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Nat King Cole Trio

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  • After Midnight - Bonus Tracks After Midnight - Bonus Tracks Quick View

    $74.99
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    After Midnight - Bonus Tracks

    In this felicitous blending of Nat King Cole's supreme talents as jazz pianist and vocalist with small combos featuring fellow jazz alumni, classic pop and jazz met in a wildly successful brew. A combination of new and familiar songs are featured, including fresh recordings of classic hits like Route 66. Musicians include Harry Sweets Edison, Juan Tizol, Lee Young, Stuff Smith and Willie Smith augmenting his famous Trio. In addition to the full original album, five additional tracks and one alternate take from the original sessions are included in this release. Mellow, classy, focused and vibrant, After Midnight was a hit and an instant classic upon its release in 1956 and remains a gem to treasure today.


    Mastered fully analogue from the original first-generation full-track monaural session tapes by Steve Hoffman and Kevin Gray to 45-RPM 180-gram vinyl, the exemplary recording is presented in appropriately exquisite sound quality.


    Recorded in 1956.


    This title is not eligible for discount.

    Just You, Just Me
    Sweet Lorraine
    Sometimes Im Happy
    Caravan
    Its Only A Paper Moon
    Youre Looking At Me
    Lonely One
    Dont Let It Go To Your Head
    I Know That You Know
    Blame It On My Youth
    When I Grow Too Old To Dream
    (Get Your Kicks On) Route 66


    Bonus tracks, songs left off original LP:


    Candy
    What Is There To Say?
    I Was A Little Too Lonely
    You Can Depend On Me
    Two Loves Have I
    Just You, Just Me, Take 2
    It's Only a Paper Moon, Take 3

    Nat King Cole
    $74.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 3 LPs Sealed Buy Now
  • All For You: A Dedication To The Nat King Cole Trio All For You: A Dedication To The Nat King Cole Trio Quick View

    $34.99
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    All For You: A Dedication To The Nat King Cole Trio

    All for You is a tribute to the Nat King Cole Trio of the 1940s, when Cole performed as both a singer and a pianist. Krall, like her heroes Lena Horne and Carmen McRae, is also a singer-pianist, and she plays both roles on most of the songs here. She's able to link her singing to her piano playing in sympathetic ways and projects tremendous feeling through both. Like Cole in the '40s, Krall plays with a drummerless trio--here with guitarist Russell Malone and bassist Paul Keller. Their sense of intimate rapport is especially valuable on ballads such as You Call It Madness and I'm Thru with Love, but also allows such uptempo tunes as Hit That Jive Jack to swing with surprising lightness. -Geoffrey Himes
    1. I'm An Errand Girl For Rhythm
    2. Gee Baby, Ain't I Good To You
    3. You Call It Madness
    4. Frim Fram Sauce
    5. Boulevard Of Broken Dreams
    6. Baby Baby All The Time
    7. Hit That Jive Jack
    8. You're Looking At Me
    9. I'm Thru With Love
    10. Deed I Do
    11. A Blossom Fell
    12. If I Had You
    Diana Krall
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Nat King Cole Story The Nat King Cole Story Quick View

    $149.99
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    The Nat King Cole Story

    Analogue Productions' Blue Note and Nat King Cole Reissues WIN A Positive Feedback 2010 Brutus Award!
    ...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out! - David W. Robinson, Positive Feedback, Issue 52



    The results on this five 45rpm 180g LP set are simply astonishing, particularly if you've heard the originals. The transparency, dynamics and three-dimensionality create the intense sensation of being in the studio with the musicians and especially with Cole who appears as a visceral, floating apparition between the speakers. The size and three-dimensionality of the vocal image produces the sensation of the listener being a 'fly on the microphone mike stand' listening to Cole perform, surrounded by musicians. The arrangements and performances are faithful to the originals but the sound of course is far superior. The feeling is of sitting in on history by being there, not merely eavesdropping after the fact. Music = 10/11; Sound = 11/11 - Michael Fremer, Musicangle



    ...mastered from the original three-track work tapes is a sonic spectacular that outdoes the original by a wide margin - as does its packaging. The SACD includes three-channel and two-channel mixes. A major reissue. Stereophile Records To Die For - Michael Fremer, Stereophile, February 2010



    One of Nat King Cole's crowning achievements and a fittingly lavish celebration of a cultural and musical icon, The Nat King Cole Story offers a glorious overview of the career of one of the greatest and most beloved performers in popular music history. 38 tracks, many re-recorded in stereo for this anthology, offer a selection spanning his popular career.



    His beginnings leading the popular jazz-oriented Nat King Cole Trio are represented with selections including Route 66 and I Love You (For Sentimental Reasons). Hits including Nature Boy, Mona Lisa, Unforgettable, Orange Colored Sky, Night Lights and Looking Back are here to represent his unparalleled string of memorable hits as a popular vocalist. Calypso Blues and Ay Cosita Linda help illustrate the range his projects could cover. More contemporary to this anthology, selections including Wild Is Love are augmented here with two huge hits as a special bonus, Ramblin' Rose and Those Lazy, Hazy, Crazy Days of Summer to further expand the scope.



    A talent and voice for all times with a body of work that could and did help define their eras, Nat King Cole's career offers some of the finest, most enduring and treasured recordings ever made. Nat King Cole could never be fully served by any one set. But this wonderful cornucopia stands as a fantastic celebration for the enthusiast and a good starting point for someone just beginning to explore The Nat King Cole Story.



    Using the original first generation 2-track and 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning beauty of these recordings in this 45-RPM 180-gram five album set.



    Originally presented as a deluxe box set of 3 LPs in a canvas-bound embossed box with essays and pictures included in a album-sized booklet, The Nat King Cole Story was a prestigious release Capitol took obvious pride in. Complete with 5 LPs, canvas-bound embossed box and booklet with essays and pictures, Analogue Productions proudly recreates the experience for a new generation to cherish with this deluxe release. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.



    There are 38 songs in this collection. Of those, three are the same recordings included on other Analogue Productions Nat King Cole reissues. Stardust (track 28) is the same version included on Love Is The Thing. St. Louis Blues (track 30) is the same version included on the album of that title. And Paradise (track 33) is the same version included on The Very Thought Of You. Three more songs - Sweet Lorraine, It's Only A Paper Moon and (Get Your Kicks On) Route 66 - are songs that appear on After Midnight, however these versions are stereo re-recordings of the original arrangements from the 1940s.



    This title is not eligible for discount.

    1. Straighten Up And Fly Right
    2. Sweet Lorraine
    3. It's Only A Paper Moon
    4. (Get Your Kicks On) Route 66
    5. (I Love You) For Sentimental Reasons
    6. The Christmas Song (Merry Christmas To You)
    7. Nature Boy
    8. Lush Life
    9. Calypso Blues
    10. Mona Lisa
    11. Orange Colored Sky
    12. Too Young
    13. Unforgettable
    14. Somewhere Along The Way
    15. Walkin' My Baby Back Home
    16. Pretend
    17. Blue Gardenia
    18. I Am In Love
    19. Answer Me, My Love
    20. Smile
    21. Darling, Je Vous Aime Beaucoup
    22. The Sand And The Sea
    23. If I May
    24. A Blossom Fell
    25. To The Ends Of The Earth
    26. Night Lights
    27. Ballerina
    28. Stardust
    29. Send For Me
    30. St. Louis Blues
    31. Looking Back
    32. Non Dimenticar (Don't Forget)
    33. Paradise
    34. Oh, Mary, Don't You Weep
    35. Ay, Cosita Linda
    36. Wild Is Love (spoken intro and song)
    37. Ramblin' Rose
    38. Those Lazy-Hazy-Crazy Days Of Summer
    Nat King Cole
    $149.99
    200 Gram Audiophile Virgin Vinyl 45 RPM Box Set - 5 LPs Sealed Buy Now
  • When I Look In Your Eyes When I Look In Your Eyes Quick View

    $34.99
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    When I Look In Your Eyes

    Years after the '90s, the decade will be remembered for the rise of pianist-vocalist Diana Krall. Simply put, this British Columbian-born artist is one of the most engaging musicians to emerge from the heap of scat-happy singers high on pyrotechnics, but short on poetry. Stamped with the imprimatur of the Nat King Cole trio and blessed by her apprenticeship with the late West Coast piano giant Jimmy Rowles, Krall simply sings songs the way they're supposed to be sung: with devotion to the lyric and with attention to the groove.


    This album finds Krall in familiar company with compatriots Russell Malone (on guitar), bassist John Clayton, drummers Lewis Nash and Jeff Hamilton, and vibraphonist (and former Bill Evans associate) Larry Bunker--all supported by Johnny Mandel's svelte string arrangements. Krall and crew take Irving Berlin's chestnut Let's Face the Music and Dance and the Sinatra-signatured I've Got You Under My Skin south to Brazil via a sexy bossa nova. Malone's lush guitar accompaniment complements Krall's heartfelt delivery on When I Look in Your Eyes, and Michael Franks's Popsicle Toes dances courtesy of Hamilton's drum work. Devil May Care, East of the Sun (and West of the Moon), The Best Thing for You, and the stridish I Can't Give You Anything but Love groove with a minimum of waste, while Mandel's simpatico strings steal the show on I'll String Along with You, Pick Yourself Up, and Do It Again. All of which further illuminate the cool fire from this fine gift from North of the Border. --Eugene Holley Jr.

    LP 1
    1. Let's Face The Music And Dance
    2. Devil May Care
    3. Let's Fall In Love
    4. When I Look In Your Eyes
    5. Popsicle Toes
    6. I've Got You Under My Skin


    LP 2
    1. I Can't Give You Anything But Love
    2. I'll String Along With You
    3. East Of The Sun (West Of The Moon)
    4. Pick Yourself Up
    5. The Best Thing For You
    6. Do It Again

    Diana Krall
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • After Midnight (Pure Pleasure) After Midnight (Pure Pleasure) Quick View

    $49.99
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    After Midnight (Pure Pleasure)

    Nat 'King' Cole's music is the perfect combination of romantic charm and musical invention. Cole is renowned for his big production numbers and pop hits such as Stardust, but he was also an accomplished and unique jazz pianist and excelled in a small-group setting. After Midnight's album cover states that this is a 'trio' release. However, Cole is actually paired up with his trio plus five guest soloists (saxophone, trombone, trumpet, percussion, and violin). The dubious credits don't matter much though. This is precious music and, without a doubt, one of Cole's best records. Included here are wonderful and intimate renditions of Cole favorites Sweet Lorraine, (Get Your Kicks on) Route 66, and many others. Trombonist Juan Tizol performs a beautiful version of his Afro-Cuban tune Caravan, and Cole and violinist Stuff Smith trade some hot licks on the up-tempo I Know That You Know. For anybody looking to understand the depth and breadth of Cole's jazz roots, this disc is an excellent point of departure.




    Musicians:



    • Nat 'King' Cole (piano, vocal)

    • Willie Smith (alto saxophone)

    • Harry 'Sweets' Edison (trumpet)

    • Juan Tizol (trombone)

    • John Collins (guitar)

    • Charlie Harris (bass)

    • Stuff Smith (violin)

    • Lee Young (drums)

    • Jack Costanza (conga, bongo)




    Recording: August and September 1956 at Capitol Studios, Los Angeles, California

    Production: Lee Gillettedeutsch



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    1. Just You, Just Me
    2. Sweet Lorraine
    3. Sometimes I'm Happy
    4. Caravan
    5. It's Only a Paper Moon
    6. You're Looking at Me

    7. The Lonely One
    8. Don't Let it Go to Your Head
    9. I Know That You Know
    10. Blame it on my Youth
    11. When I Grow too Old to Dream
    12. Route 66

    13. I Was a Little too Lonely (and You Were a Little too Late)
    14. Your Can Depend on Me
    15. What is There to Say
    16. Two Loves Have I
    17. andy
    18. You're Looking at Me (alternate take)
    Nat King Cole
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Penthouse Serenade (Pure Pleasure) Penthouse Serenade (Pure Pleasure) Quick View

    $34.99
    Buy Now
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    Penthouse Serenade (Pure Pleasure)

    The year after he had formally disbanded his trio to turn his attention to vocal pop music, Nat 'King' Cole reversed himself and went into the studio with guitarist John Collins, bassist Charlie Harris, and drummer Bunny Shawker and recorded the eight-song 10 LP Penthouse Serenade, a quiet, reflective set of standards like Somebody Loves Me and Laura that he performed instrumentally at the piano. The album confirmed that, whatever success he might be having as a singer, he hadn't lost his touch. In 1955, with the 12 LP gaining dominance, Cole went back into the studio with Collins, Harris, and drummer Lee Young (Lester Young's brother) and cut four more songs to create a 12-track reissue of Penthouse Serenade that was his first full-length LP release. In 1998, Capitol Jazz again expanded the album, putting out a 19-track CD version by appending an alternate take of I Surrender Dear from the 1955 session and six tracks recorded with Collins and Harris (and, on most of them, percussionist Jack Costanzo) from January 1952, four of which were previously unreleased. The justification for these inclusions was that they featured the same personnel, and they are interesting in that they include alternate, non-orchestrated versions of Cole hits like Too Young, Walkin' My Baby Back Home, and Unforgettable. But they are not in keeping with the rest of the album in that they are vocal tracks. Nevertheless, it's hard to argue with an album that, over the years, has grown from 23 to 51 minutes in length.



    Musicians:



    • Nat King Cole (piano, vocal)

    • John Collins (guitar)

    • Charlie Harris (bass)

    • Bunny Shawker, Lee Young (drums)

    • Jack Costanzo (percussion)




    Recording: January 1952 at MGM Studios, New York City / July 1952 and July 1955 at Capitol Studios, Los Angeles

    Production: Lee Gillette




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Rose Room
    2. I Surrender, Dear
    3. Somebody Loves Me
    4. It Could Happen To You
    5. Polka Dots And Moonbeams
    6. Laura
    7. If I Should Lose You
    8. Once In A Blue Moon
    9. Don't Blame Me
    10. Penthouse Serenade (When We're Alone)
    11. Little Girl
    12. Down By The Old Mill Stream
    13. Too Marvelous for Words
    14. That's My Girl
    15. Unforgettable
    16. Walkin' My Baby Back Home
    17. Too Young
    18. It's Only a Paper Moon
    Nat King Cole with Billy May Orchestra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Piano Scene Of Ahamd Jamal (Speaker Corner) The Piano Scene Of Ahamd Jamal (Speaker Corner) Quick View

    $34.99
    Buy Now
    x

    The Piano Scene Of Ahamd Jamal (Speaker Corner)

    The early recordings made by Ahmad Jamal for the Epic label have disappeared into the annals of jazz history. His trio with bass and drums, however, was certainly a whole lot more famous in clubs, at festivals and in TV shows in the Fifties. The present LP contains twelve numbers performed by a trio composed of a guitar and bass or drums - Ray Crawford, Eddie Calhoun, Walter Perkins only being known to a handful of jazz fans - and only a few compositions of his own, most titles are favourites from musicals of the day. Ahmad Jamal reveals the influence of Art Tatum and Nat King Cole in his performance, whereby his masterly art and independent style is already recognizable. The trios are quite unique in themselves, although the hierarchy is unchangeable: Ahmad Jamal is and remains the boss; he performs the majority of the solos.



    A special highlight is surely the first version of Billy Boy. And not only Miles Davis praised the pianist for his technical prowess and wealth of ideas. Aki And Ukthay (Brother and Sister) also offers the possibility to admire Jamal's pianistic proficiency. What a good idea to bring out these early recordings once more for jazz lovers! Especially because the Epic label is truly underestimated in the record market. The recording quality is absolutely impeccable - a true listener's gem.



    Musicians:



    • Ahmad Jamal (piano)

    • Ray Crawford (guitar)

    • Eddie Calhoun (bass)

    • Walter Perkins (drums)




    Recording: 1951 and 1955




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Old Devil Moon
    2. Ahmad's Blues
    3. Poinciana
    4. Billy Boy
    5. Will You Still Be Mine
    6. Pavanne
    7. Crazy He Calls Me
    8. The Surrey With The Fringe On Top
    9. Aki And Ukthay
    10. Slaughter On 10th Avenue
    11. A Gal In Calico
    12. It's Easy To Remember
    Ahamd Jamal
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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