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  • The Early Years 1965-1972 The Early Years 1965-1972 Quick View

    $699.99
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    The Early Years 1965-1972


    Comprehensive 27-Disc Box Set, With 7 Individual Book-Style Volumes


    Box Set Includes:


    • 11+ hours of Audio (130+ tracks) & 14+ hours of Audio/Visual material including
    • 20+ previously unreleased songs, 7+ hours of previously unreleased live audio performances, 5+ hours of rare concert footage, along with 5 7" singles in replica sleeves, collectible memorabilia, feature films & new sound mixes
    • BBC Radio Sessions, remixes, outtakes, & alternative versions over 11 hours of audio (made up of 130+ tracks) as well as live TV performance in over 14 hours audio visual
    • Previously unreleased tracks include 1967's Vegetable Man and In The Beechwoods, which have been mixed for the first time specially for this release
    • 2 historic Quad mixes (1 previously unreleased) • Plus Pink Floyd's early vinyl singles - the first 5 UK releases, (1967-68) remastered from original tapes, original sleeves / heavyweight vinyl / paper labels replicated


    The Early Years 1965 - 1972 is a comprehensive 27-disc box set that sees Pink Floyd delve into their vast music archive to produce a deluxe package that includes 7 individual book-style volumes, featuring much previously unreleased material. The Early Years box set contains unreleased tracks, BBC Radio Sessions, remixes, outtakes and alternative versions over an incredible 11 hours, 45 mins of audio (made up of 130+ tracks) and live and TV performance in over 14 hours of audio-visual material. The content includes over 20 unreleased songs, more than 7 hours of previously unreleased live audio and over 5 hours of rare concert footage, along with 5 meticulously produced 7 singles in replica sleeves, collectable memorabilia, feature films and new sound mixes. Previously unreleased tracks include 1967's Vegetable Man and In The Beechwoods, which have been mixed for the first time, specially for this release. The Early Years 1965-1972 will give collectors the opportunity to hear the evolution of the band and witness their part in cultural revolutions from their earliest recordings and studio sessions to the years prior to the release of The Dark Side Of The Moon, one of the biggest selling albums of all time. From the single Arnold Layne to the 20-minute epic Echoes, fans will see the invention of psychedelic progressive rock via an insightful collection that explores the Pink Floyd story from the time Roger Waters, Richard Wright, Nick Mason and Syd Barrett met at London's Regent Street Polytechnic, through to Syd's departure and David Gilmour joining to form the iconic lineup.


    40+ items of archival memorabilia including: posters, flyers, tour programs, tickets, press advertisements, & much more.


    This set includes: 10 CDs, 8 Blu-ray Discs, 9 DVDs, 5 seven-inch vinyl singles, collectable memorabilia, & more.


    7 inch Singles:

    1. Side A: Arnold Layne Side B: Candy And A Currant Bun

    2. Side A: See Emily Play Side B: The Scarecrow

    3. Side A: Apples And Oranges Side B: Paintbox

    4. Side A: It Would Be So Nice Side B: Julia Dream

    5. Side A: Point Me At The Sky Side B: Careful With That Axe, Eugene

    †previously unreleased


    7 VINYL SINGLES IN REPRODUCTION SLEEVES:
    - Arnold Layne C/W Candy And A Currant Bun
    - See Emily Play C/W The Scarecrow
    - Apples And Oranges C/W Paintbox
    - It Would Be So Nice C/W Julia Dream
    - Point Me At The Sky C/W Careful With That Axe, Eugene


    1965-67 CAMBRIDGE ST/ATION
    CD 1:

    1965 Recordings*:
    1. Lucy Leave*
    2. Double O Bo*
    3. Remember Me*
    4. Walk With Me Sydney*
    5. Butterfly*
    6. I'm A King Bee*
    7. Arnold Layne
    8. See Emily Play
    9. Apples And Oranges
    10. Candy And A Currant Bun
    11. Paintbox
    12. Matilda Mother (2010 mix)
    13. Jugband Blues (2010 mix)†
    14. In The Beechwoods (2010 mix)†
    15. Vegetable Man (2010 mix)†
    16. Scream Thy Last Scream (2010 mix)†


    Total: 50 mins, 32 secs approx.
    Tracks 1-11 mono.
    Tracks 12-16 stereo


    *including Rado Klose on guitar and Juliette Gale on vocals on 'Walk With Me Sydney'


    CD 2:
    Live in Stockholm 1967:

    1. Introduction†
    2. Reaction in G†
    3. Matilda Mother†
    4. Pow R. Toc H.†
    5. Scream Thy Last Scream†
    6. Set The Controls For The Heart Of The Sun†
    7. See Emily Play†
    8. Interstellar Overdrive†
    Please note: the above tracks feature vocals recorded at a less than optimum level


    John Latham (studio recordings 1967)
    9. John Latham Version 1†
    10. John Latham Version 2†
    11. John Latham Version 3†
    12. John Latham Version 4†
    13. John Latham Version 5†
    14. John Latham Version 6†
    15. John Latham Version 7†
    16. John Latham Version 8†
    17. John Latham Version 9†


    Total: 79 mins, 13 secs approx.
    Tracks 1-8 recorded live Sept 10, 1967 at Gyllene Cirkeln, Stockholm, Sweden
    Tracks 9-17 recorded at De Lane Lea Studios, London, October 20, 1967
    All tracks stereo


    DVD/Blu-ray
    1. Chapter 24: Syd Barrett in the Gog Magog Hills, Cambridgeshire, UK 1966 / Pink Floyd at EMI Studios, London, April 1967
    2. Nick's Boogie†: recording Interstellar Overdrive and Nick's Boogie at Sound Techniques Studio, Chelsea, January 11, 1967 / Live at UFO, The Blarney Club, London, January 13, 1967
    3. Interstellar Overdrive: 'Scene - Underground' UFO at The Blarney Club, London, January 27, 1967
    4. Arnold Layne: promo video. Wittering Beach, UK, early 1967
    5. Pow R. Toc H. / Astronomy Domine: plus Syd Barrett and Roger Waters interview: BBC 'The Look Of The Week' - BBC Studios, London, May 14, 1967
    6. The Scarecrow: 'PathÉ Pictorial', UK, July 1967
    7. Jugband Blues: 'London Line' promo video, 1967, London
    8. Apples And Oranges: plus Dick Clark interview: 'American Bandstand', Los Angeles, USA, November 7, 1967
    9. Instrumental Improvisation†: BBC 'Tomorrow's World', London, December 12, 1967
    10. Instrumental Improvisation†: 'Die Jungen Nachtwandler', UFO, The Blarney Club, London, February 24, 1967
    11. See Emily Play: BBC 'Top Of The Pops' - partially restored BBC Studios, London, July 6, 1967
    12. The Scarecrow (outtakes): 'PathÉ Pictorial', UK, July 1967
    13. Interstellar Overdrive: 'Science Fiction - Das Universum Des Ichs', The Roundhouse, London, 1967


    Total: 57 mins, 59 secs approx.


    1968 GERMIN/ATION
    CD

    1. Point Me At The Sky
    2. It Would Be So Nice
    3. Julia Dream
    4. Careful With That Axe, Eugene (single version)
    5. Song 1, Capital Studios, Los Angeles, 22 August 1968†
    6. Roger's Boogie, Capitol Studios, Los Angeles, 22 August 1968†


    BBC Radio Session, 25 June 1968:
    7. Murderotic Woman (Careful With That Axe, Eugene) †
    8. The Massed Gadgets Of Hercules (A Saucerful Of Secrets) †
    9. Let There Be More Light†
    10. Julia Dream†


    BBC Radio Session, 20 December 1968:
    11. Point Me At The Sky†
    12. Embryo†
    13. Interstellar Overdrive†


    Total: 59 mins, 14 secs approx.


    DVD/Blu-ray
    'Tienerklanken', Brussels, Belgium, 18-19 February 1968:
    1. Astronomy Domine
    2. The Scarecrow
    3. Corporal Clegg
    4. Paintbox
    5. Set The Controls For The Heart Of The Sun
    6. See Emily Play
    7. Bike
    8. Apples And Oranges: 'Vibrato', Brussels, Belgium, February 1968


    'Bouton Rouge', Paris, France, 20 February 1968:
    9. Astronomy Domine
    10. Flaming
    11. Set The Controls For The Heart Of The Sun
    12. Let There Be More Light
    13. Paintbox: 'Discorama', Paris, France, 21 February 1968
    14. Instrumental Improvisation†: 'The Sound Of Change', London, UK, March 1968
    15. Set The Controls For The Heart Of The Sun: 'All My Loving', London, UK, 28 March 1968
    16. It Would Be So Nice (excerpt): 'Release-Rome Goes Pop', Rome, Italy, April 1968
    17. Interstellar Overdrive: 'Pop 68', Rome, Italy, 6 May 1968
    'Tienerklanken - Kastival', Kasterlee, Belgiu, 31 August 1968:
    18. Astronomy Domine
    19. + Roger Waters interview


    'Samedi et Compagnie', Paris, France, 6 September 1968:
    20. Let There Be More Light
    21. Remember A Day
    22. Let There Be More Light: 'A L'Affiche du Monde', London, UK, 1968


    'Tous En Scene', Paris, France, 21 October 1968:
    23. Let There Be More Light
    24. Flaming
    25. Let There Be More Light: 'Surprise Partie', Paris, France, 1 November 1968
    26. Point Me At The Sky: Restored promo video, UK, 1968


    Total: 84 mins, 18 secs approx.


    1969 DRAMATIS/ATION
    CD 1:

    'More' album non-album tracks
    1. Hollywood (non-album track) †
    2. Theme (Beat version) (Alternative version) †
    3. More Blues (Alternative version) †
    4. Seabirds (non-album track) †
    5. Embryo (from 'Picnic', Harvest Records sampler)


    BBC Radio Session, 12 May 1969:
    6. Grantchester Meadows†
    7. Cymbaline†
    8. The Narrow Way†
    9. Green Is The Colour†
    10. Careful With That Axe, Eugene†


    Live at the Paradiso, Amsterdam, 9 August 1969:
    11. Interstellar Overdrive†
    12. Set The Controls For The Heart Of The Sun†
    13. Careful With That Axe, Eugene†
    14. A Saucerful Of Secrets†


    Total: 68 mins, 50 secs approx.


    CD 2:
    Part 1: 'The Man', Amsterdam, 17 September 1969

    1. Daybreak (Grantchester Meadows)†
    2. Work†
    3. Afternoon (Biding My Time)†
    4. Doing It†
    5. Sleeping†
    6. Nightmare (Cymbaline)†
    7. Labyrinth†


    Part 2: 'The Journey', Amsterdam, 17 September 1969
    8. The Beginning (Green Is The Colour)†
    9. Beset By Creatures Of The Deep (Careful With That Axe, Eugene)†
    10. The Narrow Way, Part 3†
    11. The Pink Jungle (Pow R. Toc H.)†
    12. The Labyrinths Of Auximines†
    13. Footsteps / Doors†
    14. Behold The Temple Of Light†
    15. The End Of The Beginning (A Saucerful of Secrets)†


    Total: 76 mins, 36 secs approx.


    DVD/Blu-ray:
    'Forum Musiques', Paris, France, 22 January 1969:

    1. Set The Controls For The Heart Of The Sun
    David Gilmour interview
    2. A Saucerful Of Secrets


    3. 'The Man' and 'The Journey': Royal Festival Hall, London, rehearsal, April 14, 1969:
    Afternoon (Biding My Time)
    The Beginning (Green Is The Colour)
    Cymbaline
    Beset By Creatures Of The Deep†
    The End Of The Beginning (A Saucerful Of Secrets)


    Essencer Pop & Blues Festival, Essen, Germany, October 11 1969:
    4. Careful With That Axe, Eugene
    5. A Saucerful Of Secrets


    Music Power & European Music Revolution, Festival Actuel
    Amougies Mont de l'Enclus, Belgium, 25 October 1969:
    6. Green Is The Colour
    7. Careful With That Axe, Eugene
    8. Set The Controls For The Heart Of The Sun
    9. Interstellar Overdrive with Frank Zappa


    Total: 71 mins, 14 secs approx.


    1970 DEVI/ATION
    CD 1:

    1. Atom Heart Mother live in Montreux, 21 Nov 1970†
    BBC Radio Session, 16 July 1970:
    2. Embryo†
    3. Fat Old Sun†
    4. Green Is The Colour†
    5. Careful With That Axe, Eugene†
    6. If†
    7. Atom Heart Mother† with choir, cello & brass ensemble


    Total: 78 mins, 8 secs approx.


    CD 2:
    Unreleased tracks from the 'Zabriskie Point' soundtrack recordings:
    1. On The Highway†
    2. Auto Scene Version 2†
    3. Auto Scene Version 3†
    4. Aeroplane†
    5. Explosion†
    6. The Riot Scene†
    7. Looking At Map†
    8. Love Scene Version 7†
    9. Love Scene Version 1†
    10. Take Off†
    11. Take Off Version 2†
    12. Love Scene Version 2†
    13. Love Scene (Take 1)†
    14. Unknown Song (Take 1)†
    15. Love Scene (Take 2)†
    16. Crumbling Land (Take 1)†
    17. Atom Heart Mother†
    Early studio version, band only


    Total: 67 mins, 9 secs approx.


    DVD 1:
    An Hour with Pink Floyd:
    KQED, San Francisco, USA, 30 April 1970:

    1. Atom Heart Mother
    2. Cymbaline
    3. Grantchester Meadows
    4. Green Is The Colour
    5. Careful With That Axe, Eugene
    6. Set The Controls For The Heart Of The Sun


    Total: 59 mins, 9 secs approx.


    Audio only:
    Atom Heart Mother album original 4.0 Quad mix 1970:

    7. Atom Heart Mother
    8. If
    9. Summer '68
    10. Fat Old Sun
    11. Alan's Psychedelic Breakfast


    Total: 52 mins, 7 secs approx.


    DVD 2:
    'Pop Deux - Festival de St. Tropez', France, 8 August 1970:
    Part 1:

    1. Cymbaline (sound check)
    2. Atom Heart Mother
    3. Embryo
    Part 2:
    4. Green Is The Colour/
    5. Careful With That Axe, Eugene
    6. Set The Controls For The Heart Of The Sun


    Roland Petit Ballet, Paris, France, 5 December 1970:
    7. Instrumental Improvisations 1,2,3† live in the studio
    8. Embryo


    Blackhill's Garden Party, Hyde Park, London, UK, 18 July 1970:
    9. Atom Heart Mother with the Philip Jones Brass Ensemble/John Alldis Choir


    Total: 80 mins, 53 secs approx.


    Blu-ray:
    An Hour with Pink Floyd:
    KQED, San Francisco, USA, 30 April 1970:

    1. Atom Heart Mother
    2. Cymbaline
    3. Grantchester Meadows
    4. Green Is The Colour
    5. Careful With That Axe, Eugene
    6. Set The Controls For The Heart Of The Sun


    Total: 59 mins, 9 secs approx.


    Audio only:
    Atom Heart Mother album original 4.0 Quad mix 1970:

    7. Atom Heart Mother
    8. If
    9. Summer '68
    10. Fat Old Sun
    11. Alan's Psychedelic Breakfast


    Total: 52 mins, 7 secs approx.


    'Pop Deux - Festival de St. Tropez', France, 8 August 1970:
    Part 1:

    1. Cymbaline (sound check)
    2. Atom Heart Mother
    3. Embryo
    Part 2:
    4. Green Is The Colour/
    5. Careful With That Axe, Eugene
    6. Set The Controls For The Heart Of The Sun


    Roland Petit Ballet, Paris, France, 5 December 1970:
    7. Instrumental Improvisations 1,2,3† live in the studio
    8. Embryo


    Blackhill's Garden Party, Hyde Park, London, UK, 18 July 1970:
    9. Atom Heart Mother with the Philip Jones Brass Ensemble/John Alldis Choir


    1971 REVERBER/ATION
    CD:

    1. Nothing Part 14 (Echoes work in progress) †
    BBC Radio Session, 30 September 1971:
    2. Fat Old Sun†
    3. One Of These Days†
    4. Embryo†
    5. Echoes†


    Total: 67 mins 1 sec approx.


    DVD/Blu-ray:
    'Aspekte' feature

    1. Interview + Atom Heart Mother (extracts)
    Hamburg, Germany, 25 February 1971
    Brass & Choir conducted by Jeffrey Mitchell


    2. A Saucerful Of Secrets (extract)
    Offenbach, Germany, 26 February 1971


    'Cinq Grands Sur La Deux'
    Abbaye de Royaumont, Asnierès-sur-Oise, France, 15 June 1971
    3. Set The Control For The Heart Of The Sun
    4. Cymbaline


    5. Atom Heart Mother (extract)
    'Musikforum Ossiachersee', Ossiach, Austria, 1 July 1971
    Brass & Choir conducted by Jeffrey Mitchell 'Get To Know'
    Randwick Race Course, Sydney, Australia, 15 August 1971


    6. Careful With That Axe, Eugene
    Band interview


    '24 hours - Bootleg Records', London, UK, 1971
    7. Documentary including Pink Floyd and manager Steve O'Rourke


    'Review', London, UK, 1971
    8. Storm Thorgerson & Aubrey 'Po' Powell interviewed re: record cover design


    9. One of These Days ('French Windows')
    Ian Emes animation created July 1972, Birmingham, UK


    10. Atom Heart Mother (extract, in colour):
    'Musikforum Ossiachersee', Ossiach, Austria, July 1, 1971
    Brass & Choir conducted by Jeffrey Mitchell


    11. Atom Heart Mother: '71 Hakone Aphrodite
    Open Air Festival, Hakone, Japan, August 6-7, 1971


    Total: 68 mins 3 secs approx.


    Audio-only material:
    1. Echoes original 4.0 Quad mix 1971


    1972 OBFUSC/ATION
    CD:
    Obscured By Clouds 2016 Remix

    1. Obscured By Clouds†
    2 When You're In†
    3 Burning Bridges†
    4 The Gold It's In The... †
    5 Wot's...Uh The Deal†
    6 Mudmen†
    7 Childhood's End†
    8 Free Four†
    9 Stay†
    10 Absolutely Curtains†


    Total 40 mins 25 secs approx.


    DVD/Blu-ray:
    Recording Obscured by Clouds, Château d'HÉrouville, France, February 23-29, 1972

    1. Wot's...Uh The Deal: with recording session photos
    2. Pop Deux: Documentary recording Obscured By Clouds
    + David Gilmour and Roger Waters interview


    Brighton Dome, UK, 29 June 1972
    3. Set The Controls For The Heart Of The Sun
    4. Careful With That Axe, Eugene


    Roland Petit Pink Floyd Ballet, France, news reports 1972-73
    5. ActualitÉs MÉditerranÉe, Marseille, 22 November 1972
    6. JT Nuit - Les Pink Floyd, Marseille, 26 November 1972
    7. JT 20h - Pink Floyd, Paris, 12 January 1973
    8. Journal de Paris - Les Pink Floyd, Paris, 12 January 1973
    9. Poitiers - Autour Du Passage Des Pink Floyd
    Concert set up news report - France, 29 November 1972


    Live At Pompeii (with 2016 5.1 Audio Remix)
    10. Careful With That Axe, Eugene
    11. A Saucerful Of Secrets
    12. One Of These Days
    13. Set The Controls For The Heart Of The Sun
    14. Echoes


    Total: 107 mins 27 secs approx.


    BONUS CONTINU/ATION
    CD:
    BBC Radio Session, 25 September 1967:

    1. Flaming†
    2. The Scarecrow†
    3. The Gnome†
    4. Matilda Mother†
    5. Reaction in G†
    6. Set The Controls For The Heart Of The Sun†


    BBC Radio Session, 20 December 1967:
    7. Scream Thy Last Scream†
    8. Vegetable Man†
    9. Pow R. Toc H.†
    10. Jugband Blues†


    BBC Radio Session, 2 December 1968:
    11. Baby Blue Shuffle In D Major†
    12. Blues†


    13. US Radio ad
    14. Music from The Committee No. 1
    15. Music from The Committee No. 2


    16. Moonhead† - live on 1969 BBC TV moon landings broadcast


    17. Echoes† - live at Wembley 1974


    Total: 72 mins 35 secs approx


    DVD/Blu-ray 1:
    1. Arnold Layne (Alternative version)
    Hampstead Heath and St. Michael's Church, Highgate, London, UK, March 1967
    2. 'P1 - P wie Petersilie' - Stuggart, Germany, 22 July 1969
    Corporal Clegg
    Band interview
    A Saucerful of Secrets


    3. Atom Heart Mother
    'Bath Festival of Blues & Progressive Music', Shepton Mallet, UK, 27 June 1970


    4. 'Kralingen Music Festival' - Rotterdam, The Netherlands, 28 June 1970
    Set The Controls For The Heart Of The Sun
    A Saucerful Of Secrets


    5. 'The Amsterdam Rock Circus' - Amsterdam, The Netherlands, 22 May 1972
    Atom Heart Mother
    Careful With That Axe, Eugene
    A Saucerful Of Secrets


    The Committee - (Feature Film)
    Score by Pink Floyd


    Total: 124 mins 49 secs approx.


    DVD/Blu-ray 2:
    'More' feature film
    'La VallÉe' (Obscured By Clouds) feature film


    Total: 3 hours 41 mins approx.

    Pink Floyd
    $699.99
    7 Vinyl + 10 CDs + 9 DVDs + 8 Blu-ray Box Set - 5 Vinyl Singles Sealed Buy Now
  • New Moon Daughter (Pure Pleasure) (Awaiting Repress) New Moon Daughter (Pure Pleasure) (Awaiting Repress) Quick View

    $49.99
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    New Moon Daughter (Pure Pleasure) (Awaiting Repress)

    This is no easy listen ... sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But ... give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvellously 'distant' musical backings to weave real magic.


    Cassandra Wilson's own excellent, jazz tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. Last Train To Clarksville is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal work-out. Harvest Moon slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' I'm So Lonesome I Could Cry & U2's Love Is Blindness are transformed into three in the morning jazz club classics.
    The vocals and backing to Robert Johnson's 32-20 are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's Strange Fruit becomes as desolate and challenging as it's horrific lyrics.


    Clever, very effective and worth the required effort!

    Musicians:



    • Cassandra Wilson (vocal)

    • Graham Haynes (cornet)

    • Chris Whitley, Brandon Ross, Kevin Breit (guitar)

    • Charlie Burnham (violin)

    • Tony Cedras (accordion)

    • Gary Breit (organ)

    • Lonnie Plaxico (bass)

    • Dougie Bowne (drums, percussion)

    • Cyro Baptista (percussion)



    Recording: 1995 at the Turtle Creek Barn, Bearsville, NY / Sound on Sound, New York City / Beartracks, Suffern, NY / Bearsville Studio B , Bearsville, NY.

    Production: Craig Street




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    LP 1

    1. Strange Fruit

    2. Love Is Blindness

    3. Solomon Sang

    4. Death Letter

    5. Skylark

    6. Find Him
    7. I'm So Lonesome I Could Cry


    LP 2

    1. Last Train to Clarksville
    2. Until
    3. A Little Warm Death
    4. Memphis
    5. Harvest Moon
    6. 32-20

    Cassandra Wilson
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Sumiko Moonstone Cartridge Sumiko Moonstone Cartridge Quick View

    $299.00
    Buy Now
    x

    Sumiko Moonstone Cartridge


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    The Moonstone is an affordable high-performance moving magnet cartridge that utilizes the powerful mechanically-generated electromotive forces of the moving magnet to help give your playback extra punch and convincing realism. Exceptionally well-balanced and dimensionally dense, the breathtaking dynamics of the Moonstone outperform many comparably priced moving coil cartridges without requiring the huge investment in preamplification.

    Sumiko
    $299.00
    Moving Magnet Phono Cartridge Buy Now
  • Reel To Real Reel To Real Quick View

    $28.99
    Buy Now
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    Reel To Real

    Includes A Full-Color 28-Page Booklet


    Pressed At RTI


    High Moon Records presents the 1974 studio album from one of rock music's most gifted and enigmatic legends-back on vinyl after 40 years! Reel To Real captures Arthur Lee and Love at the peak of their rock/funk/soul powers. Originally released in 1974 on RSO Records, this deluxe reissue features over 74 minutes of vibrant, remastered audio from the original multitrack tapes, a 32- page booklet with an illuminating essay by Rolling Stone's David Fricke, and a trove of candid, unpublished photos.


    What Arthur Lee began on Love's Black Beauty (released by High Moon to wide acclaim in 2013), he brought to fruition on Reel To Real. Armed with a major label budget, and a powerful, intuitive band, he dug deep into the blues, soul, and rock grooves that fi rst inspired him, reaching out to a new audience with his fi erce and forward-thinking personal vision. To a palette of stinging guitars, explosive brass, deep funk bass and clavinet, splashes of spacey synthesizer, and dream-team female backing vocals, Arthur Lee brought his funkiest and most soulful collection of songs, and channeled the most visceral vocal performances he ever committed to tape.


    High Moon Records has unearthed 11 revelatory, previously unreleased tracks from the original sessions - including alternate takes and mixes, live-in-studio rehearsals, and 4 newly discovered Arthur Lee originals! This ultra-rare bonus material fills out the picture of a fearless, agile and very funky ensemble, led by a masterful singer-songwriter at his feral, exultant best.

    1. Time Is Like A River
    2. Stop The Music
    3. Who Are You?
    4. Good Old Fashion Dream
    5. Which Witch Is Which
    6. With A Little Energy
    7. Singing Cowboy
    8. Be Thankful For What You Got
    9. You Said You Would
    10. Busted Feet
    11. Everybody's Gotta Live
    Love
    $28.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Two Sides To Every Story Two Sides To Every Story Quick View

    $22.99
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    x

    Two Sides To Every Story

    Two Sides To Every Story, the criminally long out-of-print solo album from founding Byrds member, Gene Clark, finally returns to vinyl. 35 years after its initial 1977 release on RSO, High Moon Records re-mastered, 180-gram audiophile vinyl LP is presented in stunningly rich and crisp audio fidelity that will shed new light on this underrated, beautifully-crafted Gene Clark classic. The album was produced by Thomas Jefferson Kaye, producer of Clark's masterpiece, No Other, and features an all-star cast of musical co-conspirators: singer Emmylou Harris, banjo-virtuoso Douglas Dillard (The Byrds, Dillard & Clark), Country violin legend Byron Berline, guitarist Jeff Skunk Baxter (Doobie Brothers, Steely Dan, Joni Mitchell), and pedal-steel ace Al Perkins (Flying Burrito Brothers, Bob Dylan, Rolling Stones). Gene Clark served as The Byrds chief songwriter in the mid-sixties, penning some of their most essential songs, including Feel a Whole Lot Better, Eight Miles High and You Showed Me.


    Clark's inimitable songwriting and singing continue to inspire and influenced countless artists. Among them: Robert Plant and Alison Krauss (who recorded TWO of his compositions on their 2010 Grammy® winning Album Of The Year, Raising Sand ), Bob Dylan, Fairport Convention, REM, Tom Petty, Yo La Tengo, the Flamin' Groovies, Teenage Fanclub, and Wilco.

    1. Home Run King
    2. Lonely Saturday
    3. In The Pines
    4. Kansas City Southern
    5. Give My Love To Marie
    6. Sister Moon
    7. Marylou
    8. Hear The Wind
    9. Past Addresses
    10. Silent Crusade
    Gene Clark
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Live In Copenhagen Live In Copenhagen Quick View

    $29.99
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    Live In Copenhagen

    Originally given away as a free, limited-edition, unmastered CD, with pre-orders‰ on the Caldo Verde website in 2012, this is amongst the most popular/in-demand of the live Kozelek oeuvre.


    Balancing between Red House Painters songs, covers, and 'Admiral Fell Promises'-era Sun Kil Moon 'Live In Copenhagen' hits the sweet spot, for all eras of Kozelek. House in a heavyweight, single-pocket/double-wide jacket, this one-time only pressing (with first-time mastering and lacquer cutting by the legendary John Golden) is the best the audio has been presented, to date.


    This title is not eligible for discount.

    LP 1
    1. Third And Seneca
    2. Australian Winter
    3. Follow You, Follow Me
    4. Mistress
    5. Church Of The Pines
    6. You Ain't Got A Hold On Me


    LP 2
    1. Void
    2. You Are My Sun
    3. Randolphh's Tango
    4. Jesus Christ Was An Only Child
    5. Brockwell Park
    6. Get Along Home Cindy
    7. Rock 'N' Roll Singer
    8. Natural Light
    9. Alesund

    Mark Kozelek
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Dave Brubeck Octet Dave Brubeck Octet Quick View

    $21.99
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    Dave Brubeck Octet

    The listener has to forgive a few things about this undeniably brilliant collection of Dave Brubeck's first big ensemble. First: the liner notes' pretentions. Brubeck announces there that between 1946, when some of these tunes were recorded, and 1956, when the tapes were first reissued on LP, very few released recordings have more musical importance than the octet. Second: the nearly seven minutes of How High the Moon narrated to show how jazz was formed, as the band plays in short demonstrative segments. Third: the audio vÉritÉ sound, which even Brubeck thought questionable in 1956.


    Hearing this dynamic set, though, makes forgiveness easy. The arrangements show a wild abundance of color and orchestral finesse (many of the group's members were, like Brubeck, students of Darius Milhaud). You get quick-clip swingers like The Way You Looked Tonight and the string of chamber-esque horn studies that includes Schizophrenic Scherzo and more. You also get to hear early Paul Desmond and William O. Smith bouncing ideas off each other and drummer Cal Tjader. And it's all a delight, especially with the magnanimity of forgiving Brubeck. --Andrew Bartlett

    1. The Way You Look Tonight
    2. Love Walked In
    3. What Is This Thing Called Love?
    4. September in the Rain
    5. Prelude
    6. Fugue on Bop Themes
    7. Let's Fall in Love
    8. Ipca
    9. How High the Moon
    10. Serenade Suite
    11. Playland at the Beach
    12. The Prisoner's Song
    13. Schizophrenic Scherzo
    14. Rondo
    15. I Hear a Rhapsody
    16. You Go To My Head
    17. Laura
    18. Closing Theme
    Dave Brubeck Octet
    $21.99
    Vinyl LP - Sealed Buy Now
  • Truth And Soul Truth And Soul Quick View

    $36.99
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    Truth And Soul

    Import

    180-Gram Audiophile Vinyl


    Includes Insert


    30th Anniversary Of The Legendary Album


    Remastered Audio


    Fishbone was one of the most distinctive and eclectic alternative rock bands of the late '80s. With their hyperactive, self-conscious diversity, goofy sense of humor, and sharp social commentary, the group gained a sizable cult following during the late '80s.


    Truth and Soul is their second album, originally released in 1988. The album features a wide array of genres including punk, ska, reggae, soul, funk, elements of hard rock and blues. Truth and Soul contains a cover version of Curtis Mayfield's Freddie's Dead, originally from the soundtrack to the film Super Fly and it is the first single of the album. Three other tracks were released as singles Ma and Pa, with a video directed by Mike Lipscombe, Change and One Day. The album was awarded four-out-of-five stars in 2004's The New Rolling Stone Album Guide. Music critic Tom Moon called the album one of his 1000 Recordings to Hear Before You Die and Robert Dimery listed it as one of his 1001 Albums You Must Hear Before You Die.


    This year we are celebrating the 30th birthday of Truth and Soul. The album is finally available again on vinyl and includes the original insert with lyrics and liner notes.

    1. Freddie's Dead
    2. Ma And Pa
    3. Questions Of Life
    4. Pouring Rain
    5. Deep Inside
    6. Mighty Long Way
    7. Bonin' In The Boneyard
    8. One Day
    9. Subliminal Fascism
    10. Slow Bus Movin' (Howard Beach Party)
    11. Ghetto Soundwave
    12. Change
    Fishbone
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Duh (2LP) Duh (2LP) Quick View

    $24.99
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    Duh (2LP)

    As the first band ever signed to Fat Wreck Chords, Lagwagon displayed a uniquely melodic brand of technical speedy pop punk that eventually established the band as a bellwether of the modern pop-punk movement. With more than 20 years of material at their disposal, the idea of honoring the band's vast influence by compiling a 'best of' album came about. Joey (singer, songwriter and driving force behind Lagwagon) had a decidedly different take on the functionality of a greatest hits collection, believing that there is so much more to a band's legacy than their hits.


    Instead of limiting the scope of, and essentially artistically neutering their original material for future generation, the band agreed to go the opposite direction and expose the evolution of Lagwagon. Recognizing the sacramental status of their first five albums (Duh, Trashed, Hoss, Double Plaidinum and Let's Talk About Feelings) within the punk world, the band set to work, culling the archives in order to create one of the most comprehensive audio narratives ever compiled.


    The resulting 5 re-releases are nothing short of spectacular. Each album boasts the original track listing alongside demos, outtakes, EP's, B-sides and unstructured jams from the accompanying era (including tons of previously unreleased material), all remastered from the original analog tapes. All 5 albums are also repackaged with expanded artwork including never before seen photos and an oral history provided by the band members.


    Originally released in 1992, Duh is the debut full-length album from Lagwagon. Features 14 really cool, fast, melodic songs including a cover of the Creedance Clearwater Revival song Bad Moon Rising. This Fat Wreck Chords vinyl reissue of Duh consists of a remastered version of the original album plus a remix of the entire Section 8 demo. Also includes a download card for additional bonus content.

    LP1 - Remastered Original Album
    1. Tragic Vision
    2. Foiled Again
    3. Bury the Hatchet
    4. Angry Days
    5. Noble End
    6. Child Inside
    7. Bad Moon Rising
    8. Beer Goggles
    9. Parents Guide to Living
    10. Mr. Coffee
    11. Of Mind and Matter
    12. Stop Whining
    13. Lag Wagon
    14. Demented Rumors (outtake)


    LP2 - Remixed original Section 8 Demo
    1. No Hard Feelings
    2. Truth and Justice
    3. Lost in Another Time
    4. No Conviction
    5. Holy Shit
    6. Goleta Shuffle
    7. Jaded Ways
    8. Tragic Vision

    9. Runs in the Family

    Lagwagon
    $24.99
    Vinyl LP Reissue - 2 LPs Sealed Buy Now
  • Breakfast At Tiffany's (Speakers Corner) Breakfast At Tiffany's (Speakers Corner) Quick View

    $34.99
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    Breakfast At Tiffany's (Speakers Corner)

    Long nights, dizzy parties, a variety of men-friends, and breakfast standing before the window display of the famed jewellery company govern the life of the dazzling Holly Golightly, who has in reality a very ordinary name and poverty-stricken background. All the more rich is the musical carpet that Henry Mancini lays beneath the feet of the exotic, wealthy-husband-seeking socialite. The tender, plaintive worldwide hit Moon River apart, Mancini and his Hollywood musicians mix a sugar-sweet sound with enough acrid elements to glaze over the capricious lady's character. The cool big band sound is spiced with a bold trumpet solo (The Big Blow Out) and mellow violins with a suspiciously tame male choir (Breakfast At Tiffany's). As is well known, there is a great deal of dancing in the film, including a number with a Latin-American rhythm (Latin Golightly), and a grooving mambo (Loose Caboose). At the end of the film even the Moon River swells to become a bubbling cha-cha, as though to say that a 'happy end' must in no way sound sentimental.



    A further Mancini mix -The Pink Panther soundtrack (RCA LSP 2795) - is also available from Speakers Corner.



    Musicians:



    • Henry Mancini (arranger, conductor, p) & orchestra



    Recording: 1961

    Production: Dick Pierce





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Moon River
    2. Something for Cat
    3. Sallys Tomato
    4. Mr Yunioshi
    5. The Big Blow Out
    6. Hub Caps and Tail Lights
    7. Breakfast at Tiffanys
    8. Latin Golightly
    9. Holly
    10. Loose Caboose
    11. The Big Heist
    12. Moon River Cha Cha
    Henry Mancini
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pyramid (Pure Pleasure) Pyramid (Pure Pleasure) Quick View

    $34.99
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    Pyramid (Pure Pleasure)

    With such a tight group as the MJQ is is impossible to single out individual musicians which probably accounts for their long lived success.
    This is a strong recording from the Modern Jazz Quartet, with inventive versions of John Lewis' Vendome. Ray Brown's Pyramid, Jim Hall's Romaine, and Lewis' famous Django, along with cooking jams on How High The Moon and It Don't Mean A Thing. The MJQ had become a jazz institution by this time, but they never lost their creative edge, and their performances (even on the remakes) are quite stimulating, enthusiastic, and fresh. - Scott Yanow/AMG

    Musicians:



    • John Lewis (piano)
    • Milt Jackson (vibraphone)
    • Percy Heath (bass)
    • Connie Kay (drums)


    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Vendome
    2. Pyramid
    3. It Don't Mean A Thing (If It Ain't Got That Swing)
    4. Django
    5. How High The Moon
    6. Romaine
    The Modern Jazz Quartet
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Hatari! - Music from the Paramount Motion Picture Hatari! - Music from the Paramount Motion Picture Quick View

    $34.99
    Buy Now
    x

    Hatari! - Music from the Paramount Motion Picture

    200-gram 33 1/3 LP, mastered at Sterling Sound by Ryan Smith from the Analog Tapes


    Plated and Pressed by Quality Record Pressings


    Deluxe tip-on Jacket by Stoughton Printing


    Featuring Baby Elephant Walk


    Featured on Harry Pearson's Famous Recommended List of fine audio recordings


    Coming off a double Oscar win for his Breakfast at Tiffany's score, Henry Mancini produced this score for the Howard Hawks-directed, John Wayne-starring safari comedy Hatari!.


    This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler 'The Sounds of Hatari,' which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song 'Just for Tonight' would be as much a success as Tiffany's 'Moon River,' but if Hatari! is memorable for anything, it's for the incredibly goofy 'Baby Elephant Walk,' which has gone on to be infamous musical shorthand for kookiness of any stripe. - AllMusic.com.


    Now Music from the Paramount Picture score Hatari! is back bigger and better than ever! We've gone the deluxe Analogue Productions route - remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 33 1/3 RPM, plated and pressed as a 200-gram LP at Quality Record Pressings. Then packaged in a deluxe tip-on jacket from Stoughton Printing. A great title, a brilliant reissue. Exceptional!


    This title is not eligible for discount.

    1. Theme from Hatari!
    2. Baby Elephant Walk
    3. Just For Tonight
    4. Your Father's Feathers
    5. Night Side
    6. Big Band Bwana
    7. The Sounds Of Hatari
    8. The Soft Touch
    9. Crocodile, Go Home!
    Henry Mancini
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dreamcar Dreamcar Quick View

    $24.99
    Buy Now
    x

    Dreamcar

    In the summer of 2014, No Doubt s Tony Kanal [bass], Tom Dumont [guitar], and Adrian Young [drums] and singer Davey Havok [AFI, Blakq Audio] began writing and demoing music together. Without telling a soul outside of their significant others, the four musicians clandestinely moved into a cramped downtown Los Angeles rehearsal spot and revved up what would become DREAMCAR. The result of this collaboration is their self-titled debut album, DREAMCAR, produced by Tim Pagnotta [Neon Trees], with whom the band found a kindred spirit.


    The band's name actually reflects their ambitions. DREAMCAR speaks to a nostalgia, but as much as it speaks to the past, it also speaks to the present and the future, singer Davey Havok says. It mirrors hopes, aspirations, and attaining the unattainable. I would hope the songs do the same thing. Rife with shimmering guitar tones, percussive slap bass, bombastic drums, and a neon-lit dancefloor dreaminess, DREAMCAR gleefully nods to the decade of Boy George and Back to the Future through a kaleidoscope of wisdom earned from three decades creating and connecting with fans worldwide.


    The first single Kill For Candy instantly enchants with its upbeat energy and sweet, saccharine chant punctuated by a twisting and turning guitar and driving rhythms. The album swings between the Frankie Goes To Hollywood-style risquÉ spoken narrative of On The Charts to the delicate longing of the synth-washed Slip On The Moon where Havok pleads, Just look for me, I will look for you. Born To Lie builds from a breathy verse into an expansive refrain, while the opener After I Confess sees his hypnotic and haunting vocal soar over airy and open soundscapes. Ultimately, it's that combination of delectable and dangerous which will leave listeners everywhere satisfied. This is a big moment for us, Kanal leaves off. It's a new beginning. We can't wait to perform the songs live.

    1. After I Confess
    2. Kill For Candy
    3. Born to Lie
    4. On The Charts
    5. All Of the Dead Girls
    6. Ever Lonely
    7. The Assailant
    8. The Preferred
    9. Slip on the Moon
    10. Don't Let Me Love
    11. Do Nothing
    12. Show Me Mercy
    Dreamcar
    $24.99
    Vinyl LP - Sealed Buy Now
  • A Date With Elvis (Mono) (Speakers Corner) A Date With Elvis (Mono) (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    A Date With Elvis (Mono) (Speakers Corner)

    Good products are worth their weight in gold when times are a little harsh - and this album was certainly a genially placed stopgap. In 1959, at the time when RCA launched this record on the market, the label's shining rock star was out of the country doing his military service in good old Germany. In order to comfort all his fans during his forced absence, the record bosses produced an album with a smartly uniformed Elvis on the cover, smiling widely to let his faithful followers know that he'd be back soon. There was a special calendar too, so that his fans could count off the days until his return. This marketing ploy was extremely successful. The record became a highly desirable collector's item and even years later illegal dollars still flowed from pirate copies.
    The RCA producers kept mum about when and where the tracks were recorded. But who cares about that when listening to Elvis giving the 'blue grass' classic Blue Moon Of Kentucky his unmistakable, rockabilly sound? The other titles, all of them performed by a well-proven ensemble of rock-'n'-roll musicians, are filled with the honest, powerful language of the young - or from today's viewpoint, old - Elvis. Which takes us back full circle to the date. What better way is there to celebrate the 50th birthday of rock-'n'-roll than with this early album by its 'King'?





    Musicians:



    • Elvis Presley (guitar, vocal)

    • Scotty Moore (guitar)

    • Bill Black (bass)

    • D.J. Fontana (drums)

    • The Jordanaires (vocal)




    Recording: July 1954 at Memphis Recording Service, Memphis, Tennessee (USA), and other venues till 1957

    Production: Sam Phillips




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    and that the lacquer discs are newly cut.


    1. Blue Moon of Kentucky Monroe 2:05
    2. Young and Beautiful Schroeder, Silver 2:07
    3. (You're So Square) Baby I Don't Care
    4. Milk Cow Blues Arnold 2:38
    5. Baby Let's Play House Gunter 2:18
    6. Good Rockin' Tonight Brown 2:12
    7. Is It So Strange Young 2:32
    8. We're Gonna Move Matson, Presley 2:31
    9. I Want to Be Free Leiber, Stoller 2:16
    10. I Forgot to Remember to Forget 2:27
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Wear Your Love Like Heaven (Speakers Corner) Wear Your Love Like Heaven (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Wear Your Love Like Heaven (Speakers Corner)

    Donovan Philip Leitch may well share a proletarian origin with several of the folk bards of his time. But comparisons with the top dog Dylan have worn thin and are not worth the effort since Donovan never was neither vocally nor thematically brusque - and moreover he created his own standards. He quickly converted the pacifist message of The Universal Soldier into positive thoughts and his poetry was concerned with history, sagas, myths and magic. »Lord, kiss me once more, fill me with song« he prays in Wear Your Love Like Heaven, and if this makes you sentimental then you are on the right wavelength. However, the »seller of hope« (Donovan on Donovan) triggers off a few psychedelic nerve tracts: whether it be a personal experience in echo form (Sun) or the sprechgesang and whistling of a vocal group (Little Boy In Corduroy) - light, gentle but perceptibly formed. That Donovan set far more than cheerful texts to the guitar is proven by the use of sawing stationary sound of the organ, low-register string passages and subtle rhythms, which raises his song repertoire miles above routine. A nice 'folksy guy' who merely loves the sun, moon and stars just cannot exist in times of war.


    This Speakers Corner production was manufactured 100% analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.


    Musicians:



    • Donovan (vocals, guitar)

    • Mike O'Neil (organ,piano, harpsichord,)

    • Eric Leese (guitar)

    • Harold McNair (flute)

    • Mike Carr (vibraphone)

    • Jack Bruce, Cliff Barton (bass)

    • Keith Webb (drums)

    • Candy John Carr (conga, bongo)



    Recording: October 1967 at CBS Studios London by Michael Ross Trevor

    Production: Ashley Kozak




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.




    1. Wear Your Love Like Heaven
    2. Mad John's Escape
    3. Skip-A-Long Sam
    4. Sun
    5. There Was a Time
    6. Oh Gosh
    7. Little Boy in Corduroy
    8. Under the Greenwood Tree
    9. The Land of Doesn't Have to Be
    10. Someone Singing
    Donovan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • A Meeting By The River (200 Gram Vinyl) A Meeting By The River (200 Gram Vinyl) Quick View

    $54.99
    Buy Now
    x

    A Meeting By The River (200 Gram Vinyl)

    1994 Grammy Winner For Best World Music Album


    Included In Tom Moon's 2008 Book 1,000 Recordings To Hear Before You Die


    The sound is about as good as it gets, with almost no sense of recording gear between the listener and musicians, who are laid out in a solid horizontal line. The remarkable air and tangible 'thereness' will take your breath away. - Wayne Garcia, The Absolute Sound, August 2008


    As spontaneous as music-making gets, this East meets West improv session between two masters of slide-based stringed instruments is like eating at the most exotic Indian restaurant that adds Tex-Mex flavors to its dishes. The sound is very natural, almost achingly beautiful. - Playback, June 2008


    This record is a must-have for fans of Ry Cooder's explorations into global sounds. The playing is out of this world, and, on these cuts, it has less of a world music feel, and is almost bluesy at times. With the original sessions captured at 15 i.p.s. on all custom deParavicini gear, this is the ultimate stereo test record. The sound is as real, open and airy as it gets; not one more molecule of tone could possibly be put onto these black discs! - Jeff Dorgay, Tone Audio, No. 15, 2008


    Passionate, mysterious, intricate, earthy, ethereal, moody and mystical, the rich musical improvisations on this recording defy categorization The recording is as astonishing as the music: a harmonically complex, three-dimensional, two-microphone purist production that will easily take its place at the top of the sonic heap in your record collection and that's a guarantee this is among the most spacious, convincing three-dimensional recordings you will ever hear An essential record in any 21st-century vinyl collection. Music = 11/11; Sound = 11/11 - Michael Fremer, Music Angle, www.musicangle.com


    The quintessential 2 mic Blumlein recording, a musical extravaganza - on 45rpm it destroys the early '90s CD! - Danny Kaey, Positive-Feedback Online


    Astonishingly, the four conversational yet adventurous tracks captured on A Meeting by the River were unrehearsed jams between the two masters, who had met only minutes before the session. The lesson is that Cooder and Bhatt not only knew how to play but how to listen. - Daniel Durchholz, Stereophile, February 2007


    American composer, musicologist and guitar legend Ry Cooder teams with North Indian musician Vishwa Mohan Bhatt to create an exquisite musical realm, with both musicians playing exceptional slide guitar. Their collaboration evokes musical elements from many cultures and styles. Percussion by Sukhvindar Singh on tabla and Cooder's 14-year-old son Joachim on dumbek. This recording won a Grammy Award in 1994 for Best World Album.


    Originally released in 1993.


    This title is not eligible for discount.

    1. A Meeting By The River
    2. Longing
    3. Ganges Delta Blues
    4. Isa Lei
    Ry Cooder & V.M. Bhatt
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • George Harrison George Harrison Quick View

    $22.99
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    George Harrison

    Remastered From The Original Analogue Master Tapes And Cut At Capitol Studios To Ensure Exceptional Audio Quality Throughout


    Pressed On 180-Gram Vinyl


    George Harrison's self-titled effort was released in February 1979, following a year away from music and the birth of his son, Dhani. The album included the hit single 'Blow Away' and 'Not Guilty', a song that Harrison originally recorded in 1968 for the Beatles' White Album. The album also features 'Here Comes the Moon', the lyrical successor to his 1969 composition 'Here Comes the Sun'. Harrison co-produced the record with Russ Titelman at his studio, FPSHOT, in Oxfordshire. Amongst others, Eric Clapton and Steve Winwood would make guest appearances. Issued on Dark Horse Records.

    1. Love Comes To Everyone

    2. Not Guilty

    3. Here Comes The Moon
    4. Soft-Hearted Hana

    5. Blow Away

    6. Faster

    7. Dark Sweet Lady
    8. Your Love Is Forever

    9. Soft Touch

    10. If You Believe
    George Harrison
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Eye in the Sky (Speakers Corner) Eye in the Sky (Speakers Corner) Quick View

    $34.99
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    Eye in the Sky (Speakers Corner)

    Unimpressed and untouched by the glorification of individuals so typical for the music business, the Alan Parsons Project proved that even without spectacular light shows, rock celebrities in the band or self-composed songs it was possible to rise to stardom. Alan Parsons, who first took up an apprenticeship as a sound engineer at EMI and was later responsible for several Paul McCartney productions and the Pink Floyd album 'Dark Side Of The Moon' at the legendary Abbey Road Studios, drew upon his experience in order to further his solo career. While the co-producer Eric Woolfson wrote songs, Parsons who had an uncanny feeling for sound conjured up synthetic and natural sounds.



    As with all albums from the early years, 'Eye In The Sky' is inspired by important topics of the times. True to the 'no-future lifestyle' of the 80s, the songs impart a somewhat depressive character which serves as a stark contrast to the steely rock rhythms, free from electronic gimmicks. In addition one finds addictive harmony in the vocal polyphony ('Gemini'), blaring brass with a Spanish rhythm ('Silence And I') and a velvety string sound ('Old And Wise'). All in all a great achievement by the British wizard of sound at the mixing console.



    Musicians:



    • Alan Parsons (keyboards)

    • Eric Woolfson (keyboards, vocal)

    • Andrew Powell (arranger, conductor)

    • Ian Bairnson (guitar)

    • Mel Collins (saxophone)

    • David Paton (bass, guitar, vocal)

    • Stuart Elliot (drums, percussion)




    Recording: 1981 at Abbey Road Studios, London, by Alan Parsons

    Production: Alan Parsons and Eric Woolfson




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Sirius
    2. Eye in the Sky
    3. Children of the Moon
    4. Gemini
    5. Silence and I
    6. You're Gonna Get Your Fingers Burned
    7. Psychobabble
    8. Mammagamma
    9. Step by Step
    10. Old and Wise
    The Alan Parsons Project
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Full Tide (Pure Pleasure) Full Tide (Pure Pleasure) Quick View

    $34.99
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    x

    Full Tide (Pure Pleasure)

    As an album, Full Tide most closely resembles Shine in its breadth and depth. It's not the shiny production as much as the material itself. Recorded in Ireland and Australia, the album contains some stellar, perhaps career-defining performances of a number of tunes: her readings of Bob Dylan's Lay Down Your Weary Tune and To Make You Feel My Love completely reinvent them. The emotion in her voice is a warm fire for the battered soul to rest in. As moving and convincing as these performances are, they are not the true gems in the body of this album. In fact, her version of Sandy Denny's Full Moon, with a pianist, a bassist, and a string quartet, blows them away. Her voice, full and dark, yearns across time and space for the absent one. It's an elegy to a love, but also to love itself and friendship as well. This is key in that there are a total of four songs here by the late Noel Brazil - Black's longtime collaborator and favorite songwriter - who passed away in 2001.



    Musicians:



    • Mary Black (vocal, arranger)

    • Pat Crowley (piano, accordion, keyboards, vocal)

    • Bill Shanley (synthesizer, guitar, vocal)

    • Phil Buston (guitar, percussion)

    • Steve Cooney (mandolin; guitar, vocal)

    • James Blennerhassett (bass, vocal)

    • Fran Breen (drums)

    • West Organ String Quartet





    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. The Land of Love
    2. Lay Down Your Weary Tune
    3. Your Love
    4. Don't Let Me Come Home a Stranger
    5. The Real You
    6. Stand Up
    7. Full Moon
    8. Straight As I Die
    9. Siul a Ru'n
    10. St. Kilda Again
    11. To Make You Feel My Love
    12. Japanese Deluxe
    Mary Black
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Robot (Awaiting Repress) I Robot (Awaiting Repress) Quick View

    $49.99
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    x

    I Robot (Awaiting Repress)

    Alan Parsons Project I Robot on Numbered Limited Edition 180g 45RPM 2LP From Mobile Fidelity


    Perfectionism, Innovation, Complexities, and Reference-Grade Production Make Alan Parsons Project's Conceptual I Robot a Timeless Classic: Sci-Fi Arrangements Steeped In Drama and Moodiness


    More Music, More Information, More Detail, More Nuance, More Everything: Mobile Fidelity 180g 45RPM 2LP Set the Definitive-Sounding Analog Version of 1977 Audiophile Standard


    A Demonstration Disc for the Ages: Immaculate Highs and Lows, Supreme Spaciousness, See-Through Transparency, 3D Imaging, Wider Grooves on System-Testing Pressing


    Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved? Relish Mobile Fidelity's stupendous-sounding 180g 45RPM 2LP set and the question becomes irrelevant.


    Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.


    Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages - the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings - including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.


    Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as The Voice call into question human behavior - and their relationship to increasing robotic supremacy - in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.


    I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. Some Other Time employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace Don't Let It Show. The origins of Nucleus stem from a unique analog keyboard concoction dubbed the Projectron, devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with Total Eclipse arriving as an aptly frightening track that presages the climactic Genesis Ch. 1 V. 32.


    Does man or machine win in the end? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.


    This title is not eligible for discount.

    1. I Robot
    2. I Wouldn't Want To Be Like You
    3. Some Other Time
    4. Breakdown
    5. Don't Let It Show
    6. The Voice
    7. Nucleus
    8. Day After Day
    9. Total Eclipse
    10. Genesis Ch. 1 V.32
    Alan Parsons Project
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Lunafied (Pre-Order) Lunafied (Pre-Order) Quick View

    $34.99
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    Lunafied (Pre-Order)


    Includes All Elektra-Era Cover-songs, Many Unreleased On Vinyl


    Includes Many Out Of Print And Rare Tracks


    Sourced From The Original Masters With Lacquers Cut At Sam Phillips Recording Studio


    Pressed On 180g Colored Vinyl At Record Industry In The Netherlands


    Each 2 LP Set Comes Numbered And Strictly Limited


    American indie-pop band Luna originally formed in 1991 by singer/guitarist Dean Wareham
    after the breakup of Galaxie 500. After Wareham quit Galaxie 500 he signed a demo deal
    with Elektra Records, then recruited Justin Harwood from the Chills and Stanley Demeski of
    the Feelies, and this line up recorded their debut, Lunapark. After the album's release, Sean
    Eden was recruited on guitar and the four piece recorded a number of cover versions that
    would become the Slide EP and then toured the U.S. This began the band's association with
    successfully recording and playing cover songs.


    In 1993, the band supported the reformed Velvet Underground on their European tour, after which they recorded their second album.
    Bewitched was recorded in NY, released in '94 and included Velvet Underground guitarist
    Sterling Morrison on two tracks. In 1995, the band went into Sorcerer Sound Studio with
    producer Pat McCarthy to record their third album, Penthouse. The album featured Television
    guitarist Tom Verlaine on the tracks, "Moon Palace," and "23 Minutes in Brussels." The
    album was released to critical acclaim, with Rolling Stone declaring it one of the essential
    albums of the '90s. The album featured a cover of Serge Gainsbourg's "Bonnie and Clyde"
    as a hidden track and featured Dean in a duet with Laetitia Sadier of Stereolab. "Bonnie and
    Clyde" was released as a single in the UK and named Melody Maker single of the week. Pup
    Tent followed in '97.


    In 1999, the band recorded The Days Of Our Nights for Elektra, but the
    label declined the album and dropped the band over commercial concerns. The record was
    eventually released on Jericho in the U.S. and prior to the album's release, Justin Harwood
    left to be replaced by Britta Phillips. After releasing Luna Live in 2001, Romantica in 2002
    and Rendezvous in 2004 with their new line-up, the band announced their final tour at the
    time, disbanding after a show at the Bowery Ballroom in February of 2005. Dean Wareham
    and Britta Phillips continued as the duo Dean & Britta. In 2014, Dean announced that Luna
    would reunite for a tour of Spain in 2015, to be followed by US dates.

    In 2017 they recorded
    two new releases, a new covers LP called A Sentimental Journey and a 6-song instrumental
    EP, A Place Of Greater Safety.


    This brand new ROG collection of Elektra-era cover songs includes rare and out of print tracks
    that have never been released or collected on full length vinyl. With new packaging design by
    Frank Olinsky and updated audio fidelity, it's a dream come true for Luna collectors.

    LP 1
    1. Bonnie and Clyde (Clyde Barrow version)
    2. Indian Summer
    3. Ride Into the Sun
    4. That's What You Always Say
    5. In The Flesh
    6. Dream Baby Dream
    7. Season Of The Witch
    8. Thank You For Sending Me An Angel
    9. No Regrets


    LP 2
    1. Outdoor Miner
    2. Happy New Year
    3. Everybody's Talking
    4. Fly Into The Mystery
    5. La PoupÉe Qui Fait Non
    6. Bonnie & Clyde (Bonnie Parker Version)
    7. Jealous Guy
    8. Neon Lights
    9. Sweet Child O' Mine
    10. Only Women Bleed
    11. Dance With Me

    Luna
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Fanfare: The Emerson, Lake & Palmer Box (Out Of Stock) (On Sale) Fanfare: The Emerson, Lake & Palmer Box (Out Of Stock) (On Sale) On Sale Quick View

    $179.99$161.99Save $18.00 (10%)

    x

    Fanfare: The Emerson, Lake & Palmer Box (Out Of Stock) (On Sale)

    Legendary progressive rock giants Emerson, Lake & Palmer were
    formed in 1970 by the brilliant keyboard virtuoso Keith Emerson, gifted
    singer / composer / guitarist Greg Lake and dynamic drummer
    / percussionist Carl Palmer. Torchbearers of the progressive rock
    sound, ELP jointly created the super-group concept and are among
    the most important bands in the history of rock music. They blended
    musical dedication and showmanship with tremendous energy,
    and helped to broaden the audience for the genre from hundreds
    of thousands into tens of millions. ELP were one the most commercially
    successful rock bands of the 1970s, their first 7 album releases
    making the U.K. Top 10 and U.S. Top 20 album charts. Despite the
    tragic deaths of Keith Emerson and Greg Lake in 2016, the amazing
    and inspirational music of ELP very much lives on.


    Lavishly packaged, limited edition, numbered box set. Rigid
    matt-black outer box with foil-blocked cover text.


    Showcasing the immense musical talents of Keith Emerson, Greg
    Lake & Carl Palmer, containing a wealth of ELP treasure, from 1970
    to 1997.


    Contents:
    The remastered 11 classic original ELP albums (1970-94), on CD, with original sleeve artwork reproduced:


    • EMERSON, LAKE & PALMER (1970)
    • PICTURES AT AN EXHIBITION (1971)
    • TARKUS (1971)
    • TRILOGY (1972)
    • BRAIN SALAD SURGERY (1973)
    • WELCOME BACK, MY FRIENDS,TO THE SHOW THAT NEVER ENDS (1974) (2-CD)
    • WORKS VOLUME 1 (1977) (2-CD)
    • WORKS VOLUME 2 (1977)
    • LOVE BEACH (1978)
    • BLACK MOON (1992)
    • IN THE HOT SEAT (1994)


    Previously unreleased, gatefold, triple vinyl LP album:


    • LIVE IN ROME & MILAN, ITALY 1973


    Previously unreleased CD albums, mastered by the internationally celebrated studio engineering team of Andy Pearce and Matt Wortham:


    • LIVE AT POCONO INTERNATIONAL RACEWAY, LONG POND, PA, U.S.A., 9TH JULY 1972
    • LIVE AT WATERLOO CONCERT FIELD, STANHOPE NEW JERSEY, U.S.A., 13TH AUGUST 1992
    • LIVE AT BIRMINGHAM SYMPHONIC HALL, U.K., 27TH NOVEMBER 1992
    • ON THE BBC: THE OLD GREY WHISTLE TEST 1979, POP GOES SUMMER 1993
    • LIVE AT ÉLYSÉE MONTMARTRE, PARIS, FRANCE, 2ND JULY 1997


    Audio Blu-Ray, containing the stereo 5:1 and surround sound mixes of the albums:


    • EMERSON, LAKE & PALMER (STEVEN WILSON, 2012)
    • TARKUS (STEVEN WILSON, 2012)
    • TRILOGY (JAKKO M JAKSZYK, 2015)
    • BRAIN SALAD SURGERY (JAKKO M JAKSZYK, 2014)


    Remastered 7 singles with reproduced original sleeve artwork:


    • LUCKY MAN / KNIFE-EDGE (1970)
    • FANFARE FOR THE COMMON MAN /BRAIN SALAD SURGERY (1977)


    Deluxe, hardback 12 book with foil-blocked cover text, containing band photos and extensive notes from acclaimed journalist Chris Welch, featuring quotes from Keith Emerson, Greg Lake & Carl Palmer


    Reprinted original 1970 promo poster, 1972 promo brochure, 1974 and 1992 tour programmes


    Metal & enamel ELP logo pin badge


    This title is not eligible for further discount.

    CD1 - Emerson, Lake & Palmer
    1. The Barbarian (2012 Remastered Version)
    2. Take a Pebble (2012 Remastered Version)
    3. Knife-Edge (2012 Remastered Version)
    4. The Three Fates (i) Clotho ii) Lachesis iii) Atropos) [2012 Remastered Version]
    5. Tank (2012 Remastered Version)
    6. Lucky Man (2012 Remastered Version)


    CD2 - Tarkus
    1. Tarkus (i. Eruption, ii. Stones of Years, iii. Iconoclast, iv. Mass, v. Manticore, vi. Battlefield, vii. Aquatarkus) [2012 Remastered Version]
    2. Jeremy Bender (2012 Remastered Version)
    3. Bitches Crystal (2012 Remastered Version)
    4. The Only Way (Hymn) [2012 Remastered Version]
    5. Infinite Space (Conclusion) [2012 Remastered Version]
    6. A Time and a Place (2012 Remastered Version)
    7. Are You Ready Eddy? (2012 Remastered Version)


    CD3 - Pictures at an Exhibition
    1. Promenade (Pt. 1;Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    2. The Gnome (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    3. Promenade (Pt. 2;Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    4. The Sage (Pt. 3;Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    5. The Old Castle (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    6. Blues Variation (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    7. Promenade (Pt. 3;Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    8. The Hut of Baba Yaga (Pt. 1;Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    9. The Curse of Baba Yaga (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    10. The Hut of Baba Yaga (Pt. 2;Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    11. The Great Gates of Kiev (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)
    12. Nutrocker (Live At Newcastle City Hall, 26.3.71; 2016 - Remaster)


    CD4 - Trilogy
    1. The Endless Enigma, Pt. 1 (2015 - Remaster)
    2. Fugue (Remastered)
    3. The Endless Enigma, Pt. Two (Remastered)
    4. From the Beginning (2015 - Remaster)
    5. The Sheriff (2015 - Remaster)
    6. Hoedown (2015 - Remaster)
    7. Trilogy (Remastered)
    8. Living Sin (Remastered)
    9. Abaddon's Bolero (2015 - Remaster)


    CD5 - Brain Salad Surgery
    1. Jerusalem (2014 Remastered Version)
    2. Toccata (2014 Remastered Version)
    3. Still You Turn Me On (2014 Remastered Version)
    4. Benny the Bouncer (2014 Remastered Version)
    5. Karn Evil 9 1st Impression, Pt. 1 (2014 Remastered Version)
    6. Karn Evil 9 1st Impression, Pt. 2 (2014 Remastered Version)
    7. Karn Evil 9 2nd Impression (2014 Remastered Version)
    8. Karn Evil 9 3rd Impression (2014 Remastered Version)


    CD6 - Welcome Back, My Friends, to the Show That Never Ends ~ Ladies and Gentlemen (CD1)
    1. Hoedown (Taken from Rodeo; Live 1974; 2016 - Remaster)
    2. Jerusalem (Live 1974; 2016 - Remaster)
    3. Toccata (An Adaption of Ginastera's '1st Piano Concerto, 4th Movement; Live 1974; 2016 - Remaster)
    4. Tarkus (i. Eruption, ii. Stones of Years' iii. Iconoclast, iv. Mass, v. Manticore, vi. Battlefield (including Epitaph), vii. Aquatarkus; Live 1974; 2016 - Remaster)
    5. Take a Pebble (Including Still You Turn Me On and Lucky Man; Live 1974; 2016 - Remaster)


    CD7 - Welcome Back, My Friends, to the Show That Never Ends ~ Ladies and Gentlemen (CD2)
    1. Piano Improvisations (Including Friedrich Gulda's Fugue and Joe Sullivan's Little Rock Getaway; Live 1974; 2016 - Remaster)
    2. Take a Pebble (Conclusion) [Live 1974; 2016 - Remaster]
    3. Jeremy Bender / The Sheriff (Live 1974; 2016 - Remaster)
    4. Karn Evil 9 (i. 1st Impression, ii. 2nd Impression, iii. 3rd Impression; Live 1974; 2016 - Remaster)


    CD8 - Works Volume 1 (CD1)
    1. Piano Concerto No. 1 (i. 1st Movement: Allegro Giojoso; ii. 2nd Movement: Andante Molto Cantabile; iii. 3rd Movement: Toccata Con Fuoco; 2017 Remastered Version)
    2. Lend Your Love to Me Tonight (2017 Remastered Version)
    3. C'est La Vie (2017 Remastered Version)
    4. Hallowed Be Thy Name (2017 Remastered Version)
    5. Nobody Loves You Like I Do (2017 Remastered Version)
    6. Closer to Believing (2017 Remastered Version)


    CD9 - Works Volume 1 (CD2)
    1. The Enemy God Dances With the Black Spirits (2017 Remastered Version)
    2. L.A. Nights (2017 Remastered Version)
    3. New Orleans (2017 Remastered Version)
    4. Two Part Invention in D Minor (2017 Remastered Version)
    5. Food for Your Soul (2017 Remastered Version)
    6. Tank (2017 Remastered Version)
    7. Fanfare for the Common Man (2017 Remastered Version)
    8. Pirates (2017 Remastered Version)


    CD10 - Works Volume 2
    1. Tiger in a Spotlight (2017 Remastered Version)
    2. When the Apple Blossoms Bloom in the Windmills of Your Mind I'll Be Your Valentine (2017 Remastered Version)
    3. Bullfrog (2017 Remastered Version)
    4. Brain Salad Surgery (2017 Remastered Version)
    5. Barrelhouse Shake-Down (2017 Remastered Version)
    6. Watching Over You (2017 Remastered Version)
    7. So Far to Fall (2017 Remastered Version)
    8. Maple Leaf Rag (2017 Remastered Version)
    9. I Believe in Father Christmas (2017 Remastered Version)
    10. Close but Not Touching (2017 Remastered Version)
    11. Honky Tonk Train Blues (2017 Remastered Version)
    12. Show Me the Way to Go Home (2017 Remastered Version)


    CD11 - Love Beach
    1. All I Want Is You (2017 Remastered Version)
    2. Love Beach (2017 Remastered Version)
    3. Taste of My Love (2017 Remastered Version)
    4. The Gambler (2017 Remastered Version)
    5. For You (2017 Remastered Version)
    6. Canario (2017 Remastered Version)
    7. Memoirs of an Officer and a Gentleman: i. Prologue / The Education of a Gentleman, ii. Love At First Sight, iii. Letters from the Front, iv. Honourable Company (A March) [2017 Remastered Version]


    CD12 - Black Moon
    1. Black Moon (2017 - Remaster)
    2. Paper Blood (2017 - Remaster)
    3. Affairs of the Heart (2017 - Remaster)
    4. Romeo and Juliet (2017 - Remaster)
    5. Farewell to Arms (2017 - Remaster)
    6. Changing States (2017 - Remaster)
    7. Burning Bridges (2017 - Remaster)
    8. Close to Home (2017 - Remaster)
    9. Better Days (2017 - Remaster)
    10. Footprints in the Snow (2017 - Remaster)


    CD13 - In The Hot Seat
    1. Hand of Truth (2017 - Remaster)
    2. Daddy (2017 - Remaster)
    3. One by One (2017 - Remaster)
    4. Heart On Ice (2017 - Remaster)
    5. Thin Line (2017 - Remaster)
    6. Man in the Long Black Coat (2017 - Remaster)
    7. Change (2017 - Remaster)
    8. Give Me a Reason to Stay (2017 - Remaster)
    9. Gone Too Soon (2017 - Remaster)
    10. Street War (2017 - Remaster)


    CD14 - Live at Pocono International Raceway, USA 8th July 1972
    1. Hoedown (Live at Pocono International Raceway, Long Pond, PA, U.S.A., 9th July 1972)
    2. Tarkus (Live at Pocono International Raceway, Long Pond, PA, U.S.A., 9th July 1972)
    3. Take a Pebble (Live at Pocono International Raceway, Long Pond, PA, U.S.A., 9th July 1972)
    4. Lucky Man (Live at Pocono International Raceway, Long Pond, PA, U.S.A., 9th July 1972)
    5. Piano Improvisations (Live at Pocono International Raceway, Long Pond, PA, U.S.A., 9th July 1972)
    6. Take a Pebble (Reprise; Live at Pocono International Raceway, Long Pond, PA, U.S.A., 9th July 1972)
    7. Pictures At an Exhibition (Live at Pocono International Raceway, Long Pond, PA, U.S.A., 9th July 1972)
    8. Blue Rondo a la Turk (Live at Pocono International Raceway, Long Pond, PA, U S A , 9th July 1972)


    CD15 - On The BBC (Whistle Test '79 / Pop Goes Summer '93)
    1. The Old Grey Whistle Test (First Broadcast On 23rd January 1979; Presented by Bob Harris;)
    2. Pop Goes Summer, 1993 (First Broadcast On 16th September 1993; Band Interviews and Excerpts from the 'Black Moon Tour', Live At Arena di Verona, Italy, 26th September 1992;)


    CD16 - Live at Waterloo Concert Field Stanhope NJ USA, 31st July 1992
    1. Karn Evil 9 1st Impression Part 2
    2. Knife-Edge
    3. Black Moon
    4. From The Beginning
    5. Affairs Of The Heart
    6. Lucky Man
    7. Fanfare For The Common Man / America / Blue Rondo a la Turk


    CD17 - Live at Birmingham Symphony Hall, 27th November 1992
    1. Knife-Edge (Live At Birmingham Symphonic Hall, U.K., 27th November 1992)
    2. Paper Blood (Live At Birmingham Symphonic Hall, U.K., 27th November 1992)
    3. Close to Home (Live At Birmingham Symphonic Hall, U.K., 27th November 1992)
    4. Creole Dance (Live At Birmingham Symphonic Hall, U.K., 27th November 1992)
    5. From the Beginning (Live At Birmingham Symphonic Hall, U.K., 27th November 1992)
    6. Pictures At an Exhibition (Live At Birmingham Symphonic Hall, U.K., 27th November 1992)
    7. Fanfare for the Common Man (Live At Birmingham Symphonic Hall, U.K., 27th November 1992)


    CD18 - Live at ÉlysÉe Montmartre, Paris, 2nd July 1997
    1. Karn Evil 9 1st impression part 2
    2.Tiger in a Spotlight
    3. Hoedown
    4. Touch and Go
    5. From The Beginning
    6. Knife-Edge
    7. Bitches Crystal
    8. Creole Dance
    9. Honky Tonk Train Blues
    10. Take A Pebble
    11. Lucky Man
    12. Tarkus
    13. Pictures at an Exhibition (Medley)
    14. 21st Century Schizoid Man / America


    Blu-ray Audio
    Emerson, Lake & Palmer (Steven Wilson 2012 mix in 24/48 Stereo and 5.1 surround)

    1. The Barbarian (2012 5.1 Mix)
    2. Take a Pebble (2012 5.1 Mix)
    3. Knife-Edge (2012 5.1 Mix)
    4. The Three Fates: Atropos (Piano Trio) [2012 5.1 Mix]
    5. Rave Up (2012 5.1 Mix)
    6. Lucky Man (2012 5.1 Mix)


    Bonus Tracks
    7. Promenade (High Res 2012 Stereo Mix)
    8. Drum Solo (High Res 2012 Stereo Mix)
    9. Take a Pebble (High Res 2012 Stereo Mix - Alternate Version)
    10. Knife-Edge (High Res 2012 Stereo Mix - Alternate Version)
    11. Lucky Man (High Res 2012 Stereo Mix - First Greg Lake Solo Version)
    12. Lucky Man (High Res 2012 Stereo Mix - Alternate Version)


    Tarkus (Steven Wilson 2012 mix in 24/48 Stereo and 5.1 surround)
    13. Tarkus (i. Eruption, ii. Stones of Years, iii. Iconoclast, iv. Mass, v. Manticore, vi. Battlefield, vii. Aquatarkus; 2012 5.1 Mix)
    14. Jeremy Bender (2012 5.1 Mix)
    15. Bitches Crystal (2012 5.1 Mix)
    16. The Only Way (Hymn) [2012 5.1 Mix]
    17. Infinite Space (Conclusion) [2012 5.1 Mix]
    18. A Time and a Place (2012 5.1 Mix)
    19. Are You Ready Eddy? (2012 5.1 Mix)
    20. Oh, My Father (2012 5.1 Mix)


    Bonus Tracks
    21. Unknown Ballad (2012 Stereo Mix)
    22. Mass (Alternate Take; 2012 Stereo Mix)


    Trilogy (Jakko M Jakszyk 2015 mix in 24/96 Stereo and 5.1 surround)
    23. The Endless Enigma, Pt. One (Mix)
    24. Fugue (Mix)
    25. The Endless Enigma, Pt. Two (Mix)
    26. From the Beginning (Mix)
    27. The Sheriff (Mix)
    28. Hoedown (Mix)
    29. Trilogy (Mix)
    30. Living Sin (Mix)


    Bonus Tracks
    31. Abaddon's Bolero (Mix)
    32. From the Beginning (Alt Version)


    Brain Salad Surgery (Jakko M Jakszyk 2014 mix in 24/96 Stereo and 5.1 surround)
    33. Jerusalem
    34. Toccata
    35. Still You Turn Me On
    36. Benny The Bouncer
    37. Karn Evil 9 1st Impression, Pt. I
    38. Karn Evil 9 1st Impression, Pt. 2
    39. Karn Evil 9 2nd Impression
    40. Karn Evil 9 3rd Impression


    Vinyl: 3LP Vinyl - ELP Live In Italy: Rome & Milan 1973
    LP 1
    1. Pictures At an Exhibition (Live in Italy, Rome & Milan, May 1973)
    2. Blue Rondo a la Turk (Live in Italy, Rome & Milan, 1973)
    LP 2
    1. Still You Turn Me On (Live in Italy, Rome & Milan, May 1973)
    2. Lucky Man (Live in Italy, Rome & Milan, May 1973)
    3. Jazzy Jam (Live in Italy, Rome & Milan, May 1973)
    4. Take a Pebble (Live in Italy, Rome & Milan, May 1973)
    5. Hoedown (Live in Italy, Rome & Milan, May 1973)
    LP 3
    1. Tarkus (Live in Italy, Rome & Milan, May 1973)
    2. Karn Evil 9 1st Impression, Pt. 1 / Karn Evil 9 1st Impression Pt. 2 (Live in Italy, Rome & Milan, May 1973)


    Seven-inch vinyl
    1. Lucky Man (2017 Remastered Version)
    2. Knife-Edge (2017 Remastered Version)


    Seven-inch vinyl
    1. Fanfare for the Common Man (2017 Remastered Version)
    2. Brain Salad Surgery (2017 Remastered Version)

    Emerson, Lake And Palmer
    $179.99 $161.99 Save $18.00 (10%)
    Vinyl LP Box Set + 2 7 Singles + 18 CDs + Blu-Ray - 3 LPs Sealed Temporarily out of stock
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