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Music Hall Usb 1

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  • MMF- USB 1 Turntable MMF- USB 1 Turntable Quick View

    $249.00
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    MMF- USB 1 Turntable


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Music Hall's new usb-1 is a convenient, easy to use, and fun turntable. It's a snap to set-up and comes with everything you need to start spinning vinyl. Whether you're looking to digitize and download your record collection, release your inner DJ, or simply discover the joy of spinning vinyl, the usb-1 is your answer. It has a built-in phono preamp, cartridge, dust cover, and includes all necessary cables and software required for simple plug and play operation.


    Music Hall Turntables
    $249.00
    MMF- USB 1 - With Cartridge Buy Now
  • USB Dac 25.3 USB Dac 25.3 Quick View

    $595.00
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    USB Dac 25.3


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    We significantly upgraded the award winning dac25.2 to the dac25.3. The upgrade was to the USB input which now accepts 24bit/96kHz signals. The dac25.3 is natively compatible with Windows 7/Vista/XP/2000 and Mac OS X.


    Today an increasing number of music lovers are buying storing and listening to music through their computer, media server, or personal music player (iPod). Many are also digitally distributing their music using a sonos, squeezebox, or one of a host of digital music distribution systems available on the market. This is a great way to explore and appreciate music but generally it's done at the expense of sound quality. Until now music lovers have been forced to rely on the inferior digital to analog converters (DACs) and sounds cards contained in those devices. As a result, their musical enjoyment has dramatically suffered. We designed the dac25.3 to directly address this problem and to significantly improve the sound quality of the music played on these systems.


    By uniting a state of the art digital to analog converter with a tube output we produce the clarity and precision of a 24bit DAC with the warm rich open sound people love of tubes. The dac25.3 has 4 digital inputs which can accept any coax (s/pdif), optical, XLR (AES/EBU), or USB digital input from an iPod transport, computer, media server, sonos, squeezebox, CD/DVD in stereo transport, or music hall's own cd35.2 compact disc player, and it will output two channel stereo analog.


    The dac25.3 features the latest texas instruments (formerly burr-brown) PCM 1796 24bit/192kHz, advanced segment, stereo audio digital to analog converter. This processor features 123dB dynamic range an 8 x oversampling digital filter and just 0.0005% thd. The dac25.3 upsamples to either 96kHz or 192kHz which is user selectable on the front panel. To achieve the best sound we use an advanced asynchronous reclocking and anti jitter control system upstream of the PCM 1796 DAC. For this system we are using the philips 74HC574 in conjunction with the ti SRC4192 asynchronous sample rate converter whose master clock is a high precision active crystal oscillator. The dac25.3 also features a large r-core high current oversize power transformer. A headphone output is provided for convenient personal listening.


    This product is not eligible for discount.


    Music Hall
    $595.00
    Music Hall USB DAC 25.3 Buy Now
  • Pro-Ject Speed Box S2 2 COLORS AVAILABLE Pro-Ject Speed Box S2 Quick View

    $179.00
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    Pro-Ject Speed Box S2


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    The new Pro-Ject Speed Box S2 speed controller replaces the old and famous Speed Box S. It nevertheless has the same functions and performances. It is made for entry level turntables and midrange turntables that have a 16V AC synchronous motor.


    It comes in a non magnetic anodized aluminium casing. The front panel is also in aluminium. It has a pulse switch which enables you to choose the speed (33 RPM or 45 RPM) as well as two LEDs which correspond to the speed selection.


    Its primary function is to enable (by change in frequency) to change the speed of the motor and, in consequence, go from 33 RPM to 45 RPM without having to manually change the belt from one pulley to another (when you do not need to raise the platter!). This is very practical for those who have a collection of singles! However, the Pro-Ject Speed Box S2 speed controller has another function. It has a quartz and microprocessor control that ensure a formidable stability of the rotation of the motor. Its precision of 0,001% translates to a speed stability multiplied by 5. It is important to take into account that it is possible to obtain a rotation at 78 RPM by adapting a specific pulley and by selecting 45 RPM.


    It is powered by an external power supply in direct current (DC) of 18 V. We connected it to a Pro-Ject 1-Xpression III turntable and a 2nd generation Pro-Ject 2-Xperience turntable. The results were very convincing. The gain in musicality obtained is undebatable and its user-friendliness make it necessary!


    It is advised to use the Pro-Ject Speed Box S2 speed controller with Pro-Ject turntables (Debut 3, Essential 1, Genie 1.3, XPression 1, II and III, RPM 4 et RPM 5, Xperience) and Music Hall turntables (Music Hall 2.2, Music Hall 5.1, Music Hall 7.1 ).


    CAUTION: the speed box 1,2, and S are not compatible with DC motors: Debut Carbon, Debut Carbon Esprit, Debut Carbon USB, 1Xpression carbon, RPM1 Carbon, RPM3 Carbon, 2Xperience DC, 6Perspex Acryl DC, etc.


    Pro-Ject
    $179.00
    Speed Box S2
    Buy Now
  • Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress) Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress) Quick View

    $469.99
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    Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) (Awaiting Repress)


    Six LPs, 800 Digital Tracks, Two Definitive Large-Format Books. All Housed In A Polished Aluminum Case Evoking The Era's High Art Deco Stylings And America's Own Machine Age Modernism.


    800 Newly-remastered Digital Tracks, Representing 175 Artists


    90+ Fully-restored Original 1920s-30s Paramount Ads From Chicago Defender


    6 X 180g LPs Pressed On Alabaster-white Label-less Vinyl, Each Side With Its Own Hand-Etched Numeral And Holographic Image


    250 Pg. Large-Format Clothbound Hardcover Book Featuring Original Paramount Art And The Label's Curious Tale


    400 Pg. Encyclopedia-Style Softcover Field Guide Containing Artist Bios & Portraits And Full Paramount Discography


    Polished Aluminum And Stainless Steel Cabinet, Evoking 1930s High Art Deco Stylings And America's Own Machine Age Modernism


    First-Of-Its-Kind Music And Image Player App Containing All Tracks And Ads, Housed On Sculpted Metal USB Drive


    Last November, Jack White's Third Man and John Fahey's Revenant issued The Rise & Fall of Paramount Records, Volume One (1917-27), the first installment of the curious tale of America's most important record label. It was called spectacular (New York Times), unprecedented (Rolling Stone), breathtaking (Boing Boing), a cabinet of wonder, indeed (Pitchfork), and the most perfectly realized attempt to combine music and documentation (Fretboard Journal) and damnedest musical objet d'art (Nashville Scene) folks had ever seen.


    Third Man-Revenant now presents the final volume in the Paramount story - The Rise & Fall of Paramount Records, Volume Two (1928-32).


    As Volume Two begins, Paramount is entitled to a breather - in the previous 5 years it's been home to giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Eubie Blake, Fletcher Henderson, Big Bill Broonzy, Roosevelt Sykes, James P. Johnson, Jaybird Coleman, Clarence Williams, and Fats Waller.


    But just as it seems the label might be losing steam, it begins a second act that threatens to dwarf its first. In its final 5 year push from 1928-32, Paramount embarks on a furious run for the ages, birthing the entire genre of Mississippi Delta blues and issuing some of the most coveted recordings in the history of wax - a staggering playlist including Skip James, Charley Patton, Son House, Tommy Johnson, Blind Roosevelt Graves, Willie Brown, King Solomon Hill, Tampa Red, Georgia Tom Dorsey, Little Brother Montgomery, Lottie Kimbrough, Rube Lacy, Meade Lux Lewis, Buddy Boy Hawkins, Ramblin' Thomas, Jaydee Short, George Bullet Williams, Cow Cow Davenport, Clifford Gibson, Ishman Bracey, Charlie Spand, Jabo Williams, Louise Johnson, Blind Joe Taggart, Geeshie Wiley & Elvie Thomas, and The Mississippi Sheiks.


    Paramount simply killed. But more than that, it changed how this country thought of itself. It was the first and most comprehensive chronicler of what America really sounded like in the 1920s and '30s - on its street corners, at its fish fries and country suppers, in its nightclubs and dance halls and showtents. In the process, Paramount - not some preservationist-minded enterprise like the Library of Congress - inadvertently created the most significant repository of this young nation's greatest art form.

    6 LPs feature tracks from the collection.


    USB Drive contains 800 digital tracks by 175 artists across the Paramount family of labels.

    Various Artists
    $469.99
    180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed AWAITING REPRESS Buy Now
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