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Love Is HellOriginally Released as Two EPs in Late 2003
Personal Document on Romantic Loss, Frustration, and Loneliness Hits Bittersweet, Spiritual Notes
Adams' Voice Never So Poignant: Supported By Strings, Acoustic Guitars, Spare Pianos
Revealing Sonics: Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI
Originally released on two EPs and mired in controversy, Love Is Hell is a staggeringly personal report on romantic desolation, personal frustration, and incurable loneliness whose themes play out via splendidly crooned vocals, chamber-pop strings, and spare pianos. The excising of pain has rarely sounded more bittersweet-or spiritual.
This title is not eligible for discount.LP 1
1. Political Scientist
2. Afraid Not Scared
3. This House Is Not for Sale
4. Anybody Wanna Take Me Home
5. Love Is Hell
7. The Shadowlands
8. World War 24
1. My Blue Manhattan
2. Please Do Not Let Me Go
3. City Rain, City Streets
4. I See Monsters
5. English Girls Approximately
6. Thank You
7. Hotel Chelsea Nights
3. Fuck the Universe
4. Twice As Bad As Love
5. Father's Son
6. Gimme Sunshine
7. Black Clouds$64.99Vinyl LP Box Set - 3 LPs Sealed Buy Now
Boomer's StoryRy Cooder Is A Master Sonic Archeologist And Cultural Historian On Boomer's Story: Guitarist Pays Tribute To The Past And Updates Music For Future On Rustic Record Steeped In Folk, Blues, And Soul
Mastered From The Original Master Tapes, Pressed At RTI, And Strictly Limited To 3000 Numbered Copies: Mobile Fidelity 180g LP Of Boomer's Story Sounds Fantastic With Vibrant Textures
Ry Cooder's development as a peerless musician capable of grasping virtually any style began with his time spent with Taj Mahal and Captain Beefheart, but for all intents and purposes reaches epic proportions on Boomer's Story. With two ambitious albeit uneven studio albums behind him, the California native plunged into roles that still define him today - that of sonic archaeologist and cultural historian, shaping his 1972 Reprise effort with enlightened selections carved into the bedrock of America's folk, blues, and soul landscapes. Inspired, virtuosic, and poignant, Boomer's Story endures as a ravishing portrait of inspired translation and inventive craftsmanship that after years of neglect finally boasts sonics deserving of the performances.
Mastered from the original master tapes, pressed at RTI, and strictly limited to 3000 numbered copies, Mobile Fidelity's 180g LP of Cooder's breakout teems with natural tones, front-to-back imaging, and vintage tube warmth. Boomer's Story benefits from vibrant textures and organic openness, two prized traits that come to fore with breathtaking realism on this analog reissue. Details ranging from the audible resonance of the drum skins, drifting reverb on the guitar, and the inner cavity of the piano take up residence on deep-black soundstages. Individual notes appear and recede with lifelike decay. Cooder and company sound as if they're in the room, playing in real time with one another. This record has never been more dynamic or involving.
Having initiated his self-taught learning of customs established by the likes of Josh White, Woody Guthrie, Charlie Johnson, and Robert Johnson as early as age four, and grown up a son of parents obsessed with Folkways Records, Cooder never suffers from the retro rehash fakery plaguing countless contemporary revivalists. A true original, the guitarist simultaneously pays tribute to the past and updates it for the future. Boomer's Story brims with traditional tunes (the title track, Good Morning Mr. Railroad Man), classic blues (Ax Sweet Mama, Cherry Ball Blues), and World War II standards (Comin' in on a Wing and a Prayer).
A spellbinding blend of personality, respect, and innovation grace every song. Evoking the timeless rusticism and weird, old America vibe of Bob Dylan and the Band's Basement Tapes, Boomer's Story unfolds with a relaxed ease and back-porch chemistry underlined by the musicians' unpretentious demeanors and potent abilities. Drummer Jim Keltner, percussionist Milt Holland, and bassist Jim Dickinson (also a producer) are among the cast fleshing out Cooder's visions. The headliner also welcomes country-blues legend Sleepy John Estes to sing on his own President Kennedy and leans on pianist Randy Newman to help him transform the normally bellicose Rally 'Round the Flag into a patient, mournful protest.
Cooder attains equally meaningful, emotional results on a definitive wordless interpretation of the staple soul ballad The Dark End of the Street, expressing unfathomable depths of regret and longing via slide-guitar work that draws a line back to Blind Willie McTell's immortal spiritual Dark Was the Night - a song Cooder called the most transcendent piece in all American music. Indeed, the degree of interplay attained by twinkling keys, rambling beats, brass accents, and dazzling guitar lines - also finger-picked and strummed - on Boomer's Story breathes with a rare air increasingly endangered in an era of on-demand immediacy and auto-tuned imitation. This, as it's said, is the real deal.
This title is not eligible for discount.1. Boomer's Story
2. Cherry Ball Blues
3. Crow Black Chicken
4. Ax Sweet Mama
5. Maria Elena
6. The Dark End of the Street
7. Rally 'Round the Flag
8. Comin' in on a Wing and a Prayer
9. President Kennedy
10. Good Morning Mr. Railroad Man$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Punch The ClockPunch the Clock on Numbered Limited Edition 180 Gram LP from Mobile Fidelity
Costello & the Attractions Return to Mainstream Pop on Slick-Sounding 1983 Album
Half-Speed Mastered from the Original Tapes: Mobile Fidelity LP Digs Into Smooth Tones, Brassy Effects, Limber Bass Lines, Multiple Layers of Production
Includes Sparkling Top 40 Hit "Everyday I Write the Book" As Well as Timeless Political Songs "Shipbuilding" and "Pills and Soap"
Razor-Sharp Wit, Concise Melodies on Display Throughout; Jazz Legend Chet Baker Guests
Punch the Clock is Elvis Costello & the Attractions' most British record, a return to mainstream pop craft loaded with clever barbs and insightful social commentary that nearly landed the headliner in serious trouble with government representatives. Produced by the English hit-making team of Clive Langer and Alan Winstanley, the jumpy and horn-accompanied 1983 effort includes Costello's first-ever American Top 40 hit ("Everyday I Write the Book") and a smooth sheen that reinforces the material's commercial intent and catchy appeal.
Half-speed mastered from the original master tapes, Mobile Fidelity's numbered limited edition 1980g LP presents the hyper-literate fidelity and refined melodies in astonishing sonics, navigating the multiple layers of information, brassy effects, and background vocals to present a unified whole replete with stellar front-to-back depth. Akin to the reissue label's previous acclaimed Costello reissues, Punch the Clock is vastly improved, the opened-up perspective, pronounced instrumental separation, and textural clarity enhancing all the details within the grooves.
Fresh from making a country tribute album and a large-scale set flush with complex arrangements, Costello and Co. return to straight-ahead pop given a decidedly British accent and soulful backing vocals. Conscious of the Merseybeat sound and success of Dexy's Midnight Runners, Costello tints songs with new-wave characteristics, splashy horns, and spontaneous vocal-response support courtesy of female duo Afrodiziak, one member of which later attained fame with Soul II Soul. Steve Nieve's bounding piano lines dance throughout the arrangements, adding witty pizzazz and delicate allure to already-tuneful fare like "The Element Within Her" and "Mouth Almighty."
The more direct, hook-ready approach also manifests on numbers such as "Let Them All Talk" and "Charm School," tunes that also illustrate the contrasts in romantic theme. While remaining deeply cynical, as was his longtime hallmark, Costello unfurls two compositions on which love and marriage are viewed in a positive light. Yet he spares no one, nothing, and minces no words with "Shipbuilding" and "Pills and Soap," fare that remains revered in his native country as well as abroad.
For "Shipbuilding," a brilliantly disguised 88s-clinking protest against war influenced by the Falkan Conflict, Costello enlists jazz legend Chet Baker to deliver a masterfully poignant, bluesy trumpet solo that echoes throughout the coda. On the hip-hop-inspired "Pills and Soap," a thinly veiled metaphor addressing Britain's abusive sociopolitical state and royal officials, the bespectacled bandleader invents a thoroughly unique quasi-rap draped over a drum-machine beat and Nieve's bold piano chords. Bracing.
This title is not eligible for discount.1. Let Them All Talk
2. Everyday I Write the Book
3. The Greatest Thing
4. The Element Within Her
5. Love Went Mad
7. The World and His Wife
8. TKO (Boxing Day)
9. Charm School
10. The Invisible Man
11. Mouth Almighty
12. King of Thieves
13. Pills and Soap$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
An Innocent Man (Awaiting Repress)An Innocent Man on Numbered Limited Edition 180 Gram 45RPM 2LP from Mobile Fidelity
Infectious Doo-Wop, Carefree Soul, Harmonious Pop a Testament to Music of Joel's Childhood
Album Sounded Mediocre For the Longest Time-No Longer: Mobile Fidelity Reissue Allows You to Hear This Pleasing Set With Fresh Ears
Another Joel Blockbuster: Seven-Times Platinum 1983 Affair Includes "Uptown Girl," "For the Longest Time," "An Innocent Man," "Tell Her About It"
After making The Nylon Curtain, Billy Joel felt the need to exhale and get back to the carefree music of his childhood. He also met supermodel Christie Brinkley, who brought serious degrees of levity and romance to his world. In love, relaxed, and out to have fun, the singer crafted An Innocent Man, arguably the most easygoing and pleasing album of his career. Featuring four Top 40 pop singles and the same number of Top 5 Adult Contemporary hits to grace the Billboard charts, the record remains a commercial staple.
An essential title in Mobile Fidelity's Billy Joel catalog restoration series, An Innocent Man is mastered from the original master tapes and pressed on 180 gram LP at RTI. The resulting presentation effortlessly outshines that heard on all previous editions of this 1983 set. Particularly, the effervescent harmonies now possess an airiness and extension that lends to realistic tonal decay. Instruments are balanced and placed on a wider, deeper soundstage, contributing improved to improved imaging and spaciousness. Joel's voice, too, comes across with tremendous clarity, presence, and body. These songs have never sounded so contagious.
Per usual, Joel proves a melodic jukebox. The vocalist's grasp on structure, hooks, and delivery help make this batch of songs among his most beloved, easy to hum, and impossible to ignore. Much of the appeal resides in Joel's understanding of the early rock and roll, doo-wop, and soul that he grew up hearing in New York, and the manners in which the popular songwriters favored simplicity over complexity, good-natured vibes over seriousness, and romantic charm over introspective sadness.
Whether floating on a cloud on the giddy "Uptown Girl" (check out his falsetto), doubling as both the lead and background vocalist on the reminiscent-themed "The Longest Time," or tapping gospel undercurrents on the tribute "Keeping the Faith," Joel revels in 50s and 60s pop constructs, turning out amiable refrains and unforgettable moods. Love perfumes the air, and Joel can't get enough, and it's a feeling he passes on to his listeners.
As the calm before stormier periods in his life, and a timeless connection to America's finest pop music traditions, An Innocent Man is indeed innocent-a guiltless pleasure that keeps on giving.
This title is not eligible for discount.1. Easy Money
2. An Innocent Man
3. The Longest Time
4. This Night
5. Tell Her About It
6. Uptown Girl
7. Careless Talk
8. Christie Lee
9. Leave a Tender Moment Alone
10. Keeping the Faith$49.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
Songs In The AtticSongs In the Attic on Numbered Limited Edition 180 Gram LP from Mobile Fidelity
1981 Live Album Finds Joel Adding Warmth to Ballads, Punch and Kick to Rockers
Taking You to the Stage: Mobile Fidelity Version Pulls Gives You a Dead-Center Seat and Wonderful Sonic Perspective
Ideal Summation of Joel's Early Period Material, Enhanced by Accomplished Band in Concert Setting
Great live albums often function as documents of a performer's stinting onstage abilities, stopgaps between studio albums, introductions to a musician's earlier work, and/or opportunities for familiar material to be showcased in superior ways. Songs In the Attic serves all of these purposes and more. As Billy Joel's first live album, it's still his best, punctuated by dynamic renditions of favorites and deep cuts, and augmented by a tested band in sync with the pianist.
A vital component of Mobile Fidelity's Billy Joel catalog restoration series, Songs In the Attic is mastered from the original master tapes and pressed on 180 gram LP at RTI. The resulting presentation effortlessly outshines that heard on all previous editions of this 1981 set. Joel's piano possesses fuller body and lifelike resonance. His veteran group's contributions emerge with newfound clarity, dynamics, decay, and extension. Balances are supreme, and shades and colors blend, amplifying richness and presence.
On the heels of three multi-platinum albums and a commercial breakthrough, Joel released Songs In the Attic to both tide fans over until 1982's The Nylon Curtain as well to feature material in a looser, warmer setting. The record highlights not only the singer's consistency and knack for indelible melodies, but savvy live techniques. Upbeat tunes such as "Everybody Loves You Now" receive a more fleshed-out treatment that yields added punch and swagger, while balladic numbers like "I've Loved These Days" take on a cozy warmth akin to the feeling of putting on a sweater on a cool fall day.
Songs In the Attic also bridged the gap for listeners for whom Joel was then a new entity, as many didn't come to his music until The Stranger. Hence, tracks like "Captain Jack" and "The Ballad of Billy the Kid," from Piano Man, get a fresh identity, particularly courtesy of a backing band that, by then, had been gigging with Joel for years. No wonder that, unlike a majority of live records, Songs In the Attic yielded two Top 40 pop hits: "Say Goodbye to Hollywood" and "She's Got a Way." No matter from what angle it's viewed, the set stands as one of the most important and enjoyable live records ever released.
This title is not eligible for discount.1. Miami 2017 (Seen the Lights Go Out on Broadway)
2. Summer, Highland Falls
3. Streetlife Serenader
4. Los Angelenos
5. She's Got a Way
6. Everybody Loves You Now
7. Say Goodbye to Hollywood
8. Captain Jack
9. You're My Home
10. The Ballad of Billy the Kid
11. I've Loved These Days$49.99180 Gram Audiophile Virgin Vinyl 45 RPM LP - Sealed Buy Now
Bitches Brew (Awaiting Repress)Monumental 1970 Double Album is Signpost for Jazz Fusion: Psychedelic Record Still Sounds Ahead of Its Time More Than 40 Years Later
Otherworldly Sonics: Mobile Fidelity Delivers the Consummate Pressing of the Uncompromising Work Ranked by Rolling Stone as Among the Greatest 100 Albums of All Time
Grammy Award-Winning Set Ignores Convention, Pursues Funk and Rock Directions Via Innovative Rhythms and Groundbreaking Ensemble Configurations
A Dozen Five-Star Miles Davis Albums Spanning 1958-1971 Available from Mobile Fidelity on Definitive-Sounding LP
"Listen to This." As the original working title for Bitches Brew, the invitation resonates as the best way to approach a record that shattered conventions, altered music history, and still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made in any genre.
Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's definitive 180g 2LP. Mastered from the original master tapes, these audiophile editions join the ranks of eleven other essential Davis sets given supreme sonic treatment by Mobile Fidelity.
Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism.
Mobile Fidelity's reissues envelop you in expansive warm tonal blankets.
Gathering a Hall of Fame-worthy lineup of musicians, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops speak to the leader's ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of this watershed effort lies in how it encourages free thought-the very principle with which Davis
conceived the everlasting beauty that is Bitches Brew.
This title is not eligible for discount.1. Pharaoh's Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
5. Miles Runs the Voodoo Down
6. Sanctuary$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
The B-52sNumbered Limited Edition
Ranked 152/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Delightfully Campy, Intentionally Goofy, Lyrically Kitschy: 1979 Set Is Nothing But a Good Time
Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI (America's Best Record Plant): LP Bursts Forth With the Color and Vibrancy of the Brilliant Pop Within
Boffo! Beehive hairdos, goofy sci-fi humor, lava-lamp kitsch, thrift-store fashions, party-starting tunes, unconventional perspectives, and the unique blending of the underground aesthetic with mainstream accessibility: The B-52s mix all this and more into a dizzying cocktail on their self-titled debut, which remains one of the most ahead-of-its-time, endlessly enjoyable, and vividly colorful albums ever released.
The B-52s has its roots in the bands improbable genesis, itself reflective of the records gleeful moods and quirky charms. The five members first played after sharing a tropical alcoholic beverage at a Chinese restaurant, the ironic silliness and spontaneous irreverence indicative of the music on its breakthrough record. Not to mention how it mirrors the unusual hodgepodge of instrumentation: organs, walkie talkies, bongos, glockenspiels, tambourines, toy pianos, smoke alarms, and more!
Musically, the band proves just as adventurous and whimsical. Using pleasant harmonies as a backdrop and Kate Piersons squealing organ as a starting point, the B-52s draw upon surf-rock grooves, beach-bound soul-pop, herky-jerky funk riffs, minimalist rhythms, and Ricky Wilsons unusual guitar lines to craft songs that tower above the sarcastic suggestiveness and campy declarations. Of course, the latter are plenty entertaining on their own, but theres no denying the dance-bound persuasiveness and melodic shimmy associated with the classic cult single Rock Lobster and splendid cover of the ubiquitous Petula Clark standard Downtown. Youve never heard anything like this.
Indeed, the B-52s were about a decade ahead of the alt-rock revolution when they recorded this delightfully campy, intentionally goofy, lyrically tawdry, and undeniably harmonic 1979 new-wave set that comes off as the best dance party you might ever hear. This is 40 minutes of nothing but a good time.
Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI (America's best record plant), Silver Label numbered limited edition LP presents the B-52s brilliant debut in a fidelity its never previously enjoyed. So detailed and realistic are the timbres, accents, and harmonies, youll think the bands bright outfits are appearing right in front of you. Plus, the LP is worth the cost alone for the iconic album cover, which spotlights those bouffant dos.
About Silver Label: New from Mobile Fidelity Sound Lab, the MoFi Silver Label Vinyl Series will feature an eclectic mix of recordings. This series is mastered and cut on the famous Mobile Fidelity Sound Lab state-of-the-art Tim de Paravacini-designed mastering system. Vinyl will be pressed at RTI on audiophile-grade standard vinyl and will be numbered limited-editions. Future releases will continue to stretch stylistic boundaries, as the MoFi Silver Label continues to explore music from many different genres. Expand your musical horizons with the Silver Label!
This title is not eligible for discount.1. Planet Claire
2. 52 Girls
3. Dance This Mess Around
4. Rock Lobster
6. There's a Moon in the Sky (Called the Moon)
7. Hero Worship
9. Downtown$24.99Vinyl LP - Sealed Buy Now
Chart-Topping 1974 Record Reunites Dylan With the Band: Interplay Alone Worth Experiencing Set in Highest-Possible Fidelity
Mastered from the Original Master Tapes: Mobile Fidelity Version Brings Underrated Gem to Fullest Light With Warm, Revealing Sound
Edgy Personal Album Captures Legendary Artist Straddling Line Between Romance and Suspicion: Includes Beloved Favorites "Forever Young" and "You Angel You"
Bob Dylan's Planet Waves became an event even before the album was released and revealed itself as an understated masterwork. His first studio recording in nearly four years, the homespun 1974 effort finds him reuniting with the Band, by then firmly established as virtuosos. The chemistry is obvious on every song. And the modest and spare production only magnifies the honesty and purity of the collaboration. Mobile Fidelity's 180g LP deepens the music's emotional connection and rustic warmth to the fullest possible extent.
Mastered from the original master tapes, this collectable audiophile edition brings to the surface the communal interplay and warm, relaxed vibe established by Dylan and the Band. Listeners will finally sense the sensitive tones made possible by the ensemble's laidback nature and watertight playing. The deep body of Richard Manuel's piano, pinpoint decay of Garth Hudson's organ, and clarity of Dylan's vocals emerge with new perspective. As a result, Planet Waves leaps from the background of Dylan's catalog into the fore, the revelatory sonics helping earn the record serious consideration as one of the Bard's finest.
Recorded in just three days time, Planet Waves is at its core an exhibition of the inimitable folk-rock honed by Dylan and the Band. Recalling the Americana spirit of The Basement Tapes while adding a domesticated edginess and subtracting a degree of wildness, the set personifies simple charm and scraggly sweetness. Couched in the context of Dylan grappling with the chasm between family life and the road, Planet Waves fittingly encompasses myriad moods and contradictions, with tunes ranging from unquestionably devotional to overtly dark. In between, the singer attempts to navigate peace, catharsis, and resolve.
Per Dylan's hallmark, many tunes on Planet Waves involve twists and subterfuge. Not, however, the best-known offerings-the often-covered wish "Forever Young," celebratory roll-and-tumble "On a Night Like This," devotional "You Angel You," which spark with love, romance, and prayer-like tenderness. Yet the seeds that blossomed into 1975's traumatic break-up album Blood on the Tracks are also planted here. Complex feelings and deep-seated personal confusion surface on "Wedding Song," the hardscrabble "Tough Mama," piano-centered "Dirge," and knocking-on-heaven's-door darkness of "Going, Going, Gone."
Throughout, Dylan's voice supplies subtle hints about his mindset and intent as the Band shadows him step for step, adding to the thematic ambivalence and contributing to a debate over meaning that continues today. Indeed, such relevance confirms the significance of Planet Waves 40 years after its original release. Mobile Fidelity's analog version digs beneath the surface and helps expose the record's buried strains.
This title is not eligible for discount.1. On a Night Like This
2. Going, Going, Gone
3. Tough Mama
5. Something There Is About You
6. Forever Young
7. Forever Young (Continued)
9. You Angel You
10. Never Say Goodbye
11. Wedding Song$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Heartbeat City (Awaiting Repress)Four-Times-Platinum Heartbeat City Survives as the Cars' Final Great Album Before Break-Up
Mastered from the Original Master Tapes: Mobile Fidelity LP Presents the 1984 Mutt Lange-Produced Heartbeat City In Extraordinary Sound
Loaded With Recognizable Hits: "Drive," "You Might Think," "Magic," "Hello Again," and "Why Can't I Have You" All Top 40 Singles
1984 will always be remembered for the debut of the Macintosh computer, the Summer Olympics in Los Angeles, and the ascent of MTV as the most powerful cultural medium of the era. The year is also recognized for the Cars' savvy contributions not only to the burgeoning music-video channel but to pop itself. Released in April, the four-times platinum Heartbeat City ultimately spawned five Top 40 singles-four of them landing in the Top 20, two in the Top 10-and serve as the final memorable record from the Boston group, which disbanded in 1987.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's numbered limited edition 180g LP of Heartbeat City revisits the landmark album via a rich fidelity unmatched by any prior edition. Signifying the first time the set has been available on vinyl in nearly three decades, this reissue opens up the soundstages, decongests the low frequencies, and shines a spotlight on Mutt Lange's pinpoint balances and glossy hooks. Indeed, the now-household-name producer would make a lasting mark with Heartbeat City, whose radio-friendly sound, multi-layered textures, and smooth, suave, synth-heavy pulses set a precedent for the period's hit-making pop.
Overflowing with a surfeit of finger-snapping beats, electro-pop effects, streamlined guitar notes, and bright melodies, Heartbeat City trades in efficiency, catchiness, and to-the-point craftiness. Unlike most mid-80s records, the electronic effects and sleek tonalities aren't dated due to both the focused production and irresistible songwriting. Leader Ric Ocasek penned all ten tunes, and while a mind-boggling five charted in the Top 40, what makes Heartbeat City such a staple is the fact that it's easy to imagine every song on it crashing the Billboard Hot 100. Call it the new-wave version of Thriller.
Indeed, the record's track list automatically triggers a mental jukebox. The spare simplicity and hopefulness of "Magic." The simultaneously sad longing and soothing somberness of the Benjamin Orr-sung "Drive." The shimmer and shuffling riff of "You Might Think." The ping-pong bounce and futuristic paranoia of "Hello Again." The atmospheric, arty title track. Heartbeat City is a veritable lesson in pop tunesmithship.
This title is not eligible for discount.1. Hello Again
2. Looking for Love
5. Stranger Eyes
6. You Might Think
7. It's Not the Night
8. Why Can't I Have You
9. I Refuse
10. Heartbeat City$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Sinatra's Swingin' Session (Awaiting Repress)Mastered from the Original Master Tapes
Legend has it that when Frank Sinatra initially stepped into the recording studio for the first of four sessions, he asked Nelson Riddle to speed up the tempos to the songs that landed on Sinatra's Swingin' Session!!! It's safe to say that the arranger followed orders and that the results-buoyant, cheery, fun, exuberant, zesty, and wonderfully jazzy-speak for themselves. This 1961 effort remains the Chairman's fastest, hardest-swinging set. And oh, how it swaggers.
Mastered from the original master tapes, Mobile Fidelity's numbered limited edition 180 gram LP of this gem possesses a punchiness, immediacy, forcefulness, and dynamic heft that rivals even what's heard on a pristine original Capitol pressing-provided you can even find one. The reissue will help convert your room into a studio stuffed with horn players and percussionists, with Sinatra, decked out in a trademark fedora and suit, holding court at the center of it all. Sinatra's Swingin' Session!!! isn't a live album, but it hits with the gusto and tang of one.
Forget about incorrect rumors that state that this album was only completed due to contractual obligations and that Sinatra hurried through the material. No matter the circumstances, nothing here is tossed-off or rushed. As always, Sinatra takes it all seriously, pouring his all into each of the dozen tracks here. He wouldn't have it any other way. Name another singer from his era (or any) that could possibly keep time with these uptempo beats and sound as if he isn't even breaking a sweat. Needless to say, Sinatra has a blast making it all happen.
Riddle's arrangements help push forward the tunes, whether they be happy standards such as "When You're Smiling (The Whole World Smiles With You)," optimistic finger-snappers like "S'posin'," or the evergreen "Blue Moon," punctuated with a memorable tenor sax solo. Melodies unfurl like red ribbons on packages; grooves alternate between galloping and gallivanting; even ballads can't resist moving to joyous rhythmic patterns. Throughout, Sinatra's casual, uninhibited singing rises above the band, producing emotions that are at once frisky, lighthearted, pleasurable, and contagious. Dust off your dancing shoes.
This title is not eligible for discount.1. When You're Smiling (The Whole World Smiles With You)
2. Blue Moon
4. It All Depends on You
5. It's Only a Paper Moon
6. My Blue Heaven
7. Should I?
8. September in the Rain
10. I Can't Believe That You're in Love With Me
11. I Concentrate on You
12. You Do Something to Me$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Point Of No ReturnPoint of No Return on Numbered Limited Edition 180 Gram Stereo LP from Mobile Fidelity
Memories of You: Sinatra Waves Farewell to Capitol on Elegantly Dressed Standards Set from 1961
Mastered from the Original Master Tapes: Mobile Fidelity 180 Gram LP Captures Gracefulness of Ornate Orchestrations
Sinatra Reunited With Arranger Axel Stordahl, Collaborator That Spearheaded the Voice's Rise in the 1940s
Thematic Songs Address Goodbyes With Profound Sense of Sadness, Longing
Nobody says goodbye like Frank Sinatra. For his final album with Capitol, Ol' Blue Eyes elected to croon an unforgettable selection of farewell songs marked with longing, sadness, and poignancy. To make the occasion even more special, he teamed with arranger Axel Stordahl, the virtuoso that helped launch Sinatra's star at Columbia during the 1940s. The results amount to one of the finest send-off statements in history.
Mastered from the original master tapes, Mobile Fidelity's numbered limited edition 180 gram stereo LP presents the songs as they should be experienced: In rich, lush, front-to-back sound in which the strings soar and literally inhale and exhale. Sinatra's singing, as good as it's ever been during his career, comes across with unfettered transparency and tonal purity. Such is the fidelity, the music turns into aural poetry, rendering completely fluid and tube-amp warm the rushes of strings, words, and structures.
Sinatra fans continually debate which of the artist's albums rank as his best, but there's no doubting the status attached to Point of No Return. Unquestionably the most overlooked effort in the Chairman's Capitol catalog, it defies common expectation that it was made haphazardly to simply fulfill a contractual obligation. Sinatra's presence alone guarantees that isn't the case, yet Stordahl's involvement ensures this 1961 set is something very special indeed.
The chemistry between the old collaborators is immediately evident. Sinatra inhabits every phrase, feeling, and expression conveyed on the dozen standards, achieving an intimate connection with Stordahl's instrumental accents. Akin to the downbeat moods he casts on the immortal In the Wee Small Hours and Only the Lonely, the vocalist keeps calm and cool, yearning and reflecting as if he's strolling a barren downtown after midnight, a man left alone with his thoughts and memories. Somber, wistful, meditative, teary-eyed sentimental-Sinatra paints each song with the emotions they need, nothing more and nothing less.
From regal ("These Foolish Things (Remind Me of You)") to nostalgic ("I'll Be Seeing You"), relaxed ("September Song") to dramatic ("When the World Was Young"), Stordahl's treatments blush with natural ease and instinct, setting up Sinatra for countless moments of sublime beauty. Vocal pop aficionados, you don't want to miss this classic.
This title is not eligible for discount.1. (Ah, the Apple Trees) When the World Was Young
2. I'll Remember April
3. September Song
4. A Million Years Ago
5. I'll See You Again
6. There Will Never Be Another You
7. Somewhere Along the Way
8. It's a Blue World
9. These Foolish Things (Remind Me of You)
10. As Time Goes By
11. I'll Be Seeing You
12. Memories of You$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Imperial BedroomRanked 166/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Universally Hailed 1982 Pop Masterpiece Pairs Costello and Co. With Beatles Engineer Geoff Emerick
Record Topped Village Voices Pazz & Jop Critics Poll In Year of Its Original Release
Lavish Instrumentation, Involved Arrangements, and Piano-Based Melodies Frame Ambitious Songs That Address Domestic Malaise While Coming Off as Upbeat
Half-Speed Mastered from the Original Master Tapes: Imperial Bedroom Joins Mobile Fidelitys Pristine LP Reissues of Costellos My Aim Is True, This Years Model, Armed Forces, Get Happy!!, and Almost Blue
Recorded with famed Beatles engineer Geoff Emerick, Imperial Bedroom stands as Elvis Costello and the Attractions most highly decorated traditional pop album. Boasting sumptuous arrangements, large-scale instrumentation, ambitious layers, Tin Pan Alley melodies, and orchestrated devices, the 1982 record is a testament to studio creativity and ornate production. Amidst the lavish settings beats the heart of Costellos biting, brutal lyrics that confront domestic malaise and sober emotional reflection. Its little wonder the intelligent effort took top honors in the Village Voices Pazz & Jop Critics Poll.
Not that audiences back in the day ever had the privilege of hearing Imperial Bedroom at its maximum potential. Now they can. Half-speed mastered from the original master tapes, Mobile Fidelitys numbered limited edition 180g LP opens up the soundstages, expands the depth, and brings the genius of the grand arrangements into clear focus. In particular, the sound of the piano will have you believe that the 88s are situated right in your room, and never before has Emericks crafty sonic precision been so readily apparent. This is a huge-sounding record that demands full frequency extension and astute separation. Mobile Fidelitys reissue delivers on all fronts. You need to hear this!
Ranked in 2005 by Rolling Stone at #166 on the magazines prestigious list of the 500 Greatest Albums of All Time, Imperial Bedroom overflows with contagious pop, savvy torch, cabaret, chamber, and jazz-influenced fare. If its details you seek, then look no further. With Emerick's assistance, each tune is distinguished with painstaking sonic accents, blended rhythms, counterpoint bass lines, dazzling passages, and inventive motifs. Accordions, tremolo guitars, organs, harpsichords, marimbas, horns, and an assortment of other instruments help color the subtly dark canvases. A 40-piece orchestra graces the gorgeous And In Every Home.
Originally intended to be a stripped-down affair, Imperial Bedroom reflects Costello's migration to composing on piano as well as his listening tastes at the time: Billie Holliday, Cole Porter, Frank Sinatra, Debussy. Intricate, expansive, and complex without ever sounding inaccessible, the record includes the now-classic Man Out of Time, Beyond Belief, and Almost Blue, the latter a ballad that Chet Baker included in his live sets until he passed away. In another stroke of brilliance, Costello used the record as an opportunity to address the melancholic changes in both his own personal situation as well as that of England, the songs functioning as smart, sometimes satirical dialogues on issues such as disenchantment, identity, and relationships.
Still considered by many the finest record released in 1982, don't pass up this extraordinary-sounding reissue.
This title is not eligible for discount.1. Beyond Belief
2. Tears Before Bedtime
3. Shabby Doll
4. The Long Honeymoon
5. Man Out of Time
6. Almost Blue
7. ...And in Every Home
8. The Loved Ones
9. Human Hands
10. Kid About It
11. Little Savage
12. Boy with a Problem
13. Pidgin English
14. You Little Fool
15. Town Cryer$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
MUSD-MFSL-412xHall and Oates
Private EyesPrivate Eyes on Numbered Limited Edition 180 Gram LP from Mobile Fidelity
1981 Album Established Parameters for Decade's Celebrated Pop Sounds
Includes Private Eyes, I Can't Go For That (No Can Do), Did It in a Minute
Meticulous Merger of Pop, Soul, Rock, and R&B Crossed Over Into all Fields
Stylish, Sophisticated Production Comes to Fore on Mobile Fidelity Reissue, Mastered from the Original Master Tapes
Hall and Oates could've easily followed the protocol established on their breakthrough Voices, done nothing else, and watched 1981's follow-up Private Eyes scale the charts. Yet the duo continues to press forward, further refining the era-defining stylistic mÉlange that propelled them to mass stardom a year prior. The creative and artistic peak of the all-time best-selling male duo's output, Private Eyes delivers relentless pop bliss and functions as an instruction manual that, as Rolling Stone opined, still teaches "the way to make rock girls, disco girls, and new-wave girls scream together."
Mastered from the original master tapes and pressed on 180 gram LP at RTI, Mobile Fidelity's reissue presents the Top 5 album's sharp, widescreen production values with awe-inspiring detail and palpable realism. For the first time, listeners can get inside the songs' internal mechanisms by experiencing first-hand the vast surfeit understated sonic effects. Well-appointed tones now grace the array of guitars, pianos, basses, and voices placed against synthesized backdrops. Each member's singing also claims enhanced intimacy and balance. Offering tremendous insight, Mobile Fidelity's LP doubles as a lesson in the construction and sustain of big, bold grooves.
Advancing their rhythmic support and melodic symmetry, Hall and Oates give extra space to their still-underrated backing band, affording the material a muscular punch and organic warmth crucial to their success and ability to transcend the largely artificial era. While the tandem's peers often relied on robotic mechanisms and now-dated keyboard noises, Hall and Oates wisely merge the period's savvy sounds with tried-and-true soulful instrumentation.
Reflecting the album's infallible level of quality control, no song disappoints. The three Top 40 singles-the title track, "I Can't Go For That (No Can Do)," and "Your Imagination"-feature clever elements such as hand-clapped choruses and staccato piano lines. The distinctive traits complement the duo's hallmark harmony vocals and add R&B flavors to already-scintillating pop concoctions. Yet Private Eyes' pleasures advance well beyond the radio singles.
Whether witnessed via the taut tension of "Some Men," reggae-splashed "Tell Me What You Want," or Motown homage "Looking for a Good Sign," the group's blend of dance vibes, electrifying hooks, keyboard loops, and sleek beats epitomizes seduction, style, and swagger. Private Eyes is an 80s juggernaut that hasn't lost a step. Utterly classic.
This title is not eligible for discount.1. Private Eyes
2. Looking for a Good Sign
3. I Can't Go For That (No Can Do)
4. Mano a Mano
5. Did It in a Minute
6. Head Above Water
7. Tell Me What You Want
8. Friday Let Me Down
9. Unguarded Minute
10. Your Imagination
11. Some Men$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
TrustTrust Is Most Eclectic and Ambitious Record of Elvis Costello's Career: "[His] Summit as a Singer, Songwriter, and Miserable-Irish-Bastard Pin-Up Boy" Says Rolling Stone
Mastered from the Original Master Tapes: Mobile Fidelity LP of Trust Enhances the Realism of the Songs' Advanced Arrangements and Nimble Accents
1981 Album Mixes R&B Rhythms and New-Wave Melodies: Includes "Clubland," "Watch Your Step," and "Strict Time"
The album cover to Trust speaks volumes: Elvis Costello, bathed in shadows, his eyes nervously peering out from behind his sunglasses, his face conveying a combination of edgy noir purpose and guilt-ridden anxiety. Indeed, the tension-rich songs within largely convey the opposite meanings of the record's title, with the British icon musing on what lies beyond arrogant youth and immediate success with a jaundiced, scarred perspective informed by his country's political climate and his own experiences.
Of course, this being Costello and the Attractions, everything is wrapped into a catchy batch of songs that encourage listeners to hear them multiple times before they reveal their true intent. On Trust, almost nothing is what it seems, a condition that only enhances what remains the most diverse set of Costello's career. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's transparent analog reissue lets music lovers in on the secrets via unsurpassed clarity and breathtaking immediacy.
Whether the full, rounded tones of Bruce Thomas' bass or complete extension and decay of Steve Nieve's organ, every instrumental accent is delivered with lifelike detail and superb balance. Melodicas, drums, pianos, and guitars similarly come across faithfully and richly, the blend freed of constricting sonic veils and dynamic compression. Heard anew on this pressing, Trust emerges as one of the most satisfyingly complex and expertly played albums of its era. Costello's singing, too, reveals intricate tonal shadings and implied meanings, with slower tracks such as the hypnotic "Watch Your Step" and Tin Pan Alley-inspired solo tour de force "Shot With His Own Gun" ravishing with enhanced emotional investment.
As is often the case with great (and sophisticated) albums, Trust-which retains a five-star review from the most recent Rolling Stone Album Guide-didn't spawn any Top 40 hits at the time of its release. Yet age has been more than kind to the effort Costello said aimed to cross the rhythms of Get Happy!! with the melodies of Armed Forces, and which more than achieves the exacting goal. Admittedly made in a haze of booze and pills, the 1981 affair plumbs issues of disillusionment, romance, and sin with barbed wit and unvarnished honesty.
Country, soul, pop, rockabilly, two-step, punk-shot-through rock, jazz-Costello and the Attractions explore and master it all on Trust, all the while performing with an unencumbered directness and on-point coherence. No better example of the singer's simultaneous stylistic reach and virtuosity exists. Experience it like never before on this phenomenal-sounding pressing.
This title is not eligible for discount.1. Clubland
2. Lovers Walk
3. You'll Never Be a Man
4. Pretty Words
5. Strict Time
7. Watch Your Step
8. New Lace Sleeves
9. From a Whisper to a Scream
10. Different Finger
11. White Knuckles
12. Shot With His Own Gun
13. Fish 'n' Chip Paper
14. Big Sister's Clothes$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Filles De KilimanjaroNumbered, Limited Edition
Davis' Self-Proclaimed "Directions in Music" March Begins Here
Mastered from the Original Master Tapes: Abundant Jazz, Funk, and Rock Textures Rotate Around a Luscious Tonal Center
Landmark 1968 Effort Recognized as Davis' Prelude Into Full-On Fusion: Exotic Suite-Like Album Beautiful, Intense, Adventurous
Miles Davis' move into full-on fusion starts here. Abandoning his bebop roots and chasing electric dreams, rock-based rhythms, and ostinato pulses, the icon gives life to new music forms on Filles de Kilimanjaro, a titanic release prized for its historical significance and lasting beauty. Grounded and focused, the five compositions unfold like a unified suite. Such peak lyricism, flourishes, and phrases are experienced in the highest-possible fidelity on Mobile Fidelity's 45RPM 2LP set.
Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile version of Filles de Kilimanjaro joins the ranks of eleven other essential Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Loaded with revealing signatures, the record takes on even greater import when heard the way Davis and his mates discerned it in the studio. Backgrounds are squid-ink black, pianissimo lines shimmer, and the electric piano emerges with tube-amp warmth.
Indeed, the exotic sound, touch, and feel of the songs on Filles de Kilimanjaro are as crucial as the melodies. To that extent, listeners can now enjoy the expressive tonalities and lush colors from each instrument in full-range glory. Voicings, harmonics, and pitches are rendered with exquisite detail. The manners in which the textures and phrases rotate what seems like a unified tonal center places you at the original recording sessions, executed in July and September 1968.
The final appearance of Davis' classic second quintet bears fruit on three of the record's cuts, including the title track and R&B-tinted "Frelon Brun." Sparked with restrained funk, driving grooves, and bluesy accents, Filles de Kilimanjaro maintains an instinctive flow and controlled fredom that permit Davis to oversee an innovative blending of alterations, improvisation, and cycles. Comprised of multiple sections, "Petits Machins" is a lesson in perfectly played melodic complexity, with chromatic riffs, dominant chords, syncopated progressions, and switching meters forming a singular mosaic.
Filles de Kilimanjaro also represents a jumping-off point for Davis' lineup. For the September sessions, Chick Corea replaced Herbie Hancock while Dave Holland relieved Ron Carter. The new additions speak a different albeit common language, fitting in with Davis' desire to draw from rock and weave funk into open-minded excursions filled with exoticism, soulfulness, and wonder.
More than 40 years ago, this record epitomized the future of jazz. Davis even announced such aspirations with the tagline "Directions in Music." With the jazz world still trying to wrap its collective mind around its genius, it still does.
This title is not eligible for discount.1. Frelon Brun
2. Tout de Suite
3. Petits Machins
4. Filles de Kilimanjaro
5. Mademoiselle Mary$49.99180 Gram Audiophile Virgin Vinyl LP 45RPM - 2 LPs Sealed Buy Now
Forever Changes (45 RPM) (Awaiting Repress)Ranked 40/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Mastered from the Original Master Tapes for Unsurpassed Analog Sound: Mobile Fidelity's 180g 45RPM 2LP Set Opens Up Scale of Lush Orchestral Architecture and Elegant Baroque Textures
Any discussion about the finest psychedelic rock record ever recorded is incomplete if it doesn't grant consideration to Love's Forever Changes. Ranked by Rolling Stone as the 40th greatest album ever made, and named by Mojo the second-greatest psychedelic set in history, the effort is an internationally recognized seminal work of art. Transcending language and convention, its magnitude and magnificence need to be heard again and again. For here is an effort whose mind-boggling acoustic complexities and kaleidoscopic nuances are tailored for high-fidelity playback.
Mastered from the original master tapes, Mobile Fidelity's numbered limited-edition 180g 45RPM 2LP set affords the masterpiece the white-gloves treatment and golden-hued analog sonics it has always deserved. Nearly unlimited headroom, vast instrumental separation, transparent clarity, artifact-free atmospherics, and faithful balances appear out of jet-black backgrounds. The music appears to float on clouds, with the woody tones emanated by the acoustic guitars and brassy signatures of horns emerging with lifelike detail. Turn it up as loud as you want; the sole limitation will be your system's potential.
Commercially ignored upon release in November 1967, Forever Changes confronts the alienation, paranoia, violence, and strife that would soon plague the countercultural movement and send the Summer of Love into a tailspin. Apart from its lyrical themes and prescient malaise, the record's enduring nature equally owes to intertwined arrangements sewn together with Latin guitar-picked lines, finessed folk harmonies, mariachi-inspired horn charts, and subdued strings.
The seemingly opposing combination - ominous, dark reflections situated amidst lush, light melodic beds - affords Forever Changes a distinguished tension of claustrophobia and openness, dourness and ecstasy, ugliness and elegance enjoyed by no other record in the rock canon. Much of the contrast owes to leader Arthur Lee's mental state and pertinent observations. Lee, whose suppressed romanticism often surfaces even amidst the blackest shadows and most cynical moments, believed he would soon die, and hence channeled everything from lasting hopes to acid-addled decay to the chilling testimony of a Vietnam veteran in his narratives.
Alternatively sad and beautiful, the album-opening and flamenco-inspired Alone Again Or establishes the mood for what follows. Vocals overlap and soar; tempos rise and fall; surrealism trades places with reality.Forever Changes thrives both because of and in spite of a surfeit of labyrinthine chords and difficult notes that never repeat. Its ambitious construction almost forced the already fractured band to cede responsibilities to session musicians, which appear on two tracks. The quintet's resolve to not only complete the album, but to do so with such poignancy and curiosity, further enhances Forever Changes' standing.
No wonder that, in the twilight of his troubled career, Lee performed the record in its entirely during concerts met with overwhelming critical acclaim. It was, and will always be, a personal manifesto of timeless relevance and appeal.
This title is not eligible for discount.1. Alone Again Or
2. A House Is Not A Motel
4. The Daily Planet
5. Old Man
6. The Red Telephone
7. Maybe The People Would Be The Times Or Between Clark And Hilldale
8. Live And Let Live
9. The Good Humor Man He Sees Everything Like This
10. Bummer In The Summer
11. You Set The Scene$49.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
Live At The Sands: Before FrankSwinging Hard and Heavy With Orchestral Support, Live Big-Band Album Recorded During the Count's Warm-Up Sets for Sinatra in Early 1966 in Vegas
Incredible Sound: Mastered from the Original Master Tapes, Reissue Improves Upon Renowned Dynamics, Presence, Crispness, and Balances
Long Out-of-Print, Seminal Classic is Perfect Complement to Sinatra's Live at the Sands
Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.'s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra's iconic Live at the Sands.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You'll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence. Each horn occupies its own space, and Basie's transfixing piano-a focal point throughout-resonates with gorgeous detail and impeccable pacing. The collective's energy almost demands to be measured with an SPL meter.
Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie's signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count's studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie "Lockjaw" Davis, saxophonist/flautist Eric Dixon, and drummer "Sonny" Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.
Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis' turn on a white-hot "Jumpin' at the Woodside" and he and Dixon's exchanges on "This Could Be the Start of Something Big." No slouch, Basie approaches "Makin' Whoopee" with graceful playfulness, and oversees the assortment of uptempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard "I Can't Stop Loving You," arranged by Quincy Jones, can almost be considered a bonus.
No, it don't mean a thing if it ain't got that swing. And Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. Mobile Fidelity's reissue restores not only the sonics but the record's place in jazz history.
This title is not eligible for discount.1. Introduction
3. I Can't Stop Loving You
4. I Needs to Be Bee'd With
5. Flight of the Foo Birds
6. Satin Doll
7. Makin' Whoopee!
8. Corner Pocket
9. One O'Clock Jump
10. Hello Little Girl
11. Whirly Bird
12. Blues for Ilene
13. This Could Be the Start of Something Big
14. Jumpin' at the Woodside$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now