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  • Feel The Noise Feel The Noise Quick View

    $18.99
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    Feel The Noise

    Yeah, it's a concept man. Rock n' roll... remember that? Well I do, like it was yesterday. Standing on the corner of Hollywood & Vine in LA or on Columbus & Broadway in front of Aquarius Records in North Beach San Francisco circa 1975... Thinking that all I wanted to do is rock out, so sick of everything I was hearing on the radio, all those bands seemed to suck to me, I couldn't understand what happened to the real rock n roll that I grew up on. Where did it go ? Where were the balls? Where were the guts? Where were the songs that blew my mind, the guitar licks, the harmonies... what happened? For too many years after that all I heard was the same old thing... "rock n roll is dead". Every time I heard it, it made me mad, it made me think... yeah... FUCK YOU! Then I heard the Ramones, and things got better for a while, and then it got bad again. Then I heard Nirvana and things got better again for a while, then they got bad again, but at that point I didn't really care anymore because I knew that Rock N Roll was never gonna die... you know why? Because there will always be a new generation of kids who will dig this shit as much as I do... Feel The Noise! Remember kids, the future is in your hands! Keep on Rocking!

    Paul Collins
    1. Feel The Noise
    2. Only Girl
    3. Baby I Want You
    4. I Need My Rock 'n' Roll
    5. Don't Know How to Treat A Lady
    6. With A Girl Like You
    7. For All Eyes To See
    8. Little Suzy
    9. Can't Get You Off My Mind
    10. Baby I'm In Love With You
    11. Reach Out I'll Be There
    12. Walk Away
    Paul Collins
    $18.99
    Vinyl LP - Sealed Buy Now
  • Live At The Pirate's Cove Live At The Pirate's Cove Quick View

    $18.99
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    Live At The Pirate's Cove

    Pink Vinyl


    Live at the Pirate's Cove, Cleveland OH, May 26th 1977


    Remastered from an analog tape recently discovered by Jack Lee in an unmarked box! Comes with INNER SLEEVE featuring a collage with Nerves MEMORABILIA, RARE PHOTOS, NOTES by Jack Lee, and Paul Collins original TOUR DIARY entry related to the show.


    This 1977 previously unreleased performance showcases the trio live in Cleveland during their infamous Magic Blistering Tour. All the classics are here, Hanging On The Telephone, Walking Out On Love, When You Find Out, Stand Up And Take A Good Look, etc, all delivered with blistering energy in front of a small audience of enlightened scensters that included Dave Thomas of Pere Ubu, and with Devo as the opening band.

    1. Are You Famous?

    2. Stand Back And Take A Good Look

    3. Walking Out On Love

    4. Will You Come Through?

    5. Working Too Hard

    6. When You Find Out

    7. Give Me Some Time

    8. Any Day Now

    9. Why Am I Lonely?

    10. You Wont Be Happy

    11. Letter To G.

    12. Come Back And Stay

    13. I Need YOur Love

    14. Hanging On The Telephone

    The Nerves
    $18.99
    Colored Vinyl LP - Sealed Buy Now
  • Peter Gabriel 3 Peter Gabriel 3 Quick View

    $19.99
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    Peter Gabriel 3

    Half-Speed Remastered And Cut To Lacquers At 33 RPM On Heavyweight LP


    Vinyl Cut By Matt Colton At Alchemy Mastering, Mastered By Tony Cousins At Metropolis And Overseen By Peter's Main Sound Engineer Richard Chappell


    Produced by Steve Lillywhite this third album saw Peter change his writing style; now the rhythm came before the melody and the songs were built up on top of the rhythmic sequences. The album delivered a top 5 UK single in Games Without Frontiers and Peter's first overtly political song in the shape of totemic closer Biko. It also features notable contributions from Kate Bush, Paul Weller, Phil Collins and David Rhodes. Half-Speed Remastered and cut to lacquers at 33RPM, on heavyweight LP. Vinyl cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter's main sound engineer Richard Chappell. These albums really have never sounded so good! They also look amazing with the gatefold sleeves utilizing imagery from the initial release, sourced and re-scanned from original artwork.

    1. Intruder
    2. No Self Control
    3. Start
    4. I Don't Remember
    5. Family Snapshot
    6. And Through The Wire
    7. Games Without Frontiers
    8. Not One Of Us
    9. Lead A Normal Life
    10. Biko
    Peter Gabriel
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Shaw Tapes: Live In Detroit 5/27/88 The Shaw Tapes: Live In Detroit 5/27/88 Quick View

    $17.99
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    The Shaw Tapes: Live In Detroit 5/27/88

    "The best garage band in America since the '60s. Very primitive they made
    people with Les Pauls and Marshall amps look like idiots."
    - Jack White


    Recorded at a party in a Detroit storefront in 1988, this live recording of the
    Gories captures the band at their apex. The ferocity, intensity and grit that come
    through this record is a testament to why the Gories oeuvre has been heavily
    mined for the past two decades by hundreds of poseurs, pretenders and johnny-come-latelys
    The dual-guitar attack of Dan Kroha's smooth Fender Jaguar and
    Mick Collins screechy Kent Videocaster, coupled with the snare-less, cymbal-less,
    bass drum-less primitive drumming of Peggy O'Neill forms a perfect meld of
    40's blues, 50's R&B, 60's garage and 70's punk. Dare we say it, but in terms of
    in uence and reach, the Gories were the Velvet Underground of their day

    1. Nautiloid Reef
    2. Leavin' Here
    3. I Think I've Had It
    4. To Find Out
    5. Boogie Chillen
    6. Real Cool Time
    7. Charm Bag
    8. Sovereignty Flight
    9. Again and Again
    10. Thunderbird ESQ
    11. Hate
    12. Train Kept a Rolling
    13. I Just Wanna Make Love to You / Give Me Love
    The Gories
    $17.99
    Vinyl LP - Sealed Buy Now
  • Eye in the Sky (Speakers Corner) Eye in the Sky (Speakers Corner) Quick View

    $34.99
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    Eye in the Sky (Speakers Corner)

    Unimpressed and untouched by the glorification of individuals so typical for the music business, the Alan Parsons Project proved that even without spectacular light shows, rock celebrities in the band or self-composed songs it was possible to rise to stardom. Alan Parsons, who first took up an apprenticeship as a sound engineer at EMI and was later responsible for several Paul McCartney productions and the Pink Floyd album 'Dark Side Of The Moon' at the legendary Abbey Road Studios, drew upon his experience in order to further his solo career. While the co-producer Eric Woolfson wrote songs, Parsons who had an uncanny feeling for sound conjured up synthetic and natural sounds.



    As with all albums from the early years, 'Eye In The Sky' is inspired by important topics of the times. True to the 'no-future lifestyle' of the 80s, the songs impart a somewhat depressive character which serves as a stark contrast to the steely rock rhythms, free from electronic gimmicks. In addition one finds addictive harmony in the vocal polyphony ('Gemini'), blaring brass with a Spanish rhythm ('Silence And I') and a velvety string sound ('Old And Wise'). All in all a great achievement by the British wizard of sound at the mixing console.



    Musicians:



    • Alan Parsons (keyboards)

    • Eric Woolfson (keyboards, vocal)

    • Andrew Powell (arranger, conductor)

    • Ian Bairnson (guitar)

    • Mel Collins (saxophone)

    • David Paton (bass, guitar, vocal)

    • Stuart Elliot (drums, percussion)




    Recording: 1981 at Abbey Road Studios, London, by Alan Parsons

    Production: Alan Parsons and Eric Woolfson




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Sirius
    2. Eye in the Sky
    3. Children of the Moon
    4. Gemini
    5. Silence and I
    6. You're Gonna Get Your Fingers Burned
    7. Psychobabble
    8. Mammagamma
    9. Step by Step
    10. Old and Wise
    The Alan Parsons Project
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Roots In The Sky (Speakers Corner) Roots In The Sky (Speakers Corner) Quick View

    $34.99
    Buy Now
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    Roots In The Sky (Speakers Corner)

    If there was ever a group that successfully amalgamated Asian and African music with jazz and classic, then it was surely Oregon. With a wide range of instruments and the musicians' unusually receptive ears for everything here, there and everywhere, Oregon certainly enjoyed the optimal prerequisites. John Towner, Paul McCandless, Glen Moore and in particular Colin Walcott laid the foundations for their music in the musical heaven of their time. Oboe, cor anglais, bass clarinet, six- and twelve-string guitars, piano, flugelhorn, percussion, bass, sitar, tabla - such a versatile range of instruments - lent the nine numbers their, until then, rarely heard sound colouring and mark the transition from the band's more hippy-like, country sound when they recorded for the Vanguard label to their later classic sound when signed to ECM. In this respect, Roots In The Sky is an important contemporary document in the world of music between 1970 and 1980. A rare black disc on which there is much to discover!


    This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.


    Musicians:



    • Paul McCandless (clarinet, horn, oboe)

    • Ralph Towner (fluegel horn, guitar, piano, percussion)

    • Collin Walcott (guitar, percussion)

    • Glen Moore (bass)



    Recording: December 1978 at Longview Farms, North Brookfield, MA., and April 1979 at Columbia Recording Studios, New York, by David Greene

    Production: Oregon



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. June Bug
    2. Vessel
    3. Sierra Leone
    4. Ogden Road
    5. House Of Wax
    6. Hungry Heart
    7. Orrington's Escape
    8. Roots In The Sky
    9. Longing, So Long
    Oregon
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Blow-Up Soundtrack Blow-Up Soundtrack Quick View

    $34.99
    Buy Now
    x

    Blow-Up Soundtrack

    Import

    Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks.


    The album features performances by Hancock on keys, Freddie Hubbard and Joe Newman on trumpet, Phil Woods and Joe Henderson on sax, Ron Carter on bass and Jack DeJohnette on drums. Rumours go that either the fabled Jimmy Smith or Paul Griffin played the Hammond organ on this record.


    Rock fans remember the film and the soundtrack for the inclusion of a rare Yardbirds number, Stroll On (actually, an adaptation of Tiny Bradshaw's The Train Kept A-Rollin'), one of only three songs they recorded with both Jeff Beck and Jimmy Page on guitars. The bassline to Bring Down The Birds was sampled by Deee-Lite for their 1990 hit single Groove Is In The Heart featuring Bootsy Collins.

    1. Main Title - "Blow Up"
    2. Verushka Part I
    3. Verushka Part II
    4. The Naked Camera
    5. Bring Down The Birds
    6. Jane's Theme
    7. Stroll On
    8. The Thief
    9. The Kiss
    10. Curiosity
    11. Thomas Studies Photos
    12. The Bed
    13. End Title - "Blow Up"
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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