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  • Mehliana: Taming the Dragon Mehliana: Taming the Dragon Quick View

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    Mehliana: Taming the Dragon


    Two 140-gram LPs Pressed At Pallas MFG In Diepholz, Germany


    Includes CD Of The Album


    Nonesuch Records releases the debut album from the electric duo of Brad Mehldau and Mark Guiliana, Mehliana: Taming the Dragon. The two have been performing for several years, including a brief US tour this fall and an ongoing European tour, with Mehldau playing Fender Rhodes and synthesizers and Guiliana on drums and effects, as they are on the record. Mehliana comprises 12 original tunes-six written by the duo and six written by Mehldau-and was engineered and mixed by Greg Koller (Jon Brion, Kanye West). The vinyl edition of the album includes two 140-gram LPs pressed at Pallas MFG in Diepholz, Germany, and a CD of the album.


    Brad Mehldau played in a number of different ensembles, including label mate Joshua Redman's quartet, before becoming a bandleader himself in the 1990s. The Brad Mehldau Trio, which tours the world extensively, made eight acclaimed recordings for Warner Bros., including the five widely praised Art of the Trio albums with former drummer Jorge Rossy (released as a boxed set by Nonesuch in 2011). The pianist's nine years with Nonesuch have been equally productive, beginning with the solo disc Live in Tokyo and including six trio records Day Is Done, House on Hill, Live, Ode, and Where Do You Start, as well as a collaboration with soprano RenÉe Fleming, Love Sublime; a chamber ensemble album, Highway Rider; two collaborations with label mate Pat Metheny, Metheny Mehldau and Quartet, the latter of which also includes Trio members Jeff Ballard and Larry Grenadier; a CD/DVD set of live solo performances, Live in Marciac; and collaborations with genre-crossing musicians on Modern Music, with composer/pianist Kevin Hays and composer/arranger Patrick Zimmerli. Additionally, he produced saxophonist Joshua Redman's 2013 release Walking Shadows.


    According to Modern Drummer, Mark Guiliana is "at the forefront of an exciting new style of drumming." The New Jersey native's unique and un-compromised approach to playing the drums has earned him international acclaim as both a leader and a sideman. In 2004, Guiliana created HEERNT, an "experimental-garage-jazz" trio based in New York. The band's debut record, Locked in a Basement, was called the record "the most exuberant, dramatic, beautiful, sassy, genre-busting little outing that I've heard since I don't know when" by legendary drummer Bill Bruford (Yes, King Crimson). As a sideman, Guiliana's longest partnership has been with world-renowned jazz bassist Avishai Cohen. He toured all over the world with Cohen from 2003 until 2008, performing on six studio records and a live DVD recorded at the Blue Note in Manhattan. Guiliana has also recorded and/or performed with Meshell Ndegeocello, Dhafer Youssef, Wayne Krantz, Matisyahu, Jazz Mandolin Project, Jason Lindner, Brad Shepik, Bobby McFerrin, Tigran Hamasyan, and many more. His debut solo record, Beat Music, which was co-produced by Ndegeocello, was released in the spring of 2013. Guiliana plays Gretsch drums, Sabian cymbals, Vic Firth sticks, and Evans drumheads.

    1. Taming the Dragon
    2. Luxe
    3. You Can't Go Back Now
    4. The Dreamer
    5. Elegy for Amelia E.
    6. Sleeping Giant
    7. Hungry Ghost
    8. Gainsbourg
    9. Just Call Me Nige
    10. Sassyassed Sassafrass
    11. Swimming
    Brad Mehldau & Mark Guiliana
    $29.99
    Vinyl LP + CD - 2 LPs Sealed Buy Now
  • Pat Metheny Group Pat Metheny Group Quick View

    $25.99
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    Pat Metheny Group

    180 Gram Vinyl Reissue


    The first recording by the Pat Metheny Group features the innovative guitarist along with keyboardist Lyle Mays, bassist Mark Egan, and drummer Dan Gottlieb. The music is quite distinctive, floating rather than swinging, electric but not rockish, and full of folkish melodies. The best known of these six Metheny-Mays originals are Phase Dance and Jaco. This music grows in interest with each listen!

    1. San Lorenzo
    2. Phase Dance
    3. Jaco
    4. Aprilwind
    5. April Joy
    6. Lone Jack
    Pat Metheny
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Offramp Offramp Quick View

    $25.99
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    Offramp

    This 1982 recording by the Pat Metheny Group represented a crossroads for the guitarist, a creative expansion from his original concept in terms of acoustic and electric instrumentation, folksy roots material and modern jazz influences, American and third world sources. Having thus marked out the territory for a decade's worth of experimentation and growth, the Metheny Group cemented its standing on the cutting edge of contemporary jazz with Offramp. Lyle Mays' harmonica-like synth theme, Metheny's soaring, vocalized synth-guitar lead, some rich orchestral touches, and an easygoing blend of backbeat and chord changes made Are You Going with Me? one of Metheny's most enduring arrangements. Still, for every gentle, alluring set piece, such as the tangolike Au Lait or the rural vistas of James, there was a visceral, emotive free-for-all like the title track, where Metheny unleashed wild, wailing synth guitar elisions over a loose, abstract pulse--anticipating the energy of the guitarist's collaboration with free jazz guru Ornette Coleman some four years hence on Song X. --Chip Stern
    1. Barcarole
    2. Are You Going With Me?
    3. Au Lait
    4. Eighteen
    5. Offramp
    6. James
    7. The Bat Part II
    Pat Metheny
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 80/81 80/81 Quick View

    $25.99
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    80/81

    Pat Metheny's credibility with the jazz community went way up with the release of this package, a superb two-LP collaboration with a quartet of outstanding jazz musicians that dared to be uncompromising at a time when most artists would have merely continued pursuing their electric commercial successes. From the disbanded Keith Jarrett American quartet came bassist Charlie Haden and tenor Dewey Redman - who alternates with and occasionally plays alongside tenor Michael Brecker - and Jack DeJohnette provides more combustible drumming than Metheny had ever experienced on record before. Yet Metheny's off-kilter wandering on solo electric guitar is a comfortable fit for the post-bop rhythmic crosscurrents of this music. Indeed, Haden and Metheny are in total sympathy, perhaps celebrating their mutual Missouri roots, and Metheny's difficult Pretty Scattered - which he mockingly described as Guitar Revenge! - nearly manages to stump even Redman and Brecker. The first of the Two Folk Songs is a great example of the Metheny folk-jazz fusion, with furious strummed guitar underpinning Brecker's melodic line and excursions on the outside and DeJohnette's spectacular drums. Another remarkable track is Open, a group improvisation that finds DeJohnette shaping the track's direction with a pushing solo and Metheny and the saxes emerging at the end. The two original LPs were organized so that the more distinctive Metheny fusions were on sides one and four and the overt jazz tracks occupied sides two and three.
    1. Two Folk Songs
    2. 1st Pat Metheny
    3. 2nd Charlie Haden
    4. 80/81
    5. The Bat
    6. Turn Around
    7. Open
    8. Pretty Scattered
    9. Every day (I Thank You)
    10. Goin' Ahead
    Pat Metheny
    $25.99
    180 Gram Audiophile Virgin Vinyl - 2 LPs Sealed Buy Now
  • The Falcon And The Snowman Soundtrack The Falcon And The Snowman Soundtrack Quick View

    $40.99
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    The Falcon And The Snowman Soundtrack


    First Pressing Of 1000 Numbered Copies On 180 Gram White Vinyl, Black Vinyl Thereafter


    Includes The Hit This Is Not America By David Bowie/Pat Metheny Group


    The Falcon and the Snowman is based on the true story of military contractor employee and his drug pusher childhood friend who became spies for the Soviet Union. Actors Timothy Hutton and Sean Penn star together with Christopher Walken, and director John Schlesinger.


    The music is composed and performed by the Pat Metheny Group with occasional orchestrations for strings. The exceptions are a male chorus featuring a young alto which bookends the album and This Is Not America, a collaboration with David Bowie, credited as producer and co-composer, who as well performs lyrics for an arrangement of the theme heard in the track Chris.


    Pat Metheny is also involved in duets, solo works and other side projects. His style incorporates elements of progressive and contemporary jazz, post-bop, Latin jazz and jazz fusion. Metheny has three gold albums and 20 Grammy Awards.


    The single from the album This Is Not America, written and performed by David Bowie, reached the hit charts all over the world. The song appeared on several other compilation albums and as b-side on 7.

    1. Psalm 121 / Flight Of The Falcon
    2. Daulton Lee
    3. Chris
    4. The Falcon
    5. This Is Not America (Featuring David Bowie)
    6. Extent Of The Lie

    7. The Level Of Deception
    8. Capture
    9. Epilogue (Psalm 121)
    Pat Metheny Group
    $40.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Kin Kin Quick View

    $29.99
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    Kin


    Includes Two 140-Gram LPs Pressed At Pallas MFG In Diepholz, Germany, And A CD Of The Album


    Last year, for the first time since 1980, guitarist Pat Metheny recorded with a band that highlighted tenor saxophone. Unity Band, which went on to win Metheny his 20th Grammy Award, featured Chris Potter on sax and bass clarinet, longtime collaborator Antonio Sanchez on drums, and Ben Williams on bass. Now, Metheny has added another musician, multi-instrumentalist Giulio Carmassi, and christened the ensemble Pat Metheny Unity Group. The Group's first record, Kin (<-->), will be released in 2014 on Nonesuch.


    Metheny says of this new Group, The core quartet of Chris, Ben, Antonio, and me played more than 100 concerts over the year that followed the release of our Unity Band record. Over the course of that period, the band became one of those rare combinations of players where the whole is greater than the sum of its parts; it gelled in every way, and that just seemed to beg for expansion and further research. He continues, Simultaneously, I had been itching to write using more of a lush and orchestrated kind of concept that went beyond the sonic limits of what a straight-ahead quartet might invoke. But I really didn't want to lose the energy, focus, and intensity of what this band had developed. I wanted to take it further. If the first Unity Band record was a thoughtful, black and white documentary of four musicians in a recording studio playing, this record is more like the Technicolor, IMAX version of what a band like this could be-but with that hardcore thing still sitting right in the middle of it all.


    Musicians:

    Pat Metheny (electric and acoustic guitars, guitar synth, electronics, orchestrionics, synths)

    Chris Potter (tenor sax, bass clarinet, soprano sax, clarinet, alto flute, bass flute)

    Antonio Sanchez (drums and cajon)

    Ben Williams (acoustic and electric basses)

    Guilio Carmassi (piano, trumpet, trombone, french horn, cello, vibes, clarinet, flute, recorded, alto sax, wurlitzer, whistling and vocals)

    LP 1
    1. On Day One
    2. Rise Up
    3. Adagia
    4. Sign of the Season


    LP 2
    1. Kin (<-->)
    2. Born
    3. Genealogy
    4. We Go On
    5. Kqu

    Pat Metheny
    $29.99
    140 Gram Audiophile Virgin Vinyl + CD - 2 LPs Sealed Buy Now
  • Travels Travels Quick View

    $25.99
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    Travels

    If you've ever desired a Pat Metheny Group greatest hits album, then Travels is for you. Compiled from the group's touring activities in 1982, this double set is a must-have. From the glittering lotus of melody that is "San Lorenzo" to the even more effusive "Phase Dance," the requisite classics are all here. We also get a curtailed, though no less epic, version of "As Falls Wichita, So Falls Wichita Falls," which here draws out like a long cinematic fade and throws the windows open wide to the band's boggling sonic purview. And one can hardly help but swoon from the dizzying heights reached by this live version of "Are You Going With Me?" Here the studio version seems but a memory on the path to glory, and finds exuberant life in what is perhaps Metheny's best solo on record. An absolute affirmation.


    Yet the album's true value comes in the handful of songs exclusive to it. Through these we encounter softer sides of the PMG, each burnished like a different shade of leather. "The Fields, The Sky" is an outstanding place to start. Vasconcelos's unmistakable berimbau threads a supremely melodious backdrop, while Metheny is at once distant and nearby, winding a slow and organic retrograde around the fiery center within. Vasconcelos is also the voice of "Goodbye," a forlorn piece of sonic stationery across which Metheny inscribes a most heartbreaking letter toward a ripple of an ending. This pairs nicely with the title track, a laid-back photograph of Americana that is like a rocking chair on the back porch: lulling, and affording an unobstructed vista.


    Similar strains await us in "Farmer's Trust," a slow plunge into an ocean of undriven roads gilded by the whispering of baby birds and the rustling of the leaves that hide them, and in the smoothly paved blacktops of the synth-driven "Extradition" and "Song for Bilbao." Each of these creeps along like wispy clouds over badlands, spun by keyboardist Lyle Mays into sunset. But it isn't all drawl, as drummer Dan Gottlieb proves in the invigorating "Straight On Red," throughout which he provides the perfect springboard for the masterful dialogues of Metheny and Mays.


    Travels is what the PMG are all about, and this album shows us the collective at its finest hour. Those hearing the PMG for the first time will want to start with the studio sessions, and especially Offramp, from which Travels was in part drawn. That way, one can appreciate the enthusiasm of the crowds, and get at least a taste of what it must have felt like to be there among them. With a depth and cleanliness of sound that no band can match, the PMG were a force to be reckoned with, but also one so welcoming that reckoning need never have applied. Theirs is a space where nature and nurture shared the same pair of lungs. - Tyran Grillo

    LP1
    1. Are You Going With Me?
    2. The Fields, The Sky
    3. Goodbye
    4. Phase Dance
    5. Straight On Red
    6. Farmer's Trust


    LP2
    1. Extradition
    2. Goin' Ahead/As Falls Wichita, So Falls Wichita Falls
    3. Travels
    4. Song For Bilbao
    5. San Lorenzo

    Pat Metheny
    $25.99
    180 Gram Audiophile Virgin Vinyl - 2 LPs Sealed Buy Now
  • American Garage American Garage Quick View

    $32.99
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    American Garage

    180 Gram Vinyl


    The back liner photo gives the impression of a grungy Midwestern garage band, but no, that doesn't describe this sophisticated jazz-rock quartet, which was simultaneously breaking into mass-market acceptance and away from the contemplative ECM stereotype. The arrangements are more structured, the playing often more intense and searching, with a more pronounced rock influence.


    On the title track, Metheny digs in and displays some authoritative rock-oriented licks and intensity, and the rhythms on The Search have a slight, at times asymmetrical Latin feeling. The nearly 13-minute The Epic finds the Metheny group developing some real combustion in the improvised sections as Metheny, keyboardist Lyle Mays, bassist Mark Egan and drummer Danny Gottlieb grow tighter as a unit.

    1. (Cross The) Heartland
    2. Airstream
    3. The Search
    4. American Garage
    5. The Epic
    Pat Metheny
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • American Garage American Garage Quick View

    $32.99
    Buy Now
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    American Garage

    The back liner photo gives the impression of a grungy Midwestern garage band, but no, that doesn't describe this sophisticated jazz-rock quartet, which was simultaneously breaking into mass-market acceptance and away from the contemplative ECM stereotype. The arrangements are more structured, the playing often more intense and searching, with a more pronounced rock influence.


    On the title track, Metheny digs in and displays some authoritative rock-oriented licks and intensity, and the rhythms on The Search have a slight, at times asymmetrical Latin feeling. The nearly 13-minute The Epic finds the Metheny group developing some real combustion in the improvised sections as Metheny, keyboardist Lyle Mays, bassist Mark Egan and drummer Danny Gottlieb grow tighter as a unit.

    1. (Cross The) Heartland
    2. Airstream
    3. The Search
    4. American Garage
    5. The Epic
    Pat Metheny
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Journey Man The Journey Man Quick View

    $35.99
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    The Journey Man

    "In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."


    Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"


    It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.


    But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.


    Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.


    Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.


    "I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."


    What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.


    Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.


    By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."


    Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).


    Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.


    A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.


    The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.


    Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.


    "I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."


    Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.


    'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.


    Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".


    And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.


    - Tim Barr, 2017

    LP 1
    1. Horizons (feat. Terri Walker & Swindle)
    2. Prism
    3. Mountains
    4. Castaway
    5. The Mirrored River


    LP 2
    1. I Adore You (w/ Ulterior Motive)
    2. I Think of You
    3. Truth (feat. Jose James)
    4. Redemption


    LP 3
    1. Tu Viens Avec Moi?
    2. The Ballad Celeste
    3. This Is Not A Love Song
    4. The River Mirrored (feat. Terri Walker)
    5. Triangle
    6. Tomorrow's Not Today
    7. Run Run Run

    Goldie
    $35.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Jaco Pastorius Jaco Pastorius Quick View

    $39.99
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    Jaco Pastorius

    Import

    Jaco Pastorius was widely acknowledged for his skills as an electric bass player. He died in 1987 at age 35 following a violent incident at a Fort Lauderdale drinking establishment.



    This self-titled album was Pastorius' solo debut and was originally released in 1976. As living legend Pat Metheny puts it in the liner notes on one of the re-issues of Pastorius' albums:


    Jaco Pastorius may well have been the last jazz musician of the 20th century to have made a major impact on the musical world at large. Everywhere you go you hear Jaco's sound; from the latest TV commercial to bass players of all stripes copping his licks on recordings of all styles, from news broadcasts to famous rock and roll bands, from hip hop samples to personal tribute records, you hear the echoes of that unmistakable sound everywhere.

    1. Donna Lee
    2. Come On, Come Over
    3. Continuum
    4. Kuru/Speak Like a Child
    5. Portrait of Tracy
    6. Opus Pocus
    7. Okonkole Y Trompa
    8. (Used To Be A) Cha-Cha
    9. Forgotten Love
    Jaco Pastorius
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Developing Story Developing Story Quick View

    $35.99
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    Developing Story

    Limited Edition 2LP Is 180g, Hand-Numbered With A Signed Insert By Alan Broadbent

    Working with the London Metropolitan Orchestra on Developing Story is 2-time Grammy winning Alan Broadbent -who arranges and conducts for Sir Paul McCartney, Diana Krall, Pat Metheny, Michael Buble and Natalie Cole. He wrote and recorded his own original compositions for jazz trio and orchestra and pieces of the Great American Songbook. Featuring Peter Erskine on drums and Harvie S on bass.

    LP 1
    1. Developing Story Movement 1
    2. Developing Story Movement 2
    3. Developing Story Movement 3
    4. If You Could See Me Now


    LP 2
    1. Naima
    2. Blue In Green
    3. Lady In The Lake
    4. Milestones
    5. Children Of Lima

    Alan Broadbent / London Metropolitan Orchestra
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Paris Concert: Edition Two (Pre-Order) The Paris Concert: Edition Two (Pre-Order) Quick View

    $54.99
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    The Paris Concert: Edition Two (Pre-Order)


    Numbered, Limited Edition! Pressed at RTI!


    Mastered by Bernie Grundman from the Original Masters!


    Edition Two of The Paris Concert by Bill Evans was recorded live in November 1979 at L'espace Cardin in Paris, France. Evans is assisted by bassist Marc Johnson and drummer Joe LaBarbera. This second edition of the two includes Miles Davis' Nardis as well as 34 Skidoo.


    Bill Evans was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, singing melodic lines continue to influence jazz pianists today.


    Marc Johnson is an American jazz bass player, composer, and band leader. In 1978, Johnson joined legendary pianist Bill Evans in what would be Evans' last trio. Johnson toured and recorded with Evans until the death of the pianist in 1980. His many recording credits since then include discs with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie, Bill Frisell, Pat Metheny, Eliane Elias, Enrico Pieranunzi, Joey Baron, Philly Joe Jones, and many others.


    Joe LaBarbera is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans' career. Prior to joining Evans he worked in the quartet of Chuck Mangione and Joe Farrell. After Evans' death in 1980, Joe joined singer Tony Bennett.


    The music is sensitive and subtly exciting. Until the release of some later live sessions from 1980, this could be considered Bill Evans' final recording and serves as evidence that, rather than declining, he was showing a renewed vitality and enthusiasm in his last year. -Scott Yanow, allmusic.com


    Features:

    • Numbered, Limited Edition

    • Audiophile 180g, 45rpm Vinyl

    • Double LP, Gatefold Packaging

    • Pressed at RTI!

    • Mastered by Bernie Grundman from Original Masters


    Musicians:

    Bill Evans, piano

    Marc Johnson, bass

    Joe LaBarbera, drums


    Recorded by Radio France at L'espace Cardin in Paris, France on November 26, 1979.


    This title is not eligible for discount.

    1. Re: Person I Knew
    2. Gary's Theme
    3. Letter to Evan
    4. 34 Skidoo
    5. Laurie
    6. Nardis
    7. Interview (Excerpts of a conversation between Bill and Harry Evans)
    Bill Evans
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • Coming Of Age Coming Of Age Quick View

    $21.99
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    Coming Of Age

    Call it a generous fluency, an affable virtuosity. Call it a true band spirit. The best bands have all had something that can't be forced: A refined mastery of music and a willingness to converse through music. That's what you hear, above all, on bassist Ben Williams' sophomore recording, Coming of Age: The sound of a musician who's cultivated an authentic rapport with some of the best young players in New York City.


    We have these group texts that we send to each other all the time," Williams says of his band, Sound Effect. "We're just as entertaining to each other off stage as on. If there were ever a reality show about jazz, we'd be good candidates for it!"


    Coming of Age for the 30-year-old Williams means playing a lively role among his peers and a vital part in the music world at large. After winning the prestigious Monk Institute Competition in 2009, Williams got busy turning his youthful promise into real achievement. "My career as a bandleader and composer started from the moment I won," he says. "I had this opportunity to say something-and an obligation, too." In 2011 Williams delivered a debut album, State Of Art, to great critical acclaim and toured widely as a bandleader with Sound Effect. He became a sought after and beloved sideman, playing so many sets at one year's Winter Jazzfest that he rarely left the stage. Most impressively, he assumed a highly-coveted place in guitarist Pat Metheny's Unity Band. "Ben has a fearless and open-minded approach to what music can be," Metheny has said. "A wonderful combination of skills."


    For all his strides in bandleading and performing, on the track Coming of Age Williams shows his greatest growth as a composer. "Composing seems like a nebulous thing," he says. "But the ability to translate a feeling into actual music, takes a lot of doing it, a lot of practice. Which chord is going to invoke this feeling? What's the best key for this idea?" And Williams has some big ideas and feelings to convey, necessitating heavy skill in musical translation and storytelling. On "Toy Soldiers," for example, a martial rhythm and chantlike riff send a message about the sacrifices of war. He wrote the uplifting "Strength And Beauty" on the day of the 2012 Newtown school shooting.


    "The tragic news hit me hard, and this tune came to me as a way of feeling my way through the tragedy. The title was inspired later, when I saw how [jazz saxophonist] Jimmy Greene and his family responded to losing their daughter at Newtown. Their pain is something most of us can't even imagine, but the way Jimmy held it together and became a beacon of light and true strength was an inspiration to everyone."


    Williams takes a page from the Miles Davis school of bandleading by encouraging his band members to compose in the studio, too. For the R&B tribute anthem "Voice of Freedom (for Mandela)," Williams enlisted the smooth soulfulness of singer-songwriter Goapele-and then headed in to record the song with a characteristically open mind. In the studio, saxophonist Marcus Strickland contributed an on-the-spot horn arrangement with the sunny harmony of a South African choir.


    As much as Williams writes in response to politics and current events, his compositions are a respectful celebration of the musical past, too. The driving samba rhythms of "Forecast" are an homage to the jazz fusion group Weather Report, with the tune's melody inspired by Wayne Shorter's "Over Shadow Hill Way." Williams's fluid fretless grooves on "Half Steppin'" recall Jaco Pastorius's "Teen Town."


    Williams sees covers of pop tunes as a bestowal to the jazz canon. "I always like to contribute new repertoire to the jazz songbook," says Williams. "For me it's very important to shout out all the young, new songs coming out." His gift on this album is a moving instrumental version of Lianne La Havas' breakup ballad "Lost & Found." Guest trumpeter Christian Scott communicates the contained heartache of La Havas's song lyrics, with a lightly arranged string quartet adding the right amount of solace.


    Coming of Age concludes with the sweeping title tune, a showcase for Williams's broad stylistic range. "I wanted 'Coming of Age' to feel big," he says. "I was thinking of it in movements, as a kind of mini-symphony." In the final section of "Coming of Age," Williams picks up a bow for the only time on the record, filtering the sound to other worldly but soulful effect. "The vibe I was going for at the end was Prince," Williams says. "I wanted it to feel sonically transformed, tripped out." It's an auspicious end to an accomplished sophomore recording, with Williams' bowed strings sauntering off into the stars to explore for the next album.


    Whatever comes next for Ben Williams, it's sure to be as engaging as it is virtuosic. As an artist who's come of age, Williams' raw talent has evolved into musical grace, conviction, and power. He's a musician in meaningful dialogue with his band Sound Effect, with current events, with musical styles past and present, and finally, with his listeners.


    "My favorite thing is when someone comes up to me who's heard my music and they're singing one of my tunes," Williams enthuses. "Humming a melody! That's the best feeling in the world, when one of my tunes has stuck in someone's head."

    1. Black Villain Music
    2. Voice of Freedom (for Mandela) featuring Goapele
    3. Toy Soldiers
    4. Lost & Found
    5. Half Steppin'
    6. Smells Like Teen Spirit
    7. Toy Soldiers (Reprise)
    8. Coming of Age
    Ben Williams
    $21.99
    Vinyl LP - Sealed Buy Now
  • Smokin' At The Half Note (Out Of Stock) Smokin' At The Half Note (Out Of Stock) Quick View

    $54.99
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    Smokin' At The Half Note (Out Of Stock)

    Mastered by George Marino at Sterling Sound


    ...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011


    A Tremendously Important Historic Jazz Record That Pairs Guitar Virtuoso Wes Montgomery With Miles Davis' Rhythm Section - Paul Chambers and Jimmy Cobb


    This is timeless music that has inspired innumerable jazz guitarists and aficionados. In fact, jazz guitar great Pat Metheny has said, I learned to play listening to Wes Montgomery's Smokin' At The Half Note. Metheny additionally said that the solo on If You Could See Me Now is his favorite of all time.


    This legendary session was recorded at a New York nightclub. It captures Montgomery at the height of his improvisational powers. Many consider it the best performance on record by one of the most inventive guitarists in jazz history.


    Highlights include the Miles Davis opener, No Blues and the following track, Tadd Dameron's If You Could See Me Now. And the album's versions of Unit 7 and Four On Six have helped to establish these songs as jazz standards.


    Wynton Kelly, piano

    Wes Montgomery, guitar

    Paul Chambers, bass

    Jimmy Cobb, drums


    This title is not eligible for discount.

    1. No Blues
    2. If You Could See Me Now
    3. Unit 7
    4. Four On Six
    5. What's New
    Wynton Kelly Trio
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Temporarily out of stock
  • Stone Free - Jimi Hendrix Tribute (Out Of Stock) Stone Free - Jimi Hendrix Tribute (Out Of Stock) Quick View

    $39.99
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    Stone Free - Jimi Hendrix Tribute (Out Of Stock)

    Red & Purple Mixed Vinyl


    Stone Free: A Tribute to Jimi Hendrix (1993) was recorded by various artists in tribute to Jimi Hendrix. The artists were drawn from many genres of popular music. Contributors include his classic rock contemporaries Eric Clapton and Jeff Beck, blues man Buddy Guy, classical violinist Nigel Kennedy, alternative pop/rock bands Belly and Spin Doctors, hip hop artists P. M. Dawn, among others.


    According to the liner notes, the artists were encouraged to not only record one of their own personal favorites but to also place their stamp on Jimi's songs. Several artists recorded radically different interpretations, particularly, P. M. Dawn, The Cure, Nigel Kennedy and Pat Metheny. Some artists, on the other hand, recorded versions that were rather similar to the originals.


    The band M.A.C.C. is made up of Mike McCready (guitarist from Pearl Jam), Jeff Ament (bassist from Pearl Jam), Matt Cameron (drummer for Soundgarden and later for Pearl Jam), and Chris Cornell (singer of Soundgarden and later Audioslave). The cover of Hey Baby (Land of the New Rising Sun) is their only known recording. All four members of this group had previously worked together on the Temple of the Dog project.


    Eric Clapton's backing group on the title track includes the three original core members of Chic (Nile Rodgers, Bernard Edwards and Tony Thompson) and is the last recording on which all three played together.

    LP1
    1. The Cure - Purple Haze
    2. Eric Clapton - Stone Free
    3. Spin Doctors - Spanish Castle Magic
    4. Buddy Guy - Red House
    5. Body Count - Hey Joe
    6. Jeff Beck And Seal - Manic Depression
    7. Nigel Kennedy - Fire


    LP2
    1. Pretenders - Bold As Love
    2. P.m. Dawn - You Got Me Floatin'
    3. Slash And Paul Rodgers With The Band Of Gypsys - I Don't Live Today
    4. Belly - Are You Experienced?
    5. Living Colour - Crosstown Traffic
    6. Pat Metheny - Third Stone From The Sun
    7. M.A.C.C. - Hey Baby (Land Of The New Rising Sun)

    Various Artists
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock
  • I Can See Your House From Here (Out Of Stock) I Can See Your House From Here (Out Of Stock) Quick View

    $59.99
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    I Can See Your House From Here (Out Of Stock)

    Pressed By Pallas In Germany


    Released For The First Time On Vinyl


    Some collaborations between jazz giants seem to have been disappointing for whatever reason. John Scofield and Pat Metheny have such distinct approaches to jazz guitar, who could have foreseen what such a project would end up like?


    It's no surprise that their collaboration sounds so relaxed, fluid, and musically serene, writes AllMusic.com Listeners shouldn't necessarily expect a series of slashing duels, but it's certainly not vapid new age or retrograde fusion. Scofield and Metheny divide compositional duties and play masterful, expressive solos. Guitar fans will be especially impressed with the mastering, which makes Scofield and Metheny's guitars sound right in the room. Even those who don't like sessions without horns, brass, or keyboards shouldn't spurn this one; it still has plenty of muscle.

    1. Acidhead
    2. Ideofunk
    3. Jungle Fiction
    4. I Brake 4 Monster Booty
    5. Animal Farm
    6. Offspring
    7. Tomorrow Land
    8. Uberjam
    9. Polo Towers
    10. Snap Crackle Pop
    11. Lucky For Her
    John Scofield
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock
  • The Paris Concert: Edition One (Out Of Stock) The Paris Concert: Edition One (Out Of Stock) Quick View

    $59.99
    x

    The Paris Concert: Edition One (Out Of Stock)


    Numbered, Limited Edition! Pressed at RTI!


    Mastered by Bernie Grundman from the Original Masters!


    Edition One of The Paris Concert by Bill Evans was recorded live in November 1979 at L'espace Cardin in Paris, France. Evans is assisted by bassist Marc Johnson and drummer Joe LaBarbera. This first edition of the two includes Gershwin's I Loves You Porgy, Rodgers & Hart's My Romance and Paul Simon's I Do It For Your Love.


    Bill Evans was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, singing melodic lines continue to influence jazz pianists today.


    Marc Johnson is an American jazz bass player, composer, and band leader. In 1978, Johnson joined legendary pianist Bill Evans in what would be Evans' last trio. Johnson toured and recorded with Evans until the death of the pianist in 1980. His many recording credits since then include discs with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie, Bill Frisell, Pat Metheny, Eliane Elias, Enrico Pieranunzi, Joey Baron, Philly Joe Jones, and many others.


    Joe LaBarbera is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans' career. Prior to joining Evans he worked in the quartet of Chuck Mangione and Joe Farrell. After Evans' death in 1980, Joe joined singer Tony Bennett.


    With bassist Marc Johnson and drummer Joe La Barbera, Evans had one of the strongest trios of his career... -Scott Yanow, allmusic.com


    Features:

    • Numbered, Limited Edition

    • Audiophile 180g, 45rpm Vinyl

    • Double LP, Gatefold Packaging

    • Pressed at RTI!

    • Mastered by Bernie Grundman from Original Masters


    Musicians:

    Bill Evans, piano

    Marc Johnson, bass

    Joe LaBarbera, drums


    Recorded by Radio France at L'espace Cardin in Paris, France on November 26, 1979.


    This title is not eligible for discount.

    1. I Do It For Your Love
    2. Quiet Now
    3. Noelle's Theme
    4. My Romance
    5. I Loves You Porgy
    6. Up With the Lark
    7. All Mine (Minha)
    8. Beautiful Love
    9. Excerpts of a Conversation Between Bill and Harry Evans
    Bill Evans
    $59.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Temporarily out of stock
  • The Sound Of Summer Running (Deluxe) (Out Of Stock) The Sound Of Summer Running (Deluxe) (Out Of Stock) Quick View

    $59.99
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    The Sound Of Summer Running (Deluxe) (Out Of Stock)


    180-gram Double LP With Deluxe Packaging!


    Never Before On Vinyl!


    Initial Pressing Includes Limited Time 24 X 36 Fold-Out Poster Cover


    Gatefold Jacket With Original Artwork


    Lacquer Cut At SST (Schallplatten Schneid Technik) In Germany And Pressed By Pallas


    Marc Johnson is joined on the album by Bill Frisell, Pat Metheny and Joey Baron for this recording of soothing, relaxing music.


    This date is a surprisingly mellow and melodic affair, particularly when one considers the personnel (bassist Marc Johnson, both Bill Frisell and Pat Metheny on guitars and drummer Joey Baron). Much of the music is comprised of unclassifiable, folkish melodies filled with lyrical guitar solos. Frisell is quite restrained throughout (adding a country feel to many of the songs) and Metheny is less distinctive than usual, alternating between his electric and acoustic guitars, as well as his 42-string pikasso guitar. The quartet performs seven Johnson originals (most memorable is Union Pacific), two by Frisell and one from Metheny. The overall results are pleasing and relaxed music... All Music Guide


    The Play 33 1/3 LP Series is a 1st LP issue project of masterpiece albums which have never been released on LP. The albums are released by Universal Music Korea and the heavyweight LP vinyl is pressed by Pallas in Germany. Khiov designs the project, reforms the original artworks for LP size and produces the gatefold jackets.

    LP 1
    1. Faith In You
    2. Ghost Town
    3. Summer Running
    4. With My Boots On
    5. Union Pacific


    LP 2
    1. Porch Swing
    2. Dingy-Dong Day
    3. The Adventures of Max and Ben
    4. In A Quiet Place
    5. For A Thousand Years

    Marc Johnson
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock
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