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Neil Young Decade'
DecadeA fantastic 3-LP collection of Neil's best-from Buffalo Springfield through CSNY to his own enigmatic solo career-featuring Southern Man; Down by the River; Helpless; Ohio; Sugar Mountain; Like a Hurricane; Heart of Gold; After the Gold Rush , and lots more.
One of the most influential artists of all time, Neil Young has set a standard of artistic integrity and iconoclastic creativity. Before starting his multi-platinum solo career, he was a founding member of the folk-rock band Buffalo Springfield and worked with the groups Crazy Horse and Crosby, Stills and Nash. The Canadian singer-songwriter was recognized by the Rock and Roll Hall of Fame in 1995 for his work as a solo artist and was inducted into the Canadian Music Hall of Fame in 1982. Young's philanthropic work is as renowned as his musical legacy.
His famous Bridge School Benefit Concert has become a yearly tradition since 1986 and continues to boast an incredible line-up of high-profile artists. Each year, Young donates all of the proceeds to the Bay Area's Bridge School, which assists children with severe physical impairments and complex communication needs. He was also one of the original founders of Farm Aid in 1985, and continues to be an active member on the organization's board of directors.LP 1
1. Down to the Wire - By Buffalo Springfield
2. Burned - By Buffalo Springfield
3. Mr. Soul - By Buffalo Springfield
4. Broken Arrow - By Buffalo Springfield
5. Expecting to Fly - By Buffalo Springfield
6. Sugar Mountain
7. I Am a Child - By Buffalo Springfield
8. The Loner
9. The Old Laughing Lady
10. Cinnamon Girl - By Neil Young & Crazy Horse
11. Down By the River - By Neil Young & Crazy Horse
1. Cowgirl In the Sand - By Neil Young & Crazy Horse
2. I Believe in You - By Neil Young & Crazy Horse
3. After the Gold Rush - By Neil Young & Crazy Horse
4. Southern Man - By Neil Young & Crazy Horse
5. Helpless - By Crosby, Stills, Nash & Young
6. Ohio - By Crosby, Stills, Nash & Young
7. Soldier03 Old Man
8. A Man Needs a Maid
10. Heart of Gold
11. Star of Bethlehem
1. The Needle and the Damage Done
2. Tonight's the Night, Pt. 1
3. Tired Eyes
4. Walk On
5. For the Turnstiles
7. Deep Forbidden Lake
8. Like a Hurricane - By Neil Young & Crazy Horse
9. Love Is a Rose
10. Cortez the Killer - By Neil Young & Crazy Horse
12. Long May You Run - By The Stills-Young Band$36.99Vinyl LP - 3 LPs Sealed Buy Now
Twelve Dreams Of Dr. SardonicusSpirit's 1970 classic Twelve Dreams of Dr. Sardonicus (produced by longtime Neil Young collaborator David Briggs) is widely acknowledged as the band's magnum opus. The fourth and final collaboration by the band's classic original lineup of Randy California, Jay Ferguson, Mark Andes, John Locke and Ed Cassidy, the 12-song set reflects the quintet's one-of-a-kind mix of talents and personalities. Spirit's unique musical vision is reflected in their trademark hit Nature's Way, which remains a staple of classic rock radio, along with such favorites as Prelude-Nothin' to Hide, Animal Zoo, Mr. Skin and Morning Will Come.
Out of print on vinyl for more than two decades, Twelve Dreams of Dr. Sardonicus has been meticulously restored to its original two-sided glory for this LP reissue, using Sundazed's usual exacting standards. The album is pressed on high-quality, high-definition vinyl, reproducing the album's distinctive original cover art.1. Prelude/Nothin' to Hide
2. Nature's Way
3. Animal Zoo
4. Love Has Found a Way
5. Why Can't I Be Free
6. Mr. Skin
7. Space Child
8. When I Touch You
9. Street Worm
10. Life Has Just Begun
11. Morning Will Come
12. Solider$28.99Vinyl LP - Sealed Buy Now
Live At The Cellar Door
Mastered By Chris Bellman At Bernie Grundman Mastering And Pressed At Pallas In Germany
Neil Young will release Live At The Cellar Door, the latest in his Archives Performance Series, on Reprise Records. The album collects recordings made during Young's intimate six-show solo stand at The Cellar Door in Washington D.C. between November 30th and December 2nd, 1970, a few months after Reprise released his classic third solo album After The Gold Rush in August.
The album, which features Young performing on acoustic guitar and piano, includes tracks that are interesting for several reasons, such as stunning live versions of songs that appeared on After The Gold Rush (Tell Me Why, Only Love Can Break Your Heart, Birds, Don't Let It Bring You Down and the title track) and solo performances of the Buffalo Springfield songs Expecting To Fly (from their 1967 second album Buffalo Springfield Again), I Am A Child (from their third and final album Last Time Around and Young's 1977 Decade compilation), and Flying On The Ground Is Wrong, from their 1966 self-titled debut.
In addition, Live At The Cellar Door features early, raw performances of songs that wouldn't appear until subsequent Young albums, including the rarity Bad Fog Of Loneliness (which appears on Live At Massey Hall '71 - released in 2007-but was previously unreleased until the studio band version was included on Archives Vol. 1 1963-1972), Old Man (released two years later on 1972's Harvest album), a rare solo performance of Cinnamon Girl on piano (the full band version appears on Young's 1969 second solo album Everybody Knows This Is Nowhere), and Down By The River, also from Everybody Knows This Is Nowhere.
Live At The Cellar Door was recorded by Henry Lewy and produced by Young.1. Tell Me Why
2. Only Love Can Break Your Heart
3. After the Gold Rush
4. Expecting To Fly
5. Bad Fog of Loneliness
6. Old Man
8. Don't Let It Bring You Down
9. See the Sky About to Rain
10. Cinnamon Girl
11. I Am A Child
12. Down By the River
13. Flying On The Ground Is Wrong$24.99180 Gram Audiophile Classic Vinyl LP - Sealed Buy Now
Us AloneHaving spent nearly two decades creating uniquely affecting music defined by folk and rock flourishes, personal sentiment and a voice that channels Neil Young's falsetto highs and the wavering, raspy lows of Leonard Cohen, Hayden now signs to Arts & Crafts for the release of his seventh full length. Us Alone is a subtle, emotional and sonically warm journey written and performed by one of Canada's most consistent artists. A welcome addition to a brilliant career.1. Motel
2. Just Give Me A Name
3. Blurry Nights
4. Old Dreams
5. Almost Everything
6. Oh Memory
7. Rainy Saturday
8. Instructions$20.99Vinyl LP - Sealed Buy Now
The Naive ShamanRichard Youngs has been making music for over two decades. The Naive Shaman, released in dual format (cd and lp), is a deeply personal work. Created on a computer at home, it is a high density digital song cycle driven by heavy, heavy electric bass guitar.
The opening Life On A Beam combines a modal vocal line with throbbing sonics and non-linear percussion. Elsewhere a plaintive voice threads itself through frosted atmospherics and we hear Richard's first recorded kazoo work since 1992's New Angloid Sound. At the core of the album is Sonar In My Soul, a bass loop on to which are collaged strangulated guitar, singing and more singing. The track climaxes in a hollered plea for unity. The second half of the set contrasts Once It Was Autumn, a succintly crafted dub chant, with the epic Summer's Edge II, whose sprawling 16 minutes anchor a floating vocal melody and free-flowing drums with fuzzed bass octaves.
At a time when he has increased his commitment to live performance, Richard has--paradoxically--produced an album that explores recording technology as an instrument, a work where song is modulated by sound. By critics and true music fans everywhere, Youngs has been deemed the king of the progressive minimalists. He has now released seven full-length records in addition to multiple collaborations with other artists such as Makoto Kawabata (of Acid Mothers Temple fame), Simon Wickham-Smith and Neil Campbell.1. Life On A Beam
2. Illumined Land
3. Sonar In My Soul
4. Once It Was Autumn
5. Summer's Edge II$14.99Vinyl LP - Sealed Buy Now
Fine Art Of Self DestructionJesse Malin segued from a decade as frontman for NYC's D Generation, a band whose glam-metal pose was as ironic as it was misunderstood, to this reincarnation as shrewd, stripped-down Gotham singer-songwriter. Comparisons to Bruce Springsteen have already been floated, but Malin's sensibilities here are as subtly shaded and introspective as the Boss's are broad and declamatory. Midwifed by producer/ex-Whiskeytown frontman Ryan Adams, Malin's affection for the likes of Bob Dylan, Neil Young, and Steve Earle is obvious, but filtered through a savory, pop-conscious mÉlange of musical textures that evoke everything from Motown to Tex-Mex. Malin's lyrical sense is no less evocative, with simple lines conjuring up worlds of possibilities. It's a debut whose heartfelt country-by-way-of-Delancey-Street songs may bolster notions that irony is indeed dead in the post-9/11 world, but also one whose honesty of voice and purpose ensures the wake will be brief. -Jerry McCulley1. Queen of the Underworld
6. The Fine Art of Self Destruction
7. Riding on the Subway
8. High Lonesome
10. Almost Grown
12. Cigarettes and Violets
13. Brooklyn (Band Version)$25.99Vinyl LP - Sealed Buy Now
Crosby Stills and Nash: Demos12-Song Collection of Previously Unreleased Demos from 1968 to 1971 Offers a Behind-The-Scenes Glimpse at the Earliest Days of One of Rocks Most Legendary Partnerships!
After four decades as three together, the creative partnership of David Crosby, Stephen Stills, and Graham Nash is one of the most enduring and influential in contemporary music. This compilation of previously unreleased material takes an unprecedented look at the earliest days of their collaboration with 12 demos from 1968 to 1971 of destined-to-be-classic songs that would later be featured on CSNs studio albums and solo titles. While a number of demos feature members performing solo (and one finds them joined by Neil Young), the set opens with the trio harmonizing on Marrakesh Express, recorded four months before their self-titled debut LP was released in 1969. Other rarities include seminal takes on Almost Cut My Hair, Chicago, Long Time Gone, Love The One Youre With and DÉjà Vu.
The collection, produced by Graham Nash and Joel Bernstein, reaches as far back as 68 with Stills My Love Is A Gentle Thing, and also features his solo classic Love The One Youre With. Highlights include CSN harmonizing on a January 69 take on Marrakesh Express, Crosby and Stills on Long Time Gone, and Crosby and Nash joined by Neil Young on Music Is Love (a song later featured on Crosbys solo debut If I Could Only Remember My Name). Among the other highlights are three songs that would appear on Nashs solo debut, 1971s Songs For Beginners, including Chicago and Sleep Song, and Crosby performing unaccompanied on Almost Cut My Hair and DÉjà Vu.
On some of these songs you really hear us becoming a band, trying out different ideas in our songwriting and singing and harmonies. It really is a time capsule. Graham Nash1. Marrakesh Express Crosby, Stills & Nash
2. Almost Cut My Hair David Crosby
3. You Dont Have To Cry Stephen Stills
4. DÉjà Vu David Crosby
5. Sleep Song Graham Nash
6. My Love Is A Gentle Thing Stephen Stills
7. Be Yourself Graham Nash
8. Music Is Love David Crosby, Neil Young & Graham Nash
9. Singing Call Stephen Stills
10. Long Time Gone David Crosby & Stephen Stills
11. Chicago Graham Nash
12. Love The One Youre With Stephen Stills$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Willie And The Boys: Willie's Stash Vol. 2Legacy Recordings is set to release Willie Nelson and the Boys, the eagerly-awaited second installment in the acclaimed Willie's Stash archival recordings series.
Following in the musical footsteps of 2014's December Day, the first volume in the Willie's Stash series (featuring Willie's Sister Bobbie), Willie Nelson and the Boys is another family collaboration, this time showcasing Willie and sons, Lukas Nelson and Micah Nelson, performing a selection of well-loved American country music standards and classics, including seven penned by the immortal Hank Williams Sr.
The Willie's Stash series will present a variety of archival releases, each personally curated by Willie Nelson, culled from decades of recording and touring, providing unique perspectives on one of America's most vital musical forces.
Consisting mainly of studio recordings laid down during the extraordinary 2011 sessions for Heroes, Willie's Legacy debut, Willie Nelson and the Boys (Willie's Stash, Vol. 2) is produced by Willie's longtime friend and collaborator Grammy-winning Buddy Cannon and recorded by Steve Chadie at Pedernales Recordings Studio in Austin, Texas.
Musicians on the album include Willie Nelson (vocals, Trigger), Lukas Nelson (vocals, electric guitar, resonator guitar), Micah Nelson (vocals), Mickey Raphael (harmonica), Kevin Swine Grantt (bass), Bobby Terry (acoustic guitar, electric guitar), Jim Moose Brown (piano, B-3 organ, Wurlitzer), Mike Johnson (steel guitar), Tony Creasman (drums), Barry Bales (upright bass on My Tears Fall) and Lonnie Wilson (drums on My Tears Fall). Move It On Over featured background vocals by the Spur Of The Moment Singers: Buddy Cannon, Mickey Raphael, Kevin Swine Grantt, Bobby Terry, Jim Moose Brown, Mike Johnson, Tony Creasman, Melonie Cannon, and Shannon Finnegan.
According to Willie, the album is ....kinda like the country version of 'Stardust.' Where you have all these great songs and standards that the young people have never heard, then all of a sudden you have a whole new audience out there.
I really love the live element of this record, said producer Buddy Cannon. There was a fire in the studio during those sessions, especially on these particular tracks. It was as though the band was in a Nashville honky tonk and Willie and Lukas strolled in and jammed with the band for an hour. That's what this record is. It's honest excitement. I've never cut a record before that has this element.... It's a great joy to see Willie, Luke and Micah all equally part of a record that I love so much.
Born in Austin, Texas and raised in Maui, singer/songwriter/guitarist Lukas Nelson entered the music scene as a youngster and, by the age of 13, had joined his father Willie Nelson's band, touring as rhythm guitarist and honing the stagecraft that lead to his own career. Moving to Los Angeles, he launched in own ensemble, Lukas Nelson & Promise Of The Real (POTR) in 2008; POTR served as Neil Young's back-up group on The Monsanto Years album and subsequent tour. Lukas and his father worked together on Willie's 2012 Legacy album, Heroes, which featured a number of father-and-son vocal-and-guitar duets.
Micah Nelson has performed with a variety of artists at events including FarmAid, Neil Young's Bridge-School Benefit, Desert Trip festival, Lightning in a Bottle, Coachella, Bonnaroo Festival as well as on TV shows such as Conan O'Brien, Jimmy Fallon, Jimmy Kimmel and more. Micah has been involved in the ensemble Insects vs. Robots, recorded and toured with Neil Young and made multi-instrumental contributions to the 21st century post-modern American rock band Promise Of The Real. Micah is currently the singer/songwriter/guitarist in his future-folk project Particle Kid.
Willie Nelson and the Boys (Willie's Stash, Vol. 2) is the artist's 10th release since signing to Legacy Recordings in 2012. His last Legacy album, God's Problem Child, was released on April 28, 2017 (the eve of Willie's 84th birthday on April 29) and promptly entered the Billboard Country chart at #1, making it the artist's second US country chart-topper in less than two years; Nelson's 6th Legacy release, Django and Jimmie, an unforgettable musical collaboration with Merle Haggard, debuted at #1 on the Billboard Country chart in June 2015.1. Move It On Over (Hank Williams Sr.)
2. Mind Your Own Business (Hank Williams Sr.)
3. Healing Hands Of Time (Willie Nelson)
4. Can I Sleep In Your Arms (Hank Cochran)
5. Send Me The Pillow You Dream On (Hank Locklin)
6. I'm So Lonesome I Could Cry (Hank Williams Sr.)
7. I'm Movin' On (Hank Snow)
8. Your Cheatin' Heart (Hank Williams Sr.)
9. My Tears Fall (Alyssa Miller)
10. Cold, Cold Heart (Hank Williams Sr.)
11. Mansion On The Hill (Hank Williams Sr. and Fred Rose)
12. Why Don't You Love Me (Hank Williams Sr.)$19.99Vinyl LP - Sealed Buy Now
The Last WaltzMastered By Chris Bellman At Bernie Grundman Studios From The Original Analog Tapes And Pressed At RTI
On Thanksgiving Day 1976, The Band took the stage for the very last time at the Winterland Theatre in San Francisco for THE LAST WALTZ, which has gone on to become one of the most heralded performances of all time. Joining The Band on stage throughout the evening was an unprecedented group of pioneers in music including Eric Clapton, Neil Diamond, Bob Dylan, Dr. John, Joni Mitchell, Van Morrison, Muddy Waters, and Neil Young, among others.
The Band, more than any other group, put rock and roll back in touch with its roots. With their ageless songs and solid grasp of musical idioms, the Band reached across the decades, making connections for a generation that was, as an era of violent cultural schisms wound down, in desperate search of them. They projected a sense of community in the turbulent late Sixties and early Seventies - a time when the fabric of community in the United States was fraying.
Guitarist Robbie Robertson drew from history in his evocative, cinematic story-songs, and the vocal triumvirate of bassist Rick Danko, drummer Levon Helm and keyboardist Richard Manuel joined in rustic harmony and traded lines in rich, conversational exchanges. Multi-instrumentalist Garth Hudson provided musical coloration in period styles that evoked everything from rural carnivals of the early 20th century to rock and roll revues of the Fifties. (via RockHall.com)LP1
1. Theme From The Last Waltz
2. Up On Cripple Creek
3. Who Do You Love
7. Dry Your Eyes
8. It Makes No Difference
9. Such A Night
1. The Night They Drove Old Dixie Down
2. Mystery Train
3. Mannish Boy
4. Further On Up The Road
5. Shape I'm In
6. Down South In New Orleans
8. Tura Tura Lural (That's An Irish Lullaby)
1. Life Is A Carnival
2. Baby Let Me Follow You Down
3. I Don't Believe You (She Acts Like We Never Have Met)
4. Forever Young
5. Baby Let Me Follow You Down (Reprise)
6. I Shall Be Released
The Last Waltz Suite:
7. The Well
9. Out Of The Blue
10. The Weight
11. The Last Waltz Refrain
12. Theme From The Last Waltz (with Orchestra)$36.99Vinyl LP - 3 LPs Sealed Buy Now
The David Bowie/Friday Music 180 Gram Audiophile Series Begins!
David Bowie's 2002 Masterwork Album!
Produced By David Bowie & Tony Visconti
Mastered By Joe Reagoso - Pressed At R.T.I.
First Time 180 Gram Audiophile Translucent Blue Vinyl & Tri-Fold Cover Presentation
Featuring Pete Townsend, Dave Grohl Tony Levin, & Carlos Alomar
David Bowie is truly a gift to rock music fans everywhere. There will
never be another David Bowie, an artistic genius who has enthralled
generations of aspiring musicians and music lovers the world over with
the many fine recordings and concert tours he's created seamlessly for
Celebrating over four decades in the music business, this English
native initially captivated millions of kids in the 70's with his Ziggy Stardust
persona. He drove the rockers mad with his stellar concerts and dynamic
presence on the stage. As David moved on and started venturing into other
fields of music, film and art, he soon emerged as one of the early founders
of alternative and ambient music with albums like Low and Heroes. At the
turn of the millennium, Bowie scored a new legion of fans with more harder
edged recordings like his 2002 multi-platinum masterwork Heathen.
Heathen kicks things off with the hard rock guitar sounds on Sunday.
This radio and fan favorite graced the alternative and college radio stations
and helped bolster even further the rest of the Lp with follow up hits like
the tour de force Slow Burn featuring the legendary Pete Townsend, and a
stellar revisit of Neil Young's I've Been Waiting For You featuring the guitar
work of Dave Grohl. All in all, a truly remarkable album which paved the
way to a whole new level of fans as David Bowie continues to be a major
force in the music of now and forever.
Friday Music is no stranger to the music of the legendary David Bowie,
as we've been releasing his fine recordings on our label. That is why
we are so very proud to announce another first installment in The David
Bowie/Friday Music 180 Gram Audiophile Vinyl Series with his legendary
Mastered impeccably by Joe Reagoso (David Bowie/Jeff Beck/Deep
Purple) for the first time on audiophile vinyl, David Bowie's Heathen will
truly become one of the most important and historical 180 Gram Audiophile
Vinyl titles in quite some time.
To celebrate David Bowie's amazing career, we further enhance this
limited anniversary edition with a stunning tri-fold cover featuring the
original artwork elements as well as being pressed by R.T.I on translucent
Everyone Says Hi!1. Sunday
3. Slip Away
4. Slow Burn
6. I've Been Waiting For You
7. I Would Be Your Slave
8. I Took A Trip In A Gemini Spaceship
9. 5:15 The Angel's Have Gone
10. Everyone Says 'Hi'
11. A Better Future
12. Heathen (The Rays)$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Descended Like VulturesRogue Wave's 2005 album Descended Like Vultures is now back in print on vinyl! Historians, rock critics and sports announcers have all spent plenty of time waxing poetic about the sophomore slump, but don't waste any time pulling out that reference for Descended Like Vultures, Rogue Wave's second album for Sub Pop. While the album defies expectations as much as it defies the odds, singer/guitarist Zach Rogue knows the score: "That's the whole thing with the title," he admits. "It' like waiting for the other shoe to drop this perception that everyone around you is going to turn their back."
A related adage is that you have your whole life to write your first album and a year to write your second, but Rogue had anything but writer's block after completing Out Of The Shadow and seeing it re-released by Sub Pop in 2004 (the original, limited pressing was released on the band's own label in early 2003). In fact, the group entered the studio at the end of March with more than enough material for a full-length (three albums worth, to be exact).
"I've wanted to record records for years and years, so really, it's like someone opened the door for me to get started," explains Rogue. "I feel like Descended Like Vultures is actually the beginning this is really where we start." Though Rogue assembled the Oakland, CA, quartet which includes fellow multi-instrumentalists Pat Spurgeon (focus: drums), Gram LeBron (guitar) and newest member Evan Farrell (bass) in late 2002, Descended Like Vultures is the first time the band's leader has ever made a record with a whole group in the studio. The band spent 10 days with Bill Racine (who also produced Out Of The Shadow with Rogue) at Supernatural Sound in Oregon City, OR, resulting in the creation of 11 tracks that journey through a dreamy landscape inspired by several decades of classic rock and pop (from Fleetwood Mac to Neil Young to My Bloody Valentine.)
The Mark Kozelek-esque "California" and the XTC-flavored "Catform," which sports Rogue's most dazzling vocal performance to date both feature cold yet inspired examinations of human nature informed by Rogue's experiences on the road. For the first time as an entire unit, Rogue Wave went out of its way to create a free-flowing album that includes equal amounts of tension, release and resolution. In the process they have made a brilliantly layered, expertly crafted album that changes shape with repeated spins.1. Bird On a Wire
2. Publish My Love
3. Salesman At the Day of the Parade
5. Love's Lost Guarantee
8. Are You On My Side
9. Medicine Ball
11. Temporary$17.99Vinyl LP - Sealed Buy Now
The Big To-DoATO Records is pleased to commence its relationship with the The Drive-By Truckers beginning with the incomparable rock band's label debut, The Big To-Do. The album is the band's 10th in their thirteen-year career and it features 13 new DBT tracks produced by their long time collaborator, David Barbe (Sugar, Bettye LaVette). Patterson Hood and Mike Cooley continue to handle chief songwriting duties here while bassist Shonna Tucker also contributes two originals. Brad Morgan (drums), John Neff (guitar/pedal steel), and Jay Gonzalez (keyboards) round out the current lineup.
The Big To-Do was recorded in three concentrated sessions during the first part of 2009: ten days in January, five days in March, ten days in May. That added up to 25 songs, a dozen of which sequenced into The Big To-Do. We had it mixed, mastered, and completely done, and Cooley wrote the best song that just needed to be on it, Patterson says with his raspy chuckle. This happens a lot with the Truckers, and it's always a good sign. So we went back in and recorded, mixed, and mastered 'Birthday Boy' pretty much in one fell swoop. Thirteen songs, then.
The balance of the remaining tracks, plus five more they've cut in the interim, will make up the Truckers' next album, which Patterson projects as a quieter affair.
This is, in large part, possible because the Truckers have such a long-standing relationship with David Barbe (ex-Sugar, etc.) and the Athens, GA, studio he calls Chase Park Transduction, which long ago Patterson helped to build so as to earn the right to record there.
It's gotten to where, that day of set-up time to get sounds and levels and all of that takes us about two hours, Patterson says. We can pretty much walk in the door, and we know exactly where to put everything to get that sound, so that's just one less thing to have to think about. I wanted to eliminate the distractions. That clarity of purpose translates into a delicious assortment of Trucker songs themed loosely around crime and (self-) punishment. The Wig He Made Her Wear, Patterson says, is both a true story (as seen on Court TV) and the closest he's come to making the movie he started out to make a decade or more back. The Fourth Night of My Drinking will speak for itself, and This Fucking Job (paired thematically with Cooley's wry Get Downtown) is arguably the most political song the Truckers have made since Living Bubba. Which leaves the deceptive, airy simplicity of Shonna Tucker's You Got Another and (It's Gonna Be) I Told You So to reckon with. We always knew she had that in her, Patterson says, delighted with the emergence of another strong songwriter in the band. It was never a secret. She was writing songs all along. But watching it come out has been a really amazing thing to behold.
Off the road, incidentally, didn't mean out of work. First off, there was the matter of cutting an instrumental album with the legendary Booker T, having previously served as the backing band to the equally legendary soul singer, Bettye Lavette. Potato Hole turned out all right, got a Grammy nod, and Neil Young added his touches separately even though it's pretty much a Truckers effort. But it's what they learned making Potato Hole that counts most. I think doing the Booker album really, really paid off a lot on the musical end of this record, even though stylistically it might not sound anything like that record, says Patterson, and then tells the story.
We made that record in four days, and that included the first day when it was, 'Booker, it's wonderful to meet you!' Maybe the third song we tracked just wasn't going the way he wanted it to go. We weren't quite understanding what he wanted. We were playing it right, but it wasn't right. All the sudden he just stopped the session. He gathered us around, and he told us a story about a Thanksgiving dinner, and the way it smelt in the house, he'd been on the road a long time, and they were all in - cousins and aunts he hadn't seen in several years. He said, 'It's just a day where nothing happens, but it's all really good.'
And we sat down and we played it, and we nailed it. It was like a revelation. We're a lyric-driven band, and our songs generally paint scenes and tell stories based on scenes. He instinctively knew that was how we operated. And I think it taught us a lot about how we operated. Going in and making this record, I could tell a real difference in the way the songs hold up musically. We put a little more care into that side of it than I think we ever did before because of what we learned from him.
...an absorbing hunk of smart, crunchy, guitar-driven music shot through with the bands vivid narratives, balanced storytelling, barroom punch, and Southern accents. Its a set that portrays desperate people trying to survive in these ever more desperate times, with the Truckers joyous pride and spirited attitude warding off any bitter aftertaste. Several songs are sad, and at times depressing, but the moods always point up. As it is for Bruce Springsteen, this blue-collar band not only believes in but preaches rock as salvation, and their iron-clad conviction suggests they wont have it any other way. --Bob Gendron, TONE Audio, Issue 271. Daddy Learned to Fly
2. The Fourth Night of My Drinking
3. Birthday Boy
4. Drag the Lake Charlie
5. The Wig He Made Her Wear
6. You Got Another
7. This Fucking Job
8. Get Downtown
9. After the Scene Dies
10. (It's Gonna Be) I Told You So
11. Santa Fe
12. The Flying Wallendas
13. Eyes Like Glue
14. Girls Who Smoke (vinyl only bonus track)$21.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Savages (Discontinued)Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Psychedelic Pill (Out Of Stock)
Pressed at Pallas in Germany
Cut at Bernie Grundman's by Chris Bellman
The first album of original music from Neil Young and Crazy Horse in almost a decade, including over 85 minutes of music. Psychedelic Pill pokes down pathways that have been hinted at before in this teaming, but never fully explored. New textures emerge in the music, new landscapes in the lyrics. In many ways, Psychedelic Pill rounds out an array of probing works with prominent autobiographical threads.
Whether as a singer, a songwriter or a guitarist, Neil Young has been one of the most influential and important artists of the rock era. Blending folk, country and rock, the acoustic and the electric, the melancholy and the hopeful, Young has been an icon for the uncompromising and unpredictable since the 1960s.LP1
1. Driftin' Back
2. Driftin' Back
3. Psychedelic Pill
4. Psychedelic Pill (NY Mix)
5. Ramada Inn (going south)
6. Born In Ontario
7. Twisted Road
8. She's Always Dancing
9. For The Love of Man
10. Walk Like A Giant$36.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Temporarily out of stock
Everybody Knows This Is Nowhere (Out Of Stock)Ranked 208/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
A colossal effort that signifies his first collaboration with Crazy Horse, bar-none the best garage-rock support band ever assembled, Neil Youngs Everybody Knows This Is Nowhere explodes with loose electricity, country-influenced harmonies, and fervent interplay that took melodic rock music in then-unforeseen directions. Moving away from the mellow fare that distinguished his self-titled debut, the pioneering Canadian icon stretches out and showcases his penchant for unhinged guitar solos and drifting arrangements.
Having come across the Rockets while recording his first solo outing, Young spared no time in recruiting the band for his own purposes. With the trio of Danny Whitten, drummer Ralph Molina, and bassist Billy Talbot renamed Crazy Horse, and Young ready with an energetic collection of tunes that called out for longer instrumentals and raw tones, Everybody Knows This Is Nowhere was recorded in a scant two weeks time and just four months after Youngs prior effort.
His symbiotic chemistry with fellow kindred spirit and rhythm guitarist Whitten is evident on the drawn-out Cowgirl In the Sand and murderous Down By the River, both a tangle of rolling narratives, mysterious tension, amplified feedback, and longing emotion which remain staples in Youngs live repertoire. As does Cinnamon Girl, which is distinguished by one of the most famous and magnetic riffs of all time. At this stage of his career, Young had never written such an engaging and expressive set of songs and the album remains a landmark on which every tune is a classic.
Having languished for decades, this masterwork has finally received the long-overdue sonic treatment its needed. Remastered from the original tapes by Youngs expert team and overseen by the artist himself, Everybody Knows This Is Nowhere now sounds better than ever. Young has never sounded so immediate, detailed, rich, or present on a studio album.
The record joins 1968's Neil Young, 1970s After the Gold Rush, and 1972's Harvest as part of the initial batch of Young recordings pristinely mastered from the original tapes, pressed on high-quality audiophile-grade LP, and packaged in sleeves that faithfully mirror those of the originals.1. Cinnamon Girl
2. Everybody Knows This Is Nowhere
3. Round & Round (It Won't Be Long)
4. Down By The River
5. The Losing End
6. Running Dry (Requiem For The Rockets)
7. Cowgirl In The Sand$36.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
Second Helping (Out Of Stock)200-gram vinyl pressing by Quality Record Pressings!
Mastered by Kevin Gray at Cohearent Audio
Sleeved in a tip-on jacket
Driven by core members Gary Rossington (guitar), Johnny Van Zant (vocals) and Rickey Medlocke (guitar), along with longtime drummer Michael Cartellone, Lynyrd Skynyrd's legacy goes back some 35 years ago to Jacksonville, Fla., and was halted for a decade by the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band tragically lost Allen Collins, Leon Wilkeson and Huey Thomasson, yet they rock on. With the recent passing of founding member/keyboardist Billy Powell and longtime bassist Ean Evans, a lot of people probably expected us to say enough is enough, admits Medlocke. But that would not be the way of this Rock & Roll Hall of Fame powerhouse. With a catalog of over 60 albums and sales beyond 30 million, Lynyrd Skynyrd remains a cultural icon that appeals to all generations.
This Lynyrd Skynyrd 1974 album follows the success of Free Bird and Gimme Three Steps from their 1973 debut and features their biggest hit single, Sweet Home Alabama, an answer to Neil Young's Southern Man and Alabama. The song reached No. 8 on the Billboard Hot 100 chart in August 1974. Second Helping also featured Don't Ask Me No Questions, Workin' for MCA and Call Me The Breeze, the latter of which includes an acclaimed piano solo. Backed by a tight rhythm section and the mighty three-guitar attack of Allen Collins, Ed King and Gary Rossington, singer Ronnie Van Zant turns in a legendary performance on the urgent blues ballad I Need You, the cautionary The Needle And The Spoon and The Ballad Of Curtis Loew.
This title is not eligible for discount.1. Sweet Home Alabama
2. I Need You
3. Don't Ask Me No Questions
4. Workin' For MCA
5. The Ballad Of Curtis Loew
6. Swamp Music
7. The Needle And The Spoon
8. Call Me The Breeze$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock