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London-based singer, songwriter, and multi-instrumentalist Olivia Chaney follows her 2015 Nonesuch debut, The Longest River, with Shelter, also set for release via Nonesuch Records. The album was produced by Thomas Bartlett (David Byrne, Nico Muhly, The Magnetic Fields, Sufjan Stevens, The National, St. Vincent, Father John Misty, et al.) and features eight original songs, along with Chaney's interpretations of Purcell's O Solitude and Frank Harford and Tex Ritter's Long Time Gone, first recorded by the Everly Brothers.
Chaney describes her time writing songs for Shelter: I had been on the road a lot and was struggling with the grit and loneliness of urban life. I think I'd been questioning what home, belonging, a sense of purpose, and my own culture even meant. I'd been craving wilderness and a return to essentials for a long time. Then, while touring in the US, I realized the place I needed was already in my life. It was ancient, barely habitable, and remote.
Thus a crumbling eighteenth-century cottage in the austere but magical hills of the North Yorkshire Moors-a family retreat since my teens, with no electricity or plumbing, where the only water comes from a spring-became the home for my work on Shelter, she continues. We brought out an Arts and Crafts Bechstein piano and an old wood burner to the house; and as summer's end turned to autumn's shorter, colder days, the room with the upright and stove fueled my stay.
Chaney says of working with Thomas Bartlett, His close affiliation with such a varied and acclaimed group of artists was of enormous importance. His taste and sphere of understanding were as diverse as mine. He prioritized my compositions' meaning and lyricism, rather than jumping on the bandwagon of noisy popularity. I wanted a recording as intimate as the songs and their form. The only other musicians are Thomas and Jordan Hunt, my longtime collaborator who adds strings on select songs. It's just the three of us playing every sound you hear, using our instrumental and compositional craft, and Thomas' musician-producer's ear extraordinaire.
Born in Florence, Italy, Chaney grew up in Oxford, England, in a household whose intellectual and artistic engagement was complemented by an expansive musical soundscape. This included Billie Holiday, Mozart operas, Sandy Denny, Prince, Tracy Chapman, Bert Jansch, Michael Jackson, and Joni Mitchell. She studied at London's Royal Academy of Music, where she took in everything the conservatory had to offer. Her curiosity led her further afield, from Ligeti to West African pop, Edith Piaf to Laurie Anderson, Mary Margaret O'Hara to Lorraine Hunt Lieberson, Sonic Youth to Sappho, Kate Bush to old-time country music-all while finding her own voice.
The range of artists she's shared a stage with includes Robert Plant, Zero 7, the Labeque Sisters, Martin and Eliza Carthy, and Kronos Quartet, with whom she also recorded two songs for the 2017 Nonesuch album Folk Songs. Most recently she fronted a Grammy-nominated album, The Queen of Hearts, forming a new outfit, Offa Rex, with The Decemberists. The Guardian's review of that album said that Chaney has a magical voice, full of heft, soul and sunlight, and fRoots said, Chaney has never sounded better, while the Arts Desk said it was her voice, with its clarity, power and emotional weight, that carries Offa Rex to the heights. The Financial Times added that Chaney's singing makes 'Willie O' Winsbury' one of the best versions ever.1. Shelter
5. A Tree Grows in Brooklyn
6. Colin and Clem
7. O Solitude
8. Long Time Gone
9. Roman Holiday
10. House on a Hill$19.99Vinyl LP - Sealed Buy Now
The Queen Of HeartsNonesuch Records will release The Queen of Hearts, the debut album from Offa Rex, an adventurous new project featuring English singer-songwriter/multi-instrumentalist Olivia Chaney and The Decemberists. Produced and recorded by Tucker Martine (Modest Mouse, My Morning Jacket, Neko Case) and Colin Meloy at Martine's studio in Portland, OR, and mostly arranged by Chaney, the thirteen tracks on The Queen of Hearts draw largely on traditional English-Irish-Scottish repertoire to create a transatlantic musical conversation that flirts with psychedelia and folk rock while maintaining its own inimitable identity.
The origins of Offa Rex can be traced to a tweet. Meloy, a fan of Olivia Chaney's 2015 Nonesuch debut, The Longest River, struck up a dialog with her over Twitter, which eventually led to her supporting The Decemberists on a U.S. tour. Chaney says: Every so often [on the tour] Colin and I would have these fleeting but quite intense conversations about songwriting and singing traditional songs. One night he asked me, grinning, 'Have you ever thought of having a backing group? We'll be your Albion Dance Band.'
Meloy adds: "There's this weird relationship between British and American music, this interesting trade and theft that goes back and forth. My hope was that if we-the neophytes, the dilettantes, the pretenders-brought Olivia to Portland to work with Tucker, perhaps these traditional British songs would be infused with something different.From the heady harpsichord swirl that engulfs album opener The Queen of Hearts to the warm, delicate drone of The First Time Ever I Saw Your Face, or the cold, grey riff that heralds Sheepcrook and Black Dog, it's evident that Offa Rex is different indeed, upending its folk roots and imbuing these songs with exploratory verve.1. The Queen of Hearts
2. Blackleg Miner
3. The Gardener
4. The First Time Ever I Saw Your Face
5. Flash Company
6. Old Churchyard
7. Constant Billy (Oddington) / I'll Go Enlist (Sherborne)
8. Willie o' Winsbury
9. Bonny May
10. Sheepcrook and Black Dog
11. To Make You Stay$21.99Vinyl LP - Sealed Buy Now
FainRecorded in a beautiful and isolated house in the Yorkshire Dales, Fain is the sound of a band at the peak of their creative powers. It's an honest and natural album that allows its stories, its melodies, its themes and structures to breathe. The album draws on more traditional English and Scottish folk melodies than anything they've done before, but not straying from the drop-out fuzz-rock route they've made their own, the influences are vast - British rock bands like Groundhogs, Dark, Mighty Baby and Peter Green's Fleetwood Mac are evident in the swirling and distorted guitars throughout Fain, along with the 60s revival folk of Fairport Convention, Nic Jones, and Trees. Additionally they have looked towards Scandinavian's rich psychedelic tradition both new and old - you can hear the likes of Mecki Mark Men, Mikael Ramel and contemporaries Dungen. You can even hear the band's teenage forays into Hip-Hop in the drums of 'Thief' and 'Athol'.
It rained constantly throughout the recording process and the house was so packed with gear and recording equipment the band were forced to sleep in tents and caravans parked outside. Whilst performing, they could look out into the vast countryside and catch sight of buzzards, hares, curlews and hundreds upon hundreds of crows and gulls. The fire was on permanently, overnight and throughout the day. A serene experience that informs every track on the album. It was mixed and finished in the equally rainy London, with additional performances from Olivia Chaney on piano and backing vocals, plus Nic Kearey and Rachel Davies of Stick in the Wheel and Various (XL). Jace Lasek (Besnard Lakes) recorded backing vocals in Vancouver remotely for All Returns.
As evidenced by the first single All Returns, Fain is more lyrically focused than anything they've previously recorded.. The song tells the story of a dream Jack Sharp (guitars/vocals) had during which an acquaintance had looked into his eyes and seen into his soul whilst calmly describing his faults and inner demons, a truly cathartic experience. However, says Sharp, his life is largely too banal for material and he largely draws upon snapshots of history to furnish him with the ideas for lyrics. Stand out track Thief is taken from various stories of highwaymen that had been made famous by broadsheet ballads and plays - the likes of Charles Peace, William Nevison, Jonathan Wild and Jack Sheppard. He delivers this story in first person, almost as if he is playing the part of a complete degenerate with little or no conscience or morals. As Sharp says, It's like a form of tourism. You can visit but not live in the mind of an appalling human being.Empty Vessels
When the Fire is Dead in the Grate
NRR$17.99Vinyl LP - Sealed Buy Now
Folk SongsWhen Nonesuch Records celebrated its 50th anniversary in 2014, with festivals at London's Barbican Centre and New York's Brooklyn Academy of Music (BAM), Kronos Quartet joined forces with four labelmates-Sam Amidon, Olivia Chaney, Rhiannon Giddens, and Natalie Merchant-to perform a concert entitled Folk Songs. The group later recorded the songs, most of which are traditional with contemporary arrangements, with Doug Petty as the album's producer.1. Oh Where (feat. Sam Amidon) [Trad. arr. Nico Muhly]
2. Ramblin' Boy (feat. Olivia Chaney) [Trad./W.B. Yeats arr. Donnacha Dennehy]
3. The Butcher's Boy (feat. Natalie Merchant) [Trad. arr. Jacob Garchik]
4. Factory Girl (feat. Rhiannon Giddens) [Trad./Rhiannon Giddens arr. Gabriel Witcher]
5. Last Kind Words (Geeshie Wiley arr. Jacob Garchik)
6. I See the Sign (feat. Sam Amidon) [Trad. arr. Nico Muhly]
7. Montaigne, que tu es haute (feat. Olivia Chaney) [Trad. arr. Jacob Garchik]
8. Johnny Has Gone for a Soldier (feat. Natalie Merchant) [Trad. arr. Jacob Garchik]
9. Lullaby (feat. Rhiannon Giddens) [Rhiannon Giddens arr. Gabriel Witche]$20.99Vinyl LP - Sealed Buy Now