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Paul Simon Graceland'
Graceland: 25th Anniversary (Awaiting Repress)Ranked 81/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
The universal appeal of the music of Graceland proved more powerful and enduring than the political hotbed attending its creation. In 1986, the album sold 14 million copies worldwide, and received universal praise from critics around the globe. Paul Simon and the members of Ladysmith Black Mambazo performed on Saturday Night Live and appeared on the cover of Rolling Stone.
By January of 1987, You Can Call Me Al was everywhere and Graceland won 'Album of the Year' at the Grammy Awards in 1987. Then, in an unprecedented carryover, the album garnered the Grammy for 'Song of the Year' with its title track in 1988. The album generated three hit singles and kept Simon and the Graceland tour on the road for five years. Graceland and songs like The Boy in the Bubble, Diamonds on the Soles of Her Shoes, You Can Call Me Al and the title track are beacons of cultural unity and remain a pivotal listening experience over 25 years later!
Paul Simons Graceland played a greatly significant role in removing the standoffish dread Western culture harbored toward South Africa during its internal struggle against apartheid, humanizing both a countrys soul-searching hunger for liberation and its simultaneous outpouring of cathartic creative expression. Timothy White/Billboard
In many ways, Graceland was the most extraordinary experience in my entire career, notes Simon. The insight into rhythm was the great gift that I received from making the trip to South Africa, and collaborating with African musicians.1. The Boy in the Bubble
3. I Know What I Know
5. Diamonds on the Soles of Her Shoes
6. You Can Call Me Al
7. Under African Skies
9. Crazy Love, Vol. II
10. That Was Your Mother
11. All Around the World or the Myth of Fingerprints$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Graceland - The Remixes
Acclaimed as one of the most iconic records in rock and roll history, Paul Simon's GRAMMY-winning 1986 album Graceland has received a special 2018 reworking, with the likes of MK, Richy Ahmed, Paul Oakenfold, and Groove Armada all spinning their own unique interpretations across the release - the first time a classic album has been reimagined in its entirety.LP 1
1. Homeless (Joris Voorn Remix)
2. Gumboots (Joyce Muniz Remix)
3. I Know What I Know (Sharam's Motherland Mix)
4. Crazy Love, Vol. II (Paul Oakenfold Extended Remix)
5. The Boy In the Bubble (Richy Ahmed Remix)
6. You Can Call Me Al (Groove Armada Dub Redemption)
1. Under African Skies (Rich Pinder/Djoko Vocal Mix)
2. Graceland (MK's KC Lights Remix)
3. That Was Your Mother (Gui Boratto Remix)
4. Diamonds On the Soles of Her Shoes (Thievery Corporation Remix)
5. All Around the World or the Myth of Fingerprints (Photek Remix)
6. Homeless (Joris Voorn Kitchen Table Mix / The Duke of New York's Edit)$24.99Vinyl LP - 2 LPs Sealed Buy Now
The Rhythm Of The Saints (Pre-Order)Release Date: August 10, 2018*
The Rhythm of the Saints is the eighth solo studio album by American singer-songwriter Paul Simon, originally released on October 16, 1990, on Warner Bros. Like its predecessor, Graceland (1986), the album gained commercial success and received mostly favorable reviews from critics.m.
*Please note that release dates are subject to change.1. The Obvious Child
2. Can't Run But
3. The Coast
5. Further to Fly
6. She Moves On
7. Born at the Right Time
8. The Cool, Cool River
9. Spirit Voices
10. The Rhythm of the Saints$19.99Vinyl LP - Sealed PRE-ORDER Buy Now
There Goes Rhymin' SimonRetaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin' Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music. Simon returned to the kind of vocal pyrotechnics heard on the Simon & Garfunkel records by using gospel singers. On Love Me Like a Rock and Tenderness (which sounded as though it could have been written to Art Garfunkel), the Dixie Hummingbirds sang prominent backup vocals, and on Take Me to the Mardi Gras, Reverend Claude Jeter contributed a falsetto part that Garfunkel could have handled, though not as warmly. For several tracks, Simon traveled to the Muscle Shoals Sound Studios to play with its house band, getting a variety of styles, from the gospel of Love Me Like a Rock to the Dixieland of Mardi Gras. Simon was so confident that he even included a major ballad statement of the kind he used to give Garfunkel to sing: American Tune was his musical State of the Union, circa 1973, but this time Simon was up to making his big statements in his own voice. Though that song spoke of the age's most uncertain hour, otherwise Rhymin' Simon was a collection of largely positive, optimistic songs of faith, romance, and commitment, concluding, appropriately, with a lullaby (St. Judy's Comet) and a declaration of maternal love (Loves Me Like a Rock) -- in other words, another mother-and-child reunion that made Paul Simon and There Goes Rhymin' Simon bookend masterpieces Simon would not improve upon (despite some valiant attempts) until Graceland in 1986.
- William Ruhlmann (All Music Guide)1. Kodachrome (Album Version)
3. Take Me to the Mardi Gras
4. Something So Right
5. One Man's Ceiling Is Another Man's Floor
6. American Tune
7. Was a Sunny Day
8. Learn How to Fall
9. St. Judy's Comet
10. Loves Me Like a Rock$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sun DownNik Freitas' Team Love debut, Sun Down, equal parts wry, warm and sonorous, is the end product of several years of lifeÆs ups and downs. Freitas writes, plays, engineers and produces every note on his records. Not that he's got a lot of expensive gear. A visit to his Poppy Peak studio/shed reveals that Nik is working low-budget minor miracles, the kind of miracles one receives via hundreds of hours on Craigslist. One listen to Sun Down and you know you're hearing a certain hard-won grace. The record takes you from Paul Simon's Graceland to David Bowie's Hunky Dory all in the span of forty effortless minutes. Sun Down is endowed with a sort of gravity and self-possession; no reaching, no going for the gold, just perfect, four minute thesis statements. It all began several years ago for Freitas, when a co-worker sold him an antique piano that was used by a street musician before the dawn of Casio. Nik taught himself how to play the thing, and it became the cornerstone of three earlier records, Here's Laughing at You, Heavy Mellow and Voicing the Hammers. Other people began to take notice. He's opened for Jason Lytle of Granddaddy, played guitar for Jim Fairchild of All Smiles and recorded with Miles Kurosky of Beulah. Lately, he's been opening shows for Bright Eyes which led him to his current resting place at Team Love. The end of the imaginary side one features Sophie with live horns punctuating the tale of a girl who seems to have made some rather unfortunate choices. It's a perfect signpost of a song, and it clears the decks for what's to come in the second half, where Nik's orchestra of one builds the final five songs into an Abbey Road type suite that fans of Jon Brion will hearken to. Sun Down is imbued with a sort of indie grandeur that is both unexpected and totally natural.1. Sun Down
2. Oh My God
3. All the Way Down
4. What You Become
6. Love Around
7. It Ain't Like That
8. See Me There
9. Comes to Me
10.Shhhh$18.99Vinyl LP - Sealed Buy Now
So Much MoreDennen's soulful album is a folk rock revelation...if you're one of those Paul Simon fans who wish he'd return to 'Graceland' already, we've found just the tune for you. But it isn't exactly a 'Graceland' tribute; there are also shades of Joni Mitchell and James Taylor. And the meditative 'I Asked When' is a positively Dylanesque protest song - Washington Post. The dude has a gift for hooks. But unlike Gavin DeGraw or Jason Mraz, Dennen has something to say, putting him closer to skilled songsmiths like Jeff Tweedy and Ray LaMontagne, who also combine seductive voices with relatable premises. Dennen's finely nuanced record gets more captivating with each listen - Paste.1. Ain't No Reason
2. There Is So Much More
3. Darlin' Do Not Fear
4. Because You Are a Woman
5. She's Mine
6. One Who Loves You the Most, The
7. I Asked When
8. When You Feel It
9. So Long Sweet Misery
10. Someday$16.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Stranger To StrangerPaul Simon will release Stranger to Stranger, his 13th solo album in 2016 via Concord Records. Full of thrilling, imaginative textures, Stranger to Stranger conjures a vivid and vital new context to Simon's well-established virtuosity as a singer and songwriter. The record-his first since 2011's acclaimed So Beautiful or So What-ushers the listener into a brave new musical world where expectations are defied and exceeded, as they were thirty years ago with another masterwork, Graceland.
Produced by Simon and his longtime musical partner Roy Halee, Stranger to Stranger's adventurous sonic spirit is abundantly clear right from the darkly humorous first two songs, "The Werewolf" and "Wristband."
"It's about getting you to actually hear something in a new way. It's about making music that sounds old and new at the same time; music with a sense of mystery," Simon explains of his and Halee's experimentation on the album.
The first song written for the album, "Insomniac's Lullaby," led Simon to the musical possibilities first suggested by Harry Partch-the 20th century American composer and theorist who created custom-made instruments in microtonal tunings. To capture the sounds of Partch's unusual instruments such as Cloud-Chamber Bowls and the Chromelodeon, Simon took his equipment to the laboratory at Montclair State University in New Jersey, where the original Harry Partch instrument collection was being curated.
An experimental session with the percussionist in Simon's band and a group of Flamenco musicians provided the initial rhythmic premise for Stranger to Stranger and supplied the grooves that were the basis for four songs on the album-"The Riverbank," "The Werewolf," "Wristband" and "Stranger to Stranger."
Stranger to Stranger's collage of sound also includes the Italian electronic dance music artist Clap! Clap!, whose album Tayi Bebba, blending African field recordings and EDM, Simon admired. Clap! Clap!'s sound can be heard on three tracks: "The Werewolf," "Wristband" and "Street Angel."
"Sound is the theme of this album as much as it's about the subjects of the individual songs. If people get that, I'll be pleased," explains Simon. "The right song at the right time can live for generations. A beautiful sound, well that's forever."
In many ways, Graceland was the most extraordinary experience in my entire career, notes Simon. The insight into rhythm was the great gift that I received from making the trip to South Africa, and collaborating with African musicians.1. The Werewolf
3. The Clock
4. Street Angel
5. Stranger To Stranger
6. In A Parade
7. Proof of Love
8. In the Garden of Edie
9. The Riverbank
10. Cool Papa Bell
11. Insomniac's Lullaby$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now