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Good Times!Who's ready to have some fun with The Monkees as they celebrate their 50th anniversary? With a tour kicking off in May and the group's first new album in 20 years, GOOD TIMES!, releasing, Monkee-mania will be taking 2016 by storm!
GOOD TIMES! features all three surviving band members - Micky Dolenz, Michael Nesmith, and Peter Tork. The unmistakable voice of the late Davy Jones is also included with a vintage vocal featured on one song. To produce the new album, the band found the perfect musical co-conspirator in Grammy® and Emmy®-winning songwriter Adam Schlesinger (Fountains Of Wayne, Ivy).
Much like The Monkees' early albums, GOOD TIMES! features tracks written specifically for the band by some of the music world's most gifted songwriters, including Rivers Cuomo (Weezer), Ben Gibbard (Death Cab For Cutie), Andy Partridge (XTC), and Zach Rogue (Rogue Wave) as well as a song co-written by Noel Gallagher and Paul Weller. The album also includes songwriting contributions by Nesmith ("I Know What I Know") and Tork as well as producer Schlesinger.
To help bring the anniversary full circle, The Monkees completed songs for GOOD TIMES! that were originally recorded and written for the group during the 60s, including "Love To Love" by Neil Diamond, which features a vintage vocal by Jones. Harry Nilsson wrote the title track "Good Times," which he recorded at a session with Nesmith in January 1968. The production was never completed, so the band returned to the original session tape (featuring Nilsson's guide vocal) and have created a duet with his close friend Dolenz. "Good Times" will mark the first time Dolenz and Nilsson have sung together since Dolenz' May 1973 single "Daybreak." Other vintage 1960's tracks included on GOOD TIMES! feature L.A.'s famed "Wrecking Crew" of session musicians.
"This is one of the most exciting Monkee projects I've been involved in for decades!" says Dolenz. "Working with Adam Schlesinger has been a pure delight and the opportunity to sing a duet with my old buddy, Harry Nilsson, is just beyond cool!"1. Good Times
2. You Bring the Summer
3. She Makes Me Laugh
4. Our Own World
5. Gotta Give It Time
6. Me & Magdalena
7. Whatever's Right
8. Love to Love
9. Little Gil
10. Birth of an Accidental Hipster
11. Wasn't Born to Follow
12. I Know What I Know
13. I Was There (And I'm Told I Had a Good Time)$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Play This Intimately (As If Among Friends)Translucent Red Vinyl
First internationally available new release from Ireland's Pugwash. Features guest appearances from Ray Davies (The Kinks), Heil Hannon (The Divine Comedy), Andy Partridge (XTC) and a cameo from Jeff Lynne (ELO)1. Kicking And Screaming
2. Lucky In Every Way
3. Feed His Heart With Coal
4. Just So You Know
6. The Fool I Had Become
7. You Could Always Cry
8. Hung Myself Out To Dry
9. Silly Love
10. Oh Happy Days
11. All The Way From Love
12. We Are Everywhere$19.99Colored Vinyl LP - Sealed Buy Now
Up On The Chair BeatriceSusan Cowsill and Vicki Peterson have been playing music apart and together for their entire lives. Susan was a child star with her family band, who were the real life template for The Partridge Family. Vicki of course is known as a member of The Bangles.
The two first performed as The Psycho Sisters in the early years of the last decade of the previous century. At that time, both were members, along with Peter Holsapple, of the much loved band The Continental Drifters.
After many years of friendship, the two decided to make a proper album. Up On the Chair, Beatrice features ten tunes of harmony, hooks and just a touch of New Orleans Hoodoo. Along with 8 original tunes, the album features their versions Peter Holsapple's What Do You Want From Me and Harry Nilsson's Cuddly Toy.1. Heather Says
3. Never Never Boys
5. Gone Fishin'
6. This Painting
7. Fun To Lie
8. What Do You Want From Me
9. Wish You
10. Cuddly Toy$18.99Vinyl LP - Sealed Buy Now
Sure The Doldrums and Worn Copy had some hits and humdingers on them, but Ariel Pink's 2002 album House Arrest never lets up. Its hit after hit after hit. Sorta like if you listened to your friends boom box mix tape from Top 40 radio around 1985.
Think you've heard enough Ariel Pink? Well our favorite omnivorous media junkie from LA still has a few tricks left up his sleevelike the left-of-center House Arrest. Sure The Doldrums and Worn Copy had some hits and humdingers on them, but House Arrest never lets up. It's hit after hit after hit. Sorta like if you listened to your friend's boom box mix tape from Top 40 radio around 1985. Some people might think that sounds like a recipe for disaster. We say bring on the Doritos.
Originally released in 2002 as part of a split double-CD set, then re-released with a couple of bonus tracks (including the multipart epic Netherlands) in 2006, House Arrest, much like every other Ariel Pink release so far, provides a small sampling of Ariel Rosenberg's self-recorded compositions, laid down on a trusty eight-track at home. Unlike so many warbling troubadours who seem to think the recorded-in-a-bedroom approach means a license to be maudlin, Rosenberg brings an exuberant joy to his work, finding something that a full band recording might actually kill the spirit of. The queasy tones and gently distanced verses of the opening Hardcore Pops Are Fun is instant put-a-smile-on-your-face stuff, helping to set the tone for the whole collection. The demented synth pop merriment of Flying Circles suggests an '80s nugget swathed in psychedelic haze, a gentle breeziness apparent on many other songs like the giddy Every Night I Die at Miyagis or the nervous funk of Alisa, easily one of the best songs on the album thanks to some exquisite vocals in particular. Though his connection to personal hero R. Stevie Moore is often mentioned, Rosenberg's role model here often seems to be Andy Partridge instead -- check out the distinctly XTC-like hiccupping on Gettin' High in the Morning, not to mention the quick herky-jerk arrangements. Rosenberg's preference to add layers of echo on his voice means sometimes his lyrics only emerge in fits and starts, but when they do they often are wryly witty or amusingly theatrical -- it fits with the amusing rock pose on the back cover, a knowing embrace of a trope. So when he sings about how West Coast calamities are worth more than the East Coast variety or how he's one of those egomaniacs who just want to siiiing, who's to deny how he plays around with the ideas?
1. Hardcore Pops Are Fun
2. Interesting Results
3. West Coast Calamities
4. Flying Circles
5. Gettin' High In the Morning
7. Every Night I Die At Miyagis
8. House Arrest
10. Almost Waiting
$13.99Vinyl LP - Sealed Buy Now
Songs of Rapture and Redemption: Rarities & Live (Pre-Order)Brand New Collection Includes Demos And Live Tracks Making Their Debut On Vinyl
2x 180-Gram Colored Vinyl Pressed At Record Industry
Includes A Tip On Gatefold Stoughton Jacket
Individually Numbered And Limited To One Pressing
Born October 7, 1944, and hailing from California, Judith
Lynn Sill was an American singer-songwriter who learned
how to play piano in her father's Oakland bar. She met,
befriended and started opening shows for Graham Nash
and David Crosby in the mid-to-late 1960s.
After a bit of interest from Atlantic Records, David Geffen
offered Judee a contract and she became the first artist to
sign with his then-fledgling Asylum label. During her early
days at Asylum, she sold her song "Lady-O" to the Turtles and
was featured on the cover of Rolling Stone. Graham Nash
produced her first single, "Jesus Was A Cross Maker," off her
self-titled debut album which was released on September
15, 1971 and engineered by Henry Lewy (Joni Mitchell). The
song was inspired by her romance with singer-songwriter
JD Souther, who later wrote the song "Something In the
Dark" about her. The album featured Sill's voice in multiple
overdubs, often in a four-part chorale or fugue. Her debut
album was not a commercial success, despite good reviews.
Sill took over orchestration and arrangements for her
second album, Heart Food, which was released in March
of 1973. The album was critically acclaimed but sold poorly
and ended her association with Asylum and David Geffen.
Judee continued to write songs and in 1974 began to record
new material planned for a third album that was never
finished. Sill continued to struggle with drug addiction
and health problems, eventually dropping out of the music
scene completely. Judee tragically died of a drug overdose
on November 23, 1979, at her apartment in North Hollywood.
Sill's music was not commercially viable at the time but
was incredibly influential as well as ground-breaking and
many notable songwriters such as Andy Partridge, Liz Phair,
Warren Zevon and Shawn Colvin have been fans of her work.
Her songs have been covered by the Hollies, Cass Elliott,
Warren Zevon, Beth Orton, Bill Callahan, Bonnie Prince Billy,
Ron Sexsmith, The Fruit Bats and many more.LP 1
1. Intro/The Vigilante*
3. Enchanted Sky Machines*
4. The Archetypal Man*
5. Crayon Angels*
6. The Lamb Ran Away With the Crown*
7. Jesus Was A Cross Maker*
1. The Pearl**
2. The Phoenix**
3. Jesus Was A Cross Maker (home demo)
4. The Desperado (Outtake from the Heart Food sessions)
5. The Kiss***
6. Down Where The Valleys Are Low***
7. The Donor***
8. Soldier Of The Heart***
9. The Phoenix***
10. The Vigilante***
11. The Pearl***
12. There's A Rugged Road***
* Live at Boston Music Hall, 10/3/71
** Outtake from the album Judee Sill
*** Solo demo for Heart Food$36.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now