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Way Out WestWhile he's too gracious to admit it himself, the Grammy-winning singer, songwriter and musician is living, breathing country music history. He's played alongside the masters, from Cash to Lester Flatt, who discovered him; been a worldwide ambassador for Nashville, Bakersfield and points in between; and safeguarded country's most valuable traditions and physical artifacts.
But most importantly, Stuart continues to record and release keenly relevant music, records that honor country's rich legacy while advancing it into the future. Way Out West, his 18th studio album, hits both of those marks. Produced by Mike Campbell (Tom Petty and the Heartbreakers), the album is a cinematic tour-de-force, an exhilarating musical journey through the California desert that solidifies Stuart as a truly visionary artist.
When it comes to transforming country songs into tangible experience, Stuart has a secret weapon: his longtime band the Fabulous Superlatives, which NPR Music said could "melt your heart with four-part harmonies, rock your bones with honky tonk, and dazzle you with picking worthy of their name,". Made up of guitarist Kenny Vaughan, drummer Harry Stinson and new member, bassist Chris Scruggs, the Superlatives are an extension of Stuart himself. The Superlatives are missionaries, they're fighting partners. They're my Buckaroos, my Tennessee Three, my Strangers. They're my legacy band and have been since Day One, says Stuart.
I would play this record for Hank Williams, Merle Haggard or Ernest Hemingway and never bat an eye, says Stuart. There's something in there that would entertain each of them.1. Desert Prayer - Part I
3. Lost On The Desert
4. Way Out West
5. El Fantasma Del Toro
6. Old Mexico
7. Time Don't Wait
9. Air Mail Special
11. Please Don't Say Goodbye
12. Whole Lotta Highway (With A Million Miles To Go)
13. Desert Prayer - Part II
14. Wait For The Morning
15. Way Out West (Reprise)$18.99Vinyl LP + CD - Sealed Buy Now
Out TherePart of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 331/3.
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Deep groove label pressings, tip-on jackets on thick cardboard stock
In 1960, the free jazz pioneered by Ornette Coleman, Cecil Taylor, Horace Tapscott and a very few others was rejected by many musicians and most listeners. For the visionary saxophonist, clarinetist and flutist Eric Dolphy, it was simply new music fed by the mainstream, a logical extension of the jazz tradition. In Far Cry without leaving form behind, he incorporated the spirit of adventure and abandon with which free jazz at its best infused freshness into jazz. Recording with a pianoless quartet that used Ron Carter's cello as the other melody instrument, Dolphy worked from chord patterns developed within structures that depart from ordinary 32-bar jazz and popular song forms. He used 30-bar, 35-bar and 18-bar structures, but he also observed standard practice with 12-bar blues, "Serene." Dolphy's speech-like improvisations and Carter's bowed or plucked cello solos soar over the impeccable and responsive accompaniments of bassist George Duvivier and drummer Roy Haynes.
This title is not eligible for discount.1. Out There
3. The Baron
5. 17 West
6. Sketch Of Melba
7. Feathers$39.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Out ThereOut There
Sketch Of Melba
Feathers$21.99Vinyl LP Reissue - Sealed Buy Now
Being ThereIncludes Full Length CD
LP Cut from Original Masters and Pressed at Pallas in Germany!
Outtasite! Stunning 1996 Double Album Has Been Long Out-of-Print with Originals Fetching Hundreds of Dollars on eBay! Do Not Miss Out This Time!
Also Available: 180-gram LP Versions of Wilco's A.M. and Summerteeth CUT FROM ORIGINAL MASTER TAPES and Pressed at Pallas! Unbelievable Sound!
Motivated by leader Jeff Tweedys desire to improve on his bands debut A.M. and informed by numerous life circumstancesthe birth of his first child, a recent marriage, a new mortgage, and a decision to quit smoking potBeing There begins a cycle of creativity and ambition in Wilcos career that has yet to let up. Far more mature and advanced than anything Tweedy and Co. had done before, the eclectic double album finds the group moving beyond straightforward country-rock and embracing a gambit of styles that encompass power-pop, romantic balladry, barroom-brawling rock, and immersive psychedelia. A journey that is ultimately about finding solace in rock n roll, Being There is a seminal record in every sense. The album has only bettered with the passage of time.
Jay Bennett, a guitarist and multi-instrumentalist who joined the band before the recording sessions, is also largely responsible for the artistic growth. His keen pop sensibilities and keyboard playing expand Wilcos core rootsy sound, while Tweedy pushes himself as a songwriter. Introspective, surreal, and personal, tunes such as the explosive Misunderstood and meditative Hotel Arizona signal the arrival of a singular talent coming to terms with his own anxiety, restlessness, and dreams. And the band is up to the challenge. In addition to blending myriad sounds, Wilco gets more comfortable with the studio and adorns several arrangements with horns, strings, and hand claps.
To preserve the musics spontaneous feel and accentuate the dynamic contrasts, Wilco practiced, rehearsed, and recorded one song a day. Nothing is overthought or overly polished. The production reflects these decisions. Sonics are warm, organic, loose, and noticeably real. Its no wonder that Tweedy successfully convinced Reprise to release Being There as a double album and sell it for the price of a single disc. To help make it happen, he personally volunteered to take a decreased royalty rate in exchange for the unconventional pricing and resultant revenue losses. Tweedys gamble paid off. And how.
Now, hear this absorbing double album in the highest-possible fidelity for the first time ever! Mastered from the original tapes and pressed at Germanys legendary Pallas facilities, this 180-gram 2-LP version of Being Here is guaranteed to beat every other available version. (Plus, it comes with a CD of the complete album: You can't lose.) But dont delay! Wilcos Reprise LPs have been fetching hundreds of dollars on EBay for years. Get yours from Music Direct today!
Wilco have not made your standard rock & roll road album. Tweedy's songs use the one-nighter clichÉs of Grand Funk Railroad's We're an American Band as a means of exploring deeper issues, particularly faith and commitment and how those qualities are tested by geographical and emotional distances. Being There is an album of parallel journeys that frequently overlap, a tour of the heart that becomes a search for renewal. -Greg Kot, Rolling Stone, October 19961. Misunderstood
2. Far, Far Away
4. Outtasite (Outta Mind)
5. Forget The Flowers
6. Red-Eyed And Blue
7. I Got You (At The End Of The Century)
8. What's The World Got In Store (LP Version)
9. Hotel Arizona
10. Say You Miss Me
11. Sunken Treasure
12. Someday Soon
13. Outta Mind (Outta Sight)
14. Someone Else's Song
16. (Was I) In Your Dreams
17. Why Would You Wanna Live
18. The Lonely 1
19. Dreamer In My Dreams$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Why There Are MountainsBarsuk Records is pleased to reissue Cymbals Eat Guitars' stunning debut Why There Are Mountains on vinyl. Originally self released in 2009, Why There Are Mountains seemed to appear out of nowhere to massive critical acclaim (partially thanks to Pitchfork bestowing the album with the much coveted Best New Music designation) and took the indie-rock world by storm. The band spent the following year and a half touring the world and sharing the stage with Los Campesinos!, The Thermals, The Flaming Lips, The Hold Steady and more before releasing their Barsuk debut Lenses Alien in 2011.1. ...And the Hazy Sea
2. Some Trees (Merritt Moon)
4. Cold Spring
6. What Dogs See
7. Wind Phoenix (Proper Name)
8. The Living North
9. Like Blood Does$16.99Vinyl LP - Sealed Buy Now
Is That All There Is?Peggy Lee was 49 years old when Capitol Records released Is That All There Is? in 1969. It was her 42nd album, and it had been over 10 years since the singer born Norma Deloris Egstrom, in 1920, had last graced the US Top 40 with her presence; her sultry take on Little Willie John's 'Fever' scaled the upper echelons of the American hit parade in 1958.
But Lee, a country girl with Scandinavian ancestry who hailed from the plains of North Dakota, had more in the tank. The haunting and idiosyncratic 'Is That All There Is?' (inspired by a short story called Disillusionment from German writer Thomas Mann) captured the public imagination when it was released as a single in the States and started climbing the pop charts, where it peaked at No.11. Such was the song's impact that it won Lee a Grammy Award in the category of Best Contemporary Female Vocal Performance in 1970. Its success was a surprise to Capitol, who thought the song was too odd and esoteric to be a hit.
The song opens Lee's album of the same name and, even today, remains a profoundly potent piece of music. It has the ability to simultaneously provoke conflicting emotions, eliciting both laughter and pathos. Combining a spoken narrative with a plaintive refrain sung over a jaunty rhythm, it evokes the Berlin cabaret scene of the 1920s and the spirit of German composer Kurt Weill. The song was penned and produced by noted hitmakers Jerry Leiber and Mike Stoller, and it's unlike anything else they wrote: a philosophical rumination that questions the meaning of things.
Arranged and conducted by a young Randy Newman, 'Is That All There Is?' is beautifully delivered by Lee in plangent tones, mixing a droll, ironic humour with a poignant reflection on the absurdity and, indeed, disappointments of life. Despite the song's somber mood and theme of disillusionment, the chorus is gloriously carefree: "Let's keep dancing/Let's break out the booze and have a ball," Lee sings, and she sounds like she means it. (Understandably, the song - which was originally written for, and turned down by, Marlene Dietrich - has inspired many covers over the years, including notable versions by Tony Bennett and PJ Harvey with John Parish.)
Though it was the undoubted cornerstone of Lee's 1969 album, there was much more to enjoy besides the title song. Another Leiber and Stoller composition, 'Whistle For Happiness', is stylistically similar to 'Is That All There Is?' while their 'I'm A Woman' is a swaggering, sassy blues that was first cut by Lee on her 1963 album of the same name and was a minor US chart hit at the time.
Peggy Lee Is Love Story Single Label - 300Elsewhere, Lee deconstructs the Al Jolson-associated 'Me And My Shadow' and imbues it with a languorous sensuality, while the Nancy and Frank Sinatra duet 'Something Stupid' is reconfigured into a breezy bossa nova. Another highlight is her take on Randy Newman's 'Love Story (You And Me)', the opening cut on the singer-songwriter's 1968 debut album for Reprise, which is arranged and conducted by the composer himself. Newman's 'Johnny (Linda)' is also included and has an arrangement that recalls the vaudevillian quirkiness of the album's title track.
Lee also embraced the rock music zeitgeist by tackling The Beatles' George Harrison-penned 'Something' and Neil Diamond's gospel-flavoured 'Brother Love's Travelling Salvation Show', though she does them in her own inimitable way.
Is That All There Is? dared to be different and showed that, though Peggy Lee was often typecast as a stereotypical jazz chanteuse, she was a much more versatile performer than had hitherto been revealed. Though its title song is an ode to coping with disappointment, that particular emotion is the last thing that you feel when listening to this classic album, which is a life-affirming delight from beginning to end.1. Is That All There Is?
2. Love Story
3. Me And My Shadow
4. My Old Flame
5. I'm A Woman
6. Brother Love's Travelling Salvation Show
8. Whistle For Happiness
9. Johnny (Linda)
10. Don't Smoke In Bed$24.99Vinyl LP - Sealed Buy Now
There Is No Beginning To The StoryThere's No Beginning to the Story is now back in print on LP. Includes two tracks not available on the CD release - Amy in the White Coat and the Neil Young song Out on the Weekend. Includes a copy of the CD in the jacket.1. From a Balance Beam
2. Messenger Bird's Song
3. We Are Free Men
4. Loose Leaves
6. Amy in the White Coat
7. Out on the Weekend (Neil Young cover)$14.99Vinyl LP - Sealed Buy Now
ADAD-PAR-2743xThe Red Rippers
Over There ... And Over HereParadise of Bachelors presents the first-ever reissue of the previously obscure 1983 LP by the Red Rippers. Written and recorded by Navy pilot Ed Bankston, the album's nine battle-scarred country-boogie/psych dispatches chronicle the experiences of Bankston and his fellow vets during the Vietnam War and back home. Produced in collaboration with the artist, the package includes extensive liner notes, archival photos, and (with the vinyl) a digital download coupon.
Scarce and seemingly inscrutable, the sole recording credited to the Red Rippers has long captivated and mystified record collectors. When we first encountered Over There and Over Here, we were fascinated by the prescient, genre-dredging synthesis of Waylonesque honky-stomp with early '80s new wave production values and eerie, out-of-time psychedelic guitar leads weirdly reminiscent of the Blue Öyster Cult, Dire Straits, and the Meat Puppets at their most desert-drunk. We were intrigued by the record's ambiguous provenance (Oracle Records?) and moved by its complex, apparently deeply personal articulation of an enlisted man's efforts to break on through his fear, anger, and disillusionment during and after the Vietnam War.
Once we finally tracked down songwriter, singer, and guitarist Edwin Dale Bankston in Phoenix, Arizona, he told us that he wrote these nine potent blues during the decade following his return in 1972 from serving on the Navy aircraft carrier USS Kittyhawk in Vietnam. He recorded them while stationed in Pensacola, Florida and sold the resulting 1983 album through an advertisement in Soldier of Fortune magazine, largely to other veterans. The songs chronicle his own and other vets' harrowing experiences both in country and back home, and are utterly unlike most popular music commentaries on the Vietnam War. You've heard the strident protest songs blasted forth from that myth-shrouded era; many retain a visceral power and poetic outrage, but few, beyond a professed empathy for flimsy, victimized stock characters, accurately represent the actual lived experience and agency of soldiers.1. I Roll
2. Soldier of Fortune
4. Who Remembers
5. Vietnam Blues
6. The Dark and Bloody Road
7. She's Been Down
8. Body Bag
9. Over The Edge$21.99Vinyl LP - Sealed Buy Now
There's Really A WolfAtlanta-based DIY rapper and producer Russ is set to release his major label debut album, There's Really A Wolf, on vinyl via Columbia Records. The diverse 20-track album was produced, mixed, mastered, engineered and written exclusively by Russ himself. The album features both of his Billboard Hot 100-charting breakthrough tracks, including the Platinum-certified hit What They Want and Gold-certified song Losin Control, along with the previously released track Cherry Hill.
For 10 years, Russ has been doing it all himself. A self-proclaimed DIY pioneer, Russ produces, mixes, masters, engineers and writes all of his own music. His strong vision and self-belief has resulted in two Top 10 radio hits, 175 million total Youtube views to date, 3.6 million monthly listeners on Spotify, and over 225 million plays of his vast catalog, all sung word for word by his dedicated fan base at sold-out shows across the globe1. I'm Here
2. The Stakeout
3. Act Now
4. Cherry Hill
5. Me You
6. Ride Slow
7. Don't Lie
8. Do It Myself
9. I Wanna Go Down With You
10. Family & Friends
11. What They Want
12. Got This
13. No Turning Back
14. Losin Control
16. Back To You
17. One More Shot
19. Pull The Trigger
20. MVP$25.99150 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
OVSE-MOV-640xSly & The Family Stone
There's A Riot Goin' OnRanked 99/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
180 Gram Audiophile Pressing
There's A Riot Going On was Sly & The Family Stone's answer to Marvin Gaye's What's Going On?, the seminal Soul album that came out five months before the Sly Stone masterpiece. It's a dark, earthy Funk album, that went straight to number 1 upon release. Single Family Affair also topped the charts, and is still one of Sly Stone's most beloved tracks. It manages to capture the era of militant activism and deep social unrest in a brooding, moody album with tension that could cut through steel. It still appears on plenty of 'greatest albums of all time' lists (Rolling Stone placed it on #99 out of 500) and is seen as one of the most important and influential albums of the 1970s.Side A
1 Luv N' Haight
2 Just Like A Baby
4 Family Affair
5 Africa Talks To You The Asphalt Jungle
6 There's A Riot Goin' On
1 Brave & Strong
2 (You Caught Me) Smilin'
4 Spaced Cowboy
5 Runnin' Away
6 Thank You For Talking To Me Africa$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
There's A Blue Bird In My HeartAnders Parker has a recording of new music coming out June 17th, and it is called There's a Blue Bird in my Heart. Released by his new record label, Recorded & Freed, the album of nine distinct tracks was created in Burlington, Vermont. The initial tracks were all cut live with his band Cloud Badge, before the process relocated to Athens, Georgia for additional recording and mixing by the legendary David Barbe (Bob Mould, Drive-by Truckers, Son Volt), and guest appearances by local Athens talent. This is the first release of new Parker material in over four years. A.P. did not sit idle during the interim, having recorded and released more than twenty-three tracks with the Woody Guthrie-inspired New Multitudes supergroup that also included Jay Farrar, Jim James, and Will Johnson. He also released a beautifully lyrical album of music with longtime ally Kendall Meade called Wild Chorus under the band name, Anders & Kendall. All of these efforts add to the continued entries in the ledger of his life's body of work that include his work with Space Needle, Gob Iron (also with Jay Farrar), five albums recorded under the anonymity of the name Varnaline, five albums recorded under his name, and a live "field recording" from a Portland, Oregon tour stop in 2005.1. The Road
3. Don't Let The Darkness In
5. Silver Yonder
6. Feel It
7. Epic Life
8. Jackbooted Thugs (Have All The Best Drugs)
9. See You On The Other Side$19.99Vinyl LP - Sealed Buy Now
There's A Riot Going On (Pre-Order)There's a riot going on. You don't need me, or Yo
La Tengo, to tell you that. These are dark times, in our
heads as much as in the streets. It's easy to lose contact
with the ground. Confusion and anxiety intrude
into daily life and cause you to lose your compass.
There are times that call for anthems, something to lift
you out of your slump and put fire in your feet. And
sometimes what is needed is a balm, a sound that will
wrap around you and work out the knots in your neck.
For Yo La Tengo, this is a slow-motion action
painting. Ira Kaplan, Georgia Hubley, and James
McNew did it all themselves, in their rehearsal studio,
with no engineer and no complicated equipment
(John McEntire later assisted in mixing). They did not
rehearse together beforehand; they turned on the recorder
and let things coalesce. Songs came together
over long stretches, sometimes as much as a year going
by between parts. You'd never guess this, since
the layers are joined with such a liquid brush. You'd
imagine most of the songs had sprung forth whole,
since they will enter your head that way. Within two
listens you will be powerless to resist the magnetic
draw of "Shades of Blue," will involuntarily hear "She
May, She Might" on your internal jukebox first thing in
the morning and "Let's Do It Wrong" late at night.
While there's a riot going on, Yo La Tengo will
remind you what it's like to dream. The sound burbles
and washes and flows and billows. If records were
dedicated to the cardinal elements, this one would be
water. There are shimmery hazes, spectral rumbles, a
flash of backward masking. You are there. And even if
your mind is not unclouded--shaken, misdirected, out
of words and out of time--you can still float, ride the
waves of an ocean deeper than your worries, above
the sound and above the Sound.LP 1
1. You Are Here
2. Shades of Blue
3. She May, She Might
4. For You Too
6. Polynesia #1
7. Dream Dream Away
2. Above the Sound
3. Let's Do It Wrong
4. What Chance Have I Got
5. Esportes Casual
7. Out of the Pool
8. Here You Are$27.99Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
ADAD-NAP-8633xLife Of Agony
A Place Where There's No More PainLife Of Agony emerged from the New York music scene in the early ‚90s with one of the most distinctive
sounds in its genre. Best known for its 1993 metal/crossover debut River Runs Red, the band instantly
built a die-hard, cult following. For over two decades, the group toured relentlessly all over the world,
sharing stages with the biggest names in rock, including Metallica, Black Sabbath, Ozzy Osbourne, Foo
Fighters, and The Red Hot Chili Peppers. After the much-praised Ugly (1995), LOA opted for a highly
energetic alternative rock approach on Soul Searching Sun (1997) and Broken Valley (2005) - the latter
produced by Greg Fidelman (Slipknot, Metallica). Life of Agony has sold over one million albums to date.
In 2016, LOA signed a deal with Napalm Records to record the group's 5th studio album, titled A Place
Where There's No More Pain. Rolling Stone hailed it as „One of the Most Anticipated Albums of the Year".
The album is produced by Matt Brown & Life Of Agony and mastered by Ted Jensen (Alice in Chains,
Machine Head, Deftones). The drive and intensity these ten blistering new tracks possess, surpass all
expectations that built up in the past 12 years - a cathartic Sturm & Drang experience for the listener that
matches the ferocity of River Runs Red with gut wrenching rock melodies. Raging guitar riffs, heartfelt
lyrics and killer grooves mark the return of LOA's signature sound and turn A Place Where There's No
More Pain into a passionate, soul-searching affair.
The highly emotional lyrics by singer Mina Caputo link all songs by the four-piece together, then and
now: born as Keith Caputo, she had her Transgender coming out in 2011, changed her name, but kept
her inimitable style of writing deeply from the heart. „And I just want to disappear and hide," she sings
and shines a light on the path of all lost souls - while steadily walking her own. „Many of our fans have
told us over the years that sharing our personal struggles has been cathartic for them in healing the pain
in their own lives. That uplifting energy we share at the shows, gives us hope that there's light at the end
of the tunnel. And for us and hopefully our fans, that short time when we're all together is a place where
there's no more pain."1. Meet My Maker
2. Right This Wrong
3. A Place Where There's No More Pain
4. Dead Speak Kindly
5. A New Low
6. World Gone Mad
7. Bag Of Bones
8. Walking Catastrophe
9. Song For The Abused
10. Little Spots Of You$19.99Vinyl LP - Sealed Buy Now
Way Out WestMastered off the original 2-track tape recorded with a tube AKG-C12 microphone on a tube Ampex 350 machine. Features Ray Brown on bass and Shelly Manne on drums. Over his long and distinguished career, Sonny Rollins has made many dozens of albums. Among those recorded during the fifties, Prestige's Movin' Out and Colossus, Blue Note's A Night at the Village Vanguard, Riverside's The Sound of Sonny, and Way Out West on Contemporary qualify as all-time Rollins classics.
The session for Way Out West, Rollins' first ever in California, was called for 3 a.m. to accommodate everyone's busy schedules. Sonny, who could never be accused of overstatement, announced after four hours of recording: I'm hot now.
Mastered by Doug Sax.
Way Out West is a piano-less trio - another va-va-vivid Roy DuNann production - with Rollins spinning quirky geometric patterns through odd standards like 'I'm an Old Cow Hand.' - Fred Kaplan, The Absolute Sound, December 2005 (included in Kaplan's Best-Sounding Jazz LPs)
1. I'm An Old Cowhand
3. Come, Gone
4. Wagon Wheels
5. There Is No Greater Love
6. Way Out West
$21.99Vinyl LP Reissue - Sealed Buy Now
Kick Out The JamsRanked 294/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Rather than try to capture their legendary on-stage energy in a studio, MC5 opted to record their first album during a live concert at their home base, Detroit's Grande Ballroom, and while some folks who were there have quibbled that Kick Out the Jams isn't the most accurate representation of the band's sound, it's certainly the best of the band's three original albums, and easily beats the many semiauthorized live recordings of MC5 that have emerged in recent years, if only for the clarity of Bruce Botnick's recording.
From Brother J.C. Crawford's rabble-rousing introduction to the final wash on feedback on Starship, Kick Out the Jams is one of the most powerfully energetic live albums ever made; Wayne Kramer and Fred Sonic Smith were a lethal combination on tightly interlocked guitars, bassist Michael Davis and drummer Dennis Thompson were as strong a rhythm section as Detroit ever produced, and Rob Tyner's vocals could actually match the soulful firepower of the musicians, no small accomplishment. Even on the relatively subdued numbers (such as the blues workout Motor City Is Burning), the band sound like they're locked in tight and cooking with gas, while the full-blown rockers (pretty much all of side one) are as gloriously thunderous as anything ever committed to tape; this is an album that refuses to be played quietly. For many years, Detroit was considered the High Energy Rock & Roll Capital of the World, and Kick Out the Jams provided all the evidence anyone might need for the city to hold onto the title.
-AllMusic.com1. Intro/Ramblin' Rose
2. Intro 2/ Kick Out The Jams
3. Come Together
4. Talk/Rocket Reducer No. 62
6. Motor City Is Burning
7. I Want You Right Now
8. Starship$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Out of the AfternoonA 1962 set from the Roy Haynes Quartet which, at the time, consisted of Haynes, Henry Grimes on bass, Tommy Flanagan on piano and Roland Kirk on saxes, manzello, stritch and flutes. The album is a delightful mix of technique in arrangement and performance, with all of the musicians delivering terrific work Haynes' drumming is absolutely wonderful here, lightly dancing around the other instruments. Flanagan's piano playing is equally light and delicate, and Grimes' bass work is outstanding. There's not much that can be said about Kirk's sax and flute work that hasn't already been said a hundred times.
Roy Haynes, drums
Tommy Flanagan, piano
Henry Grimes, bass
Rahsaan Roland Kirk, flute, percussion, tenor saxophone
This title is not eligible for discount.1. Moon Ray
2. Fly Me To The Moon (In Other Words)
4. Snap Crackle
5. If I Should Lose You
6. Long Wharf
7. Some Other Spring$54.99180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
Out Of The BlackThe raucous, schizophrenic sound of Out Of The Black - much like previous Boys Noize records - has as much to do more with Ridha's attention span as his choice in gear. "I get bored really easily with sounds," he explains, "The exciting part for me is trying to come up with new sounds, putting new sounds in a new dress. I'm sound obsessed. I buy a lot of machines and synths, and I'm always looking for a way to destroy sounds in an unconventional way. I'm always drawn to music and productions that sound entirely different or really naïve or sometimes just stupid. I don´t like it when it sounds too clean and generic, there needs to be some sort of soul. I guess that explains a lot about my sound which I think I instinctually capture. But I do try to keep in mind what I loved about dance music when I started doing this and how it made me feel. Those thoughts were also very much on my mind when I was making this record."
The new album nicely bridges the gap between his previous two efforts; providing the requisite in-your-face electro bang of classic Boys Noize on tracks like "What You Want", "Rocky 2" and "XTC", or more melodic songs like "Ich R U" and "Reality". At a time when mainstream electronic music-particularly the pervasive cultures of EDM and dubstep-have moved dance music out of the clubs and into the stadiums, Ridha is quick to acknowledge the old school house and acid records that shaped him as a DJ; the very same records that continue to bubble up as an influence on Out of the Black.
"I never compromise when it comes to creative or musical things," says Ridha. "I only do what I think is cool and what I like. It's not about what the market wants or what people expect. Maintaining artistic freedom has always been the most important thing to me - for my own music or for anyone on my label." As for the title of his new record, Ridha explains that this music isn't coming from out of the blue. In fact, it's the opposite. "I tend to make and produce music only at night," he says. "I also generally only perform at night, so this is music that's coming totally out of the black. Also, they say the color black can absorb all other colors, which is a cool way to think about making music. You absorb every other kind of music-every possible sound-and what comes out of you is something new, something out of the black."1. What You Want
4. ICH R U
5. Rocky 2
6. Ich Jack
7. Circus Full Of Clowns (feat. Gizzle)
8. Touch It
9. Conchord (feat. Siriusmo)
12. Got It (feat. Snoop Dogg)
14. Yellow (feat. Siriusmo)$24.99Vinyl LP + CD - 3 LPs Sealed Buy Now
Going Out In StyleDKM come out swinging with their sixth studio album; a collection of tales about family, loyalty, and remembering where you came from. It contains all the best elements of the band's sound: a complex distillation of classic punk rock, Celtic folk, and American rock 'n' roll. It puts the band's diversity, intensity, and sincerity on full display. Consolidating strong sales history with digital single sales of 250,000 for I'm Shipping Up To Boston, which was the title track in Martin Scorcese's Academy Award winning film, The Departed. For fans of The Pogues, The Clash, Stiff Little Fingers, AC/DC, Bruce Springsteen.
So what if I threw a party & all my friends were there? So goes a line from the title song of Dropkick Murphy's seventh studio album Going Out In Style. From the meanest of times to the best of times DKM want to lift your spirits during these tough times with the party to end all parties blasting from your speakers. The Murphy's know how to turn a wake in to a party.
Now in their 15th year; with a Scorsese soundtrack hit, a US top 20 album, a lifetime membership to every Boston sports team and a sound owing as much to Springsteen and The Pogues as to the Clash, DKM have come a long way from the days of Bostonâs Rathskeller.
Dropkick Murphys are not your typical punk band, they are Boston's biggest rock band, a band that plays Irish music with punk roots. A band with enormous families and armies of friends. They roll deep. DKM's music is so fierce and furious, their stage presence so explosive, and their commitment to their fans so ironclad, one can't help but be moved. They are the AC/DC of Celtic punk rock.1. Hang 'Em High
2. Going Out In Style
3. The Hardest Mile
5. Memorial Day
6. Sunday Hardcore Matinee
7. Broken Hymns
8. Deed Not Words
9. Take 'Em Down
10. Climbing A Chair To Bed
12. Peg O' My Heart (traditional)
13. The Irish Rover (traditional)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Boys Night OutOak Ridge Boys fans have been clamoring for a live album of hits for several years now, but as the band explained, "For some reason or another, the time never seemed right. One project after another would rise up and the live album idea was always put on the back burner" Then, in early 2013, lead vocalist and producer Duane Allen saw the stars align as the band was able to get its hands on some top quality remote recording equipment, and promptly began
capturing performances of their current show dubbed "Boys Night Out." Night after night, The Oak Ridge Boys wowed audiences across the nation with a set list that packed all of the group's hit singles and fan favorites into one magnificent celebration. Years of preparation have made such well-loved songs as "You're The One," "Thank God For Kids," and the brilliant "Bobbie Sue" sound even more exhilarating than when they were originally recorded! It might
not be quite the same as being there, but it's thrillingly close!1. You're The One
2. American Made
3. (I'm Settin') Fancy Free
4. Love Song
5. Y'all Come Back Saloon
6. Sail Away
7. Dream On
8. This Crazy Love
9. Trying To Love Two Women
10. Come On In
11. Make My Life With You
12. Thank God For Kids
14. Bobbie Sue$25.99Vinyl LP - Sealed Buy Now
Out Of Hands We GoThe 5th full-length record by folk-rock-appalachian-country band O'Death finds the band rejecting the lush, clean-cut production of their last album Outside, in favor of a more raw, in-the-red sound. The result is the band's most harrowing and honest effort to date. Coupled with some of the group's strongest songwriting to date, singer Greg Jamie's captivating voice sends intense shivers down the listener's back.1. Herd
2. Wrong Time
4. All Is Light
5. Wait For Fire
6. Go and Play With Your Dead Horses
7. Apple Moon
8. When My Dog Gets Out Let Him Run
9. We Had A Vision
10. Heal In The Howling
12. Reprise$17.99Vinyl LP - Sealed Buy Now
In & Out Of The Cage (Pre-Order)140 Gram Red/Black Splatter Colored Vinyl
Soundgarden achieved its biggest success with the 1994 album Superunknown, which debuted at number one on the Billboard charts and yielded the Grammy Award-winning singles 'Black Hole Sun' and 'Spoonman'. In 1997, the band broke up due to internal strife over its creative direction. After more than a decade of working on projects and other bands however, Soundgarden reunited in 2010 and their sixth studio album, King Animal, which was released two years later. As of 2012, Soundgarden had sold more than 10.5 million records in the United States and an estimated 22.5 million worldwide. VH1 ranked Soundgarden at number 14 in their special 100 Greatest Artists of Hard Rock.
This LP includes Soundgarden's complete and stunning performance recorded for live broadcast at the Kitsap County Fairground in Bremerton, Washington, while on the 1992 Lollapalooza tour. With further, bonus cuts from the band's 1990 show at the Paradise Rock Club in Boston, this 80 minute release will delight and enthral fan's universally, while providing a unique and collectable addition to every Soundgarden collection out there.LP 1
2.Jesus Christ Pose
3.Outshined (with Eddie Vedder)
4.Big Dumb Sex
7.Slaves & Bulldozers
1.Searching With My Good Eye
3.Hands All Over
5.Full On Kevin's Mom
7.Beyond The Wheel
8.Get On The Snake$34.99Colored Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
Carve Out The Face Of My GodInfinite Body is Kyle Parker, once know throughout the world as Gator Surprise in his youthful days. Now a grown man he has cast aside his harsh outpouring and transformed it into a lush and bright planetary awakening. Drawing the harmony of the spheres into his brain and channeling it through his fingertips onto recorded medium INFINITE BODY causes sound to bloom where there once was only darkness! Yes! This rules! You might have witnessed such events live during Infinite Body tours with No Age, Dan Deacon and Deerhunter.1. Dive
2. A Fool Persists
3. What They Wanted To Be Was Useless
4. Out To Where I Am
5. On Our Own To Fall Off
6. Beside Me In The Dawn
8. Lived On Its Knees (For Matt)
9. He Runs Without Feet And Holds Without Hands
10. Drive Dreams Away
11. Carve Out The Face Of My God$13.99Vinyl LP - Sealed Buy Now
Sorry Ma, Forgot To Take Out The TrashPart of the Replacements' appeal always was that they didn't quite fit into any tidy category. Nowhere
was that truer than on their 1981 debut, Sorry Ma, Forgot to Take Out the Trash. They didn't fit anywhere within
American punk, but there's no defiance here; there's a celebration of who and what they are that's genuinely,
infectiously guileless. It may not quite sound like any other American punk record but Sorry Ma, Forgot to Take Out the
Trash is one of the best LPs the entire scene produced in the early '80s.1. Takin' A Ride
4. Hangin' Downtown
5. Kick Your Door Down
7. I Bought A Headache
9. I Hate Music
10. Johnny's Gonna Die
11. Shiftless When Idle
12. More Cigarettes
13. Don't Ask Why
14. Somethin To DÜ
15. I'm In Trouble
16. Love You Till Friday
18. Raised In The City$19.99Vinyl LP - Sealed Buy Now
The Doctor Is In And Out (Pure Pleasure)In 1976, Yusef Lateef's as restless a spiritual seeker as there ever was in the field of music, revisited some of his earliest themes in the context of modern sonic frameworks: The Eastern modal and melodic frameworks of his Prestige sides, such as Eastern Sounds, Cry!/Tender, and Other Sounds, brought to bear in much more sophisticated, complex, and grooved-out ways -- after all, it had been 20 years or more. The groove referred to is funk and soul. Funk itself was mutating at the time, so Lateef's interpolation at the crossroads of all ports in the musical journey was not only valid in 1976, but also necessary.
For this recording, he utilized an absolutely huge group of musicians, bringing them in for this or that part, or a sound, or a particular vamp. Some of those present were Kenny Barron, Ron Carter, Dom Um Romao, Al Foster, Billy Butler, Anthony Jackson, a five-piece brass section, and a synth player. Lateef, as always, was offering evocative glimpses of geographical, psychological, spiritual, and emotional terrain in his compositions, but not in predictable ways. There's the deep minor-key meditation on blues and evolving thematic variations on Hellbound that becomes a Latin funk tune; the airy, contemplative, and skeletal Mystique, which may use a repeating rhythmic phrase but explores every inch of its margins via a string section and Lateef's flute solo; the smooth, urban, bluesy funk of Mississippi Mud; the completely out electronic musique of Technological Homosapien that becomes a series of synth squeals and an erratically tumbling bassline; and the wonderfully warped mariachi variation (sung in white-boy English) that featured the band playing bluesy hard bop over an age-old recorded track on In A Little Spanish Town. It's a weird way to end a record, but then, it's a weird and wonderful
- Yusef Lateef (alto saxophone, tenor saxophone, flute, oboe)
- Jack Jeffers (trombone)
- Joseph Wilder, Leonard Goines (trumpet)
- Jonathan Dorn (tuba)
- Billy Butler (guitar)
- Ron Carter (bass)
- Kenneth Barron (keyboards)
- Al Foster (drums)
- Dom Um Romao (percussion)
Recording: 1976 at Regent Sound Studios, New York, by Bob Liftin
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
This title is not eligible for discount.1. The Improvisers
4. Mississipi Mud
6. Technological Homosapien
7. Street Musicians
8. In A Little Spanish Town (T'was On A Night Like This)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
- Yusef Lateef (alto saxophone, tenor saxophone, flute, oboe)