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dont smile at mePressed On Opaque Red Colored Vinyl
The irresistible hooks and haunting vocals of bedroom production "Ocean Eyes" made Los Angeles teen Billie Eilish an internet sensation. This debut EP nudges things along nicely with its minimalist beats and lifting-yet-sinister lyricism. A re-recorded "Ocean Eyes" remains unnervingly assured, while the infectious pop of "Bellyache" holds a surrealist, macabre edge. Her voice-melancholy, theatrical, and soaring-impresses throughout and bears comparison to Lorde and Lana Del Rey. It's hard to believe this all comes from a 15-year-old.1. COPYCAT
3. my boy
5. party favor
7. ocean eyes
8. hostage$21.9912 Colored Vinyl EP - Sealed Buy Now
Ocean EyesLoaded with amazing loops, catchy pickups, and lyrics that soothe the mind and touch the heart, Minnesota native Owl City (Adam Young ) has once again created a lush listening experience. Owl Citys trademark desire to escape in dreams, oceans and sky abound on this, his first official release, in songs such as Cave In and Umbrella Beach. Owl Eyes also continues to display a terrific wit uncommon in most electronic based music in such songs as the clap infused, bouncy Dental Care (a humorous metaphor on smiling) and Fireflies. Previously released fan favorite Hello Seattle gives the great Northwest its due with an ode to highlands, parking lots, Puget Sound and albatross. With glorious vocal harmonies (The Saltwater Room) and touching odes to love lost (Vanilla Twilight) Owl Eyes has dug more deeply on Ocean Eyes lyrically and musically than ever before.
1. Cave In
2. The Bird and The Worm
3. Hello Seattle
4. Umbrella Beach
5. The Saltwater Room
6. Dental Care
7. Meteor Shower
8. On The Wing
10. The Tip Of The Iceberg
11. Vanilla Twilight$34.99Vinyl LP - 2 LPs Sealed Buy Now
New OceanNeva Dinova frontman Jake Bellows enlisted old friends Ben Brodin (engineer at ARC Studios and Conor Oberst sideman), Ryan Fox (The Good Life), Todd Fink (The Faint), and Heath Koontz (Neva Dinova) for help in the making of New Ocean, his solo debut.
The songs? A mix tape of gauzy introspection, winsome upbeat rockers, left turns into drunk-in-the-sun bossa nova, blued-eyed soul as ruptured by a fuzzed-out guitar solo, and a song that tries to change the fabric of the universe by the very frequencies it emits.1. New Ocean
2. All Right Now
3. You and Me
4. Drinking with Dad
5. Two Weeks
6. I Know You
7. I Can't Wait
8. Running from Your Love
10. Should You Ever Change Your Mind
11. Frequency$15.99Vinyl LP - Sealed Buy Now
Paul's Tomb: A TriumphThree years in the making, Paul's Tomb: A Triumph marks Frog Eyes' thunderous, frantic, fiery return. This is a slow-brewed masterpiece that is unmistakably Frog Eyes, a new album that was very much worth the wait. On this point we feel unassailable: Frog Eyes keeps getting better and better. Frog Eyes are equally informed by Scott Walker and Roxy Music, Nuggets collections and the Everly Brothers. But in truth, Frog Eyes' recordings sound like nothing else but Frog Eyes.1. A Flower In a Glove
2. Sensitive Girls, The
3. Odetta's War
4. Rebel Horns
5. Lear, In the Park
6. Styled By Dr. Roberts
7. Lear In Love
8. Violent Psalms
9. Paul's Tomb$19.99Vinyl LP - Sealed Buy Now
Whine of the MysticNova Scotia's Nap Eyes is the greatest band you've never heard, and Whine of the Mystic is their first full-length album, a brilliant small-batch brew of crooked, literate guitar pop refracted through the gray Halifax rain. Recorded live to tape with no overdubs, it's equal parts shambling and sophisticated, with one eye on the dirt and one trained on the starry firmament, inhabiting a skewed world where odes to NASA and the Earth's magnetic field coexist easily with songs about insomnia and drinking too much. Nap Eyes' keen sonic signature cruises briskly and beautifully along the dog-eared axes of jangle-jaded Oceanic pop music (The Clean, The Verlaines, The Go-Betweens), and through the backpages of Peter Perrett (The Only Ones, England's Glory), via all things Lou Reed and Modern Lovers, without ever sounding very much like anything else happening today.1. Dark Creedence
2. Make Something
3. Tribal Thoughts
4. Delirium and Persecution Paranoia
5. No Man Needs to Care
6. Dreaming Solo
7. Night of the First Show
8. Oh My Friends
9. No Fear of Hellfire$21.99Vinyl LP - Sealed Buy Now
RemixesCitay's 2007 album Little Kingdom made reference to everything from Thin Lizzy and acoustic Led Zeppelin, to Popul Vuh and early Mike Oldfield. So, when the band started asking remixers to rework tracks from Little Kingdom, we were more than a little surprised. As it turns out, the world needs Citay's Remixes. From the ambient textures of White Rainbows' Eye on Dollar remix to Cornershop's Anthony Saffery adding sitar and percussion to First Fantasy, these are anything but typical remix rave-ups.1.Eye On the Dollar [Remix By White Rainbow] - (remix)
2.First Fantasy [Remix By Anthony Saffery] - (remix)
3.Moonburn [Remix By Brenmar] - (remix)
4.On the Wings [Remix By Anthony Saffery] - (remix)
5.Former Child [Remix By Black Mountain] - (remix)
6.On the Wings [Remix By White Rainbow] - (remix)
7.First Fantasy [Remix By Sunburned Hand of the Man] - (remix)$16.99Vinyl LP - Sealed Buy Now
Kigali Y' IzahabuThe Good Ones is a trio of Rwandan genocide survivors who play joyous, acoustic love songs written in the ancient local, Kinyarwanda street dialect of their nations capital, Kigali. Adrien Kazigira, Stany Hitimana and Jeanvier Havugimana recorded the songs collected on Kigali Y' Izahabu over the course of one summer evening on the back porch of a friends home. The primary obstacle to recording the group was that the musicians showed up with only one guitar for two players, and that guitar was missing two strings. Hitimana played bass on the 4-string, and a beat-up acoustic was located for the second guitarist, the sullen, primary songwriter, Kazigira, who interweaves intricate harmonies with co-singer Havugimana. In a style often referred to as worker songs from the streets, these simple, direct and plaintive love songs speak more to the healing power of peace than a thousand academic treatises or preachy goodwill ambassadors ever could.
Toiling at hard labor and subsisting on less than 50 cents a day in one of the ten poorest countries in the world, the hard-won spirit of these aging war-veterans shines through in The Good Ones yearning voices. Kazigira, 47, wrote 8 of the 12 songs found on the album and both plays and sings. He cites Bob Marley and reggae as his major influences. Hitimana, 47, on lead guitar and bass, sometimes teaches music in Kigali and finds inspiration in the music of Santana. And harmony singer Jeanvier, 38, who also plays guitar and sings lead on his own compositions, is most influenced by the Caribbean dance music called Zouk. The trio is punk embodied: barefoot, bandaged and jaundiced; armed with broken, mismatchedstringed, borrowed guitars; but singing angelically from amidst a landlocked country that the world abandoned.
Kigali Y' Izahabu is essentially an intimate field recording that even captures the howling and barking of dogs in the background, and it was recorded by two-time Grammy-nominated producer Ian Brennan, who has worked with artists such as Ramblin Jack Elliott, Flea, TV on the Radios Kyp Malone, Richard Thompson and many others.
Brennan traveled throughout Rwanda, hoping to document some of the countrys contemporary music, but up until his mission-affirming encounter with The Good Ones, he had been left wanting. As Brennan reports: They were standing in the dark, their eyes downcast and restless, and holding only one guitar between them. From 100-feet away, I knew instantly that there was something special about them, a feeling one is lucky to experience even once in a lifetime. By that point, Id already visited literally every recording-studio in the capital (Kigali) and surrounding areas over two weeks and listened to hundreds of artists, but to no avail. This meeting had been set up through a mutual friend and the instant the band opened their mouths to sing, it was as if the universe reached down to tap me on the shoulder and say, 'What these guys do is precious and rare. Don't fuck it up.'1. Sara
3. Umuntu N inkundi
4. Amagorwa Y' Abagabo
6. G ahind Umpora Iki
7. Bakame N i' Ingwe
9. Iby' Iyisini Ubusa
10. Invura Yaranka G eyi
12. Eudia$16.99Vinyl LP - Sealed Buy Now
NoctilucenceNoctilucence is a new 12 recorded between in 2013 and 2014 between Los Angeles, California,
and Cleveland, Ohio. The term "noctilucence" comes from "noctilucent clouds", the name
given to clouds which, for some reason, emit a brilliant vibrance at night. On this recording
we find our subject diving into the electric waters of the night sky, in long drives across the
vast deserts of America. It's a recording about the discovery and understanding of the shadow,
entrance to the realm not controlled by the light of day, or the logic of reason. It's about
confronting nocturnal terrors and all of those things that go bump in the night.
Understanding that the ancient archetypes which watch over us don't flinch, and stand firm
across the spell of time. On Along The Way we sought the Macrobes for guidance, and on
Noctilucence we see them taking real shape. Opening with a mantra to the perpetual
regeneration of the spirit of love, crying out for new levels of confidence and consciousness to
emerge from the human race, Noctilucence is a deep stare into the infinite eye of the
shimmering night sky of the future, and all it holds in its gaze.
- Mark McGuire, 20141. Freedom of Spirit
2. Earth Grid (Activation)
4. Entity (Presence)
5. Astral Protection$14.99Vinyl LP - Sealed Buy Now
Luciferian TowersPressed On 180-Gram Vinyl
Housed In A Gatefold Jacket With Printed Inner Sleeve
Includes 24 x 24 Poster
this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy - we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat.
1. UNDOING A LUCIFERIAN TOWERS - look at that fucking skyline! big lazy money writ in dull marble obelisks! imagine all those buildings much later on, hollowed out and stripped bare of wires and glass, listen - the wind is whistling through all 3,000 of its burning window-holes!
2. BOSSES HANG - labor, alienated from the wealth it creates, so that holy cow, most of us live precariously! kicking at it, but barely hanging on! also - the proud illuminations of our shortened lives! also - more of us than them!
3. FAM / FAMINE - how they kill us = absentee landlord, burning high-rise. the loud panics of child-policemen and their exploding trigger-hands. neglect, cancer maps, drone strike, famine.
4. ANTHEM FOR NO STATE - kanada, emptied of its minerals and dirty oil. emptied of its trees and water. a crippled thing, drowning in a puddle, covered in ants. the ocean doesn't give a shit because it knows it's dying too.
finally and in conclusion;
the "luciferian towers" L.P. was informed by the following grand demands:
+ an end to foreign invasions
+ an end to borders
+ the total dismantling of the prison-industrial complex
+ healthcare, housing, food and water acknowledged as an inalienable human right
+ the expert fuckers who broke this world never get to speak again
much love to all the other lost and wondering ones,
xoxoxox god's pee / montrÉal / 20171. Undoing A Luciferian Towers
2. Bosses Hang
4. Anthem For No State$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Grrr...Fronted by Justin Rice and Christian Rudder, Bishop Allen is best known for making and self-releasing an EP each month for an entire year, then reworking some of the best songs for a highly acclaimed label debut (The Broken String). The rigorous EP project, and the extensive touring that has followed it, have allowed Bishop Allen to hone their craft: writing, performing and recording music.
The resulting album, Grrr..., reveals that after five years of comparisons to other artists like Jonathan Richman, The Kinks, Bright Eyes, Spoon, etc., in rave reviews from Rolling Stone, SPIN, Entertainment Weekly and many others, Bishop Allen has developed an artistry and sound that are unmistakably their own. One thing that distinguishes Bishop AllenÆs music is the quality of the writing. RiceÆs literate lyrics, which The Los Angeles Times has praised for their ôpoetic insight,ö have a universality that has made them resonant to listeners of all ages and earned them champions ranging from the young comic actor Michael Cera to the National Public Radio host Scott Simon.
Each of the 13 tracks comprising Grrrà is a succinct composition, and yet the album also coheres seamlessly as a song cycle. The melody and/or rhythm of one track is often contiguous with the next. As always, Rice and Rudder are responsible not only for the writing, but the lionÆs share of the playing and the recording: the guitars, pianos, marimbas, ukeleles and vocals. And, as before, Darbie Nowatka shares in the singing. Otherwise, the album features contributions from a number of their friends: drums and percussion by Michael Tapper, horns by Jon Natchez and Kelly Pratt, and strings by Daniel Hart. Bryce Goggin (Pavement, The Apples in Stereo, Luna, Sebadoh) offered the band some invaluable production tips and, at his famed Trout Recording studio in Brooklyn, recorded the drums and mixed the album.1. Dimmer
2. The Lion & the Teacup
3. South China Moon
4. Dirt on Your New Shoes
6. The Ancient Commonsense of Things
7. True or False
8. Rooftop Brawl
10. DonÆt Hide Away
11. Cue the Elephants
12. The Magpie
13. Tiger, Tiger$14.99Vinyl LP - Sealed Buy Now
MTV Unplugged - Summer SolsticeIn the land of the midnight sun, the clocks tick slightly different than they do elsewhere. This is especially true during the summer solstice, when the sun hardly sets at all, bathing the small Norwegian island of Giske - where a-ha played their first ever two acoustic concerts - in an eerie twilight.
Giske is a tiny island in close proximity to the city of Ålesund on the shore of the North Atlantic Ocean - a popular city much frequented by day trippers arriving on huge cruise ships during Norway's short yet intense summer season. But a-ha's audience didn't get to Giske on such boats. Coming from destinations all over the world, for them getting to Giske meant embarking on a plane to Oslo and from there to Ålesund. And from there you finally have to drive through a series of seemingly endless and frighteningly deep undersea tunnels to reach Giske, an island so beautiful and, well, remote, that one immediately wonders why a-ha handpicked this specific location to play their long awaited first MTV Unplugged shows on the night of the 2017 summer solstice, right where the world seems to end.
Pål Waaktaar-Savoy: "Choosing Giske is like most of the things we do: It's been 50% chance and 50% planned. We were discussing many different places to play these special shows - among them Manaus in the Amazon jungle, Berlin, London and New York. At the end of the day it was the Ocean Sound Recordings studio in Giske that made the difference. We knew that we could rehearse undisturbed in an extremely good sounding facility."
a-ha booked the Ocean Sound Recordings studio, which looks out onto the ocean, to revisit their own back catalogue for two weeks together with producer Lars Horntveth, who had already been working on the acoustic arrangements for more than half a year. The nearby Øygardshallen (Giske Harbour Hall) turned out to be the perfect venue to stage their two first ever acoustic shows: They simply had to lay cables from A to B and then were able to use the studio at Ocean Sound Recordings to capture the shows perfectly. a-ha performed in front of an audience of just 250 people - the Øygardshallen's glass front allowed the audience to gaze out into the pale night and onto a number of LED video steles that had been set up behind the band, serving as a minimalist backdrop to the concert. Suffice to say, the concerts were sold-out within minutes, as a-ha were to play "concerts so close to our audience like never before". As Magne Furuholmen puts it: "These were by far the most intimate concerts we've ever given."
Yet the beauty of the North Atlantic Ocean, the light of the midnight sun and the exclusivity of the concerts are only one half of the story. The other half is that the idea of a-ha playing their vast catalogue of world hits stripped down to their very essence is indeed a promising endeavor.
Pål: "We've talked about this idea for so many years. And in many of our concerts we've also played some acoustic songs. But if you consider that we don't use much technology at all when we write the songs, the idea an entirely acoustic show makes total sense. Playing all these songs now in their acoustic versions is like returning to their origins."
Magne expands the thought in a more universal direction: "Most of our songs draw inspiration from a childhood directly exposed to Norwegian culture, even the folk music tradition, perhaps more so than we thought. We were constantly faced with questions from journalists implying how our 'Norwgian-ness' was a unique part of our sound, even though we lived and worked in London.
As a creative person it is almost easier to tap into this nordic mindest from a distance. History is full of good examples of how iconic Norwegians in the past did their best work away from home; The writer Henrik Ibsen wrote on universal topics with a strong Norwegian tone while living in Italy, Edvard Munch's melancholic force defined expressionism while living in Berlin - yet he simply couldn't be from anywhere but this country. And of course there is Edvard Grieg, who took a lot of inspiration directly from folk music. His music always felt particularly resonant in our ears growing up. With such strong figures and influences defining what it is to be a Norwegian, it becomes part of what you are. Our darker, melancholic streak definitely harks back to these early influences. We feel connected to all that, which is why we thought returning home for this project was a very natural step.
Morten Harket stresses the fact how crucial it was to have arranger/producer Lars Horntveth on board as a catalyst and fearlessly driving force behind the scenes: "He confronted our music by presenting completely new arrangements, also taking out 'untouchable' parts, which easily came across as being disrespectful. I say this as a compliment, by the way... And of course we hated it! But we also needed it! This was exactly what we had asked of him. We needed someone who would boldly question everything that we stood for as a band - someone who could stand up to us. Of course it led to shouting matches. It's part of the creative process. Lars deserves the credit for bringing the band closer together than we have been for a very long time."
For the MTV Unplugged shows, a-ha played 17 songs in completely new arrangements as well as two new songs and two cover versions on vintage acoustic instruments, accompanied by a backing band featuring Karl Oluf Wennerberg on drums, Even Ormestad on acoustic bass, Morten Qvenild on piano and various acoustic keyboards, Lars Horntveth on multiple instruments and Madeleine Ossum on violin and vocals, Tove Margrethe Erikstad on cello and Emilie Heldal Lidsheim on viola and backing vocals. Furthermore, a total of four guest stars served as duet partners for Morten Harket. Most notably, Echo & The Bunnymen's Ian McCulloch had been invited by Magne Furuholmen to sing "Scoundrel Days" and Ian's very own "The Killing Moon" on the first of the two shows. On the second night, a-ha were joined by Alison Moyet of Yazoo fame to duet with Morten on "Summer Moved On". Highasakite's Ingrid Helene Håvik guested on "The Sun Always Shines on TV" on both nights, while, last but not least, American singer Lissie did the same on "I've Been Losing You".
"In the cacophonic world of popular music, with its high-impact effects and productions, the music is often somewhat lost as it ends up being premeditated." Morten Harket addresses the subject of subtlety: "The world of pop is a world where everything always has to be more than anything else."
Attending the concerts and the last full day of the rehearsals, you could tell that the whole group and especially Morten did indeed try to reveal the soul of each and every song performed. During the last run-through on the day before the first night the band took things extremely seriously. Songs were started, stopped and deconstructed. Discussions between Morten and the group as well as with the recording engineers dealt with the tiniest details of sound, cohesiveness and attitude. As a result, the two shows benefited profoundly, both in terms of microstructure (the new arrangements reveal so much of the songs' essences), as well as in that the overall dramaturgic arc of the concerts, which steadily built towards a climax that would astound even the most dedicated follower of the group. During the encore, a-ha would play - "as usual" - their first and biggest hit to date, "Take On Me". But an unexpected chord change in the chorus and the skeletal arrangement not only allowed a new perspective on the song's lyrics, it also left the audience with tears in their eyes.
Magne: "When you rearrange songs for an acoustic rendition it is also an opportunity to do more than to just simplify them. I especially like what happened when we took a fresh look at Take on me, which went from being an uptempo syntheziser-driven popsong to a much more melancholic, yearning ballad in this slowed down arrangement, it shows with much more clarity how the song at its core is not some standalone upbeat track, but belongs squarely inside our catalogue alongside more thoughtful, darker songs like scoundrel days etc.
There are only a few bands in the world who can look back on similarly close ties with the music channel MTV as a-ha. Alongside the likes of Duran Duran and Yello, in 1985 a-ha were worldwide pioneers who immediately understood the power of the music video as both a narrative and commercial tool. Steve Barron's classic "Take On Me" clip is still a milestone of music video and in 2003 was voted by the MTV audience as one of the top ten best videos ever made. There have long been efforts by a-ha and MTV to organize an Unplugged concert.
The fact that the two MTV Unplugged concerts in June 2017 actually took place on Giske also left a deep impression on a-ha themselves. Like every other band that has been successful on a worldwide scale for over three decades, a-ha have had their share of problems, split-ups and re-unifications. A thoughtful Magne reflects: "After such a long time, a-ha have now become a band that simply continues from project to project. This turned out to be a very healthy approach for the three of us, because going acoustic also had the taste of a new project."
Pål: "When we recorded our last few albums, we were sometimes working pretty isolated from each other. We should do this again - sitting and recording in the same room together for a couple of weeks or months and see what comes out as a result. We may argue about a lot of things, but we are also a band that has very close ties."
After the closing applause that seemed would never end, the band left the stage and walked out of Øygardshallen into the living daylights. Having performed two triumphant concerts together, the three band mates climbed into three separate vehicles and headed off into the sunlit night. But everybody in the audience had a feeling that a-ha had now just opened a brand new chapter in their unparalleled career. To quote a line from one of the highlights of these unplugged shows: "Cause I've been told / Stay on these roads / We shall meet, I know."
-Max DaxLP 1
1. This Is Our Home (Live from MTV Unplugged, Giske / 2017)
2. Lifelines (Live from MTV Unplugged, Giske / 2017)
3. I've Been Losing You (Live from MTV Unplugged, Giske / 2017)
4. Analogue (All I Want) (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. The Sun Always Shines on TV (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. A Break in the Clouds (Live from MTV Unplugged, Giske / 2017)
7. Foot of the Mountain (Live from MTV Unplugged, Giske / 2017 / LP Edit)
1. Stay on These Roads (Live from MTV Unplugged, Giske / 2017 / LP Edit)
2. This Alone Is Love (Live from MTV Unplugged, Giske / 2017)
3. Over the Treetops (Live from MTV Unplugged, Giske / 2017)
4. Forever Not Yours (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. Sox of the Fox (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. Scoundrel Days (Live from MTV Unplugged, Giske / 2017)
7. The Killing Moon (Live from MTV Unplugged, Giske / 2017 / LP Edit)
1. Summer Moved on (Live from MTV Unplugged, Giske / 2017 / LP Edit)
2. Memorial Beach (Live from MTV Unplugged, Giske / 2017 / LP Edit)
3. Living a Boy's Adventure Tale (Live from MTV Unplugged, Giske / 2017)
4. Manhattan Skyline (Live from MTV Unplugged, Giske / 2017 / LP Edit)
5. The Living Daylights (Live from MTV Unplugged, Giske / 2017 / LP Edit)
6. Hunting High and Low (Live from MTV Unplugged, Giske / 2017)
7. Ake on Me (Live from MTV Unplugged, Giske / 2017)$45.99Vinyl LP - 3 LPs Sealed Buy Now
ADAD-SEC-1019xThe War On Drugs
Lost In The DreamLost In The Dream is the third album by Philadelphia band The War on Drugs,but in many ways,it feels
like the first. Around the release of the 2011 breakthrough Slave Ambient,Adam Granduciel spent the
bulk of two years on the road, touring through progressively larger rock clubs, festival stages and late night television slots. As these dozen songs shifted and grew beyond what they'd been in the studio, The War on Drugs became a bona fide rock 'n'roll band.
That essence drives Lost In The Dream, a 10-song set produced by Granduciel and longtime engineer Jeff
Zeigler. In the past, Granduciel built the core of songs largely by himself. But these tunes were played
and recorded by the group that had solidified so much on the road: Dave Hartley, (his favorite bassist
in the world), who had played a bit on The War on Drugs' 2008 debut Wagonwheel Blues, and pianist
Robbie Bennett, a multi-instrumentalist who contributed to Slave Ambient. This unit spent eight
months bouncing between a half-dozen different studios that stretched from the mountains of North
Carolina to the boroughs of New York City. Only then did Granduciel-the proudly self-professed
gearhead, and unrepentant perfectionist-add and subtract, invite guests and retrofit pieces. He
sculpted these songs into a musical rescue mission, through and then beyond personal despair and
anxiety. Lost In The Dream represents the trials of the trip and the triumphs of its destination.
"I wanted there to be a singular voice, but I wanted it to be a project of great friends. Everyone in the
band cares about it so much,"he says."That is the crux of it-growing up,dealing with life,having close
friends, helping each other get by. That is what the record's all about.
As such, these tunes reveal a careful and thrilling reinvention of the sound that's become The War on
Drugs' trademark. The signature meld of long tones and scatter shot layers still stands, with phantom
drum machines and organ lines dotting the musical middle distance all across Lost In The Dream.Note
the way the keys whisper against the guitar's growl as the tempestuous"An Ocean in Between the Waves"
approaches pentecostal heat. Hear how,when a sharp and hard riff cuts into the inescapable chorus of
"Red Eyes," synthetic strings and baritone saxophone shape a soft, infinite bed beneath it. But there's a
new found directness to these tunes, too. Granduciel's voice steps out from behind its typical web of
effects-louder now, with more experiences to share and more steel from having survived them. He
sounds less like a prismatic reflection of a rock bandleader, more like the emboldened actualization of
that idea. With its crisp, unencumbered delivery, "Eyes to the Wind" becomes the album's centerpiece
and the group's new anthem.This is Granduciel's to-date triumph and the exact moment where Lost In
The Dream moves from a tale of confusion to one of resolve. Throughout most of the record, grips
loosen and senses fail, memories are mourned and expectations are abandoned. But after the Rolling
Thunder lift of "Eyes to the Wind," Granduciel finds new contentment and direction. Anguish
sublimates into deliverance. Backed by his bros, Granduciel becomes a preacher in a new pulpit.1. Under The Pressure
2. Red Eyes
4. An Ocean In Between The Waves
6. Eyes To The Wind
7. The Haunting Idle
9. Lost In The Dream
10. In Reverse$21.99Vinyl LP - 2 LPs Sealed Buy Now
Stranded In Arcadia (Out of Stock)Considered as one of the greats of the European stoner rock scene, France based MARS RED SKY have gained international recognition thanks to a unique sound imprint based on thick infectious grooves and melodic aerial guitar riffs. This is truly a one of a kind experience, wrapped up by Julien Pras' ethereal vocals, Matgaz' powerful rhythms and Jimmy Kinast's pachydermic bass lines. Somewhere between
doom metal and 70's psyche pop, the Mars Red Sound intrigues to begin with, after which it irremediably attracts the masses to celebrate this cosmic ritual of solar burning fuzz and reverberated atmospheres. Driven by the huge success of their eponymous debut record, which was recorded in Spain's mystic Bardenas desert and released in 2011 , the Bordelais were quickly invited to play on the largest European stages with KYUSS Lives !, DINAUSOR JR, SLEEP, and popular festivals
such as EurockÉennes de Belfort ( FR ), Roadburn ( NL ), London ( UK ) and Berlin ( DE ) Desertfests, Sziget Festival ( HUN ), SXSW ( USA ), leading them to play in more than 20 countries. With their incredibly heavy and hypnotic performances, MARS RED SKY have been considered as one of the most thrilling live acts among the international stoner rock scene. In 2012, they paired up with French doom
metal monsters YEAR OF NO LIGHT to release a 3-track split record, which sells out in a blink of an eye. The release of their EP "Be My guide" in the spring of 2013 prophetically opened the path for an extensive tour across Europe, then across the Atlantic Ocean for a few exciting gigs in Latin America, where they recorded their new album : "Stranded in Arcadia" .1. The Light Beyond
2. Hovering Satellites
3. Holy Mondays
4. Join The Race
7. Seen A Ghost
8. Beyond The Light$24.99Vinyl LP - Sealed Temporarily out of stock