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  • Beyond The Valley Of The Murderdolls Beyond The Valley Of The Murderdolls Quick View

    $34.99
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    Beyond The Valley Of The Murderdolls

    Import


    180 Gram Audiophile Vinyl


    6 Page Insert


    Available On Vinyl For The First Time!


    First Pressing Of 1000 Numbered Copies On Red Vinyl


    Beyond the Valley of the Murderdolls, released in 2002, is the debut album of Horror Punk band Murderdolls. Murderdolls are a side project for Slipknot drummer Joey Jordison and Static-X guitarist Tripp Eisen.


    The music on the album is fast and macabre. The Murderdolls draw inspiration from movies such as Friday the 13th, Night of the Living Dead, and Phantasm. The 15 tracks are full of tongue-in-cheek horror clichÉs.

    1. Slit My Wrist
    2. Twist My Sister
    3. Dead In Hollywood
    4. Love At First Fright
    5. People Hate Me
    6. She Was A Teenage Zombie
    7. Die My Bride
    8. Grave Robbing U.S.A
    9. 197666
    10. Dawn Of The Dead
    11. Let's Go To War
    12. Dressed To Depress
    13. Kill Miss America
    14. B-movie Scream Queen
    15. Motherf**ker I Don't Care
    Murderdolls
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Condolences (Gray w/Black Splatter) Condolences (Gray w/Black Splatter) Quick View

    $29.99
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    Condolences (Gray w/Black Splatter)

    Pressed On Gray Vinyl With Black Splatter


    A grimly glamorous ghoul who first slithered from the cobwebbed shadows of Charlotte, North Carolina, in the early 90s, WEDNESDAY 13 has firmly established himself as the world's premier purveyor of balls-out horror punk insanity. With a vivid and vile imagination that has endeared him to countless fans of riff-driven macabre over the last two decades, he has been one of rock's most prolific protagonists, spreading his credo of grave-robbing rock 'n' roll and Hallowe'en debauchery around the globe and unleashing a seemingly endless stream of blood-spattered albums and EPs.


    "All my favorite stuff, like KISS and ALICE COOPER and TWISTED SISTER, those guys set the bar pretty high," he states. "I always wanted to do something in the worlds of those bands. That's the blueprint. It had to be as outrageous and crazy as that and I wanted to be on someone's wall one day and have their parents say 'Oh my god, what is that?' The formula's still there from when I started doing it as a kid and started wanting to be in a band. It's just GI Joe and Dracula!"


    After several years of sharpening his creative teeth, WEDNESDAY 13 emerged from the fetid crypt of obscurity with his band FRANKENSTEIN DRAG QUEENS FROM PLANET 13, those masters of snotty schlock rock that released an astonishing five studio albums and six EPs between 1996 and 2002. Always the leader of the revolting pack, WEDNESDAY 13 then became a bona fide international rock star as frontman for the MURDERDOLLS, his collaboration with SLIPKNOT's Joey Jordison. The band took the world by storm, with Europe and the UK, in particular, succumbing to the feral charms of 2002 debut album, »Beyond The Valley Of The Murderdolls«; a raucous eruption of big tunes and bad attitude that noisily redefined the horror punk genre. After MURDERDOLLS went on an extended hiatus in 2004, WEDNESDAY 13 embarked on a widely lauded solo career that again provided him with an outlet for his relentless outpouring of fiendish musical and lyrical ideas. Albums like »Transylvania 90210« (released by Roadrunner in 2005), »Fang Bang« and »Skeletons« all cemented our pallid hero's reputation as the bastard son of ALICE COOPER and THE MISFITS, while his outlaw country project, BOURBON CROW and one-off glam metal vehicle, GUNFIRE 76 proved that he had sufficient versatility to survive outside the graveyard and abattoir.


    MURDERDOLLS reconvened in 2010 for the vicious »Women And Children Last« album and another successful world tour before disappearing once more into the freezing midnight fog, leaving WEDNESDAY to revive his solo career with a few thousand volts of wicked electricity yet more highly praised albums and tours including 2014's scintillating acoustic opus »Undead Unplugged« and the following year's thunderous »Monsters Of The Universe: Come Out & Plague«. However, absolutely nothing that WEDNESDAY has created in the past has even touched upon the horrifying potency and allure of his brand new studio album, »Condolences«.


    Frustrated with the arduous process of releasing his own music, our favorite black-hearted freak has thrown himself and his music into a whirling maelstrom of reinvention. The result is not just the heaviest and most authentically disturbing record of the great man's career but also a huge creative leap forward, neatly encapsulated by the new album's simple and direct title.


    "It's more of a serious WEDNESDAY 13 record, I guess," he says. "The campiness has gone and it's taken a darker vibe. It's definitely not in the camp, sleazy world anymore. The band is visually stronger and that's taken things to a new level. Normally my album titles are parodies of something, like »Women And Children Last«, that's a VAN HALEN album title gone wrong! (laughs) So I wanted to make sure that this record came across as a brand new version of WEDNESDAY 13."


    In musical terms, »Condolences« showcases WEDNESDAY's growing obsession with the world of heavy metal and its endless possibilities for exploring tales of horror and violence. Produced by renowned studio guru Zeuss, new songs like anthemic first single 'What The Night Brings' and the pile-driving 'Blood Sick' still exhibit a dash of B-movie weirdness and are full of WEDNESDAY's trademark twisted lyrics, but where previous albums were rooted in the worlds of punk rock and glam metal, »Condolences« is a full-on modern metal record with gigantic balls and the attitude to match. From the glowering menace of 'Good Riddance' to the grandiose hellishness of the album's 7-minute title track, it's living, breathing, murdering proof that the WEDNESDAY 13 of 2017 means business. And business is mean.


    "The punk rock vibe has left the building and it's become a full-on metal vibe," WEDNESDAY agrees. "I've been the horror-punk guy for years, but this is horror metal. It's just evolution. Over the last ten years, I've become a metalhead for the most part. That second MURDERDOLLS record just amped the whole thing up, and the guys in the band have influenced me with so much other stuff. It's not just me with my SEX PISTOLS, ALICE COOPER and RAMONES records anymore! (laughs) Now I've got my band incorporating everything from death metal to rock'n'roll. It's all across the boards. There are no rules. We can do whatever we want, whatever fits."


    Manifestly the strongest, heaviest and most individual album of his lengthy career, »Condolences« promises to push WEDNESDAY 13 into heavy music's upper echelons once again. With determined plans to tour relentlessly in support of the new record, the future is looking dark, dangerous, exhilarating and wildly, unapologetically theatrical.


    "It's non-stop touring once the record comes out," WEDNESDAY concludes. "We just did our first video for 'What The Night Brings' and the visuals are really cool. I've incorporated a lot of stuff I've been doing live, like this devil character I've been transforming into at shows, and that got worked in. We're taking the music, the imagery and the entire stage show up a level. It's gonna be a full-on theatrical stage production, so I'll be busy as fuck on stage! I've been doing this shit for so many years, I started thinking 'How can I make this fun again?' (laughs)"

    1. Last Rites
    2. What The Night Brings
    3. Cadaverous
    4. Blood Sick
    5. Good Riddance
    6. You Breathe, I Kill
    7. Omen Amen
    8. Cruel To You
    9. Eulogy XIII
    10. Prey For Me
    11. Lonesome Road To Hell
    12. Condolences
    13. Death Infinity
    Wednesday 13
    $29.99
    Colored Vinyl LP - Sealed Buy Now
  • Reverse Tripped (Out of Stock) Reverse Tripped (Out of Stock) Quick View

    $16.99
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    Reverse Tripped (Out of Stock)

    Swedish born but Hollywood bred, metal quartet Vains Of Jenna proudly present
    this album of cover songs that showcases the groups classic sleaze rock
    sound!


    Features 15 brand new recordings that put the VoJ spin on current charttopping
    singles as well as classics from the 60s & 70s!


    Vains of Jenna formed in Falkenberg Sweden in 2005. By the summer of 2006,
    the band had relocated to Hollywood CA and self-released their full length debut
    Lit Up Let Down. A month later Bam Margera, professional skateboarder and
    star of the MTV hit show Viva La Bam, signed them to his Filthy Note label and
    reissued the disc in the Fall. To date, the debut has sold roughly 15K copies. In
    2007, the band toured the US with Poison, Ratt, GWAR, Murderdolls & Cradle
    of Filth, playing upwards of 200 shows. The band also appeared at SXSW in
    Austin Texas, Hempfest in Seattle & the Sunset Strip Music Festival in Hollywood
    in 2008. In 2009 the band released the critically acclaimed disc The Art
    of Telling Lies followed by tours in Sweden, Italy,
    Norway, France, Germany, The UK, Czech Republic,
    Argentina, Brazil & America. VoJ has also appeared
    on MTVs Bams Unholy Union, Jackass
    24 & TLCs L.A. Ink with Kat Von D. In 2010, the
    groups music was used on Bams World Domination
    show on Spike TV. The band can also be
    seen in recent books by Bam Margera, Kat Von D
    & legendary rock photographer Neil Zlozower as
    well as magazines such as Spin, Hustler, Metal
    Edge, Revolver and more!

    1. Fuck You

    2. Electric Avenue feat. Frukwan
    3. Get Back
    4. Smoke On The Water
    5. She's Not There
    6. California Dreaming
    7. Goodbye Yellow Brick Road
    8. Mississippi Queen
    9. The Letter
    10. I'd Love To Change The World
    11. Hey Hey, My My
    12. Wish You Were Here
    13. The Sound Of Silence
    Vains Of Jenna
    $16.99
    Vinyl LP - Sealed Temporarily out of stock
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