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  • Nilsson Schmilsson Nilsson Schmilsson Quick View

    $19.99
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    Nilsson Schmilsson

    Harry Nilsson's 1971 masterpiece Nilsson Schmilsson. This classic LP-the first of two that Nilsson recorded in England with producer Richard Perry-features the Grammy Award-winning No. 1 hit "Without You" (written and originally recorded by Badfinger and later a hit for Mariah Carey) plus the quirky Top 10 smash "Coconut" and the hard-driving "Jump Into the Fire."
    1. Gotta Get Up
    2. Driving Along
    3. Early in the Morning
    4. The Moonbeam Song
    5. Down
    6. Without You
    7. Coconut
    8. Let the Good Times Roll
    9. Jump into the Fire
    10. I'll Never Leave You
    Harry Nilsson
    $19.99
    Vinyl LP - Sealed Buy Now
  • Aerial Ballet (Speakers Corner) Aerial Ballet (Speakers Corner) Quick View

    $34.99
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    Aerial Ballet (Speakers Corner)

    To define in a nutshell the music of Harry Nilsson in accordance with his personality can easily become a fiasco. The American singer-songwriter might well share his reputation as a multi-talented eccentric with a number of other musicians. However, his highly unusual style and his »satirical catchy pop songs [composed] with the sparkling eye of a cynic and the tearful eye of a nostalgic« (rororo Rock Lexicon) cannot be pigeonholed. Nilsson packaged derisive lines, spiced with a pinch of self-irony, in suspiciously pleasing yet carefully selected tunes. His cultivated and astonishingly supple voice basked to the full in bittersweet phrases, aided by elaborate, melting, slushy arrangements with strings and winds. Several of the wonderfully fresh numbers from Aerial Ballet reached top places in the charts. Everybody's Talkin' became world-famous through its use in the film Asphalt Cowboy and brought Nilsson his first Grammy award. The song One soared to the top ten of the charts. The other light and airy songs now invite you to create your very own hit list. Every single number makes great listening!


    This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.


    Musicians:



    • Harry Nilsson (vocal)

    • Plas Johnson (woodwinds)

    • Dennis Budimir (guitar)

    • Al Casey (guitar)

    • Michael Melvoin (harpsichord, organ, piano)

    • Larry Knechtel (bass, piano)

    • Jim Gordon (drums)

    • Milt Holland (percussion)




    Recording: 1967 and 1968 in RCA Victor's Music Center Of The World, Hollywood

    Production: Rick Jarrad





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Daddy's Song
    2. Good Old Desk
    3. Don't Leave Me
    4. Mr. Richland's Favorite Song
    5. Little Cowboy
    6. Together
    7. Everybody's Talkin'
    8. I Said Goodbye To Me
    9. Little Cowboy
    10. Mr. Tinker
    11. One
    12. The Wailing Of The Willow
    13. Bath
    Harry Nilsson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • This Is The Town: A Tribute To Nilsson Vol 1 This Is The Town: A Tribute To Nilsson Vol 1 Quick View

    $21.99
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    This Is The Town: A Tribute To Nilsson Vol 1

    Pressed On Yellow Limited Edition Vinyl


    This Is The Town: A Tribute to Nilsson (Volume One), is a 20-track collection that celebrates the artistry and songs of the legendary singer-songwriter Harry Nilsson. Produced by Kenny Siegal and recorded over the course of 2013 at Old Soul Studios in Catskill, NY, the album features a diverse gathering of young artists performing songs that span the breadth of Nilsson's repertoire, including "Early In The Morning" by Langhorne Slim, "Jump Into The Fire" by Low Cut Connie, "Are You Sleeping" by Marco Benevento, "Rainmaker" by Yellowbirds, "Think About Your Troubles" by Willy Mason and "Everybody's Talkin'" by Tracy Bonham. Harry's daughter Annie Nilsson contributes a rendition of "Gotta Get Up," along with the original illustrations that serve as the album's artwork.


    "Each artist has taken a Nilsson song that meant something to them, and with passion and inspiration, transformed it into something that is both a fitting tribute, and entirely their own," Kenny Siegal explains. "In doing so, they are helping Harry Nilsson to be remembered as his songs live again through these new creative interpretations."


    Harry Nilsson's son Zak Nilsson has endorsed This Is The Town, stating: "There is a huge breadth of talent here. So many of these songs grabbed me from the first phrase, like it kicks in and I'm just sitting here thinking, 'oh wow.' Some of them are just absolutely perfect. They are covers of Harry's songs, but they have a lot of those sort of signature Nilsson twists in them. The kind of versions only real fans of Harry's music could put together."


    Conceived by Kenny Siegal as a two volume set, he is already at work recording the second edition to the tribute.

    1. Langhorne Slim - Early In The Morning
    2. Dawn Landes - You're Breakin' My Heart
    3. Low Cut Connie - Jump Into The Fire
    4. Jenny O - 1941
    5. The Mommyheads - Me and My Arrow
    6. Annie Nilsson - Gotta Get Up
    7. Blueberry - Poli High
    8. Willy Mason - Think About Your Troubles
    9. Yellowbirds - Rainmaker (Nilsson /Martin)
    10. Johanna Warren - Without Her
    11. The Wiyos - Nobody Cares About The Railroads Anymore
    12. Rasputina - Sweethaven
    13. Church of Betty - Without You
    14. Marco Benevento - Are You Sleeping?
    15. Tracy Bonham - Everybody's Talkin' (Fred Neil)
    16. Stellacutta - Everything's Got 'Em
    17. Brian Dewan - Coconut
    18. Johnny Society - Mr. Richland's Favorite Song
    19. Mamie Minch - Don't Forget Me
    20. Josh Kaufman - I Said Goodbye to Me
    Various Artists
    $21.99
    Colored Vinyl LP - Sealed Buy Now
  • Fred Neil Fred Neil Quick View

    $21.99
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    Fred Neil

    Neil's 1966 debut contains some of his best known (and most covered) songs including Dolphins, That's The Bag I'm In, and the future theme song to the 1969 blockbuster film Midnight Cowboy (and Harry Nilsson hit) Everybody's Talkin'. Absolutely stunning folk-blues from a Greenwich Village master. Reissued on 180 gram vinyl with a deluxe tip-on jacket.
    1. The Dolphins
    2. I've Got A Secret
    3. That's The Bag I'm In
    4. Badi-Da
    5. Faretheewell
    6. Everybody's Talkin'
    7. Everything Happens
    8. Sweet Cocaine
    9. Green Rocky Road
    10. Cynicrustpetefredjohn Raga
    Fred Neil
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Head Alternate Head Alternate Quick View

    $33.99
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    Head Alternate

    Celebrate The Monkees 1968 Counter Culture Classic! Alternatively!!!


    First Time Vinyl Rare Mixes, Rare Stereo Versions & Alternate Tracks


    Pressed On Limited Edition 180 Translucent Gold Vinyl


    Presented In A First Time Stunning Gold Foil Cover (Front & Back) & Full Color Back Cover With Alternate Photo Of Band


    Mastered Impeccably From The Colgems Records Tapes By Joe Reagoso


    1968 was an interesting year for The Monkees. Aside from releasing more hit singles & another smash Lp with The Birds The Bees & The Monkees, future superstar and upcoming filmmaker Jack Nicholson, Bob Rafelson & The Monkees were developing the concept for a psychedelic film about this successful rock band who were trying to escape from their manufactured image. Albeit an underlying glimpse of reality, the movie wound up being a swan song for the original line-up of the band until 1996's Justus. As the Head movie was underrated at the time, it has since gone on to become ranked as one of the finest films in the rock genre.


    The original soundtrack of Head by The Monkees has a history itself as being one of their strongest albums with stellar material ranging from The Monkees' Michael Nesmith and Peter Tork, plus more great tracks from Harry Nilsson and Carole King with musical help from friends like Carole King, Stephen Stills and Dewey Martin from Buffalo Springfield.


    A hit single emerged with Porpoise Song featuring the powerful lead vocal of Micky Dolenz, as the rest of the album is interwoven with keen Monkees dialog and skits that were in the original film, plus the stellar score by Ken Thorne.


    In honor of The Monkees, Friday Music is once again pleased to continue the celebration of the Monkees Golden Anniversary with The Monkees Head Alternate. This first-time vinyl album features first-time vinyl versions of Porpoise Song, rarities like Can You Dig It with Peter Tork's vocal, Daddy's Song remixed with the long sought after Davy Jones' slow verse, and the rare stereo mix of Circle Sky.


    Produced by The Monkees in 1968, this stunning new version is now impeccably mastered by Monkees fan and friend Joe Reagoso and pressed on 180 Gram Audiophile Translucent Gold Vinyl.


    For the very limited Golden Anniversary edition, the LP cover will be manufactured with a stunning gold foil front and back, featuring a rare alternate color photo of the band on the back cover.


    Simply one of the finest rock soundtracks of all time!

    1. Head Promo "Coming Soon"
    2. Porpoise Song (Alternate Stereo Mix) (Theme From "Head")
    3. Ditty Diego - War Chant (Alternate Stereo Mix)

    4. Circle Sky (Alternate Stereo Mix)

    5. Supplicio

    6. Can You Dig It (Peter's Vocal-Stereo Rough Mix)

    7. Gravy

    8. Superstitious
    9. As We Go Along (Alternate Stereo Mix)
    10. Dandruff?

    11. Daddy's Song (Remix With Slow Verse)
    12. Poll

    13. Long Title: Do I Have To Do This All Over Again (Rough Mix Acetate)
    14. Swami - Plus Strings (Alternate Stereo Mix)
    The Monkees
    $33.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Reservoir Dogs Soundtrack Reservoir Dogs Soundtrack Quick View

    $39.99
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    Reservoir Dogs Soundtrack

    25th Anniversary Edition

    Could you think of any other film producer that picks better soundtracks than the widely revered Quentin Tarantino? Inventing a genre on his own, his string of best-selling nouvelle violence movies started out in 1992 with the low budget cult classic Reservoir Dogs.

    The film follows a band of criminals preparing for a diamond heist and follows the characters in the crime's aftermath. Its cast consists of sublime actors such as Harvey Keitel (whose comeback was a direct result of this film), Tim Roth, Michael Madsen, Chris Penn (Sean's brother) and Steve Buscemi as the legendary character of Mr. Pink. The film's sparkling dialog catapulted Reservoir Dogs to eternal cult status and remains a favorite among movie fans all over the world, a fame to which its soundtrack contributed a great deal.

    Music On Vinyl is proud to release these so-called 'Super Sounds Of The Seventies', a selection of unusual and sometimes wacky hits by artists such as Stealers Wheel, Harry Nilsson (Coconut is included on Nilsson Schmilsson [MOVLP279]) and Joe Tex. The movie also raised public interest in the Dutch band George Baker Selection, due to the use of his Little Green Bag in the film's opening titles. Keep On Truckin'!

    Exactly 25 years ago this cult film was released in theatre.

    1. Steven Wright - And Now Little Green Bag
    2. George Baker Selection - Little Green Bag
    3. Steven Wright - Rock Flock Of Five
    4. Blue Swede - Hooked On A Feeling
    5. Steven Wright - Bohemiath
    6. Joe Tex - I Gotcha
    7. Bedlam - Magic Carpet Ride
    8. Quentin Tarantino - Harvey Keitel - Steve Buscemi - Lawrence Tierney - Eddie Bunker - Madonna Speech
    9. Sandy Rogers - Fool For Love
    10. Steven Wright - Super Sounds
    11. Stealers Wheel - Stuck In The Middle With You
    12. Bedlam - Harvest Moon
    13. Harvey Keitel - Tim Roth - Let's Get A Taco
    14. Steven Wright - Keep On Truckin'
    15. Harry Nilsson - Coconut
    16. Steven Wright - Home Of Rock
    Various Artists
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Nilsson Schmilsson Nilsson Schmilsson Quick View

    $34.99
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    Nilsson Schmilsson

    Harry Nilsson could be one of the more neglected but great singer-songwriters of the 20th century. John Lennon & Paul McCartney both named him as their favourite American singer in a 1968 press conference.


    The Monkees, Fred Astaire, the Yardbirds, and later artists such as Aimee Mann and Mariah Carey recorded his songs.


    But ask the average Joe about him, and they probably won't know that he was the man behind classics such as 'Everybody's Talkin', 'One' and 'Without You'.


    Harry had a taste for Tin Pan Alley songs & McCartney-esque melodies, but his impish wit and impressive vocal range give his songs an extra dimension.


    Nilsson Schmilsson contains his biggest hit 'Without You', along with other classics such as the faux-tropical song 'Coconut' and the bluesy 'Early In The Morning'.


    This album is more accessible and cohesive than any of his other albums and received a number of Grammy nominations on its 1971 release, yet it still manages to keep the mischievous and slightly off-kilter humour.


    Available on Music On Vinyl with its original artwork!

    1. Gotta Get Up (2:23)

    2. Driving Along (2:03)

    3. Early In The Morning (2:48)

    4. The Moonbeam Song (3:19)

    5. Down (3:24)


    1. Without You (3:15)

    2. Coconut (3:48)

    3. Let The Good Times Roll (2:42)

    4. Jump Into The Fire (6:53)

    5. I'll Never Leave You (4:16)

    Harry Nilsson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Instant Replay Instant Replay Quick View

    $29.99
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    Instant Replay

    The Monkees have been one of the world's most enduring rock and pop acts of all time. Since their beginnings in 1966, their television show, multiplatinum albums, hit singles and concert tours truly made The Monkees one of the most colossal stories in the music business. In 1969, Davy Jones, Michael Nesmith and Micky Dolenz went back to the studio as a trio this time and recorded the classic Instant Replay album. Noted for their hit single Tear Drop City, this masterwork also found The Monkees reuniting with the production team of Tommy Boyce and Bobby Hart for several of the tracks as well as previous team Monkees writers like Carole King and Neil Sedaka, and highly touted producers like Bones Howe (The Association/Tom Waits) and Shorty Rogers and resulted in some of the finest collaborations ever with this superstar act. Instant Replay also offered the first look at Michael Nesmith's experimental and groundbreaking recording sessions in Nashville as well as solid compositions from all three Monkees.


    Opening up with the pop rocker Through The Looking Glass, Micky Dolenz is on top of his game vocally with a brilliant background of horns, Bobby Hart on piano and guitar work by legends Keith Allison (Paul Revere & The Raiders) and Gerry McGee (The Ventures/John Mayall). A major fan favorite, this classic was performed at many of the reunion concerts over the years. The late great Davy Jones belts out another Boyce and Hart classic with the haunting ballad Don't Listen To Linda. The tune truly resonated with the fans back then and continues to be one of the more appreciated classics in his long list of time tested Monkees favorites. Carole King and Gerry Goffin's I Won't Be The Same Without Her features a strong vocal performance by Michael Nesmith and the stunning guitar work of both Monkees' Peter Tork and Glen Campbell. A real summer time feeling song, this track would be a nice bridge to Micky Dolenz's orchestral masterpiece Just A Game.


    It is no secret that Nesmith was a fan of country music, but also lauded as one of the first pioneers of the country rock genre, not only with his contributions to the earlier Monkees' recordings as far back as Papa Gene's Blues, even for other noted artists like Linda Ronstadt for whom he penned her first smash single Different Drum. For the Instant Replay album, Nesmith ventured to Nashville's RCA Studios and cut Don't Wait For Me, the first released tune from his now famous Nashville sessions. With the fusion of country studio players and the voice and guitar of Michael Nesmith, The Monkees again were on the forefront of this new genre and would continue with this groundbreaking sound ever more so into future classics like The Monkees Present.


    As the '60s would come to a close, Davy Jones would also contribute his major impact on the generation with his truly hip and psychedelic masterpiece You And I. Noted for its hard rock opening to side two, the track also features the stunning lead guitar textures of Neil Young who recently departed with The Buffalo Springfield. More favorites like Nesmith's While I Cry is one of the artist's finest compositions of the era. With Mike's beautiful acoustic guitar work and help from friends like Harry Nilsson, this ballad would truly become one of the more enduring songs from this 1969 classic Monkees album.


    Neil Sedaka and Carol Bayer Sager contribute one of the classiest Monkees ballads ever with The Girl I Left Behind Me. Once again, the late great Davy Jones provides a superstar vocal second to none, with a soulful orchestra fill and band setting featuring the production and skillful piano work of Neil Sedaka, while Micky Dolenz would close out the album with his classic Shorty Blackwell. The whimsical tale of Micky's cat and a nod to his friends The Beatles' A Day In The Life, Shorty Blackwell would take almost a year to record and feature a bevy of the original wrecking crew of Hollywood musicians like drummer Jim Gordon (Eric Clapton/Traffic), Tommy Tedesco on guitar and even his sister Coco Dolenz on vocals. This track along with the other eleven tunes make this one of the more enduring and loved albums in the superior catalog of Monkees classics.


    Friday Music is once again very honored to announce the continuation of The Monkees Friday Music 180 Gram Audiophile Series with the re-release of their 1969 masterwork Instant Replay. Mastered by Joe Reagoso (The Monkees/Elvis Presley/Brian Wilson) from the original Colgems Records tapes at Friday Music Studios, this first time audiophile vinyl release is also for a very short time being offered in limited edition red vinyl as well as a first time gatefold cover presentation.

    1. Through The Looking Glass
    2. Don't Listen To Linda
    3. I Won't Be The Same Without Her
    4. Just A Game
    5. Me Without You
    6. Don't Wait For Me
    7. You And I
    8. While I Cry
    9. Tear Drop City
    10. The Girl I Left Behind Me
    11. A Man Without A Dream
    12. Shorty Blackwell
    The Monkees
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Good Times! Good Times! Quick View

    $21.99
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    Good Times!

    Who's ready to have some fun with The Monkees as they celebrate their 50th anniversary? With a tour kicking off in May and the group's first new album in 20 years, GOOD TIMES!, releasing, Monkee-mania will be taking 2016 by storm!


    GOOD TIMES! features all three surviving band members - Micky Dolenz, Michael Nesmith, and Peter Tork. The unmistakable voice of the late Davy Jones is also included with a vintage vocal featured on one song. To produce the new album, the band found the perfect musical co-conspirator in Grammy® and Emmy®-winning songwriter Adam Schlesinger (Fountains Of Wayne, Ivy).


    Much like The Monkees' early albums, GOOD TIMES! features tracks written specifically for the band by some of the music world's most gifted songwriters, including Rivers Cuomo (Weezer), Ben Gibbard (Death Cab For Cutie), Andy Partridge (XTC), and Zach Rogue (Rogue Wave) as well as a song co-written by Noel Gallagher and Paul Weller. The album also includes songwriting contributions by Nesmith ("I Know What I Know") and Tork as well as producer Schlesinger.


    To help bring the anniversary full circle, The Monkees completed songs for GOOD TIMES! that were originally recorded and written for the group during the 60s, including "Love To Love" by Neil Diamond, which features a vintage vocal by Jones. Harry Nilsson wrote the title track "Good Times," which he recorded at a session with Nesmith in January 1968. The production was never completed, so the band returned to the original session tape (featuring Nilsson's guide vocal) and have created a duet with his close friend Dolenz. "Good Times" will mark the first time Dolenz and Nilsson have sung together since Dolenz' May 1973 single "Daybreak." Other vintage 1960's tracks included on GOOD TIMES! feature L.A.'s famed "Wrecking Crew" of session musicians.


    "This is one of the most exciting Monkee projects I've been involved in for decades!" says Dolenz. "Working with Adam Schlesinger has been a pure delight and the opportunity to sing a duet with my old buddy, Harry Nilsson, is just beyond cool!"

    1. Good Times
    2. You Bring the Summer
    3. She Makes Me Laugh
    4. Our Own World
    5. Gotta Give It Time
    6. Me & Magdalena
    7. Whatever's Right
    8. Love to Love
    9. Little Gil
    10. Birth of an Accidental Hipster
    11. Wasn't Born to Follow
    12. I Know What I Know
    13. I Was There (And I'm Told I Had a Good Time)
    The Monkees
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • I Love You, Honeybear I Love You, Honeybear Quick View

    $19.99
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    I Love You, Honeybear

    I Love You, Honeybear was recorded intermittently from 2013 to 2014 in Echo Park, Los Angeles and produced with Jonathan Wilson, whom I also recorded and produced 2012's Fairly Fun with. There's a case to be made that it sounds and acts a bit like solo-era John Lennon, Scott Walker, Randy Newman, Harry Nilsson, and Dory Previn, while taking more than a few cues from Woody Allen, Kurt Vonnegut, Alejandro Jodorowsky and Muhammad Ali. Blammo.


    It has a decidedly more soulful presence than Fear Fun, due in no small part to the fact that I am truly singing my ass off all over this motherfucker. The album is really characterized by the scope and ambition of the arrangements. Nearly every tune is augmented by something special, be it orchestral strings, a mariachi band, questionable electronic drum solos, ragtime jazz combos, soul singers, or what have you. I'm pretty sure there's a sitar in there somewhere. Blammo. My ambition, aside from making an indulgent, soulful, and epic sound worthy of the subject matter, was to address the sensuality of fear, the terrifying force of love,
    the unutterable pleasures of true intimacy, and the destruction of emotional and intellectual prisons in my own voice. Blammo.


    This material demanded a new way of being made, and it took a lot of time before the process revealed itself. The massive, deranged shmaltz I heard in my head, and knew had to be the sound of this record, originated a few years ago while Emma and I were hallucinating in Joshua Tree; the same week I wrote the title track. I chased that sound for the entire year and half we were recording. The means by which it was achieved bore a striking resemblance to the travails, abandon and transformation of loving someone. There: I said it. Blammo.

    -Josh Tillman, aka Father John Misty


    I Love You, Honeybear was produced by Josh Tillman and Jonathan Wilson, mixed
    by Phil Ek, and mastered by Greg Calbi.

    1. I Love You, Honeybear
    2. Chateau Lobby #4 (in C for Two Virgins)
    3. True Affection
    4. The Night Josh Tillman Came to Our Apt.
    5. When You're Smiling and Astride Me
    6. Nothing Good Ever Happens at the Goddamn Thirsty Crow
    7. Strange Encounter
    8. The Ideal Husband
    9. Bored in the USA
    10. Holy Shit
    11. I Went to the Store One Day
    Father John Misty
    $19.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Flash Harry Flash Harry Quick View

    $19.99
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    Flash Harry

    Harry Nilsson's Last Album, Unavailable For Over 30 Years!


    Finally Released For The First Time Ever In North America.


    Paul McCartney and John Lennon described him as the Beatles' favorite group, he won Grammy awards, wrote and recorded hit songs, and yet no figure in popular music is as much of a paradox, or as underrated, as Harry Nilsson.


    Flash Harry was the 16th and final album released by Harry Nilsson. Originally issued only on vinyl in the U.K. and Japan. This legendary album has never been released in the U.S. The album features Nilsson's own recording of Old Dirt Road, co-written and performed with John Lennon on Lennon's album Walls and Bridges (1974), Lennon's last album of original songs before his six year hiatus. Other song collaborators include Lowell George, Van Dyke Parks and Ringo Starr. The title track "Harry" is performed by Eric Idle and Charlie Dore.

    1. Harry • Eric Idle and Charlie Dore
    2. Cheek to Cheek
    3. Best Move
    4. Old Dirt Road
    5. I Don't Need You
    6. Rain
    7. I've Got It
    8. It's So Easy
    9. How Long Can Disco On
    10. Bright Side of Life
    Harry Nilsson
    $19.99
    Vinyl LP - Sealed Buy Now
  • Late Night Tales: Django Django Late Night Tales: Django Django Quick View

    $35.99
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    Late Night Tales: Django Django

    Django Django is the latest band invited to curate a prestigious Late Night Tales collection, set for release on 5th May. Like many of the best British groups, the Djangos met at art school, specifically Edinburgh College Of Art, before reconnecting in London. Django Django released their self-titled debut album on quirky French indie Because in early 2012 to some acclaim, winding up in many critics' end of year lists (Top Ten in the NME and Top 30 in Rolling Stone, among them).


    Their oddball approach to music, which sounds like the rich harmonies of the Mamas & Papas beamed through a refracting prism pointing towards Bo Diddley, Chicago house and outer-space (it's no surprise to learn that Django producer/drummer Dave Maclean's brother John was in the Beta Band, who also shared the same cinemascopic view of the pop landscape).


    "Rollicking sing-alongs, galloping into disco sunsets like whisky-addled and leather-saddled bandits on the stolen backs of prairie wild mustangs," is how Django Django describe themselves. Which is another way of saying they're pop adventurists, as at home with Mad Mike's Underground Resistance as they are the blues rumble of Canned Heat. A bit like this delightful mix, then, which darts about like a gurgle of guppies after two too many espressos.


    Check out mixes that rock between two-step delights like Roy Davis Jr's 'Gabrielle' to Nilsson's lyrically winsome 'Coconut'. At one end of the Django spectrum there's James Last, the terminally unhip Teuton, whose 'Inner City Blues' shows you can never underestimate the Germans, while at the far reaches of the mix, they manage to sneak in Ramadanman ('Bass Drums') and Hudson Mohawke and Lunice collaboration TNGHT's 'Bugg'n'. You can hear the echoes of influences in some of the selections, like The Beach Boys whose peerless 'Surf's Up' makes a welcome appearance halfway through, while Seals & Crofts' "Sweet Green Fields" show what sun-drenched pop can sound like when it's done well. And because it's Late Night Tales there's a sparkling cover version of 'Porpoise Song', the theme from The Monkees daffily brilliant 'Head', an admirably lysergic termination to this waltz through pop's nooks and cranberries. "You should never be afraid to make a fool of yourself for art," Dave Maclean once said. Let's raise a dram to Scotland's favourite fools on the hill.


    "We wanted to produce a mix that represented the band. It's what we're all into, so everyone put forward suggestions. It's what we are as a band; and we're kids that have grown up with an obsession about our mum and dad's record collections, like '50s and 60s stuff and then got into hip hop and dance music as we grew up. At the heart of it all is our parents' collections, with our tastes mixed in. Our Late Night Tales pays homage to that."

    Dave Maclean (Django Django)

    LP1
    1. Leo Kottke - The Tennessee Toad
    2. Gulp - Game Love
    3. Bob James - Nautilus
    4. James Last - Inner City Blues
    5. Philip Glass - Floe
    6. Map Of Africa - Bone
    7. Seals & Crofts - Sweet Green Fields
    8. The Millennium - To Claudia On Thursday
    9. The Beach Boys - Surf's Up
    10. Primal Scream - Carry Me Home


    LP2
    1. Massive Attack - Man Next Door
    2. TNGHT - Bugg'n
    3. Outkast - Slum Beautiful
    4. Timmy Thomas - Why Can't We Live Together
    5. Harry Nilsson - Coconut
    6. Canned Heat - Poor Moon
    7. Rick Miller - Future Directions
    8. Django Django - Porpoise Song
    9. Benedict Cumberbatch - Flat Of Angles pt.4

    Django Django
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Ruler Of The Night Ruler Of The Night Quick View

    $14.99
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    Ruler Of The Night

    Magic Trick is Tim Cohen from the wonder-pop masters the Fresh & Onlys. To call Magic Trick a side, or even a solo project, would be in many ways both right and wrong, for what started as an exercise in music making has evolved, sprouted wings, and taken form as a super group of sorts. Tim, along with Alicia from Aisler's Set, Noelle Cahill, and James Kim bring Tim's vision to life. Ruler of the Night is filled with heart breaking glorious joy and haunting, other planetary sounds. Imagine Kate Bush working with Harry Nilsson and you'd get close to it, but this record would be better than that.
    1. Ruler of the Night
    2. Torture
    3. Invisible at Midnight
    4. Sunny
    5. Next to Nothing
    6. Melodies
    7. Angel Dust
    8. Ruby
    9. Same People
    10. Weird Memory
    11. I Say Your Name
    Magic Trick
    $14.99
    Vinyl LP - Sealed Buy Now
  • Life Fantastic Life Fantastic Quick View

    $19.99
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    Life Fantastic

    Life Fantastic is the much anticipated follow-up album to Rabbit Habits (2008), an album which inspired Paste magazine to proclaim of the band, They are what rock n roll is meant to be and, frankly, what most rock bands have forgotten altogether: these songs are fun. Working for the first time with producer Mike Mogis (Bright Eyes), Man Man have brought along the fierce energy of their renowned live shows while finding a new melodic voice on songs like Oh, La Brea with its Harry Nilsson music hall touches, or Life Fantastic loping along to a classic David Bowie piano vamp. Expanding their palette while keeping the found instruments, Man Man continue to evolve into an entirely new form of propulsive pop music.

    1. Knuckle Down

    2. Piranhas Club
    3. Steak Knives
    4. Dark Arts
    5. Haute Tropique
    6. Shameless
    7. Spooky Jookie
    8. Eel Bros
    9. Bangkok Necktie
    10. Life Fantastic
    11. Oh, La Brea

    Man Man
    $19.99
    Vinyl LP - Sealed Buy Now
  • Up On The Chair Beatrice Up On The Chair Beatrice Quick View

    $18.99
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    Up On The Chair Beatrice

    Susan Cowsill and Vicki Peterson have been playing music apart and together for their entire lives. Susan was a child star with her family band, who were the real life template for The Partridge Family. Vicki of course is known as a member of The Bangles.


    The two first performed as The Psycho Sisters in the early years of the last decade of the previous century. At that time, both were members, along with Peter Holsapple, of the much loved band The Continental Drifters.


    After many years of friendship, the two decided to make a proper album. Up On the Chair, Beatrice features ten tunes of harmony, hooks and just a touch of New Orleans Hoodoo. Along with 8 original tunes, the album features their versions Peter Holsapple's What Do You Want From Me and Harry Nilsson's Cuddly Toy.

    1. Heather Says
    2. Timberline
    3. Never Never Boys
    4. Numb
    5. Gone Fishin'
    6. This Painting
    7. Fun To Lie
    8. What Do You Want From Me
    9. Wish You
    10. Cuddly Toy
    The Psycho Sisters
    $18.99
    Vinyl LP - Sealed Buy Now
  • Curious Volume Curious Volume Quick View

    $29.99
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    Curious Volume

    Legendary U.S. heavy/doom metal band, Pentagram, recently reunited with Peaceville Records for its new studio album, Curious Volume, due out August 28. Walk Alone is the latest track to be unveiled from the record. Described by frontman Bobby Libelling as a song of devastation conquered by optimism and realization of self-worth. There is a light if you force yourself to look for it.


    Featuring 11 classic heavy metal compositions with catchy hooks from core band members Victor Griffin, Greg Turley, and Bobby Liebling (Pete Campbell on the drums completes the band's line-up), Curious Volume was recorded with Swedish producer Mattias Nilsson at studios located in Maryland and Virginia. Additional recording took place in Tennessee with Grammy-Award-winning producer Travis Wyrick, who also produced Pentagram's previous album, Last Rites. The album's cover artwork was provided courtesy of Richard Schouten.

    1. Lay Down and Die
    2. The Tempter Push
    3. Dead Bury Dead
    4. Earth Flight
    5. Walk Alone
    6. Curious Volume
    7. Misunderstood
    8. Close the Casket
    9. Sufferin'
    10. Devil's Playground
    11. Because I Made It
    Pentagram
    $29.99
    Vinyl LP - Sealed Buy Now
  • How To Die In The North How To Die In The North Quick View

    $22.99
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    How To Die In The North

    Lost treasure needn't be found in the distant past; the 21st century hides many artists who disappeared into the great wide yonder. BC Camplight is one such example. The alter-ego of American songwriter Brian Christinzio released albums in 2005 and 2007, both gems of a certain psych-pop vintage, combining eloquent songwriting with a self-destructive bent. Christinzio certainly knew it - he's described himself as, "the guy who blew it."


    But this sublime talent with the keening vocal and fearless approach to lyrical introspection has another chance. His new album 'How To Die In The North', recorded in his newly adopted home of Manchester, England, is a fantastically rich, stylistically diverse trip. From dramatic, layered pop to a haunted take on Sixties sunshine-pop, from blue-eyed soul to speedy surf-pop, from sparser piano balladry to psychedelic showstoppers and a grand finale that's part Nilsson and part Broadway showtune.


    Originally from New Jersey, Christinzio started playing piano aged just four, inspired by his mum's Jerry Lee Lewis and Nilsson records and his Dad's classical collection. Depression and crippling hypochondria clashed with captaining the football team and a penchant for boxing. Post-school, he fell in with people, "willing to go through shit to be a musician," which saw him relocate to Philadelphia where he occasionally played live with Philly faves The War On Drugs and guested on Sharon Van Etten's album 'Epic'.


    He's already done two sessions for long-term fan Marc Riley at BBC 6 Music, which featured Christinzio's band of Mancunians who he met at The Castle Hotel pub, a watering hole in the city centre particularly popular with musicians. Christinzio also heard John Grant's album on the jukebox there, which encouraged him to approach Bella Union. Grant's cocktail of depression and self-sabotage thwarted an outrageous talent, but he took his second chance. The same deserves to happen to Christinzio, a similarly outsize, sharp and funny personality with a non-conformist streak. Far from dying, BC Camplight has been reborn in the North!

    1. You Should've Gone To School
    2. Love Isn't Anybody's Fault
    3. Just Because I Love You
    4. Grim Cinema
    5. Good Morning Headache
    6. Thieves In Antigua
    7. Atom Bomb
    8. Lay Me On the Floor
    9. Why Doesn't Anybody Fall In Love Anymore
    BC Camplight
    $22.99
    Vinyl LP - Sealed Buy Now
  • Time Takes Time (Pre-Order) Time Takes Time (Pre-Order) Quick View

    $37.99
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    Time Takes Time (Pre-Order)

    180-Gram Audiophile Vinyl


    Includes Insert


    25th Anniversary Of Ringo's 10th Album


    Includes The Singles Weight Of The World And Don't Go Where The Road Don't Go


    Featuring Jeff Lynne, Brian Wilson, Harry Nilsson, Andrew Gold (Wax), Jeff Baxter (Steely Dan), Mark Hart (Supertramp) & Many Other Guest Appearances


    When The Beatles were formed in 1960, Ringo Starr was a member of another Liverpool group, Rory Storm and the Hurricanes. After achieving moderate success with that band, he quit and joined The Beatles in August 1962, replacing Pete Best. Starr played key roles in The Beatles' films and appeared in numerous others. After the break-up in 1970, Ringo Starr released several successful singles including the It Don't Come Easy, Photograph Back Off Boogaloo and You're Sixteen.


    Ringo Starr achieved commercial and critical success with his 1973 album Ringo, which was a top ten release in several countries. He has been featured in a number of documentaries and hosted television shows. Since 1989, he has toured with twelve variations of Ringo Starr & His All-Starr Band.


    Time Takes Time is the tenth studio album by Ringo Starr, released in 1992, his critically acclaimed comeback album. His first studio album since 1983's Old Wave, it followed a successful 1989-90 world tour with his All-Starr Band. Time Takes Time features several celebrity guests including Brian Wilson, Harry Nilsson and Electric Light Orchestra front man Jeff Lynne.


    Many critics considered Time Takes Time Starr's best album since 1973's Ringo. Rolling Stone magazine wrote, The drummer's most consistent, wide-awake album since Ringo, from 1973.


    Hot on the heels of the release of Ringo's latest album Give More Love, 2017 also marks the 25th anniversary of Time Takes Time. The album is now finally available again on vinyl.

    1. Weight Of The World
    2. Don't Know A Thing About Love
    3. Don't Go Where The Road Don't Go
    4. Golden Blunders
    5. All In The Name Of Love
    6. After All These Years
    7. I Don't Believe You
    8. Runaways
    9. In A Heart Beat
    10. What Goes Around
    Ringo Starr
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Another One Another One Quick View

    $21.99
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    Another One

    Like the days of Steely Dan or Harry Nilsson releasing a classic album every year (or less) comes Mac DeMarco's Another One, a Mini-LP announced one year after the release of the meteorically successful Salad Days. Written and recorded during the downtime between a relentless touring schedule, Another One is an eight-track release that expands the arsenal of Mac's already impressive catalog, showing the maturity of Mac's progression as songwriter: it's a bit more refined, a bit more sophisticated, but nonetheless retains the guts and soul of classic Mac. Despite working at the same pace as artists like Creedence and The Rolling Stones, coupled with an equally unending schedule of touring and press, it's odd that Mac is labeled as a slacker. With two full-lengths and two EPs released and hundreds of sold out shows performed in the last several years, a recent late night television debut on Conan following a special performance on The Eric Andre Show, it seems, as Mac nears his 25th birthday, there's not a slack bone in the man's body. Great songwriters don't need to reinvent themselves; they just need to keep going and let the songs out in the world. Thus, here's Another One.
    1. The Way You'd Love Her
    2. Another One
    3. No Other Heart
    4. Just To Put Me Down
    5. A Heart Like Hers
    6. I've Been Waiting for Her
    7. Without Me
    8. My House By The Water
    Mac Demarco
    $21.99
    Vinyl LP - Sealed Buy Now
  • Past Life Past Life Quick View

    $19.99
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    Past Life


    Includes CD Of Full Album


    When Lost In The Trees set out to record Past Life, their
    third album for ANTI-, they knew they needed a break
    with the past. On their first two releases Picker had used an
    expanded six-member band to render his carefully composed,
    classical-inflected songs. For the new album, the band is pared
    to a lean electronic-rock four-piece; the arrangements are modern,
    spare, minimal, emphasizing groove and rhythm, blending the sonic architecture of 21st century electronic dance music, and the sensual swerve
    of post-Bowie 80s pop.


    The band made their next break with past practice by electing to work with
    an outside producer for the first time. Nicolas Vernhes, whose credits include
    breakthrough albums from Deerhunter, Dirty Projectors and Animal Collective, endorsed the band's new minimal aesthetic, and the
    question in the studio became, "How much can we strip
    away?" But fans that came to the band lured by the lush
    classicism of All Alone In An Empty House and A Church That
    Fits Our Needs (the Wall Street Journal's album of the year in 2012)
    will not be disappointed. The haunting lyricism of Picker's voice and
    melodies has not diminished in the new sparer approach, but instead rises
    to the fore, bringing out that timeless quality of the melodies that is the common
    ground of both folk and pop music. This pop quality, buried but always present
    in previous efforts, shines on Past Life; not pop in any trivial, retro sense, but the
    yearning lilt of Harry Nilsson or Mark Hollis, that floating melodicism that Relix
    found so "achingly beautiful."

    1. Excos
    2. Past Life
    3. Lady In White
    4. Daunting Friend
    5. Rites
    6. Wake
    7. Glass Harp
    8. Sun
    9. Night Walking
    10. Upstairs
    Lost In The Trees
    $19.99
    Vinyl LP + CD - Sealed Buy Now
  • Hydra Hydra Quick View

    $19.99
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    Hydra

    During many months of 2011 and 2012 Deville have been stuck in the studio most of the time except for some European festivals and random shows. After two full length albums and a couple of hundred shows all around Europe the new record is a product of that. Trying to take this experience of what the band does best and what works live this new record is wider than previous releases... This brand new recording will see the light of day in 2013 via the band's new home here at Small Stone.


    In 2009, after more than 100 gigs all over Europe since the debut album release it was time for the album ''Hail the Black Sky''. Recorded during the early months in 2009 in Malmoe, Sweden by Markus Nilsson and produced by Deville. The band has taken a step to a more straight forward songwriting and this album has more of an album feeling than the last one recording the songs during the same period of time. It follows the pattern of significant Deville grooves and 70`s driven riffing of the darker school. Eleven tracks of rock in the veins of Black Sabbath. Kyuss and Soundgarden it takes you to the next level of 70's rock for the 21st century. This album proves the bands progress to their own sound in the genre of heavy rock and beyond and will definitely take the listeners for a ride.


    The Swedish rock band Deville released their full length debut ''Come Heavy Sleep'' in December 2007 on Buzzville Records with great reviews. Two European tours took place in Jan/Feb and Nov/Dec 2008 that went through seven countries. Heaviness and grooves dominates ''Come Heavy Sleep'' that stretches from stoner rock to doom riffs. In 2005/2006 Deville released a record on Daredevil Records a split record (double feature CD/ LP). It was also released in Europe and in the US. The band have existed around six years and have done over 200 gigs and festivals in Sweden, Denmark, Norway, Finland, Belgium, the Netherlands, Germany, France, Switzerland, Austria, Italy, Lithuania, Portugal, Spain and the U.K the past five years with bands like Sepultura, Fu Manchu, Mustasch(S) and Brant Bjork.

    1. Lava
    2. Iron Fed
    3. In Vain
    4. The Knife
    5. Over The Edge
    6. Burning Towers
    7. Let It Go
    8. Battles Will Be Born
    9. Blood Crown
    10. Imperial
    11. Stay A Little Longer
    Deville
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Strauss: Elektra (Speakers Corner) Strauss: Elektra (Speakers Corner) Quick View

    $69.99
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    Strauss: Elektra (Speakers Corner)

    Richard Strauss was filled with doubt as to whether he would be capable of expressing in music the crazed revenge of Elektra after writing his opera Salome with its shocking story. It is quite understandable that he had trouble in composing the work, although such difficulties are not in the least evident during the course of the drama or in the musical flow. Drawing on natural sources, the forceful melodies make use of polyphonic, complex motifs and extreme dissonances. Here and there, Strauss's typical chordal harmonies gleam through, though hardly audible, taking the harsh dissonances and chromaticism to the very extremes of atonality.




    Sir Georg Solti, whose outstanding Strauss interpretations constitute the focus of his life's work, leads the enormous orchestra through the highly complex score and provides his singers with a powerful but finely chiselled sound. Birgit Nilsson personifies an icy-cold Elektra consumed with hatred, and her counterpart Regina Resnik as Clytemnestra is no less extreme in her role. Gerhard Stolze, one of the greatest singers of his time, masters the exhausting role of Aegistheus, and Tom Krause is highly convincing as the determined Orestes. The phenomenal acoustics of Vienna's Sofiensaal provided an ideal recording venue, and the audible quality of the sung text is excellent - although the final bloodbath can scarcely be expressed in words.




    Recording: June, September and November 1966 at Sofiensaal, Vienna, by Gordon Parry and James Brown

    Production: John Culshaw and Christopher Raeburn



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    A Part 1: Wo Bleibt Elektra?

    B Part 2: Was Willst Du?
    C Part 3: Oresti! Orest Is Tot!

    D Part 4: Nein, Du Sollst Mich Nicht Umarmen
    Richard Strauss
    $69.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Birds Birds Quick View

    $19.99
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    Birds

    Seth Glier's new album Birds is steeped in conflict and contradictions. There's grief and loss, but also strength and resilience; doubt and dismay, but also a sense of optimism as Glier confronts heavy topics and wrestles them into the daylight.

    Glier (pronounced Gleer) recorded Birds in an airy loft in western Massachusetts outfitted with a grand piano and floor-to-ceiling windows. Birds roost just outside those windows, on the roof of the converted mill building where he lives, and they became his sympathetic audience while Glier made the album. I felt a tremendous amount of comfort talking to the Birds, he says I'd check in with them regularly to see how they thought things were going so far.

    Birds is Glier's fifth album, and the latest entry in a burgeoning career that has included a Grammy nomination and a pair of Independent Music Awards while touring with artists including Ani DiFranco and Ryan Adams.

    The songs on Birds range from personal to political, and are bound together by the awareness that our world is a fragile place that is all the more magical for it. Glier makes that point on a large scale with Water on Fire, a terse, grinding tune that opens with a cynical reworking of a Ray Charles lyric as Glier uses fracking to dig into the false equivalence between freedom and capitalism. Hasn't Hit Me Yet has a more visceral, intimate approach: the soulful slow jam, full of warm guitars and multi-tracked vocals, is about the death of Glier's autistic brother.

    Together, those songs represent the opposite poles of Birds. I was really trying to explore connections on this record, Glier says. Among those connections is the one between race and the criminal justice system on Justice for All, a raw chain-gang stomp that sounds almost like an old field recording. Like I Do takes a more oblique tack, drawing out feelings of anger through the use of noisy synthesizers and fuzzed-out bass pads.

    The songs on Birds reflect a scope of sound and style: the title track is lush and & orchestral, for example, while Too Much Water pairs Glier's voice and piano with subtle accompaniment from horns, for a classic, elegant feel that calls to mind Harry Nilsson in the early '70s. People Like Us is jaunty and up-tempo, while the trebly guitar arpeggios and moaning saxophone on Just Because I Can sound like a sock-hop slow dance, until you zero in on lyrics delivered by a narrator who dynamites his domestic bliss simply for the power trip. Conflict. Contradiction.

    Even the cover tune, a reimagined version of Buffalo Springfield's For What It's Worth, evokes urgency. Although it was written 50 years ago, it's still about what's happening right now, Glier says.

    Birds began taking shape after Glier lost his brother, Jamie, who died in October 2015, and inspired a TED Talk performance that Glier gave in 2016. My brother passing away was a huge component of where I was and what I was looking for, Glier says. In particular, I was looking for meanings, wanting his life to mean more than just being over.

    For a long time afterward, Glier passed the time by writing songs and inspecting each melody with the feathered fellows by his windowsill. Instead of recording the album in a Los Angeles studio, as he did on his 2015 album If I Could Change One Thing, he decided to make Birds at home.

    I thought that I should just stay close to the windows here, Glier says. I think this sort of happened by accident, but by the time I started recording the record, it was fall in New England, which is a profoundly beautiful death. The air is full of honesty, the sky is full of geese, and there is bright gorgeousness woven into the dying of things. It all seeped into the textures of this record.

    1. Sunshine
    2. Water On Fire
    3. Birds
    4. Just Because I Can
    5. People Like Us
    6. Like I Do
    7. For What It's Worth
    8. Too Much Water
    9. Justice For All
    10. Hasn't Hit Me Yet
    11. I'm Still Looking
    Seth Glier
    $19.99
    Vinyl LP - Sealed Buy Now
  • Generation Generation Quick View

    $20.99
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    Generation

    Joyrides atop a walloping disco beat and furious percussive guitars, headed somewhere between the Rapture, Chic, and Talking Heads, but with a cartoonish giddiness that takes me back to the heyday of Junior Senior and Scissor Sisters. - Stereogum


    Rising stars - DJ Mag


    On their full-length 2014 debut Voyage, L.A duo De Lux learned how to
    take their influences and create a sound all their own-a beyond-their-years
    synthesis of post-punk, disco, funk and of course synthesizer wizardry,
    drawing inspiration from the same combination of agitation and exhilaration
    that helped LCD Soundsystem and Talking Heads deliver some of the most
    danceable social commentary ever. And now that they've found their sound,
    De Lux are creating a story to go with it on their new album Generation: "All
    of these things that they put us through," sings co-founder and multi-instrumentalist
    Sean Guerin, "I'm writing it down / I'm writing it down."


    They first started writing Generation in the kind of uncommitted
    instances that happen so rarely once a new band puts out its first album. Once
    Voyage was released, De Lux found themselves playing and interviewing and
    touring and remixing-"All fun!" says Sean-but they had to fight to find time
    to write. A random Instagram of work-in-progress song "It's A Combination"
    was the tipping point, when Sean and co-founder Isaac Franco realized they'd
    been rough-drafting for a year: "Let's finish it now," they decided, and that's
    the exact moment when Generation officially started.


    They returned to the L.A. practice space where they wrote and recorded
    Voyage, this time with new instruments-like the little-known but sought-after
    synthesizer guitar beloved of King Crimson's Adrian Belew-and new inspirations,
    chief among them punk peformance artist Karen Finley, whose 1987
    debut album Sean discovered at a Seattle record store simply because it
    looked promising. Her infamously uncensored lyrics made him realize there
    was more he could sing about, too: "You admire the ambition behind her
    saying whatever she wants," he says.


    So if Generation is a darker album than Voyage-and it's inherited plenty
    of the modern urban anxiety of David Byrne-that's because it's a fearlessly
    honest and candid album, too. In fact, call it a millennial documentary. In
    Generation's eleven songs, De Lux chart the distance between childhood and
    adulthood, nostalgia and aspiration and dream and reality, all with unflinching
    autobiographical detail. (And with a secret nod to the Pokemon theme, too.)
    Says Sean: "When I write lyrics, I try and be as specific as possible. We think
    about if someone listens to us in 30 years: 'Oh, that's what was going on at
    that time.'"


    The result is a sort of Less Than Zero for the post-Social Network era.
    Think of it as a nighttime freeway drive that starts with the propulsive "L.A.
    Threshold" and rides the borderline between feel-good rhythm and artfully
    sophisticated sentiment. "There's dark moments, but it's still fun," explains
    Sean. "The first album was just more innocent." There's new space in De Lux's
    sense of rhythm and groove, says Isaac, for Sean to say what he needs to say:
    "The song gives him the freedom to be himself."


    And so Generation is an album about high highs, low lows and the vast
    space in between. "Center of L.U.B" is a roller-skate jam that starts with a
    Can-style guitar riff before spinning into an examination of one utility company
    employee's ennui-you knew this wasn't going to be a love song,
    right?-while "It's A Combination" is a brooding Italo disco track and
    unexpected piano piece "Conditions" is like Harry Nilsson or John Lennon
    suddenly transplanted to Rough Trade Records. Then there's the alternately
    hilarious and harrowing "Oh Man The Future"-a satirical reading on the shape
    of things to come, propelled by a bass-and-drum rhythm right off one of ESG's
    first EPs-to the desolate-yet-funky "When Your Life Feels Like A Loss," where
    De Lux dissect just what happens when "you think you're special/no, you're
    not special/you're just an average guy."


    In other words, Generation isn't a departure. This is De Lux going
    deeper, not farther away, and the result is surely the most anthropologically
    daring dancefloor album of the year. That might seem difficult to pull off, but
    that's why they did it, explains Sean: "At some point we realized creativity is
    just limitless," he says. "You can do anything. There might be certain people
    who think, 'Oh, you can't do that.' That's when you say, 'Well-I'm doing it!'"

    1. LA Threshold
    2. 30
    3. Living In An Open Place
    4. Center of L.U.B.
    5. Simba Simba Simba
    6. No One Really Cares Who You Are
    7. Oh Man The Future
    8. Conditions
    9. When Your Life Feels Like A Loss
    10. It's A Combination
    11. Someday Now
    De Lux
    $20.99
    Vinyl LP - 2 LPs Sealed Buy Now
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