. A Rapper's Reputation

    10. Sprung On The Cat

    11. The Jack Back

    12. I'm Your New God

    13. No Holds Barred
    Sir Mix-A-Lot
    $24.99
    Vinyl LP - Sealed Buy Now
  • We Care a Lot (Deluxe) We Care a Lot (Deluxe) Quick View

    $29.99
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    We Care a Lot (Deluxe)


    180 Gram, 2x LP Gatefold


    Original Re-Mastered Recordings


    FAITH NO MORE's landmark debut, We Care A Lot, which was initially released in 1985 and has been out of print for 20 years, sees a deluxe reissue in 2016.


    This was an album that started as a demo, before any label had any interest in us, explained FAITH NO MORE bass player Bill Gould. There were a couple of reasons we decided to release this now: first of all, it's been 20 years since it has been commercially available. Secondly, when cleaning out my basement, I discovered the original master reels, and we all thought that resurrecting this from the original tapes would be a great way to reintroduce 'We Care A Lot' into the world. Lastly, this has been a band effort; we are releasing this in the same way as we recorded it, deciding everything amongst ourselves and getting our hands deep into the nuts and bolts just like we used to.


    The original 10-song album, remastered by Maor Appelbaum via the original reels Gould alluded to, is enhanced with nine bonus tracks including demo versions (taken from the original 8-track tapes) of Greed, Mark Bowen, Arabian Disco and Intro, live versions of The Jungle and New Beginnings and new mixes, via Matt Wallace, of We Care A Lot, Pills For Breakfast and As The Worm Turns. Liner notes from keyboard player Roddy Bottum and behind-the-scenes photos will be included with the physical release.


    We Care A Lot arrived in November 1985 via Maximum RocknRoll editor Ruth Schwartz's Mordam Records. The seminal album, boasting the timeless title track, which can still be heard daily on radio stations worldwide, confounded music fans and critics alike. As Pitchfork said in a 2015 article dubbed The Misunderstanding of Faith No More, the unpredictable and hard-to-define band had radically altered the parameters of popular music years before the fabled alternative revolution. Rolling Stone called it a raw punk album while Select magazine dubbed it a lustful marriage of mutoid metal and dance floor verve.


    Said Chuck Mosley: With 'We Care A Lot', I always felt like I was part of something new and different than anything else out there at the time. It made me feel privileged to be a part of it. The other guys were so cool, and there was so much camaraderie. And that came across in the music; Bordin's drums battling it out with Billy's bass in antagonistic harmony, Roddy's melodic atmosphere, swallowed up by Jim's crunchy metal riffs. I found my place somewhere between them all, and when the album was finished, it didn't sound like anything else.


    - Blabbermouth.net

    1. We Care a Lot
    2. The Jungle
    3. Mark Bowen
    4. Jim
    5. Why Do You Bother
    6. Greed
    7. Pills for Breakfast
    8. As the Worm Turns
    9. Arabian Disco
    10. New Beginnings
    11. WCAL (Remix)
    12. Pills for Breakfast (Remix)
    13. As the Worm Turns (Remix)
    14. Greed (Demo Version)
    15. Mark Bowen (Demo Version)
    16. Arabian Disco (Demo Version)
    17. Intro (Demo Version)
    18. The Jungle (Live From SF)
    19. New Beginnings (Live From SF)
    Faith No More
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Aqualung (Steven Wilson Mix) Aqualung (Steven Wilson Mix) Quick View

    $21.99
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    Aqualung (Steven Wilson Mix)

    Gatefold LP featuring 24 page adapted booklet from the previous 2011 40th anniversary set.


    After veering sharply from the blues inluences of their debut, This Was, Jethro Tull's sound quickly coalesced around jazz-tinged English folk influences and the antics of frontman/flautist Ian Anderson. But it was guitarist Martin Barre's swaggering riff off the title track of the band's fourth album that would become Tull's trademark--and the band's entrÉe into a long reign as arena-rock perennials. But there's a lot more to Aqualung than the riffage of that cut and its cousins, Cross-Eyed Mary and Locomotive Breath. In an era when pseudo-Christian spirituality was a de rigueur, if cheap, musical commodity (from the overblown operatics of Jesus Christ Superstar to one-hit pop wonders such as Spirit in the Sky and Put Your Hand in the Hand), Anderson and company openly challenged the value of organized religion with a thematic album savvy enough to layer its thought-provoking lyrics between heavy strata of FM-friendly guitar bedrock. A clichÉ, perhaps; a landmark, no doubt. And a record many maintain is still Tull's finest hour. --Jerry McCulley

    1. Aqualung
    2. Cross Eyed Mary
    3. Cheap Day Return
    4. Mother Goose
    5. Wond'ring Aloud
    6. Up To Me
    7. My God
    8. Hymn
    9. Slipstream
    10. Locomotive Breath
    11. Wind Up
    Jethro Tull
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • La Sexorcisto: Devil Music Vol. 1 (25th Anniversary) (Pre-Order) La Sexorcisto: Devil Music Vol. 1 (25th Anniversary) (Pre-Order) Quick View

    $37.99
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    La Sexorcisto: Devil Music Vol. 1 (25th Anniversary) (Pre-Order)


    25th Anniversary Edition


    First Pressing Of 2,000 Copies On Purple Colored Vinyl, Black Vinyl Thereafter


    'La Sexorcisto : Devil Music Volume 1' was both a critical and commercial success for White Zombie, climbing up the charts in the US and gaining massive MTV video airplay and mainstream rock radio airplay with Thunder Kiss '65 and Black Sunshine. The album's sound is a mix of groove metal and funk metal with lots of B-movie samples. Tactless and continuously shocking, lyricist Rob Zombie reveals blatant tales of muscle cars, sleazy encounters, and Fangoria-mustered fantasy, clearly paying homage to vintage trash culture.


    Rob Zombie explained he wanted to keep a groovable dance element in the music, a trait which is often absent in metal music. Weak appetites for raunchy, tongue-in-cheek decadence need not apply!

    1. Welcome To Planet Motherfucker / Psychoholic Slag
    2. Knuckle Duster (Radio 1-A)
    3. Thunder Kiss '65
    4. Black Sunshine
    5. Soul-Crusher
    6. Cosmic Monsters Inc.
    7. Spiderbaby (Yeah-Yeah-Yeah)
    8. I Am Legend
    9. Knuckle Duster (Radio 2-B)
    10. Thrust!
    11. One Big Crunch
    12. Grindhouse (A Go-Go)
    13. Starface
    14. Warp Asylum
    White Zombie
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Some Say I So I Say Light Some Say I So I Say Light Quick View

    $22.99
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    Some Say I So I Say Light


    Includes CD


    Some Say I So Say Light is the second full length release of Ghostpoet's, following 2010's Mercury Prize-nominated Peanut Butter Blues & Melancholy Jam. Industrial beats, sonorous piano lines and hyper-detailed ornamentation provide a backdrop for Obaro Ejimiwe, AKA Ghostpoet, an artist who sounds ever more like a man old before his time, whether intoning words so laconically it's virtually spoken word or croaking out sung melodies. Some Say I So I Say Light is a studio-based work co-produced with the talented Richard Formby (Wild Beasts, Darkstar, Egyptian Hip-Hop).


    Even with a Mercury Prize nomination under his belt, London rapper Ghostpoet could walk through a crowd of music fans without notice and his albums don't land as much as emerge out of the mist. Maybe it's because his delivery is like Roots Manuva on sizzurp or that the lead single here is MSI musmiD, which comes off as a Dali dream sequence directed by Man Ray, but deciphering Some Say I So I Say Light is certainly a joy for returning fans.


    Maybe the album's title references a desire to communicate something brighter or more up, as the lyrics are more audible here than previously, or in the case of Them Waters, it's the music that's luminous, as balloons of synthesizer sound pass before the sun as they rise toward the sky. Plastic Bag Brain is the ultimate example and towering highlight with its combo of indie guitar riffing, Radiohead keyboards, and crackable code (his brain wanders like a plastic bag blowin' in the wind), and here's hoping that Dorsal Morsel is Sir Mix-A-Lot's Baby Got Back for the Wittgenstein set, because a mention of women's jeans, popping like a Pringle pack, and revel in the elegance all seem to point toward it. At 12 tracks long, the album is right-sized and flows beautifully with guests Tony Allen, Woodpecker Wooliams, Gwilym Gold, and This Heat's Charles Hayward adding some new sounds for the rapper to flow over. With Richard Formby and the MC himself on production, Ghostpoet remains the most aptly named rapper in the game with his excellent sophomore effort.

    - David Jeffries (All Music Guide)

    1. Cold Win
    2. Them Waters
    3. Dial Tones
    4. Plastic Bag Brain
    5. ThymeThymeThyme
    6. Meltdown
    7. Sloth Trot
    8. Dorsal Morsel
    9. MSI musmiD
    10. 12 Deaf
    11. Comatose
    Ghostpoet
    $22.99
    Vinyl LP + CD - 2 LPs Sealed Buy Now
  • Surfer Girl Surfer Girl Quick View

    $39.99
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    Surfer Girl

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe
    7. In My Room
    8. Hawaii
    9. Surfer's Rule
    10. Our Car Club
    11. Your Summer Dream
    12. Boogie Woodie
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surfer Girl (200 Gram 45 RPM) Surfer Girl (200 Gram 45 RPM) Quick View

    $54.99
    Buy Now
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    Surfer Girl (200 Gram 45 RPM)

    The Ultimate Pressings Of The Beach Boys Discography From Analogue Productions!


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Double LP 45 RPM Pressing!


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time-honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin USA (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nick Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    LP 1
    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe


    LP 2
    1. In My Room
    2. Hawaii
    3. Surfer?s Rule
    4. Our Car Club
    5. Your Summer Dream
    6. Boogie Woodie

    Beach Boys
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Dreaming My Dreams Dreaming My Dreams Quick View

    $17.99
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    Dreaming My Dreams

    Remastered by Rob Santos, Waylon Jennings classic 1975 album Dreaming My Dreams is being reissued through Fat Possum Records. The album was co-produced with Jack Clement and recorded at Glaser Sound Studio in Nashville, Tennessee, between February and July 1974 and released in June 1975. Topping the Billboard's Top Country albums chart and peaking at number forty-nine on Billboard's Top LPs & Tapes chart, it became Jennings' first album to be certified gold by the RIAA. To top things off, he was elected 1975's Male Vocalist of the Year by the Country Music Association.


    Tony Glover of Rolling Stone described Jennings as an ultimate performer. Comparing his studio recordings with his live performances, Glover said Jennings' work in the studio seems to aim more for the midnight mind. Billboard praised Jennings' blend of Country music with other genres. The review said,...the show belongs to Jennings' powerfully distinctive voice and the excellent production of the artist and Jack Clement. It called the recordings a solid mix of ballad and rockers, some straight country and lots that cannot be classified, and said Jennings is one of the few artists whose voice is immediately recognizable. Stereo Review praised the album, called Jennings one of the rare good singers capable of playing his own lead guitar, and called the instrumental breaks witty and surprising. The American Home delivered a favorable review, saying the release features fine interpretive material. Allmusic rated the album with five stars out of five, calling it [Jennings'] best album since Honky Tonk Heroes, and one of the few of his prime outlaw period to deliver from beginning to end.

    1. Are You Sure Hank Done It This Way
    2. Waymore's Blues
    3. I Recall a Gypsy Woman
    4. High Time (You Quit Your Lowdown Ways)
    5. I've Been A Long Time Leaving (But I'll Be A Long Time Gone)
    6. Let's All Help the Cowboys (Sing the Blues)
    7. The Door Is Always Open
    8. Let's Turn Back the Years
    9. She's Looking Good
    10. Dreaming My Dreams With You
    11. Bob Wills Is Still the King
    12. All Around Cowboy
    13. Ride Me Down Easy
    Waylon Jennings
    $17.99
    Vinyl LP - Sealed Buy Now
  • Keep It Hid Keep It Hid Quick View

    $18.99
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    Keep It Hid

    Nonesuch Records releases Keep It Hid, the solo debut from singer/songwriter/guitarist Dan Auerbach, best known as half of The Black Keys. While working on and touring in support of The Black Keys most recent album, Attack & Release, Auerbach also was writing songs that would become Keep It Hid. This record is a mixture of things I like to listen to, psychedelia, soul music, country harmonies, says Auerbach. In February Auerbach will begin a national tour with performances in New York City, Boston and Washington, DC. Opening acts for the tour will include Those Darlins and Hacienda, the latter also lending support as Auerbachs backing band.


    Keep It Hid was produced and engineered by Auerbach at his studio, Akron Analog and features him playing a variety of instruments, including drums, guitar, percussion and keyboards. Many of Auerbachs friends and family play on the album, including his uncle James Quine, who contributes vocal harmony and electric guitar on the track Street Walkin. Other musicians include fellow Ohioans Jessica Lea Mayfield, who sings on the track When the Night Comes, and Bob Cesare, who plays drums on Whispered Words, a song originally written by Auerbachs father. Of the recording process Auerbach states, I wanted a live, organic sound. Nothing was too plotted or planned, just a lot of spontaneity. The record was mixed by Auerbachs good friend Mark Neill at Neills Soil of the South studio.


    With his Black Keys bandmate Patrick Carney, Auerbach has recorded five critically acclaimed full-length albums, beginning with 2002s The Big Come Up. In 2008, Attack & Release debuted on the Billboard Top 200 chart at #14, marking The Black Keys highest position to date. The New York Times called it a savage, bitter concoction built on a snarling punk-rock riff, while the Los Angeles Times called it without doubt the Keys most dynamic effort yet. Auerbach also has been busy with his own record label, Polymer Sounds, for which he produced the 2008 debut from Jessica Lea Mayfield, With Blasphemy, So Heartfelt; Pitchfork praised Mayfields album as fascinating and endlessly listenable.

    1. Trouble Weighs a Ton
    2. I Want Some More
    3. Heartbroken, in Disrepair
    4. Because I Should
    5. Whispered Words
    6. Real Desire
    7. When the Night Comes
    8. Mean Monsoon
    9. The Prowl
    10. Keep It Hid
    11. My Last Mistake
    12. When I Left the Room
    13. Street Walkin'
    14. Goin' Home
    Dan Auerbach
    $18.99
    Vinyl LP - Sealed Buy Now
  • Surfin' USA Surfin' USA Quick View

    $39.99
    Buy Now
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    Surfin' USA

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfin' USA was the Beach Boys' real breakthough album, showing Brian Wilson asserting himself in the studio as both a premier songwriter and arranger on a set of material that was stronger than their Surfin' Safari debut.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Besides the hit title track on Surfin' USA and its popular drag-racing flip side (Shut Down), AllMusic.com notes that Surfin' USA has a lovely, heartbreaking ballad (Lonely Sea) and a couple of strong Brian Wilson originals (The Noble Surfer and Farmer's Daughter).


    There are also a surprisingly high quotient of instrumentals (five) that demonstrate that ... the Beach Boys could play respectably gutsy surf rock as a self-contained unit. Indeed, the album as a whole is the best they would make, prior to the late '60s, as a band that played most of their instruments, rather than as a vehicle for Brian Wilson's ideas. The LP was a huge hit, vital to launching surf music as a national craze, and one of the few truly strong records to be recorded by a self-contained American rock band prior to the British Invasion. - AllMusic.com


    This title is not eligible for discount.

    1. Surfin' U.S.A.
    2. Farmer's Daughter
    3. Misirlou
    4. Stoked
    5. Lonely Sea
    6. Shut Down
    7. Noble Surfer
    8. Honky Tonk
    9. Lana
    10. Surf Jam
    11. Let's Go Trippin'
    12. Finders Keepers
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Little Deuce Coupe Little Deuce Coupe Quick View

    $39.99
    Buy Now
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    Little Deuce Coupe

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Released just one month after the Surfer Girl album, Little Deuce Coupe was, incredibly, the Beach Boys' fourth album in less than a year. Brian Wilson and the band responded by turning in arguably their most consistent effort to date - and a concept album, to boot.


    Little Deuce Coupe expanded the band's subject matter to encompass 1963 America's burgeoning love affair with hot rods, surrounding previously released cuts such as the title track, 409, and others with strong new material (much of it cowritten by Wilson and a DJ, Roger Christian). A highpoint: the a cappella James Dean tribute A Young Man Is Gone (a reworking of Bobby Troup's beautiful Their Hearts Were Full of Spring), a prime example of Wilson's arranging genius and the band's vocal prowess. Their Hearts Were Full Of Spring had been a standard for the vocal group The Four Freshmen, whose lush and distinctive jazz-based vocal arrangements had a huge influence on Brian's musical development.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. Little Deuce Coupe
    2. Ballad Of Ole' Betsy
    3. Be True To Your School
    4. Car Crazy Cutie
    5. Cherry, Cherry Coupe
    6. 409
    7. Shut Down
    8. Spirit Of America
    9. Our Car Club
    10. No-Go Showboat
    11. A Young Man Is Gone
    12. Custom Machine
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • All Summer Long All Summer Long Quick View

    $39.99
    Buy Now
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    All Summer Long

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    All Summer Long was notable not only for racheting up the Beach Boys' standards and essentially bidding farewell to the surf songs that inspired both their name and reputation, but also for going toe-to-toe with one of rock's most explosive phenomena - Beatlemania - and coming away victorious, with the single 'I Get Around' soaring to No. 1 in the spring of 1964. Essentially another loose concept record (revolving around the innocent hedonistic pursuits of an idyllic SoCal summer) that takes its cue from the effervescent title track, it also documents Brian's restless creativity pushing the band toward its performing peak. - Amazon.com


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. I Get Around
    2. All Summer Long
    3. Hushabye
    4. Little Honda
    5. We'll Run Away
    6. Carl's Big Chance
    7. Wendy
    8. Do You Remember?
    9. Girls On The Beach
    10. Drive-In
    11. Our Favorite Recording Sessions
    12. Don't Back Down
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Talented Touch The Talented Touch Quick View

    $27.99
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    The Talented Touch

    Hank Jones worked together often with guitarist Barry Galbraith, bassist Milt Hinton, and drummer Osie Johnson in various recording sessions featuring many styles of music, backing singers, or anchoring larger ensembles, so it is no surprise they were featured as a working quartet on this 1958 Capitol LP. The dozen tracks mix standards (including Star Eyes, The Blue Room, and My One and Only Love), a few pop songs of the period, as well as a crisp interpretation of Gigi Gryce's Blue Light and the leader's one original, Let Me Know, which is a modified approach to boogie-woogie. The tracks are rather brief, running less than three and a half minutes each, though musicians the caliber of these four gentleman can say a lot more musically in that time frame than most can during a ten-minute performance.

    -All Music Guide
    1. If I Love Again
    2. My One And Only Love
    3. Don't Ever Leave Me
    4. It's Easy To Remember
    5. You Are My Love
    6. Blue Lights
    7. My Man's Gone Now
    8. The Blue Room
    9. A Sunday Kind Of Love
    10. Star Eyes
    11. Let Me Know
    12. Try A Little Tenderness
    13. Easy To Love
    14. Summertime
    Hank Jones
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Church Mouth Church Mouth Quick View

    $18.99
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    Church Mouth

    While this new album maintains its artistic mix of aurora borealis-avant-indie pop and post-punk, Church Mouth paves a new musical path for the band. A departure from 2006's drum-machine and sequencer-heavy Waiter: You Vultures!, Church Mouth leans on Led Zeppelin, The White Stripes, and Santana for inspiration. Front man John Gourley was also listening to a lot of Blind Willie Johnson, Muddy Waters, and Robert Johnson when he wrote the record. While most of us who grew up in the continental US were raised on Saturday morning cartoons and sugary cereal, Gourley's Alaskan upbringing was unorthodox; his youth spent exploring nature in one of the few virtually untouched territories left in the world. As a result, his striking enigmatic vision makes its mark on the band's packaging, merch design, videos, photos, posters, and the music.
    1. Church Mouth
    2. Sugar Cinnamon
    3. Tellers Tellers Tell Me
    4. My Mind
    5. Shade
    6. Dawn
    7. Oh Lord
    8. Bellies Are Full
    9. Children
    10. The Bottom
    11. Sleeping Sleepers Sleep
    12. Sun Brother
    Portugal The Man
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • White Is Relic / Irrealis Mood (Pre-Order) White Is Relic / Irrealis Mood (Pre-Order) Quick View

    $20.99
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    White Is Relic / Irrealis Mood (Pre-Order)


    Colored Vinyl



    Two important events occurred during the making of White Is Relic/Irrealis Mood. I became Simulated Reality paranoid and I fell in LOVE. Well a lot more happened during the process of writing and recording, but those are the two big ones. I also reached a healthy point of self-forgiveness for my failed marriage and became deeply educated in the lies of America the Great. Musically, I was very inspired by the extended dance mixes that people used to make for pop singles back in the '80s. It's so cool how a lot of the 80's hits had these really intricate and interesting longer versions that wouldn't get played on the radio and could only be heard in the clubs. I used that template with these tracks, I wanted them all to feel like the extended club edit of album tracks. I'm always searching for new identities so this concept of the death of Whiteness appeals to me greatly. Might be the only way to save the world. -Kevin Barnes, January 2018

    1. Soft Music/Juno Portraits Of The Jovian Sky
    2. Paranoiac Intervals/Body Dysmorphia
    3. Writing The Circles/Orgone Tropics
    4. Plateau Phase/No Careerism No Corruption
    5. Sophie Calle Private Game/Every Person Is A Pussy, Every Pussy Is A Star!
    6. If You Talk To Symbol/Hostility Voyeur
    Of Montreal
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • The Long-Awaited Album The Long-Awaited Album Quick View

    $24.99
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    The Long-Awaited Album

    Rather than a departure, Martin's musical career is an extension of the storytelling impulse that drove his work as a comedian, an actor, a screenwriter, a playwright, an essayist, and a novelist.

    'The Long-Awaited Album,' Steve Martin's brand new project with the North Carolina Grammy-winning group the Steep Canyon Rangers, is full of stories that mix humor and melancholy, whimsy and realism, rich characters and evocative details. And lots of banjos. That instrument-so dexterously, even acrobatically picked and strummed-proves just as crucial to relating these tales as the lyrics themselves, each chord and riff revealing depths to Martin's narrators and to his musical talent.

    1. Santa Fe
    2. Caroline
    3. All Night Long
    4. Canadian Girl
    5. Office Supplies
    6. Bad Night
    7. Strangest Christmas Yet
    8. Always Will
    9. So Familiar
    10. Nights in the Lab
    11. Angeline the Barista
    12. On the Water
    13. Girl From River Run
    14. Promontory Point
    Steve Martin & The Steep Canyon Rangers
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Sophtware Slump The Sophtware Slump Quick View

    $19.99
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    The Sophtware Slump

    The Control Group is proud to release the first 3 albums by Grandaddy on vinyl. Under The Western Freeway has never been released on vinyl in the U S. and The Sophtware Slump and Sumday are both long out-of-print collectors gems.


    Guided by Jason Lyttle's vision of spacey, mid-fi country-rock, Modesto, CA's Grandaddy unites a mess of guitar-based, late-90's fringe-music into coherent statements about humanity and technology that at times sounds a lot like OK Computer or a lower-fidelity Soft Bulletin.


    Mixed in an unselfconscious manner, these influences underline Lyttle's desire to have the music convey the era's confusion. So the epic mid-tempo opener He's Simple, He's Dumb, He's the Pilot recalls the stilted pace of Paranoid Android, Broken Household Appliance National Forest is a metaphorically lumbering rocker whose sounds spill over like punky stoners doing Black Sabbath, and Chartsengrafs rocks out in first-rate Vivadixie fashion. The Sophtware Slump is the sum of its grand parts.

    1. He's Simple, He's Dumb, He's the Pilot
    2. Hewlett's Daughter
    3. Jed the Humanoid
    4. Crystal Lake, The
    5. Chartsengrafs
    6. Underneath the Weeping Willow
    7. Broken Household Appliance National Forest
    8. Jed's Other Poem (Beautiful Ground)
    9. E. Knievel Interlude (The Perils of Keeping It Real)
    10. Miner At the Dial-a-View
    11. So You'll Aim Towards the Sky
    Grandaddy
    $19.99
    Vinyl LP - Sealed Buy Now
  • Superior Catholic Finger Superior Catholic Finger Quick View

    $37.99
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    Superior Catholic Finger

    Starting with a random snippet of evangelist preaching isn't necessarily the newest of touches in music, but putting it at the beginning of a track called Monster Lust has its own appeal. Creed's second solo album was his conscious return to the more zoned-and-stoned style of Chrome, though given how there was a fair amount of that on X-Rated Fairy Tales it would be more accurate to say that on Finger Creed just decided to let everything run riot. Tempos are often more stretched out than before, effects are tweaked and then tweaked again; in short, it's everything that a lot of rock music both mainstream and underground in 1988 was generally avoiding. With new drummer Ted Preuss helping out with returning bassist Duran, Creed leads his merry men into another fantastic bout of aggro-death-science-fiction snarl. Creed's low, vicious voice perfectly suits his abrasive feedback and more, while the rhythm section can both pound out things in a metal-punk style or just go with the flow. Who Cares is one of the best in the latter vein, with heavily flanged drums mixing with the simple but effective basslines as Creed goes off with both guitar and distorted vocals. Thick blasts of feedback that fill up the mix in both rhythm and soloing often remain the way of things for Creed; Too Bad, with its quick, almost punky verses, is a great example of him at his most crazed. The title track is one of Creed's best, a slow-and-low number with another great taking-off-to-Mars solo from the band and some disturbing rumbles down deep in the bass. Sometimes things maybe get a bit lost along the way -- The Cookie Jar descends into some aimless bits before picking up the groove again -- but otherwise Creed once again is flying high.

    -All Music Guide
    1. Monster Lust
    2. Mustard Dog
    3. Superior Catholic Finger
    4. Too Bad
    5. The Bridge
    6. Who Cares
    7. The Cookie Jar
    8. Weekends
    Helios Creed
    $37.99
    180 Gram Audiophile Virgin Vinyl LP + CD - Sealed Buy Now
  • The Sirens Of The Ditch The Sirens Of The Ditch Quick View

    $18.99
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    The Sirens Of The Ditch

    For the past six years, Jason Isbell was one of three frontmen for the critically acclaimed Drive-By Truckers and although fans may have been shocked by his departure from the band in April of 2011, once you hear this, his solo debut Sirens Of The Ditch (which was co-produced by Isbell and Patterson Hood) it will only confirm that Isbell by no means is putting his feet up. Musicians joining Isbell on the album include Shonna Tucker (bass) and Brad Morgan (drums) with cameos from Patterson Hood, his father David Hood, Spooner Oldham, John Neff and more.


    Recorded over the past four years at FAME Studios in Muscle Shoals (Aretha Franklin, Duane Allman, Otis Redding), Sirens Of The Ditch is a diverse collection of songs that incorporates elements of rock, blues and soul music into a heartfelt mix of songs that favor piano and pedal steel over buzzing guitars, although theres a fair share of overdriven amps here as well. A lot of old soul musicians came through here in the late 60s and 70s and helped define the Muscle Shoals sound, the lifelong Alabamian explains, so that influence was always in my environment, but on this record I really tried to capture that.

    1. Brand New Kind Of Actress
    2. Down In A Hole
    3. Try
    4. Chicago Promenade
    5. Dress Blues
    6. Grown
    7. Hurricanes and Hand Grenades
    8. In A Razor Town
    9. Shotgun Wedding
    10. The Magician
    11. The Devil Is My Running Mate
    Jason Isbell
    $18.99
    Vinyl LP - Sealed Buy Now
  • The River The River Quick View

    $39.99
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    The River

    Ranked 253/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time


    Mastered By Bob Ludwig Working Under The Supervision Of Springsteen & Engineer Toby Scott


    The River is the fifth studio album, and the first double album by Bruce Springsteen.


    The sources of The River go back into earlier parts of Springsteen's recording career. Independence Day, Point Blank, The Ties That Bind, Ramrod, and Sherry Darling were leftovers from his previous album, Darkness on the Edge of Town, and had been featured on the 1978 tour, as had parts of Drive All Night as a long interpolation within Backstreets. The River had premiered at the September 1979 Musicians United for Safe Energy concerts, gaining a featured spot in the subsequent documentary No Nukes.


    Originally, Springsteen intended The River to be a single set entitled The Ties That Bind and released in late 1979 with 10 tracks. Springsteen added darker material after he'd written the title track. Indeed, The River became noted for its mix of the frivolous next to the solemn. This was intentional, and in contrast to Darkness, for as Springsteen said during an interview, Rock and roll has always been this joy, this certain happiness that is in its way the most beautiful thing in life. But rock is also about hardness and coldness and being alone ... I finally got to the place where I realized life had paradoxes, a lot of them, and you've got to live with them.

    LP1
    1. The Ties That Bind
    2. Sherry Darling
    3. Jackson Cage
    4. Two Hearts
    5. Independence Day
    6. Hungry Heart
    7. Out In The Street
    8. Crush On You
    9. You Can Look (But You Better Not Touch)
    10. I Wanna Marry You
    11. The River


    LP2
    1. Point Blank
    2. Cadillac Ranch
    3. I'm A Rocker
    4. Fade Away
    5. Stolen Car
    6. Ramrod
    7. The Price You Pay
    8. Drive All Night
    9. Wreck On The Highway

    Bruce Springsteen
    $39.99
    180 Gram Audiophile Virgin Vinyl - 2 LPs Sealed Buy Now
  • Sgt. Peppers Lonely Hearts Club Band (Anniversary Super Deluxe Edition) (Compact Disc) Sgt. Peppers Lonely Hearts Club Band (Anniversary Super Deluxe Edition) (Compact Disc) Quick View

    $149.99
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    Sgt. Peppers Lonely Hearts Club Band (Anniversary Super Deluxe Edition) (Compact Disc)

    Please Note: This Box Set Does Not Contain Vinyl



    50th Anniversary Reissue


    'Sgt. Pepper' Presented with New Mixes in Stereo and 5.1 Surround Audio; Expanded with Previously Unreleased Session Recordings, Video Features & Special Packaging


    Previously Unreleased 1992 Documentary Film, 'The Making of Sgt. Pepper,' Restored for Anniversary Edition's Super Deluxe Boxed Set


    Ranked 1/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time!


    It was 50 years ago this June 1st when The Beatles' John Lennon, Paul McCartney, George Harrison, and Ringo Starr astonished and delighted the world, ushering in the Summer of Love with Sgt. Pepper's Lonely Hearts Club Band, a groundbreaking masterwork that became popular music's most universally acclaimed album. To salute the occasion, The Beatles will release a lavishly presented 'Sgt. Pepper' Anniversary Super Deluxe Edition Box Set (4 CD/1 DVD/1 Blu-ray). The album is newly mixed by Giles Martin and Sam Okell in stereo and 5.1 surround audio and expanded with early takes from the studio sessions, including no fewer than 34 previously unreleased recordings.


    "It's crazy to think that 50 years later we are looking back on this project with such fondness and a little bit of amazement at how four guys, a great producer and his engineers could make such a lasting piece of art," says Paul McCartney in his newly-penned introduction for the 'Sgt. Pepper' Anniversary Edition.


    "'Sgt. Pepper' seemed to capture the mood of that year, and it also allowed a lot of other people to kick off from there and to really go for it," Ringo Starr recalls in the Anniversary Edition's book.


    The Beatles' "Strawberry Fields Forever" and "Penny Lane," were among the first songs recorded during the 'Sgt. Pepper' sessions, which began in November 1966. Rather than being held for inclusion on the album, the two songs were released as a double A-sided single in February 1967. Amidst intense media speculation about the band's next move, the single bridged what was then considered a long gap between the Revolver album, released in August 1966, and 'Sgt. Pepper,' which followed 10 months later.


    This is the first time Sgt. Pepper's Lonely Hearts Club Band has been remixed and presented with additional session recordings, and it is the first Beatles album to be remixed and expanded since the 2003 release of Let It Be Naked. To create the new stereo and 5.1 surround audio mixes for 'Sgt. Pepper,' producer Giles Martin and mix engineer Sam Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All of the Anniversary Edition releases include Martin's new stereo mix of the album, which was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by his father, George Martin.


    Sgt. Pepper's Lonely Hearts Club Band Anniversary Super Deluxe Edition includes:


    • CD 1: New stereo album mix
    • CDs 2 & 3:

      - 33 additional recordings from the studio sessions, most previously unreleased and mixed for the first time from the four-track session tapes, sequenced in chronological order of their recording dates

      - A new stereo mix of "Penny Lane" and the 2015 stereo mix of "Strawberry Fields Forever"
    • CD 4:

      - Direct transfers of the album's original mono mix and the "Strawberry Fields Forever" and "Penny Lane" singles

      - Capitol Records' U.S. promotional mono single mix of "Penny Lane"

      - Previously unreleased early mono mixes of "She's Leaving Home," "A Day In The Life," and "Lucy In The Sky With Diamonds" (a mix thought to have been erased from a tape in 1967, but discovered during archive research for the anniversary edition)
    • Discs 5 & 6 (Blu-ray and DVD):

      - New 5.1 surround audio mixes of the album and "Penny Lane" by Giles Martin and Sam Okell, plus their 2015 5.1 surround mix of "Strawberry Fields Forever"

      - High resolution audio versions of the new stereo mixes of the album and "Penny Lane" and of the 2015 stereo mix of "Strawberry Fields Forever"

      - Video features: 4K restored original promotional films for "Strawberry Fields Forever," "Penny Lane," and "A Day In The Life;" plus The Making of Sgt. Pepper, a restored, previously unreleased documentary film (broadcast in 1992), featuring insightful interviews with McCartney, Harrison, and Starr, and in-studio footage introduced by George Martin.


    "A splendid time is guaranteed for all"


    The album's vibrant artwork, including its extravagant Pop Art cover which finds The Beatles surrounded by a crowd of heroes in a 3D collage, was created by Peter Blake and Jann Haworth in collaboration with the band. The original artwork is showcased across the suite of Anniversary Edition releases, including the album's pull-out sheet of 'Sgt. Pepper' cutouts. Housed in a 12-inch by 12-inch box with lenticular artwork and two bonus posters, the six-disc Super Deluxe set is presented with a 144-page hardcover book. The book includes new introductions by Paul McCartney and Giles Martin, and chapters covering comprehensive song-by-song details and recording information, the design of the cover, the album's musical innovations and its historical context by Beatles historian, author and radio producer Kevin Howlett; composer and musicologist Howard Goodall; music producer and writer Joe Boyd; and journalists Ed Vulliamy and Jeff Slate, illustrated with rare photographs, reproductions of handwritten lyrics, Abbey Road Studios documentation, and original 'Sgt. Pepper' print ads.


    - "We hope you will enjoy the show"


    Just as many ideas are sparked by chance, 'Sgt. Pepper' first sprang from a conversation between Paul and Beatles roadie Mal Evans on an airplane, when Mal's request to pass the salt and pepper was misheard by Paul as "Sgt. Pepper." The concept of who such a figure could be took root in Paul's mind, blooming with the imagination of The Beatles as an Edwardian era military band -- "Sgt. Pepper's Lonely Hearts Club Band." The Beatles' creative wellspring for 'Sgt. Pepper' also flowed from such myriad sources as The Beach Boys' Pet Sounds album, a Victorian circus poster ("Being For The Benefit Of Mr. Kite!"), a TV commercial for breakfast cereal ("Good Morning Good Morning"), a picture drawn by John's young son, Julian ("Lucy In The Sky With Diamonds"), a teen runaway reported in the news ("She's Leaving Home'), and Hindu teachings ("Within You Without You").


    "Lend me your ears and I'll sing you a song"


    Using the standard four-track tape recording equipment of the day, The Beatles collaborated with producer George Martin to achieve "the impossible," as they dubbed it, to go as far out as they could with arrangements and new technology to realize their collective vision for Sgt. Pepper's Lonely Hearts Club Band. As George Martin described it, "We were into another kind of art form where you were putting something down on tape that could only be done on tape." The Beatles clocked more than 400 hours in Abbey Road's Studio 2 to record the album, wrapping sessions in April 1967.


    "I read the news today oh boy"


    Upon its release on June 1, 1967, Sgt. Pepper's Lonely Hearts Club Band initially spent 148 weeks in the British chart, including a total of 27 weeks at number one. During its first U.S. chart run, the album held the number one spot for 15 of the 88 weeks it appeared in the Top 200. 'Sgt. Pepper' won four GRAMMY Awards®, including Album of the Year, and it remains one of the most influential and bestselling albums of all time. In 2003, the U.S. Library of Congress selected 'Sgt. Pepper' for the National Recording Registry, recognizing the album as "culturally, historically, or aesthetically significant." 'Sgt. Pepper' tops Rolling Stone magazine's definitive list of the "500 Greatest Albums of All Time."


    This title is not eligible for for further discount.

    CD 1: 'Sgt. Pepper' 2017 Stereo Mix
    1. Sgt. Pepper's Lonely Hearts Club Band

    2. With A Little Help From My Friends
    3. Lucy In The Sky With Diamonds
    4. Getting Better
    5. Fixing A Hole

    6. She's Leaving Home

    7. Being For The Benefit Of Mr. Kite!
    8. Within You Without You

    9. When I'm Sixty-Four
    10. Lovely Rita
    11. Good Morning Good Morning

    12. Sgt. Pepper's Lonely Hearts Club Band (Reprise)

    13. A Day In The Life


    CD 2: Complete early takes from the sessions, sequenced in chronological order of their first recording dates
    1. Strawberry Fields Forever [Take 1]
    2. Strawberry Fields Forever [Take 4]
    3. Strawberry Fields Forever [Take 7]
    4. Strawberry Fields Forever [Take 26]
    5. Strawberry Fields Forever [Stereo Mix - 2015]
    6. When I'm Sixty-Four [Take 2]
    7. Penny Lane [Take 6 - Instrumental]
    8. Penny Lane [Vocal Overdubs And Speech]
    9. Penny Lane [Stereo Mix - 2017]

    10. A Day In The Life [Take 1]
    11. A Day In The Life [Take 2]
    12. A Day In The Life [Orchestra Overdub]

    13. A Day In The Life (Hummed Last Chord) [Takes 8, 9, 10 and 11]

    14. A Day In The Life (The Last Chord)
    15. Sgt. Pepper's Lonely Hearts Club Band [Take 1 - Instrumental]

    16. Sgt. Pepper's Lonely Hearts Club Band [Take 9 And Speech]

    17. Good Morning Good Morning [Take 1 - Instrumental, Breakdown]

    18. Good Morning Good Morning [Take 8]


    CD 3: Complete early takes from the sessions, sequenced in chronological order of their first recording dates
    1. Fixing A Hole [Take 1]
    2. Fixing A Hole [Speech And Take 3]
    3. Being For The Benefit Of Mr. Kite! [Speech From Before Take 1; Take 4 And Speech At End]
    4. Being For The Benefit Of Mr. Kite! [Take 7]

    5. Lovely Rita [Speech And Take 9]
    6. Lucy In The Sky With Diamonds [Take 1 And Speech At The End]

    7. Lucy In The Sky With Diamonds [Speech, False Start And Take 5]

    8. Getting Better [Take 1 - Instrumental And Speech At The End]
    9. Getting Better [Take 12]
    10. Within You Without You [Take 1 - Indian Instruments Only]
    11. Within You Without You [George Coaching The Musicians]
    12. She's Leaving Home [Take 1 - Instrumental]
    13. She's Leaving Home [Take 6 - Instrumental]
    14. With A Little Help From My Friends [Take 1 - False Start And Take 2 - Instrumental]
    15. Sgt. Pepper's Lonely Hearts Club Band (Reprise) [Speech And Take 8]


    CD 4: 'Sgt. Pepper' and bonus tracks in Mono
    (Tracks 1-13: 2017 Direct Transfer of 'Sgt. Pepper' Original Mono Mix)
    14. Strawberry Fields Forever [Original Mono Mix]
    15. Penny Lane [Original Mono Mix]
    16. A Day In The Life [Unreleased First Mono Mix]
    17. Lucy In The Sky With Diamonds [Unreleased Mono Mix - No. 11]
    18. She's Leaving Home [Unreleased First Mono Mix]
    19. Penny Lane [Capitol Records U.S. Promo Single - Mono Mix]


    DISCS 5 & 6 (Blu-ray & DVD)
    Audio Features (both discs):
    - New 5.1 Surround Audio mixes of 'Sgt. Pepper' album and "Penny Lane," plus 2015 5.1 Surround mix of "Strawberry Fields Forever" (Blu-ray: DTS HD Master Audio 5.1, Dolby True HD 5.1 / DVD: DTS Dolby Digital 5.1)
    - High Resolution Audio versions of 2017 'Sgt. Pepper' stereo mix and 2017 "Penny Lane" stereo mix, plus 2015 "Strawberry Fields Forever" hi res stereo mix (Blu-ray: LPCM Stereo 96KHz/24bit / DVD: LPCM Stereo)
    Video Features (both discs):
    - The Making of Sgt. Pepper [restored 1992 documentary film, previously unreleased]
    - Promotional Films: "A Day In The Life;" "Strawberry Fields Forever;" "Penny Lane" [4K restored]

    The Beatles
    $149.99
    CD + DVD + Blu-ray Box Set - 4 CDs Sealed Buy Now
  • Four Foot Shack Four Foot Shack Quick View

    $21.99
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    Four Foot Shack

    How "deconstructed" can a group get? How about just one vocal, one bass, one guitar, and a basic beat supplied by stomping on a mini-tambourine-doohickey? That's exactly what everyone's favorite storyteller/narrator, Les Claypool, is incorporating in his new band, Duo de Twang. While Les is still pulling double duty with the Primus lads, he has also found the time to unite with his old buddy, Bryan Kehoe, who fans will recognize from several past Claypool projects, and also as one of the main actors from Les' hilarious jam band mockumentary, 'Electric Apricot: Quest for Festeroo.' But unlike Primus, DDT focuses more on the Americana/rootsy side of things - as heard throughout the band's debut recording Four Foot Shack, to be released via ATO Records.


    And as evidenced by DDT's live shows and debut, Les and Bryan mostly mix traditional tunes, popular covers, and readings of Primus classics (all of which are usually barely recognizable when compared to the original versions). Case in point, the inclusion of "Battle of New Orleans," "Stayin' Alive," "Man in the Box," "Wynona's Big Brown Beaver," and "Jerry Was A Race Car Driver" on DDT's debut disc. "A lot of it is just stumbling across it," explains Les about how a tune is selected to be twang-ified. "You're twanging away, and then all of a sudden, something just comes out. And then you laugh about it or you don't. And then you move on. There are tons of songs that we've stumbled across, and these ones just happened to be the ones that stuck."


    Upon hearing Four Foot Shack you'll quickly discover that Les and Bryan made it a point to keep things as live-sounding as humanly possible. "It was very live," admits Les. "In fact, it was a little difficult, with all the bleed of the stomping and the bass and the vocals. Every now and again you can hear the studio refrigerator come on or the dog barking at something outside in the background. Once it was there, you had to kind of leave it."


    Les added, "The Twang project is me exploring a lot of stuff that I personally listen to; Johnny Horton, Vernon Dalhart, Jerry Reed, Bob Wills, Eddy Cochran stuff like that - it's another door for me to open. I'm doing this sort of Luther Perkins, Johnny Cash guitar-ish type part on my bass, by doing the old ding-dinka-ding, dinka-ding-dinka-ding on a lot of the stuff. It took me a little bit to get that. Now that I've gotten it, I can pull songs out of the air and it's surprising how many songs easily succumb to the twang, and can be complimented by the twang. When all is said and done, it's just a hell of a fun project for me right now. I'll do it 'til it's not fun anymore."

    1. Four Foot Shack" (Les Claypool's Duo de Twang)
    2. Wynona's Big Brown Beaver" (Primus)
    3. Amos Moses" (Jerry Reed)
    4. Red State Girl" (Les Claypool)
    5. The Bridge Came Tumblin' Down" (Stompin' Tom Connors)
    6. Boonville Stomp" (Les Claypool)
    7. Stayin' Alive" (Bee Gees)
    8. Rumble of the Diesel" (Les Claypool)
    9. Pipe Line" (The Chantays)
    10. Buzzards of Green Hill" (Les Claypool's Fearless Flying Frog Brigade)
    11. Hendershot" (Les Claypool's Fearless Flying Frog Brigade)
    12. Man in the Box" (Alice in Chains)
    13. D's Diner" (Les Claypool's Fearless Flying Frog Brigade)
    14. Battle of New Orleans" (Johnny Horton)
    15. Jerry Was a Race Car Driver" (Primus)
    Les Claypool's Duo De Twang
    $21.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Violent Sleep Of Reason The Violent Sleep Of Reason Quick View

    $27.99
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    The Violent Sleep Of Reason

    Pressed On Grey / Black Splatter


    Limited To 1000 Copies


    The Violent Sleep of Reason, the band's eighth full-length studio album, finds MESHUGGAH building upon their legacy for fearless metal sculpting within the context of extreme metal, but also recapturing some of the magic and excitement specifically within the aspect of performance, finding flow and groove that would be a challenge for any lesser band to locate, given such technical geometric madness at mischievous hand.


    "There's a distinct methodology", says drummer, writer and spokesman for the band Tomas Haake, that was put into motion to help the band achieve the level of "intensity" the attentive fan will feel as he/she makes their way through The Violent Sleep of Reason.


    For this one, it's all live takes, with either 3 or 4 of the band members recording their respective instruments simultaneously - which is a way of recording they haven't used in many years. And that definitely goes against the stream of what you see in most technical metal nowadays, where editing, drum programming, the use of "beat detectives" etc. is a way more common approach to recording. So on this one, MESHUGGAH went back towards a more old-school approach, properly rehearsing the songs as a whole band before going into studio to record them. Jens was in one room, guitarists were in one room, bass player Dick was sitting right next to the drum set with an amplifier/cab in the next room. So in that sense this is more "old school"; the methodology is in that sense more like what bands were doing in the '80s and 90s. "And that vibrancy comes out", says Haake; "it's a very audible difference, sloppier sounding if you will, but at the same time it brings a different energy than the last few albums - this is "less perfect", but in that sense, also more alive."


    The personal challenge taken on by the band produced fortunate byproducts as well, or, rather, it inspired them to "de-machine" other aspects of the technical MESHUGGAH juggernaut.


    "Yes, for this one we also changed our approach toward the guitar recording/sounds," explains Haake, who nonetheless confirms that the band is still using eight-string axes, and for the most part, tuning down half a step to achieve that torrid MESHUGGAH guitar grunt. "The last few albums have been mostly digital, guitar sounds-wise, using all digital guitar gear as opposed to analog tube amps and regular cabs. The upside of using all digital like we did previous, is you can re-amp it afterwards, as it's basically a clean signal so you can pick, choose, and tweak things at a later point. But with this album, it was six speakers, all separately miked in one (super-loud) room, each cabinet with a different head -Marshall, Orange, Mesa Boogie etc-and then mixing it up a little bit depending on the song. If there was a song that was a little slower and sludgier, we might add more of the Orange amp to get a tad more of that stoner sound. And if it's a bit more metal, we'd maybe use the Marshall head or the Mesa head a little more in the mix. So we did have the opportunity, to mix and match for each song so the guitar sound is not exactly the same for every song. And that's a difference from Koloss and obZen, for example, where pretty much every song had the same drum and guitar sound."


    But the end result is still a relentless onslaught of MESHUGGAH -patented ideas, save for one gorgeous and atmospheric respite, at the close of "Stifled."


    Framing the pacing and contours of record, Tomas says, "None of the songs stick out quite like, for example, the way "Bleed" did on obZen. To me, it doesn't really have hits-it just has really cool songs! Not that we ever really had "hits" though (laughs). They're just maybe a little "wilder" sounding on this album, much due also to the live recording approach. Dick and I wrote about half of the material, and the rest was either me and Mårten working together or Mårten writing on his own. We were kind of going for something nuts as is the case with all our writing/recording albums - We wanted to hear something that we hadn't heard ourselves do before." Fredrik was not part of the songwriting for this one, as he's been hard at work on his next solo album, but as always he was still very involved with every aspect of the recording, from recording rhythm guitars, guitar solos etc . "And that's also a completely new thing," continues Tomas. "Dick was never involved in the songwriting prior to this album, whereas Fredrik always was. And that, of course, creates a difference in the way the album as a whole came out."


    At the lyrical end, highlights include the title track, which, set to a massively heavy arch-djent rhythm, speaks of "the violent outcome of not dealing with what is going on, the violent implications of being asleep. "The title is actually inspired by a Goya painting called 'The Sleep of Reason Produces Monsters.'"


    A second highlight is strident opener and longest song on the album, "Clockworks," which is strafed by a typically super-human drum performance from Haake. "That's more about looking to yourself and who you are and things you want to change about yourself. And then in the context of how your mind works, as a clockwork. It's the idea of taking out all the little pins, wheels, and springs and kind of rebuilding it to make you function in a different fashion. So lyrics for that song is a look in on self, at things that you wish that you could change about yourself."


    Listen to tracks like the vertigo-inducing "Nostrum" and the slower if equally circular and note-dense "By the Ton," and it's easy to understand why it's been four years since a MESHUGGAH album. But mind-numbing complexity of the material is not the only reason, explains Haake.


    "No, well, I would say first of all, it takes us a lot of time to write. And we're very bad at focusing; we're very bad at multitasking. I don't think we ever wrote one single riff on a tour bus or in a hotel room. So if you have a touring cycle of two, two-and-a-half, three years, there's not going to be anything written in that time period. And that's just how we all function. We need to have a break, like, okay, time out now-nothing else for a year. We need to write for one year. But you also want to tour as much as possible for an album. Koloss, for example, we toured for like two-and-a-half years. And then you write. And when we do finally write, we scrutinize those songs, riffs, structures over and over and over, and change things as we go. So in a lot of the songs, maybe only one riff was actually there originally. So writing for us does take a long time, no doubt."


    As a result, the band's erudite and intelligent fan base "get something that they don't really hear in any other bands". On the first album you still hear a lot of Metallica and Anthrax and Bay Area kind of thrash metal influence. "We knew that we sounded a bit like that, but we were aiming for something we hadn't heard in any other band. And that's still the main fuel. We're not trying to write your average metal song. We're not trying to write catchy songs. We're not trying to write hit songs (laughs). We're just trying to write something that is cool, that we haven't heard before, and hopefully our fans haven't heard before. And that also gets harder and harder though, because by now, there are so many awesome musicians and bands and so much great music out there. But it would seem like the followers that we do have, the people that have kept buying our albums and stayed with us for a lot of years, are not necessarily the typical metal fans. The crowd we have is diverse. We have a lot of geeks and nerds and weirdos, and they are beautiful ones, you know? We have a lot of people with talent, and a lot of people that are also interested in music as art, and not just an event."


    But it's not lost on Tomas that MESHUGGAH is making daunting progressive music, music where melody is subservient to jackhammer rhythm, as evidenced by the way that even his lead singer, Jens Kidman, is situated within the maelstrom that is MESHUGGAH


    "He's the perfect tool for the job. Just like most people, we all, of course, like music where there's "proper singing", and we all love a great singer. Personally, I think the voice is the most empathic instrument. You hear someone sing and you're like, oh my God, that's the coolest instrument in the world. But at the same time, what we're trying to do is not that. Just like the guitars and me as a drummer, Jens also is a rhythmic tool, one that adds aggression, as well as words to back up that aggression if you will."


    So would Tomas then acquiesce to the idea of MESHUGGAH as metal's reigning enemies of melody?


    "In a sense, yeah. I mean, there is definitely melody and a lot of melodic thought put into tonalities, harmonies between bass and guitars and things like that, but at the same time, we're not often going for anything pretty. Sometimes there's a little bit, where we go, 'Awww, that's beautiful," but then we usually immediately mess it up again. You give it a little bit of something "nice" sometimes, but basically we're not going for niceness (laughs)."


    Produced by Meshuggah; engineered by Tue Madsen, Puk Studios, Kaerby, Denmark.

    1. Clockworks
    2. Born In Dissonance
    3. MonstroCity
    4. By The Ton
    5. Violent Sleep Of Reason
    6. Ivory Tower
    7. Stifled
    8. Nostrum
    9. Our Rage Won't Die
    10. Into Decay
    Meshuggah
    $27.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Sgt. Peppers Lonely Hearts Club Band (Anniversary Deluxe Edition) (Compact Disc) (On Sale) Sgt. Peppers Lonely Hearts Club Band (Anniversary Deluxe Edition) (Compact Disc) (On Sale) On Sale Quick View

    $24.99 $21.24 Save $3.75 (15%)

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    Sgt. Peppers Lonely Hearts Club Band (Anniversary Deluxe Edition) (Compact Disc) (On Sale)

    Ranked 1/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time!


    50th Anniversary Reissue


    Expanded 2xCD & Digital Package Features The New Stereo Album Mix On The First CD And Adds A Second CD Of 18 Tracks, Including Previously Unreleased Complete Takes Of The Album's 13 Songs, Newly Mixed In Stereo And Sequenced In The Same Order As The Album


    The Second CD Also Includes A New Stereo Mix And A Previously Unreleased Instrumental Take Of "Penny Lane" And The 2015 Stereo Mix And Two Previously Unreleased Complete Takes Of "Strawberry Fields Forever."


    It was 50 years ago this June 1st when The Beatles' John Lennon, Paul McCartney, George Harrison, and Ringo Starr astonished and delighted the world, ushering in the Summer of Love with Sgt. Pepper's Lonely Hearts Club Band, a groundbreaking masterwork that became popular music's most universally acclaimed album. To salute the occasion, The Beatles will release 'Sgt. Pepper' Anniversary Edition.


    "It's crazy to think that 50 years later we are looking back on this project with such fondness and a little bit of amazement at how four guys, a great producer and his engineers could make such a lasting piece of art," says Paul McCartney.


    "'Sgt. Pepper' seemed to capture the mood of that year, and it also allowed a lot of other people to kick off from there and to really go for it," Ringo Starr recalls.


    The Anniversary Edition includes Martin's new stereo mix of the album, which was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by his father, George Martin.


    This expanded 2xCD package features the new stereo album mix on the first CD and adds a second CD with previously unreleased complete takes of the album's 13 songs, newly mixed in stereo and sequenced in the same order as the album. Additionally, the second CD includes a new stereo mix and a previously unreleased instrumental take of "Penny Lane" and the 2015 stereo mix and two previously unreleased complete takes of "Strawberry Fields Forever."


    The album's vibrant artwork, including its extravagant Pop Art cover which finds The Beatles surrounded by a crowd of heroes in a 3D collage, was created by Peter Blake and Jann Haworth in collaboration with the band.


    "We hope you will enjoy the show"


    Just as many ideas are sparked by chance, 'Sgt. Pepper' first sprang from a conversation between Paul and Beatles roadie Mal Evans on an airplane, when Mal's request to pass the salt and pepper was misheard by Paul as "Sgt. Pepper." The concept of who such a figure could be took root in Paul's mind, blooming with the imagination of The Beatles as an Edwardian era military band -- "Sgt. Pepper's Lonely Hearts Club Band." The Beatles' creative wellspring for 'Sgt. Pepper' also flowed from such myriad sources as The Beach Boys' Pet Sounds album, a Victorian circus poster ("Being For The Benefit Of Mr. Kite!"), a TV commercial for breakfast cereal ("Good Morning Good Morning"), a picture drawn by John's young son, Julian ("Lucy In The Sky With Diamonds"), a teen runaway reported in the news ("She's Leaving Home'), and Hindu teachings ("Within You Without You").


    "Lend me your ears and I'll sing you a song"


    Using the standard four-track tape recording equipment of the day, The Beatles collaborated with producer George Martin to achieve "the impossible," as they dubbed it, to go as far out as they could with arrangements and new technology to realize their collective vision for Sgt. Pepper's Lonely Hearts Club Band. As George Martin described it, "We were into another kind of art form where you were putting something down on tape that could only be done on tape." The Beatles clocked more than 400 hours in Abbey Road's Studio 2 to record the album, wrapping sessions in April 1967.


    "I read the news today oh boy"


    Upon its release on June 1, 1967, Sgt. Pepper's Lonely Hearts Club Band initially spent 148 weeks in the British chart, including a total of 27 weeks at number one. During its first U.S. chart run, the album held the number one spot for 15 of the 88 weeks it appeared in the Top 200. 'Sgt. Pepper' won four GRAMMY Awards®, including Album of the Year, and it remains one of the most influential and bestselling albums of all time. In 2003, the U.S. Library of Congress selected 'Sgt. Pepper' for the National Recording Registry, recognizing the album as "culturally, historically, or aesthetically significant." 'Sgt. Pepper' tops Rolling Stone magazine's definitive list of the "500 Greatest Albums of All Time."


    This title is not eligible for further discount.

    CD 1: Sgt. Pepper 2017 Stereo Mix
    1. Sgt. Pepper's Lonely Hearts Club Band

    2. With A Little Help From My Friends
    3. Lucy In The Sky With Diamonds
    4. Getting Better
    5. Fixing A Hole
    6. She's Leaving Home

    7. Being For The Benefit Of Mr. Kite!

    8. Within You Without You

    9. When I'm Sixty-Four
    10. Lovely Rita
    11. Good Morning Good Morning

    12. Sgt. Pepper's Lonely Hearts Club Band (Reprise)
    13. A Day In The Life


    CD 2: Complete Early Takes From The Sessions In The Same Sequence + Various Versions Of "Strawberry Fields Forever" And "Penny Lane"
    1. Sgt. Pepper's Lonely Hearts Club Band [Take 9]
    2. With A Little Help From My Friends [Take 1 - False Start And Take 2 - Instrumental]

    3. Lucy In The Sky With Diamonds [Take 1]
    4. Getting Better [Take 1 - Instrumental And Speech At The End]
    5. Fixing A Hole [Speech And Take 3]
    6. She's Leaving Home [Take 1 - Instrumental]
    7. Being For The Benefit Of Mr. Kite! [Take 4]
    8. Within You Without You [Take 1 - Indian Instruments]
    9. When I'm Sixty-Four [Take 2]
    10. Lovely Rita [Speech And Take 9]

    11. Good Morning Good Morning [Take 8]

    12. Sgt. Pepper's Lonely Hearts Club Band (Reprise) [Take 8]

    13. A Day In The Life [Take 1 With Hummed Last Chord]
    14. Strawberry Fields Forever [Take 7]
    15. Strawberry Fields Forever [Take 26]
    16. Strawberry Fields Forever [Stereo Mix - 2015]

    17. Penny Lane [Take 6 - Instrumental]

    18. Penny Lane [Stereo Mix - 2017]

    The Beatles
    $24.99 $21.24 Save $3.75 (15%)
    Compact Disc - 2 CDs Sealed Buy Now
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