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No Pussyfooting

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  • Equatorial Stars Equatorial Stars Quick View

    $39.99
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    Equatorial Stars

    Import


    Music performed and composed by Robert Fripp & Brian Eno


    Brian Eno is usually credited with the claim that everyone who originally bought a Velvet Underground album subsequently formed a band. It's no less valid to suggest that many of those involved in electronic music might not have been but for "No Pussyfooting" and "Evening Star". Indeed few contemporary albums can claim as much lasting influence as "No Pussyfooting" by Fripp & Eno. It's safe to say that for the vast majority of buyers at the time of its initial release in 1973, this was their first exposure to the small world of electronic music. It's equally safe to say it wasn't their last. The equipment used was, by modern standards, primitive. The ideas expressed were, by any standards, enormous. Many went on to have careers based on the possibilities suggested by the album. Fripp & Eno - to their eternal credit - were too busy working as musicians to ever 'milk it' in that sense. One further full album, "Evening Star", was issued in 1975. There were occasional collaborations, but no further recordings under the Fripp & Eno banner until the emergence of "The Equatorial Stars" in late 2004 as a limited edition release via the artists' websites, followed by a full release in 2005 on CD.


    However, it was never issued on vinyl, until now.


    "The Equatorial Stars" consists of a series of seven soundscapes. The evident care taken in the construction & presentation of the sound world makes the totality of the work so convincing. The textures & atmospheres forming the heart of each track manage to subtly change & alter, while leaving ample space for Robert's guitar solos to emerge from the centre. The album was Fripp & Eno's opportunity to redefine an area of music they helped to launch into the mainstream in the first instance.


    It is also, incidentally, Robert Fripp's personal favourite of his many collaborations with Brian Eno.

    1. Meissa
    2. Eyra
    3. Tarazed
    4. Lupus
    5. Ankaa
    6. Altair
    7. Terebellum

    Robert Fripp & Brian Eno
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • USA USA Quick View

    $37.99
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    USA

    Import


    As Robert Fripp had done with King Crimson's first live LP, Earthbound (1972), USA is a single-disc concert package documenting the quartet during its 1974 swing through North America. As with its predecessor, USA was also issued as a sonic cenotaph of the concurrently defunct Krim. So insistent that the band would not be resurrected, Fripp concluded the LP's liner notes at the time with another three-letter epitaph: R.I.P. The 1973/1974 King Crimson included the collective efforts of Fripp (guitar/mellotron), David Cross (violin), John Wetton (bass/vocals), and Bill Bruford (drums/percussion). USA also includes notable violin overdubs by Eddie Jobson on the tracks Larks' Tongues in Aspic, Pt. 2 and 21st Century Schizoid Man, as well as electric piano addendums to Lament. The opening drone re-creates the typical performance prelude, lifted directly from the Fripp and Brian Eno sonic sculpture No Pussyfooting (1973). The brusque juxtaposition of the ethereal opening to the aggressive Larks' Tongues in Aspic, Pt. 2 jolts the audience into the rips and snorts found during this tautly rendered instrumental. The readings of Lament and Exiles demonstrate this band's overwhelming sonic sensibilities. They are able to contrast and incorporate thick, viscous melodies and rhythms with alternately underlying sensitive, as well as ultimately beautiful, musical responses.

    1. Walk on.. No Pussyfooting
    2. Larks Tongues In Aspic: Part II
    3. Lament
    4. Exiles
    5. Asbury Park
    6. Easy Money
    7. 21st Century Schizoid Man
    8. Fracture
    9. Starless
    King Crimson
    $37.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Making The Saint Making The Saint Quick View

    $16.99
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    Making The Saint


    Other-worldly sounds of singular vision and exceptional
    beauty." - All About Jazz


    "Immersive meticulous and controlled." - New York
    Times



    Making The Saint is my third full-length record.


    I love small records. When I say "small record, I think of
    Sandy Bull's Fantasias for Guitar and Banjo, Bill Evans trio recordings at the Village Vanguard, Fripp &
    Eno's No Pussyfooting, or Thelonius Monk's Solo
    Monk. Each of these albums is simple. They're direct.


    Making The Saint is a small record too. I didn't belabor it.
    The recording and mixing came quickly. I followed my
    instincts.


    This album is also a spiritual retreat for me; a healthy and
    necessary separation after so many strong collaborations. If you're Sufist, you'd call this khalwa. In Japanese
    Zen Buddhism, it's called sesshin. The Santerian process of Asiento requires the initiate to dress in white
    garments and avoid physical contact for one year. Like
    so many have done before me, I forced myself into a
    state of inner solitude to find something new.


    I hope you enjoy it, and you experience something similar while listening.


    - Chris Schlarb

    1. Making The Saint
    2. Great Receiver
    3. The Fear of Death is the Birth of God
    4. My Foolish Heart
    Chris Schlarb
    $16.99
    Vinyl LP - Sealed Buy Now
  • A Period of Review (1975-1983) (Awaiting Repress) A Period of Review (1975-1983) (Awaiting Repress) Quick View

    $29.99
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    A Period of Review (1975-1983) (Awaiting Repress)


    Expert Mastering By Greg Davis, Liner Notes By K. Leimer And Dave Segal


    Double LP Packaging Features Unique Reverse Flap Exterior, Full Color Eurosleeves, &
    16-page Booklet


    For the third installment in RVNG Intl.'s archival series, the tape is wound back to 1970s
    Seattle, home place of ambient music savant K. Leimer. A Period of Review (Original
    Recordings: 1975-1983) unearths unreleased portions of Leimer's vast archives and
    highlights the work of a self-taught visionary whose use of generative compositions ferried
    his music to infinite resonance.


    Kerry Leimer was born in Winnipeg, Canada. He was raised in Chicago before his family
    permanently settled in Seattle in 1967. Kerry's teenage interests and artistic experiments
    blossomed from the seductively strange tendrils of Dadaism and Surrealism. In the early 70s,
    Leimer found musical parallels to these visual movements by studying import copies of NME
    and Melody Maker and inquiring with local record store clerks about the exotic descriptions
    he read of Can, Neu! and Faust-innovators who were bringing the wild dictates of 60s art-discourse into music


    The tape-manipulated serenity Leimer experienced with Cluster's II was a key revelation.
    Leimer realized the potential to compose with minimal training and scoured pawnshops
    for cheap instruments and recording equipment to transpose his wayward musical instincts.
    Leimer's sound palette and composition soon refined and heightened with the accessibility of
    dynamic equipment such as the Micromoog and TEAC multi-track tape machines.


    Synchronously, the Terry Riley indebted loop-based compositions of Robert Fripp and
    Brian Eno's No Pussyfooting inspired Leimer to form recursive musical passages of bare
    timbre and melody that would become hallmarks of his sound. "The loop provided an
    instant structure-a sort of fatalism," recollects Leimer in A Period of Review's liner notes. "The
    participation of the tape machine in shaping and extending the music was a key to setting
    self-deterministic systems in motion and held a clear relationship to my interests in fine art."


    The underground music scene of Seattle/Olympia in late 70s was small but seeded.
    The vestiges of prog rock pompously pummeled the few clubs and record shops before
    punk and New Wave became the rage. Leimer sought to support a growing community of
    experimental composers by launching the Palace of Lights record label in 1979 with his wife
    Dorothy Cross (this was years prior to the birth of regional titans K Records and Sub Pop).


    Leimer rarely performed live, averting the litmus of instant appreciation for his solitary
    studio pursuits. Tellingly, the "K." that abbreviated Leimer's first name was a nod to Kafka's
    doomed pariah Josef K (from The Trial and The Castle). This gives a sense of the reclusive
    and literary realm Leimer was fond of working in. Despite his reticence, Leimer's debut 1980
    album Closed System Potentials would reach a receptive audience, and eventually sell more
    than 3,000 copies thanks in part to Cross's persistent advocation to independent distributors
    and magazines.


    A Period of Review focuses on unheard material outside of the work Leimer offered on
    Palace of Lights, though even that music could be considered relatively "unheard." The thirty
    tracks of A Period of Review may have remained a mystery on moldy reels until now, but
    Leimer's entire catalog of generative music remains pristine in its absolute power.


    Liner notes were crafted by Seattle writer David Segal. Top-tier mastering was done by
    Greg Davis, who produced the compilation with Palace of Lights artist Robert Carlberg, RVNG
    and Kerry Leimer himself, who continues making music to this day.

    LP 1
    1. Ceylon
    2. My Timid Desires
    3. From A Common Center
    4. Explanation of Terms
    5. From One To Ten
    6. Entr'acte
    7. Bump In The Night
    8. (aka accident)
    9. Facing East
    10. At Daybreak
    11. A Spiritual Life
    12. Honey To Ashes
    13. Stop It!
    14. Two Voices
    15. Lonely Boy
    16. Practical Demonstration


    LP 2
    1. Commercial
    2. Gisella
    3. Archie's Dub
    4. Ikumi
    5. Reassurances
    6. Assemble and Diffuse
    7. Eno's Aviary
    8. Almost Chinese
    9. Agfa / Lupa
    10. The Phonic Chasm (feat. Dawn Seago)
    11. Acquiescence
    12. Malaise
    13. All Sad Days
    14. Porcelain (feat. Nancy Estle)

    K. Leimer
    $29.99
    Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
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